#co ke

[emtrobarasalaplatja3]

[emtrobarasalaplatja2]

[aenslem]

Star Trek: Voyager (1995–2001) || 1.03 "Parallax"

[frostninja007]

SPOILERS FOR THE NEW HB S1 EP8!!!!!!!!

The new Helluva Boss episode was amazing!!!!!!!!

They gave me her 🤩🤩🤩

AND SHE'S VOICED BY KE$HA??!!!!

No wonder I got 'Die Young' vibes. A wonderful call out to Vivziepop's Animated Video of Die Young

[tetalibuse]

Důležitá otázka

[bumblingbabooshka]

Tuvok & Seven of Nine should have been overbearing co-parents to the borg children

[incohorace]

the thing about wen kexing is that in many ways he has the soul of a wealthy gay socialite & aesthete in 19th century europe

[whentheynameyoujoy]

Svatý Jeronýme, úpěnlivě tě prosím, dej mi tu sílu a drzost aspoň jednou jedinkrát za kariéru vidět originál natřískaný naprosto elementárními chybami a stylistickými zhovadilostmi a pak ty samé chyby a zhovadilosti v zájmu věrnosti prostě autenticky nasekat do překladu, a až mi přijde reklamace, obzvlášť mi prosím dej tu drzost a sílu hájit si tu výslednou zpraseninu tím, že jsem jen spáchala stejné prasárny jako autor v originálu, prosííííííííííím, mě už tak nebaví bejt hodnááááááá

[qourmet]

wen kexing was a real one for making a wholeass Joke of zhou zishu's sexuality by literally cutting zhou zishu's sleeve like,, , ,,

[chaoticgoodcaptain]

zítra píšu poslední tsp a doufám, že to drillování matiky k něčemu bude, ale já přísahám, jestli se s percentilem dostanu nad 90 potom, co jsem si nepodala přihlášku na psychárnu, tak mě asi klepne

[sisterdragonwithfeathers]

someone help me I am obsessively checking and re-checking the library app to see if I'm any closer to getting the next Lockwood & Co. book

@sheet-metal-memories !!!! YOU ARE RESPONSIBLE FOR THIS!!!!!!

[isfjmel-phleg]

Now that I've finished screenshotting my way through Kon's solo, have something literally no one asked for: my opinions on the various writers. Because how bad it is really does depend on who's writing.

Karl Kesel (#1-10, 12-19, 21-30, 50-79, 100, Annual 1): Wrote or co-wrote most of the series. He co-created the character and thus does write him very well--witty and surprisingly complex, perhaps more so than with any of the other writers. The plots are frequently weird as heck but can be emotionally impactful. However, the narrative seldom seems aware of or willing to acknowledge just how messed up the situations Kon ends up in are. The intended tone and the actual content are at odds with each other.

Eddie Berganza (#11, 20, 31, Annual 4, 87-90, 92-93): Guest-wrote a few issues during Kesel's first run and then co-wrote several more with Joe Kelly later. I can't really pin down a uniting quality for his stories (not-so-great handling of female characters? but that's typical for this series), although the co-written ones are particularly incomprehensible.

Ron Marz (#32-42, 45-47): Took over as head writer between Kesel's runs. Plots included Kon's getting back together with Tana, the creation of Match, continued love triangle drama, Kon's deterioration and the cure that freezes him at age sixteen, and Tana's breaking up with him. In a similar vein as Kesel, with no apparent awareness of problematic implications, and the dialogue is less distinctive.

Barbara Kesel (Annual 2 [co-written], Annual 3, #43-44, 48-49): Only wrote a few issues but managed to do things like toning down Kon's flirting, acknowledging that he is being exploited and thereby hurt, and fleshing out female supporting roles. The only one on this list whose work I consistently like, and it's a shame she didn't get to guest-write more often.

Jay Faerber (#80-82): Only wrote three issues. Could have done better with writing Serling's response to Kon's unreadiness to date her so soon after Tana's death, but otherwise has a refreshing emphasis on compassion in his stories.

Joe Kelly (#83-93): Took over as head writer briefly after Kesel's final run, frequently cowriting with Berganza. Has a jarringly different style from previous writers, almost stream-of-consciousness, with a heavy emphasis on humor, but also angst. I struggle with most of his issues. Half the time I can't follow them, and I don't care for how he writes female characters or even Kon himself sometimes (noticeably sleazier and kind of mean). But when Kelly gets Kon right, he gets him right. #91 is incredibly insightful, probably one of my favorite issues. So why was everything else so uneven?

Jimmy Palmiotti and Dan DiDio (#94-100): In a series full of questionable writing, these two stand out as the most questionable of the lot. The situations get worse but are treated as wacky hijinks, and any depth of character Kon ever had has all but vanished--he's mostly reduced to quips and creepy behavior (mostly to Cassie, who in turn is inexplicably judgmental of him when he is literally homeless). The best thing that happens during this run is that it ends with Clark finally doing what he should have ages ago: bringing Kon to live with his parents.

[kekhoeurorack]

Mẫu kệ kho hàng cơ khí và giá năm 2024 | Eurorack

[jaxitaxibolehlaf]

Šéf: "Ta angličtina nic moc. Otřesná."

Takže 1 z angličtiny z maturity mám jen tak pro srandu králíkům? K tedy 🫡

[lokh]

i just had a dream where i was assigned d*ke???????????

[royallylk]

jiska school "only for girls" tha usko college coed milna chahiye yeh ab samjh aa gaya