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mostlysignssomeportents · 2 months ago

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China hacked Verizon, AT&T and Lumen using the FBI’s backdoor

On OCTOBER 23 at 7PM, I'll be in DECATUR, presenting my novel THE BEZZLE at EAGLE EYE BOOKS.

State-affiliated Chinese hackers penetrated AT&T, Verizon, Lumen and others; they entered their networks and spent months intercepting US traffic – from individuals, firms, government officials, etc – and they did it all without having to exploit any code vulnerabilities. Instead, they used the back door that the FBI requires every carrier to furnish:

https://www.wsj.com/tech/cybersecurity/u-s-wiretap-systems-targeted-in-china-linked-hack-327fc63b?st=C5ywbp&reflink=desktopwebshare_permalink

In 1994, Bill Clinton signed CALEA into law. The Communications Assistance for Law Enforcement Act requires every US telecommunications network to be designed around facilitating access to law-enforcement wiretaps. Prior to CALEA, telecoms operators were often at pains to design their networks to resist infiltration and interception. Even if a telco didn't go that far, they were at the very least indifferent to the needs of law enforcement, and attuned instead to building efficient, robust networks.

Predictably, CALEA met stiff opposition from powerful telecoms companies as it worked its way through Congress, but the Clinton administration bought them off with hundreds of millions of dollars in subsidies to acquire wiretap-facilitation technologies. Immediately, a new industry sprang into being; companies that promised to help the carriers hack themselves, punching back doors into their networks. The pioneers of this dirty business were overwhelmingly founded by ex-Israeli signals intelligence personnel, though they often poached senior American military and intelligence officials to serve as the face of their operations and liase with their former colleagues in law enforcement and intelligence.

Telcos weren't the only opponents of CALEA, of course. Security experts – those who weren't hoping to cash in on government pork, anyways – warned that there was no way to make a back door that was only useful to the "good guys" but would keep the "bad guys" out.

These experts were – then as now – dismissed as neurotic worriers who simultaneously failed to understand the need to facilitate mass surveillance in order to keep the nation safe, and who lacked appropriate faith in American ingenuity. If we can put a man on the moon, surely we can build a security system that selectively fails when a cop needs it to, but stands up to every crook, bully, corporate snoop and foreign government. In other words: "We have faith in you! NERD HARDER!"

NERD HARDER! has been the answer ever since CALEA – and related Clinton-era initiatives, like the failed Clipper Chip program, which would have put a spy chip in every computer, and, eventually, every phone and gadget:

https://en.wikipedia.org/wiki/Clipper_chip

America may have invented NERD HARDER! but plenty of other countries have taken up the cause. The all-time champion is former Australian Prime Minister Malcolm Turnbull, who, when informed that the laws of mathematics dictate that it is impossible to make an encryption scheme that only protects good secrets and not bad ones, replied, "The laws of mathematics are very commendable, but the only law that applies in Australia is the law of Australia":

https://www.zdnet.com/article/the-laws-of-australia-will-trump-the-laws-of-mathematics-turnbull/

CALEA forced a redesign of the foundational, physical layer of the internet. Thankfully, encryption at the protocol layer – in the programs we use – partially counters this deliberately introduced brittleness in the security of all our communications. CALEA can be used to intercept your communications, but mostly what an attacker gets is "metadata" ("so-and-so sent a message of X bytes to such and such") because the data is scrambled and they can't unscramble it, because cryptography actually works, unlike back doors. Of course, that's why governments in the EU, the US, the UK and all over the world are still trying to ban working encryption, insisting that the back doors they'll install will only let the good guys in:

https://pluralistic.net/2023/03/05/theyre-still-trying-to-ban-cryptography/

Any back door can be exploited by your adversaries. The Chinese sponsored hacking group know as Salt Typhoon intercepted the communications of hundreds of millions of American residents, businesses, and institutions. From that position, they could do NSA-style metadata-analysis, malware injection, and interception of unencrypted traffic. And they didn't have to hack anything, because the US government insists that all networking gear ship pre-hacked so that cops can get into it.

This isn't even the first time that CALEA back doors have been exploited by a hostile foreign power as a matter of geopolitical skullduggery. In 2004-2005, Greece's telecommunications were under mass surveillance by US spy agencies who wiretapped Greek officials, all the way up to the Prime Minister, in order to mess with the Greek Olympic bid:

https://en.wikipedia.org/wiki/Greek_wiretapping_case_2004%E2%80%9305

This is a wild story in so many ways. For one thing, CALEA isn't law in Greece! You can totally sell working, secure networking gear in Greece, and in many other countries around the world where they have not passed a stupid CALEA-style law. However the US telecoms market is so fucking huge that all the manufacturers build CALEA back doors into their gear, no matter where it's destined for. So the US has effectively exported this deliberate insecurity to the whole planet – and used it to screw around with Olympic bids, the most penny-ante bullshit imaginable.

Now Chinese-sponsored hackers with cool names like "Salt Typhoon" are traipsing around inside US telecoms infrastructure, using the back doors the FBI insisted would be safe.

Tor Books as just published two new, free LITTLE BROTHER stories: VIGILANT, about creepy surveillance in distance education; and SPILL, about oil pipelines and indigenous landback.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/10/07/foreseeable-outcomes/#calea

Image: Kris Duda, modified https://www.flickr.com/photos/ahorcado/5433669707/

CC BY 2.0 https://creativecommons.org/licenses/by/2.0/

#pluralistic #calea #lawful interception #backdoors #keys under doormats #cold war 2.0 #foreseeable outcomes #jerry berman #greece #olympics #snowden

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darkmaga-returns · 16 days ago

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In the early hours of Wednesday morning, legacy news networks were already sliding toward 2016 levels of melting down about the increasingly definite prospect of a presidential victory by Donald J. Trump. For them, Harris’ stinging defeat is personal — because it’s just as much a defeat for them as it is for her.

The corporate media industrial complex has spent Donald Trump’s entire political career trying to destroy him. Hand-in-hand with triple-letter government agencies and Democrats, they ran a hoax painting Trump as a Russian stooge based on ridiculous rumors commissioned by his opponent’s campaign in 2016. They continued to spread the lie for the duration of his presidency, awarding each other Pulitzers for it. And they’ve only ramped up their efforts since then.

The problem they’re reckoning with tonight is this: those efforts didn’t work. They’re no longer able to control Americans by controlling their information intake, because their credibility is farther deep-sixed than the Clinton family’s enemies list.

A TV executive anonymously fretted last week that “If half the country has decided that Trump is qualified to be president, that means they’re not reading any of this media, and we’ve lost this audience completely. A Trump victory means mainstream media is dead in its current form.”

Even before the election results were in, that was true of the corporate press. Jeff Bezos knew it when he reportedly ordered The Washington Post to withhold an endorsement of Harris. But now, they can’t avoid it.

Since the last presidential election, the media have screeched incessantly about Trump “inciting an insurrection” at the U.S. Capitol on Jan. 6, 2021. They made documentaries comparing Trump to the Ku Klux Klan. They portrayed Trump as the ringleader of a terrorist attack and not as a president who gave a speech and urged his supporters to protest peacefully.

Tuesday night’s results are a resounding indication that Americans didn’t buy it.

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reality-detective · 3 months ago

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I'm going to spell it out one more time for those of you who are lost and not registering the 100's of fuckin clues I've been dropping for you. So please pay close attention because I'm tired of repeating the same shit. 👇

YOU ARE WATCHING A MOVIE 🎬 📽️

A lot of what you are seeing is complete bullshit and fake. It's so outrageous on purpose to get your attention at this point and it will continue until it has accomplished the goal fully and arrest will be ongoing with or without you.

There isn't/and never was a Biden presidency. The real Biden was executed for his crimes long ago, along with Clinton and many other deep state goons. You can't arrest them if no crime has been committed and the minions are still committing crimes.

You are seeing actors. Some have masks. That's why Biden keeps referring to himself as the mask president. This means they are the good guys in this movie on the team of freedom.

This whole election was fake along with a fake inauguration.

Fake Biden executive orders.

Fake oval office.

It's all bullshit.

Wake up. 👀

The military right now is controlling our country until the new elections in the coming months. The Insurrection Act has been signed. Executive Orders from Trump are in full effect and I've pointed those out.

Things will soon be revealed publicly. Hopefully, you can wake up before then so you don't have a heart attack in the process.

They really tried stealing our election that part is real. Trump knew this and allowed it to happen to expose them and arrest those involved and he and the military will be implementing a blockchain fraud proof election system, which was already patented back in August 2020. He skipped the 9th circuit corrupt courts because they, too, were compromised and went 100% FISA. This whole thing has been a total military sting operation.

The goal was to arrest and remove these crooks first before ever winning an election. Furthermore, the Vatican owned the corrupt DC corporation, and that is no longer intact, it has been dismantled.

It will soon be a republic for which it stands under the constitution as originally intended. You will get a history lesson in the process along with a solid grasp of what the constitution actually is.

Many corrupt DC rats and Hollywood pedophiles have gone to jail and/or have been executed for crimes of high treason, conspiracy and other crimes against humanity. Many more are in the process of meeting justice via military tribunals as I'm posting this.

Things will be made public in due time, no more secrets, no more games.

There are many actors in this movie, not just the Biden double comedian guy. Who's who at this point is somewhat of a mystery. We don't know exactly who is who 100%. Some actors have been playing a part from the very beginning. Others flipped for a deal and are now playing a part in this movie to avoid the death penalty.

The best thing you can do right now is just wake up to the truth that's being shown to you, take heart and know that communists have no real power over our country and look forward to the things Trump has already pre-planned long ago for you.

I'll warn you now. Things WILL get stranger from here on out.

If you pay attention and listen to what I've been trying to tell you here, you'll start laughing at the ridiculousness of the whole production.

If you are watching the mockingbird media CNN or the other FAUX NEWS networks, you'll probably cry.

Whatever you do, please don't call Joe Biden the president. He really has been long gone, and his double has no power. And that ain't Kamala Harris.

Enjoy the show 🍿 As the federal government is being removed via the military.

https://rumble.com/v5cidlv-8.26.24-the-tipping-point-on-revolution.radio-with-l.t.-col.-riccardo-bosi.html?e9s=src_v1_ucp

If you people would listen to Riccardo Bosi in the above 👆 link you will see what I'm saying. The interview begins at the 1:11:11 mark it's about an hour long. Scott McKay talks about other things before bringing on Lt. Col. Bosi. I posted this 👆 earlier and I know people didn't listen to it. A lot of you are still stuck on the fake bullshit and if you wanna know the truth then put in the time required to learn it. I can't put this anymore clearly. 🤔

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fans4wga · 1 year ago

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[September 1] Don’t Fall For Hollywood Bosses’ New PR Spin

'Today marks the 122nd day of the Writers Guild of America (WGA) strike and 48th day of the Screen Actors Guild and American Federation of Television and Radio Artists (SAG-AFTRA) strike. The dual work stoppages have brought Hollywood to a standstill, with production halted on films and television programs, and premieres and other promotional events either scaled back or canceled. Both guilds are striking over demands that are more than reasonable, particularly given studio executives’ record pay. These demands include fair compensation for streaming media (particularly better residuals, which currently pale in comparison to what they are for network and cable broadcasts), robust studio support for health and retirement funds, and safeguards around the use of artificial intelligence. (For more on why WGA and SAG-AFTRA are on strike, read the excellent reporting of Jacobin’s Alex Press).

In a move that has shocked…pretty much no one, Hollywood bosses don’t want to share their earnings with the very storytellers responsible for generating them. At the same time, they’re happy to make workers pay the cost for their own miscalculations about streaming.

The major Tinseltown studios – organized under the Alliance of Motion Picture and Television Producers (AMPTP) trade association – remain stubbornly opposed to striking a fair deal with either guild. Under the leadership of AMPTP president Carol Lombardini, studios have employed brutal tactics to bust the strike, including threatening to drag things out until writers lose their homes and using management-friendly trade publications to pressure the guilds into accepting lowball offers. These tactics have backfired spectacularly: not only have they failed to end either strike, but they’ve also turned the public overwhelmingly against the AMPTP. A new Gallup poll finds that Americans back the WGA over the AMPTP by 72% to 19%, and SAG-AFTRA over AMPTP by 64% to 24%.

Aware of their reputational damage (but willfully ignorant of the anti-worker attitude that caused it), the AMPTP announced a “reset” to its approach this week – not by negotiating in good faith or meeting the guilds’ demands, but by hiring a pricey crisis-management PR firm to revamp its image! According to Deadline, the AMPTP has hired The Levinson Group – a D.C.-based PR shop best known for representing the U.S. Women’s National Soccer Team in its campaign for pay equity – to “reframe the big picture for studio and streamer CEOs who have been characterized as greedy, imperious and out of touch.”

If you’re feeling like you’ve seen this movie before, you’re not wrong. During the last WGA strike 15 years ago, studio bosses hired former Clinton comms strategists Mark Fabiani and Chris Lehane to revive the AMPTP’s flagging public image. The revolving-door duo were paid a jaw-dropping $100,000 per month by the AMPTP to strike-bust, deploying campaign-style spin attacks designed to break the WGA’s resolve.

As I wrote for The American Prospect in May:

“Fabiani and Lehane created a website with a live tally of the millions of dollars in income that guild members and on-set crew had purportedly lost by striking. They urged studio CEOs to publicly refer to WGA representatives as “organizers” rather than “negotiators” because the former “sound[ed] more Commie.” Lehane even told the press at one point that striking writers were “making more than doctors and pilots,” cynically arguing that the strike was harming “real working-class people” like below-the-line workers who had lost income from struck late-night talk shows […] Fabiani and Lehane were [also] the brains behind a “strongly worded and downright menacing” AMPTP press release breaking off negotiations with the WGA in December 2007. This move allowed the studios, which cited a protracted strike as an “unforeseeable event,” to invoke force majeure contract clauses and cancel multiple writer-producer deals worth tens of millions of dollars, severely demoralizing the WGA’s rank-and-file members.”

The parallels between 2008 and today are striking. Like Fabiani and Lehane (who have worked for scandal-plagued clients like Gray Davis, Bill O’Reilly, Lance Armstrong, and Goldman Sachs) the Levinson Group has no qualms about representing greedy and unsavory characters. Over the years, Levinson has done PR for predatory student lender Better Future Forward, reviled monopolist Live Nation/Ticketmaster, a talc mining company linked to the Johnson & Johnson baby powder cancer scandal, and Theranos fraudster Elizabeth Holmes.

And just like the ex-Clinton spin doctors, the Levinson Group boasts close revolving-door ties to powerful politicians and the news media. The firm currently represents President Biden’s personal attorney Bob Bauer and previously represented John Podesta’s family lobbying firm. Levinson partners have previously worked for an array of influential politicians, including former President Bill Clinton, Senators Jon Tester and Amy Klobuchar, Representatives Maxine Waters and Ted Lieu, and former and current Los Angeles Mayors Eric Garcetti and Karen Bass. The firm’s founder and CEO Molly Levinson spent eight years working for CNN and CBS, while two of the Levinson Group’s top managing directors are alumni of CNBC and The Wall Street Journal. With a web of strong connections to power players in the entertainment industry’s twin capitals of LA and New York, along with the nation’s capital, Levinson could help the AMPTP tilt the regulatory and media scales back in the bosses’ favor.

Though this may sound demoralizing, striking writers and actors shouldn’t lose hope. For one, consider a surprisingly uplifting parallel between 2008 and 2023. Fifteen years ago, after Fabiani and Lehane took the AMPTP’s contract, the SEIU and other unions that had previously worked with the duo severed ties with them for trying to bust the writers’ strike. Fast forward to this week: the U.S. Women’s National Soccer Team Players Association (Levinson’s star client!) publicly rebuked the firm for doing the AMPTP’s dirty work and voiced support for the dual WGA and SAG-AFTRA strikes. If history is any indication, it’s only a matter of time until other pro-union Levinson clients – like the majority SEIU-owned Amalgamated Bank – follow suit and sever ties with the firm.

There is also one crucial way in which 2023 is thankfully not like 2008: The Levinson Group is bad at their jobs.

Consider an August 27th New York Times article about AMPTP President Carol Lombardini*, which was almost certainly pitched or otherwise molded by Levinson flacks. The article goes to ridiculous lengths to rehabilitate Lombardini’s image:

The article passively describes Lombardini’s tenure as “marked by labor peace until now” (a peace that she has now broken) and shifts blame for her unpopular decisions to anonymous AMPTP members (how convenient!).

Article co-authors Brooks Barnes and John Koblin quote a 2014 email from then-WarnerMedia CEO Kevin Tsujihara praising Lombardini’s negotiation skills and recommending she receive a $365,000 bonus. Curiously absent from the article is any mention of Tsujihara’s high-profile 2019 resignation from WarnerMedia for pressuring actresses into non-consensual sex.

Barnes and Koblin attempt to paint a “she’s just like us” picture of Lombardini (who reportedly earns a $3 million annual salary), mentioning her upbringing in a “working-class town outside Boston” and love for Red Sox and Dodgers games.

Barnes and Koblin paint a rosy picture of the AMPTP’s “sweetened proposal” (their words) to the WGA, describing the studios’ August counteroffer as “including higher wages, a pledge to share some viewership data and additional protections around the use of artificial intelligence.” Barnes & Koblin never quote the WGA’s well-founded reasons for turning down this lowball offer, saying only that the WGA is “holding firm to demands related to staffing minimums and transparency into streaming-service viewership.”

Bizarrely, the core issue of underpaid streaming residuals (the main reason writers are demanding greater streaming transparency) is never mentioned in the article.

Barnes and Koblin frequently imply that criticism of Lombardini is unfair, describing her as an “easy target” for the “grievances of striking workers” and singling out a tweet purportedly “mocking [Lombardini] as a fuddy-duddy who hangs out at chain restaurants”.

Barnes and Koblin quote a pre-strike September 2022 Deadline interview with Teamsters organizer Lindsay Dougherty to claim that Lombardini has the “grudging respect” of union leaders who see her as a “fair individual.” They did not quote more recent statements from Dougherty, who last month tweeted that the “greedy” AMPTP had “declared war on Hollywood Labor” by refusing to negotiate in good faith with WGA and SAG-AFTRA.

In one unintentionally eyebrow-raising line, Barnes and Koblin state that Lombardini was “inspired to become a lawyer by reading articles about F. Lee Bailey.” Neither Bailey’s sordid clients (like OJ Simpson) nor his multiple disbarments are mentioned in the article.

And it’s not just me who finds the Levinson Group’s efforts laughable. Discussions of the NYT story on Reddit and Twitter are dominated by comments tying the story’s blatant reputation laundering for Lombardini to the AMPTP’s concurrent hiring of Levinson. A recent New Yorker puff piece on Warner CEO David Zaslav has been met with similar ridicule – with many commenters also pointing to Levinson’s potential influence. So too have recent stories from management-friendly trades like Deadline �� all of which have failed to make a dent in strong public support for WGA and SAG-AFTRA. This is a good sign: not only is the public more inclined to side with striking workers than it was in 2008 – it’s also seemingly more attuned to the role of corporate PR flacks in shaping the media narrative. If studio bosses think they can remake the same movie and end another strike with flashy spin-doctors, they’re sorely mistaken.

So here’s my advice to the AMPTP (and it won’t cost you six figures per month to hear it): the way to fix your reputation problem is to end the strike by giving writers and actors what they want. No strike-busting comms team can rescue you from the hole you’ve dug yourself into.

As the LA Times’ Mary McNamara recently put it, “You’ve lost the war. The best thing to do now is negotiate the terms of surrender.”'

#wga strike #writers strike #sag-aftra strike #sag strike #actors strike

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girlsdressingrooms · 9 months ago

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Iris Barrel Apfel, Decorator and Fashion Stylist

(August 29, 1921 – March 1, 2024)

Ms. Apfel was one of the most vivacious personalities in the worlds of fashion, textiles, and interior design, she has cultivated a personal style that is both witty and exuberantly idiosyncratic.

Her originality was typically revealed in her mixing of high and low fashions—Dior haute couture with flea market finds, nineteenth-century ecclesiastical vestments with Dolce & Gabbana lizard trousers.

With remarkable panache and discernment, she combines colors, textures, and patterns without regard to period, provenance, and, ultimately, aesthetic conventions. Paradoxically, her richly layered combinations—even at their most extreme and baroque—project a boldly graphic modernity.

Iris Barrel was born on Aug. 29, 1921, in Astoria, Queens, the only child of Samuel Barrel, who owned a glass and mirror business, and his Russian-born wife, Sadye, who owned a fashion boutique.

She studied art history at New York University, then qualified to teach and did so briefly in Wisconsin before fleeing back to New York to work on Women's Wear Daily, and for interior designer Elinor Johnson, decorating apartments for resale and honing her talent for sourcing rare items before opening her own design firm. She was also an assistant to illustrator Robert Goodman.

As a distinguished collector and authority on antique fabrics, Iris Apfel has consulted on numerous restoration projects that include work at the White House that spanned nine presidencies from Harry Truman to Bill Clinton.

Along with her husband, Carl, she founded Old World Weavers, an international textile manufacturing company and ran it until they retired in 1992. The Apfels specialized in the reproduction of fabrics from the 17th, 18th, and 19th centuries, and traveled to Europe twice a year in search of textiles they could not source in the United States.

The Metropolitan Museum of Art’s Costume Institute assembled 82 ensembles and 300 accessories from her personal collection in 2005 in a show about her called “Rara Avis”.

Almost overnight, Ms. Apfel became an international celebrity of pop fashion.

Ms. Apfel was seen in a television commercial for the French car DS 3, became the face of the Australian fashion brand Blue Illusion, and began a collaboration with the start-up WiseWear. A year later, Mattel created a one-of-a-kind Barbie doll in her image. Last year, she appeared in a beauty campaign for makeup with Ciaté London.

Six years after the Met show she started her fashion line "Rara Avis" with the Home Shopping Network.

She was cover girl of Dazed and Confused, among many other publications, window display artist at Bergdorf Goodman, designer and design consultant, then signed to IMG in 2019 as a model at age 97.

Ms. Iris Apfel became a visiting professor at the University of Texas at Austin in its Division of Textiles and Apparel, teaching about imagination, craft and tangible pleasures in a world of images.

In 2018, she published “Iris Apfel: Accidental Icon,” an autobiographical collection of musings, anecdotes and observations on life and style.

Ms. Apfel’s apartments in New York and Palm Beach were full of furnishings and tchotchkes that might have come from a Luis Buñuel film: porcelain cats, plush toys, statuary, ornate vases, gilt mirrors, fake fruit, stuffed parrots, paintings by Velázquez and Jean-Baptiste Greuze, a mannequin on an ostrich.

The Museum of Lifestyle & Fashion History in Boynton Beach, Florida, is designing a building that will house a dedicated gallery of Ms. Apfel's clothes, accessories, and furnishings.

Ms. Apfel’s work had a universal quality, It’s was a trend.

Rest in Power !

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deadpresidents · 3 months ago

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What's been your favorite Oval Office layout?

I liked President Clinton's Oval Office because I feel like the colors really popped out at you, especially with the blue carpet:

Clinton's Oval Office also kind of reminds me of the Bartlet Oval Office in The West Wing, although the Oval Office in The West Wing was always super dark for some reason. I know some readers are going to be surprised that I didn't choose LBJ because LBJ is always my answer when it comes to favorites, but the 1950s, 1960s, and 1970s decorations weren't great. It is funny, however, to see the giant TVs -- one for each of the three television networks at the time -- that LBJ had in his Oval Office because he was such an information junkie (LBJ also had a teletype machine installed in the Oval Office so he could get news reports immediately):

I also really liked George W. Bush's Oval Office, but it would have been better with a bit more color. My favorite color is blue, so I would definitely have wanted to see more blue in Bush's Oval. But I do like the rug that President Bush used, which was also used by President Reagan.

For those who are interested, it looks like the awesome White House Museum website, which disappeared for a while, is now being hosted here. You can see photos of how the Oval Office was decorated for various Presidents ever since the West Wing was built.

Also, here's a great photo of a completely empty Oval Office (stripped of everything, including carpets) as it was being cleaned during the transition between Presidents on Inauguration Day:

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justinspoliticalcorner · 6 months ago

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Kerry Eleveld at Daily Kos:

Republicans have two distinct media advantages as November approaches: a propaganda machine on the right that creates and amplifies disinformation and a presidential candidate so flawed and broken that his outrageous behavior barely registers among corporate media anymore. Matt Gertz, senior fellow at Media Matters for America, illustrated how the media environment benefits Donald Trump by pointing to his remarks earlier this month that his administration would "root out" his political opponents that "live like vermin within the confines of our country." Gertz contrasted this month's coverage of Trump's Nazi-esque language against the wall-to-wall coverage in 2016 of then-presidential candidate Hillary Clinton referring to Trump's "basket of deplorables." In the first week following Clinton's gaffe, network news outlets spent 54 minutes on her comments. Meanwhile, they only devoted three minutes to Trump's "vermin" comments. The disparity on cable news was far worse, with 1,662 mentions of "deplorables" throughout the first week versus 191 mentions of "vermin."

Trump has lowered the bar so far that the relentless amount of garbage he spews barely causes a blip in corporate media coverage. At the same time, the right-wing propaganda machine routinely fabricates and disseminates controversies to its audiences. Perhaps the most recent example was the easily debunked falsehood that the FBI sought to assassinate Trump when it searched his Mar-a-Lago residence for presidential records he had deliberately refused to return to the National Archives. The bifurcated media treatment of Trump versus that of President Joe Biden incontrovertibly benefits Republicans this election cycle, as journalist Greg Sargent pointed out on The Daily Blast.

[...]

Generally speaking, Republicans who are open to voting for Biden don't believe he stole the 2020 election and were horrified by the violent insurrection attempt, so revisiting that concern is a worthwhile endeavor. However, if you're talking to voters who are primarily worried about the economy and inflation, it might be better to phrase the question as “who do you think will fight for you?” Democrats are the ones cracking down on price-gouging corporations by capping bank fees and insulin prices, while Trump is promising corporations another $2 trillion tax cut. Younger voters might be the most difficult to reach of all the potential swing voters. As Dan Pfeiffer, former Obama senior adviser on strategy and communications, wrote on Substack Tuesday, TikTok is hurting Biden, especially among young people who are the platform’s primary users. Trump’s right-wing influencers are outgunning progressive firebrands such as Rep. Alexandria Ocasio-Cortez on a platform that is featuring political news even as other social media platforms de-emphasize it.

The corporate media has a pro-Trump (and pro-GOP) bias, and there are ways to combat such bias.

#Media Bias #2024 Elections #Donald Trump #Joe Biden #Matt Gertz

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darkeagleruins · 1 month ago

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sussex-newswire · 3 months ago

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"Prince Harry, actor Matt Damon, and World Central Kitchen founder Jose Andrés are set to speak at the 2024 Clinton Global Initiative annual meeting in New York on Sept. 23 and 24, the Clinton Foundation announced Thursday.

"The theme of this year’s gathering of political, business and philanthropic leaders is “What’s Working” – an effort to shine a spotlight on potential solutions and effective aid in a tumultuous period marked by war, increased income inequality and food insecurity.

...

"The Duke of Sussex plans to discuss the launch of The Archewell Foundation Parents’ Network, an initiative supporting parents whose children have suffered or died due to online harms. He also plans to address his nonprofit’s collaboration with the World Health Organization and others to end violence against children, an issue he and his wife Meghan outlined on a recent trip to Colombia."

#prince harry #clinton global initiative #archewell foundation parents' network

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mariacallous · 3 months ago

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Now that the Democratic National Convention is over, the next major battleground in the 2024 election is the media.

The Harris-Walz campaign needs to be ready.

Although former President and Republican presidential candidate Donald Trump has struggled to respond to the new Democratic ticket, Republicans will likely get in line with a unified media strategy. The message they will seek to promote is that Democrats are running the most radical, leftist candidates in U.S. history.

In recent elections, Democrats have had difficulty with the new turbocharged, fast-moving and unfiltered media landscape. In 2016, Trump beat former Secretary of State Hillary Clinton, harping on the investigation into her emails. In 2020, President Joe Biden defeated Trump, but under unusual pandemic circumstances that put much of the conventional campaign processes on hold. As campaign conditions returned to normal this year, things did not go as well for Biden. One televised debate, noted New York Times columnist James Poniewozik, brought his candidacy to an end: “There was simply a horrendous TV outing—less than two hours that changed history.” But even before Biden stepped onstage, his poll numbers were lagging after a conservative media onslaught about his age and alleged corruption.

To sustain the energy that boosted Vice President Kamala Harris through the convention in Chicago, Harris’s campaign needs to devise an effective media strategy tailored to the current era. To do so, her team should look back to 1992, when then-Arkansas Gov. Bill Clinton’s savvy war room figured out how Democrats could thrive in another new age—of cable television, investigative journalism, and state-of-the-art political advertising. While the news media has evolved significantly in terms of form and content since Clinton won the presidency, Harris will need to achieve a mastery similar to that of Clinton’s historic campaign team.

The early 1990s seem like simpler times. In January 1994, NBC Today Show’s Bryant Gumbel asked his cohost Katie Couric: “What is the internet anyway?” Email was a novelty. Surfing was done in the ocean. Cable news played by the traditional rules of objective reporting. Smartphones were in development, and cell phones remained a luxury. Social media meant going to the movies with friends.

Yet the 1992 presidential campaign—which pitted Clinton, then-incumbent President George H.W. Bush, and independent candidate Ross Perot against each other in a race for the White House—took place across a media landscape that had changed dramatically since the 1960s. Cable had created a 24-hour news cycle where stories came out quickly. These stations, as well as the increasingly popular one-hour network news zine-style shows (Nightline, for example), depended on a healthy audience share for their livelihood, in contrast to the public service ethos of the half-hour nightly news programs from earlier times. This shift meant that sensationalism became a hot commodity. Investigative journalism born from Watergate had given rise to a generation of reporters who were constantly on the hunt for wrongdoing. Moreover, conservative talk radio had exploded after the Federal Communications Commission abandoned the fairness doctrine in 1987. Syndicated hosts such as Rush Limbaugh commanded between millions of listeners on over 600 stations. Daily tabloid newspapers and comedic shows, too, were having a greater impact on politics.

And in advertising, the “Morning in America” campaign that helped then-incumbent President Ronald Reagan win reelection in 1984 set a new standard for sophisticated production techniques. Television spots became like short films, capable of seducing and devastating all at once.

Starting with the 1980 election, and as a party felt to be on the outs from the mainstream culture, the GOP saw an opportunity to shape the national conversation through an aggressive media strategy that defined the way the public perceived its opponents and itself. As they built a new conservative majority, Republicans made huge investments which very often paid off.

In 1980 and 1984, Reagan’s campaign team managed its message to transform the one-time conservative extremist into the nation’s savior. Then, in 1988, Bush pulled together one of the most brutal campaigns of modern history under the direction of South Carolina campaign consultant Lee Atwater. Atwater tore down all the guardrails as to what was permissible, institutionalizing an anything-goes philosophy. Playing on themes of patriotism, religious nationalism, and a racial backlash, Bush and Atwater redefined the promising Massachusetts Gov. Michael Dukakis—an intelligent technocratic reformer—into a heartless left-wing radical who looked terrible in a tank.

In 1992, from its perch in Little Rock, Arkansas, Clinton’s inner circle was determined not to repeat these experiences. It had been hardened during the primaries when its candidate barely survived a sex scandal involving Arkansas state employee Gennifer Flowers. James “the Ragin’ Cajun” Carville had guided Clinton through the crisis and emerged as the central figure behind the “comeback kid.” In a scene captured in the 1993 documentary The War Room, which provides the best look into this critical campaign, Carville warned his staff that Democrats needed to step up or conservatives such as Fox News chairman Roger Ailes would destroy them. With Carville leading the way, Clinton’s war room also included George Stephanopoulos (communications), Paul Begala (chief strategist), Stanley Greenberg (polling), and Mandy Grunwald (advertising).

Several principles guided Carville’s army. Speed was essential. In the cable era, sitting out of stories was no longer an option. Being patient could leave a candidate in the dust. The war room deployed a rapid response style that left no charge unanswered for long and aimed to provide counterarguments before allegations could set in the public mind. When reporters raised an accusation, Clinton’s team rejected the claims with resolve and force. At the same time, whenever Carville and Stephanopoulos got hold of any potentially damaging information about Bush or Perot, they released it to the media immediately rather than trying to think up the best spin.

Tired of the defensive and despondent outlook of Democrats following the political bloodbath in 1988, Clinton’s war room insisted that Democrats needed to play offense. “Why can’t we attack George Bush?” the documentary shows Carville asking his team. The film portrays an effort that fizzled as the team tried to stir a story about Bush having campaign material made overseas rather than in the United States. Nor was it shy about ripping into the weaknesses of Bush’s record.

In doing so, the Clinton war room also elevated clarity into an artform. Carville’s team grasped how long and complicated arguments did not fly in an age of soundbites. They famously drew on a board: “the economy, stupid.” There were two other punchy slogans to guide them: “Change versus more of the same” and “don’t forget health care.” That reminder to staffers was also an example of how to convey a message with simplicity. According to the Los Angeles Times, the crew in Little Rock “share[d] a belief in the primacy of ‘the message’ as the driving force in a presidential campaign, downplaying the importance of such traditional political tools as precinct organizations, registration drives and Election Day turnout efforts.”

The team also worked to sell the message through the realm of popular culture, traditionally dismissed as undignified. Clinton appeared on the Arsenio Hall Show and MTV, in People, and more. The campaign blitzed talk show hosts with information that made Bush look like an out-of-touch well-to-do who only cared about foreign policy while constantly reminding them of Clinton’s humble origins.

In November 1992, Clinton won with 370 Electoral College votes. Four years later, he defeated Sen. Robert Dole and was reelected.

Subsequent Democrats could not replicate his success. In 2000 and 2004, respectively, Vice President Al Gore and Sen. John Kerry failed to be as effective on the media stage. Decorated Vietnam veteran Kerry, for instance, was shell-shocked when then-incumbent President George W. Bush’s campaign tagged him as a flip-flopping politician and an independent group invented the concept of “swift-boating” by throwing out false accusations to discredit his military record. Political consultant Chris LaCivita, who is currently co-managing Trump’s campaign, was one of the people who produced the spot for the “Swift Boat Veterans for Truth” smear campaign.

Barack Obama reset Democratic campaign strategy in 2008. David Axelrod and his band of campaign operatives updated Carville’s model, demonstrating how effective use of social media tools such as Facebook, well-produced television spots with Reagan-like narratives, and not responding to the daily noise from the internet and cable television could provide a recipe for victory. Sen. John McCain and his running mate, Alaska Gov. Sarah Palin, were no match.

Of course, the media campaign was a complement, not an alternative, to an aggressive turnout strategy that focused on driving up total votes in all 50 states.

The media challenges in 2024 have expanded again, even as the old ones remain relevant. One of the most grueling challenges facing Harris and Minnesota Gov. Tim Walz will be to survive the onslaught of disinformation, deepfakes, and openly partisan news that will hit them from all sides in the months to come. The recent hack by Iran, which Trump claims targeted his campaign, is a reminder that foreign interference will also be a problem.

Harris also needs to compete successfully in what New York Times columnist Ezra Klein has called the “attention field.” News moves at a fast speed and those who consume political news tend to move on very quickly. Attention spans are not easy to maintain. An effective campaign has to figure out how to keep the media focused on its candidate and message for substantial periods of time.

Between now and Election Day, Harris will be facing an opponent who has proven to be effective at working the media. Trump has repeatedly demonstrated an instinctive feel for the rhythm and dynamics of the news cycle. As president, he capitalized on the interconnected relationship between social media, cable news, online newspapers, and podcasts to dominate the national conversation and harden perceptions about opponents. He handled televised debates like a reality show, using body movements, facial expressions, controversial comments, and vicious insults. Most recently, he capitalized on an attempted assassination, standing up with blood dripping down his ear, surrounded by U.S. Secret Service agents, defiantly pumping his fist in the air and yelling: “Fight! Fight! Fight!” It was as if he could see how the event looked on a television screen.

Thus far, Harris’s team has been extremely effective on this playing field. It has staged the rollout methodically to generate good feeling, excitement, and constant media attention. Harris’s memes have caught fire on social media. Harris appears to have selected Walz as her running mate in part because of how adroit he has proven to be in this playing field despite being 60 years old. By uttering one word, “weird,” Walz remade the messaging of his entire party. When Republicans lobbed their initial attacks against Walz’s military record, the social media army hit back hard, although some commentators believe it needs to hit back harder.

The fight is only beginning. Democrats should not fool themselves into thinking Trump will simply lay down his gloves and walk away. When backed into a corner, Trump traditionally becomes more brutal.

But as Clinton’s war room demonstrated in the 1992 election, a savvy Democratic campaign updated to suit the modern media environment can take down the fiercest opposition and pave a road that leads to the White House.

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