#christian necklace

[jeweltown]

[giftsforsaints]

E X C L U S I V E

[120daysofsodomm]

[bebemoon]

look for the name NADEZHDA (requested by anonymous) | simone rocha sheer tulle frill cascade cape dress w/ faux fur trim (a/w 2o24), { beauty } fairy faces backstage @ christian dior couture s/s 2o17, harlot hands "caroline" white and pink beaded freshwater pearls necklace, antonio maretti "slumber party" eau de parfum (cream, vanilla, benzoin, caramel, chocolate, brown sugar, musk, praline), sandy liang mary jane pointe shoes in ballet satin

[lttledog]

Jean Paul Gaultier sample necklace, 1996.

[idylls-of-the-divine-romance]

"The masculine urge" "the feminine urge" The Christian urge to buy a crucifix necklace so I can meditate on the Christ Crucified and wonder in awe of the incarnation and in horror of human violence and in utter confusion at God's self giving love for us that led him to die the death of a cursed blaspheming slave.

[amygdalae]

My outfits the first 2 days of the semesterrrrr 😋

[putagal]

got bored during class and drew this purely for self indulgence, sometimes i need to objectify men (plus my fav portu ships)

[werewolfsmile]

Just watched The Big Bang Job again today and I rambled about this in an earlier post reblog but it deserves its own post..

The way Eliot dresses makes so much more sense after meeting Moreau and his goons. He rejects all notions of being anything like those well dressed men in their suits again. So blank and uniform, just another soldier in Moreau's private army.

That's why his shirt is always untucked, sleeves rolled up, collar unbuttoned. Not to mention the hair - the biggest rebellion is his hair. A constant reminder of who he is now that stays the same, no matter what he wears.

And it just makes me think how this is such a good representation of the identity crisis he went through (and let's be real, is still going through).

Eliot used to be one of those men. He had his hair short, wore the tailored suits and carried the guns. He didn't accessorise. He suppressed every aspect of an individual personality in order to fit the role that Moreau had for him.

Sure, we're not blatantly told all of those things in the show, but we can infer, simply from looking at Moreau's goons and how they're presented.

Seeing Eliot surrounded by those goons in the pool scene is more than just showing us the threat to Eliot and Hardison - and also the threat that Eliot and his reputation present. It's about showing us the demons of his past, the nightmare that he doesn't want to go back to. Eliot had alluded to his past before but it's been nebulous. Now, we finally see that past take shape and it's hideous.

But Eliot didn't stay like that. He got out - he got free - and he has been reclaiming pieces of himself ever since. Until, finally, he's the evolving Eliot that we know and love. He prefers to dress casual and relaxed, with strong reminders of his roots throughout. He keeps his hair long and loose - not military regulation, not 'professional' as far as male standards go, not even convenient for fighting. It's all a way of stealing himself back, and making sure the differences between who he was then and now are stark and vivid.

I could keep rambling but this is already twice as long as I intended. Just ... Eliot Spencer. He still doesn't view himself as a better man, never mind a redeemable man, but he is. When compared to those goons, his transformation is clear as day.

[rebellum]

The whole transandrophobia discussion thing is weird bc it feels like it's a bunch of poc and jewish trans people being like "here are my experiences of how specifically being MASCULINE had affected me, and the discrimination and violence I experienced based on that. And here is how that relates to me being a racial/ethnic minority"

And then a few loud white trans people going "ohhh you wanna be oppressed so bad you *slur*. This is why there aren't any poc in your movement it's because REAL poc understand intersectionality"

[giftsforsaints]

E X C L U S I V E

[animatedglittergraphics-n-more]

[bebemoon]

look for the name MEILING (requested by anonymous) | sculptor long sleeveless dress w/ fawn image on back in pale blue, sandy liang mary jane pointe shoes in color ballet nappa, swamparsenal "porcelina of the vast oceans" necklace (handmade of grade a-aaa freshwater pearls and gemstones), essential parfums "divine vanille" eau de parfum (clary sage, cinnamon, black pepper, osmanthus, incense, pomarose, vanilla, tonka, benzoin, cedar, musk, patchouli), christian dior pink and cream leather logo handbag (c. 2ooo's)

[artandthebible]

The Finding of Moses

Artist: Paolo Veronese (Venetian, 1528-1588)

Date: c. 1581-1582

Medium: Oil on canvas

Collection: National Gallery of Art, Washington, DC, United States

Description

The subject is taken from Exodus 2:3–10. According to the biblical account, the infant Moses was placed by his mother in a basket and hidden beside the river to escape the edict of the king of Egypt that all the male offspring of the Israelites should be slain at birth. The basket was discovered by the king’s daughter when she came to the river to bathe with her maidservants. Seeing the princess take pity on the child, Moses’s sister Miriam, who had been keeping watch from a distance, approached and offered to find a nurse for him; in this way, Moses was saved and brought up by his own mother.

Veronese imagined the event in contemporary terms and showed the princess wearing a magnificent robe of gold and silver brocade and copious jewelry, surrounded by a courtly entourage that includes a dwarf. In the immediate foreground, an African servant holds the now-empty basket. The kneeling woman holding the baby is presumably Miriam, and the older woman preparing to wrap him in a cloth is his mother. In the left middle ground, two other servants, apparently unaware of the remarkable discovery, have undressed to their shifts and are preparing to bathe in the river. Although in Christian tradition Moses was often interpreted as a prototype for Christ, Veronese did not seem to be concerned here with the possible theological, political, or moral implications of the story, but treated it, as observed by Kurt Badt, simply as a poetic idyll.

[a-stars-art-blog]

Gay religious vampire I love you <3

[that-one-girls-blog-posts]

"Oh she's such a believer" "she literally reads the bible everyday" "She can't on sundays, she has church" "you can tell she has the Jesus glow"🥹🩷🫶🎀🤍