#chinese forget me not

[corpsentry]

pick your battles

[flowerakatsuka]

Osomatsu-san ~Le bourgeon~ & ~Fleurir~ Hikokuji (2019)

[indigrassy]

Don't forget me

[wlwcatalogue]

Female Queer Icons of Hong Kong // Yam Kim Fai (任劍輝) and Pak Suet Sin (白雪仙)

Photo 1: Promotional photo for 1955 contemporary movie The Model and the Car (玉女香車) (no video available) (Source: LCSD Museum Collection Search Portal)

Photo 4: Photo from Sin Fung Ming Opera Troupe's 1958 trip

Photo 5: Photo from a 1962 newspaper feature on Yam, Pak, and others at their (?) summer villa in Central, Hong Kong

Photo 6: Christmas celebrations with Yam, Pak, and their protégés of the Chor Fung Ming Troupe

Far and away the most iconic duo in Cantonese opera, Yam Kim Fai (任劍輝) and Pak Suet Sin (白雪仙) – commonly referred to simply as Yam-Pak (任白) – were famed for their partnership both on and off the stage… Click below to learn more!

Edit on 28/07/2023: Updated to link to a photo of the entrance to the Hong Kong Heritage Museum’s Pop Culture 60+ exhibit, and to add information regarding Yam and Pak's marriage status.

Iconic? How?

Yam-Pak are the face of Cantonese opera; you can't talk about the latter without mentioning the former. It's to the point where a gigantic picture of them graces the entrance to the Hong Kong Heritage Museum’s permanent exhibition on Hong Kong pop culture’s evolution across the past 60 years (“Hong Kong Pop 60+”) - they are the first thing you see upon entering!

Best known as the originators - with Yam playing the male leads and Pak the female leads - of five masterpieces of Cantonese opera, namely:

1. Princess Cheung Ping (帝女花) 2. The Legend of the Purple Hairpin (紫釵記) 3. The Dream Tryst in the Peony Pavilion (牡丹亭驚夢) 4. The Reincarnation of Lady Plum Blossom (再世紅梅記) 5. Butterfly and Red Pear Blossom (蝶影紅梨記) (Note: Princess Cheung Ping, Purple Hairpin, and Butterfly and Red Pear Blossom were made into abridged movie versions, with the Sin Fung Ming troupe members reprising their roles from the theatre productions. Also, the "Fragrant Sacrifice" (香夭) duet from Princess Cheung Ping (movie clip) is one of - if not the most - famous songs in Cantonese opera.)

Yam and Pak were the leading pair and co-founders of the legendary Sin Fung Ming Opera Troupe (仙鳳鳴劇團; 1956-1961), which is widely held to have pushed Cantonese opera forward as an artform due to Pak and scriptwriter Tong Tik Sang’s (唐滌生) emphasis on poetic libretti and adapting source material from Chinese literature and history. (Note: it has been common practice since the 1930's for Cantonese opera troupes to be founded by key actor(s).)

They were also very active in the Hong Kong film industry in the 1950's, being paired in over 40 movies together across roughly 8 years. One of those – the aforementioned Butterfly and Red Pear Blossom (蝶影紅梨記) – is the sole Cantonese opera movie on the Hong Kong Film Archive’s 100-Must See Hong Kong Movies list (IMDB list / archived version of the official PDF). It's a well-deserved inclusion - check out this beautifully-shot dance scene.

Even their post-retirement activities had a significant effect on the industry! In the early 1960’s, they held auditions for prospective students and provided - for free - systematic, hands-on training to those who passed; Yam and Pak even hired other veterans to teach skills they personally were not as familiar with. Prior to this, apprentices were expected to learn primarily from observing their masters, and to pay handsomely for the privilege. Yam-Pak’s methods proved exceedingly effective: the Chor Fung Ming Opera Troupe (雛鳳鳴劇團; 1963-1992) starring their apprentices reigned supreme in the 1970’s-1980’s. Following this success, Cantonese opera institutes - most notably the major 1900s-era guild, the Chinese Artists Association of Hong Kong (八和會館) - started to offer systematic coaching to young hopefuls in the 1980's.

Okay, so why are they queer icons specifically?

The lazy answer is that they're queer icons because nearly all of Yam's roles were male, so Gender is involved by default, and since most hit Cantonese operas of the time were romances, that means you get to see two female actors performing being in love onscreen (and also on stage, but there aren't any video recordings from back then). So far, so Takarazuka Revue.

Female actors playing male roles in Cantonese opera To give some context, each Cantonese opera performer specialises in one of four major role-types, and Yam was a sung (生) - i.e. an actor specialised in playing standard male roles. Female sung were fairly common in the 1910's-1930's due to women being banned from performing with men during that period, but when the ban lifted in the mid-1930's, many troupes shifted towards cis-casting. Yam was pretty much the only one whose popularity survived the transition. Just take a look at the huge number of Cantonese opera movies produced during the 1950’s-1960’s – you’ll be hard-pressed to find a female sung other than Yam, let alone one with top billing. Happily, thanks to Yam's immense popularity, her profilic film career (over 300 movies!), and the prominence of Sin Fung Ming works in the Cantonese opera canon, there has been a resurgence in female sung which endures to this day. Two noteworthy examples are Yam's protégé Sabrina Lee/ Loong Kim Sang (龍劍笙) - a star in her own right - and Joyce Koi/ Koi Ming Fai (蓋鳴暉), one of the biggest names still active in the industry. (Note: perhaps due to cinema being more "realistic" in nature, Yam's early movies often involved her playing female characters cross-dressing as men, including in some Cantonese opera movies. However, she received increasingly more male roles as her fame grew, and from the mid-1950's onwards she was playing male characters onscreen nearly exclusively-- even in non-Cantonese opera movies! See Photo 1 above.)

What sets Yam and Pak apart is that they were particularly known for their chemistry. Long before Sin Fung Ming's formation in 1956, the advertising copy for their first Cantonese opera movie together - Frolicking with a Pretty Maid in the Wineshop (酒樓戲鳳, 1952) - declared "Only this movie has Yam-Pak flirting on the silver screen" (source - 華僑日報 1952/05/23-26). And indeed, they were popular for their flirtatious duets: their Cantonese opera works invariably contained at least one, and such scenes made it into some of non-Cantonese opera (i.e. "contemporary") movies too. In fact, there are not one but two contemporary movies where Yam and Pak's characters are not paired up and yet still sing a duet together in such a way that their significant other(s) become convinced that the two are in romantically interested in each other - see 1952's Lovesick (為情顛倒) and 1956's The Happy Hall (滿堂吉慶) - a weirdly specific situation which doesn't crop up in the other, non-Yam-Pak movies I have seen.

Speaking of contemporary movies, let's talk about a certain plotline that keeps cropping up in works featuring the both of them and where Yam plays a woman! Six of the eleven movies which fit that criteria involve Yam's character cross-dressing as a man (a common characteristic across Yam's handful of female roles), and Pak's character falling for her. Nothing ever comes of it, of course, but, um. It was certainly a trend. Actually, even their very first movie together - 1951's Lucky Strike (福至心靈) - falls into this category.

Such storylines, and the emphasis on their chemistry, are particularly interesting given that both Yam and Pak remained ostensibly unmarried throughout. This was unusual for female performers of their stature, who tended to wed in their twenties, often to fellow-actors or wealthy men (e.g. Hung Sin Nui/紅線女, Fong Yim Fun/芳艷芬, and Tang Pik Wan/鄧碧雲)... In contrast, by the time Yam-Pak retired from the stage in 1961, they were both over 30 years old and without husbands.

Also, did I mention they were popularly believed to be living together? There doesn't seem to be any conclusive evidence either way... although it's a little strange that separate newspaper pictorials depicting "Yam at home" and "Pak at home" seem to be of the same location... however what is conclusive is that they did spent a lot of time together offstage. Pak has talked about how when they had no guests over, Yam would watch TV by herself while Pak was in the living room (source - p93), and protégé Mandy Fung/ Mui Suet Sze (梅雪詩) has said that Pak would sometimes cook for Yam at home (source - 03:53~). They would also celebrate birthdays, New Year's, and Christmas together (see Photo 6 for an example of the latter).

Shortly after Yam's passing in 1989, Pak set up the Yam Kim Fai and Pak Suet Sin Charitable Foundation (任白慈善基金) to support the arts and provide welfare for the elderly. In 1996, Pak made a large donation to Hong Kong University, resulting in one of the buildings being renamed Yam Pak Building (任白樓) in thanks (source).

Thanks for reading! Please feel free to DM me or send an ask if you have any questions, or are just interested in learning more.

If you made it here, have this bonus piece of trivia - Yam and Pak were also well-acquainted with Hong Kong's preeminent queer icon, Leslie Cheung (張國榮), who was a massive fan of theirs. Sadly there don't seem to be any pictures of them before Yam's passing, but here's one of Pak (centre) having afternoon tea with Cheung (left) and his long-term romantic partner Daffy Tong (唐鶴德) (right) at the Cova cafe in the Pacific Place shopping mall.

[helenstudies]

I'm at a point where I can comfortably read 90% of any chinese text I come across and can confidently write advanced level chinese words but I cannot for my life remember the most common and simple words that people would learn three months into your chinese learning journey. yeah, I can write this extremely specific technical word that I came across once about three months ago. no, I cannot remember how to write "t-shirt."

[bacchuschucklefuck]

if talking abt my friends after looking at another artist's work is gauche then Im about to take a hard left babeyy if chris grace's dropout special speaks to u and u like dnd actual play then u should watch metanoia blues live on twitch every sunday at mimzalot and also available on youtube at metanoia blues

[vv-ispy]

I wanna go under Dvalin's tower

[bakawitch]

It's been awhile so I figured I'd post the most recent version of the kwamis currently in use for Forget Me Not

Revealed users:

Ballet Box: White Swan - Marinette - Plumette Black Swan - Anastasia Gusev - Black Feather Bear - Socqueline - Veloura/Ursine Blue Bird - Luka - Gryphon Horse - Alix - Chariot VII Spider - Lila - Funnel Web

Chinese Box: Butterfly - Gabriel - Hawkmoth Peacock - Nathalie - Mayura

Vindicator Box: Luna Moth - Céline Lamar - Mistress Moon

(Red spot means a kwami is unavailable. They're not claimed but they can't be accessed by the characters.)

Feel free to keep suggesting canon characters (except for Alya, Nino, Adrien, Felix, Kagami and Chloe) for the unmarked kwamis though! I'll open oc submissions too once the plot has been a bit better explained :D

[shallow-between-stars]

In this week's episode of "As much as I love the teenagers that I teach English to, they can be conniving little shits sometimes."

I caught one of the Chinese boys teaching one of the Vietnamese boys how to say "Stupid c**t" but telling him that it meant "clever boy" yesterday.

And me, forgetting that I am the secret weapon for bullying detection in my school when it comes to what the Chinese kids say because I a) am the whitey-est mc white that ever whited and b) can't tone to save my life and c) have an AUSTRALIAN Australian accent, glared at them both, said "Minh, don't say that, no it doesn't. Ling you're in trouble."

And there was this look of dawning horror on Ling's face as he remembered that a) I lived in China for eight months and b) I absolutely can understand what he says about 30-40% of the time.

So anyway, the kids have all of a sudden stopped swearing around me the same way they don't swear around the Mandarin-speaking staff and while I'm immensely pleased that I no longer hear them shouting "SHIT!" and "FUCK!" every two seconds, I also no longer have them exclusively speaking to me in English anymore because they know I know a little of what they're saying in Chinese.

And like... I'm a fucking shitty spy, apparently.

[thedreamerstoryteller]

[welcometoteyvat]

xiaoyun amv set to 春岚/shun-ran/spring storm <3

[corpsentry]

recent stories i have read or watched or vored sexily

1. so yesterday i was on page 139 of gideon the ninth and today i finished it. i did nothing until i finished it. i physically could not stop. i mean i should have known it from the moment it had the most epic characters page of all the houses and each house had cool as balls names like Hope Of The Emperor and Wisdom Of The Emperor and Rose Unblossomed or however that one goes but holy mother of god…………. they did not lie this book went hard as fuck. i was reminded of something and i’m going to reblog it shortly so you can read it but i saw a tumblr post that was talking about dungeon meshi’s character designs versus genshin impact’s and another where an author was like ok but where’s the gross part?? where’s the pathetic in the characters??? and gideon the ninth does this so well. god, gideon and harrow are trying to beat each other into the ground for the better part of the book but then you get this insane 180 flip and they’re in a POOL and mein gotte when harrow said i am undone without you my eyes cried Just A Little. i forget, i think, sometimes, that people are most beautiful when they are wretched and clumsy and honest. i think this particularly because i’ve been on a hetero chinese language dramas and movies binge lately and i turned off the part of my brain that revels in messy honest art and let the part that wants to stare at bailu for 30 hours stare at bailu for 30 hours. but maybe it is time to stop watching things only to look at beautiful women (who are, admittedly, very fucking beautiful). maybe it is time to GO TO THE FUCKASS FARAWAY LIBRARY TOMORROW TO BORROW HARROW THE NINTH. what da hell. the world building in this novel is motherfucking exquisite. you have to work so goddamn hard to make a line like Emperor the Necromancer Divine God Salvation The Resurrection with a bunch of little semicolons in between work but it works, it works because it’s cool, it’s cool because it’s grimey and gross and funny, i would do astounding things for all of these people (except silas, who can get fucked). and gideon is such a spectacular narrator, to be introduced to this world through her eyes is an honor and a gift, and harrow….. HARROWWWWWWW AOUUUUUUUU YAUUUUUUUUUUUU i’m obsessed. it’s over. i am officially down horrendous

2. now i’m gonna talk to you guys about amidst a snowstorm of love 在暴雪时分. my mom keeps being like so are you done with the helsinki drama yet and i have to keep being like no because There Is No Drama but anyway ok i started it because wulei…….. and now i am Bereft and Despaired fr that they put wulei in this when man has so much more to him. listen up my guys. i have never seen or read or heard or played a story that has so little….. story. it is remarkably, devastatingly substanceless. it is like watching a 3 hour chill lofi playlist. every once in a while the dog in the animated background runs around the armchair. the fire crackles through the same 5 frames. otherwise— nothing. i’m honestly amazed that they managed to do this, this, this is Not what slice of life is. this is also not what straight romance is??? i am a longtime purveyor of the hetero romance arts and this is hetero romance sans all of the misunderstandings and miscommunications that generate teary breakdowns and mismanaged fights. there is literally no conflict which can be fine except there isn’t even, like, admiration for the small things in life or familial love or friendship which Does Not A Story Make. now i don’t say this lightly as i am a strong believer that if the plot only advances because the cast is too fucking stupid to talk to each other then it’s a shit plot but for the first time in my life i wish there Would be a petty misunderstanding so we could at least see a fraction of the characters’ personalities. now see the Premise is that the protagonist goes to finland to participate in a 9-ball competition and pulls the brooding grad student she meets there back into the world of billiards or whatever but the 9-ball is just a vehicle in the purest sense for the romance. she will be like i practice now and then go practice and then wulei shows up with coffee and that’s it, the 9-ball table was there so wulei could lean on it and look hot in 4 shots. i’m genuinely astounded. nothing fucking HAPPENS in this drama. literally i will sit through an entire episode and it’s just like, zhao lusi wants coffee…., there is coffee…., romantic moments (6-7) insert song (2-3) close up slow mo gazing (399999). seriously i would commit unspeakable crimes for wulei but even i cannot watch this drama straight without falling asleep. it is the emptiest thing i have ever seen and it is so spectacularly committed to this absolutely void of writing. also wulei’s character is dirt poor but he spends all his money on taking zhao jinmai to expensive ass fuck restaurants and then gets sick from overwork and no one TALKS about it. it’s not even a decent straight romance because there is no communication or anything remotely interesting happening in the relationship. it’s not a drama, mein gott, it’s a medley of cute heartwarming moments between two very beautiful and very talented actors who have been kidnapped and locked in a snowy nightmare where all they can do is smile at each other shyly and sometimes hold hands. crazy…………….. wasted potential for my babygirls………. (bereft)

3. watched episode 2 of oh no here comes trouble不良执念清除师 i cannot get over the fact that pu yiyong draws digital art. it’s just so lovely a detail. the first time they showed his drawing tablet and the tablet pen i was like WOAA…. HES JUST LIKE ME FR i mean he’s just like me fr he has a goofy little mullet and he talks back like it’s his 9-5 it’s brilliant. this is excellent representation for brooding angsty teens who also like to draw with clip studio paint. Possibly watching this at 2 am was a mistake as i am prone to nightmares about godless things but it’s such a fun drama and it handles tonal shifts with a clarity that i rarely see in tv….. also pu yiyong’s actor is just great. i mean god, he has eyebrows and they’re mad at you. good for him. slay

4. we’re on episode, i dunno, 23 of the double墨雨云间 now i think and it’s great but it’s true, especially after binging 80% of gideon the ninth in one day that much like how genshin impact’s character designs are designed to be attractive to as many people as possible, the double’s characters are meant to be perfect and attentive to the maximum number of people. the catharsis of seeing the protagonist triumph over the evil conspiring antagonist is only cathartic so many times, and i think im running up against the ceiling of that catharsis. we know fangfei’s brilliant and we know xiaoheng won’t let anything happen to her so it just becomes 5d chess between the morally black and white chess players, it becomes watching schemes unfold and collapse like origami boats, over and over again. they don’t sink because there isn’t any water. they’re beautiful but they can’t bear weight. and after spending too much time in these homes, in the chinese dramas hole or the kpop gorilla groups hole or the mainstream shounen hole i have to punch myself in the dick and be like ok now you are re entering the world as a person amongst other people, because it gives you tunnel vision! they’re all conventionally attractive queens with snatched waists and perfectly managed profiles, variety show personalities but you see i remembered that I Want Harrowhark Nonagesimus. i want the grit and the dirt and the morning sunlight all at once. what i mean is i will be borrowing harrow the ninth from the public library tomorrow if it means i have to take a train 2 hours out to fuckass nowhere to get it. what i mean is i am going back into the game and i am going 2 Win

[starboy-squeakers]

Again not a dungeon meshi reader/watcher but every time I hear about that laois guy I get reminded of how my system had/has a hyperfixation on dragons so intense that we got that big fancy dragonology book and we treated it like the damn dragon Bible for like years

Now, obviously, we understand that there's different interpretations on mythical creatures, and no one interpretation on a dragon is necessarily gospel, but that multiple interpretations on the classic tale of beasts of scale and fire are completely valid and to be expected!

however if you call an Eastern dragon a coatl I'm going to come to your house and slaughter your family

[imabiscuitinthousandworlds]

me wondering why i started feeling lowkey hungry when it's not even that close to dinner yet and i'm a notorious "get hungry at 9pm at least" person. well. you wouldn't believe this but. i did manage to forget lunch. again. perhaps it's time to keep a closer eye on my diet

[d4ifting0away]

Screenshots of Rage animations from battles!

I think I timed these very well!

Li Wei

Mu LingZhan (my favorite child of the Mu Shu boys)

I forgot his name 😔

[hexcitrine]

randomly looked at this account to update my age and holy shit it's been a while since i posted here..........i have a small pile of art i have yet to post but hbhbshdbshbd too lazy