#children's book reviews

[bookspotlight]

Book Review: Gryphons Don’t Celebrate Shavuot (2023)

https://rebeccacrunden.com/2023/04/28/book-review-gryphons-dont-celebrate-shavuot-2023/

[fishfingersandscarves]

Train Your Brain! Brain Teasers, my first of four puzzle books is out today! 🥳🍾🥳🍾

It's got over 100 fun puzzles for ages 8-10 all illustrated by yours truly!

You can order it on Amazon now, and you should totally request it at your local library!

[liongoatsnake]

Alterhuman Review: No I Am a Wolf

Author: A.M. Lang

Illustrator: Patricia Dishmon-Caraballo

Publication Date: January 2022

Official Book summary:

George can’t be bothered with mundane human tasks; he is a wolf. Wolves and kids have many differences but they also have some things in common. Embrace your child’s wild side with this cute story plus animal facts.

So, we've been aware of this children's book for about half a year now. Upon first seeing it, we feared this might be a Johnny The Walrus by Matt Walsh situation. (That is, a thinly-veiled transphobic dig at the existence of transgender people, that accidentally also hits the alterhuman community due to its content, wrapped in the guise of a children's picture book.) But after gathering up courage hope, we finally bought a copy not to long ago. This book is NOT anything like Johnny The Walrus by Matt Walsh. No transphobia here and this book is also accidentally very alterhuman affirming as well.

The book consists of 21 illustrations with text. With each turn of the page the reader sees the left page showing George (the book's character) as a boy having to do ordinary human boy things (brush teeth, put on clothing, bathing, etc.) with text telling George to do said task, while the right page shows a wolf in George's place along with an affirmation "No, I am a Wolf" (usually, several scenes are instead in the positive, "Yes, I am a Wolf") along with additional text saying what a wolf would or would not do. The book ends with George being told: “Good night, my little wolf.”

While the author likely meant to create a cute children’s book showing a child imagining himself as an animal in the way that is common and normal among children, the book also happens to be very alterhuman. As someone who lives with a full phantom body, the illustration of a wolf stuck in situations doing everyday human things, like brushing your teeth, certainly felt very “yeah it be like that.” So, in summary, cute children’s book that is accidentally very alterhuman and is not transphobic at all! Yay!

[meltotheany]

Mislaid in Parts Half-Known (Wayward Children, #9)by Seanan McGuire | ARC Review

Goodreads | Amazon US | B&N | Blackwell’s | Bookshop 1.) Every Heart a Doorway ★★★★★2.) Down Among the Sticks and Bones ★★★★★3.) Beneath the Sugar Sky ★★★★4.) In an Absent Dream ★★★★★5.) Come Tumbling Down ★★★6.) Across the Green Grass Fields ★★★★7.) Where the Drowned Girls Go ★★★8.) Lost in the Moment and Found ★★★★★ ARC provided by Tor – thank you so much !! “The door wasn’t there because…

[literary-illuminati]

2024 Book Review #34 – Children of Memory by Adrian Tchaikovsky

Overview

I have had this on my list for long enough for my request that the local library get a copy actually result in me getting my hands on it. It’s the third instalment (the last? I’m not sure – the ending here felt like far less of a natural conclusion than the ending to either of the previous two) of what is for my money some of the absolute best space opera (maybe even just science fiction writ large) of the last decade. I actually opened it with a real sense of trepidation; Children of Ruin had ended on an optimistic, open-ended note, with the creation of an interstellar and inter species society that was both deeply aspirational and incredibly alien. I wasn’t sure how a book from their perspective would even work. Thankfully, my fears were basically misplaced – there’s definitely a drift in tone and focus from where the series started, but the thematic heart’s still there, and this was overall a joy to read.

Synopsis

Following the end of Children of Ruin, we have a nomadic society of uplifted spiders and squids, Humans (the capitalization signifies infection by an engineered retrovirus to help with empathy and accepting/valuing the Other), the formerly all-consuming alien microbal parasites of Nod (who have agreed to only assimilate the identities of those who expressly consent to the process), and various instances of Avranda Kern (millennia old upload of a meglomaniacal mad scientist who is by a quirk of history now the OS all computers run on). After making tentative Second Contact with a half-terraformed world now inhabited by a civilization of debatably-sentient crows, an exploration ship takes on a pair of them as ambassadors before finding their way to way what seems to be a struggling but holding on colony founded by one of the last arkships of refugees to escape the ruins of Old Earth. .

Intercut with this is the narrative of that arkship arriving, very much the worse for wear after two thousand years and change hurtling through the void with its crew and cargo in cryo. The world is hardly what they hoped for – only ever half-terraformed, breathable atmosphere and some basic engineered microbal life, but entirely lacking any sort of biosphere – but it’s not like they have another option. They make the best of it they can, using what working technology they have to bootstrap a basic ecosystem of pigs and trees, a few species of bugs and fungi, enough to farm and build with. And the core crew holds out hope that the faint trace of a strange signal buried in the hills near their colony might lead to something more.

Intercut with that is the story of Liff, a young girl in the colony as things take a turn for the worse. That’s when things start to get weird.

Xenophilia

The best way for me to get across the central theme of this whole series is ‘more star trek than star trek’ (or at least, than any star trek produced since I’ve come of age). It believes is absolutely nothing so strongly as it believes in the pure and perfect virtue of curiosity, that the point of existence is to discover, and to share what you have discovered with those around you. It is an oft-repeated point that the overwhelming majority of the universe is cold and empty, and anything different is worth seeking out and treasuring for its own sake – that every shred of diversity is the cosmos is a wonder in its own right.

Which is the entire purpose our protagonist’s civilization has set themselves – the distributed fleet of pathological scientists and novelty-seekers, leaving behind teeming cities and orbital habitats for a life seeking the mysteries of the universe with tiny circles of peers. It’s very Starfleet, in its most idealistic and elevator-pitch form.

And even beyond them, curiosity, discovery and exploration are treated as basically heroic wherever they’re found – Captain Holt and the Enkidu might have been doomed, but they’re still presented as deeply and wholly admirable for trying.

It goes beyond that, too. This is one of vanishingly few space opera settings I can think of with a cast full of distinct and dissimilar species, where none of them are orcs. Or dragons, for that matter. No matter how monstrous and horrifying a species seems – spiders the size of your head, the mad remnant of an ancient demiurge, all-consuming and replicating alien parasites – the answer is diplomacy, outreach, communication. Both sequels in the series have begun with a civilization formed through the total (though not seamless) integration of alien societies from the last book into a greater whole. The parasites from Children of Ruin best exemplify this, I think – convinced that consuming and assimilating everything it can reach will result in nothing but a universe of itself, compared to walking through the world with a soft touch and appreciating all the different dynamics that can develop through so many myriad perspectives. And now one of them is basically the book’s main protagonist (and very guilty about all the nonconsensually-eating-people thing).

Whereas in Memory it’s not exactly subtle that the intolerance and violence against social deviants is presented as basically a symptom of material scarcity and desperation. When Landfall is doing well, the little band of infiltrators – strange, nonverbal artist, discomfortingly informative schoolteacher, standoffish and thoroughly gender nonconforming woodswoman – are affectionately tolerated and appreciated for what they can do. When the harvests are bad and the forests are rotting – well who even needs abstract art or history lessons to begin with? They’re lashed out at, used as just one of a growing set of scapegoats, and when things are dire enough, again and again, they end up on the noose. Intolerance is a self-harming reflex, a wounded animal lashing out because it can neither understand nor change the actual source of its pain. Again, Star Trek but moreso.

The ‘moreso’ does a lot of work in this comparison, to be fair. The series shares Star Trek’s deep love of science just like it shares its pathological liberalism – it’s just consistent about it. The crew explorers are casually transhuman (transarachnid, transcephlopod, etc) - immortal and physically enhanced, capable of sharing and downloading both memories and skills, visibly aging or carrying scars only as a fashion statement. It is treated as a casual fact of life that letting an experiment progress might mean going into cold sleep for decades or centuries, if there is no better way for a group of six on a small ship to while away the time while they wait. Technology has conquered scarcity on anything like a personal scale, and the explorers take full advantage.

Which is probably downstream of the books not being particularly caught up on ‘humanity’. I mean, humans are there – are very important! - but to the extent they’re the axis the universe turns upon, it’s only the ghosts of the old empire. Modern humans are just one part of interstellar civilization, and not even its most numerous or prominent. Humans have a unique way of thinking (as does everyone else) but no monopoly on heroic drive or virtue.

Curious Corvids

Each book in the series feels marketed around a different uplifted animal arising from the ruins of humanity’s imperial glory and galaxy-spanning hubris. This is not wrong, but it definitely becomes less right as the series progresses.

Children of Time is about the spiders. There’s humans too, sure, but I’ve yet to see a single person who read for the Gilgamesh plotline. By wordcount and thematic focus and just what makes it an interesting book, it is about the evolution of Portid intelligence and civilization across the millennia. The real protagonist of the novel is the species.

Children of Ruin is still kind of about the uplifting of the Squids. Senkovi’s efforts and relationship with them gets a decent amount of focus, as does the development of their civilization after the terraformers’ death. They just share top billing with the alien aliens, and rather than just being the climax of the story Second Contact is the real meat of the entire plot.

In Children of Ruin the introduction of the corvids almost feels like a publisher mandate – their history and backstory is basically brushed over in the prologue and one interlude, Second Contact basically a triviality. It’s not that they’re not important to the book or its themes, or that they’re not interesting (in both cases they very much are!), but they feel like a b-plot. Supporting what the book is about, not defining it.

Which to be clear, is from a writing perspective almost certainly the correct choice – ‘Children of Time but with a different species’ would still be fascinating, but it really doesn’t cohere as a continuing and linked series. I just think you could have dug some more meat out of the abbreviated history given there. What fanfic is for, I suppose.

It’s a funny sort of distinction that unlike the others, the corvids aren’t technically uplifts – the considered opinion of the series is that while spiders and squids would require millenia of nanite-assisted directed evolution to develop anything that looks like human-level sapience, in the right environment crows would just Do That (admittedly with the addition of alien radiation scrambling DNA and increasing mutation rate by an order of magnitude or two).

The other trend with the different uplift species as the series has gone on is that with each book they become neurologically and psychologically weird. The spiders had Understandings and a bunch of predator- and cannibal-instincts, but they’re still each an individual intelligence. The squids are a central brain and a bunch of semi-autonomous limbs which are only barely on speaking terms with the conscious mind. And now the crows are not individually intelligent at all – they think and live in pairs, one observing and recalling, the other analyzing and inferring, actual intelligence appearing only in the dialogue and interaction between the two. Which makes chapters from their POV very entertaining, at least.

Sentience and Identity

The book’s very interested in both – it’s probably the most central and explicit theme of the entire thing. Our crows, having given the matter thorough and careful reflection, eventually decided that they weren’t sentient at all (that nothing is, really) – or at least, that’s the series of sounds they make when asked. Our other main characters include:

an alien parasite which has assimilated a copy of a woman’s consciousness and now imitates her so well she often forgets she’s anything else

a copy of a sliver of an instance of an upload of an ancient terraformer, who for a nontrivial period of time was running on hard that was mostly ant colony

an extremely detailed simulation of someone who could have but never did exist

(arguably) the simulation they are running on.

The book comes down pretty solidly on a ‘if it quacks like a duck’ model of personhood – and cheats a bit in terms of giving most of the above POV chapters and obvious internal monologues – but the question of who counts as sentience and as a person, and of what ‘sentient’ and ‘person’ even mean – are ones that various characters spend a lot of time and angst on.

The answer the book arrives at isn’t exactly a surprise – see above, more star trek than star trek – but it’s still an interesting angle to look at everyone from.

Genre Ambiguity

The book is clearly, self-evidently science fiction, but Tchaikovsky still has a lot of fun playing around with some fantasy tropes and imagery in it. Liff is an adolescent who dearly loves her book of ancient fairy-tales, and so our view of Landfall and the world beyond it, which means basically her entire plotline is narrated with a fairy-tale sensibility. In fairness, Kern and the crows do an excellent job accidentally seeming like a witch and her familiars. Landfall’s whole deal seeming a lot more like a fairy curse than anything from the inside doesn’t hurt, either.

While it’s science fiction, Memory is definitely softer science fiction than the previous books in the series. In general, human- and human-descended technology all at least has the convincing appearance of rigour and plausibility, while anything alien falls solidly into the real of space magic plot devices. So we get elaborate narration on the exact details of how the crew of the Enkidu bootstrap a functional ecology around Landfalll before their high technology begins giving out, but the simulator buried in the hills Just Works. Which as neat a way to do the division as any, really, but there’s a real shift in tone from Time where just about everything feels like it’s from the first category. I mean, they have fTL now!

Conclusion

This isn’t really a book I’d call groundbreaking – Children of Time has much more of a claim to novelty in both subject and presentation – but it’s one that I think solidly achieves everything it tries to? The writing’s good, the characters all cohere, the themes are explored intelligently. Plus, Kern is probably one of my favourite characters of all time.

So y’know if you don’t have major issues with spiders, multiple POVs and unclear timelines, or existential angst, would solidly recommend.

[godzilla-reads]

🍁 Autumn Story by Jill Barklem (Brambly Hedge #3)

Rating: ⭐️⭐️⭐️⭐️/5

It’s Harvest Time at Brambly Hedge and Primrose Woodmouse goes on an unexpected adventure.

My friend Mable ( @the-forest-library ) has posted about Brambly Hedge for some time and I finally jumped to read it- starting with the third book, but the most seasonal one as it is Autumn right now. This was such a delightful story to read, and the illustrations made up a large portion of my delight. As I was writing my review in my book journal I wanted to compare Barklem’s art to Beatrix Potter, but I quickly backtracked because Jill Barklem’s art is all her own. It’s detailed, soft, and so immersive. Only she could’ve done it. I definitely recommend this book.

[yasmeensh]

Paleolithic Media Catalogue

Hello everyone :) Short story first: When I began brainstorming for my prehistoric story, I started wondering what other prehistoric fiction there is out there. I was not familiar with it and have not seen much. That's when I started my grand literature review and began a search for what fiction exist out there. I wanted to know what kinds of stories are being made with this time period. What are the common themes or recurring ideas (I found lots of humans and dinosaurs works. And time travel). Since I've had a growing collection on my computer, I decided I should keep on enlarging it and put it online. It's nowhere near complete. I'll slowly keep accumulating the collection as I find more. I only have fiction books and comics right now. I still need to work on the film section.

You can access the blog here!

***

As for where I am in my reading, the one's I've finished reading are Earth's Children series (book 1-4. Dropped it afterwards lol. I made a post on with fanart) Dance of the Tiger and it's sequel Singletusk (They were good! I'll upload my review on the blog), and Sisters of the Wolf (It was ok!). I got my hands on The Inheritors and excited to start reading it. I REALLY want to read the Shiva trilogy, but I found no PDF online... and it's out of print :( There is certainly old copies on ebay. And I want to read Chronicles of Ancient Darkness. There seem to be lots of good books out there.

[blackcrowing]

Book Review of 'A History of the Vikings: Children of Ash and Elm' by Neil Price

This is probably singlehandedly one of the best academic books I've read as a pagan addressing the Viking era and its people's.

The author did a PHENOMENAL job of using academic sources (archaeology, literature, historical linguistics, etc) to really paint a living picture of the peoples being discussed in their entirety. The author left room for the peoples spiritual/supernatural believes that I don't often see done by writers who are not writing specifically for a pagan audience.

It was deeply refreshing and I sincerely hope to see more academic authors following in their footsteps in the years to come

[shahabshamshirsaz]

New Books

Exciting news! My two new books on celiac disease are finally available! I'm especially proud of these books because they are not only engaging and enjoyable to read, but they also provide a wealth of valuable information about celiac disease. You can order them now on Amazon.

Jacq Has Celiac

The Magical Cookie

Thanks!

[bookspotlight]

Review Roundup: The Orc Who Saved Christmas (2023), No Period (2020), She Was the Storm (2018), Super Gay (2022), Symphony of Secrets (2022)

Book reviews here.

[home-for-artists]

All on my own. I was in love with that phrase.

Benjamin Alire Sáenz, Aristotle and Dante Discover the Secrets of the Universe

[ofliterarynature]

AUGUST 2024 WRAP UP

[loved liked ok nope DNF (bookclub) reread*]

True Grit • A Sorceress Comes to Call • (Fit for the Gods) • A Short Walk Through a Wide World • The Chestnut King* • Where the Drowned Girls Go • The Hollow Boy* • The Philosopher's Flight • The Whispering Skull* • Death by Silver • Grandma Gatewood's Walk • Across the Green Grass Fields • Tales from the Hinterland • The Screaming Staircase* • Ascension • Running Close to the Wind • August Kitko and the Mechas from Space

* * * * * *

Lockwood & Co - time for a reread! I really like the idea of ghost books but struggle to find ones that I like, but these are perfect! The worldbuilding and story structure is somehow just what I want - just enough rules to give them the confidence to be bad ass AND tension for when they royally screw up, and a fantastic, case-book type narrative where the characters are going about their lives, fighting ghosts, and not actually getting to the titular case until halfway through the book. Love it! I need more like that actually. (I recommend The Angel of the Crows)

Tales from the Hinterland -since I finally read The Language of Thorns I figured I should get around to this too. I didn't like the related novels all that much but WAS interested in the stories, but it's been so long I've mostly forgotten their context. I didn't mind it, and I think Albert has a better grasp on the language and form of fairy tales than Bardugo, but the inescapable grimness of the stories quickly became repetitive and boring.

Across the Green Grass Fields - it took me a bit to warm up to this one, but once we went through the door I had a good time! I think this is probably my favorite of the individual door stories so far. On the other hand, I usually like the ensemble books, but Where the Drowned Girls Go didn't quite work for me this time, but it might be one that just needs a second read.

Grandma Gatewood's Walk - I've seen this one around (most recently at a Hocking Hills gift shop) and finally picked it up since my library had it on audiobook. Unfortunately it was doing a lot of things that annoy me about certain nonfiction and while it was readable and interesting, I wouldn't say I enjoyed it or would recommend it.

Death by Silver - a gaslamp mystery/gay romance that was fun! If you like a mystery that is, the "romance" coasts along on the "old school friends/hookup buddies" line and doesn't really get any development (or steaminess), but things do keep moving and it was a nice enough read that I'd maybe try some of the author's other work (but maybe not the sequel)

The Philosopher's Flight - I don't even know. It *was* a good read that moved along well, BUT... I don't want to lay everything at the feet of "it was written by a man," but it definitely had its effects. Stories about girls and women going into a man's world and showing them all up are pretty common and catnip to me (Keladry my beloved), but something about a man doing it in a women's organization that exists in a patriarchal society WITH a heavy political-unrest plot going on as well, and despite the abundance of female characters none of them are well developed? And the main character is just a bland-ass dude? It really didn't sit well with me, and I do not want to read the sequel.

The Chestnut King - I'm glad to be done with this series reread. They're honesty just a perfectly middling MG fantasy series, slightly dated but charmingly midwestern in many ways. Kids would probably enjoy it more, but there's not much for an older reader.

A Short Walk Through a Wide World - going in I knew this was being pitched as sort of cozy, and being comp'd to Addie Larue (which I didn't like in execution). Fairly accurate on both counts tbh, and I thought the curse in this one worked much better - the problem with Addie was that the inability for anyone to remember her didn't allow for any connections to make things interesting, whereas A Short Walk's not being able to stay longer than a few days or ever return offers *just* enough to be heartbreaking. Unfortunately there just wasn't much of a shape to the overall story and I was so bored I almost DNF'd. If you're more into the books being marketed as "cozy fantasy" you might have a better time of it than me.

Fit for the Gods - aka "Greek Mythology Reimagined," which feels self explanatory. Anthologies are always a bit of a mixed bag, but I really liked this! Especially compared to the previous anthology (Sword Stone Table), there was only one story I didn't really like, but otherwise really vibed with everything else! I also learned that most of my myth knowledge that's stuck around is from Percy Jackson, lol. (Not to mention the reincarnation story that mentioned Percy Jackson! I cackled XD)

A Sorceress Comes to Call - LOVED!!! Regency house party, magic, murder, mystery is so so SO up my alley. I've seen people call this a stressful book, and I get it, the mother is awful and things are definitely tense, but something was telling me that things would turn out ok for the main characters and I was able to enjoy myself lol. It also helped that it became quickly obvious that the mother was very full of herself and overconfident, even if she was terrifying. I think this is tied with Thornhedge for my favorite Kingfisher so far, though I might rate this a little lower on quality. If you liked this I really recommend checking out the Greenwing & Dart series by Victoria Goddard!

True Grit - meh. Picked this up through a combination of podcast rec/book sale find/needed to read another classic. The kid's got spunk, but that's all I've really got to say. Came very close to dnf'ing, but at least it was short.

DNF

Ascension - 25%. I was really looking forward to making a "if I had a nickle for every book about a mountain mysteriously appearing somewhere it shouldn't, I'd have two nickles" joke, but alas. This started off pretty good, going with the classic "I found these papers among my brother's affects after a long mysterious life" that I was REALLY excited about. Then we actually got to the story and the main character was just Most Special Genius Science Boy, and the way his ex-wife was being written was absolutely bleh. I looked a bit closer at the reviews and decided to dump it. (Other mountain book is My Volcano and you should read it!!!! It's so weird!!)

Running Close to the Wind - 11%. Was this funny? Yes. Was this super horny? Yes. Was this funny and super horny? Super yes. I can really appreciate what was happening here, it's just unfortunately not a style I can consume in anything larger than small bites. I decided to part ways before my feelings really soured.

August Kitko and the Mechas from Space - 41%. I honestly did like what I read, it just wasn't speaking to me? I can see this being a great book for someone, I just had other things I wanted to read more.

[rheadionne]

Check out my review of Mislaid in Parts Half-Known by Seanan McGuire

[thetypedwriter]

Children of Anguish and Anarchy Book Review

Children of Anguish and Anarchy Book Review by Tomi Adeyemi

This book was so horrible. 

No one is more disappointed than me to say that. 

I’ve gone to two of Tomi Adeyemi’s book signings, including a recent one for Children of Anguish and Anarchy.

Tomi Adeyemi herself is absolutely wonderful. She’s so intelligent, hilarious, addictively charming, and can work a room like no other. The book signing was fantastic. Too bad the book couldn’t hold up to the event itself. 

Children of Anguish and Anarchy follows as the third and last installment of the Legacy of Orisha trilogy, but doesn’t read like that at all.

Other than having the same four main characters of Tzain, Zelie, Amari, and Inan, nothing about the book concludes any issue, plot story, or character development from the previous two novels. 

A completely new villain is introduced, someone we haven't heard about as a reader in the last two books whatsoever, and obliterates any of the conflict and tension that Adeyemi worked so hard to build in her previous stories. 

Gone is the tension and literally hundreds of years of in-fighting between the Maji and the monarchy, gone is the civil war and its repercussions on Orisha, gone is even one of the main characters from the last novel, Roen, who was a significant love interest for Zelie and who has been completely disappeared in this new book all together (like, what???). 

It was incredibly lazy writing to wipe away everything the first two books created in order to “unite” against this new enemy. The sentiment is nice, but it’s not the finale we wanted or needed. 

I desired answers to Amari and Zelie’s broken friendship, closure to the Inan and Roen love triangle, a verdict on how Orisha would rebuild and who would rule. 

We get none of that. 

Instead Zelie and the others spend half their time in the book on a ship with very strong slavery parallels, and the other half in the introduced land of New Gaia.

While I thought the descriptions of New Gaia were beautiful (albeit very similar to Avatar), I was dissatisfied because the whole series at this point has been focused on Orisha and Orisha’s problems, not New Gaia and not the Skulls. 

While the plot was bad and aggrieving, the characters were even worse. 

None of the characters were interesting. They were carbon copies of each other in which all they talked about was avenging their fallen Orishan people, killing the Skulls, and protecting loved ones.

Rinse and repeat. It was boring as hell to delve into four different characters’ minds only to find that they all sounded exactly the same. 

I often had to go back to the start of the chapter to tell whose internal thoughts I was reading because they were so interchangeable and self-righteous and dull.  It is never a good sign when you can’t automatically tell who’s POV you’re reading based on their internal dialogue and tone. 

Lastly, the pacing of the book was atrocious. Everything happened so goddamn fast that I felt like I never had the chance to properly digest or internalize anything.

Oh they’re on a ship? Moving on from that. Zelie got some sort of medallion shoved into her chest?? Moving on. Wait, Maji and Titans and the monarchy are all working together after two full books of them killing each other??? Five pages and it’s done with. 

It was outrageous and insulting. 

The pacing made everything feel shallow, unimportant, and unnecessary. More than most of the plot were action scenes, while difficult to write and interesting in their own right, in this book it was so repetitive that characters killing other characters 90% of the time became egregiously tedious. 

And speaking of the action, I also found it incredibly violent and graphic for a YA book. As someone who is not a fan of gore and blood, this book had so many explicit details for no reason other than being gratuitous.

For example, at one point Zelie shoves a chicken bone through someone’s cheek. I found it repulsive and it was also incessant. 

I know some people can handle brutality, but I can’t, and found it a huge turn off and made me dislike the book so much more, especially as this was a majority of the book to boot. 

Disappointment can’t even contain my full feelings for this story. For such a wonderful trilogy to succumb to such a terrible end is a tragedy. I wish the best for Tomi Adeyemi and success for her future, but I will not read another book by her again. 

Score: 2/10

Recommendation: Read Children of Blood and Bone, a magical story that will inspire and entertain you. Read Children of Virtue and Vengeance if you really need something else, but even this book I wouldn’t recommend picking up.

Do not, I repeat, do not read Children of Anguish and Anarchy. It will leave you feeling dismayed and disheartened beyond redemption.

Bonus: Here's me, my fiance, and Tomi Adeyemi at her book signing!

[saranilssonbooks]

Developmental psychology scholar read Cozy Classics' Moby-Dick! Here are the thougts.

For those who haven't heard of the Cozy Classics, they are a series of board book adaptions of great classics such as Oliver Twist, The Wonderful Wizard of Oz, and Jane Eyre, created by Jack and Holman Wang and intended for young children. What makes these books stand out, however, is that they come with a most delightful needle felted twist!

Each book contains 12 illustrations, consisting of photographs depicting scenes from the original story and featuring needle felted characters and props.

In addition to this, 12 words related to the story are printed in-between the illustrations; "sailor", "leg", "boat", "find"...

...et cetera. Guess Moby-Dick gets a bonus word though, since "Pequod" is ever so neatly embroidered on the ship's fluffy name plate.

I have to say that this whole concept is nothing short of genius. Not only are the little ones presented with the classics fitting their own level of perception, but the materials shown in the pictures are all familiar ones to them sensory-wise, thus much more relatable than conventional illustrations.

As for the words, they are fitting 1-2 syllable ones, but their meaning - at least in this case - are somewhat unsual. I'm telling you, one doesn't find educational toddler literature containing "smash", "sink", and "mad" together all that often. The choice of words in combination with the pictures also works in an almost insidious fashion in that they will now be forever planted in the lil' one's brain and for the rest of their life they will recognize that peg legged dude with anger issues.

The book manages to capture the essence of the original quite well and what truly surprised me was how the creators did not hold back on the dark stuff. Ahab looks like something that definately will come crawling out from under your bed at night for a maniacal stabbing session, Moby Dick turns the Pequod to splinters, and a heart broken Ishmael floats around on a coffin. Even the color scheme is moody and ominous. We approve! 👍

Even if you don't have a child nearby to brain wash, I highly recommend you check this book out - it's up for a free read on archive.org - for the sake of admiring the pieces of downright wool art.

So, there's the Cozy Classics Moby-Dick for ya. Now I have to go ponder whether I should add a request for a needle felted coffin in my death plan.

[a-hoe-for-dark-academia]

August reads:

The Dangers of Smoking in Bed (Los peligros de fumar en la cama) by Mariana Enríquez. ☆ ☆ ☆ ☆

A short story collection is always hard to rate, and even though not every story here was my cup of tea, the ones that were let me thinking about them long after I closed the book. It’s a very grotesque book and the mix of everyday life with horror was done in a very compelling way. Although a product of its time, this book does have some problematic aspects, so take these stories with a grain of salt. And please, do check the trigger warnings.

Carrie by Stephen King ☆ ☆

Oh, the horror of menstrual blood. No woman was consulted in the making of this book. It clearly has some merit but, after all, it is a book mainly focused on teenage girls written by a grown man. (Carrie White did nothing wrong)

Miss Peregrine’s Home for Peculiar Children by Ransom Riggs ☆ ☆ ☆ ☆

For me this was a very immersive and enjoyable book, mind you it didn’t change my life. But it was good for its genre and the pictures added to the experience. It’s a slow and very hit or miss book so keep that in mind. All things said, I will eventually continue the saga.