#children of the heavens

[kemetic-dreams]

Does the Witch Doctor in Africa countries make Kabbalistic Pacts with the Devil like in Haitian Voodoo and Jamaican Obeah?

They most certainly do not make Kabbalistic Pacts with the Devil which is a Judeo Christian Islamic concept, which they were not, African priest and priestess doubled as healers both spiritual and physical , they understand there is a duality in nature as in the spiritual worlds one can tap into , eg Horus cannot exist without his polar opposite Set.

Now that said there are areas where both the Christian concepts became entwined with African religious concepts as in the cross roads and Papa Legba.

Because slave owners were worried about potential rebellion, they often separated enslaved people from the same area.

By mixing people from different regions and language groups, they could use the communication barrier to discourage or even prevent revolt. However, many of the deities were similar, and so enslaved people from different parts of Africa soon found commonalities in their spiritual beliefs and practices, which they were forced to keep hidden.

Papa Legba soon found a home in the religious structures of enslaved people in Haiti and the Caribbean, as well as in the American colonies. Author Denise Alvarado says Legba:

...stands at a spiritual crossroads and grants or denies permission to speak with the spirits of Guinee, and is believed to speak all human languages. He is always the first, and the last spirit invoked in any ceremony because his permission is needed for any communication between mortals and the loa—he opens and closes the doorway to the spirit world.

Over time, after African syncretic practices blended with Catholicism in the new world, Legba became associated with several saints, including Saint Peter, Saint Anthony, and Saint Lazarus.

In the Haitian religion of Vodou, Legba is seen as the intermediary between mortal men and the loa, or lwa. The loa are a group of spirits responsible for various aspects of daily life, and they are the children of a supreme creator, Bondye. They are divided into families, such as the Ghede and Ogou, and practitioners develop relationships with them through offerings, petitions, and prayers. Often, Papa Legba is the one who carries these prayers to the loa.

Note the cross roads would later become associated with the devil in this religious synchronism.

Statue of Legba as fertility god. Atlantide Phototravel / Getty Images Plus

Legba has evolved in numerous ways from his origins in Africa, where he is sometimes viewed as a fertility god or a trickster; he many be depicted as both male and female, sometimes with a large erect phallus. In other areas, he is a protector of children or a healer, and can grant forgiveness for crimes against others. Variants of Legba exist in many places including Brazil, Trinidad, and Cuba.

Papa Legba appears in many forms in New Orleans Voodoo and Haitian Vodou. He is typically depicted as an older man, sometimes wearing a straw hat or old tattered clothing, walking with a cane, and accompanied by a dog. He's associated with the colors black and red.

Legba is strongly associated with crossroads magic, and is referenced in a number of early twentieth-century blues tunes from the area of the Mississippi Delta. Famed bluesman Robert Johnson is said to have met a spirit at the crossroads, and offered him his soul in exchange for musical success. Although eventually the story was twisted to say Johnson met the Devil, musical folklorists believe that tale is rooted in racist ideology; instead, Johnson met Legba at the crossroads, where he had gone seeking guidance and wisdom.

Papa Legba is a master communicator, who is said to speak the languages of all human beings; he then translates petitions and delivers them to the loa. He is a teacher and warrior, but also a trickster deity. Legba is a remover of obstacles, and can be consulted to help find new, positive opportunities, thanks to his ability to open doors and new roads

Legba represents a West African and Caribbean Voodoo god. This god has many different names depending on the region in which he is worshipped is most commonly known in Haiti as Papa Legba. Papa Legba serves as the guardian of the Poto Mitan--the center of power and support in the home. Additionally, he allows for communication between humans and the spirit world. According to West African Voodoo practices, spirits of the dead are not able to inhabit one's body unless permitted by Papa Legba. The symbol for Legba typically has a red background, one of his representative colors. The symbol includes several keys which signify Legba's control over communications and forms of passage, including locks, gates, and passageways;it also includes a cane, as Papa Legba is generally depicted as an old and feeble man in the Haitian religion. There are many chants to summon Papa Legba, one of which is: Papa Legba, Open the gate for me/Atibon Legba, Open the gate for me/Open the gate for me/Papa that I may pass/When I return I will thank the Lwa.

GYE NYAME - Supremacy of God

Gye Nyame, meaning “except for God,” symbolizes God’s omnipotence through the knowledge that people should not fear anything except for God. Another interpretation of “except for God” is that no one has seen the beginning of all creations, nor will anyone live to see the end, except for God. Gye Nyame indicates the recognition of the supremacy of God over all beings, and therefore is the one that is feared and revered by all. This is one of the many Adinkra symbols of West Africa, Ghana, and is used by the Akan people in various decorations, clothing, and artwork. Some say that the symbol represents a spiral galaxy, or two hands with different gestures that refer to God being supreme to the simplistic ideals of male and female identifications that are used today. The use of this symbol by the Akan people suggests that the Akan had a highly advanced writing language that transmitted religious and cultural concepts, and also might have had a somewhat extensive knowledge of astronomy, which shows their intellect and indicates that the Akan were a more advanced civilization.

Nkisi Sarabanda, symbolizing the signature of the spirit, is a representation of a bakongo cosmogram. This symbol portrays how the Congo-angolan people viewed the interaction between the spiritual and material world, or in other words between the living and the dead;the Congo-angolan people believe that these worlds are inherently intertwined. An Nkisi is a spiritual object used for worship purposes, and have been found in places where enslaved Africans have lived in, such as in the plantation homes. Nkisis show the development of African American culture in how they are essentially African objects, but are constructed through American materials. This also reveals an aspect of the melting pot of African and American culture. Sarabanda just connotes "the highest spirit". Part of the symbol takes the form of a cross, because the Congolese had an inclination towards Christianity. Communication appears to take place at the center of the cross, where the worlds intersect, and it was believed that spirits sat at the center of the sign. The arrows represent the four winds of the universe, and the symbol as a whole resembles the form of a spiral galaxy;this indicates their interest in astronomy and affinity towards nature.

Nsoromma, meaning "children of the heavens" or "star," symbolizes the guardianship of God and how he watches over all beings. It is one of the many Adinkra symbols that the Ghanaian people have lived by. The protection of God is constant, like the stars in the universe. The stars also embody light, with the vision of light slicing through darkness as a savior, or protector. The symbol indicates the existence of the spiritual world, in which our ancestors and past families exist and watch over us, creating a feeling of safety and wholeness. Nsoromma expresses the message to live life to its fullest knowing that you are supported and strengthened by God.

Divinity of Mother Earth

Asase Ye Duru—literally meaning “the earth has no weight”—is a symbol that represents power, providence and divinity. The symbol is one of many adinkras, or depictions of important concepts created by the Akan peoples of Ghana. Asase Ye Duru emphasizes the importance of the Earth and its preservation. People must respect and nurture the Earth, and should never act in ways that might directly or indirectly harm the Earth. The significance of the Earth to the people of Ghana is evident in the following proverbs: Tumi nyina ne asase, meaning All power emanates from the earth; and Asase ye duru sen epo, meaning The earth is heavier than the sea. The African Burial Ground honors these principles, as it surrounds itself with natural resources and emphasizes the cohesion of death and nature.

[blueflipflops]

Reblog for bigger sample size!

[biboomerangboi]

They are canonically over 800 years old.

[flocktothelight]

fishbait, flock and quill

[miss-mossball]

Thank you for being part of my journey, once more

[rangerfromstarship]

Ok we have to talk about s2 moments that make me love Aziraphale even more

- pretending to be a journalist and just like. being as adorable and pure and kind of dumb as Muriel pretending to be a police officer

- going against Heaven to protect Job's children! He questioned Heaven twice, then tried to protect them from Crowley and then actually lied to the archangels to save them. HE WAS WILLING TO FALL FOR IT

- him actually grieving and hugging that jar with the tumour after the ressurectionist told him it was from a seven year old

- "you don't seem his type at all" *eyebrow raise*

- giving away his books! his books!!!!! to help Maggie and Nina

- "Smitten, I believe" *looks smittenly at Crowley*

- "You're being silly!" *adorably soft and tender*

- "well perhaps you could tell me...while we dance" AND HIS HAPPY FACE AND GRABBING CROWLEY BY THE HAND TO DANCE

- "You came to me. I said I would protect you and I will" he is an Angel of his word and even if he doesn't like Gabriel he will protect him! bc he promised it! we support a responsible, empathetic and caring being

- being shocked and putting a hand on Crowley's shoulder when they see Gabriel and Beelzebub together like "oh my, are you seeing what I'm seeing"

- THE SOFT LOOK TO CROWLEY - I MEAN I can't deal with it I can't watch this scene without tearing up (after Gabriel and Beelzebub vanish)

[endipuff]

*tosses to you like ducks*

Idk when page 2 coming but I’ll reblog with the other pages? (I never done this before help)

TW: suggestive (I forgor mb)

[forsakenbythenarrative]

maybe this is the end of everything but also, maybe this is the beginning. maybe in 1000 years people are gonna look back and go 'oh what archaic times. they were so mean to each other.' what if there IS a future without war, without oppression. what if there's a gentler world out there waiting for us to catch up. what if --oh God-- what if the meek DO inherit the earth? what if everything changes? what if we heal?

[butchdiaz]

everyone manifest 8x05 firehouse no calls bottle episode with me

[rebouks]

Previous // Next

Byrd: Why’re you scared of water? Levi: I’m not. Byrd: There must be a reason. Levi: Why is anyone scared of anything? Like why are you scared of the dark, or why is Wren scared of blood n’ stuff? Wren: ‘Cause it’s gross and no one’s supposed to bleed, swimming is fun. Byrd: I guess you could drown if you couldn’t swim or whatever. Levi: I think it started when I was a kid n’ almost drowned in the bath. Byrd: How? Levi: I don’t know, my mom was probably being shit-.. I barely remember. Byrd: Enough to be scared though. Levi: Apparently. [Byrd floated aimlessly on his back for a moment, thoughtfully peering at the clouds] Byrd: Dad says you’re supposed to do stuff you’re scared of or it gets worse, like he’s always turning the lights out on me or shoving our cuts n’ bruises in Wren��s face-.. in a nice way though, y’know? Levi: Is it working? Wren: Kinda. Byrd: Why don’t you just stick a foot in? Levi: No thanks. Byrd: C’mon, no one’s gonna shove you. Levi: Nope. Byrd: Pfft. Oscar: Christ, Byrd.. what the hell are you doing in there?! That cast is gonna stink. Byrd: Oh-.. oops. Oscar: Get out and put it in the sun! Oscar: Now. Byrd: I’m cominG-.. it’s getting chopped off soon anyway, right? Oscar: Yeah, and the poor doctor’s gonna pass out from your stank.

[xueyuverse]

THEY'RE SO CUTE SO SILLY THEY LOOK SO HAPPY TOGETHER

[my-name-is-apollo]

Just a compilation I did when I was feeling a bit bored...Gods and goddesses who are called the most beautiful:

Hera:

"I sing of golden-throned Hera whom Rhea bare. Queen of the Immortals is she, surpassing all in beauty"

– Homeric Hymn to Hera (trans. Evelyn-White)

"Hera, his sister and his wife, the grandest far in beauty among the deathless goddesses - most glorious is she whom wily Cronos with her mother Rhea did beget"

– Homeric Hymn to Aphrodite (trans. Evelyn-White)

Apollo:

"Lord Phoibos, when the goddess, lady Leto, bore you, clasping a palm tree in her slender hands, you the most beautiful of immortals, beside the wheel-round lake"

– Theognis, Elegies (trans. Andrew Miller)

"Then a youth, his brows wreathed in chaste laurel, appeared in my dream to set foot in my home. No previous age of men saw anything more beautiful than he, nor was that a human work of art."

– Lygdamus, Elegies (trans. Robert Maltby)

Apollo and Artemis:

"And Leto was joined in love with Zeus who holds the aigis, and bare Apollon and Artemis delighting in arrows, children lovely above all the sons of Heaven."

– Hesiod, Theogony (trans. Evelyn-White)

[Poseidon to Delos]: "it will be your happiness to receive my brother's twin children, fairest of the Gods"

– Lucian, Dialogues Of The Sea-gods (trans. Henry Watson Fowler)

Hebe:

"[Herakles] whose bride Hebe, the most beautiful of the goddesses, walks forever in Olympus beside her mother Hera, goddess of marriage."

– Pindar, Nemean Ode 10 (trans. Diane Arnson Svarlien)

Dionysus:

"Thy youth is not consumed by wasting time; and lo, thou art an ever-youthful boy, most beautiful of all the Gods of Heaven"

– Ovid, Metamorphoses 4 (trans. Brookes More)

Nerites:

"And they say that he was named Nerites and was the most beautiful of men and gods"

– Aelian, On Animals (trans. Scholfield)

_

Not an exhaustive list, though. I've put in only the references I've come across.

[g63heavenonearth]

Allegheny Cemetery 101516-26

[muzsmocsing]

I just finished tgcf season 2 and something clicked for me. This show has had my brain in an absolute chokehold since I started watching a week ago and I've been thinking, why? Well,

Hua Cheng and Xie Lian are Gomez & Morticia Addams coded.

And I can't not be obsessed with that. Hear me out.

Two dangerous individuals, both very weird in their own special ways, finding home in each other when they're feared and shunned by most.

Loving each other openly and loudly, even when people look at them sideways for it, because they're each other's everything and hiding that feels Wrong on a fundamental level.

It's respecting and encouraging each other's oddities, no matter how unusual they might be.

It's protecting each other fiercely but never out of possessiveness, because their significant other is strong, powerful, capable and they would never demean them by overlooking that.

It's the obsessive devotion, the insane lengths they'd go for their beloved, but never overstepping boundaries and making them uncomfortable.

It's Hua Cheng offering his ashes, the only way someone could possibly kill him, to Xie Lian on a silver platter, expecting nothing in return, just because it's his to keep.

It's Xie Lian wearing it over his heart everywhere, because that's where it belongs.

[flocktothelight]

History of Flock

[miss-mossball]

doting