#cheng xiao details

[morweneledhwen]

More costume design in Fangs of Fortune (part 1)

[aurieeeeeenyx]

time travel mechanics in link click — intentional inconsistencies? closed loops and parallel timelines (theory)

Back in 2021 or so, I wanted to make a post about the time travel mechanics in Season 1, and how they seemed to be inconsistent in certain episodes. I never ended up making that post, and the idea slowly faded from my mind, but I want to make that post now (armed with all the new information we've received since then) before Bridon/Yingdu arc episode 4 comes out because of the episode preview when Lu Guang says this:

In Season 1, the time travel seems to operate on the principle of a closed loop. This is especially evident in the Doudou arc, when Cheng Xiaoshi sees himself in the past (while he's in Doudou's body) and realizes that he was always there; the "changes" he inflicted weren't really changes, because by the time he dives back from the future his actions in the past have already happened. This is also demonstrated when Xu Shanshan walks into the photo studio and interacts with Cheng Xiaoshi in S1E8, and we later find out that it was in fact Cheng Xiaoshi in Xu Shanshan's body interacting with himself. And again, with the ploy to use Xu Shanshan in order to lure Liu Min/Red Eyes to the photo studio. We also see this closed loop phenomenon happen in Season 2, for example when Cheng Xiaoshi possesses Lu Guang's body to go save himself in the past.

So I've always been a little bothered by the earthquake arc in Season 1. If the dives into the past have already happened, why does Chen Xiao come to the photo studio in the first place? If Cheng Xiaoshi (in Chen Xiao's body) won the basketball game and gave those kind words to Chen Xiao's loved ones, why does Chen Xiao remember otherwise?

I've wondered before what happens to the clients when Cheng Xiaoshi is possessing them—do they just not remember anything? Are they even aware of themselves being possessed? Why is no one concerned about missing memories for hours at a time or not being in control of their own body? Emma sort of skirts around this when she tells Cheng Xiaoshi, "So you were the one who sent that message" in S1E11, implying she's aware it wasn't her who sent it. For the sake of argument, though, I'm going to pass the general non-reaction of the clients to being possessed as a handwavey "the brain justifies it somehow later" thing and ignore it.**

That brings us again to the question: Why does Chen Xiao remember the past differently to the one Cheng Xiaoshi experienced/changed? Maybe the past isn't set in stone after all? Maybe, instead of just being a closed loop, the time travel in Link Click is operating on multiple systems?

In 2021, right after I watched Season 1, I was going to dismiss this as just an error. The writers slipped up and bungled their time travel mechanics a bit, and therefore the earthquake arc is different on accident. But we've learned since then that nothing is unintentional in this show, so why is that arc different from the others? (Also, I want to note, there is that moment in S1E4 where Lu Guang's face does that weird warping thing; coincidence? Maybe, but maybe not...)

My theory is: the time travel abilities that Cheng Xiaoshi and Lu Guang have operate differently.

DISCLAIMER: My knowledge of photography and film is extremely limited, so please correct me if I'm wrong.

There's always been a lot of film imagery in this show—obviously, since the whole premise is based in photography—but as early as the Season 1 OP, "Dive Back In Time," we can see the repeated use of rewinding film rolls as a metaphor for going back in time.

Note also: Lu Guang dropping the photo and it transitioning into a film roll, and Cheng Xiaoshi being tangled up in film rolls and being "inside" the film in the background/trapped in the frame. I'll get to this later.

The thing is, once you record something on film, you can't change it; you can only rewind and play it again. This tracks with the closed loop theory: no real changes can be made, because they have already happened. So how is it possible that "changes are still happening," as Lu Guang says in the YE4 preview? It's likely that Vein (and Liu Xiao and Xia Fei) are involved, but I don't believe that's the root of the issue. And, I don't think it's just the ever-nebulous "butterfly effect," because in YE1 Lu Guang says this:

I used to think that even a flap of a butterfly might cause a hurricane strong enough to ruin the world. I was wrong. The power of time is still far beyond our imagination. The future may not change due to a ripple of the past. Not at all...

(Yes, Lu Guang is a notoriously unreliable narrator, but I've decided to trust him on this one. Not to mention, butterfly effect shouldn't exist in a closed loop system.)

I've seen lots of excellent analyses illustrating the discrepancies this season, from the very first scene of YE1 (different furniture positioning, cracks in photo frame glass, bloodstains, presence of curtain, etc) to the changing positions of clothing, buildings, time of day, food, and so on in YE2 (go check out hyperfaexation's excellent YouTube video on their Shattered Memories theory for more details). The fandom is constantly theorizing about how many timelines there are. But while we've been asking ourselves how many timelines exist (five, ten, more?), we forgot to stop and ask: why do they exist?

The existence of multiple timelines doesn't fit into Season 1's time travel premise. In Season 1, it was always Cheng Xiaoshi that we were watching. Whereas Cheng Xiaoshi could be said to live "in" the film when he dives, perhaps Lu Guang is cutting the roll short at the point which he dives back to and splicing a new roll onto it. This could explain the scene from "Dive Back In Time" that I referenced earlier, with Lu Guang outside the film and Cheng Xiaoshi in it. It's not exactly that Lu Guang is diving back in time; it's more like he's diving out of time, into a parallel timeline and leaving this one behind. Maybe this season, we'll get to see more complicated time travel mechanics that result from the intersection of different powers. (And, while we're at it, maybe we can get an answer to why Cheng Xiaoshi has golden eyes for a few frames in YE1 when they're running away, because seriously what's up with that?)

**Another explanation for the non-reaction to the clients' possession could be the interaction of different timelines, but I'm not really sure how this would pan out so I'm not going to elaborate too much.

What does this have to do with the earthquake arc? Why would Lu Guang have a (slightly) different power than Cheng Xiaoshi, if he inherited it from Cheng Xiaoshi as we are led to believe? What happens to the discarded film, the abandoned timelines, when Lu Guang casts them away? Can Cheng Xiaoshi ever be saved? I don't have answers to any of these questions, and maybe I'm overthinking (ha) all of this and it really is just a writing inconsistency after all, but I want to believe Link Click's writers know what they're doing with this and all we can do is wait for the reveal.

[thedreamerstoryteller]

So, it's a Cheng Yi thing. 🤭

[alipeeps]

Ahhh there's full MV of the ending theme dancing. It's fucking adorable and it's breaking my heart.

[mysterialistic]

Random thoughts from Yingdu episode 3:

-Lu Guang definitely has PTSD. Nightmares, hallucinations, triggers. It’s all there. That scene with Cheng Xiaoshi’s corpse was genuinely disturbing.

-Cheng Xiaoshi sleeping on Lu Guang’s shoulder and LG almost touching his head?? I’m DECEASED.

-Okay, so the timeline from the first Yingdu PV isn’t the same as the current timeline. Does that mean that the one from the PV was the original one? Such a cool little detail.

-I can’t tell if Lu Guang knows Liu Xiao or not. He seemed to recognize him)? I mean, they probably did met at the airport on the original timeline given how the first PV included LX. Guess we’ll have to wait.

-Xia Fei is… interesting. He’s a liar that never shows his true face to anyone (except Vein and LX, maybe). I don’t trust him, definitely not. He’s obviously not only a model, he also does some shady jobs for Vein and Liu Xiao, including befriending a couple of strangers to keep an eye on them.

-Related to the previous point, I can bet that the Xia Fei/Vein shippers are happy with the outcome of this relationship lol. Even I’m surprised at how close they are! Let’s just hope that Vein doesn’t kill him when he deems him useless.

-Also, Xia Fei was studying physics)? That’s so cool. My quick theory is that he’s actually VERY smart and has a small obsession with powers since in his music video he mentioned them.

-It seems like everything that is happening in Yingdu is completely set up by someone who knows exactly how it all must go down (Liu Xiao or Vein?) The airport fight, the library guy keeping and eye out for someone coming to look for that specific book, Xia Fei meeting them, Vein appearing right on time. There’s no way this is how it happened on the original timeline, back then it probably was spontaneous, but now? They’re manipulating the outcomes and that’s why Lu Guang is so confused with all the changes.

[psychopomp-namine]

YE6's butterfly effect. AKA: how did vein "die"?

I'm trying to puzzle out the butterfly effect in YE6, and here is my interpretation so far. if this theory is correct, it would also answer the question of who has the faking death ability and what exactly was liu xiao doing during the whole arc.

of course, feel free to correct me if I got this wrong. I could be missing some key information. I'm just writing this in an attempt to figure it out myself. also, this is gonna be a long post, sorry.

a lot of people are speculating that lu guang directly killed vein somehow through an ability, but I don't think that's what actually happened (although I wish that was the case). I also don't think the situation is as simple as "lu guang wanted vein dead" because I also think that liu xiao is interfering with the same events. there are two puppeteers in YE6, imho.

let's start with lu guang. for one thing, we know he can't directly kill vein with any of the abilities he has, since both scanning 12 hours of photo history and diving into the past require, well, a photo, which lu guang did not have. yingdu even stressed the rules of how both abilities work. if lu guang directly killed vein through ability use, this would imply he has another ability up his sleeve, and I really don't think we've been given enough evidence that points to that. if he always had this ability, why hasn't he used it before on vein in other timelines?

remember that yingdu has a lot of visual metaphors in its storytelling compared to other seasons. I believe lu guang caused the chain of events to happen in such a way that vein would die, but he was not the one to kill him, and that's why there's the animation of him orchestrating vein's death through wang qing, like a ventriloquist would control a puppet. in fact, I would go even further: lu guang and wang qing never got the chance to kill vein, although lu guang certainly thinks he did. we will circle back to this under the cut later, once we've built up the evidence to reach this conclusion.

another thing is the info we learned from an interview with director li. it is unfortunate, imo, that we had to learn this through an interview and not from the show itself (I feel this is yingdu's biggest writing flaw), but whatever. here are the key points to know though:

vein doesn't have an ability during yingdu arc

liu xiao has more than one ability (we know one of them already, which is interestingly enough, heartbeat related)

(not from the interview, but hinted in the show) someone has a "faking death" ability

before we go into the butterfly effect and how vein died, let's go over the details of his death:

from the autopsy report: vein's cause of death is myocardial infarction. aka a heart attack

xia fei later says there were no external injuries and no signs of poison

also, tiny detail, but vein was holding something like a tranquilizer gun in the clinic. the "bullets" he fired on both wang qing and cheng xiaoshi were meant to put them to sleep, not to kill them.

finally, let's lay out some character motivations. this will be important later.

liu xiao wants to get the notebook that belonged to cheng weimin. vein is working with him on this.

lu guang wants to avoid cheng xiaoshi's death node, and he plans to do it by killing vein

now, for the analysis. how did vein "die"?

let's establish something first. since xia fei doesn't know what happened to vein and is looking for the true culprit, we can rule out his involvement. he probably doesn't have the faking death ability, since it was used on vein. and vein doesn't have an ability. so the most likely person to have this ability would be liu xiao. he is also most likely the one to open the body bag with vein in it.

so we can now assume that liu xiao has two abilities:

he can sense someone's emotions and intentions through hearing their heartbeats

he can "fake death" (it is unclear how this works)

well. what an interesting combination! let's put a pin on that for now. remember this for later.

okay. now. let's switch over to lu guang. the big important question here is this: how did lu guang know that delaying vein from entering the clinic would lead to his death through a butterfly effect?

for full context, let's look at what lu guang says in his conversation with vein (I'm using ani-mi's translation, but I watched the bilibili one first and there aren't any drastic changes imo):

do you know the butterfly effect? in a dynamic system, event the smallest changes in initial conditions can lead to vastly different outcomes. I've been wondering, how do you alter a destined ending? what would happen if, before the conclusion, we added another fixed point? another unchangeable node? instead of avoiding deviations, why not let it deviate completely? I know I can't stop you. but I can make you stay a bit longer. now, you can go in.

two things here. first, the mention of an unchangeable node. aka a death node. lu guang for sure wanted vein to die. because if vein dies first, he can't kill cheng xiaoshi. simple logic; great plan.

next, from this speech, we can infer that lu guang planned to create a small change (a butterfly effect) that will lead to a big consequence (vein's death).

it's the second part that should clue us in. he said, "I can make you stay a bit longer. now, you can go in." he knows he can't stop vein from entering the clinic. but he can stall him. he can add a small bit of delay, long enough that it actually matters that vein went into the clinic later than usual.

lu guang knows the effect he wants (vein's death) so how does he know what event (stalling him) would cause the domino effect that leads to it? why does that small delay matter?

let's look at what that extra bit of time actually changed. by delaying vein, another important event happens: cheng xiaoshi has extra time with wang qing, long enough for him to meet his mom, shao yuanyuan. cheng xiaoshi then learns that shao yuanyuan is trying to save cheng weimin. he promises to wait for them and to stop investigating. it is after he makes this promise that vein enters.

we can now infer one more thing here: cheng xiaoshi did not meet his mom through wang qing in the original order of events. this event only happens because lu guang stalled vein.

most likely, in the original order of events, vein incapacitated wang qing too early for her to do anything to him. we don't know what her ability is, but it doesn't matter for this post. all we need to know is that lu guang believes wang qing could kill vein if she was never put to sleep. that is the point of stalling vein from entering the clinic early.

so here's part one of my theory. from lu guang's perspective, this is the plan to kill vein:

stall vein from entering the clinic

because vein entered late, wang qing was possessed by someone with better fighting abilities, allowing her to hold out during the fight

she is then freed from possession, and is still awake when vein tries to leave with the notebook

I don't think we have enough information to really explain what happens next, but what's supposed to happen, imo, is that wang qing kills vein, either through her own ability or someone else uses her to do it. it doesn't really matter how, but this is what is supposed to happen. this is what lu guang wanted to happen. for the sake of this post, we will assume wang qing has an ability to kill vein

vein dies, therefore he can't go to the time photo studio in the future to kill cheng xiaoshi

that's lu guang's butterfly effect. stall vein -> vein dies -> cheng xiaoshi lives.

simple? not quite. I did mention there's another person interfering with these events.

everything I mentioned above is from lu guang's perspective, and that this is what's supposed to happen. but let's look at the actual order of events.

wang qing wakes up (is freed from possession), notices the notebook on vein, and calls his name (interesting point: she knows his full chinese name). at this point, her eyes have NOT changed color yet.

vein gets a heart attack

only after that does wang qing's eyes change color

we know that changing eye colors is not diegetic, meaning this is more for the audience's benefit. their eyes don't really change color in-universe. sometimes they don't even show us eye colors changing. but when they do show us, we have to pay attention.

therefore, I believe that the timing of the shift in eye color matters.

so here's part two of my theory. liu xiao knew lu guang is going to interfere, so he already arranged a "fake death" for vein in advance (which he doesn't tell vein about lmao, but he seems to have figured it out when he gets the heart attack)

this is how, I believe, yingdu happened from liu xiao's perspective:

he wants cheng weimin's notebook. wang qing has it, but would never give it to him. but she might for cheng weimin's son

he baits cheng xiaoshi into going to bridon

he heard lu guang's heartbeat in the airport, which tipped him off that he's someone he should watch out for

he confirmed that cheng xiaoshi and lu guang are investigating cheng weimin

he assigns xia fei to keep an eye on their progress

he planned to use cheng xiaoshi to bait wang qing into giving up information about the notebook. this is why when xia fei told him that cheng xiaoshi was about to meet her, liu xiao reacts like this is the expected outcome

he assigns vein to get the notebook because wang qing is about to reveal the location. but he also knows that lu guang is kinda shady, so when lu guang stalls vein (and tells him! bro don't tell your plans to your victims! don't tell him you're trying to make a butterfly effect!), liu xiao either just knew this would happen or vein tipped him off before going in

now, notice that vein gets a heart attack before wang qing uses an ability (or is used, whatever) to kill vein. and what have we established before at the beginning of this post? liu xiao has a heartbeat related ability and can fake a death. we don't know the mechanics of the second ability, but we know that compatible abilities can combo with each other. it's not far-fetched to think that liu xiao can fake death with a heart attack

later, we see vein wake up after someone (most likely liu xiao) opens his body bag

so now who's fooled? the police arrives and even does an autopsy. they declare vein dead. lu guang is relieved, and for years he believes this. vein doesn't even visit the studio in 2021 (though li tianchen does, through liu min, but that's neither here nor there). he avoided a death node by creating another one. we can let him believe this lie for a little while...

TL;DR lu guang created a butterfly effect by stalling vein, and that creates a domino effect that should have led to vein's death. except he's not the only one interfering with the timeline. while this is happening, liu xiao orchestrates a fake death for vein before his supposed death actually happens, allowing him to act dead during the autopsy and "revive" later

EDIT: this post was written before the interview translation came out, though I don't think this it contradicts anything here; if anything, this post is in line with the interview.

if you're interested, additional thoughts on vein's death can be found in the following links:

reblog of this post: the fake death ability might be wang qing's, or an effect of a combination of wang qing and liu xiao's ability. I posit in this post that I think liu xiao has the ability; in hindsight, it probably relates to wang qing, though I still think that the "heart attack" is related to liu xiao

thematic analysis (as opposed to plot analysis) on vein's death. I am a huge believer that link click is best analyzed through themes than plot tbh

additional thoughts on lu guang's characterization throughout all of this

[pastorfutureletthembe]

Checkmate ♚

Apparently a temporary AR (Otome) game is coming soon and the artwork for it is just breathtaking! It is also full of details I want to explore OF COURSE. My brain is doing tetris things again, oops.

Looking for a senseless meta about chess pieces? You're in the right place, come on in~

>> Chess Theme

White vs Black

The first topic is obviously the chess theme. Of course, this part is to be taken with a grain of salt since the pieces aren't correctly disposed on the board. However, the characters themselves are walking on their respective squares except for Vein (because he's all powerful and he's above your stupid rules. Probably). Notably, Liu Xiao himself seems to be leaving a white square. And if there is any meaning to it, I'd like to believe it makes a gray character out of him.

Now, what can we say about the chess pieces themselves?

White: rook, pawn, knight

Black: rook, mystery piece, king

Each character is paired with a chess piece.

The most reassuring clue to me is that a white piece has been given to Xia Fei. Which, there is a fat chance this makes an ally out of him. He might be only a Pawn ♙ for now. For those who are not familiar with chess, a Pawn can only move ahead, never back, one square at a time. It has some cool moves too but it depends on the game you want to play. If the path is open, a Pawn can reach the other side of the board, turning it into a Queen ♕. If a Pawn can only move ahead in small range, a Queen literally rules over the whole board. She's quick, vicious and dangerous once she has enough space to move as she pleases. Of course, he can also be a mere Pawn, a tool to manipulate Lu Guang and Cheng Xiaoshi.

[Edit: since I always turn mine into Queens because I like to inspire fear and admiration from my brother, a Pawn can also turn into a Rook, a Bishop, or a Knight. I like to think of Xia Fei as a Queen but it's very interesting that he could turn into either Vein/CXS, Liu Xiao or Lu Guang by the end of Yingdu Chapter. ]

Cheng Xiaoshi and Vein both getting paired with a ♖ Rook ♜ could mean they use the same kind of power or are equivalent in some ways. Rooks have a large range, can move horizontally and vertically, ahead or back. They are better used when paired with other pieces, though, cause a lonely Rook ♖ is an easy pray. I think the main focus here is the similarity more than the piece itself. Lu Guang seems to be the one being punished and haunted, but Vein probably offered his power to Cheng Xiaoshi (or Lu Guang, according to the last Yingdu Chapter PV). My personal theory is that Vein mirrors or shadows Cheng Xiaoshi's shape because he is the source of his power. Vein's position, if there is any relevance to it, keeps Lu Guang's Knight ♘ from moving at the center, his natural and most efficient position.

Toppled King

Liu Xiao has two pieces by his side, a King ♔ and a mystery piece. The merch revealed the later to be a Bishop ♝.

Note that only amateurs tend to topple the King. It is regarded as some kind of pop culture-only approach to chess. Because of this, let's take a look a what an actual checkmate is (where we don't get to step on the vainquished).

Checkmate is any game position in chess in which a player's king is threatened with capture and there is no possible escape. In chess, the king is never actually captured. Checkmating the opponent wins the game. The player loses as soon as their king is checkmated. In formal games, it is usually considered good etiquette to resign an inevitably lost game before being checkmated. (cf. wikipedia)

If Vein, the current character we might recognize as the ultimate villain of the season, is only a Rook ♜, equivalent to Cheng Xiaoshi, who does the King ♔ represent? My personal opinion is Time, Fate itself. The song "Mastermind" supports this theory, and Lu Guang himself really is defying the natural order to save Cheng Xiaoshi, after all. It would make perfect sense. Stopping the clocks at a tournament is the sign of surrender. So basically, the game is over when one gives up and stops when the King has nowhere to go.

The character of Liu Xiao is given a lot of care in this specific artwork. He actually always stood out, since his very first appearance in the season 2 artworks, walking past Lu Guang and Cheng Xiaoshi's portrait, looking away from us. Here, again, he's not interested in the audience, focuses on the photograph of what fans reckon as Lu Guang from "Dive Back in Time".

The truth is, he's playing the long game, he has no time to spare, and he regards people as puppets. There has been theories about him having a hidden agenda, independently of Vein, using/working with Li Tianchen and Li Tianxi for his plan. His intervention in "Trial Train" speaks volume of his strategic mind, "they wanted to escape but didn't realize I blocked the exit a long time ago". Also, one hundred years wouldn't be enough to escape.

This merciless sharpness makes the Bishop perfect for Liu Xiao. Funny story, the Bishop ♝ is not actually a priest, but it represents a war elephant. Historically, the war elephant's main use was to charge the enemy, break their ranks, and instill terror and fear. That's fitting.

Another possibility regarding the toppled King could be that it refers to Liu Xiao's background. The fallen piece could be a resolved situation but the motivation behind Liu Xiao's intent to manipulate the timelines. Perhaps he played this game before and lost. Does Lu Guang know him or is Liu Xiao a mere stalker? Did they play this same game together or against each other?

There's a lot that can be speculated but it is hard to say what these pieces represent for now. As I said before, this read is based on popular imagery of what chess is, not on the actual strategy on the board itself. Secondly, these three new characters we have yet to meet, they don't have a defined role in the canon, not until Yingdu Chapter finally aires.

>> Tokens

Each character is giving a object. I guess it might be relevant to the type of gameplay the AR game will offer but for the sake of this meta, we're still gonna try to understand why those in particular.

Cheng Xiaoshi has a camera. I don't think it deserve further analysis, his powers exist through the lens after all.

Xia Fei has a clock. Guess the time? 10:10. For those unaware, it is a very recurrent time. Put the promotional poster aside, I recommend you pay attention to the time on the clock in the Studio, above Lu Guang's head, right before the gang gets a ominous call from Xu Shanshan's phone at the end of 1x09. If it should mean anything about Xia Fei himself: I won't say it enough but, really: DO NOT TRUST HIM. Or, you know, perhaps he's doomed: it is worth mentioning that except for Xia Fei's Pawn ♙, each character is affiliated to a piece which can move forward and backward on the board.

Liu Xiao has a gear. I find this one intriguing because, so far, this object has belonged to Cheng Xiaoshi's imagery (cf. "BREAK!"). For someone on an ambitious project such as controlling timelines, he is giving a small tool that cannot be used on its own, is part of a machine. Could be relevant to the way he does things, never getting his own hands dirty, working through others. Or it could be that he's himself just another player, played by Fate. Or perhaps, he has the missing piece that Lu Guang needs to save Cheng Xiaoshi, who knows?

Vein is already using his own item: the pipe. He's the only one owning his object and aware of it.

>> The Case Study of Lu Guang

Because of course, our favorite character is actually the shadiest of all, I will dedicate a whole section about him specifically. Why do I insist on calling Lu Guang shady? We know and we see his chess piece is white. But you have to take a closer look to make out the White Knight ♘. The value of a Knight ♘ is equivalent to the Bishop's ♝. But ultimately, its worth less than Cheng Xiaoshi's Rook ♖.

L shaped path

Moving only in an 'L' shaped path, Knights ♘ are the most effective from the center of the board. This is because they get a broader reach in all directions from the central part.

Now, this is very important. Why should it be a mystery that Lu Guang's piece is a knight? What is a Knight ♘? The answer resides in the mechanism of his maneuver.

Part of the idea of the knight maneuver is to flank. And since the Knight is not a horse but a man on a horse, the odd maneuver reflects the knight's ability to guide the horse he's riding (to an extent). In other words, since the Knight comprises two entities (the man riding the horse), the move should sensibly consist of two parts as well, to reflect the added agility of the athletic horse. Conversely, the Knight has access to a maximum of 8 squares (as opposed to the "equal" Bishop's maximum of 13) because the horse is still an animal with a mind of its own.

Note that if you place a Knight ♘ somewhere on the margins, its efficacy will diminish exponentially. Additionally, if he only moved two squares, straight or diagonally, the Knight ♘ would always be restricted to the color squares that he started the game on.

Lu Guang being the Knight ♘ doesn't only means that he moves unconventionally. It is reflective of his duality. Perhaps, the fact he's using his power and Cheng Xiaoshi's. There is another aspect of him we could address here:

Burning Palace

For one thing, "BURNING PALACE" brings back the theme of strategy board game with the checkers this time (you see black pieces falling). It also introduce the Four Heads from playing cards. The fact they bothered to mention it implies a Fourth character.

Xia Fei: ♠

Liu Xiao: ♣

Vein: ♦

The fourth color ♥ is missing and I'm secretly convinced that it's Lu Guang's color.

Enygmatic Tokens

The portrait behind Lu Guang is Lu Guang himself, from "Overthink". This image appears in the first bridge, when the lyrics goes "how did my sight got stolen once more?", superposing Lu Guang's face with mysterious shapes, erasing his eyes/power. This particular line comes to confirm what we already know: Yingdu Chapter isn't a resolution, let alone a happy ending, but a repeat of a tragic event in an unchangeable node. The end is the same, once again. Lu Guang's hope and happy ending has been stolen once more. And STOLEN also implies that there is an intent behind this failure.

A portray is still a photograph though, and it can be used to dive back in time.

What is the most curious to me is the familiar eagle on Lu Guang's chest. Eagles belongs to Cheng Xiaoshi's imagery so why does Lu Guang is wearing them here?

An interesting take would be that Yingdu Chapter isn't actually from Lu Guang's perspective, but from Cheng Xiaoshi's, diving in a picture taken by Lu Guang. This would be some kind of plot twist and would definetely makes the big reveal easier but not less painful.

I'll probably make a whole meta about this symbol at some point but in the meantime, I'll let you know the eagle is associated with strength, power, wisdom, and freedom. The eagle's ability to soar high in the sky was believed to be a symbol of divine protection and spiritual guidance. Additionally, eagles are tied to the sun. Some people see them as signs of a bright future on the horizon. As a symbol of light, they embody both the intensity and heat of the sun as a fearsome force of nature, as well as the warmth and benevolence of the heavens.

This positive symbolisms are deeply rooted in Cheng Xiaoshi's nature, but if Yingdu Chapter actually brings us back to one earlier repeat, we can assume that Lu Guang had initially a brighter outlook on his mission.

The glasses are back and I'll say it again: once is weird, twice is a coincidence and thrice it's a pattern. The portrait shows Lu Guang without eyes but his item is a pair of glasses. Might be a subtile hint of denial there. As far as glasses go, pink is a peculiar color. It helps to 'voir la vie en rose', as the french says: "look at the world through rose-coloured glasses." Meaning, being delusional.

Might it be the eagle or the glasses, I'd say they're both representative of Lu Guang's state of mind at the time: hopeful.

~

[Edit: I recommend you take a look to these threads regarding this very same artwork: | X | X | X | I don't agree with everything but it's always cool to have other perspectives.]

[sillygoofyqueer]

CROWYUAN PEAK LORD REACTIONS PART TWO!! (part one heree) My workload was surprisingly brutal from learning today, so I've been slogging through it just to talk to all of you <3 LET'S DO THIS SHIT: Liu Qingge: Okay, come on, we know this guy. He will just register the demonic features and pull out Cheng Luan with NO hesitation, only to be held back by no less than three of his martial siblings as they try and say "nah, nah, he chill he chill, goddamn it!!!" He almost refuses to believe this because holy shit they've been manipulated by this DEMON and he's immune to it because he's been in contact with so many demons. Then he has a conversation with the demon and is bombarded with many questions about his hunts and SOMEHOW gets roped into promising to bring SY the carcass of the next beasts he hunts so that SY can explain their weaknesses in incredible detail to him. (He still thinks that maybe he too has been manipulated and bewitched, but that's at the back of his mind when SY SMILES at him) Shen Qingqiu: God, he hates this little demon thing - everyone else is drawn in by his weak charms, but NOT Shen Qingqiu. Oh, he sees past the disguise, he knows that this little...creature is plotting, is waiting for them all to let down their guards - but he WON'T. Just because his martial siblings are utter, blithering idiots, doesn't mean HE is. He will remain resilient and strong and-- what do you mean Shen Yuan is making himself comfy on Qing Jing Peak??? What. What do you MEAN he feels safe enough to be alone with SQQ and doesn't care about the rumours surrounding him because "they're tame in comparison to the things he hears about other demons"????!?!?!?! That's it. This demon is too silly to be wandering around by himself, who knows who would take advantage of his stupidity - ATTIC WIFE TIME (/j/j/j) Yue Qingyuan: This demon likes Xiao-Jiu, therefore he's chill- HOLD ON WHAT DO YOU MEAN SHEN JIU SMILES AT HIM ALL THE TIME?!?!? Yue Qingyuan is very pleased that Shen Jiu has a....*through gritted teeth* friend, at least he has someone to talk to - ALL of the peak lords like Shen Yuan??!? All of them?? HOW. SY has to teach YQY his ways because it has been impossible for him to get his shidi all in one place without them killing each other, and now they're all just...chilling with SY? With minimal arguments?? Damn it. (This is a joke, I think he'd be pretty pleasant with SY, but I wanted to make a funny read on the guy's reaction) ((I think Shang Qinghua is an enigma because they're both transmigrators and he'd just be like "YOOOOO, YOU'RE THE IDEA I DROPPED!!"))

[egoitsharu]

¿Did you know that LC characters are represented with flowers?

Checking the wiki I noticed that detail, the characters of Bridon Arc represent a flower

Cheng Xiaoshi is associated with the flower "Bellis". In the language of flowers, Bellis perennis, commonly known as the common daisy or bellis, symbolizes innocence, purity and loyal love. It can also represent new beginnings and love that overcomes difficulties. Additionally, in some cultures, they can also be associated with youth and joy.

Lu Guang is associated with the flower "Forget-Me-Not". It symbolizes eternal memory, true love and fidelity. It is associated with memory and affection towards someone special, even from a distance or after their departure. It also has a meaning in friendship and unwavering loyalty.

Qiao Ling with the "Hyacinth" flower. Hyacinth has different meanings depending on its color, but in general it symbolizes play, joy and rebirth. The hyacinth is a flower with many nuances in its symbolism, depending on the context and color.

Liu Xiao is associated with the "Spiderwort" flower. The Spiderwort (Tradescantia) symbolizes adaptability, resilience, and long-lasting love. It is associated with the ability to overcome challenges due to its resilient nature and ability to flourish in different conditions. It also represents ephemeral beauty, as its flowers typically last only a day before wilting. In some cultures, this flower is believed to have spiritual significance related to renewal and connection with nature.

Xia Fei is associated with the "Sunflower". The Sunflower symbolizes worship, happiness, energy, and loyalty. Because of its ability to follow the sun (heliotropism), it represents the search for light, positivity, and devotion. It is also associated with strength and longevity, as it is a resilient and vibrant flower.

Vein is associated with the flower "Dahlia". The Dahlia symbolizes elegance, strength, creativity and commitment. In the language of flowers, it is associated with dignity and determination, reflecting the ability to face changes with grace. It can also represent passion and the eternal bond in love, which is why it is common in weddings and romantic events.

Wang Qing is represented with the flower "Datura". Datura, also known as devil's trumpet or thorn apple flower, has an ambiguous and mysterious symbolism. Because of its exotic beauty and its connection to the forbidden, Datura represents both temptation and enlightenment.

[hyog-blog]

I love how in this scene we see more of the wish-granting, but this time it is performed by Zhao Yuanzhou, free of charge, in his selfless manner that doesn't need anyone's sacrifices or murders or even someone else's energy - only their wish, and intent, the willingness.

And he grants Pei Siheng's last wish just like that, a stark contrast to Cheng Huang who was fooling around with humans collecting their energy trying to change his own narrative, to bring back the past that was no longer there, the goddess who has already died, because he couldn't let go of her even after his own death.

And we can talk as much as we want about Zhao Yuanzhou evading whatever he's done and not atoning for his sins in a grander scheme of things, but he actually does it all the time - but it's in the smaller details. In the kindness of his heart, in the attention to the people around them, in that little bit of help that usually either goes unnoticed or he simply doesn't even talk about it - he just carefully and casually does something good and only we as viewers can see and appreciate it (all those small instances of helping Bai Jiu or giving his cloak to Wen Xiao and Xiao Zhuo or taking the blow so the others don't get hurt).

His companions come a long way before acknowledging his true beauty and kind-hearted nature, and I believe that yes, some of it might stem from guilt over the things he has done in the past, but ultimately it doesn't matter why you do good things - you just do them and they become a part of you and they slowly change you, turning you into someone better, someone more than you were before. And what may have started as atonement for the wrongs he had done, effortlessly became part of nature because of how empathetic he has always been (I suspect, for a long while having to deal with malicious energy on a regular basis).

I love how his kindness is merely a whisper in the dark, a hidden secret not many people know about or even notice, but once they do - everything changes, and they give him all that love that he has never asked from them, but was probably yearning for, as well as absolution.

He didn't even know A-Heng personally, but he knows Pei Sijing and he knows and probably feels just in how much pain she is. So he creates this little bit of happiness for them, just like that, using his own energy. And it's so beautiful, and it tells volumes about his character.

[mademoiselle-red]

People have been very focused on analyzing Lu Guang’s involvement in Vein’s “death” but there is one detail that I haven’t seen much discussion on.

Wang Qing hates Vein.

Lu Guang looks at Vein with coldly murderous eyes. Mrs. Shao is alarmed by Vein’s attempt to take the notebook but she doesn’t know who he is, and she doesn’t seem to have a personal grudge against him. But once Wang Qing is back in her own body and sees Vein taking the notebook, she recognizes him and is furious. Her facial expression and eyes go batshit and she screams his name with such anger and hatred.

But! When Vein entered the room and saw Wang Qing, he didn’t seem to know her. She is just the target he was supposed to find in order to retrieve an object for his client (presumably Liu Xiao). He didn’t even have a name or photo for her, just a burnt student ID, and had to rely on CXS and Lu Guang to give him her name when asking him to help them find her.

So why does Wang Qing know Vein but he doesn’t know her?

Why does she hate him so much?

(Sure, any person would be mad if they woke up battered and beaten by some random stranger, but she seems to really hate his guts)

So I have a theory:

What if the notebook was supposed to be a trap?

Here is Wang Qing’s (possible) POV: She survives the fire with her teacher’s notebook in her possession. Her teacher is presumed dead. She is visited in the hospital by her teacher’s widow, Ms. Shao . She tells Wang Qing to take a photo of CXS if he ever visits her. Wang Qing does what she is told and at some point in the future, gives Mrs. Shao the photo so she can dive back to possess her.

Mrs. Shao knows exactly where Cheng Weimin’s notebook is kept in Wang Qing’s office. So they must have both agreed at an earlier time for Wang Qing to hide it there in her office in Yingdu instead of letting Mrs Shao keep it with her, wherever she is.

So why is Mrs. Shao taking out the notebook now, right after Vein shows up asking for it?

Two possible reasons:

1) Mrs. Shao doesn’t know Vein, but knows he wants the notebook and has found his way to Wang Qing, so she wants to take it with her now and transfer it to a safer location

2) Mrs. Shao is trying to save her husband and Wang Qing is trying to find the culprit behind the fire. They team up because their goals are somewhat aligned. They suspect the culprit was after Cheng Weimin’s secrets and will try to track down Cheng Weimin’s notebook via the only survivor of the fire. So Wang Qing decides to use herself as bait.

I like possibility #2 because this partially explains why Vein does not appear to know Wang Qing, but Wang Qing knows him and looks at him with even more intense hatred than Lu Guang. Because if the notebook is a bait for the culprit, then Wang Qing has reason to believe whoever comes for the notebook is the culprit, and when she sees someone she knows come for the notebook, she thinks she has her answer now and is ready for revenge.

And this also aligns with what she says to CXS before she gets possessed by Mrs. Shao: “You are the detective, CXS.” Because he is the one who is supposed to find the culprit for her. And what happens as soon as she opens her eyes in her own body again? The “culprit” caught red handed with the notebook.

(But this is very probably a big misunderstanding because Vein was hired by his client —presumably Liu Xiao —to find the notebook. So far, there are no indications that he was involved in the fire. And my theory still doesn’t explain how Wang Qing knows and recognizes him but he doesn’t know her)

[mikkeneko]

In today’s installment of Untamed Fic Ideas I Won’t Write:

Suppose that, as the son of a student of Baoshan Sanren who grew up disconnected from his heritage, there was something unusual about WWX and his core that even he didn’t know about. The exact details are kind of handwavey, this is a Celestial Macguffin, which was destined to awaken/hatch/activate when he reached a certain age, and Something would happen.

Wei Wuxian died before that destined date was ever reached. But, this celestial whatever-it-was was tied to his golden core... so now it’s tied to Jiang Cheng. Sometime in the thirteen year gap, the Celestial Macguffin is starting to wake up. And now Jiang Cheng has to deal with whatever-it-is, while simultaneously having no idea why it is.

I think he would at least be able to figure out that it has something to do with Baoshan Sanren and that fated meeting on the mountain during the war. Without any better leads, I think he might then try to track down Xiao Xingchen (let’s suppose this is before all the Yi City stuff goes down) and see if Xiao Xingchen knows anything or, failing that, can take him back to BSSR.

A completely unexpected road trip ensues! Possibly with Xue Yang and A-Qing tagging along, who knows. (I admit the Road Trip part made me think of @veliseraptor , although the vibes aren’t quite right.) But at some point during the road trip they’d probably have the following conversation:

Xiao Xingchen: So how did this end up happening to you, if you're not one of Baoshan Sanren's disciples? Jiang Cheng: Right now my leading theory is that this happened the one time I met her and pretended to be Wei Wuxian Xiao Xingchen: Why were you pretending to be Wei Wuxian? Jiang Cheng: I lost my golden core, she was the only one who could restore it. Xiao Xingchen: Huh. Really? I don't think even Baoshan Sanren can do that. Jiang Cheng: She can't? Xiao Xingchen: Nope. Even when I asked her to restore my friend's eyes, the only thing she could do was... oh. ohhhh. hm. Jiang Cheng: What? Xiao Xingchen: are you in the right headspace to receive information that could possibly hurt you

[edit] if you’re looking at the Original Post now, @behemobarisoool did actually write out this scene!

[mysterialistic]

Inconsistencies between the Yingdu timeline and the season 1 & 2 timeline

Okay, so the final episode of Yingdu is right around the corner, which means this will probably be my last analysis of this arc. I’ve made some posts before discussing the discrepancies between what has happened in Yingdu and what we’ve seen in seasons 1 and 2 (which I’m going to refer to as the current timeline), but I decided to write everything down in a single post.

1. Cheng Xiaoshi's parents

One thing I’ve noticed is that, throughout season 1, Cheng Xiaoshi doesn’t seem to know anything about his parents’ whereabouts. The only thing we do know is that he believes they disappeared one day without explanation. At one point, he even considered the possibility that they had died in the earthquake. He has no idea where they are or any clue as to what happened to them.

On the other hand, in Yingdu, he has an important lead about his father’s whereabouts. He knows where his father went after abandoning him, he saw and spoke to him (even if it was through someone else’s body), but he interacted with him nonetheless. Now, Cheng Xiaoshi believes his father may have died in that fire—something he seems completely unaware of in the current timeline.

2. The basketball game

This is a smaller detail, but I think it’s worth pointing out: the way Lu Guang and Cheng Xiaoshi met during their basketball game in Yingdu is not the same as the flashback we saw in season 1. This could be explained by saying that the flashback was from Lu Guang’s perspective, meaning it was his memory of the first/original timeline.

3. Cheng Xiaoshi’s death scene

Another significant change is Cheng Xiaoshi’s death scene. The flashback at the end of season 2 differs from what we saw in Yingdu. In the flashback, they were in some sort of forest(?), their positions were different, Lu Guang had his hand underneath Cheng Xiaoshi’s head, and only one of his hands was stained with blood—quite different from how it played out in Yingdu.

4. Liu Xiao and the Quede Games card

Another interesting detail is Liu Xiao and the card he gives them with the Quede Games name on it. Yes, Cheng Xiaoshi is the one who receives the card, and he might forget about this small detail in the future, but I find it really curious that the creators chose to include this here. We know that the Quede Games case is the first one in Link Click, and it’s not just any case—it’s the one that started the entire conflict of seasons 1 and 2. It’s a bit strange that Lu Guang doesn’t seem to connect LIU Xiao with LIU Min and the Quede Games incident, but this might just be a plot hole.

5. Cheng Xiaoshi awakening his powers

Now, the most significant detail, in my opinion, is the way Cheng Xiaoshi awakens his powers. In season 1 episode 8, we got a small flashback of Lu Guang explaining how their abilities work together. This happened at the studio—not in a hotel in Yingdu.

And, of course, there’s the fact that Cheng Xiaoshi has already discovered that he can dive on his own—something he didn’t seem aware of in the current timeline until after the Emma case, when he attempted to enter a photo on his own and succeeded. There’s no way he just forgot he could do this. He’s not that dense, come on.

Conclusion

Now, I don’t know if Yingdu is going to be another failed timeline, but honestly, I hope it is. Otherwise, there will be a bunch of inconsistencies and plot holes that won’t make much sense. If they confirm Yingdu as another failed timeline, it would actually reinforce Lu Guang’s dialogue from season 2: “I want to use this LAST chance”—implying that he has already repeated this several times. I guess we’ll just have to wait a few more hours to find out.

[psychopomp-namine]

Ahhhhh your theory about how Vein died is sooooooooooo fucking real. Like I've seen people talk about how Lu Guang might have a secret power? But I feel like that's not the case cuz then we might have seen it play out in S1 and S2. Lg would surely would have used it in the fight with Qian Jin.

for context, anon is talking about this post where I theorize how vein "died." I go into it in more detail there, but the tl;dr version of it is: no lu guang did not kill him vein directly. he just delayed vein from entering the clinic early, thus creating a butterfly effect (hence his whole speech about it) that led to wang qing being awake when vein tries to leave with the notebook, thus creating an opportunity for her to "kill" vein which she wouldn't have had originally. but liu xiao interrupted this chain of events and that's why vein is alive using the faking death ability.

I am linking the reblog version here because other people have added their own thoughts since the creation of the post. I'm not sure if anon has seen it or just the original post, because in my original post I posit that liu xiao has the faking death ability. but after seeing other people's thoughts, I am now more leaning to the idea that wang qing has the faking death ability or perhaps, that a combination of wang qing and liu xiao is what made the "heart attack but fake death" happen. perhaps (unintentionally) they created a power combo-ing effect similar to how lu guang and cheng xiaoshi can create a mind link across time when combining their powers, or how li tianchen can possess people across space by proxy of li tianxi.

a power combo that works across "death" would be interesting, though this is merely speculative at this point. it would certainly provide another perspective to why they're paired up in the ed.

to now address anon: yeah, exactly. even if the addition of non-photo based powers is a recent change in writing direction (that they may not have had foresight on during the writing of previous seasons), it still would be too much of a drastic change for lu guang to be hiding another ability.

as I said in the post, it is unfortunate that we have to rely on information outside of the show to make sense of it, but yingdu really does make more sense when you've seen the recent interview with director li. in particular, it is heavily implied that liu xiao has more than one ability, and the process of gaining an ability (aside from inheritance from parents) is through death or stealing it from others.

while I am a believer in the idea that lu guang is willing to do morally questionable things for cheng xiaoshi, I don't think he would've had an opportunity to just get a new ability so soon after he just got the diving ability from cheng xiaoshi. on the flip side, if he always had multiple abilities since he was a kid, it would be bad writing lmao because then why has he never used it until now? especially when he's been timelooping for who knows how long to avoid a death node. I know link click is possibly retconning some details (2018 is now 2019, they changed the plans for red eyes, etc etc) but I don't think this would be a retcon they'd do because it would change too much of lu guang's character.

I am going to use this ask as a jumping off point to talk about yingdu's storytelling style, and how we should take this into account when analyzing this season. putting this under the cut now since this gets long and is kinda just a tangent now to the ask itself, though it does circle back to lu guang's role in vein's "death" in the end.

part of the reason vein's death is confusing is definitely because of the animation of lu guang puppeteering wang qing. I can totally see how people would come to the conclusion that lu guang was controlling her somehow. but we have to remember that yingdu is not like S1 and S2, for multiple reasons. one, it's a shorter season meant to introduce plot hooks, not plot; it's a setup for S3. two, it's a change in perspective from cheng xiaoshi's more grounded reality to lu guang who has been timelooping for forever. three, it was animated by a different studio than studio lan. fourth, it aims to provide a different story, and the storytelling style reflects that.

whereas S1 and S2 has a storytelling style that focused more on plot details and building up tension; yingdu focused more on relationships and emotions. it heavily uses visual metaphors in its storytelling compared to previous seasons.

in a way, although I have qualms about yingdu's writing, I do think visual metaphors is a valid solution to the problem of, "we only have six episodes to establish new plots and characters and motivations. how do we convey information efficiently in that amount of time without compromising artistry?"

I will mention one metaphor in detail that will be relevant for the lu guang discussion later. one example is glasses as a perception metaphor. this meta was written in YE5, and YE6 continues the metaphor as well because we see lu guang wear clear glasses for the first time, symbolizing that he is no longer stuck in his rose-tinted glasses era of looking into the past, and has decided to look into the future, solidified by his decision to remove vein from the situation and also because he reveals later that this is the last time he can loop.

there are, of course, more examples. idk if I have links for existing meta on this, but we have hands as a metaphor for relationships (hand holding, handshakes, fist bumps, etc) and the power balance of each relationship (with regards to secrets, deals, etc). we have various color theories floating around. we have theater/cinema and chess as metaphors for everyone's narrative roles. lu guang's imaginary clock as a metaphor for how he thinks the timeline should go, and how it's prevented from running by red strings forming the word BRIDON. we even see the clock fall apart in one of the later episodes (I forget which one atm). hell I could write a whole meta on liu xiao's tetris game as a metaphor for how he sees the "game" he's playing and the role xia fei plays into all of it.

side note: I think it's incredibly valid for people to feel that yingdu did not have enough space to properly establish characters, and I feel the same way too. but at the same time, I think a lot of characterization also gets missed in yingdu because it's a season that loves its metaphors and encodes character motivations through it instead of just showing it to us. I have conflicting feelings about this, but ultimately, they only had 6 episodes to tell a story, and I think that's something we should always keep in mind when managing expectations.

circling back to vein's "death" and lu guang's role in it... visual metaphors are gonna be confusing if people don't know this is what yingdu's storyelling heavily uses. I don't think we should be reading yingdu the same way we did S1/S2.

someone could watch lu guang puppetering wang qing and think, "oh he's using her to kill vein directly" but if we stick to yingdu's storytelling style, it is more likely a metaphor for him learning to manipulate the butterfly effect for his purposes (again also symbolized by the glasses metaphor, since he wears clear glasses in the same episode)

scenes should also not be taken out of context. there is a reason he made a whole speech about the butterfly effect first. a small change (delaying vein) results in a big change (killing vein). if lu guang was controlling wang qing or whatever, that is not a small change. that is not a butterfly effect. we literally had a butterfly land on lu guang's shoulder after he made this speech to vein. the point was to create a butterfly effect that would lead to a situation where vein dies.

and for my final tangent: this sets us up perfectly for S3 because I believe lu guang and liu xiao are supposed to be narrative foils.

they both have expressed wanting control over the timelines. liu xiao wants "to make uncertainties into certainties" (whatever this means) and lu guang wants "to make certainties (cheng xiaoshi's death node) uncertain." but as of S1 and S2, lu guang was not yet in a position to properly rival liu xiao over this theming, because we know he's been timelooping and failing over and over to save cheng xiaoshi, while liu xiao has been successfully manipulating people into doing things for him (getting li tianchen to retrieve liu min's phone for him; baiting cheng xiaoshi to go to bridon so he can use him to bait wang qing to revealing where she hid the location of cheng weimin's notebook so vein can steal it).

now, lu guang has shown some semblance of control. and we have seen the effects of it. cheng xiaoshi is still alive and well in a post-S2 post-yingdu timeline.

I mentioned this way back in YE2, but there's also a distinct change in the way we're moving from "closed loops" to "butterfly effects" as a theme in yingdu. yingdu has many objectives it wanted to do as a season, but the main one was lu guang learning to manipulate the timelines through creating a butterfly effect. in keeping with this theme and objective, it just does not make sense for him to kill vein by somehow directly controlling wang qing.

[pastorfutureletthembe]

Saving Lu Guang!!

For obvious reasons, we're all assuming Cheng Xiaoshi is the one who needs to be saved. The final plot twist of season 2 is the main reason:

I'm sorry Cheng Xiaoshi I’ve always been telling you to not change the past but I couldn’t follow my own words. Even if I know death is an unchangeable point, I still want to use the last chance to go back to the beginning, and save you.

But. Lu Guang is the most unreliable character you'd find out there. His version of the story is sometimes inconsistent.

Many details don't add up, might it be the fact he doesn't have his phone with him at a moment as important as closing a trap on Liu Min, or that the scene in the hospital bathroom is different when Cheng Xiaoshi dives as Lu Guang, or the simple obvious impression that it's future Cheng Xiaoshi who's giving him the partner talk on the basketball court--

Well, there might be someone in Lu Guang's corner diving and changing things without him being aware of it. This person being Cheng Xiaoshi himself is most likely.

Now, why would Cheng Xiaoshi dive into the past after all this time when he decided against it after Lu Guang's death? Saving Lu Guang or Qiao Ling is the most realistic and in character reason but there is more to this particular theory today.

Remember, whatever we think, there is more to the story. As omniscient as Lu Guang seems to us at the moment, he, himself, doesn't have all the information.

Past or Future, it has been clear until now that official content is hiding many secrets yet to be uncovered. Dive with me into this madness once more~

This meta is largely inspired by this thread

>> Lu Guang's secret

Let's start with something as basic as characters concept arts. Those always strike me as out of charater, because Lu Guang and Cheng Xiaoshi's personality seems somehow switched: on the character sheets, Cheng Xiaoshi looks pissed and Lu Guang smiles (like a creep).

Two things are worth noticing in this first pack of pictures:

Lu Guang's character sheet looks like a frame if the film roll has been exposed to light while loading in the camera. It is damaged. His smile in the background is also absolutely not his. In the light of Yingdu Chapter's teaser, it could mean Lu Guang is possessed by either Li Tianchen or Vein. Not only that but the surexposition makes it impossible to know the exact color of his eyes. Could be yellow, red, blue, gray.

They are both trapped in the bottom of a hourglass. Cheng Xiashi looks at Lu Guang in a frustrated/angry manner, and this face is a lot like the one in the background of his character sheet. It could implied that Lu Guang got them into some kind of bad situation.

Promotional posters presenting season 2's characters have Li Tianchen in Qiao Ling's shadow while Liu Xiao in Qian Jin's. Lu Guang is Cheng Xiaoshi's. Lu Guang lies/manipulates Cheng Xiaoshi for his own good since the start, he hides secrets after all. He is as much a puppeteer as Liu Xiao. He is very knowlegdable but we have no idea to what extent. We can only assume that whatever he is doing, he's doing it for Cheng Xiaoshi's sake.

These details and the implications don't put Lu guang under a good light. Lu Guang always was a morally gray character, however his logic paired with Cheng Xiaoshi's compassion make them the duo we are rooting for.

A popular theory is that Lu Guang betrayed a Time-Something Organization to save Cheng Xiaoshi and is now being punished. Another one is that he made a deal with Vein to grant his wish. In any case, he might have ties with Vein and Liu Xiao, as a whole or separatly, we can only speculate so far.

In my meta on the Promotional Poster for the AR GAME, and the Light and Color theory, I mentioned that "Burning Palace" hints on a Fourth character being part of this new group, and argued that the missing character is already part of the cast: Lu Guang.

Futhermore, whatever happened, he can only be at fault: Lu Guang is supposely the one who introduced Cheng Xiaoshi to his powers. We still don't know the origins behind those, and I won't start the disucussion in this meta, but we know that at some point, in this timeline or another, Cheng Xiaoshi tried to convince Lu Guang to use their power to earn money and pay their debts. Link Click Live Action is not canon to the donghua, but in this adaptation, Lu Guang is the one coming to Cheng Xiaoshi and teaching him the useful way to use his strange energy.

To resume, Lu Guang isn't only keeping secrets from Cheng Xiaoshi. As an audience, we know close to nothing about him, even less than his roommate! Except for the fact he's probably been diving back in time to change the past. Therefore, he cannot be trusted regarding his abilities, his past, or even his motivations. Lu Guang knowing everything or more than others because he lived through several repeats is a false fact. When something unexpected happen, he totally freaks out and he is a control freak. It's okay, we love him as he is. But! He is the definition of unreliable as far as narrators go.

In the past or in the future, Cheng Xiaoshi has to find out the truth at some point. His reaction shouldn't be important for this meta though. Actually, I think the official artworks of him being pissed shouldn't be taken quite literally. The hints I talked about above don't mean anything about HIM or his feelings but it says everything about Lu Guang's actions and the implications of those: he is doing something he knows is wrong and his ultimate goal is exactly the same as some antagonist. Being kept in the dark, lied to or manipulated, Cheng Xiaoshi wouldn't focus on any of it.

Why? If Lu Guang actually rewrote reality and put himself in a doomed situation for him, Cheng Xiaoshi would absolutely try to cancel this accomplishment. That's the only important information we need for this meta.

Cheng Xiaoshi went back in time as someone they knew before so we can assume he would do it again if needed. Imagine our guy coming back as Qiao Ling, as his own wingman to force Lu Guang back into his life? If the talk on the basketball court didn't work, I'm pretty sure getting Lu Guang to do physical work in the studio and bully him to admit he likes Cheng Xiaoshi would do the trick. That's a start anyway.

With these few starting points, we can go deeper now:

>> Through the Looking Glass

There's a myriad of instances where Lu Guang and Cheng Xiaoshi are kept apart from each other by glass or shown as each other's shadow or reflection. And I've been mentioning it for a while now but finally, after almost a year, I think I've finally cracked this case!

Starting with Surprising Click Posters, there are 5 visible TV screens with a message of ERROR on Lu Guang's. No matter the meaning, I think it is important to note that Lu Guang is just as much a spectator as we are. The plot happens as it's supposed to happen: no matter what, they'll end up at the same point. For some reasons, I always believed that Cheng Xiaoshi was trapped behind the glass, in the TV, as a playable character, if you may. That's part of how their abilities work together, isn't it? Their deal is Cheng Xiaoshi dives but Lu Guang drives. Well, I'm not so sure anymore. The Picture of the carwash is random but interesting. Cheng Xiaoshi is outside and is knocking at the window.

Who's the one trapped behind glass after all? What if Lu Guang himself is trapped in a TV and Cheng Xiaoshi is trying to get him out?

The first one seen with a camera in INPLICK's art isn't Cheng Xiaoshi but Lu Guang. The story is told from his perspective. But this is Link Click we're talking about so this means basically nothing. Cheng Xiaoshi dives into pictures, he is the one with real control. Lu Guang, all-knowing that he is, is introduced as a passenger, an observer. Even after the big reveal regarding his diving abilities, his strict rules and his attempts to protect the main timeline bring him to failure. This cycle is only set to start again over and over, making it an actual time loop.

In "OVERTHINK", Cheng Xiaoshi is the one using the camera. He looks away from Lu Guang (in deception or sadness I'd say). Once he takes the picture, there is no one there: it could mean Cheng Xiaoshi is using one of Lu Guang's pictures to dive. Yes, Lu Guang's picture: after all, it is Lu Guang's camera that he is using.

Take a look at this meta: Rolleiflex

This aside, Lu Guang is the reflection/shadow, not Cheng Xiaoshi, and thus on several instances. A shadow or a reflection can't do shit. Lu Guang has no control, even if he's being sneaky and acts in the dark. Lu Guang isn't the one calling the shots.

Cheng Xiaoshi is knocking through the glass to reach Lu Guang who's always watching us, the audience. His motivation, objectives, values, worth depends on Cheng Xiaoshi's survival but he doesn't see him. Perhaps his obsession is blinding him to the point he sort of dehumanized his friend. Indeed, the distance between them is as wide as the one between you and them. Coincidentally, when he does look at us, Cheng Xiaoshi is looking at him.

I'll probably write a structured and complete meta about it at some point but for now I'll just put this idea in your head: who else looks at Lu Guang's reflection and portrait, always?

Liu Xiao.

lover_astrid on X often follows Liu Xiaos's trail, they point out interesting things those, specifically: x x

Let's start with Liu Xiao monolgue at the end of season 2:

"It seems that one has only one destined path. But in reality, it is made up of countless parallel lines. It can be driven by one's personality. And can also change with the influence of others. Sometimes we wanna change it. But we can't. I wanna bring more parallel lines together to turn all uncertainties into certainties."

If we cannot change one's path (aka death is an unchangeable node), what is the point in turning incertainties into certainties? For one thing, I think he means to flatten a curve: make it one unique path for one specific node, like a True Timeline of sorts. Then, what does it imply? My guess is to remove either Cheng Xiaoshi or Lu Guang entirely. A theory to take with a grain of salt.

At this point, if we talk about his identity as today, before Yingdu Chapter, he could very much be an alteration of either Lu Guang or Cheng Xiaoshi trying to right a wrong. In the teaser of Surprising Click, he is standing with a picture in front of the familiar couch, many TV screens surrounding him. He's oviously a watcher. He has more knowledge than Lu Guang, and he's obsessed with him apparently, which implies that he knows about his abilities, maybe personally.

Secondly, the text Liu Xiao is reading is part of Shakespeare’s sonnets (39). I won't go too deep into the meaning of it but feel free to read this analysis. It does speaks of lovers separation, but as something that need or should happen.

Lastly, the black feather is Lu Guang's. Liu Xiao can reach Lu Guang but Cheng Xiaoshi cannot. Liu Xiao is always staring at Lu Guang's image and he has his feather as a memory, but Cheng Xiaoshi is separated from his friend by glass.

Edit: this feather thing is even more important now that Yingdu Chapter Opening THE EYE has been released. It shows a notebook with codes in it and the bookmark used is a white piece with the word REWIND on it. It's probably Lu Guang's notebook. The symmetry of making Liu Xiao an alternative version of Cheng Xiaoshi is more and more likely.

In BREAK! Cheng Xiaoshi is the one looking at us. It's like a nudge: hey, actually, I am the one telling you the story, pay attention please. When he raps in songs, he always starts by interrupting loudly to get your attention as well. "Now I'm talking. And Lu Guang will take over."

Cheng Xiaoshi's hand is on a bubble. I always thought it was a mere planet but it's actually a see-through marble. I think it is possible that Lu Guang is inside. The title itself, "BREAK!" is a giveaway of what it will take to free Lu Guang from this. But hold that thought for now.

The hourglass is a recurring motif in Link Click. It is Lu Guang's symbol. It might means that Lu Guang is in a timeloop. Perhaps he isn't only going through repeats but he is trapped in ONE endless loop. Perhaps he's already saved Cheng Xiaoshi but forgot; cut from the reality he belongs to.

The hourglass is not only an object we come across in PVs. The Birthday artwork for Lu Guang showed him in one, with forget-me-not flowers replacing sand. The Bday arts are actually very interesting because both Cheng Xiaoshi's and Lu Guang's heavily hint on Tarot Cards: the Hanged Man and the Fool. I'm working on an ass-long meta regarding the Tarot Imagery in Link Click so I won't go into too many details here.

We have the Hanged Man: he might be intuitive but he is lost, feeling trapped, is self-limited, in need for release only possible by letting go. There is a part of this arcane that tells us we know the prefered outcome but it might blind us, bring us to a prophecy we're actively trying to keep from realization. He sacrifices himself but for what?

In myths, might it be Judas hanging from the tree because of guilt, or Odin when he sacrificed himself to gain the knowledge of the runes, we're talking about an obsessive person who acts according to their own beliefs, with strong moral values. The Hanged Man speaks of selflessness... giving and not expecting in return, making sacrifices for what must be done. The truth is the Hanged Man picked his hill and will die on it. This card comes before Death, representing the peace that comes from accepting what is out of our control or no longer resisting our fate. This is all about letting our own hubris prevent us from taking a different approach.

The cat here is covering one of his eyes, which could be a parallel to Odin once more. I mentioned at the end of this meta that Lu Guang's sight has been stolen. So, it might be a choice that he is in the situation he is in but perhaps he shouldn't have made decisions on wrong beliefs.

I'll let you know that the reversed Hanged Man suggests that the seemingly noble deed of offering yourself as the sacrificial lamb is, at least for the time being, a useless gesture.

Now, the Fool. As a tarot card, I find this one very interesting and mysterious. Arthur Edward Waite gives the Fool the number 0, but in his book he discusses the Fool between Judgment (XX), and The World (XXI). He is suspended between realities. The Fool is usually considered part of the Major Arcana in tarot reasing but this is not true in tarot card games; the Fool's role in most games is independent of both the plain suit cards and the trump cards, it does not belong to either category. The Fool proceeds without calculation, spontaneously, without hesitation or resistance. Without a blueprint, he is freed up from rules, restrictions and systems.

Portrayed as an empty headed simpleton unaware of the forces that move him. In the Waite-Rider deck, you'll see him immortalized right before his fall of a cliff, walking with his loyal dog. He's impulsive and careless. But tradition tells us that he has a secret that protects him: the magic of synchronicity. Now that seems counter-productive in my meta but basically synchronicity is what happens when seemingly unrelated events coincide in improbable ways that have some sort of significance for you. Carl Jung believed synchronicities were evidence of a unifying consciousness at play in the universe, creating physical manifestations of what's happening in our psyche.

Together, the Fool and the Hanged Man encourage to take a step into the unknown and to trust that everything will work out in the end. This combinaison warns of a time when sacrifice and surrender is necessary for growth and transformation.

The Hanged Man understands that his position is a sacrifice that he needs to make in order to progress forward. But only by letting go of old patterns or beliefs that are holding him back can he embrace a new path leading to a good resolution.

The gears and hourglass present in these artworks are kind of self-explanatory. A cog only works as part of a machine, and the machine can only work if everything in there is where it should be and fullfills its role. One action or series of actions repeated on loop. The hourglass measures time but it comes to a stop at some point: has to be turned around so the sand it contains keep flowing. It has a start and a stop.

Finally, the character's flowers aren't only pretty, they're also meaningful. Both are related to Love and Death. Forget-Me-Not are popular enough: related to the wish to be remembered even after our passing, translated into devotion and enduring love. Bellies speaks of everlasting love even beyond death, symbol of cheerfulness and loyalty.

>> Time is like Music

"VORTEX" is a palindrome, meaning it is the same when played forward or backward. The sequence itself shows this: it starts with a reverse and then, once Cheng Xiaoshi touches Lu Guang's hand, he falls down. It is a hourglass in shape and sounds. Also, it would be very clever if the story of Link Click as we've seen it had the same construction in its narrative: starting with a reverse and slowly unfolding the accurate chain of events.

This hourglass, we can find it in the "BREAK!" PV, but also in "XETROverthink". Cheng Xiaoshi literally dives into it to try and reach an unconscious Lu Guang, enlightening the idea that our favorite unreliable narrator has blind spots. We don't see Cheng Xiaoshi catching his friend because the scene cuts to the hourglass.

So, what if Link Click lied to us since the beginning? What if one other version of Cheng Xiaoshi is actually the main character and knows more than Lu Guang himself?

In "The Tides", when walking in front of the painting of a man with fabricated wings (and we know this story is one of a widower), Cheng Xiaoshi looks at it while Lu Guang looks the opposite way. There are different ways to interpret this (because this is animation so we can't be 100% sure). Once again, Lu Guang could be looking at the audience or merely glancing at his lost friend in longing.

Still, this shot offers two possible points of view:

It could be that Lu Guang empathizes with the widower's story: he is living it. He knows all of it already so he doesn't need to look at the doomed romance on the wall or actually investigate the mansion. He probably did it already.

Cheng Xiaoshi is looking at Lu Guang's shadow/reflection when he looks up at the painting. Or perhaps it is the opposite: Cheng Xiaoshi is looking at himself. This is merely a reflection to him. And Lu Guang thinks he knows the role he is playing in the story but, really, he's clueless.

We don't see who makes the figurines clap later but from their position in the previous shot, we can safely assume it is Cheng Xiaoshi's finger pushing the woman's hand down. Which is interesting. It either means Cheng Xiaoshi will always willingly choose to meet Lu Guang half way... Or Cheng Xiaoshi won't allow them to be kept apart and the real secrets unfold there.

Surprisingly, you might have missed an obvious hint that dropped this summer, or simply overlooked: H A N D S.

The wings on the painting might look like Lu Guang's demonic ones but I do not believe it is a coincidence that Lu Guang usually sits by Cheng Xiaoshi's right when they clap. The first time we see them do it, and this exact frame has been used in PV and Overthink, Lu Guang claps down. Also, the "BREAK!" poster shows Cheng Xiaoshi as an angel and they are standing in the exact same position as the figures in the mansion. Once again, the hourglass floats, ominous, between their palms.

Note that even when Lu Guang receives Cheng Xiaoshi's hand, he is on the right side.

Next: None of us skipped "Dive Back in Time" so we know it by heart. Still, I find hints in this intro on a daily basis. If you pay attention, you'll not only notice that Cheng Xiaoshi probably dives in the first three seconds, but he's looking down through glass, at Lu Guang. Lu Guang, who stands at the top of a building here, is still not above Cheng Xiaoshi. Two things:

In the chronological order, the story told is this: First, Cheng Xiaoshi dives into the picture and then we see Lu Guang changing the timeline to save Cheng Xiaoshi. This is basically Inception. The story/the show that we're watching is happening inside a picture. The whole thing is a dive.

The glass could be from the frame but it could very much so be from the usually hourglass, symbol of Lu Guang's obsession.

Another interesting detail is this shot:

Thanks to the watch, we know those are Lu Guang's hands but it is a pose we only see Cheng Xiaoshi takes. Because this is the "sponsors screen", this became Cheng Xiaoshi's signature move to me. We see the story through Lu Guang's perspective, but it's really Cheng Xiaoshi that we should focus on, here.

This particular sequence also offers a reverse: a fall, the "frame" sign with hands, one of the hand making a sign to "look up"/"go back up", then we are pulled up. It is the same narrative as "VORTEX" but this time we find ourselves on the other end, the correct order.

"Break!" lyrics once again seem to fit to Lu Guang more (and I think that's the point, "You're not just a tool" can only be addressed to CXS because that's how Lu Guang and Qiao Ling usually call him). Although the word break is used only once in the song ("make or break a leg"), the action of BREAKing is Cheng Xiaoshi's. Plus, the broken glass is the hourglass.

Speaking of broken glass and reflection, this shot of Lu Guang and Cheng Xiaoshi in reverse in "VORTEX"- I reversed it according to the background (falling down). Once more, Cheng Xiaoshi is the main body, Lu Guang is not actually there. He is a reflection.

In a way, this theory only gives more sense to "XETROVerthink": Lu Guang appears in the hourglass but it's Cheng Xiaoshi who swims to him in order to save him, not the other way around. The rest of this PV is Cheng Xiaoshi's POV too.

Aside from the visual theme that shows basically everything we need to know about Link Click's plot, you have obviously the lyrics. As much as "VORTEX" and both ENDs, they could be read as Lu Guang or Cheng Xiaoshi's pov. But like I said at the beginning of this meta, some lines aren't working for Lu Guang at all.

There has been a hint of Lu Guang trying to stay away, in Lu Guang's flash back, but failing. We don't know if these memories belong to the timeline we're currently watching or not, but they egg us on the very real possibility that Lu Guang might chose to stay away from Cheng Xiaoshi in order to save his life. After all, their powers are complimentary and work together. Their side hustle depends on this. Arguably, and this is an realistic conclusion to draw: this job is what kills Cheng Xiaoshi. It's only natural to suppose he wouldn't die if Lu Guang wasn't in his life.

Your eyes, there ain't nowhere left to hide behind Something secretive hidden inside your mind If it ain't for your misguided taste I'd turn out so ordinary Fabulously un-addictively bore out my own brain Well, don't you feel sorry I'll love where I'm going now

Blue: Diving into Lu Guang's past/picture, could uncovered all secrets, Cheng Xiaoshi could understand him and, from this perspective, there is no possibility to hide anything.

Pink: Cheng Xiaoshi wants to correct Lu Guang's correction, he doesn't want to live an ordinary and boring life Lu Guang isn't a part of. He likes their side hustle as well, I think, because, as I said in the past regarding LCLA, he wants to help people, it's part of his core.

Possibly, our favorite unreliable narrator actually went through it in the end. This hopefully won't stick, not if Cheng Xiaoshi has something to say about it.

Cheng Xiaoshi wouldn't really want things any other way, and that's why this theory of him trying to get Lu Guang back into his storyline seems so plausible to me. Good or bad memories, he just want his partner back.

Because, after all, doesn't it sound like a line someone who remembers a friend who doesn't exist would say?

Chase you to the end of the world just to say your name once more.

I always thought it was a strange way to put it. Most of the time, songs and movies say the opposite "I want to hear you call my name one last time." You know the kind. But here, he wants to say it. Because he lives in a world where no one with that name exists!!

Food for thought. 👀