#check out the original video

[yeehawpim]

a comic with some norse mythology

[green-crocs12]

as promised more sasunaru 🫡 (naruto’s playing hard to get for once)

bonus scene:

also this was inspired by @/pogo_sticks1221 on tiktok so credit to them!! (i’m still un original)

[eggsdrawings]

dabihawks post-war pizza au 🛵💨

“you’ve still got a pizza my war-torn heart” by phanatics 🍕

[artofalyksandr]

Continuing my streak of drawing Jacob Drawfee characters

[sillyfudgemonkeys]

Kyoshi Stupidly Interrupts Aang's Closing Remarks

(Original audio/title card, as soon as I saw the OG video I knew what must be done. uwu)

[tyttetardis]

Macbeth Donmar Supporter's Zoom Conversation

On the 9th of May 2023 Donmar Warehouse held a Zoom "meeting" for supporters where Michael Longhurst talked about their two newly announced productions - Clyde's and Macbeth. This was a week before tickets went on general sale and before they announced that Cush Jumbo would be playing Lady Macbeth.

At the time it was all, of course, quite exciting since everything they revealed during the talk was brand new info! Most of which wouldn't be known at large until the play was being perfomed (or later). I think only about 80 people participated, most of which I think either worked for the Donmar or were members at much higher levels.

Today it's no longer new information as such, but I thought it might still be interesting to make a post about what was said during this talk :)

Michael first spoke about Clyde's (which I didn't actually listen much too) and then introduced Macbeth as their Christmas show (using the word Christmas "incredibly tenuously") saying the cast was yet to be revealed, but called it a beautiful ensamble piece, and that they were in the process of casting with the cast to be revealed "shortly".

He then went on to say that the casting that was revealed the week before made a bit of a spark - David Tennant coming to the Donmar to play Macbeth :) He mentioned it being directed by Max Webster since Michael was so impressed with how he did Henry V the year before. He said they had a joyful process of going to their favourite actors trying to match slots and titles to the actors that they love - and that they were thrilled that Mr. Tennant was stepping up to the Scottish play - "we felt it was time!"

"He [David] has obviousley given amazing Shakespearean performances - Hamlet, Richard II at the RSC - I, yeah, I think his verse speaking is frankly unparalleled, it's a thing of beauty. He's quicksilver, but he can push himself into the most extraordinary characterisations."

He went on to say that David and Max were deep into discussions about what this production should be. He said there's always Macbeths, but he thought what they would do so spectacularly would be to allow it to be a deeply psychological take on the play (facilitated/inspired by the Donmar's space).

He said they had a very exciting Lady Macbeth who would be announced in a week. He said she was a Donmar alumni who had a great Shakespearean set of works under her belt. He was thrilled to reunite her with David, saying that they had just done a TV series together. "So you can go do some subtle googling, but please don't share it" :P "It's amazing, they are gonna be a fierce combination!"

Someone then asked about whether the show would be streamed to which Michael said they were having conversations about it since there was a LOT of interest and they knew demand for this show with David would be incredibly high. So they would be doing everything they could to get the show streamed, it was their absolute ambition. Not least since it would be amazing to be able to share it with students. So they were in those conversations "as we speak". He later talks about it again - saying that streaming is a way of mass sharing, even if it can't recreate the experience of closeness at the Donmar. That they would try to secure screenings of it since they were aware it would be very popular "It's almost a curse of having such an intimate theatre - that when you program a star like that, it becomes huge".

Choosing to stage Macbeth was down to Michael and Max having a conversation about a short list of Shakespeare plays Max was keen to have a go at and them talking about various leading actors (later he expands on this as Max having had conversations with potential leading actors on which titles they were inspired with/ to perform - sorta like an Actors dating spree, 6 months ago) to decide which one would be the best one for this moment - "David's availibity created this window between two massive screen projects and it felt like the one to grab". Macbeth hadn't been staged at the "Donmar" since 1976 - with the legendary Dench and McKellen version. Michael said he thinks that the Donmar stage is the perfect space for Macbeth since "it allows the director and the lead actor to utterly hold a room of people in a way that'd be thrilling and terrifying, that you can't necessarily do in other spaces". He then said that he didn't think Max was interested in the witches and the supernatural as real entities but rather looking at psychological, trauma related reasons to explore those devices within the play. He also said Max was very passionate about making it very Scottish and that he had already been meeting with Scottish folk musicians to create his ensemble team. Also that he was very interested in Lady M being from outside the Scottish hiearchy - that she's be unafraid to challenge that Scottish status quo.

For Michael it's about "the synergy of an actor who should be playing that character - and that is Mr. David Tennant because he is one of our greatest verse speakers, let alone the greatest Scottish verse speaker".

He said that the production would definitely be a contemporary set. A modern dress Macbeth.

He then said that the reason he wanted to back Max as a director is that he thinks he offers a brand of total theatre that is really exceptional. There was a question about the music used in Henry V, and Michael said he just knew about the Scottish folk music and that music would be a part of the show, and that music is always a big part of Max's shows.

Someone then asked if they consult with scools on what plays they are studying in order to choose what they put on. Michael says they were obviously very aware of Macbeth being part of the curriculum and that being one of the reasons they thought this was "the text. And obviousley with David and his DW background, he brings a huge appeal and accesibility for young people who might find Shakespeare challenging - and you know, being brought into that story by someone they know and love so well is...you know we saw the effect happen on Henry V, 40% of people coming to the Donmar were coming for the first time when we had Henry V on - and it's thrilling to expand that connection, and we know David will do the same".

[starakex]

She's finally complete! I said I wasn't gonna rush a project for a deadline, but it turns out I can bang out a fursuit in under a month if I'm motivated by the spirit of Halloween, so oops.

Malignant Data (no name yet, so I'm just gonna tag a codename) is inspired by classic creepypastas vibes, the need for good ventilation and my monochrome ass wardrobe.

She features a massive open able jaw, airbrushed details, kanekalon wig fiber hair, EVA Foam staples/stitches details, swap able tongues and a pose able (and UV Reactive) iris. Paws feature finger escapes. Fully lined for comfort with space for extra fans!

Patterns used: Sheenitude's Fursuit Neck Pattern Kloofsuit's Canine Foam Head Pattern (Heavily Modified)

[knightwhoisni]

1999's loading screen music is in the game files and I Am Exploding

[mixelation]

re: the hbomberguy plagiarism video again. i keep seeing people being like "this is a reminder to always check your sources" and it leaves me wondering. does anyone on this website even understand what that means

[williamrikers]

a boss and a babe: the complete make out scene ✨

i cut together their scenes from episode 6, fixed the translation and took out the two terrible sound effects. if anyone wants the version without subtitles hmu

[giantkillerjack]

After learning about the video game "CONTROL" and watching Julia LePetit-Drawfee play it, I have amended my views on brutalist architecture.

I used to think that brutalist architecture was a completely miserable and hideous style of architecture to expect human beings to exist in or around, with absolutely no acceptable applications.

But NOW I think that brutalist architecture is a completely miserable and hideous style of architecture to expect human beings to exist in or around, which is actually quite suitable for a visually striking video game about a living building that fucking hates you and is actively trying to kill you and everyone in it. ✅ ✅ ✅

I'm being silly but tbh anyone who disagrees with me can go ahead and spend 10 years commuting in the dingy gray concrete brutalist dimness of the DC metro system and then fucking get back to me.

[gayofthefae]

I can't believe Will has the Justin Bieber. I haven't stopped thinking about it.

[friskafriskito]

Some frame by frame animations! Tahoma2D is pretty nifty and free; it's based off of OpenToonz, which in itself is the opensource version of what Studio Ghibli uses. I find Tahoma more user-friendly though!

First animation is of me, but done along with shar’s "animate with me" video (check it out because it's a good way to break down animation steps in a non-intimidating way)

Second is of one of my characters, Danny Pickets. I asked my friends for something to animate and @thekyuusanna suggested him doing fingerguns. The tail was a little tricky but we got there in the end. :'D

[gothic-mothic-topic]

Was watching a video, a playthrough of BaTIM Ch.1 but without any walls for some reason, and at the very end I saw this.

I never knew there was an Alice Angel cutout in the middle of the pentagram. Was that always there? Why is it there? (Sorry, I haven't watched a full, thorough playthrough of BaTIM at least not of the first chapter in years.)

Is it symbolism for what happened to Susie Campbell? Is it part of how she was turned into "Alice Angel", besides being run through the Ink Machine? Is this how people are run through the Ink Machine? The ritual needed to make it work? I just don't see Joey stuffing someone up the Ink Machine's nozzle, or something.

Anyways, it's just weird that there's an Alice cutout in the upper levels of the studio when all of her stuff is mostly restricted to Heavenly Toys and Level 9.

[Edit] Video is from YouTuber TheStudioArchitect. Here's the video↓

If you are the youtuber, I'll gladly remove the video and anything else if asked. I don't wish to upset you, steal content, or claim to be you. This is very much not me, as I only have shit-ass mobile. Check out TheStudioArchitect, they make Bendy content and it's refreshing to see people still playing/messing with the game.

[rimeiii]

Matching WHB kings, nobles, angels, and humans to songs in my playlist

All of them are like. Video game music, unfortunately. And mostly based on vibes. So...

(More below the cut because it's a lot)

(And it would mean the world to me if you checked out these songs because they're all bangers tbf-)

Gehenna

Satan: Operation Basepoint by Life Awaits, from the Arknights OST (Contingency Contract #12, menu theme)

Sitri: Tea Break by the Atlus Sound Team, from the Persona Q Shadows of the Labyrinth OST (cutscene theme)

Leraye: The "Bad Guy" is Here! by Adam Gubman, from the Arknights OST (Ceobe's Fungimist, Dreadful Foe theme)

Zagan: Operation Spectrum Battle Theme by Cybermiso, DOT96, and Tigerlily, from the Arknights OST (Contingency Contract #5 permanent map theme)

Paimon: Light the Fire Up in the Night 'MAYONAKA' by Lotus Juice and Shihoko Hirata, from the Persona Q Shadows of the Labyrinth OST (Persona 4 side regular battle theme)

Belial: Heaven by Shihoko Hirata, from the Persona 4 OST (Heaven dungeon theme)

Astaroth: Rhythm in Literature by Adam Gubman, from the Arknights OST (Integrated Strategies 2: Phantom and the Crimson Solitaire, The Playwright's boss theme)

Tartaros

Mammon: Operation Blade by Obadiah Brown-Beach and Xueran Chen, from the Arknights OST (Contingency Contract #2, menu theme)

Bimet: Princess Amagi by the Atlus Sound Team, from the Persona 4 Arena OST (Yukiko Amagi's theme)

Eligos: Active Angel by Daisuke Ishiwatari, from the BlazBlue OST (Platinum the Trinity's theme)

Valefor: Wecgas fore tham Cynge, Searu fore tham Ethle by LJGH, from the Arknights OST (Episode 11, Steam Knight's boss theme)

Hades

Leviathan: Абсолю́тный нуль температу́ры by Bao.Uner, from the Arknights OST (Episode 6, FrostNova's boss theme in H6-4)

Foras: Keter Battle 1-3 by Project Moon, from the Library of Ruina OST (Keter floor battle themes)

Glasyalabolas: Unseen Entities by Raito, from the Under Night In Birth OST (Merkava's theme)

Barbatos: Ready? by D.D.D., from the Arknights OST (one of the menu themes of Heart of Surging Flame)

Avisos

Beelzebub: The Mushroom...Moves? by Adam Gubman, from the Arknights OST (Ceobe's Fungimist, menu and regular navigation theme)

Bael: Bullet Dance by Daisuke Ishiwatari, from the BlazBlue OST (Noel Vermillion's theme)

Stolas: Operation Pyrite by Jason Walsh and Alan Day, from the Arknights OST (Contingency Contract #1 menu theme)

Amon: Splash by PMP Music, from the Arknights OST (one of Ideal City's battle themes)

Naberius: Signore dei Lupi/wlfmstr by Adam Gubman and Shawn W. Smith, from the Arknights OST (IL Siracusano, Zaaro's boss theme)

Paradise Lost

Lucifer: Mortal Eye by Adam Gubman, BONZIE, and Christine Hals, from the Arknights OST (Typhon's character song)

Marbas: Conciliation by Kikuo, from the BlazBlue OST (Es's theme)

Morax: The Cure by Obadiah Brown-Beach and Denney, from the Arknights OST (Silence the Paradigmatic's character song)

Buer: Canto IV Boss Theme 1 by Studio EIM, from the Limbus Company OST (Effloresced E.G.O. Dongbaek boss theme)

Abaddon

Phenix: Lust SIN by Daisuke Ishiwatari, from the BlazBlue OST (Jin Kisaragi's theme)

Dantalian: Tumult - Raise Thy Sword in Pride by Yuzo Koshiro, from the Etrian Odyssey III The Drowned City OST (labyrinth boss theme)

Ronove: Torture + A Gifted Tormentor by Hironao Nagayama, from the Dragalia Lost OST (Legend Agito boss theme)

Niflheim

Andrealphus: Gazing from Great Heights by Obadiah Brown-Beach, from the Arknights OST (Children of Ursus menu theme)

Gusion: Aleph-0 by LeaF (featured in Phigros and Chunithm)

Bathin: Ad astra by Steven Grove, from the Arknights OST (Lone Trail menu theme)

Angels

Gabriel: Fear of God by Shoji Meguro, from the Shin Megami Tensei Strange Journey OST (regular encounter theme)

Michael: Judgment Day by Hironao Nagayama, from the Dragalia Lost OST (Rise of the Sinister Dominion boss theme)

Raphael: The Fifth Primarch by Tsutomu Narita, from the Granblue Fantasy OST (What Makes the Sky Blue, Sandalphon's boss theme)

Humans

Minhyeok: Morning Dew by Adam Gubman and Nini Guerry, from the Arknights OST (Muelsyse character theme)

Solomon: case i by Lucrezia, from the Dragalia Lost OST (Chapter 14 insert song)

MC: Battleplan Pyrolysis by Monster Siren Records, from the Arknights OST (Contingency Contract #1 Battleplan Pyrolysis menu theme, event literally came out today kekw)

[websitewizard2005]

hey yo i made an unofficial music video for the most mysterious song on the internet/“Like The Wind” because i am obsessed with it. it’s partially inspired by MyHouse.wad. you should check it out.