#character who existed 100 years ago which affects the present

[youkaigakkou-tl]

That cat trying to enter the Onomichi art museum reference got me. Is Izuna going to time travel at some point? The number of he doesn’t recognize who recognized him is increasing.

oooh, I actually didn't know that! (that it was a reference and what it was a reference to)

time travel does seem like the most obvious answer, right? but it would have to happen in the future of the main story (given the hairstyle, scarf and bandaged arms)

but (if true) this would make it the first time major info that affects the main story is introduced in yoseito first (afaik. i could be wrong i'll have to double check)

also, in yoseito ch 29 the principal was in the middle of saying why he hired Hatanaka before getting cut off, which i feel like has something to do with this, and also why he's close enough with Hatanaka to show him his face.

[uraharasandals]

YO just wanted to ask who ur fave bleach characters are! I like Toushiro the most, but Karin and Momo grew on me after my recent Bleach binge!

HEY I LOVE THIS QUESTION thanks for giving me chance to ramble about my favourite characters *insert maniac laughter*

URAHARA KISUKE

So as you can see from my URL I obviously love Urahara Kisuke!! He’s such a complex character and I guess I have a thing for Miki Shinichirou because his voice is *chef’s kiss* In the beginning we don’t really think much of him - he’s like the sensei character that almost every anime has that guides the main character (Ichigo). And in the context of an (what seems to be in the beginning) urban fantasy it’s not very jarring to have some random guy appear, and I love how he stands out subtly while also fitting in at the same time. His outfit and entire get up as well - a guy who wears geta with a bucket hat and haori is perfectly normal in Japan, and it actually looks cool on him. He looks like a normal guy and that's what fucks with the audience.

And then you go forward and realise he's a wacky character. He lives with a very hot woman who transforms herself into an equally stunning cat, the definition of a himbo presenting genius, and two kids. Seems like a dysfunctional found family dynamic that would come out of a sitcom, doesn't it? OH BUT WAIT it actually is one!! And these people are actually very fucking powerful!! Why the hell does this man have so much shit lying around?? Is he strong or something?

It's not until the swing back the pendulum arc that we find out he is, in fact, a very strong guy™. I love how little character development Kisuke gets in terms of his personality - most of the central character gets a major revamp; a lot of the Gotei 13 captains either get a reality check on their personalities (Soifon, Byakuya, Hitsugaya etc.) or they decide to go completely fuck it (looking at you, betrayal trio). The ones who don't are 'mentor'-like characters, the ones who are old and mature enough that something like a guy upending the very principles of Soul Society wouldn't affect them very much. Because Kisuke is one of those older characters, he doesn't need a personality change, but also the fact that he hasn't changed much from 100 years ago is very in character for him - or so we thought.

The fact is Kisuke actually very much did get a character change - to be more precise, a change of principles. 100 years ago, his morals are more clearly defined than the present. Sure, he recruits his employees from the Maggot's Nest, but he also tried to defend his innocence against Central 46 and was adamant to do so until Yoruichi broke in and kicked ass. He also struggled with saving Hiyori during that fateful night. This is obviously a part of his personality that points to adhering to the side of caution - which is in line with his entire personality; Kisuke is very much someone who doesn't do anything unnecessary, someone who puts on a friendly mask to exist because giving in to those deeper desires requires compromise. So he doesn't - he doesn't because that's the path that allows everyone to accept him and allows him to slip under the radar. He doesn't want to stand out, you see? And that's what makes him so endearing - everyone is running around playing hero or captain and he just,,,wants to chill in his dysfunctional family and makes stuff. Even though he stops deliberating on the means of how he does things in the present (e.g. Playing dirty in all the battles he's part of, casualties not being his priority in his plans etc.), that sense of wanting to fade into the background is still very much there (I.e. that conversation with Aizen when he's being sealed away).

And that makes him so frustrating to see at times, but also a very multi-faceted character!! Because under ordinary circumstances, anyone would want to stand out, especially when you have such talent and intellect as Urahara Kisuke. Yoruichi even berates him for this - when she nominated him for the 12th Division, he didn't want it and she tells him to shut up. It's interesting how well this aspect of him was written, and I really like the portrayal of his character.

Not to mention his zanpakutou - she intrigues me so fucking much?? There's an analysis of Benihime with Urahara's character that really tackles his personality and it just clicked for me (I'll reblog it someday) but basically there's a sense of masochistic tendency to punish himself and to hide his genius away. And you have to wonder - why does this man do this? What kind of past did he have? Kubo really has to write this because it's literally a crime to leave us hanging like this.

And of course, the fact that he's so fucking queer coded. I can't really elaborate on this because there's no one aspect that signals that to me, but I'm sure queer people understands this - his character is one that doesn't have traditional values of masculinity attached (100 years ago even Shinji, who had long hair, would have a stronger sense of 'traditional' masculinity attached to him, I'd argue) and yet he's still very powerful.

Overall I'd say his intelligence and character design and personality is what makes me love him so much!! And the fact that he treads the thin line between seriousness and humour, being the mentor and the clown/fool. At the end of the day Urahara is the only one who doesn't take himself seriously. And that's very fascinating.

SHIHOUIN YORUICHI

Slightly less like an essay now, largely because I haven't delved into the manga yet so I don't know the back story and more intensities of other characters, esp Yoruichi.

Anyways first thing and reason is that she's hot. She's insanely hot and I appreciate that we got the ponytail on her rather than a female character who's either a tsundere or has a big chest. Yoruichi is able to make her fully clothed self look even more appealing than when she's half naked, which is an absolute shame that Kubo decided to go with that design afterwards. And the fact that she's able to turn into a cat?? Something that was somehow sidelined after her human form was revealed?? Very very rude.

I also love how she subverts expectations. She's a noble, but she's not prim nor proper, and the one time we see her acting like one is that procession in Soifon's flashback. She's a woman, and yet arguably one of the best fighters in the entire series. Unlike a lot of stereotypical female characters, Yoruichi doesn't just use kicks - she throws hard punches and slaps when she needs to, and uses her entire body. I really love the fluidity of her design that Kubo shows because it makes her so beautiful - and it just combines violence and beauty so well??

Yoruichi also doesn't really give a shit about social conventions either, and that in such a socially stratifying society like Soul Society (too many s's) is so attractive - especially since she's a noble because honestly, what can they do? It's this boldness and rebellion that draws me to her.

And again, her being very queer-coded. I love simping over characters who could very much be queer but aren't written as such - your loss, Kubo, really.

HIRAKO SHINJI

This toothy grinning bastard has captured my attention for some godforsaken reason and I can't figure out why?? Maybe it's his Kansai accent. Maybe it's the fact that his character design is so unconventional and things that normally shouldn't go together did come together and ends up depositing this man onto my lap. It's a strange feeling but Hirako Shinji is definitely up there.

(but also I love myself some long haired men. Why didn't he grow it out again in the TYWB. Why did he get a fucking cravet instead. Go back to the long hair Shinji)

Other characters I love but don't want to write an essay on (yet): Ishida Uryuu, Yadomaru Lisa, Otoribashi Rose, Kyoraku Shunsui, Coyote Starrk, Shutara Senjumaru, Ayasegawa Yumichika (also Shihouin Chika and Saitou Furoufushi, of course)

Please tell me more about your blurbos!! I'm very intrigued on why you love them

[notasocialismjoke]

i hit chapter 100 of one piece a few nights ago and some thoughts on the story so far (not cohesive just what's been on my mind)

so one very good thing and then one very frustrating thing.

so one thing that oda's done very well so far is breaking the story's tempo. by the time of usopp's arc the story was starting to feel kinda repetitive; luffy (and the crew) finds new crew member, then defeats an associated villain to convince the new crew member to join, just getting longer each time it happened. the baratie arc messed this up; while it still largely followed the same format vis-a-vis sanji, the mihawk fight. the mihawk fight. mihawk and his fight with sanji - and the fact that he won and then left - went really far to making the world feel bigger. even though mihawk was only introduced in this arc he doesn't feel like he exists for this arc, unlike every other antagonist thus far.

i'm only partway into the, uh, idk what to call it but they went to and then left the island that roger was executed on arc and it does the same by bringing back tumblr clown the best character in one piece and alvida (and also in the process confirming that the insets at the start of most chapters are actually relevant and not just fun side pieces). thus far there's been a strong sense that the places that the straw hats, once left behind, mostly stop existing, but the mixture of new and old characters here suddenly brings a relavancy to the world that most of it didn't have before. I'm left wondering much more now who and were all is actually going to continue to affect/show up in the story down the line.

(besides gaimon it was obvious that he's going to be important later)

the frustrating thing is nami's characterization. i'm deeply upset at the way that she's been written differently from the rest of the straw hats so far, and particularly that her difference has been identified in story as being related to her being a woman. particularly her continued lack of fighting. the arlong park arc not only missed a chance to remedy this by putting her in the position of getting to fight and defeat arlong herself, but i feel made things worse by making luffy (and sanji and zoro and i guess usopp) the ones to do it instead. nami's big problem, the thing that has been driving her decisions so far, is solved not by her own actions but by her asking a man to come and solve it for her.

which really sucks because the scene where she breaks down and finally asks luffy for help is fantastic! i was crying reading it. seeing the shell that she'd put up, that i know understood her as having put up for years, that desire not to get close to anyone because the last person she was close to got killed for it, finally come down and accept someone into her life, was phenomenal. and then she spent the next ten chapters blankly staring with barely any dialogue while luffy swung the shark man around a bunch.

and belle-mere is also frustrating, because the story presents her as a pretty unambiguously good character; ie nami and nojiko both think of her as such, and she hit her daughter. she abused her kid. every other thing that she did in the story sits next to that in my head. it's contradiction. it is a blindingly bright contradiction with everything else she does and the story does not portray it as such and, that upsets me.

i wish at least she'd been portrayed as gray. it's the sort of thing that makes her pretty fucking awful in my eyes but i'm more upset that the story doesn't perceive her abuse as relevant to how nami and nojiko perceive her.

anyways one piece is really fucking good i'm gonna go read it some more

[bakugoukatsuki-rising]

Bakugou Katsuki - Rising

So I told someone a while ago I’d be writing an essay on Bakugou’s lines from 284, and I’m keeping true to my word. If you’re wondering which lines, well my friend, these lines;

So this, to me, is one of the most emotionally packed pages of these recent chapters. For one, it shows us that Bakugou has always been watching Deku, the same as Deku has been watching him. Since they were kids, probably from the age of 4, Bakugou was able to tell Deku never thought of himself first, it was always what he could do to help and protect other people with no regard to his own safety or well-being. 

“He’s always been like that.” 

How would Bakugou know Deku has always been this way if he wasn’t paying attention to him? It goes beyond his bullying in Middle School, because he’s watched Deku stand up for other’s his entire life. The very first scene of the manga is Deku protecting a child from Bakugou and his group of misfits, despite being quirkless, and essentially helpless. 

Despite being scared, and knowing he didn’t have the strength to take on those boys, he still stood his ground and did what he could to protect the other kid. Bakugou witnessed that first hand, since he was the aggressor. He was the one Deku was protecting someone from.

There was no way Bakugou wouldn’t remember something like that.

We know he remembered how Deku extended his hand to him when he fell in the stream, even though Bakugou was fine and didn’t need any help. Deku still waded through that water and even risked possibly getting himself hurt, to reach out to Bakugou and make sure he was alright. 

Now, I am going to point out that the stream incident definitely happened before the scene of Deku protecting that boy since it’s evident they’re older in that scene, but it was presented first (literally the first panel of the entire manga), so it takes precedent. 

Then we have the big one, which is the Sludge Villain incident, and Deku’s biggest show of self-sacrifice probably to date within the manga, since he was quirkless and would have certainly ended up dead if All Might hadn’t managed to power up. Even with the times he’s wrecked his body using OfA, he at least had some kind of fighting chance because of the power, but with the Sludge Villain, he had nothing. He was just throwing himself out there in hopes, by some miracle, he could do something to save his friend, even if it meant losing his life in the process. 

Another instance of Bakugou witnessing firsthand the self sacrificial nature of Deku. Throughout the manga we’re given these instances, and the next big one is Bakugou’s kidnapping. Now, he didn’t see Deku’s fight with Muscular, but he did see the aftermath, he saw that ruined body running at him full force with no care to the damage done to himself, and even before that, he saw Shoji carrying him while Deku continued to plan out their plan of rescue, like his entire body wasn’t a crumpled mess. 

Time and time again, Bakugou has been witness to Deku’s behavior, to this self sacrificial nature. The scene above is the first real time we see Bakugou acknowledge it. He tells Deku to stay back, he knows if he continues trying to fight looking like that, he’s going to die. I’ve seen other translations and I believe in the anime he says something to the context of “Don’t come, Deku.” Which, either way you look at it, it gives the same impression of Bakugou trying to protect Deku in that moment. Because he knew if there was an opportunity for Deku to reach, he would have fought until there was nothing left of him. 

“And now that he can do so much more...”

This line is important because it is Bakugou acknowledging Deku’s current strength with OfA, but it is also his confession of worry because he knows who Deku is, and what this means for him. If Deku was reckless and willing to sacrifice himself when he was a 4 year old child with no quirk, well now that he has the strongest power essentially in existence, that means certain death. There is nothing stopping him from completely destroying himself, and we saw a brief example of that when Deku fought Muscular, though not even close to the level he was going at Shigaraki, and what Bakugou was actually getting to witness during this chapter and 285/286. 

I use the above image because it kind of shows how bad off Deku was, which is far worse than when he fought Muscular, let me remind you. That scene is in chapter 285, after he’s essentially destroyed both of his arms hitting Shigaraki probably upwards of 10 times with 100% OfA. 

Remember, Bakugou has been watching all of this from the ground. 

“Something doesn’t feel right, it makes me wanna keep him at arms length.” 

Well ya know, I don’t really blame you for feeling that way, Bakugou, I wouldn’t feel right if the kid I knew my entire life was willing to die at literally every turn without thinking for a split second about himself, either. It’s a little strange, but that’s what makes Deku the unstoppable force that he is, because he has the drive to save people no matter what. Now if he could master his power and depend on other’s, it would be even better, because then maybe he wouldn’t have to kill himself trying to protect people.

But seriously, that line shows Bakugou's uncertainty about getting close to Deku, because that kind of behavior is scary. It's intimidating. To just...throw your life away for the sake of someone else, that's gotta be scary to see someone do, and Bakugou has witnessed it over and over because of his closeness to Deku.

Now for the big one.

"Back then, I ignored my own weakness...so I ended up bullying him."

There's the kicker, folks. The real development we've all been waiting for.

I do want to point out that when Bakugo was 4, he didn't realize he had weaknesses like that. He was honest to God just a bratty kid that probably thought Deku was weird for caring so much about people despite, essentially, being useless to them. Because what could Deku do? Nothing. He couldn't help anyone because he was quirkless, but he still tried, and that's what affected Bakugou so strongly.

So strongly, in fact, that he never forgot it for a single second.

From 4 years old all the way up to 16 years old. 12 years. 12 years Bakugou Katsuki was witnessing Deku's self sacrificial nature. Again and again he watched as this boy who had nothing, continued to fight for something, and then he was granted power, terrifying power, and now Bakugou is left to wonder how the fuck any of this could have happened. Because if Deku had just stayed quirkless and accepted it, maybe, just maybe, he would stop that self sacrifical bullshit. Maybe he would see himself a bit more.

But then he was given OfA, and all of that hope was gone. Now he was given a power meant to take on the greatest evils and every person before Deku had died for the cause, so why would it stop with Deku, who was already ready to get himself killed to protect someone else when he was like 14 years old?

The scenes we have of Bakugou acknowledging Deku's behavior, and acknowledging his own behavior, it's such a raw scene. It takes a lot to acknowledge you've done wrong by someone else. It takes a lot of strength to sit back and recognize those ugly parts of you, and here Bakugou is, doing just that. And he isn't doing it for some self righteous get me off, either. He's doing it because he genuinely cares about Deku's well being, and he always has.

It never came out the right way, and he sees that now, but that doesn't mean the concern wasn't there. He just didn't know the right ways to express it, but as things have gotten more serious and now Deku is truly risking his life for this cause, he's come face to face with it. He can't hide from it anymore. The more OfA develops, the more Deku is going to put himself out there, and Bakugou isn't going to sit around while he kills himself when he could just learn to ask for help.

This stretches all the way into 285 and Bakugou's sacrifice, because he saw Deku about to end up seriously hurt or worse, and he knew he couldn't let that happen. Of all the years spent endlessly tearing himself apart for other people, Bakugou knew he needed to show the other in some way he didn't have to do it like that. He didn't have to fight alone.

That, and it was part of his atonement. It was a piece of his apology to Deku, to show him that he valued him, and he was willing to put his life on the line for someone, for him.

Bakugou didn't think when he rushed out to save Deku. It was instinctual, like breathing. He saw someone he cared about in danger, and his body moved on it's own. That, from the angry brat we get in chapter 1, is a beautiful showcase of perfect character development and growth. If you take into account everything I've discussed throughout this, it should be easy to realize or at least see a bit of Bakugou's perspective, and his thought process when dealing with Deku.

It never justifies any of his past behavior, but it gives us clarification, and then allows us to appreciate his thoughts and actions in 284 and 285 even more.

[postwick-palace]

So...Pokémon Journeys episode 100, huh. As a Leon fan, I’m delighted - they characterized him brilliantly! It’s great to see the complexities of his character - that contrast between his public image and his real personality - both demonstrated and spelled out directly, for the people who didn’t catch on to that in the games. I’m also really happy that they addressed how he felt about losing to Eternatus fifty episodes later and why it hasn’t affected his self-confidence.

But, as a Hop fan...I’m a little bummed. As happy as I am to see the anime writers at least acknowledge his existence, I’m not very optimistic about his prospects of getting to actually appear at this point. When I made that post a year and a half ago about what Hop’s arc in the anime could look like, I figured there were two main things he could contribute to the story: one was being a rival to Ash, which seems really unlikely to happen at this point considering he’s already up to rank 15 and we just got Marnie introduced as a potential second rival last episode. The other thing he could contribute was humanizing Leon - giving Ash, Goh, and the audience the chance to see Leon’s private life, away from the cameras, through his interactions with his little brother. But this episode just did that without needing Hop at all. So, if the anime writers did introduce him, what would they even do with him? 

We didn’t see Hop in the show, we didn’t see Hop in the opening, and as for that reference...it’s Sonia who mentions him, not Leon. And she’s not even talking about him in the present - she’s referencing how Leon had to help take care of Hop when he was a kid. So while we know that Hop exists, we have no idea where he is, what he’s doing, or even how close he and Leon are in the present day. He could be taking the Gym Challenge and trying to challenge Leon that way - or he could have absolutely no interest in overtaking his brother at all, and already be dreaming of becoming a professor. But if he’s trying to become a professor, wouldn’t it make sense for him to be working with Sonia? And that’s clearly not the case.

I think I’m most disappointed that Leon didn’t mention him because last episode, we got some really sweet sibling interactions between Piers and Marnie. That got me hopeful that we could get sweet sibling interactions between Leon and Hop, too. But, in an episode where we’re supposed to be seeing Leon’s “true personality”, while also reminding us of their roles as competitors in the World Coronation series, the fact that Leon doesn’t think about his little brother at all... It doesn’t give me any hope for Hop being a part of it, nor Hop getting to show off having a close relationship with his brother. So, even if he does show up in a random episode in the future, I don’t know that I’m even going to be able to enjoy it when all I can see is the missed opportunities to do something truly memorable with him.

[freckledbodty]

Stripping Away The Bloat - The Umibe No Etranger Movie Did The Manga Dirty

I finally got around to watching the movie of Umibe no Etranger - a movie I didn’t know existed based on one of my old favourite BL mangas. And oh boy, does this adaptation reflect a painful trend in manga to anime/movie adaptations overall. Allow me a moment to rant, if you will...

TL;DR: READ THE MANGA BY THE LOVE OF GOD IT’S WONDERFUL. Also the movie is super pretty, but here’s a semi-detailed look at why it still really didn’t do the manga justice. You bet I came with receipts.

A few important notes before you start: 

1. Remember this is just my opinion, and I’d love to hear other people’s point of view on the matter, whether you agree or disagree! 

2. I am not fluent enough in Japanese to read the original without a translation, so my thoughts on the manga are coming from fan translations, which 100% might have affected how I view this! The anime I’m a little more sure on as I can generally tell when the subtitles have deviated, but that does mean I may have missed something/something was lost in translation that means something I say here is incorrect. I’m very sorry for this, so remember this is my view based on the media types I’ve consumed. 

3. Also the manga cuttings I use are not the best quality because of tumblr’s sizing, so even more of a reason to go read the books yourself! 

I’m aware I’m very late to this party, but when I saw the other day that this movie had been made, I was horrified that I hadn’t known about it sooner. I read the manga years ago, and adored it - it’s genuinely a sweet and beautifully drawn romance, and I’d highly recommend it to anyone. With that, however, the movie was a huge disappointment to me and I just need to have a moment to gush in a less than positive way. 

The Pros: 

Let’s get this out of the way, I’d still probably recommend this movie to anyone who likes romance anime-style movies. It’s beautifully animated. Seriously, this movie is stunning, with wonderful expressions, bright colours, and a pretty well suited soundtrack too. The animation tries to match the original art style of the manga, and frankly, I think it captures it perfectly. 10/10. Gorgeous. Watch it just for the prettiness. 

I’m also a big fan of any BL/GL adaptations that get a little more into the mainstream. This movie is definitely a huge win in terms of representation, especially when the manga (on the whole) avoided the more negative tropes that the BL/GL genres have historically been known for. (More on that later...) So that’s a win, and I will take it. 

The Bloat Cut: 

To put it simply, this movie fell into the trap of what I call (in my head) ‘cutting out the bloat’. As a long-time anime and manga fan, who has seen countless adaptations over the years, it’s a common theme that tends to make or break an anime. 

‘Cutting out the bloat’ to me means that the adaptors cut out a lot of the ‘smaller’ moments and panels that are seen in a manga. This movie was thankfully very good at following the original plot and took us through the same beats that the manga did (many adaptations don’t bother doing that at all), but they left out a lot of the extra stuff - the aforementioned ‘bloat’. 

The bloat isn’t really bloat in that it is pointless, however: the problem is that these little moments and scenes are seen to be pointless by the adaptors. Again, understandable: they have a limited run time, and it’s hard to include every little tiny moment, especially when they are ones that are easily scanned passed. Some bloat cutting is necessary to make an adaptation viable at all, but sometimes, it can be hugely detrimental to the piece. Umibe no Etranger is a key example of this. 

Setting: 

I watched this movie without rereading the manga, and as such, I was quickly thrown off by how bad the movie was. This was one of my favourite mangas, wasn’t it? Had I really had such terrible taste? (Yes, let’s not go there, but this manga was not one of my high-school bad decisions). 

The characters felt strange. Personalities did complete 180s after the time skip and did some questionable things that I couldn’t recall finding issue with when I read the manga. The two main characters felt so hot and cold that it didn’t feel like the story I remembered. Even the pacing felt off and janky at times. 

After watching, I went back and reread the manga, and this is where I saw all the ‘bloat’, the little intricate moments and minor panels that were easy to overlook but made the story what it was. Here’s a few of the biggest examples I could find. 

Shun:

Oh, Shun. What did they do to you? 

Shun’s character was bizarre. In the first 15 minutes of the movie, he was bubbly, friendly, and even bold enough to flirt with Mio. After the time skip, he was sour, cold, and completely withdrawn from the world. I understood Mio’s confusion because after the time jump he was a completely different character. 

The manga is often focused on Shun and his inner thoughts, and he’s the one who is hurt the most by the bloat cutting. For starters, he wasn’t as over-the-top friendly at the start of the manga as he was in the anime, and we’re able to see his inner thoughts and worries that cause his reservations from the first few pages we meet him. We also get more hints earlier on as to Shun’s past that explain a lot of his behaviour as a whole, as well as getting little hints as to why he’s even more negative and exhausted after the time jump. 

Mio: 

The biggest bloat cut out in terms of Mio is the big plot point of the phone call. For context, before leaving for the time skip, Mio promises to call Shun once he’s gotten to his new home. In the movie, this is never really brought up again, focusing on the relationship in the present, but this was a huge point to leave out. I think it was cut out because it was explained in one short scene in the manga, and therefore easily mistaken for bloat. 

In the manga, it’s explained that Mio does call, but it’s Eri who answers, and there’s a very important conversation that sets up Mio’s whole character development and explains why he returns to the island set on having a relationship with Shun. Eri warns him that calling Shun, despite knowing that Shun has feelings for him, is cruel and unfair, and tells Mio he shouldn’t contact him unless he’s worked out his feelings. It’s a great scene, and a real shame to leave out when it explains firstly why Mio never called back, and secondly why he is so adamant about his feelings and love for Shun when he does finally return: because he saw Eri’s warning to mean ‘don’t come back unless you are serious’.

Relationship:

In the movie, Mio and Shun didn’t really seem to have a relationship until the drama kicked up and then it quickly seem to disappear again. Shun was extremely held back and reserved, and barely ever seemed to return Mio’s feelings (even in the scenes he was instigating) - he even totally avoided anything resembling physical contact at first. 

Compare this to the manga, where there are little hints of their relationship progressing throughout the chapters. For one, Shun is never as cold and blank as he seems in the film, and when he does seem that way, the manga quickly shows a glimpse of his thoughts to explain how he’s exhausted or distracted - without those little bloated thought bubbles, he just seems... a little cruel frankly.

A really good example of this is the beach kiss scene. In the movie, as Mio is about to kiss him, Shun suddenly announces that he’s hungry and avoids the kiss altogether, leaving Mio confused. 

In the manga, they actually do kiss - it’s their first kiss, in fact. Shun seems embarrassed and his ‘I’m hungry’ feels like more of a way to distract them both. He explains he’s exhausted (which is fair enough, this is a big thing for him to process on little sleep that his inner thoughts earlier in the chapter already set up) rather than just outright shunning him. (Ha. Shun. shun. Get it?) 

A more *noted* bloat they cut out is that Shun and Mio get physical in the manga way earlier than the movie, the touches just not quite being everything Mio wanted. Without those more tender moments, where they actually seem like a couple, it seems like Mio is chasing after Shun desperately, whilst Shun couldn’t care less about him. It detracts from the whole relationship. Below are some examples of the two of them actually seeming like a couple that were cut from the movie, including longing looks from Shun, Shun hugging Mio whilst he’s asleep, and Shun asking to kiss and touch Mio. 

The Issue: 

Bloat cutting always annoys me, but usually, if it’s not hindering the story, I don’t mind. What bothers me most of all in this movie, is that without these subtle little panels and moments, the relationship between Shun and Mio seems... forced, frankly. In the movie, Shun seems to be the instigator of the flirting, and then after the time skip he acts practically disgusted, avoiding a lot of Mio’s advances, and we don’t get to hear his inner thoughts like we do in the manga to explain why he’s feeling this way. 

In the manga, during these ‘bloat’ pieces, Shun is an actual willing participant in the relationship, and Mio isn’t just forcing his advances onto Shun. It’s natural. It’s not flipping between hot and cold, or suddenly ramping up after a big moment of drama, it’s slow and careful and a real relationship. 

This would be a bad change in any adaptation, but it’s especially so in this one. Anyone who is a fan of BL specifically is probably aware of the genre’s bad rep historically for having some... questionable consent issues. This manga didn’t have them. The movie? I’m not so sure, and that’s why it’s rubbed me the wrong way. I could spend another 1000 words talking about this issue as a whole, but I’ll leave it there, you get the idea.

Expected? Yes. Okay? Meh. 

There’s no real point to this post aside from to complain a little and point out just how much more the source material gives us. Cutting the bloat always happens, and I don’t want it to stop happening per say, that would be impossible, but I’d kill for adaptors to just take a little more time to work out what is unnecessary and cutable bloat, and what is something they should really keep in. 

The movie is still cute and beautifully made, so please go watch and see for yourself! Mostly, I’d highly recommend the manga: it’s got the same gorgeous art style, only about 5 chapters long, and the story and relationship is that little bit more firmly built. 

I’ll stop ranting now, and I hope this actually made sense? Anyway, congrats on making it all this way.

[rosethornewrites]

Fics I read this week!

I started this right after posting the last one, so I’ll hopefully keep it up. A lot of the multichapter fics are ones I subscribed to that finished. A lot of the one-shots are under 5k words, with some being 100-word ficlets.

Finished:

Not Rated:

Wei Changze's weird day, by Weiyingbestboy

Wei Changze was minding his own business, when four potential time travellers dropped out of the sky. Literally.

Serenity Cave, by Anonymous

The travel home had been mostly silent. Lan Zhan and Wei Wuxian competing for who could say the least amount of words.

Then, as they’d been walking along the mountain path, just a little past the gates of Cloud Recesses, a hole suddenly opened up in the ground beneath them and they fell into a small rock cave. Then the hole shrunk until it was barely big enough to poke a sword through. Just enough of a gap that they had a bit of light and wouldn’t suffocate, but definitely too small to escape through.

The earth had swallowed them.

…

In the middle of an argument, Lan Zhan and Wei Wuxian get trapped in a cave.

In Which Lan Xichen Returns to the World, by AshurbanipalJones

Lan Xichen ends his isolation after the death of Jin Guangyao.

In Which Lan Qiren Requests an Audience, by AshurbanipalJones

Lan Qiren wants to discuss Important Matters with his nephew. His nephew is kinda not having it.

Mercy Meet Vengeance, by ShanaStoryteller (7th in a series)

The first time Wen Qing meets Wei Wuxian, she has a white sash around her waist.

Rated E:

Thirty-three Lashes, by Winglesss (20 chapters)

Yiling Laozu is dead. He's been dead for over a thousand years. For over a thousand years Lan Wangji has been wandering the world alone, helping where he's needed.

It's when he meets a mysterious cultivator and a strange curse starts to torment his body that the past and the present start to mingle, igniting emotions Lan Wangji almost forgot he was able to feel.

curiosity is the beginning, by everyearning (noctiphany)

He's just curious. Wangi's brother always said he had an insatiable thirst for knowledge. He also said it was going to get him in trouble one day.

Rated M:

devil from heaven, by incendir (3 chapters)

He would like to think that he knows what Lan Wangji could enjoy, if he’d let himself do so.

(or, wei wuxian's road to discovering lan wangji's yiling patriarch kink)

in this lifetime, by hauntedotamatone

Lan Wangji must reach him. There is still time. All he has to do is reach him. They’ll take A-Yuan and whoever remains and they’ll go as far and fast as they can. The world is vast, there must be a place for them somewhere, and if there is not, then he will carve one out from nothing if that is what it will take.

“Wei Ying!” he calls out to him over the roar of the flames and the familiar and terrible sounds of battle. At first, he thinks that Wei Ying is ignoring him or otherwise does not hear him. Then, his fingers still over his flute. He looks up with those empty eyes, unseeing. There is no hatred in them, but there is no affection or recognition either. There is nothing at all.

Lan Wangji has a terrible nightmare for the first time in years. For the first time in years, he does not wake up alone.

We Are Family, by Duochanfan (13 chapters)

Jiang Yanli heard the words spewing from Jin Zixun's mouth and said enough. After putting the man in his place she leaves the Hunt with her brother and Lan Wangji. The three come across Wen Qing, and with that simple meeting, they change what could have happened to something else entirely.

until it's time to see the light, I'll make my own with you each night, by backbones

His husband would never go back to sleep if he sensed something was wrong, and he always did. He knew him better than he knew himself, sometimes, and maybe that was why that feeling was so foreign it was horrifying. He wanted to keep that part of himself close, a well-kept secret, and now, deep down, he knew it was too late for that.

Or: After having a nightmare in a deep sleep, Wei Wuxian has a surprise visit from an old childhood habit.

Rated T:

Wei Wuxian Discovers Bisexuality, by arcaladiwoompa

AU where WWX decides he quite enjoys being passionately kissed against a tree by an unknown assailant and acts on it instead of just sitting there going herp derp I wonder who this very strong cultivator could possibly be.

Rescue, by WithBroomBefore (6 chapters)

Post-Sunshot fix-it AU featuring Jiang siblings taking care of each other, among other things.

Over the Rotted Bridge, by vailkagami (41 chapters)

Lan Wangji saves the Wen remants from execution but is killed in the process. The Yiling Patriarch loses himself in grief and rage and the determination to bring him back no matter what.

The world is not on his side in this. It is not on either of their sides when he succeeds. But The World is not all of its people, and some things can always be salvaged from the ruins.

Across, by vailkagami

An epilogue to the story "Over the Rotted Bridge", set in the far future. Cannot stand alone.

Centuries after the fall of the cultivation world, Wei Wuxian and Wangji return to the burial mounds for the last time.

Completion, by youjezebel

Lan Wangji misses raising A-Yuan. Wei Wuxian wants to be a father. In the end, everything works out perfectly.

Second Nephew, by vividneonmanias

"You need to stop talking to Wàngjī," Lan Xīchén told him, in the uncannily stern tones of a Sect Leader and not a nephew; "and preferably stop talking about him, if you cannot control yourself."

In the years following Wèi Wúxiàn's death, Lán Qǐrén learns to hold his tongue. But he still wants to know his second nephew. Some things need to be said; some questions need to be asked.

oceans, drowned in starfire, by stiltonbasket (10 chapters)

Lan Wangji breathes.

There is a tattered red ribbon trailing through the water beside him, and below him, a crooning, echoing song that clears his mind and stops him from struggling against the waves.

Lan Wangji breathes, and sleeps, and wakes again.

When he opens his eyes on the beach to find Huan-ge and Shufu crying over his body, he hears a lifeguard say that he was underwater for almost half an hour. ___

Tired of life in the business world, Lan Wangji returns to his mother’s old house to pursue a career as a novelist and search for the mysterious fisherman who rescued him after he nearly drowned on a whale-watching trip twenty years ago.

He wasn’t expecting much more than a quiet refuge to serve as inspiration for his work, and restore his spirits after half a lifetime spent in the city. But when a lost merbaby washes up on the beach in Caiyi, Lan Wangji realizes that his childhood savior might be closer than he thinks.

adding shadows to the walls of the cave, by Fleetling

It didn’t take Wei Wuxian long to see what he was pointing at, and as soon as he did, the smaller man turned back to face their juniors. “Cave!” he shouted across the thunder of the raindrops hitting the muddy path. “Hanguang-Jun found us a cave! We’ll stop to dry off, and head out again once the rain has stopped!” Beside him, Lan Wangji inclined his head in silent agreement. The bickering of the juniors cut out as they focused on making it the remaining short distance on the slippery ground.

They all huddled into the entrance of the cave, taking refuge from the rain, but waiting for directions before heading in.

Ouyang Zizhen ran his hand over the wall, feeling slight bumps and indents below his fingers. He brushed off the dirt, reading the characters revealed. “The lovers’ cave,” he read, shaking his head with a smile. Probably a local pair who came here occasionally. It was a bit romantic, when one thought of it. It also probably meant that the cave was safe - no lovers would hide away in a cave that contained resentful energy or other dangers.

Say It Until I Hear You, by DrowningByDegrees

Lan Zhan does not say what has him rattled, but neither does he retreat. He concedes by fractions, an embrace he does not shake off, a shaky sigh when his forehead comes to rest against Wei Wuxian’s collarbone, a wordless surrender when Wei Wuxian gathers him closer. Wei Wuxian doesn’t know precisely which ones, but there are ghosts in bed with them tonight, sorrow and regret and all the might have beens they cast aside so long ago.

Dull Comforts, by Just_Another_Mystery

Five times Làn Sīzhuī pondered the existence of a parent he does not remember having.

Downpour, by milesofheart

The way Wei Ying had looked at him…warily, expecting a fight, steeling himself for Lan Wangji to denounce him. Waiting for the worst from Lan Wangji.

Lan Wangji’s heart cracked down the middle and his whole body shook as he wept now in the rain, the mud of Qiongqi Path seeping into his once-pristine robes.

on the importance of home (and all it implies), by nixtothou

The Burial Mounds are empty.

Wei Wuxian had expected this, yet for some reason it still hurt to see.

The Best Place to Study, by adrian_kres

Lan Zhan decides to study in the law library this time. He leaves with a boyfriend.

Rated G:

cadillac converter, by mdzsed

lan zhan's car starts making weird noises so he takes it to get it repaired. the new mechanic does not look like he knows what he's doing. good thing lan zhan is no fool.

or: lan zhan makes a complete idiot out of himself but hey, it scored him a date with a handsome mechanic so it's all good.

a small spark, by sebfish

It had started, as many things did, because Wen Qing was worried, and Wei Wuxian had learned early on that she wouldn’t budge until she’d gotten her way.

Winter in Cloud Recesses, by Sarehz

Winter in Cloud Recesses was cold. Really cold. It was a chill that penetrated Wei Wuxian's bones and reminded him of that period after his parents died when he shivered alone in the streets.

His Face, by AshayaTReldai

Among Su She's possessions was found a qiankun pouch containing a sheaf of sketches of Hanguang Jun, inspiring a lifetime's exchange between Wei Wuxian and his husband Lan Wangji, studies of his face.

anger, by theninjacat

Beloved Old Lines, by Preludian_Staves

A quiet Wuxian was a creature Qiren had learned to never trust in mixed company.

I Don't Wanna Fight Tonight, by Sarehz

Wei Wuxian was sitting on the roof. Again. It had become his go to place recently when he had to attend these sort of boring meetings where all the Sect Leader's met up and congratulated each other on defeating Wen Ruohan and blah blah blah.

Unexpected, by WithBroomBefore

It is not, from Lan Wangji’s perspective, an unpleasant kiss. He has no particular objection to kissing people, though admittedly he has only ever done so as a prelude to activities that involve various other bits of the body. And it is Wei Wuxian; nothing involving Wei Wuxian is awful. The kiss is...fine.

Modern AU, just some aroace/aro queerplatonic roommates finding the words.

An Accidental Clothes Thief, by Preludian_Staves

He should have probably realized what he'd accidentally done before starting work on a new talisman.

Groupie, by Speechless_since_1998

Being the manager of a band was hard work, but someone had to do it. And Lan Xichen was the only one able to keep members of his brother's band in line.

A Silver Thread, by DizziDreams

Lan Wangji is brushing Wei Ying's Hair before bed, when he sees it, glinting like a fish through the dark glassy waters of a deep pool:

A single, silver hair.

The sky is overcast and I'm sorry, by hamlets_ghost (8th part of a series)

Wangji's brother is gone once again.

A-niang explains.

Follow the sound of pipe, follow this song, by fairyprincess2

He took the last steps needed to reach the opening and there he was, black and red clothes flying with the wind, hair bound up in a ponytail with a red hair band. He was standing with his back facing Lan Wangji but it was him, he knew it was.

(In)Hindsight, it's obvious, by Potatoes_Radishes 

Lan Qiren woke up undisturbed, calm and refreshed, that was enough for him to immediately know something was odd, mainly due to the lack of noises during the night that made him suspect it, he grumbled away his frustrations regarding what he assumed would have been another prank as he got up to get dressed.

When he left the bathroom and moved outside, a very different set of robes awaited him, one he hadn’t worn in years. He finally took a notice of his surrounding, the room was different resembling the one from before their rebuilding, not caring about his state of undress as he open the door almost on the verge of panic, the first thing that rang out in the morning was a loud yell of “WEI WUXIAN!!!”

Unfinished:

Rated E:

taking over you, by sassybluee (3rd in a series)

Before, he’d once fantasized about giving in—shutting Wei Ying up with his lips, stilling his limbs with his own forehead ribbon. He imagined himself making demands. And then Wei Ying went missing. Wei Ying was presumed dead. And Wei Ying returned from the Burial Mounds. By then, Lan Wangji’s desires had long since cooled, and all that remained was longing. Longing to ease Wei Ying’s suffering. Longing to help him know he was not as alone as he seemed to feel. He would have gladly given him everything back then, if he knew how to ask for it. Would have surrendered his body to show him he cared.

And now?

_____

Lan Wangji and Wei Wuxian explore married life, and all that entails.

Rated M:

Keep Holding On, by abCEE

As they reached an inn and Wei Wuxian got them a room with three beds, the world seemed to have frozen for Jiang Yanli when her brother suddenly fainted and Jiang Wanyin was just fast enough to catch him before his body could hit the floor.

"A-Xian!"

"Wei Wuxian!"

In which after the Lotus Pier Massacre: Wei Wuxian was greatly injured by Zidian, Jiang Yanli left the inn to buy the medicines and food, and Jiang Wanyin distracted the Wens.

(With a bonus of Wei Wuxian knowing the title of the song and more things ensued inside the Xuanwu Cave that may or may have not involved Lan Wangji's forehead ribbon)

Canon diverged from there.

Sacrifices Made with Blood, by NocturnalFriend

Lan Wangji knew it was too late, there was too much blood on Wei Ying's hands already. Still, if he asked his brother for help, surely. There was a way to rescue the man who held his heart?

Or: Trust is not easily given and all to easily shattered. Lan Wangji learns this in the worst way, when Lan Xichen gives into the demands of the cultivation world. Although nobody could have predicted the whims of fate, giving them another chance at righting things.

lan jingyi vs. the laws of time itself, by agloeian (2nd in a series)

His kick has dislodged some stray fragments of Guanyin Temple's destroyed ceiling beams. Jingyi stares at them as he kneads his toes through his boot. They’re as red as the blood that stains the floor beneath him, sharp and splintering. Wind whistles through the wood and stone, though there’s a flickering too - the sound of paper fluttering in the breeze.

A talisman written in blood.

---

Lan Jingyi finds a way home.

Dream a little dream of me, by Moominmammashandbag

Lan WangJi braced himself.

“Wei Ying.” he said.

“You are not dreaming. This is real. You have been rescued.”

“The kissing bit comes first!” said Wei Wuxian impatiently.

“But…I cannot kiss you if you think you are dreaming!"

“I don’t see the logic in that.” said Wei Wuxian. “I obviously want you to kiss me or I wouldn’t be dreaming about it!

Rated T:

Love Song In Reverse, by timetoboldlygo

Wei Wuxian gasps back into life without a single memory left. His friends, his siblings, his home — all lost to the fog in his head, nothing more than a mystery slipping through his fingers. What else was there to do but carry himself around in bits and parts, trying to become whole, a letter waiting to be written? He is – he is Mo Xuanyu, isn’t he? In this body, with these people. This family. He has to be Mo Xuanyu, he didn’t know anything else, even if the name sounded wrong. That was all he had.

Well, that and Hanguang-jun.

Lan Wangji, for his part, has had his taste of love and lost it. In all his grieving and searching, he didn’t expect to find another.

-

Wei Wuxian gets resurrected, loses his memories, and falls in love.

Here We Go Again, by Alliandra

He looked over to where the swordswoman was still fighting, but her focus seemed entirely locked onto that fight so it was unlikely that she could have had anything to do with the energy drain. He was still wracking his brain for something else to do to assist, so this thing didn’t kill them both, but now he was feeling weak, dizzy and currently not far from helpless.

~~~~~~~~~~

It has been several months since the events at the Guanyin temple and Wei Wuxian is wandering around on his own. After he helps a stranger kill a very dangerous beast he uncovers what seems to be a conspiracy aimed at ending his life. He heads back to Cloud Recesses with his new companion in tow, looking to get Lan Wanji's help in working out what is involved.

Meanwhile, Jiang Cheng and Jin Ling made a surprising discovery under Koi Tower that may well be linked to the threat against Wei Wuxian's life.

Can they all work together to find out what is going on and put a stop to it, before something disastrous occurs?

A Teacher’s Oath, by MaelStromm

Deep down, only one thing really matters.

It is not being a good Lan, despite what the entire cultivation world may think, nor is it "sucking the fun out of life" as some disciple had once said.

More than anything, Lan Qiren is a good teacher.

Despite too many to count prejudices and the boy's chaotic behavior, he'll burn his ribbon before he lets this genius be wasted.

Or :

An AU where LQR gets along with WWX and somehow ends up having to deal with far too much drama.

I've Heard of Second Chances, but This Is Ridiculous, by velvet_green

One of Wei Wuxian’s experimental talisman arrays sends himself, his husband and his brother to that mythical land of long ago – the Gusu Lan lectures of their youth.

Wei Wuxian is amused. Lan Wangji is silent. Jiang Cheng is angry.

And their younger versions are mostly just very, very confused.

[sokkagatekeeper]

hey, i love ur opinions and texts and stuff abt ATLA characters, it's just so interesting.

so, between Azula and Sokka, who do you think is the smartest and why? 👀

forcefully looking past the fact that intelligence is a relative concept (irl, in media not so much) skaksnakd sokka 100%. it is correct to assume that sokka is the smartest character in the entire show because this is actually in the text, and in fact i don’t think azula is in my top 3 smartest atla characters – yes i made a list.

you see, azula is very secure in her own shoes. she knows how to play this game because she’s a princess, and the attitude is crucial in the competition for affection and survival that has been her life. azula is a good liar because she’s creative, because she’s confident. and azula needs to have control of every situation she finds herself in, or else none of her creativity, cleverness, or confident facade can work properly, and she gets defensive and irrational and insecure, visible mostly during the beach. even as sokka has her pinned against a wall with a very pointy sword in his power on the day of black sun, she doesn’t waver once because she recognizes sokka is losing grip of his emotional stability, and because she has the information sokka wants. azula is, despite it all, undoubtedly in control of the situation. but whenever azula is presented with rejection, defiance, whatever else that can throw her off her balance (the boiling rock, the beach, sozin's comet) she falters. azula lacks an important amount of self-awareness, area in which sokka doesn’t exactly excell at but is still miles better at than azula, which is also fundamental pilars of intelligence.

furthermore, azula’s strategies are essentially ruthlessness (lying, manipulating, threatening) where sokka’s strategies are purely logical and practical, always looking for a way to turn things around to find the best possible solution. while azula maintains herself with her intelligence and her bending (see: privilege) through aggressive approaches, sokka maintains himself and other people with his skills of leadership alone, more inventive approaches. this is indicative of azula’s privilege and high status as royalty as well, where sokka is from a marginalized community, who had to fend for himself, his sister and his village and he had to manage the situation that way in order to survive. azula was essentially the golden child, where sokka grew up thinking he was disposable and that he had to work to prove his worth. obviously, azula lived under the threat of what would happen if she were to ever dare and not be perfect on every level, but one thing is preserving your place and another different thing is being always unable to reach that place at all. while suffering is not indicative of neither morality or intelligence, this difference between their upbringings visibly affected the way their respective minds work – see above. and i do believe a decent sense of morality (which sokka doesn’t excell at but is definitely going better than azula) is a fundamental part of intelligence.

sokka lacks a lot of the pride that azula cannot let go for the life of her. sokka is immediately willing to learn from suki after being proven wrong, not only demonstrating his humility but his adaptiveness, versalitiy, and open mind as well. azula’s pride limits her to appreciate other people’s skills but never be willing to learn from them, as she sees herself as superior and unbeatable, which is why, when she’s beaten by sokka and ty lee and katara, it breaks her. when sokka is beaten, he learns from it. probably lowers his self-esteem to an incredible degree, yes, but sokka learns. because he allows himself to accept help and guidance from other people who know better than him (suki), or people who might have more experience than him on the matter (zuko). being willing to learn ties directly with being smart.

and this is not to mention, sokka is pretty much the textual definition of genius. he is less traditionally dignified than azula at first sight, but one of the show’s core themes is the deconstruction of the concept of dignity (among other interesting concepts), and he is put in a much more familiar, less threatening and intimidating light than azula (bc azula is. a villain). looking at his actions only, sokka has;

spent three entire books being the leader of the gaang on his sense of responsibility, caution and reason alone; helped the invention of several devices relevant in the story; fabricated an invasion strategy that was pretty much perfect and would’ve worked and ended a hundred year war, had not king kuei opened his lousy bitch mouth, based on information he stole from an elitist spirt. there are also several implications of sokka being a mathematics and physics prodigy (that scene where he tells jet sticking a knife to a tree amplifies vibrations, when he had literally hadn’t seen trees ever in his life until like 2 months ago; where he killed combustion man without even seeing his exact position but rather calculating the distance the explosions were coming from, and the angle for the path his boomerang would have to follow in order to hit that point).

sokka is disperse, expressive, neurotic, makes self-aware jokes to cope with his mortality & the weight of his entire existence, and is, why deny it, quite goofy. qualities which are well known to be associated with highly intelligent people. these are mostly fun little stuff rather than “evidence” but it’s still relevant imo.

so in conclusion. azula is good, but her smartest moments are fundamentally manipulation and violence, often coming from a sense of pride and privilege. sokka is inherently smart, there’s no doubt of that, but his humility and his will are always actively working to expand said intelligence. the brain is like a muscle, as they say.

and here’s the most telling thing; azula is fooled, constantly, by ty lee. ty lee lies to her face in practically every conversation they have; ty lee puts on a mask of a naïve, blindly loyal follower and friend, laughs at azula’s bad jokes, cries to make her feel bad, betrays her the minute she turns against someone she doesn’t have to pretend around – mai. ty lee is definitely smarter than azula, she just doesn’t brag about it the way azula would (and does) because it would be the end of her. just saying, ty lee’s move at the boiling rock was not out of the blue (unlike mai’s, lol, adrenaline-high queen), and azula was simply never going to see that one coming, but well. maybe she should have!!!!

[potatotrash0]

Oh? You've been into Childhood alternative universes lately?*slides Mastermind Nagito file back and pulls seperate piece of paper out* Let's work with that. *sits in the worn down swivel chair that I imagine myself keeping in this hellscape of a fictional office* Now :).

Hinata and Nagito first met when they were six. Nagito was still sick at this time, so his parents were taking him to a doctor in a different country in hopes of being able to treat him. Nagito was sitting on a street corner waiting as some of the servants packed up the car for their plane trip, when he notices a little boy with the greenest eyes and the oddest cowlick crying on the other side of the street. When he goes up to the child to ask what's wrong, he sees the big scrape on his knee, and the busted skateboard lying next to him. Nagito offers a hand to him. "Komaeda Nagito. Need some help?" He says with a smile that wasn't yet tainted with anxiety and despair. The kid crying grabs the hand, still bursting at the seams with his tears, and manages to say "H-hinata Hajime." in a shaky voice. When Hajime's taken inside for a glass of water and bandages, and is able to talk in a less shaky voice, they make a fond promise to hang out when Nagito gets back.

When Nagito gets back from the "trip", Hajime is in absolute shock. This sweet kid who helped him without hesitation had to deal with all this... terrible luck. Hajime does his best to look up ways to feel better, gets a bucket of a water and a handful of chocolates ( drinking water can help stop crying and chocolate can give ranged waves of dopamine [if I remember right]- Hajime doesn't know what dopamine means but it was on a site to help sadness and shit and he's just doin his best), and heads to Nagito's house. He's allowed in, and when he eventually finds Nagito curled up in the corner of his room, he stupidly drops the bucket and chocolates in front of him with a grin. Nagito responds by crawling over to him and crying on his shoulder for seemingly hours, and Hajime lets him.

Nagito was glad he had someone who wouldn't judge him for his "good luck" now.

( afterwards, Nagito says that it was alright, that he heard the servants talking about how it was good luck, since he inherited a large estate, and Hajime says he heard his parents say the same thing, and they both agree that it must have been good luck, since everyone else said so, despite the countless bruises and tears that it caused. Neither of them realize that their views on luck were permanently obscured since then.)

They grow closer after that, and don't seperate once, not as they grow older, not as life beats Nagito inwards which each traumatic event and curls into his beliefs of hope, despair, and talent, not as Hajime realizes he can't save Nagito from himself. Which each day, they grow closer and closer to the hip, practically seamed to each other.

That is, until Hope's Peak academy came into the picture. Nagito and Hajime immediately jumped for whatever chance they had to get in (both reasons are personal, but more tied to the character- Nagito still desires to be amongst the greatest, while Hajime still desires to be remembered [mostly by Nagito, though he doesn't entirely realize that's why].), but when they're still separated by the two courses, that's ywhere the problem lies. You see, Nagito is still an insensitive dumbfuck that doesn't realize how his words affect other people, and when he keeps actively degrading the reserve course students even in front of Hajime, it takes a toll. Hajime starts believing that Nagito hates him because of his status as a reserve course student now, and between the pressure of all the bullshit that happens to him because of his status and now this bs drama, he's willing to pay a price for his affection once again. A price that'll be much too permanent for either's liking.

This is where I add the Kamakura project in. I'm sorry for this upcoming angst shit but I always find my way back here.

When Hajime is presented the Kamakura project, he thinks about being able to join Nagito in the talent course and that Nagito won't be hate him for it anymore. He thinks of Nagito showering him with hugs and praise for finally being able to join him and his classmates. He thinks of the joy it'll bring to Nagito and his parents- but mostly Nagito. He thinks of Nagito, Nagito, Nagito as he signs his name. He didn't think he'd be shoved into a pod. He didn't think he wouldn't be able to see Nagito ever again. As he dies, he thinks about the little boy who offered his hand to him when his other friends left. Nagito, Nagito, Nagito. Izuru is born thinking of this boy, and it sticks. Nagito, Nagito, Nagito. He doesn't stop thinking of him, even when Enoshima and Ikusaba appeared with their proposition of despair (a part of him told him to not do it, let Nagito keep his hope, this man he couldn't remember), even when Chiaki dies in front of him (he feels... guilty, about her death, but not exactly sorrow. he wonders if he'd feel this way if the sheep man died.).

Nagito realizes who Izuru was when he turned around to aim at him. He saw the cold, dead eyes of this man, and for a moment he saw the boy who remembered him and brought him water and chocolate to help him feel better. The one person Nagito thought couldn't be affected by his luck was gone now. This was how Nagito fell into despair.

They generally stayed together for most of the apocalypse, still attached to the hip, although it was... different now. There were no more subconscious handholding moments as they traveled through the streets. There was no more trying to stop Servant from berating himself. There was no more helping Hinata's injuries. No more ice cream "dates". No more... love, in their presence.

Izuru tells Servant about his plan as they sit together on the boat to Jabberwock. Servant is sitting in the other's lap, stroking their hair as they speak. He responds with expressing his excitement, and Izuru feels a wave of guilt wash over him, though he drowns it out immediately.

Hajime wakes up to see his best friend standing over him. "Hey, Hajime, are you alright?" Nagito says, with a smile tainted with fear and despair as he offers his hand to help him up. Hajime briefly feels a sense of Deja vu, and grabs the offered hand.

(I keep making these too long dkckakkflakfkalfk f u c k)

sobs.........every time you get to the kamukura project i just brace myself bc it hurts like hell 100% of the time without fail......but ahhhhhhh i love this.......

for a moment i thought this was gonna be childhood friends and mastermind komaeda and i nearly had a heart attack?? mmm i’m still buzzing with the ideas but i’ll put it under the cut

just like. hajime finding comfort in having at least one person to rely on in this bizarre situation. komaeda really does ground him, he realizes, but that stability seems to crumble beneath him during that first trial. watching nagito, someone he thought he knew so well, reveal that he had been the one behind this elaborate plan to get himself or someone else killed? there’s no way hajime could okay after that, no way he could look at him the same way.

and he doesn’t, but he doesn’t look at him completely differently either. this komaeda, someone who’s unstable and actively looks forward to the next murder, is still komaeda. he’s still the same guy who goes through whole novels like they’re picture books, who pokes at his food at meal times and has to be nagged at to eat. he’s still nagito. and even if he wanted to, hajime couldn’t find it in himself to just ditch the guy he grew up with for all those years.

so, he reaches out again. gets to know his childhood friend for a second time, relearning his beliefs, his likes, his dislikes. even discovers some things he never noticed before. in a way, they were driven apart, but also brought back together again.

and that’s part of the reason it’s such a shock to see komaeda in monokuma’s place during that last trial, grinning down at them. he looks and sounds like nagito, but he couldn’t be him. someone who put them through all this couldn’t be that same boy who helped him when he fell off his skateboard all those years ago......right?

all of this information, from the world being a simulation to his childhood friend being the one to basically kill all of their classmates, it all throws him off. not to mention that he might not even exist outside of this program. choosing between staying with someone who betrayed him twice over or disappearing entirely........can he even make a decision like that?

[bigskydreaming]

Thinking about Kings of the Sky and Jason's titans. Kid Devil, Beast Boy, and Danny Chase are shoo ins. Who else? Arisia Rrab would fit. Sprout? (Damn a lot of options are sexually controversial.)

LOL actually I do have the full, extended lineup of Jason's Titans in that AU all figured out: 

Here's the initial post explaining the background of my fave Jason ship, JasonTom, and possible choices for Jason's teammates and my reasons for each. 

And here's the post laying out the finalized list of Jason's lineup of Titans and who each one's respective mentor from Dick's lineup is.

Beast Boy is solidly a member of Dick's lineup because this AU only diverges from canon around the point where the Garzonas case happened, and despite being younger than a lot of the others, Gar was still well established as one of Dick's Titans by then. And tbh, Vic and Gar are one of my fave dynamics and I can't imagine not writing them as BFFs forever, which just works better with them in the same age range. One of my biggest RAGE, I RAGE, DC! changes to the New 52 was them aging down Gar and Raven, because I just love their friendships among the NTT so much and just look at that choice and get stuck on a loop of going yup, that was a choice that happened alright, but WHY was it a choice and does it HAVE to be a choice? Let's make it not a choice that happened. 

Danny Chase floats in a kinda in between state between Dick and Jason's lineups, due to his age and established dynamics with the characters present here. This goes AU well before Titans Hunt so Danny, Joey, Arella et al don't die as they did there, so he never becomes Phantasm, so he's kinda the slightly older, more experienced confidante to Jason's generation of Titans and is like lol yeah fuck the older Titans, I heavily endorse you doing anything and everything that will make them groan in exasperation, particularly Dick.

Kid Devil I didn't make part of the lineup because I most primarily associate him with being part of Tim's lineup of Titans during the year of Countdown/52, and okay that's also clearly a total cop out since I made Amy one of Jason's lineup and she was literally a traitor on that same lineup of Tim's so what is the truth, me, hmm?? 

Okay, lol lbr, the reason I didn't include Eddie was total pettiness/personal reasons. I just kinda have a.....grudge, I guess you could say, against his character for the way his 100% offscreen friendship with Jason is hyped by a lot of Jason's fans while they actively ignore the ON the page moments we got between Dick and Jason back then, where Dick actively tried to build a relationship with Jason, and they just default to being like "no. Dick hated Jason. Is canon. No shut up it totally is." 

And then two seconds later its like okay and now let's talk about Jason and Eddie's epic friendship which consists of two whole pages referencing them being pen pals and teaming up one time pre-Crisis (which again, was where Dick and Jason's brotherly relationship truly lived and we saw tons of at the exact same time, so its like okay so Eddie and Jason, still BFFs forever because of a couple pages, but Dick and Jason, mortal enemies because Dickhead was an asswipe to Jason all those times we didn't actually see because he wasn't actually an asswipe. Got it!)

LOL so the point is, that discrepancy, let's call it, just annoys me on principle. When its like, painfully obvious that almost an entire fandom's view of Dick and Jason's dynamic is contrived and literally just a choice Big Name Fans with a large influence over what new fans do and don't know, like, made a long time ago, and people just decided that oh okay, we can hype the hell out of two pages of bonding with a character most people don't even know exists while ignoring multiple repeated displays of genuine sibling affection between brothers just because we don't like that narrative and prefer Jason be misunderstood and resented by his brother for Reasons, I'm just like.....mmm, don't love that. 

As you can see, it gets me easily worked up into a tizzy, lmao, and while I don't MIND being in a tizzy while posting meta thoughts all tizzily, I prefer not to WRITE write while in a state of being tizzified, and so I just decided to swerve around making Eddie a Titan here and putting a lot of focus on his and Jason's friendship, since I don't trust myself to be objective and nonpetty about writing it. I'm just like...eh, I don't want to write them, and I know and understand why I'm making that choice, so I'm fine with it. *Shrugs* 

(Which is basically what I actually always argue for people to do more of so I try to take my own advice. Like, I truly don't think anyone should HAVE to write characters they aren't thrilled about, lol, like why would they, but I just believe its better to just be fucking honest about the why of it and own it, even if just to yourself, so that it doesn't leak into the actual writing in the form of like, resentment that you feel you HAVE to write someone you don't actually want to invest page time and effort into.)

So for the record, Eddie and Jason ARE still friends in this, they do still have that penpal relationship, just modernized, and I didn't do away with that or anything, I just keep it mostly just referenced and happening off the page while on page I focus on the lineup I outlined above and the friendships I develop there.

Arisia and Sprout just didn't come up when picking my lineup because I'm not as familiar with their characters and at this point there's already so many characters even peripherally in the mix that its unlikely I'll throw them in, but eh, you never know. Most of the people I did pick though are like, C and D list faves that I always thought had mega untapped potential DC remains committed to untapping, because I can delve the hell into characters like that, with all the gusto. 

So yeah. That's the What and the Why of all that story direction!

[voxofthevoid]

Taking It Up The Ass Isn’t Character Growth - A Rant

So, in response to an ask a while back, I said I had a rant brewing on fandom and sex positions, and well, a lot of you wanted to see it, so here you go. You literally asked for it.

Disclaimer: This is going to talk a lot about top/bottom roles in slash fic and fandom attitude towards them and is heavily filtered through the lens of my own tastes and experiences with fandom. I’d also like to be upfront that I am 100% in favor of people writing whatever fictional content they want, and it’s not what fandom does with characters that bothers me but rather how that translates into attitudes towards real, live people. Also, this is the essay version of a slow burn AU because I regurgitate my entire fandom history before getting to the point. Beware.

I discovered fan-fiction around a decade ago, had no clue what the hell it was, got hooked and dived deeper. I started participating in fandom circa 2013, and I was fairly young and also completely inexperienced both sexually and romantically. The fandom in question was Hannibal and my ship of choice was Hannibal/Will. It was/is a very chill fandom in general, but we had our drama. And chief among the contentious topics was—you guessed it—the top/bottom debate. I can’t actually remember any other topic that was discussed and argued for so ardently in that fandom, at least in those days. Even after I drifted away, I came across a few posts on the matter.

Generally, you had two camps—people who supported strict roles and those who were in favor of switching*. And because we’re a society plagued by illogical assumptions, the strict role camp mostly had people who thought Mr. Big Bad Cannibal in the Fancy Suits wouldn’t take it up the ass because he’s older, more experienced, more mentally stable, and of course, more ‘dominant’ in personality. Yes, that sentence is chock full of problematic shit. I am aware. Lots of people were aware and argued strongly against attributing top/bottom roles to personality. I don’t remember anyone arguing as enthusiastically for Top Will, but those voices were also there. But the general idea was that assigning strict top/bottom roles to a male/male couple was casting them in a heterosexual mold and thus, the progressive option was to make them switch. Strict roles also garnered comparisons to “yaoi” and uke/seme stereotypes, which was of course bad and fetishizing and we, the Western media fans, of course had to do better. Stealth racism is fun to untangle.

Anyway, I lapped up the woke juice. Partly because I was a baby queer from Buttfuck Nowhere, Asia, who had zero exposure to LGBT+ communities and what queer folks did with each other. Partly because it was the stance taken by most of my favorite writers so it seemed like a good position to emulate.

Emulate it I did. Most discussions I had about this happened in private with the handful of close friends I had in fandom. Where it really showed was in my writing. I made sure to write switching—maybe not in every fic, but then I alternated between fics. Thing is though, I did have a preference. I liked Top Will. I created and consumed a ton of Top Hannibal, and sometimes it was okay, sometimes it was not, but I couldn’t pinpoint why it made me uncomfortable. Back then, I thought I was a cis questioning/bi girl and once again, the impression I got was that not being MLM, having a preference was automatic fetishization. So I tried my best to justify my preferences, to my friends at least. I think what I said was that fandom was skewed towards Top Hannibal, and I liked the opposite because I’m a contrary fuck. Which I am, to be fair, but this was just me desperately trying to figure shit out without being offensive.

That’s the line I touted all the way until 2018, which was when I fucked off to grad school in A City, finally freed of Buttfuck Nowhere and able to actually date. At this point, I was settled in my sexuality (girls only) and questioning my gender (non-binary or trans guy). I had also tentatively figured out during undergrad that I’m an exclusive top and a Dom. Actual attempts at dating cemented that, yes, those are my preferences, about as flexible as a steel rod. Cue motherfucking epiphany over my fanfic tastes.

And see, over these years, I was engaging intermittently with fandom. I dutifully wrote switch couples. I also continued to have rigid tastes and continued to explain it away as being a contrary fuck—to be fair, until Steve/Bucky, my preference did seem to be the opposite of the larger fandom preference. But correlation, as we know, isn’t causation. Until Steve/Bucky, I continued to write versatile couples because I honestly didn’t have the guts to just say I liked it just one way. I do now but even then, I feel compelled to add that it’s because I want to see my own taste reflected in fic, so I write/read the character I relate to as a top, it's not that deep etc. Would I be as forthright if I didn’t have that reason? Would I have such strict preferences in fic if I didn’t have strict preferences IRL? The latter’s a mystery, but the former isn’t—I wouldn’t be because fandom is still entrenched in the same ideas that got me to this point to begin with.

In every fandom I’ve been in, I’ve seen some version of this debate go around. Sometimes, it’s one party saying “why would you write Character X as a bottom, he’s so Reason A” and a reblog chain that insults the OP and/or extols the virtues of switching. Sometimes, it’s a general-ish message that says they don’t understand why people have strict preferences when we all know real gay couples switch. Sometimes, it’s blanket statements that accuse anyone with preferences of fetishizing. Sometimes, it’s the same reasoning that gets you “Character Y is a top because of Reason B” transposed on versatile couples except this takes the form of “they switch because they’re equals.”

Ya’ll, I’m fucking tired.

I have long since lost count of the number of stories I’ve seen where an exclusive top learning bottom and liking it is character growth. Where a character who prefers to bottom taking a turn on top is empowering.

Isolated, these are fine. But I’ve seen enough of such stories that it’s distinctly discomfiting and a major squick. Sometimes a trigger, if I'm too immersed in the story. I’m not going to try and burn an author at the stake because they pissed me off. I am just going to close that window and quietly handle my shit. People can write whatever they want. But this one theme hits too close to home, as you can see from this 1.6k rant.

My friend (also my ex-girlfriend) and I had an all-out bitching session about this the other day. Both of us are kinky fuckers who have rigid, complementary roles we prefer and we have both had our grueling days of struggling to reconcile our sexual tastes with our ideologies precisely because of how these things are frowned upon in conservative and progressive circles. Seeing that in fandom, of all places, is both insulting and exhausting. Topping and bottoming aren’t personality traits. Neither is D/s. It’s sexual preference and power play. It really does not have to be that deep. I am not exorcising childhood trauma using the bodies of women. My partners, former and current, have not been brainwashed by the patriarchy. We will not become better, more complete individuals once I magically stop being a stone top and my partners embrace the joys of a strap-on.

I have, with my own two eyes, seen someone say that in a really committed relationship, of course the couple will switch.

Bullshit.

It’s transparent bullshit. This does not get attributed to cisgender M/F couples. Even when the automatic assumptions of woman = bottom and man = top get addressed, switching isn't presented as the default. No one’s saying “oh, if you really love your husband, you’ll peg him”. I do know butch/femme sapphic couples get their own share of shit. Because it’s all heteronormativity, right? Can’t have any other reason for top/bottom roles.

You have two extremes with “so who’s the woman” on one end and “it’s woke only if they switch” on the other, and as far as I’m concerned, they’re equally damaging. There shouldn’t be a pressure, however subtle, to conform your taste in fiction to some arbitrary idea of progressiveness. People are going to like whatever they want anyway; all this does is create an atmosphere where those likes can’t always be freely expressed without a lot of mental gymnastics. We’re seeing so many versions of this in the pushback against so-called problematic content, but smaller, subtler versions exist too.

Fictional characters aren’t real. They can be whatever you want them to be. And yes, other people will often want them to be the exact opposite of your ideas, but that’s just how things work. Meanwhile, the people behind these usernames? They’re real. No one should be throwing real people under the bus to ‘protect’ characters that don’t exist. Hannibal Lecter doesn’t care whether he gets fucked or dismembered in Author B’s fanfiction, but the discourse that surrounds the dick up his ass? That does affect flesh and blood people.

I am not claiming that this is the only attitude in fandom. Middlegrounds do exist. Plenty of people abide by fic and let fic and there are folks who pipe up to say not every RL queer couple switches. But it’s often the extremes that reach most people. That was certainly my experience, and I’m not the only one.

I don’t really know how to end this post. It is 100% a rant and one that’s been building up for a while. Bottom line is that people’s sexual behavior varies wildly and whenever you attack sexual tastes in fanfic by saying it’s unrealistic - or worse because let’s be real, that’s a very tame word choice - please remember that there’s likely someone out there who practices it.

* I’m using switch and versatile synonymously in this post. It’s mostly concerned with top/bottom debates. A lot of what I’m saying is also echoed in portrayals of and discussions surrounding D/s dynamics, but I’m not addressing that as much for now.  

[your-turn-to-role]

hi okay i hate sending asks to people without knowing them but you seem kind so im trying: during the break, i’ve been working my way through VM, and i’m at episode 75. my question, because i’ve read some of your more recent meta, is “what’s Percy’s deal?” i know he’s loved by the fandom, but i can’t find myself relating to him, and i find his assertions that he’s the only one with a plan offputting. is there more context you can give to me about percy’s character that explains his motivations?

aww, thank you!

(and yeah, asks like this are totally fine, i totally get that anxiety, good job on sending this!)

i mean, first off, you don't have to like a character everyone else does? if you don't relate to percy you can just, not relate to percy, that's fine

(and to be fair, as much as i love him as a character, i would not want him as a friend, because he's a very flawed person that has a lot to work on, but in fiction those traits are interesting to watch rather than difficult to deal with)

but, percy's deal! the short answer is people generally like him because taliesin's funny and charismatic and he does morally grey right, which is rare and a fun thing to explore (also in his relationships with other people, the entire vex-vax-percy-keyleth square is full of neat parallels and opposites and interesting things and i have whole essays in my head on all six combos there)

i don’t know which posts you’ve read so i’ll link this one here too, just to cover a couple more of the generally unnoticed aspects of his character, and things i like about percy

he’s also far from perfect, as you’ve noted, he does tend to believe he’s the smartest person in any given room, because he’s young and clever and used to being that, which you’re allowed to find off putting, but i will say i find he does that less than a lot of characters of his general archetype? he listens to pike, he listens to keyleth, he listens to vex, he respects when they have more knowledge than him on a particular subject, he’s not above asking for help. and generally most of the arguments he has with keyleth on that subject aren’t him asserting he knows more than her, but more a matter of principles and values (they’re a really interesting pair that way, they have similar backgrounds, both children of royalty running away from the crown, but they’re such opposites. percy is a natural leader who would rather anyone rule than him, keyleth fumbles her way through all of it but sticks to it because she doesn’t want to let anyone down, percy is a pragmatist, keyleth is an idealist, they both are too focused on the big picture but in two completely different ways, i could write a whole other post on this, but to get to my point, they wouldn’t be such good balances for each other if percy didn’t absolutely respect where keyleth is coming from)

for the long answer, i’m gonna break this down into parts and try to get to the core of percy's character and why he is the way he is

(under the cut bc this gets long)

1 - heavy trauma

like... this is the really really big one. percy, at age 17 or 18, had his entire life up to that point completely destroyed. his family was killed, his friends were killed, people he trusted like family (professor anders, who was a more present figure in percy's life than his actual parents) betrayed him and helped the briarwoods, he was imprisoned in his own castle's dungeons and tortured for information, they threw his siblings' bodies in there with him to make a point, cassandra helped him escape but as far as he knew she died helping him. he has two years of his life after that he straight up doesn't remember, his hair turned white from the stress of it. 

trying to go after ripley the first time didn't work, he was captured and left to starve in a prison cell, for the first few months of travelling with vox machina he genuinely believed it wasn't real, because realistically no one was gonna come save him, this was just a hallucination of his dying mind. returning to whitestone he was forced to confront the fact that literally everyone he ever knew growing up (with the sole exception of archibald) was either dead or working with the briarwoods, and even after retaking the city there's a lot that can never be repaired. 

and he's just... never really dealt with any of this? like, he gave vox machina the technical details of what happened to him in the briarwood arc, because they needed to know that information, but the first time he actually started processing his trauma, the first time he admits it out loud to anyone, is the final episode of campaign one. before then it had been occasional snide or handwavey comments, and like, he'll let himself feel the anger over it (in the beginning of the story he encouraged it, because then he didn't have to feel anything else), but he's never processed the grief, never admitted to himself how badly that affected him

which means he's got a lot of pent up emotions in there that he just keeps burying, and sometimes they come out in unhealthy ways. having so much taken from him also makes him really motivated to keep the things he does have - he’s got some deep set abandonment issues and takes any kind of betrayal really badly, don’t know if you’ve got up to the scanlan stuff by the time i post this, but that’s something to keep in mind as to why he acts the way he does there. (and it’s not more explicit because percy was raised nobility, keeping a brave face through anything is part of who he is, he tends to cover emotions he’s insecure about in snark or indifference or, for the intense ones, anger, because those are the things he thinks he’s allowed to show, but the real emotions show up occasionally, when they’re particularly strong, or if you’re reading between the lines. he really does care a lot about vox machina)

2 - legacy and loyalty. 

speaking of nobility, it's hard to do a character study on percy without mentioning whitestone and the house of de rolo. this is the number one thing to percy. he was raised to respect title and name, and most importantly, raised to respect the people he represents - both the townsfolk of whitestone and also percy's ancestors and future de rolo generations. whitestone is more important than any one life, he has a duty to protect and serve it, and that comes before any personal wants he may have. it's also important to him for family reasons - he was a pretty lonely child, but he loved reading about the history of the city, all the weird ghost stories whitestone had even before the briarwoods. it probably made him feel more connected to all of that, this is the place he belongs. and after his family dies, it becomes even more important, because this is his connection to them. the soul of a city lives as long as its people, by protecting what's left, he keeps a little bit of what came before

(and also in just tidbits to understand percy's character, he sees all cities and man-made things the same way - in a world where some races live for centuries or millennia, their history exists mostly by word of mouth, you can physically talk to people who were around 500 years ago and get their take on things - humans don't have that, they get 100 years at most, so the things they build are vital to their heritage. this is how you keep people alive long after they're gone, by honouring what they created. and especially for someone so concerned with legacy and history, percy literally says abandoning westruun would be blasphemy, because the place people grew up is important, yes it's better that they live, but letting the city be abandoned and destroyed would be an irreparable act of violence.) 

this is the number one thing on percy's mind when evaluating anything about himself, where do i come from, and what do i leave behind? which is a question that has a lot of moments to be tested, because of my next point...

3 - pragmatism and terrible thoughts

when it comes down to it, percy is a very ends justify the means kind of person. he finds it very easy to square away any kind of collateral damage as long as it gets him to his end goal. see: trial of the take, where he's fine to catch his friends in the blast radius of a new bomb design because he's so excited that it worked, preparing to fight vorugal and resigning himself to potentially having to kill innocent people to kill the dragon (he wasn’t okay with that, but he would do it), also his conscious decision to let ripley go, knowing she would lead to the deaths of thousands because it was her or the briarwoods and he wanted revenge 

(this is by his own admission his lowest point and worst mistake, because as mentioned, he thinks about the consequences of his actions near constantly, he knew she would reproduce his guns and they would lead to a whole new form of warfare. but in that moment he was just blinded by grief and way too emotionally burnt out and did not have the capacity to care. and he spends the rest of the campaign and honestly probably the rest of his life trying to make up for that one)

he's also, by his own admission, someone who has a lot of bad thoughts he doesn't act on, he's very clever and creative and ideas for ways to use those skills for violence or vengeance come easily to him (like, percy as an actual villain would be ripley but worse, ripley's intelligent but a very direct point a to point b kind of thinker, percy has multiple times criticised her lack of imagination, a percy with her lack of morals would be terrifying)

(honestly this is why i was seeing percy so much in taliesin's narrative telephone, because "sometimes i wake up having dreamed of a terrible thing, and normally i just file that away for things that i would never do, because i wanna maintain friendships, but then LIAM did something to me." and the whole being absolutely fine with throwing the rest of the cast under the bus just to enact revenge on liam was quintessential percy)

but we’ve seen the pragmatic anti hero everywhere, anyone can be a terrible person, and have reasons for it, that alone doesn’t make an interesting character (at least not for me)

what does, is my last point

4 - trying to be good

i still vividly remember when i first watched campaign one, being really surprised at how much percy asked for help? like, i went in expecting the usual full on demon possession storyline, i expected percy to hide how bad it was, i expected him to make poor decisions without realising he was doing it until he was in too deep to back out

and like, he had some of that. but at the first sign of things being out of his control, he asked his friends for help. he let pike greater restoration him. he told vax to kill him if things ever got too out of hand. he was really, genuinely scared about what he got himself into and what he might do because of it. there was never a point where he pretended, even to himself, that making a deal with orthax was okay. the minute he realised there was a demon involved, he was working to stop it. and yeah, by the time he realised it was already a bit too late, there were already some things out of his control (and also taliesin kept having the worst rolls against the whitestone corruption which was really fun on a meta level), which is how things got as bad as they did. but honestly, all things considered, there’s very little to criticise about the way percy handled himself in the briarwood arc. 

and he keeps doing that, trying to get better. he struggles with it, he struggles a lot, against his anger issues, against all the trauma, against the fact that he really doesn’t want to be here and things would be so much easier if he were dead. but he recognises he holds grudges too easily, so he starts actively trying to forgive those who’ve wronged him (this is something he and vex have in common, and something they were working on together before they were together, which probably helped a lot in getting them to that point as well). he recognises he makes poor decisions when he’s angry, so he starts learning to step back in those moments and leave the decisions to someone else. he has never not owned up to his mistakes, he takes responsibility for everything he’s done, and if he notices a problem he can’t solve himself, he asks for help.

and i find that fun to explore. like, percy’s been likened to hamlet in the actual show, and i was the kid who got super obsessed with hamlet when i was like 15 because i was in that same mental space of suicidal self hatred and existential melancholy but also thinking i was the smartest person in any given room and being too young to have gotten over the arrogance that makes you ignore everyone else’s needs for the sake of indulging your own problems. and then i got older and realised there are smarter ways to go about things, like having empathy and appreciating the light in the world and not being a dickhead to people because it makes you feel better, and maybe hamlet can be justified and in the wrong at the same time. and while there’s some stuff i won’t spoil for you, percy after ripley kills him is definitely starting to learn that, which you rarely see in the hamlet archetype, bc everyone’s like “ah yes so Deep so Important who cares what bad things this person did they had Trauma and are Clever”

well, percy cares about the bad things he did, and cares about not doing those anymore. so like, he’s still a disaster of a person bc he’s like 23 and no one has their life together at 23, especially not someone in percy’s situation, and honestly i find that fun to watch as well bc i like watching characters make stupid mistakes and do stuff i’d never approve of in real life, and as i mentioned at the start, taliesin makes captivating and funny characters. but yeah, that’s generally where percy’s at, most of the time

[soyouareandrewdobson]

Alex ze Pirate Mini Review 4: The EED: Emotional Exposition Dump. Or why THIS is not friendship

So here we are. The last part of this 45 page three parter, meant to be about what Sam really means to the crew. And what have we seen so far in the previous parts? That Sam is not just their underappreciated, but downright exploited slave (yeah, did you know that in ancient Greece slaves supposedly had more rights than Sam in this one? At least they could buy out their freedom one day), that Dobson has no idea how to genuinely pace a story, turning what could have been a decent 100 page story if planned out and presented with more care into a 45 page short snore fest and that Hat Andy’s idea for jokes are either based on abusing token buttmonkeys, turning annoying memes into even more unfunny jokes or making dark comedy with dead orphans.

At least when South Park makes jokes about children dying, they are appropriate in that dark setting and the death is still in some way handled or refered to as a horrific event. In Dobson’s case however, it just leaves a bad taste in everyone’s mouth.

Sorry, I just can’t get over the orphanage thing. If Dobson wanted the reason for Sam leaving be that he finds out someone he cared about from his old life is dead, that is one thing. But did this asshole have to destroy an entire building with countless victims to do it? Couldn’t he just have one person die and the rest be still at that place? Honestly, I think it would have been funnier and more meaningful emotionally, if Alex and Co actually interacted with people from Sam’s past and in doing so learn more about him as a person, by genuinely visiting a still standing orphanage. Give the comic some meat on the bones and in doing so actually create the impression this comic is truly about Sam and not just about characters doing random stuff in relation to finding him. Instead Dobson goes for a literal overkill, which he then does not even treat as a tragedy but as a joke.

Dobson, THIS is a better and more dignified joke about orphans than the shit you did.

You got outclassed by Chuck Lorree of all people on this planet, you disgrace of a storyteller. A storyteller who can’t even keep his own barely existing continuity in the Alex-verse straight, now that I think of it. After all, according to Legends, the orphanage was closed and all the orphans were sold out to others, with Sam being the last of the litter

Which again is just unintentionally more horrific than Dobson likely intented. But you know, dumb people don’t know when they do dumb shit.

But I digress Let us just get into the last part. In which we finally see the “emotional” pay off of everything that happened so far.

 Spoilers, this is my reaction to that pay off.

And here is what everything led up to now.

 Sam ran away, because he wants to say his final farewell to his sister figure, we never knew about at all and about whom we do not learn one single thing really.

 Where do I begin with how this revelation fails?

Let’s start with the fact that this in execution does not have the emotional impact that was intended. And why is that? Because Dobson doesn’t bother to actually introduce us to the sister as a character.

If I may digress a bit to talk about One Piece here: In the manga, oftentimes Oda will “interrupt” an ongoing story arc to feature flashback chapters, through which he tells about past events referenced in the “present” chapters prior. Through those flashbacks he further gives meaning to why in present time the characters facing certain foes or having to win in their current situation, is so important, even on an emotional level. In short, those flashbacks are no interruptions, they are integral in giving those story arcs emotional weight.

Because now we are not just “told” why we should care about things and people, we have been shown why we should care. The old rule of “show, don’t tell” being followed on.

A good example from a more “recent” storyline I can think of, is through the flashback chapters of the Dress Rosa story arc, where we are not only being shown how De Flamingo took over the kingdom of Dress Rosa and brought pain and misery over its people for years to come, but also the past of characters such as the gladiator Rebecca and Mr. Soldier, her father figure that raised her up from the time she was 10 and De Flamingo took over… only for the flashbacks to also reveal properly how Mr Soldier is not just a father figure for her that took her in, but her biological father Kyros, who had been turned into a toy by one of De Flamingo’s henchmen via a power, that also took Rebecca’s memories of her dad away so she never identified the toy as her dad.

This way Oda achieves multiple things at once; Among other things, he establishes how evil De Flamingo is, how tragic Mr Soldier and Rebecca’s lives really are, adding to us the readers wanting to see them and Luffy beat De Flamingo into a pulp and it makes the later “present day” moment when Mr. Soldier and many other victims turn back to normal and Rebecca regains her memories and is reunited with her dad so much more sweeter. Cause now we care.

Truth be told, I myself believe that Oda is one of few storytellers on this planet, who truly has “mastered” the technique of emotional flashback storytelling.

A technique Dobson could have used in this part of the story, but didn’t. Cause honestly, the way he tells how Sam’s sister was “important” to our poor cabin boy is not emotionally engaging from a storytelling perspective. We are told she is important, but we learn genuinely nothing about her, not even what her name was and what she looked like except from that one picture in the locket from over 15 pages ago. Nothing about how “close” she and Sam truly were is revealed through showing, only telling and as such we don’t even begin to care for her relationship with Sam and how her loss is genuinely important to him. So the main goal of this story, to make us the readers feel something for Sam aside of pity for how he is treated by his supposed friends, has not been achieved.

 … Dobson, you are a hack. You can’t even use flashbacks, a basic technique in the realm of storytelling, to show us why we should “care” more, heck, even at all, about Sam and his loss.

If you just had adjusted a few things, you could have had something good here.

By adjustments I mean the following: Take the first page of this chapter as well as the first panel of the second page, and combine them into the final page of the previous chapter. In doing so creating a proper cliffhanger for part two. Then start chapter 3 of with a few pages (lets say 6 or so) showing young Sam and his sister interacting in the orphanage in doing so turning her from a nameless plotdevice into a genuine person to care about. And then use content of page 2 and 3 of this chapter, to elaborate on their relationship, potentially with small cuts always between present day Sam at the grave explaining himself and saying his farewells, with pictures of the past showing what they meant to each other.

 But nope. This very basic idea a fanfic writer now has come up with, a fanfic writer who never studied literature or took writing classes by the way, something I doubt you did at college the more I read your work, has never crossed your “superior” mind.

Also, I find Sam’s text on page 3 really, really backwards in a way. Like, I get that we are meant to consider it a good thing Sam is this way. You know, being genuinely selfless and wanting to make others happy. And don’t get me wrong, generosity and selflessness are virtues I hold in high regard. But the way Sam talks about how he just wanted her to be happy while sacrificing any fulfillment of basic needs for himself feels more like a pathological disorder in that case than something to reach for. In fact, psychology speaks from different forms of generosity and the thing Sam describes here is likely “compulsive giving” or “unrelenting generosity”, a pathological variant that can be highly toxic for all people affected by it.

Funny how Dobson, a person who wants to claim he is all for mental healthcare, is essentially “promoting” the positivity of a psychological disorder via Sam.

 Then again, this also feels more like Dobson putting words into Sam’s mouth (in a literal sense) to retroactively make Sam’s treatment look less horrid. Cause now Sam doesn’t just do all the work because he is ordered around, he deep down is “happy” doing all of the work and gain not even some basic respect in return, because he cares so deeply for his friends.

… I feel myself get livid again here.

And the next few pages don’t really help me “calm down”.

 Cause now the “justifications” just go on. The thing that is meant to be a heartfelt farewell turning into Sam “justifying” that hey, it must be good that he ended up with Alex and her crew. Cause after all, by being abducted years ago and being treated as a slave who in the ginger’s eyes is worth less than lint, he likely avoided dying of shitting his pants and a crushing roof. Ignoring the fact that he was going to be sold out anyway back then and would have potentially ended up with a more generous master than the crew of non Captain Syrup.

Also, just all of the shit going on in page 6. Sam asking his “sister” to be at peace, when likely, if the girl could still talk, she may even just ask Sam the following: Who the heck are you. Cause really, if you think about it, if Sam did all the nice things for her in secret, did the girl even realize she had a “big brother” figure to watch over her? Also, him saying he is happy and he is doing quite alright for himself?

All the pictures of him sighing and looking in misery in this story alone, plus the cavalry of strips I posted about how Sam is abused in the first part of this post series tells me another story.

Finally, Sam’s message “At least now, we are both free”? Sam, she is dead, likely having died in pain when a house crushed on her, weakened by a deadly disease and traumatized by other children around her dying of said disease. And you are stuck with a bunch of people that haven’t shown to care for you up until this story and the only reason they may even care for you now is out of “sympathy” because you lost your sister figure, not because they genuinely love and care for you as a person. As far as I am concerned, you would be better off being the slaveboy of some nymphomanic pirate princess in the world of Berserk than you are on this plane of existence.

And now that the “emotional” farewell is out of the way, Dobson can go back to focus on the characters he really cares about in this shit anyway: Little Bitch Annie, lesbian chocolate rain Miroku and Deadpool’s pubes.

 Oh Alex, you are such a rascal. You really make me want to shoot you with a crossbow, stab you in the eye, hurl you out a window and shove explosives where the sun won’t shine.

Yeah yeah, you are a pirate, but that doesn’t mean you need to be that awful as a person or even protagonist.

Christ. For someone who complains how toxic Walter White is to the point he believes “sympathizing” with the character turns you into a nazi, Dobson certainly is blind to how awful Alex really is, particularly as protagonist in a comic series intented for little kids. Compared to her, I can think of freaking slasher movie villains with more of a moral compass. Like say what you want about Jigsaw, at least he never victimized genuine children or teenagers.

And Talus, thanks for ruining the “emotional” moment Sam “earned” by pointing out how weird it is he kissed a gravestone. Also, I am glad I know what happens in the next pages or else I would assume Alex’s great idea includes to dig up his sister and turn her into a life sized doll for Sam to cuddle.

No, their ideas to assure he is emotionally save and to redeem themselves for years of taking him for granted/hurting him, is to throw him a surprise party.

… you know, I think you may be the only individuals in fiction, that Pinkie Pie would think do not deserve to throw a party or get one thrown for.

 But I guess Sam is just so nice, he even throws you a party for no apparent reason.

Either that or now that his “sister” is dead he will overcompensate even more and this is the next destructive stage of his compulsive generosity.

… Sam, I am sorry for your loss. But you need to get help. Once by the authorities who will hopefully get rid of Alex and then by some psychologist who helps you redefine your own self worth.

By the way, I find it funny that the banner he made also actually only mentions Talus, Atea and Captain Daphne with a bad hair day. It just confirms that Peggy either never bothered to join the others or that Dobson developed an early onset of dementia and totally forgot about the fact that the midget is a genuine character in this trainwrack. And I am convinced the later is the case, which really just makes me wonder how someone is able to do that. To forget a major character of the thing they create and want to turn into a money making franchise. Imagine if Disney did e.g. a sequel to Snow White and the Seven Dwarves, only to forget about the god damn dwarves themselves.

At least Talus finally realizes he is unworthy to get a party thrown or be Sam’s friends. Good. Now jump into a wood chipper and free ourselves from your existence you dog beaver thing.

Content of the next page in a just alternate universe… Alex: You are a better human being than I could ever be and this is all because my creator is a hack who does not know how to create genuinely likable personalities.

The reality:

 FUCK YOU, ALEX! FUCK YOU AND THE BIKE PUMP YOU FLEW IN ON! Atea and Talus have learnt more than you about what it means to be a friend and they don’t even bother to punch you in the face for still being the biggest red haired  raging cunt since Asuka from Neon Genesis Evangelion.

If this is how Dobson thinks “friends” should treat each other, it is no wonder he has a friendless background. Hey, Hat Andy, if you want to emulate manga, may I suggest you just become even more blatantly about it and simply copy paste One Piece? Cause Luffy at least knows how to be a friend. How much does he care for his friends, strangers and even at times former enemies of his?

He cares so much, that e.g. when a special military force that beat the crap out of him got hands on his crewmate Nico Robin, he did THIS:

He declared war on the world government. Fuck, even Jack Sparrow, who is an opportunistic jackass, in a movie where everyone stabs the others at least three times in the back, was less selffish than Alex, when he gave up his chance on immortality as Captain of the Flying Dutchman, just so Will would live in some form.

Metalbeard from the Lego Movie cared more about doing the right thing than anyone in Alex the pirate did. You created the worst friends and “heroes” I have ever seen in a webcomic since the entirety of sinfest. Congratulations for that accomplishment, Dobson. It really takes a special kind of anti-talent to show such level of not understanding the power of friendship as one of the most basic tropes in storytelling, to the point a show about pastel colored equines managed to profit of it for nine years.

 WOOOOO! We are the worst, we are the worst!

And look, Uncle Pennywise’s scrotum is back.

Anyway, here are the last two pages of this thing, to end on what is meant to be a whimsical note because Sam actually gets something from Alex that is not a beating or verbal abuse.

 Too bad anything that would feel heartwarming about this is drowned by a) me actually remembering all the shit Alex, the crew and the writer pull to get to this point (from abusive neglect of the characters to pathetic emotional manipulation on a narrative level) and b) the weird rapey face Uncle Peggy makes in the picture. Like Jesus, did Dobson try to emulate the Burger King here?

But hey, this story is over. And who knows, perhaps from this moment on, Sam will actually be treated better overall in the comic and Dobson will spend time actually developing an overall plot and the world of this com-

Tom Kenny: ONE COMIC STRIP LATER

And it is back to business as usual.

... How much would I need to pay for someone on the internet to write an alternate ending to the story where it turns out Sam actually poisoned the food at the party and while Alex is slowly dying, a now evil Sam who has finally broke under years of abuse, is going to become a genuine threatening pirat? that is after he villain monologues to Alex how much she sucks before scalping her?

Wow, I am entering a dark place right now. I think I need to take a break.

So I am going to give my final verdict on this story with the next post around the weekend most likely. Cause that is how much time I will now spend rereading One Piece and watching the Pirates of the Carribean movies in addition to playing the Pirates level of Kingdom Hearts 3, in order to forget this shit and remind myself why I think pirates are cool.

[cosplayinamerica]

COSPLAY THEME PAGE : ShareMyCosplay.com

Tell us about ShareMyCosplay, what was the genesis of the ShareMyCosplay? 

Share My Cosplay has gone through quite the journey to get to what you see today. I can still remember the day that I came up with the idea that would eventually lead to Share My Cosplay. I was eating lunch with a few friends at my day job. A friend of mine showed me a cosplay of Jessica Nigri as Pikachu, and because I worked in IT,  for some reason had an idea of doing a website related to cosplay. The actual website took a while to set up, but I started off slowly, with an initial launch on social media. We launched with Tumblr and Twitter, slowly building an audience. Then eventually a little bit later adding Facebook, and eventually much later introducing Instagram into the “family’. Eventually we added the website and have been going strong since then. We’ve of course made tons of adjustments over the years, and most recently started adding content on YouTube. It’s been a great ride so far, and hopefully it will continue.

What was your first experience with cosplay as well as the convention scene?

Like a lot of people who are into gaming and comic books, I was aware of cosplay, but didn’t really know much about it. It was only after looking into the idea of starting a site that I really got to know what goes on behind the scenes. It was meeting and talking to people in the scene that made me realize what an amazing community of people are involved. That is why I have continued the site for so long. As our social media following grew, I got to know more and more of the cosplayers, and was so happy I was able to use what I had created to help them gain more exposure. Share My Cosplay exists as a place where all cosplayers can have their work properly showcased.

As for conventions. While I live in the capital city of Canada, Ottawa is a relatively small city of one million people. Conventions have only really made it big in the last 5 years or so and before that were never a really big thing. I had travelled to other cities within Canada for some conventions, but those were mainly toy based conventions, so there would just be a handful of devoted cosplayers hanging out. It wasn’t until much later, when conventions started to take off, that our city got it’s own “Comic-con”. Then things exploded quickly. When our first Ottawa Comic-con launched, I was there day one, and the lineup was out of the building and wrapped around the whole building. I think it took a couple of hours to actually get into the convention floor. I could only assume it was similar to something like entering SDCC, but on a much smaller scale.

So while that has been a staple in our city for the last 10 years, I’ve also been traveling to Montreal Comic-con, which is a little bigger. Since there are maybe fewer conventions in Canada, people seem to come from great distances to show off the cosplays they had worked out. The dream has always been to try and get to SDCC, but that hasn’t happened yet. Travel is so expensive from Canada.

So for the short term I had set my sights on visiting NYCC, which is a “quick” drive from my area of Canada. However like all plans, they fell through. I had plans to go to NYCC and E3 in 2020, but of course those fell through because of what happened around the world. I miss conventions. One because they are such a great way to meet and interact with the cosplayers, and two, it’s one of the primary places we get content to share on our site and pages. So that has been lacking for us recently. Fingers crossed things will get back to normal soon.

How has cosplay changed over the years in your perspective?

Like everything you get to know, it evolves and grows over time. Being knee deep in cosplay all the time (my inbox once had 100+gb of cosplay submissions), I have certainly seen it change over the years. Obviously cosplays have become more elaborate in construction. Things like LEDs are so cheap now, I always find it amazing when people incorporate them into a costume. So the cosplay builds just get bigger and better every year. Also I find the resources on the internet have gotten better. Cosplayers are now able to find more detailed pictures of what they want to create, giving them a way better idea of what and how they will do it for a certain character.

Another thing that has changed, are the absolutely stunning Cosplay edits you’ll see on social media. So why the cosplay photographers have always been an integral part of the equation (we try hard to tag them when people include their details on submissions), the level that the editing on pictures has changed over the years is dramatic. You’ll often see the time-lapsed photo creations on Social, and they are just mesmerizing to watch. People put so much time into creating these worlds to help elevate the cosplay to the next level. That has certainly changed over the years. That being said, we still love regular shots of cosplay too, the amount of photographers that specialize in cosplay has jumped a lot too.

In general, it seems cosplay has evolved from a simple hobby where you could throw something together to wear to a weekend convention, to a full time gig where people spend months on at a time for each one of their creations.

How has ShareMyCosplay changed over the years?

In my eyes SMC has evolved greatly over the years. As the editor there have been two major changes, and I think it has improved the way we do things. The first thing would be, when we first started I used to go “collect” the cosplay that we shared. So I had to either go find it, or reach out to people. I spent a lot of time tracking down cosplay to share, that I personally thought was cool or very creative. As you can imagine this took a lot of time. So this has changed dramatically over the past 3 -  5 years. Now I’m happy to say that we are 99.9% based on submissions from users. So while there is less than 1% of content that we do go out and ask for, it is basically all based on what people send us to share. So that is why you see such a great variety of cosplay content on our pages. There is a downside to this in a way, as compared to some other pages out there that only feature certain types of cosplayers, some people enjoy that a bit more and those pages can have more of a following then we do. However we are really happy with the content we put out. 

Then the second big change, that has certainly led to better content for our pages, is the introduction of automation. When SMC first started, I had to do everything manually. Like I would be on Twitter or my phone doing everything live, and sharing items. It took up a lot of my time, and greatly affected my personal life. At times I think I must have been crazy, as this is a free service that we provide, and I was putting hours into each day. Now of course things have changed and the Social Media aspect of SMC is way easier to manage. Facebook, Twitter and Instagram all have official tools available that allow you to schedule your posts. So you can easily take an hour or 2 and work on several days of a week at the same time, or if you were really organized, schedule the whole week. So I’ve learned to embrace this a bit more and learn the ins and outs of it. This leads to a more constant stream of content that our followers seem to enjoy. Which seems to lead to more engagement from our followers.

What’s the best part / worst part of running a cosplay theme page? 

The best part has obviously been meeting & interacting with the community throughout the years. We do our best to present a positive place where everyone can share their cosplay creations. We’ve been invited to some really cool events over the years, and our team has been able to go to a lot of conventions all over the world. It’s been a fun ride.

The worst part for me personally, is that while our team has grown and shrank over the years, I do most of the work by myself. Sharemycosplay.com is run by a single person, me. Also for the most part there is a single person doing all of the social media. So I do my best to have content up all of the time, but sometimes life gets in the way. We’ve put a few calls out for people that might want to help with content creation for the site, but sometimes it’s hard to attract people interested in helping. Right now I’d love a few writers that could write articles that I could wrap around cosplay posts for the page. We will have to see how that turns out.

What future plans do you have for ShareMyCosplay?

I’m always looking to expand Sharemycosplay.com with new content. During the pandemic I’ve been off my normal schedule so unfortunately updates have been a bit slow, but hoping to get back to things. With conventions off the table for now for the most part, I’m trying to move in different directions. I’ve recently tried to put more effort into YouTube, but even that has been impacted by the Pandemic, so I’ve leaned more on gaming content. That is going to change as I’ve started a new initiative that I just launched on our page a few days ago called “CosplaySELF''. Basically we are looking to have cosplayers interview themselves, and us edit the footage into the “episodes' ' featuring 3 cosplayers. Hopefully those will start to be live very soon. We are already into the editing phase and hope to have the first episode live soon, over on our YouTube page. Keep your eyes peeled. Hopefully, as long as people show interest, this is something we will continue to create and upload on a regular schedule.

Is there anything that wasn’t covered you like to talk about?

 Lastly I want to thank you for taking the time to include Share My Cosplay in this interview. It really means a lot when someone else in the community that you respect, takes a moment out of their busy life to recognize the work you’ve done. There have been times in the past where I have considered possibly giving up doing SMC, but getting some recognition really helps put things in perspective and allows me to continue on. Hopefully Share My Cosplay will continue to grow over the coming years, and continue as a great tool for all cosplayers to use.

https://www.sharemycosplay.com/

[jyleshay]

September 2021 - The Broken Ladder

This month I read The Broken Ladder: How Inequality Affects the Way We Think, Live, and Die - by Keith Payne. Payne is a social psychologist who presents a great deal of statistical evidence and studies for us to use in the discussion about inequality in America. His arguments are well-researched, persuasive, and also nuanced. I've picked out a few highlights that I found particularly interesting.

- A 2014 study asked people from across the political spectrum how much more a CEO should make than their average worker. People from the right and the left agreed (without knowing it) that a CEO should ideally be paid about 4 to 5 times more than their average worker. They also thought that, on average, CEOs in the United States actually make 30 times more than their average worker. The perception of inequality in America is clearly there, from both sides of the political spectrum. In reality, the average CEO made 350 times more than their average worker in America in 2012 (it's probably higher now).

- For developed countries, higher average income does not correlate to better health and social wellness among their citizens. Countries and states with greater levels of income inequality have higher rates of serious health problems, mental illness, and crime, as well as lower life expectancies.

- Inequality leads to increased feelings of insecurity and triggers physical stress reactions in the body. The lower on the social ladder a person falls, the greater the physical reaction marked by inflammation and higher levels of stress hormones. The author's research indicates that it's not poverty in and of itself that causes these negative effects; it's a person's perception of where they stand in relation to others in society. Feeling poor matters--not just being poor. And when people feel poor, they make decisions differently than when they don't.

- Inequality affects our behavior, and differences in behavior can magnify inequality. People are less likely to make the economically advantageous choice when they feel poorer than the people around them. They are more willing to take increased risks like buying lottery tickets, taking out payday loans, or dealing drugs, in an attempt to escape the feelings of poverty and the stress that it brings. A person's actual income is not as predictive of this behavior as much as their income relative to others around them. Several fascinating studies that are referenced in this book show even temporary inequality leads to riskier behavior in the participants. Our brain is constantly comparing our situation to the others around us and subconsciously telling us to adapt.

We still need to take a nuanced approach to the outcomes of inequality. Why don't more people achieve escape velocity from their negative situations? America is one of the richest countries in the world, there is opportunity here. It isn't just nature (character flaws) or nurture (environment) that determines outcomes. Both have an effect and work together. We have an incredible capacity as humans to adapt to our environments and part of that environment is our relative standing to others. Where are we on the ladder? If a person realizes that they have much less than those around them, they will think differently and act differently.

Inequality has to exist to some extent, in smaller amounts it provides motivation to achieve success and incentivizes hard work and other positive behaviors. However, the rungs of the social ladder have to be close enough together that one can climb upwards without taking insane risks. When evaluating what fundamental ideologies we should follow regarding wealth and poverty, government and politics, economics and society; this book's assertions should be thoughtfully considered.

In current events...

Texas has banned abortions after 6 weeks without any exceptions for rape, incest etc. It feels like this happened months ago, but it went into effect in September! This is really important as the law goes directly against precedent set in the 7-2 Supreme Court decision on the case of Roe vs. Wade in 1973. Texas has avoided the law being struck down immediately by having enforcement of the bill come from private citizens; most people have heard about the $10,000 bounty that citizens will be paid for suing anyone involved in an abortion after 6 weeks.

The bounty provision is pretty crazy but this law is bad for everyone because it undermines the Supreme Court's ability to protect constitutional rights from scheming legislators. Regardless of where you stand morally on abortion, if you support this bill you are supporting your rights established by the Constitution and the Bill of Rights to be toyed with by any party that comes into power. This new law directly undermines and negates the previously established right to privacy and body autonomy for women that was established in Roe vs. Wade.

Anti-abortion advocates will argue that this right for a woman should not apply when another person's life is at stake. That is an argument that we need to consider, however, the Court has done so already, hence their rulings, which we collectively accept in most every scenario, outside of a woman's right to an abortion of course. Take the following example:

Let's say that a person is dying and the only way to treat them is to get a donation of bone marrow. You are the only match as a donor. If you don't donate the bone marrow, the sick person will die. No matter who the person is that you'd be saving, you have the right to choose whether or not you wish to donate. You cannot be forced by the government to donate your blood or bone because you have that right to privacy and body autonomy. Regardless of your reasons, you can choose not donate and the sick person will die. We can argue that you are morally wrong, but you are within your rights to control what is inside of your body. The same principle applies to a woman during pregnancy.

I am not advocating for late stage abortions without cause, and Roe vs. Wade does not protect the right to an abortion at any stage of pregnancy for any reason. The Supreme Court case of Planned Parenthood vs. Casey established fetal viability as that limiting factor, which is certainly much later than 6 weeks. You can make arguments for when that viability occurs, but it's nowhere near when Texas lawmakers are saying it is. Anyone arguing that a 6 week fetus has the same rights as a person is not arguing in good faith.

Consider another hypothetical: You find yourself in a fertility clinic. The clinic is on fire. As the building burns, you see in a room there is a station that has 100 viable fetuses that are in the process of development. You could rush in and grab them and carry them out of the building. Across the hall, however, you see a 4 year-old child crying, trapped behind fallen debris. As the building burns, you know you only have time to grab one and carry them to safety. Which do you save? Anyone who says they'd save the fetuses is lying to you.

The Texas bill is bad for the rule of law in America and should be struck down. Unfortunately, it looks like it will succeed in what it set out to do.

Favorites:

Favorite Series: Squid Game - This show connects well to the theme this month of inequality and the behaviors that it can cause. However, viewer beware, this show is dark and violent. I don't recommend it lightly, in fact I thought about quitting this show before it was over. I did finish it though. Its story and characters cut to the core questions of humanity and morality; even though it was an uncomfortable journey I'm glad I watched it through.

Favorite Movie: Shang-Chi and the Legend of the Ten Rings - Surprise surprise, Marvel made another good movie.

Honorable Mentions:

Music: Cold Heart - PNAU Remix - Elton John, Dua Lipa, PNAU

Podcast: A Righteous Strike - The Daily

Podcast: We're on the Precipice of a Post-Roe World - The Ezra Klein Show

Video: 9/21/21 - Demi Adejuyigbe

Let's have a very spooky October, thanks for reading.

[dhampirbf]

just finished off my first issue of the new killjoys series, national anthem, here are my thoughts

‼️ spoiler warning lol‼️

instantly dragged me head-fucking-first back into my mcr phase from three years ago. i am ruined. there is SO MUCH i immediately love about this series, from the incredible, poem-esce beginning to the incredible retro art style. the characters are just perfect - on the same wavelength as the others we know and love from previous iterations of kayjay media. mike milligram is edgier than i expected, which is just perfect, because i always felt poison and the gang were a bit too cheery for being stuck in a post-apocalyptic hellscape after surviving a massive war.

as for the plot? amazing. the writing is just as stunning as it was for TTLOTFK and national anthem immediately leaps into the story without delay. the dialogue fits the aesthetic of what we know about the kayjay universe perfectly and the story gives us more insight to what came before the analog wars and what life was like right after. maybe it’s just my interpretation (and of course this is just the first issue), but id love more about what the wars were ACTUALLY like, what it was like to fight in them. i still can’t figure out who exactly the enemy was because BLI and the weird, unseen but ever-present, unnamed oppressor are still in existence after the wars. might just be me, so if anyone knows where to find more on that, hmu. but honestly while reading it, i don’t care about the pieces im missing. it’s THAT good on its own.

the first issue opens with mike bleeding out, which deeply upset me because i do not like to see my favorite characters die, but it was done in such a beautiful way. we get to see how useless he feels - how he’s literally been tossed aside like the garbage he thinks he is - and then our story begins.

we meet the rest of the original fabulous killjoys (i imagine this is a prequel to party poison and the other comic, in my mind poison and val are “generations” following mike) and BOY, they’re incredible. the codes, red and blue, are (i assume) beta versions of the red and blue we see in TTLOTFK. kyle 100%, whose name we don’t learn in the first issue, is pretty reminiscent of kobra but maybe it’s just cuz he’s blond and rollin’ with mike. his design is very new and i totally dig it. animax is probably my favorite of this crew, though. he’s very much new and his design ROCKS. a color changing suit?? for real??? amazing. animax strikes me as the dad friend of the group (he tries to calm down blue and mike at the playground scene with the a.k.as)

SPEAKING of the a.k.as.... holy fuck. adore them. all of them are SO COOL and offer totally new insight to what it might have been like to crawl around in the zones right after the analog wars. so many new faces! new concepts! new headcanons! once again, im in love with their designs and concepts (god bless shaun simon and gerard) and it’s times like these that i wish i was a more talented artist.

another thing i really enjoyed is that the identity of some of the killjoys is more revealed and accessible. blue is called maria right before her (sobbing) death in mike’s arms and we see about halfway through that mike was a grocery store clerk. i’ve seen that red’s name is sophia in some official character design sheets, but we haven’t heard her name in the book yet. but to know that these were normal, real people in the world we live in gives the story a different, heavier context. these characters had their lives uprooted and torn to bits by a war they had to fight in. no wonder mike is so miserable and “screwed up”.

national anthem also immediately touches on trauma more than once and, in my interpretation of the underlying message, points out how trauma is an important tool in shaping who we are as individuals. the pretty subtle thing about the pill marketed to treat the affects of trauma is something that really fascinated me. how the antagonist of this series markets a pill that treats trauma but the side effects essentially make a person lose themselves, navigating life like a zombie.

i also loved the subtle callbacks to the original kayjay universe we know and love, with an appearance of tommy chow mein and a reference to the phoenix witch. however, ive got some criticisms.

first, was not a fan of the romance subplot between blue and mike. blue (and red, for that matter) are characters we know to be lesbians and i really don’t think that should be muddled with. even if blue is bisexual, even polyamorus, and has romantic connections to both mike and red, id personally rather have her stay with red exclusively. maybe it’s just my heterophobia /j but im not a fan. apparently she was even pregnant with mike’s child before she died? ehh.

second, and this is probably just because it’s the first issue, but i feel like there are a lot of questions unanswered. is this an AU or the same universe as TTLOTFK? if it’s the same, what is the timeline for mike milligram and party poison? do they exist at the same time or is party poison inspired by mike, who came before him? or do they exist completely separate? i hope i get these questions answered.

honestly, i may write up something of a review for each issue i read (i have three). it helps me remember what i read, anyway. kinda like an english essay. but overall, i really love this series and this universe. i kinda fell out of kayjays for a few reasons, but a lack of content was definitely one of them. i never thought i’d see killjoys media again and then gerard goes and presents us with this amazing series with new characters and a new story to delve into and it ROCKS.