#character development is imminent

[razzle-zazzle]

1628 Words; @brain-bumbler's Dormmates AU

AO3 ver

Norma came into awareness slowly, the world melting into place around her. Sweat-slicked hair clung to her forehead, her cheek smushed into the pillow. Her throat felt raw. Her whole body felt damp, sticky with sweat, her sheets impossibly heavy atop her. Her neck ached.

Norma blinked, bleary eyes struggling to focus on the darkness before her. For a moment, she was under the impression that she needed to get up right now and get ready for the day, before she was late. But her bed was so comfy, and her eyelids so heavy—

Ugh, it was wayyyy too hot. With a groan, Norma kicked at her sheets, wiggling until her legs were free. Her neck ached, like she’d been sleeping weird.

But she needed to get up, now, before she was late. She had classes. The clock read 3:42, she needed to get up—

Wait.

It was Saturday. She didn’t have classes today.

Norma rolled over as some of the fog in her head cleared. She didn’t need to get up until eight. Her eyes started to sting in the way they always did when she woke up way too early, her throat ached, there was a drool spot on her pillow—

Oh, god, no.

Please, she thought, her mouth and throat dry as sandpaper. I just want to sleep.

But sleep wasn’t going to come, was it? She closed her mouth, attempted to swallow—

She couldn’t breathe. She couldn’t breathe, because her mouth was shut and her nose was blocked. Because her sinuses refused to let her have a moment’s peace, and now here she was, her throat dry and aching because she’d been breathing dry air in through her mouth all night. Ugh. Of all the awful things to wake her up before she needed to.

Norma turned back over. The clock read 3:46. The number taunted her, the soft green glow seeming to laugh at her misfortune.

Slowly, Norma sat up. Maybe her sinuses would drain long enough for her to fall back asleep in a reasonable amount of time. She pressed her tongue against the roof of her mouth, and her fingers to the bridge of her nose. The trick didn’t always work, but at this ungodly hour Norma felt that the universe owed it to her.

Norma closed her mouth, and tried to breathe through her nose. She didn’t want to have to blow it—sure, her dormmate was Sam, who could sleep through bagpipes, and there were tissues on her nightstand, but still. It left her feeling gross, and Norma wasn’t that desperate.

She opened her mouth with a gasp. Okay, so maybe she was that desperate.

3:57. Norma blinked at the clock, tissue in hand. Her head and eyes hurt from being awake so early. She fumbled for the wastebasket.

Ugh, this wasn’t working. Breathing through her mouth was awful. Norma laid back down. Maybe it’d help if she shifted the way her head was resting.

She stayed like that as the clock ticked on. Tossing, turning, her frustration mounting. 4:15. 4:23. She had to kick off her sheets entirely, sticky with sweat. 4:27. 4:32. 4:36. 4:38.

Norma rolled over. She just wanted to sleep. She couldn’t breathe through her nose. Her mouth was so dry.

4:47.

4:54.

4:58.

5:01.

Oh, for the sake of—

Norma rolled out of bed with all the grace of a drunken moose, fumbling on the nightstand for her glasses. She stumbled towards her closet, lighting a small flame on her fingertips to give her light to see by.

Benadryl, cold medicine, painkillers, bandaids—there! Decongestant. In the light of the flickering little flame, she popped the bottle open, and shook two of the pills into her hand. With the way her sinuses felt, she was glad she still had some left.

She needed water. There were sinks in the bathroom, but no cups. Kitchen it was.

Flame in hand, Norma trudged out of her dorm, through the small hall to the common area. She rounded the corner, her focus locked on the little kitchenette where she’d find a sink and a cup—

The light was already on. Someone was quietly humming.

So apparently Norma wasn’t the only person up at this ungodly hour. Norma knew that Morris woke up fairly early to give himself time to build up his pompadour, but even then, she had always gotten up before him. She’d alway been the earliest riser in the dorms, able to calmly enjoy her breakfast while everyone else was either still in bed, just rolling out, or busy in the bathroom using all the hair product.

At least, she had been the earliest riser. But ever since this intrusion to their space, that title often ended up going to one Dionysus Aquato.

And there he was now, standing before the stove, scrambling eggs at five in the morning in circus tights.

Silence filled the space between them. Norma blinked blearily, her eyes adjusting slowly to the light. Dion stared back at her, his face blank with surprise. His hair was down, brown curls held out of his eyes by a pair of hair clips.

They stood there, the silence broken only by the faint hiss of frying eggs. Just the two of them, staring at each other.

Norma—and she wasn’t entirely sure what she intended to say, if anything—opened her mouth a little further, her voice starting to come out in a strangled croak—

Dion turned back to the stove, and his quiet humming resumed.

Whatever. Norma was in no mood for conversation, nor did she care to pry into whatever nonsense was going through his head. She went to the sink, telekinetically grabbing a cup from the cupboard.

She felt a reflexive spike of anxiety-distrust from Dion at the soft glow of her telekinetic hand, and ignored it. There was a reason she never tried to pry into his head—Dion’s brain was just as obnoxious as he was. Norma supposed it was fitting, that the guy who muttered under his breath had thoughts that never shut up, but that didn’t mean she didn’t dislike it.

With a grumble, Norma swallowed the decongestant, chugging the rest of the water to get the taste out of her mouth. After refilling her cup halfway and finishing that off, she reached for the dish soap and a rag.

Behind her, Dion took the pan off the heat, turning off the stove. His humming had turned to quiet muttering, small phrases popping out at Norma as she tried not to listen. She was too tired for eavesdropping, and she had long since learned that the acrobat never said anything worth listening to, either.

But her brain kept latching onto the sound; kept latching onto the words and trying to decipher them all. Norma set the cup on the drying rack and rubbed her temples. That decongestant was not kicking in fast enough. Breathing through her mouth was awful. Being awake at this hour was awful. And that obnoxious muttering was awful—

She whirled around, “Can you stop?” Ugh, even her voice sounded awful.

Dion’s muttering ground to a halt as he scraped his eggs onto a plate. “Stop what?” He asked, eyes narrowed.

Norma gestured at him. “Your mumbling.” She glared at him, “It’s so grating.”

“Sorry if I’m annoying you, princess.” He spat, not sounding sorry at all. “Why are you even out here, anyway?” He sat down at the table, his plate in front of him. “You don’t have classes today.”

Norma didn’t even want to dignify that with a response. But she had never been able to leave a conversation without the last word, so she pulled out a chair of her own, sat down, and responded, “Because I needed water.” The obviously, you fool went unspoken.

The soft clink of fork against plate was Norma’s only response, then—

“Why are you still here?” Dion asked around a bite of eggs. “You already had your water.” He pointed out.

Norma raised her eyebrows, completely intent on not saying anything—

“I couldn’t sleep.” She admitted. “But I bet you know all about that.” It wasn’t a wild guess, given the facts laid out before her.

Dion huffed, his eyes falling down to the plate before him.

Norma smirked. She was starting to feel more awake now, but her throat and eyes still burned from waking up so early. Maybe she should go back to sleep…

Some part of her balked at the idea, for no good reason. But Norma still continued to sit there while Dion ate his eggs, ignoring the siren call of her unlit dorm and warm bed. Not because she was interested in hanging around this loser, of course. She was only here because she wanted to be, obviously, completely independent of any other factors.

(Because going back to her room just because Dion was out here felt like admitting defeat.)

They sat there in silence, the only sound the soft clink of fork against plate.

Whatever. Norma didn’t feel like talking anymore, anyway. Not until her sinuses cleared, and not to Dion. That he had seen her in her nightgown was vulnerability enough, she felt. Just because the guy was rooming with her and the other junior agents didn’t mean she owed him anything.

Norma glanced at Dion’s plate. It looked like he had mixed cheese and herbs into his eggs—not that she wanted any. He’d only made enough for himself, and Norma wasn’t in the mood to eat right now.

Her sinuses were clearing up, finally. She could go back to bed. Maybe even make herself a cup of hot chocolate.

She continued to sit in silence at the table.

[ivesambrose]

𝐘𝐨𝐮𝐫 𝟐𝟎𝟐𝟒 𝐌𝐞𝐬𝐬𝐚𝐠𝐞𝐬 🥂

1. 2. 3.

Do I dare ask how 2023 has been for y'all?

Pick the image you feel the most pull towards or have been seeing around you a lot, if you feel drawn towards multiple, so be it. 🤍

To book a personal reading with me DM or email me at Ivesambrose@gmail.com

Personal services

Winter Specials

Thank you for the tip 🌹

𝓟𝓲𝓬𝓽𝓾𝓻𝓮 1

Your central theme is rising from the ashes. You're in the process of the most intense metamorphosis yet. A new dawn, a new day, a new life.

You'll feel empowered, passionate and obsessive about your pursuits. You'll allow the old skin to be ripped off of you and you'll no longer be scared to be you.

This year brings you connections, admires, collaborations, unions both in personal and proffesional life.

There's a certain duality in you that you haven't explored yet, but you will in the coming months.

You'll have good health for the most part compared to the previous year. Your family will be taken care of. The hope and assurance you may have lacked from them will come through. It will feel warm and refreshing. (Goes for chosen family too)

Romantically, you may be focused on your career or just living your life a lot. But someone might want to build a legacy or long term relationship with you.

If you're already coupled, the focus goes to building what you have and looking after domestic affairs and see things bloom.

Proffesionally, you will have your most successful and blessed year. Money shouldn't be a problem and even if it seems like it, your needs will always be met and you'll still have more.

Some of you might enjoy ghe fruits of your labour extensively. This goes for the ones who work solo or run their own business etc

Academically, you might feel a bit disinterested. Might move out from your home or change subjects. Take up something completely new. Might face your fears and push through but make it a point to follow your inner calling for the most part.

Themes centered around relationships and partnerships are significant this year as well opportunities coming out of the blue that call you to heed your intuition and step out of your comfort zone or limiting mindsets, that will inevitably lead to travel, progress and new experiences.

Make the best of this year, it'll feel like you're finally on the journey you've been preparing yourself for all this time.

𝓟𝓲𝓬𝓽𝓾𝓻𝓮 2

Your central theme is using your emotions as your guiding force, using it as fuel and not seeing it as weakness. Quieting your mind so you can listen to your instincts more. Healing from things you don't speak of, that you've felt have persistently held you back from your potential and finally taking the lead. You'll feel like the main character in your life finally, instead of seeing everything through the lens of a side character no one remembers.

You'll feel motivated to follow what makes your heart happy. You may be faced with choices a lot this year, a lot of this or that in several aspects of your life. Trust yourself to make the right decisions.

You'll be learning about your mind and body this year, so incase you go through ups and downs in your health you'll be able to manage it but also guide others too.

Romantically, you might as well get your happy ending. I see that you're mostly focused on the complete picture. Not bothered with what is going on in between too much. So you'll get what you're manifesting eitherway.

Proffesionally, a rebirth or evolution will take place. Something new that will grow overtime. You'll be driven about it. So success will be imminent.

Success in academics as well, feeling proud of your achievements.

Themes around revolution, personal development, healing generational trauma, humanitarism, technology as well being open to the unknown will also be prevalent this year.

Learn to make amends and embrace the breakthroughs this year has to offer you.

𝓟𝓲𝓬𝓽𝓾𝓻𝓮 3

Your central theme is related to wealth, inheritance, change of lifestyle, receiving help, building a legacy and feeling more secure. Some of you will see a success or change they did not see coming, it was hidden for the longest time.

Some of you may even be leaving poverty behind for a more financially secure life.

You'll find yourself blooming, physically especially. A glow up in your looks and quality of being is going to be imminent. Focus on health, beauty, food, routine etc as well. A lot of you will be experiencing vivid dreams, strange synchronicities etc too will be learning about esoteric subjects, occult or the subconscious mind a lot. You'll also be receiving success and recognition or you might be building your steps towards it that will eventually pay off in the long run.

You'll feel like this old self or image of you has died. You may even mourn it for some time but will feel more powerful, confident and self assured once you're past that.

Romantically, you'll be feeling desirable and might attract a lot of suitors. Your self concept will improve exponentially, so will your standards. So nothing less than what you want. Your intuition will be at all time high. Fear no one and nothing. Some of you might also be moving to a new house too or might end up owning something in your name.

Proffesionally, although you might deal with competition you won't be too worried. You know your skills, you'll have your resources, your work will speak for it self and you will stand out.

Friendship, community, discoveries and gains are also some of the themes surrounding you this year.

Let your imagination create for you. You'll soon realize there's so much power in allowing yourself to receive what you desire by simply being instead of doing too much.

[man-down-in-hatchet-town]

The Belated Tragedy of Ted

I think a lot about how the introduction of Pete as a fully-formed character changes how the fandom perceives Ted's role in the wider Hatchetfield story.

Like, at first it was just Ted--office sleazeball, horny bastard, selfish coward, and ultimate loser. Sure, he’s hilarious, imminently watchable, and imbued with surprising moments of depth and pathos, but at the end of the day Ted was still that gross guy who’s penchant for dying became of one Hatchetfield’s most beloved recurring gags. The story goes: Ted’s a douche, someone kills him for some silly reason, Tinky jiggles his toy box, and we all roll our eyes and laugh--“Oh Ted, dying again. What a pathetic drowned rat of a man, lmao.”

But then we got to truly meet Pete, unironically the coolest kid in Hatchetfield, who chooses to sacrifice himself to save the world in direct contrast to Ted’s choice to run and abandon Paul to the Apotheosis. Pete, who is good and kind and gentle and brave and everything his disastrous brother is not. Pete, who, despite it all, really loves Ted.

And suddenly Ted’s deaths, routine as clockwork (tick tock, Teddy Bear), stop being just a reliably good joke about a horny bastard and instead also become about the heartbreak of a good, heroic kid who deserves far better than burying his beloved older brother.

I dunno, I just think it’s a really interesting example of how world-building can manipulate how the audience thinks about certain characters or moments only tangentially related to the piece of story being developed.

Also, I just the love the Spankoffskis, different as they are. There's that, too.

[helluva-squid]

I know there's so much to unpack about the character development of Stolas and Blitz, but I just want to talk about Loona for a sec.

She seems so much happier! And they didn't show that by drastically changing her personality - she's still blunt and brash and a little lacking in tact. But when she joined the gang on their mission, she not only immediately clocked when Blitz was upset, but offered actual comfort. She called him dad, put an arm around him, and even gently volunteered to get the job done for him.

During the fight at the palace, she got stuck right in to help save Stolas - but most of all, it wasn't until Andrealphus was directly threatening Blitz that she brought out her full hellhound form. She almost lost her dad once to that prick, and she sure as hell wasn't gonna let it happen again.

And she has friends! Other hellhound friends! Friends that she invites to holiday parties at her house. Friends that she isn't embarrassed to introduce to her dad, and who in fact seem to like Blitz. Most of all, Loona wanted Blitz to come hang with her and her friends during the party.

Though we don't know the exact details, we do know that Loona had a rough life before Blitz - clearly abandoned by whatever biological family she had, trapped in the hellhound equivalent of an orphanage/residential home, and facing the imminent threat of being thrown out on the streets. During the trial, she almost lost her second family, the one she's been able to scrape together over the years, and I think it made her confront how much she's been holding the world at arm's length this whole time.

I'm just so happy she finally feels safe enough to bring down that prickly shield and let people into her heart. And I really hope we get to see that develop more through season 3, with not just Blitz but Stolas too (can you imagine them bonding over making bitchy comments about the clients that come in to the office I need it directly in my veins)

[maja-paja]

in horizon 3 i really really wanna see aloy and beta just going around doing sistery things for a good while before nemesis arrives and becomes an imminent threat theres SO MUCH room for character development for both of them and now that ive got a taste of it via fanart i cant go without it fr

[endemise]

✻ DEMO

→ Latest Update: Revised Prologue — 31 January 2025

17+ The Fall of House Black — A gothic, supernatural, mystery interactive fiction story. Lightly inspired by The Fall of the House of Usher and Frankenstein media. (Work in Progress)

Synopsis has mentions of death and suicide. See extended content warnings below.

The fall of House Black was an imminent thing. A name had never been so cursed that all it could do was bring about death.

First, your younger sister in a swimming accident, then your older brother in a case of mistaken identity. As the rest of your family sought to grieve and bring justice to your brother, your older sister was killed in a hunting accident at the end of your father’s bow.

The three of you, mother, father, and child, became inconsolable. Broken beyond repair. Your mother unable to bear the weight of life any longer took her own while your father disappeared, gone into the night. When you remain the sole survivor, you know you must leave, and on the night of your decision, your home goes up in flames with you inside.

Then, you awake, dazed with no recollection of anything, and when you look down at your body, you scream. It is wrong. So wrong.

Play as a reanimated, customizable character.

Learn how to be a person again.

Try to survive in a society that fears the unknown.

Develop relationships. (4 ROs: All gender-selectable + 1 secret RO)

Aid in the investigation of your family’s untimely deaths.

Learn about your family’s curse.

Aesop/Almira Hammond | Detective | 36 Years Old | RO

A is an observant and clever person, stoic in nature. They put their all into their work, striving to find the truth in every case. They take on the case of your family’s sudden deaths despite pushback from others. It was an occurrence of events all too strange, and they are determined to figure it out.

Cyprian/Cecilia Atterton | Writer | 28 Years Old | RO

C is an imaginative and creative person, quiet in nature. They write not only from their own experiences, but the experiences of others as well. They are interviewing people about House Black, intending on writing a book about your family’s ill fate and eventual demise.

Sebastian/Sabina Farwell | Doctor | 34 Years Old | RO

S is an intelligent and kind person, caring in nature. They are a most trusted doctor, hardworking and honest. They were the young doctor that tried to help your father and sister. They helped without question, never calling your family cursed as you so often were.

Elias/Elosia Osborne | Coroner | 30 Years Old | RO

E is an empathetic and hardworking person, cheerful in nature. They put their heart into their work, aiming to bring closure to people as swiftly as possible. They are the one who investigated and confirmed the death of your elder sister. They never could for you though.

Unknown | ??? | ??? | RO

A secret. Who knows when they will appear.

SUBJECT TO CHANGE

Mentions of death, child death, suicide, violence, blood, injury, burning alive, body horror, mutilation, slight gore, amnesia, manipulation, physical assault, murder, alcoholism

asks are welcomed!

DISCLAIMER

this is a demo/work in progress. everything is subject to change until the final version. it is by no means a finished or polished work.

LINKS

✻ demo | same one, just another link

✻ itch.io | my creator page

✻ @ethersic | my main, art, etc. blog

INFO

word count w/o code: 11.5k

made with tweego + vscode + sugarcube

[literaryvein-reblogs]

Writing Notes: Plot Development

The Save the Cat! Beat Sheet is divided into 3 acts (or parts), which are further subdivided into 15 total beats (or plot points).

You can use this as a reference at any time to quickly remind you of the beat’s primary purpose and where it goes in your manuscript.

Remember: Novels can vary greatly in length, so it’s important that you use this resource only as a guideline. Be flexible.

The Transformation Machine

The beat sheet is often also called a transformation machine:

A flawed hero enters on one side and comes out the other side magically transformed.

Do the beats have to come in the exact same order outlined here?

Not necessarily. The point is, the beats are all there.

In almost every great story ever told. Because these beats do not create a formula. These beats are what make stories work, because they’re what makes humans work.

The Transformation Test

Self-Workshop Checklist to make sure your beats pass the transformation test:

Opening Image

Is your Opening Image one scene or one group of interconnected scenes?

Is your Opening Image visual? (Are you showing, not telling?)

Is one or more of your hero’s flaws evident in this scene?

Theme Stated

Does your theme directly relate to your hero’s need or spiritual lesson?

Is your theme stated by someone (or something!) other than the hero?

Can your hero easily and believably dismiss this theme?

Setup

Have you shown at least one thing that needs fixing in your hero’s life?

Have you introduced at least one A Story character?

Did you clearly establish your hero’s want or external goal somewhere in this beat?

Have you shown your hero in more than one area of their life (such as home, work, and/or play)?

Are your hero’s flaws evident in this beat?

Have you created a sense of urgency that imminent change is vital (stasis = death)?

Catalyst

Does the Catalyst happen to the hero?

Is it an action beat? (No revelations allowed here!)

Is it impossible for the hero to go back to their normal life after this?

Is the Catalyst big enough to break the status quo?

Debate

Can you sum up your Debate with a question? Or if it’s a preparation Debate, have you clearly defined what your hero is preparing for and why?

Have you created a sense of hesitation in your hero?

Have you shown your hero debating in more than one area of their life (such as home, work, and/or play)?

Break Into 2

Is your hero leaving an old world behind and entering a new one?

If your hero isn’t physically going somewhere, are they trying something new?

Is your Act 2 world the opposite of your Act 1 world?

Is the break between Act 1 and Act 2 clear and distinct?

Does your hero make a proactive move or decision to enter Act 2?

Is your hero making a decision based on what they want?

Can you identify why this is the wrong way to change?

B Story

Have you introduced a new love interest, mentor, friend, or nemesis character?

Can you identify how your B Story character (or characters!) represents the theme?

Is your new character in some way a product of the upside-down Act 2 world? (Would they stick out like a sore thumb in the Act 1 world?)

Fun and Games

Do you clearly show your hero either floundering or succeeding in the new world?

Does your Fun and Games deliver on the promise of your premise?

Does your Fun and Games visibly illustrate how your Act 2 world is the upside-down version of your Act 1 world?

Midpoint

Can you clearly identify either a false victory or a false defeat?

Have you raised the stakes of the story?

Do your A (external) and B (internal) stories cross in some way?

Can you identify a shift from the wants to the needs (even if it’s subtle)?

Bad Guys Close In

Is the path of this beat a direct opposite of your Fun and Games? (That is, if your hero was succeeding in your Fun and Games, are they floundering here? And vice versa?)

Have you shown or identified how the internal bad guys (flaws) are working against your hero?

All Is Lost

Does something happen to the hero in this beat?

Is your All Is Lost big enough to push your hero into Act 3? (That is, have they really hit rock bottom?)

Have you inserted a whiff of death?

Does this beat feel like another Catalyst for change?

Dark Night of the Soul

Is your hero reflecting on something in this beat?

Is this beat leading your hero toward an epiphany?

Does your hero’s life seem worse off than it did at the beginning of the book?

Break Into 3

Does your hero learn a valuable universal lesson (theme) here?

Does your hero make a proactive decision to fix something?

Is the decision based on what your hero needs?

Can you identify why this is the right way to change?

Is your Act 3 world a synthesis of Act 1 and Act 2?

Finale

Does your hero struggle to enact their plan? (That is, does your Finale have conflict?)

Is there a Dig Deep Down moment when your hero proves they’ve really learned their theme?

Do the A Story and B Story somehow intertwine in this beat?

Final Image

Is your Final Image one scene or collection of interconnected scenes?

Is your Final Image visual? (Are you showing, not telling?)

Is it evident how your hero has transformed?

Does your “after” snapshot somehow mirror your “before” snapshot (Opening Image)?

Save the Cat! Beat Sheet Mapper

Sources: 1 2 3 4 ⚜ Writing Notes & References

[miyamiwu]

On Kaiser’s Trauma

I’ve thought it over, and I think there’s really no way for Kaiser to awaken this match. Be it scoring a goal or getting one over Isagi, he is not winning. I don’t see it at all.

I’ve reviewed the previous character development arcs, and one thing Kaneshiro has been staunch about is that internal development comes first before external development:

Chigiri - Chigiri had to get over his fear of losing his old self by putting his leg at risk again before the narrative rewarded him with a goal.

Bachira - Bachira had to overcome his fear of being alone before being rewarded with, not a goal, but with a friend who met him where he was.

Barou - Barou had to experience his arrogance being crushed and overcome the subsequent resignation he felt before he could reclaim his role as “main character.”

Hiori - Hiori had to first come at peace with giving up soccer entirely—something he had been hesitant to do, even when it hurt him, because he didn’t know what else to do—before discovering what soccer really means to him.

Yukimiya - Yukimiya found salvation when Isagi saw him as he was desperately fighting for a chance while he could still see.

It’s a bit different for Isagi’s main rivals, though:

Nagi - Nagi got motivated to put in an effort because of Isagi -> Got stronger during Second Selection -> Went back to old habits just to beat Isagi once -> Regressing in the rest of the NEL arc

Rin - Rin had to stop seeking answers outside of himself -> Unleashed his true ego during the U20 match -> Subconsciously sought affirmation from Sae at the end of the match -> Felt rejected by Sae -> ??? (The current match against PxG is ongoing, so I don’t know how he is right now)

Nagi’s and Rin’s development arcs are not linear, and currently both are in the lower curves of their arcs. This is because they haven’t fully solved their internal problems. Until Nagi finds a reason to push himself outside of beating Isagi and until Rin gets over his brother issues, they can never fully grow.

Likewise, Kaiser, who is undoubtedly also a main rival, has to first fucking get therapy process his childhood trauma before he can truly awaken.

But trauma is not easy to overcome. In fact, you don’t even really “heal.” Kaiser “getting over it” in just one match is impossible. As such, I don’t see him winning. At least not now.

Isagi throwing Kaiser’s words back at him by calling him a “clown” has gotten some people to think that Kaiser’s awakening is imminent. After all, a similar thing had happened to Barou before when Isagi called him “donkey.”

But Kaiser is not Barou. Both may be arrogant, but one of them didn’t grow up under violence. And as I’ve said before, internal development comes first. Barou’s internal problems, compared to Kaiser’s, are much easier to resolve.

And unlike Barou’s, Kaiser’s problems are not confined within soccer. They seep into his every being and in all aspects of his life, as we can see in how he treats himself and others off the field.

To begin, let’s talk about what Kaiser thinks of himself:

Alternatively, Hoshi’s translation of Kaiser’s monologue goes like this:

These guys are “humans.” Different from me, they were born wanted “humans.”

Having been abandoned by his mother and growing up abused by his father, Kaiser’s sense of worth is so low that he thinks he was born without it—which is wrong. Everybody is born deserving to live.

But Kaiser thinks otherwise. He sees himself as not even human because nobody wanted him alive. Still, he has this strong desire to live—a desire that had first made itself known to him at this moment:

Right before this, he had looked so dead inside:

He didn’t flinch when the cops came to arrest him. He didn’t try to fight for the escape money he had stashed away. He was so passive and tired and helpless that he might as well be truly dead.

But at that moment his father was about to destroy his soccer ball? A fire lit up inside him. A fire so bright and strong that he got to beat seven cops while handcuffed.

That fire was the love he had for soccer. All his life he’d been in a passive position, but when he fought for what he love, the reins of his life got transferred into his hands.

And in that moment, Michael Kaiser, for once, was truly alive.

Now, he’s living his life in constant search of that fire—or “proof of his existence,” as he puts it.

However, Kaiser has misunderstood what that fire is. After all, how can he recognize love when he’s never been loved?

Only pain and violence are familiar. Thus, it is honestly no surprise when he misattributes “proof of existence” to “inflicting malice on others, living on inside them as a scar.”

For Kaiser to grow, he has to redefine “proof of existence.” How can his own existence depend on the number of people he defeats? That’s unhealthy. And as with Rin’s problem, it’s just seeking answers outside of himself.

But for Kaiser to even begin redefining it, he must first learn to recognize love for what it is.

Love was the fire that was lit inside him. He must go back to it. (Like how Bachira awakened by going back to how he used to play as a child.)

Love is also the main thing that sets Isagi apart from him—the former having been raised by loving parents and having companions sincere to him—so it’s crucial that he learns this if he wants to defeat Isagi.

How can he do this? With the way he was raised, I don’t think Kaiser can learn love on his own. He has to learn it from others. But before that, he must see himself as “human.” While he still views himself as “non-human,” Kaiser won’t be able to connect deeply with “humans” and welcome any love from them.

And this is the crux of his problem...

Kaiser has made attempts to be more “human,” but...

... he’s going about it so horribly wrong 😭😭😭

@galaxynajma also sent this question:

What do you think is the new reason for why kaiser does this every morning: His morning routine consists of: standing before the mirror naked, gazing at himself while having a conversation (to himself), getting into the mindset that nothing is impossible, and then smiling while thinking ‘this is me’. (Trivia from Blue Lock wiki)

“This is me” is Kaiser reaffirming to himself that he is becoming more “human” when he sets out to achieve the “impossible.”

How to be Human 101

Okay, fuck, to be completely honest, I have no idea! I didn’t expect to get this psychological while I was writing 🫠

I had… written myself into a corner. But anyways, I’m gonna try seeing this through...

So, I’m no psychologist, but��� I relate on a deeply personal level with Kaiser’s “human vs non-human.” But in my case, I had used the words “normal vs not normal.”

(This is gonna get a little bit personal, but bear with me!)

This distinction was something I strongly felt during my peak depression years. I felt like nobody truly understood me because they hadn’t been through what I had been through. Whatever the doctors said just went from one ear to another because I couldn’t trust them. In my head, I had categorized them as one of the “normal” people—their lives were so put-together and they were so in control and on top of things! Not like me, who was drowning.

I also slowly distanced myself from friends because they, too, were the “normal” ones.

One friend, however, stuck around. She didn’t mind me going missing for months without a word. And whenever I showed up again from who knows where, she would always excitedly welcome me back as if I never even left. And this was the friend who I thought to be always better than me in every way because she was prettier, smarter, and had a better financial status. So I never really expected her to get me.

But oh, she did. I found out that she wasn’t “normal,” too. She too had her own problems, and we got to share our sorrow with each other...

So, I guess what I’m trying to say here is that...

It’s not really a matter of erasing the distinction between “human” and “non-human.” It’s enough, for now, that Kaiser finds another “non-human” like him, and with whom he will slowly start to feel “human”—worthy of living and being loved.

I know Kaneshiro isn’t fond of therapy talk, but for Kaiser, I think it’s a must that he gets to open up to someone. He doesn’t have to share the full story. He just has to be sincere about it.

And who is the closest “non-human” that we have around Kaiser who’s also unwanted by his family?

Ness.

This doesn’t even have to be about shipping. And I know their relationship is looking pretty grim right now because of how Kaiser has been treating Ness since the beginning, but...

...I still believe that this, at least, was real.

Together, they can learn what it is to be “human.”

In summary, for Kaiser to awaken, he must first resolve his internal problems. To do this, he must...

Find a fellow “non-human.”

See himself as “human.”

Recognize love for what it is.

Redefine his “proof of existence”

Thank you for coming to my TED talk, *bows

---

Okay, so I don’t normally do this at the end of my posts, but I just recently launched my Alpha Reading Service. If you liked my analysis above and would like me to review your story the same way, do check it out!

Or, if you don’t need any alpha reading, consider tipping me on Ko-fi instead. Thank you!

[krakensdottir]

Assuming Aziraphale is walking blindly back into Heaven's clutches with no suspicion or dread in his heart is wildly underestimating his intelligence and discounting previous character development, including the effect Crowley has had on him over the millennia.

Assuming he's playing 4D chess and is being 100% selfless and noble and only going back to save Earth is wildly underestimating the power of cults and the effect they've had on Aziraphale, and is assuming progress that he hasn't yet actually made.

Both of these things can be true. Both of these things ARE true. He is trying to do the Right Thing. He is also falling prey to a very clever and manipulative angel who's convinced him that this is the right thing to do, because part of him still very much wants to believe that the system can be fixed, and the Metatron has handed him desperately needed hope on a silver platter.

It's important to recognize that his motivations aren't simple here. It's not all about Crowley, or he'd have turned down the deal when Crowley didn't agree. It's not just about saving Earth, either, because he isn't told the Second Coming is imminent until after he's accepted the offer. (You can argue all you want that he actually knows, that he's frantically trying to send coded messages the whole time, but that is only an interpretation. All we actually have to go on is the chronological events onscreen, which contradict the first conclusion and offer no evidence for the second.)

Thing is, this situation is complicated. And it's fucked. There are no good options visible to either of them here. Aziraphale has chosen the one that looks the least bad. Yes, he is almost certainly wrong about how bad it's going to be. And you know what, that's okay. It's okay for him to make a mistake. We don't have to shit on him for it, and we don't have to frantically pretend it's not a mistake, either. I promise these are not the only options for engaging with this story.

[wangxianficfinder]

I'm in the mood for...

Aug 13th

~*~

1. Any wangxian fanfics with straight wei wuxian having a sexuality crisis over lan wangji?

ao3 has been erroring out for me when I try to get to my bookmarks , maybe because I have so many? but for #1 , there is a tag "straight boy wei ying" /"Wei wuxian in denial about sexuality" that will give great fics. when I can get to my bookmarks I'll add my faves

show me how you do that trick by ilip13 (E, 70k, WangXian, Modern Setting Porn with Feelings, The Porn Is the Plot, Friends With Benefits, Friends to Lovers, straight boy wwx, with an aspec twist, Sexuality Crisis, Voyeurism, Blow Jobs, Hand Jobs, Masturbation, Anal Sex, Switching, Top/Bottom Versatile | Switch WangXian, Slow Burn, Except for the sex that part is on fire soooo fast, sexuality realization, Feelings Realization, Happy Ending)

The Cause Of This Fair Gift In Me Is Wanting by Alliandra (E, 47k, WangXian, LQY/QS, Modern AU, High School, College/University, Time Skips, Slow Burn, Pining, LWJ POV, LWJ Fucks, WWX dates, "Straight Boy" WWX, Homophobia, Non-Graphic Violence, Implied/Referenced Domestic Violence, Implied/Reference, d Suicide, Attempted Rape/Non-Con, Overstimulation, Light Bondage, Blow Jobs, Masturbation, Getting Together, Ableist Language, WWX Has ADHD, Autistic LWJ, Queer Themes)

I search myself (I want you to find me) by ilip13 (E, 22k, WangXian, Modern AU, Fluff and Smut, The Porn Is the Plot, Compulsory Heterosexuality, Self-Discovery, Adolescent Sexuality, Slight Gender Feels, Masturbation, Fantasizing, Voyeurism, (sort of), Exhibitionism, (also sort of), Lingerie, Explicit Het Content)

~*~

2. Hi! Do you have any fic recs for fic where wwx come back as someone else other than mxy? I remember seeing one where he ends up as Qin Su @fysmiin

You still sound like a song by Moominmammashandbag (M, 64k, WIP, WangXian, Canon Divergence, Ghost!WWX, Mystery, LWJ plays inquiry, AU from after the Wens came to Lotus Pier, Most people lived, not everybody died, Angst with a Happy Ending, river spirit!WWX, Angst and Feels, description of murder, imminent smut, Execution, Dogs, Poisons, Discussion of Attempted Murder, BAMF WWX, Family Feels)

To Deserve So Much More by renysen (T, 19k, wangxian, getting together, one big happy family, no angst, getting engaged, family feels, female bodied WWX) ofc summons wwx to defend her family's besieged manor.

🔒Femme Fatale by coffeepie (E, 76k, WIP, WWX/WC, WWX/WRH, WWX/WZL, WWX/JGS, Porn, Smut, Possession, Crack Treated Seriously, Humor, Time Travel, Time Travel Fix-It, Penis In Vagina Sex, Anal Sex, Masturbation, Aphrodisiacs, Rough Sex, Minor WangXian, Canon Divergence, Oral Sex, Pre-Sunshot Campaign, Strangulation, Object Insertion, Exhibitionism, Voyeurism, Blood and Injury, Somnophilia, Belly Bulge) WIP. wwx wakes up in wlj's body before the sunshot campaign. cw lots of sex with wc.

the problem with authority by isabilightwood (M, 139k, wangxian, qingli, Canon Divergence, Sacrifice Summon, slightly dark!JYL, wq lives because i said so, Angst with a Happy Ending, Chronic Pain, Mild Sexual Content, Top/Bottom Versatile | Switch WangXian, manipulative relationship (background xiyao)) qs summoning jyl-centric but includes someone else summoning wwx as well

patching the road with vague intentions by loosingletters (T, 39k, WIP, WangXian, Canon Divergence, Humor, Developing Friendships, WWX Resurrected By Others, Trans WWX, Case Fic, POV WWX, POV LQR, Family, Good Uncle LQR, Hurt/Comfort, Golden Core Reveal, Slow Burn, Canon-Typical Violence, MXY Lives) WIP. ofc lwj was arranged to marry after wwx's death summons wwx. lwj hasn't appeared yet.

The Housewife's Guide to Causing Chaos by dvasva (M, 127k, WIP, WangXian, Canon-Typical Violence, Functionally Trans Character, Mild Sexual Content, Domestic Fluff, Love Confessions, Transphobia, Good Parents LWJ and WWX, Pining, WWX is a Tease, Grief/Mourning, Body Dysphoria, Fake Marriage, Canonical Character Death, Misunderstandings, Doting LWJ, Canon Divergence, Arranged Marriage, WWX is not in MXY's body, Misgendering, Mild Angst, Assumptions, Comedic Elements, non-sexual nudity, Blood, Discussion of Various Bodily Functions, Cloud Recesses Shenanigans, 4 years of mourning instead of 13, Méishān Yú Sect, POV Multiple, Corporal Punishment, Trans WWX, Emotional/Psychological Abuse, pregnancy mention, Timeline What Timeline, Sexual Harassment Threats) WIP. ofc lwj was arranged to marry after wwx's death summons wwx. wangxian starts early.

Friends, Sabers, and Other Essentials for Solving a Conspiracy by MeridianGrimm (T, 50k, NHS & WWX, LWJ & NHS, WangXian, Humor, Friendship, Love, Mystery, Canon Divergence, Smart NHS, WWX doesn't stay dead, LWJ gets a new friend, Happy Ending, Fix-It, To be clear the WangXian is mostly background, This fic is about friendship) NHS does a modified summoning

Karma's a Bitch (It's Me, I'm The Bitch) by loosingletters (T, 8k, SS & OC, WWX & OC, Minor Character Death, Canon Divergence, Suicidal Thoughts, Resurrection, Moling Su Sect, Cultivation Sect Politics, Body Dysphoria, WWX is NOT in MXY's Body, Unreliable Narrator, Assassination) Su sect oc summons wwx.

❤️ Beauty and the Boot by PTchan (T, 44k, wangxian, summoned by f!oc, Canon Divergence, Romantic Comedy, Genderbending, Denial, Fem!WWX, WangXian kids, Crack-ish, WIP) seemingly-abandoned WIP. OFC summons wwx.

So You Want to Start a War by JaenysBloodcourt (T, 41k, WIP, MY/QS, MY/WWX, WangXian, Reincarnation, Half-Sibling Incest Mention!, QS does the ritual instead of MXY, WWX as a woman, MY Is His Own Warning, Canon Divergence, Impersonation, Additional Warnings In Author's Note, Please check the notes before reading a chapter, Timeline What Timeline, WWX Has PTSD) WIP. qs summons wwx.

sweet hay and the flowers rising by Shializaro (T, 4k, WangXian, Implied/Referenced Character Death, Mentions of Violence, Alcohol, Humor) qs summons wwx.

Crowded by nirejseki (G, 1k, NHS & WWX, wangxian, LWJ/NHS/WWX, canon divergence, different body offering ritual, atypical relationship dynamics, sentient sabers) NHS does a modified summoning (short fic)

❤️ The Book’s Cover by Eudoxia (E, 50k, wangxian, canon divergence, WWX not in MXY’s body, canon retelling, humor, demisexual LWJ, genderqueer WWX, smut) OFC summons WWX. this is probably my favorite one of all these.

Everyanything by deliciousblizzardshark, lingeringdust (E, 46k, WangXian, Canon Divergence, Franken-canon, Gender Identity, Gender Dysphoria, Trans WWX, Protective LWJ, Accidental Baby Acquisition, Canon-Typical Misogyny, Fluff and Angst, Vaginal Sex, Canon-Typical Major Character Death) Qin Su summons WWX.

Chapter 1-23 of The Tales of Despereaux by stiltonbasket (T, 36k, WIP, WangXian, Canon Divergence, Additional Warnings In Author's Note, (when applicable)) Chapters 1-23 are "What if Qin Su summoned Wei Wuxian?" A prologue is linked in the author's note.

Wei Wuxian keeps / gets his OG body / Resurrected by someone other than MXY Comp

Five People Who Never Summoned Wei Wuxian by EHyde (G, 3k, wangxian, Canon Divergence, 5+1 Things, Angst, [Podfic] Five People Who Never Summoned Wei Wuxian by sisi_rambles)

~*~

3. Hey! I have only once asked for a fic before but this is for a Itmf , can you recommend any dark lwj fic? Not just after wwx’s death but lwj protecting wwx or joining him in demonic cultivation, even better if wwx runs yiling wei sect^-^

A Matter of Time series by mrcformoso (E, 84k, wangxian, time travel fix-it, graphic depictions of violence, underage, LWJ pov, JC pov, dark LWJ, manipulation, grooming, teen body adult mind for LWJ, happy ending for wangxian, problematic consensual underage sex, blood & violence, insane LWJ, manic LWJ)

🔒 Flawed and Free by Vrishchika (E, 18k, wangxian, major character death, time travel fix-it, dark LWJ, dark LXC, dark gusu lan, temporary character death, not JC friendly, angst, hurt/comfort, WIP)

🔒 At heart by apathyinreverie (M, 36k, WangXian, WIP, Dark LWJ(Ish), Amnesia, WWX gets to be Not Okay after the BM, Hurt WWX, Recovery, Caring, Protective LWJ, Possessive LWJ, some definite manipulation, but not everything is as it seems, not nearly as dark as the tags make it sound, Canon Divergence, Golden Core Revea, Golden Core Transfer Fix-It, kind of, Domestic WangXian, Fluff, WWX Goes to Gusu, Possessive WWX, WWX happily atticwifing away, Sunshot Campaign, BAMF WWX, BAMF LWJ)

Until The World Embraces Me Home by azri (T, 5k, WIP, WangXian, Canon Divergence, YLLZ LWJ, LWJ Has No Golden Core, Role Reversal, Not LXC Friendly, Not JC Friendly, Not cultivation world friendly overall tbh, Sunshot Campaign, Friends to Lovers, Temporary Character Death, WangXian Get a Happy Ending)

Corrupted Core by The_Gourmet_Gamer (M, 16k, WangXian, Canon Divergence, Hurt/Comfort, Golden Core Reveal, Grief/Mourning, Blood and Injury, Character Death, Sad with a Happy Ending, Canon-Typical Violence, Post-First Siege of the Burial Mounds)

~*~

4. Hello 👋

I'm in the mood for Twitter wangxian fic threads,i don't mind it if it's modern or not, but I don't like bottomji or switch wangxian

You might enjoy our Twitter comp

~*~

5. Hello! Thanks for your work. Are there any Wangxian fics set at the Olympics? @chalionkat (previous ask moved to FF - mod C)

Our Sports AU Compilation has a Olympics au section you can check out 😊

and so my heart beats wildly by lily_winterwood (E, 106k, WangXian, JYL/JZX, Modern Cultivation, Rivalry, Competition, Competition-Set Fic, Athletes, Multimedia, Miscommunication, frenemies to lovers, Rivals to Lovers, Slow Burn, Mutual Pining, Seemingly One-sided But Actually Mutual Pining, Oblivious WWX, Competitive Cultivation, Anal Sex, First Time, Angst with a Happy Ending, Olympics, Inappropriate use of an Olympic gold medal, Breathplay, Rough Sex, Food Porn, Tanabata, Lily’s back on her Qixi bullshit, Switching, Bottom LWJ) this has cultivation Olympics

🔒 Dance Me to the End by venagrey (E, 35k, WangXian, Modern, Skating, 2021-2022 Figure Skating Season, No Pandemic, teammates to friends to lovers, Eventual Smut, mixed signals: on ice, Oblivious WWX, Bisexual WWX, mortifying ordeal of being known, slightly nonlinear timeline, Unreliable Narrator, gratuitous descriptions of skating, first time nudes, Accidental Phone Sex, WWX is Very Flexible, YOI homage, not actually a crossover, IRL skating homage, Tooth-Rotting Fluff, a little gnc for added zest, inappropriate use of medals, Rimming, Winter Olympics)

~*~

6. Hi! This is for ITMF where WWX is a king maker/advisor/spy master or something like Foot on the brakes, screaming there's a red light by Lookingkindofdumb or Copying Scriptures by chiyukimei

Thank you! @idontknowwhattowriteforusername

🔒 Half Agony, Half Hope by queenklu (T, 105k, WangXian, LXC/JGY, JC/WQ, JYL/JZX, LXC/NMJ, Jane Austen Fusion, persuasion au, Pining, Broken Engagement, Secrets, Espionage, Child Injury, Terrible Parents (YZY & JFM), Past Child Neglect) maybe? Wei Ying was a spy during the war.

~*~

7. Hello!!. i need need need to know if theres any more fics like A Street Kid Named Wuxian where wwx isnt adopted by any sect and just grows up on the strrets/ poor or an orphan @yesibest

A Thousand Things by tickertape (M, 108k, WangXian, Canon Divergence, WWX Isn’t Adopted by the Jiāngs, Developing Friendships, lots of OCs, miscommunication and misunderstandings (they’re idiots your honor), Nightmares, Hurt/Comfort, Panic Attacks, Cloud Recesses Shenanigans, Slow Burn) fits but Wei Ying lived in Yiling until he's around 17 and then gets invited to train with the Lans for a year. It doesn't go into a lot detail about his life on the streets but he is poor throughout his childhood and into his teens.

Ad Oblivione by Baph, HikariNoHimeWriter (M, 70k, WangXian, Time Travel Fix-It, Temporary Character Death, Canon-Typical Violence, POV Multiple, Hurt/Comfort, Grief/Mourning, Identity Reveal, Golden Core Reveal, Cultivation World Critical, Not JC Friendly, Abusive YZY, Angst with a Happy Ending) link in #14 Not sure if this fits as while WWX does grow up on the streets without being adopted into a sect, it's down to time travel, with his soul being sent back to his child body, so he has knowledge of the future & cultivation, so he gets to cheat a little & be more than a normal street kid

~*~

8. Hello, I was wondering if you and the lovely community could help me find selkie-style creature fics? In myth, a selkie is a seal creature who can shed its fur and walk on land as a human. Whoever holds the fur has control over the selkie because they cannot transform back without it. So I am looking for similar themes in WangXian fics! I just read Burn It All Down by nekojita which suggested this would happen with Jiang Cheng holding one of Wei Wuxian’s dragon scales, but the wip hasn’t been updated to finish that portion of the story! So I come to you, looking for more “I control you as long as I hold this part of you captive” stories. Thank you for any recs you can suggest! <3

never love an anchor by tardigradeschool (T, 31k, WangXian, Selkies, No Powers, Historical, Hurt/Comfort, Depression, Pining, Angst, Happy Ending, The Inherent Eroticism of the Sea, PTSD, Presumed Dead, Drowning)

💙 this river runs to you by sundiscus (T, 53k, WangXian, Modern with Magic, Mutual Pining, Dragons, Literal Sleeping Together, Tender wound tending) this might work? It has Dragon!LWJ whose dragon is missing. While no one actually uses it to control him in the story, the possibility that someone could is a major driver of the plot.

Lanterns To Guide You Home by cuttlefeeeeeeeeesh (T, 7k, WangXian, Mutual Pining, Mythology, Selkie AU, Fisherman LWJ, Selkie WWX, Sorta Established Relationship, Fluff, Soft (tm)) might like Lanterns to Guide You Home? It's a bit of a twist on the selkie trope, being less about captivity and more about wangxian reuniting/mutually pining years after being married, but I think it would still appeal to a reader who likes selkie stories. And it's a lovely fic!

~*~

9. Hi! For the ITMF, I was wondering if there are any fics where WWX knows a bit more about MXY when he wakes up in his body? By viewing MXYs memories maybe, or something like that? Just, I want him to be able to act like MXY better and understand his situation better. Is there anything like that? Thanks in advance! @hikato-chan

~*~

10. Hi! This is for ITMF. Is there a fic where WWX tells JYL (or someone else really) that he trust LWJ but not his clan/sect? Thank you! @idontknowwhattowriteforusername

~*~

11. ITMF a fic that takes place during the Cloud Recesses study arc, in the scene where WWX gets LWJ drunk. Something goes different: a kiss? A love confession? A fist fight? @luliaka

Cartwheels In Cloud Recesses Series by ShanaStoryteller (Not Rated, 23k, WangXian, CSSR/WCZ, CSSR and WCZ Live, Cloud Recesses Study Arc, Cloud Recesses Shenanigans)

You Are My Euphoria by orphan_account (M, 17k, wangxian, canon divergence, fluff, making out, 5+1, pining)

it’s just (aah) a little crush (crush!) by sweetlolixo (T, 9k, WangXian, Canon Divergence, Romance, Fluff, Pining LWJ, Humor, Courting Rituals, Teen Wangxian)

~*~

12. itmf some concubine wwx, following canon as mich as possible? something along the lines of the concubine mo series by enigmatree

~*~

13. Itmf:

A) some wwx realizing that he's been abused as a child (for example: Madame Yu) and having to accept that actually the adults in his life kind of suck (no Jiang Yanli bashing pls ♡)

B) wwx being raped and his recovery

Thank you 💕

13A)

🔒💙 Holding shreds by barisan (T, 5k, WangXian, Cloud Recesses Study Arc, No Sunshot Campaign, Body Swap, Not for sexy shenanigans, Chronic Pain, Hurt WWX, Hurt LWJ, Implied/Referenced Child Abuse, Abusive YZY, Bad Parent YZY, Bad Parent JFM, Good Uncle LQR, Hurt/Comfort, Medical Inaccuracies, POV WWX, Angst with a Happy Ending, Jiāng Family Bashing, Tooth-Rotting Fluff, Getting Together, Smart WWX)

🔒 in the shadow of moonlit flowers by Reverie (cl410) (T, 56k, wangxian, LXC/NMJ, Cloud Recesses, LWJ & NHS Friendship, Developing Relationship, POV LWJ, Minor Injuries, Autistic LWJ, Implied/Referenced Child Abuse, aka the Madam Yu warning, Genius WWX, Light Angst And Hurt/Comfort, WWX Protection Squad, Gusu Lan Sect, Slow Burn, Protective LWJ, LWJ-centric)

🔒 Warming up (to him) by barisan (T, 9k, LQR & WWX, WangXian, Hypothermia, Cloud Recesses Study Arc, Temporary Character Death, Medical Inaccuracies, YZY Abuses WWX, JFM Bashing, pre-wangxian, Good Uncle LQR, Angst with a Happy Ending, Hurt/Comfort)

so i cut the shackles and changed my name by MichelleFeather (T, 9k, WangXian, LQR & LWJ, LQR & CSSR, LQR & WWX, CSSR/WCZ, WWX & The Lan Clan, WIP, WWX Leaves the Yunmeng Jiang Sect, WWX is a Lan, Good Uncle LQR, Supportive LQR, Protective LQR, Non-Graphic Rape/Non-Con, JFM & YZY Bashing, Jiang Family Bashing, Abusive Jiang Family, Running Away, WangXian Get a Happy Ending, Hurt WWX, Genius WWX, No Sunshot Campaign, Gusu Lan Sect Rules, Cloud Recesses Study Arc, Cultivation Sect Politics, Additional Warnings In Author's Note, Canon Divergence, Protective Gusu Lan Sect, WRH isn't a power hungry tyrant, mostly)

Just go forward like you mean it by tawaen (M, 101k, WangXian, WWX & WN &WQ, WWX & JYL, NHS & WWX, Canon Divergence, WWx does not attend the Wen indoctrination, WWX saves Lotus Pier, Inventor WWX, No Golden Core Transfer, Sect Leader JYL, JC Has No Golden Core, Bad Parents JFM & YZY, Not JC Friendly, but he gets a happier ending than canon so don't look here for bashing) WWX gets frustrated with how unconcerned JFM is regarding the Wens & ends up leaving. Features sect leader JYL

Dispersing Clouds by dreamingofcake (E, 283k, WangXian, Canon Divergence, Genius WWX, Inventor WWX, Not Jiang Family Friendly, Abusive YZY, Canonical Child Abuse, Hurt/Comfort, Slow Burn, Eventual Sex, Implied/Referenced Self-Harm (Background Character), Background Character Deaths, child deaths, Canon JC, Good Uncle LQR, Accidental Baby Acquisition, Cultivation Sect Politics, Homophobia, Heteronormativity, Feelings Realization, WWX is Not Oblivious) WWX realises he's been poorly treated by the Jiangs & defects. However it could be seen as JYL bashing depending on how you define bashing. She does ignore her family's treatment of WWX & later tries to stop his wedding to LWJ, but she's portrayed as meaning well & just wanting to avoid conflict, & believing she is saving him from a forced marriage. Up to you whether that counts as bashing

13B)

🧡 Heaven Has No Rage by flipfloppandas (M, 51k, WWX & YZY, JFM/YZY,  implied wangxian, WWX/WC, WWX/others, rape/non-con, modern, hurt/comfort, protective YZY, good parent YZY, hospitals, medical procedures, vomiting, trauma) focuses more on the immediate aftermath Wei Ying being raped but does touch on the beginnings of his recovery.

feast and famine by luckymarrow (E, 49k, wangxian, rape/non-con, aftermath of gang rape, modern au, trauma, PTSD, medical procedures, rape recovery, non-consensual drug use, hurt/comfort, angst w/ happy ending, mind all the tags) Rape/recovery and the ripples across the friend group. JYL is the glue that holds everyone together. It's a gut-wrenching, amazeballs fic.

~*~

14. Hii, I'm itmf some good coming of age fanfics!

🔒 Flowers Blooming by Ilona22 (M, 35k, WangXian, Adoption, Prostitution, Family Fluff, Family Drama, Growing Up)

A Life Without Regrets by naqaashi (M, 128k, WIP, WangXian, Time Travel Fix-It, Angst with a Happy Ending, Fluff, Hurt/Comfort, Crack Treated Seriously, musical cultivation, Slow Burn, Mutual Pining, Rogue Cultivator WWX, Murder Husbands, Happy Ending, PTSD, BAMF WWX, Cultivation Sect Politics, Worldbuilding, Módào Zǔshī & The Untamed Combination, No Yīn Iron, Genius WWX, Inventor WWX, Artist WWX, Musician WWX, Bad Parent JFM, Bad Parent YZY, Cultivation Theory, Sentient Burial Mounds, Dysfunctional Family, Grief/Mourning, Parent-Child Relationship, Angry WWX, Angst, No Golden Core Transfer, BAMF LWJ, Idiots in Love)

Ad Oblivione by Baph, HikariNoHimeWriter (M, 70k, WangXian, Time Travel Fix-It, Temporary Character Death, Canon-Typical Violence, POV Multiple, Hurt/Comfort, Grief/Mourning, Identity Reveal, Golden Core Reveal, Cultivation World Critical, Not JC Friendly, Abusive YZY, Angst with a Happy Ending)

🔒 Life is Like a Stranger by through_shadows_falling (T, 69k, wangxian, Kid Fic, Child LWJ, Child WWX, First Meetings, Canon Divergence, Cute Kids, Orphan WWX, Autism Spectrum, Fix-It, Emotional Hurt/Comfort, Alternate Canon, POV LWJ, Growing Up Together, WWX raised at Cloud Recesses, Fluff and Angst, Hurt/Comfort, Puberty, Growing Up, Coming Out, teenage angst, Wet Dream, Pining, This fic gets a little raunchier as the kids become teens, But it won’t get too explicit, Slow Burn, Friends to Lovers, Spanish Translation, Brief mentions/moments of WWX kissing others in chapter 22 but only on the cheek, also characters kiss WWX on the cheek in chapter 23, but his real first kiss is with LWJ, Перевод на русский | Translation in Russian)

~*~

15. Hey!!

So i was wondering if there are any fics where wangxian have a cute little couple’s argument..they make up in the end obv, i don’t really prefer heavy angst. Just a normal couple’s argument. @honestlyewww

tipping point by cherrywhiskey (M, 13k, WangXian, Established Relationship, Angst with a Happy Ending, Hurt/Comfort, Married Couple, Married Life, Bickering, Idiots in Love, Fluff and Angst, Humor, Fights, Arguing, Making Up, Angry Kissing, Making Out, Modern AU, POV Alternating, Fighting)

you became my husband when i first laid my eyes on you by bunnylan (weiyingpretty) (G, 2k, WangXian, Modern AU, Modern Era, Fluff, Boyfriends, Cute, Tik Tok Challenge, Husbands, Established Relationship)

~*~

16. IMTF wangxian or any one of the two as (a) lawyers (b) teachers trying to hide their relationship from students (c) scientists (biologist, physicist, etc.) any kind

Thank you <3

16A)

🔒 a thousand fragile and unprovable things by theLoyalRoyalGuard (G, 5k, WangXian, Modern AU, Trans Male Character, Trans MXY, MXY Deserves Happiness, Best Dads Wangxian, Handwaving The Legal System With The Power of LWJ, A little bit of angst, mostly soft, Happy Ending, Gender Happiness, Let LWJ Wear Skirts Agenda, Additional Warnings In Author’s Note) Lan Wangji is a lawyer

Close to the Truth by Winglesss (M, 14k, WangXian, Modern AU, Christmas Fluff, Christmas Party, Ugly Holiday Sweaters, Romantic Comedy, Fake/Pretend Relationship, Fluff and Angst, Homophobia, Tooth-Rotting Fluff) Lan Wangji is a lawyer

Scapegoat by Anonymous (E, 216k, WIP, WangXian, Modern AU, Trials, Lawyer LWJ, Defendant WWX, Courtroom Drama, False Accusations, Criminal Investigation, Threats of Violence, Hurt WWX, Protective LWJ, Childhood Trauma, Murder Mystery, Pining, Soft WangXian, Slow Burn, Domestic Bliss, Happy Ending, Found Family, Bad Parent YZY, neutral jc, Good Sibling JYL, neutral lxc, Bad Uncle LQR, Implied/Referenced Homophobia, POV Alternating, Top LWJ/Bottom WWX, Pining while fucking, Belly Bulge, Gentle Sex, Angst and Fluff and Smut, Neck Kissing, Eventual Smut, porn in chapter 15, Praise Kink, Homophobia, chapter specific TWs will be in top notes, Power Play, Power Imbalance, Wet Dream)

16C)

🔒 at first sight of the sun by sunflowersfield (T, 3k, WangXian, Modern, Coworkers, Fluff, Neurodiversity, Falling In Love, Getting Together, Happy Ending, First Dates, First Kiss, Hurt/Comfort) Lan Wangji is a researcher at a forest preserve in at first sight of the sun

A Cyborg’s Three Laws by @joshua-beeking, FairyGardenCorgis (M, 194k, WangXian, Future, Cyborgs, Science Fiction, Science Boyfriends, Romance, Slow Burn, Medical Procedures, Surgery, Angst, Fluff, Humor, Eventual Smut, Hurt/Comfort, LWJ has RA, Idiot Friends to Idiot Lovers, Medical Assault, Dehumanization, obscene amounts of cuddling, Versatile wangxian)

~*~

17. Hi! I meant to ask this, but I think I haven't yet (it would already be posted otherwise). For the ITMF, are there any fics where WWX, post canon, gets transported timewise into the 13/16 years he was dead? Preferably only for a bit until he figures out how to get back, and while hiding his identity. Thanks for the help! @hikato-chan

Less Than Two Years by wenqing (maniafic) (T, 5k, WangXian, Time Travel, Post-Canon, but also canon divergent, in an alternate universe though, Minor Angst, mostly wwx confusing the kids)

~*~

If you didn’t get an answer to your ask here, don’t forget to make use of @mdzs-kinkmeme and MDZS KINK MEME on Dreamwidth. Authors actually do use them for ideas. You may get what you order!***Your prompt doesn’t have to be kink! Fluff, crack, whatever - it’s all good!***

[sugar-grigri]

Crazy theory, but since I don't really read them, I don't know if it's ever been mentioned before.

I've already talked about this urge to discover the demon of death. So much so that fans see them in every new character introduced.

We know that Pochita punctuates both the birth and death of demons with his chainsaws.

I've always been surprised by the way Pochita calmly took hold of Makima, allowing Denji to knowingly save her by recommending that he give her love

Just as I'm surprised by Fami's interest in separating Chainsaw Man just as Yoru is stubbornly intent on revenge

How can these three horsemen of the apocalypse have so much interest and connection with a single demon?

We already know that Fujimoto has opted for the metaphorical, choosing the instrument designed for childbirth: the chainsaw, as the keystone of his story.

Chainsaw Man is intrinsically linked to birth and death

Denji's rebirth alone is linked to death having been cut up as well as Pochita?

Demons are born out of fear of one thing, so I know it might be strange that Pochita, representing chainsaws, represents death and isn't the chainsaw demon.

But two things: firstly, the impostor is actually the real chainsaw demon.

Fujimoto likes to undo our first impressions, so I find it absolutely INCREDIBLE that Denji should be the impostor from the start, the false Chainsaw Man in a part 2 that focuses on identity.

Secondly, how can simple chainsaws have so much power? I mean, sure, they're scary, but how can they have so much power as to be able to wipe out demons? Why should it be the chainsaw demon who's capable of this, and death remains crouched in the shadows?

This would also explain his promiscuity with the other Knights of the Apocalypse.

The demon of control wanted to play with Pochita - death was the only thing she couldn't totally control, the only thing she aspired to be on an equal footing with.

If Pochita understood her so well, it was as the fourth knight of the apocalypse. If Makima considered him her equal, it was because she couldn't control a demon she knew to be of her own rank. The logic follows with Nayuta.

The demon of war doesn't accept death, it accepts to spread it through conflicts and weapons of mass murder, but a general doesn't accept that death can touch him too. To spread death represents victory, to be touched by it a defeat that demands vengeance.

Famine works hand in hand with death, and is feared because suffering and death are the end result of not being able to eat. She's the one with the clearest goal at the moment: to save humanity. She doesn't hesitate to recruit her fellow Apocalypse members, whether it's proposing it to Nayuta, trying to recruit Asa and Yoru, or splitting Chainsaw Man in two to work with the pure state of the death demon.

The public hunters' aim is also to protect mankind from Nostradamus' prophecy, but by paralyzing death's actions as much as possible. They exploit Denji's flaws and desire to be normal to the full, threatening those around him. While the church, represented by Fami, titillates Denji's heroic side, his abnormalities, they want death to act.

It would also explain why everyone close to Denji is disappearing.

All the signs are pointing to Asa's imminent atrocity.

Wouldn't it be incredible to think that it's because death is in Denji's belly ?

Everything would then make sense: it's normal for Denji's development to stagnate, and for him to go through so many existential crises.

He doesn't know his own identity

What's more, it doesn't contradict my most meta theories: Fujimoto places himself in the work through Denji (cf. chapter 133), just as he responds directly to his fans (chapters 136 and 137).

We're all hating him, seeing all our favorite characters meet unfortunate deaths

It would all make sense if the manga we were holding in our hands, "Chainsaw Man", actually referred directly to death right from the start.

It would all make sense if we saw Part 1 as Denji's introduction to the ranks of hunters governed by an early death.

It would make sense for Aki's love for him to be a metaphor for accepting death, in the continuity of mourning.

It would make sense for Power to be reassured by Death when traumatized by the demon of darkness: she died twice for love, and the total disappearance of body and spirit allows us to escape the darkness.

I don't know if this theory holds, but let's agree...

It's poetic

[saintsenara]

on ghosts

this question was a postscript to an ask i got about some crack ships:

JK Rowling kind of presents ghosts as pathetic. Is this another indication of her lack of empathy and compassion?

and the answer would have been a bit out of place in a post which was otherwise about whether it's plausible to ship hermione and moaning myrtle... so it's here instead, being my least favourite type of meta, because it requires me to do jkr defending...

the presentation of ghosts in canon - as unhappy, unimpressive, petty, cowardly, annoying, and forever in a state of arrested development - is inextricable from the fact that the harry potter series is for children. there's literally no way to think about them without this being front and centre.

children's literature is inherently didactic - that is, it teaches its readers how to understand and conduct themselves within the world. children's literature therefore has a duty of care towards its audiences that literature written for adults doesn't.

[let me be very clear though that this lack of responsibility only applies to the texts, to the stories themselves. authors writing for adults have plenty of responsibilities to their audience when it comes to their personal conduct around their relationship with fame and with fans. a little topical addendum there...]

above all, when they're coming up with plots and discussing characters' motivations, children's authors need to think about what their audience might be going through in their everyday lives. and they are then obliged to approach these things in their writing in a way which helps their audience make sense of their experiences in a way which supports, encourages, and comforts them.

this doesn't mean that children's literature can't or shouldn't approach hard topics, not in the slightest. but responsible children's literature has to do this in a way that doesn't cause a child reading to incur any additional harm.

and one of humanity's defining childhood milestones is coming to understand what it means when somebody dies.

it was jkr's job to assume that any child reading the series might have recently experienced or face imminently experiencing the death of someone they loved. it was also her job to assume that there were children reading the series who were facing the prospect of dying themselves.

it would have been breathtakingly irresponsible for her to present the act of dying as anything other than natural, neutral [not something which only happens to bad people, for example], unavoidable, and irreversible. it would have been similarly irresponsible for her to present accepting one's own death as anything other than the right choice - a reasonable and rational decision - which is made by people who are brave, clever, curious, loving, and adventurous.

and since her story has ghosts - which is an entirely reasonable worldbuilding decision for someone writing children's fantasy to make - it would have been similarly irresponsible for her to portray those ghosts' relationship with their deaths as anything other than pathetic.

let's imagine, for a second, that sirius had chosen to become a ghost at the end of order of the phoenix. it's not implausible from a watsonian characterisation standpoint, we all know that sirius would have done pretty much anything if it meant not abandoning harry...

but it would have been inexcusable from a doylist one. what would it do to a child who'd just lost their own [god]father to be told that someone who really loved them would have stayed behind?

instead, if we keep the child-reader's welfare in mind, the immediate aftermath of sirius' death is handled really well:

harry explicitly states that sirius would have left the veil if that were possible, and the fact that he doesn't isn't because he doesn't want to, but because he's dead and therefore can't.

harry veers between being distraught, angry, confused, and apathetic. he lashes out. he breaks things. he wants to die. he struggles to find enjoyment in things. he doesn't want to be around other people, except for the times when he does. he doesn't want to talk about sirius. he blames himself for his death.

hagrid acknowledges that sirius didn't want to die, but recognises this doesn't change the fact that he still did.

harry tries to talk to sirius through the mirror and is unable to, because he's dead.

harry asks nearly-headless nick if sirius will come back as a ghost. nick says no, and praises sirius for that decision, saying emphatically that he chose to remain behind because he was a coward, that he regrets his decision, and that those who accept death are happier than those who choose a ghost's half-life.

luna tells harry that grief becomes more manageable as it gets older - even though it doesn't vanish, that it doesn't have to be endured alone, that talking about it with other people is comforting, that the dead are never truly gone [whether the reader wishes to interpret that as meaning the dead are never gone if they're remembered, or as meaning the living and the dead will be reunited in the afterlife], and that it's fine to still take pleasure in things even when you're grieving.

the series also emphasises again and again that not progressing in grief - not learning how to integrate it into everyday life, not growing alongside it, letting it consume you and keep you stuck and stop you enjoying things - is dangerous. which is also a really responsible message for children to receive.

from an adult's perspective, i think it's fine for readers to quibble with the way that the series presents accepting death as obvious and rational. it - like every other example of choice in the series - is presented as an individual one between two binary options - one which is good and correct, one which is bad and wrong - in which broader societal or institutional forces are irrelevant.

for example, voldemort's fear of death, which the series is clear is inextricable from his enormous, corrosive grief over his mother, is presented as something he just decides to do, a wrong, bad, and unsympathetic choice he deliberately makes, rather than a choice influenced by the circumstances of his early life.

this is - unsurprisingly - a genre thing again [children's literature villains have to be the embodiment of evil, they're not supposed to be particularly complex] but jkr does seem to be someone who thinks in this individualistic, binary way about quite a lot of things, gender very much included, and i do think that's worth adult readers bearing in mind.

and so we can certainly decide to examine the decisions made by the series' ghosts through these more nuanced lenses, and to consider the decision not to move on as something which - yes - clearly does have an element of cowardice to it [why else would you accept eternity in a liminal state rather than moving on to something definite?], but which is broader and more messy and more complex and contradictory than canon presents it as.

but we can only do this if we acknowledge that the doylist text did its job properly. the child-reader needed to be left in no doubt that it's good there are no ghosts in their life. and they are.

[starqueensthings]

A very Crosshair Character Analysis

I posted a poll the other day looking for some opinions, and the prompt was: does Crosshair ever truly miss a shot? Meaning, of all the shots we’ve seen him aim and fire, how many of the few that didn’t land, were intended not to land? Does Crosshair have the skill and ability to land every shot he takes, and what of the ones that go astray (because there are some!)? The overarching, collective opinion (77% of votes) is that the sniper only misses a shot when he intends to, but let me explain why I was asking— the "methods behind my madness," if you will… (Fasten your seatbelts, and keep all extremities— and pitchforks— inside the ride!)

If Crosshair “doesn’t miss”, then there are some things that demand consideration and possible explanation. Please accept this weird internet essay as a deep dive into Crosshair’s character based solely on how I perceived his actions throught season one and two, and opinions I formed while watching his character develop. And while this could not be a Tech-approved analysis without touching on both his perceived good qualities and “flaws”, please know this is not a hate-on-Crosshair post.

Before I get into specifics, I think it’s imperative that we establish a basic understanding of his personality before the chip’s activation. While there is, sadly, not much “footage” we can use to form a true characterization of him, there are some instances we can touch on. The Skako/Anaxes arc from TCW and the earliest few moments of “Aftermath”, Crosshair is shown to be quite sarcastic, uninterested in trivial conversation, measurably combative toward those with differing opinions to his (seemingly all regs, including but not limited to Kix and Jesse), moderately argumentative toward leadership outside of his own Sergeant (mainly Rex, as Crosshair seems to have no qualms following Anakin’s or Cody’s orders), comforting to those who need it (Echo), and an overall good tactical team player.

So, let’s start this analysis by dialling things way back to their mission on Kaller and the complications that arose once Order-66 had been dropped. More specifically, hunting Caleb down in the forest. One of the things I noticed upon first watching that scene and every re-watch since, is how often Crosshair toggles back and forth between blaster bolt and stun cartridge on his rifle, as if constantly battling the indecision of exactly how he wanted to detain the Jedi. Now, if you remember, Tech com’s in and basically says [paraphrased obviously]: “Shit is starting to his the fan, we better get our butts outta here,” to which Hunter responds: “Can’t. Haven’t found the kid yet.” Crosshair then chimes in with, what I have long-deemed to be his catch phrase: “Wrong,” and proceeds to shoot the branch that Caleb is perched on. Not Caleb, who, in Crosshair's mind, should be the rightful recipient of a kill shot… the branch. Hmmmm.

If every one of Crosshair’s shots is so masterfully aimed that its deemed an automatic hit, and thus every miss is intentional (a notion of which I also believe, less one particular shot which I’ll touch on a little later), then there would’ve had to have been a portion of Crosshair’s cognition overriding that Order-66 command to eradicate all Jedi, even if it was only enough to fleetingly switch his gun to stun.

Not long afterward, we see his beloved Firepuncher saber-whacked from his hands, and Crosshair opts to then continue his attack with his backup DC17. Missed shot, missed shot, missed shot, missed shot. Were these blown shots intentional as well? And if so, why does he continue to assail the Padawan? Is Crosshair only able to fight off the command to kill Caleb while his finger is on the trigger, possibly knowing that’s when the fight against his own mind becomes most crucial? Is he clinging to some autonomy in the moments where he’s not posing an imminent threat to those around him, like during the flight back to Kamino? Or can he only resist the chip’s influence when the urge to do something terrible is paramount?

Let’s skip ahead, shall we, to when the Batch is attempting to flee Kamino with Omega. Crosshair sashays onto the landing platform in his new gothboy armour, fresh out of an undescribed chip “augmentation” procedure (whatever that eludes to), and proceeds to have a small stand off with Hunter— both of whom have their weapons directed pointedly away from each other (interesting). During the succeeding fire fight, we see Crosshair line up several well aimed shots, many of which appear to be only inches away from landing on their “intended target”. He eventually succeeds in shooting Wrecker in the shoulder, and I’d like to point out that this shot lands almost exactly where Wrecker was hit by the training droid some hours/days previously. Was the placement of this shot intentional? Did Crosshair pick that particular target area knowing Wrecker would survive the damage?

The shot I find most intriguing is the one near-perfectly aimed at Hunter’s head (lol— brothers). You know, the one where Omega saves the day by unexpectedly blasting Crosshair’s rifle out of his hands. If the chip's activation was the reason he was now hunting them and claiming their treason, why had that moment seen him hesitate? Perhaps he needed a second to line up his shot, you might argue to which I would say argue: we’ve seen him use the active recoil from that same rifle to line up his next shot many times in quick succession with a zero margin of error (see the Skako/Anaxes arc in TCW and the first few minutes of Kaller), including when each shot was aimed at targets both more dynamic in action and further away than Hunter was.

Crosshair then takes several shots at the ramp of the Marauder as they take off, all of which are well aimed… and simultaneously redundant; the passengers are taking cover in the ship already, the Marauder has begun its take off, the ramp is closing, Crosshair running whilst knowing he can’t reach them. I personally attribute those last few shots as tokens of both anger and resentment for being left behind, not ones made with the intention of killing. I think that he expected his brothers to know him better than to believe these actions were of sound mind— he thought they’d be able to deduce that he was fighting a losing battle inside his own head, yet they were quick to believe he would actually entertain such sudden and aggressive hostilities toward them.

At this point, you might be itching to argue that maybe Crosshair's accuracy is largely diminished when he opts for a pistol instead of his rifle, and while I can't dispell this theory, I can provide some statistics. We see Crosshair use a pistol only four times in the entirety of the show so far: 1. against Caleb on Kaller (objective miss), 2. against the Batch Batch as their leaving Kamino (objective miss), 3. against a soldier while he and his new elite soldier squad infiltrate Saw's camp (direct hit), and 4. against Leiutenant Nolan when that asshole he gets on Crosshair's last nerve at the Outpost (direct hit). I will leave it up to you to decide if the theory of whether his skill level changes based on the weapon he's firing holds any merit, or is worth further discussion.

Moving on— the 99-clan is reunited on Bracca. Let’s turn our attention to the shot Crosshair takes at Tech whilst the latter was emerging from the ion engine, and I’m going to include pics this time to support my assertion.

Crosshair has an undeniably clear shot— his line of sight is not impeded, there are no environmental or atmospheric disturbances to disrupt his composure, he was ready and waiting for them to appear. The shot that he fires lands a good distance in front of Tech. Though the unexpectedness of it was enough to startle the genius into nearly falling out of the engine, I believe it was intentionally aimed this way (see below). A warning shot if you will. A “Hello, I outsmarted you and am waiting at your point of attempted escape. Stop trying, and get down here because I don’t want my new imperial cohorts to take aim for me and kill you” shot.

The next arc (Ryloth) quickly demonstrates that any neurological augmentations he’s been subject to (at this point, I believe we've been shown two, but have been led to believe there were several), have had no effect on Crosshair’s infamous sniper skills. First, he fires a perfectly aimed tracking beacon onto the moving target of Gobi’s ship. Then, upon the ship’s return, uses a single shot to disable one of the engines; a shot taken from, what appears to be, several kilometres away and having the immediate desired affect of disabling the ship. Finally, he makes the astoungingly precise shot (and I’m using astoundingly very heavily here) of blasting Senator Taa in the head. This shot, more than the previously mentioned two, are a sign of his impeccable marksmanship. Let me remind you, he was an undisclosed albeit very far distance away, on the opposite ridge of an enshadowed canyon, and is still able to shoot the senator in a place in which HE WOULD SURVIVE the attack. And not just survive, “make a full recovery” as Rampart claims afterward. This is unrivalled accuracy, and while I do not support the assassination attempt in itself, I can not deny how much skill was required to have achieved it.

My next point is something I have always personally found quite compelling, and it occurs in an off-the-cuff, likely forgotten about piece of dialogue.

Brief context: Crosshair has scooped Hunter off of Daro, they’ve landed on Kamino, and the duo (and a third soldier) are on their way to the Command Center to await the rest of the squads arrival. One of Crosshair’s elite troopers waits until he departs the platform before approaching Rampart and saying: “I question the clone’s motives with his old squad. I don’t trust any of them.” I’m intrigued to know where such a potent mistrust began. Is it simply because he’s a clone? A person born and raised unnaturally in comparison to someone with a traditional gestation and upbringing? Or has this soldier previously identified possible cracks in Crosshair’s imperial facade? Has Crosshair failed to hide his distress in quiet moments where he possibly longs for the life he had with his brothers? What is it that triggers this soldier to suspect Crosshair has an ulterior motive in capturing his old squad, and one that they’re apparently worried would not coincide with Rampart’s ideals?

Ramparts reply, in my opinion, gives us a well disguised clue: “If his plan fails, none of them will be a problem any longer.” If his plan fails. Crosshair’s plan. Crosshair has a plan for mobilizing his old family into one place, and what is it? Is he concealing the hidden objective of a reunion with his brothers under the guise of squad assassination? Was it always his plan to eliminate his new elite squad members, hence the perfectly placed mirror pucks we see him utilize in the training room, to make room for his old squad?

Remember, Hunter asks him some time later: “So this was your grand plan? Bring us here and kill us?” Crosshair answers: “If I wanted you dead, you would be.” And this is a statement which I believe to be incontrovertibly true. He has never wanted his family dead, despite having both the resources and skill to ensure they would be if that’s what he desired, but no. He’s angry that he’d inherently felt more loyalty to them than they had shown to him; frustrated that their choices post-Kaller did not align with his expectations of their choices, disheartened that they hadn't initially recognized to his choices to be ones made outside his character, and Crosshair now eagerly rebuffs their every excuse. Reference the spoken: “They don’t leave their own behind… most of the time.” . . . “You tried to kill us, we didn’t have a choice.” . . . “And I did?”

And follows the: “We’re loyal to each other, not some empire.” . . . “You weren’t loyal to me. I was one of you. You may have forgotten, but I haven’t. And it’s why I’m going to give you what you never gave me: a chance…” conversation. (Just stab me in the heart and twist the knife around, Jennifer!!!! Ouch!!! I'm still not over this!)

Was this his plan? To lure his brothers back to their home, and indirectly beg them to join the empire? To offer them the chance to join the ranks of those who have relentlessly hunted them, in the hopes that there might be some semblance of safety in conformity? To reunite the elite squad that they were in the days of the Republic (the original elite squad of which Rampart is trying to replicate with tactically inferior recruited bodies), simply for the safety that joining the empire could potentially promise? Is this the first demonstration of Crosshair using hostility to shield those he cares about from the callous clutches of the empire that he’d become painfully familiar with?

Regardless of the still-unexplained motive, Crosshair’s plan fails. Hunter has either become, or has always been, as protective of his family as Crosshair is stubborn, and he would never willingly subject his brothers (and now sister) to a life of committing abhorrent war crimes in the name of an Emperor who rose, uninhibited, to extreme and unnatural levels of power whilst abolishing the Republic of which they'd previously served. That’s not what their squad was made to do, despite Crosshair trying to convince Hunter perhaps maybe it was.

Unsurprisingly, Crosshair’s pitch falls on deaf ears, even despite killing his elite squad as an offering of trust. Once the training droids have been taken care of and the fray had subsided, Crosshair stands to find Hunter now has a blaster pointed directly at him, as does Wrecker— (Echo and Tech, curiously, keep their weapons pointed away), and the tables have quickly turned. Hunter begins his own plea to his brother, and it leads to a very ambiguous admission. Hunter: “Crosshair, forget the empire. This isn’t you, it’s your inhibitor chip.” Crosshair: “Wrong. I had my chip removed a long time ago.”

What degree of this admission is true? All of it? Parts of it? None of it? Was Crosshair only told that his chip was removed during one of the apparently many augmentations he’d been subject to? Was it removed and replaced with an alternative? Or was it truly extracted, and his questionable actions have been entirely his own? If so, was it the fall of the Republic that spooked him enough to join the ranks of an unknown empire? Did the thought of disobeying orders bother him enough to sacrifice the family dynamic he’s always known, and replace it with a safe sense of conformity? And if this is the case, was missing all of the shots he’d aimed at his brothers, a veiled display of love?

Atop the water hours later, Tipoca City has fallen. Due to their imminent death, Crosshair and his squad have been forced to work together to survive. Tech makes a lingering comment about Crosshair’s unyielding personality being outside of his control, and it’s still ringing in our ears at this point because it implies that a lot of this misunderstanding may just be because of how strongly Crosshair forms opinions, and how only one of his brothers understands that about him. Omega is mid-drowning trying to save her droid friend, Hunter is .4 seconds away from leaping into Kamino’s frigid and turbulent waters to try and retrieve her… and we see Crosshair grab his rifle. This is a shot, of any, that I would expect him to miss— water both impedes and shifts the trajectory of a projectile and mathmatically accommodating for this would take some serious, well thought out calculation; the only usable light for aiming is from the burning remnants of their home, and the container in which Crosshair is perched heaves and tips with every wave.

But he doesn’t miss. He, again, demonstrates that he can make any and every shot he wants to. He lands his shot on AZI’s chest (not dissimilar to where he shot Wrecker, on an obviously smaller scale), and pulls Omega from the depths of the water. Upon turning to see his brothers poised and ready to shoot him if they deemed the need appropriate, I think Crosshair realizes how monumental the fracturing of their squad was. They have no trust left for him. His actions, powered by an inhibitor chip or not, quickly led them to believe he was not the person they knew him to be. As much as he desperately wanted to them understand how powerful the control of the chip was, they didn’t. And I think this moment robs Crosshair of some of his anger and resentment he harboured toward them, and reaffirms that his only option now is to follow the path he was first influenced to follow, regardless of if it’s what he wants now or not. He then chooses abandonment. He chooses to be left stranded on that platform, likely aware that the potential he’d perish there was high. His separation was now his choice.

Let’s move on to Season Two! Episode 3, appropriately named “the Solitary Clone”, indirectly shows us more about Crosshair than I believe any previous episode ever has. Crosshair’s marksmanship is, once again, on full display as he takes down an old separatist tank with one shot (I’m still reeling over it, ok? That shit made me horny). And I can’t move on from this episode without also mentioning how it ended— we know Crosshair has respect for Commander Cody, that was demonstrated by his willingness to follow Cody’s command while he rebuked others’ in the Skako/Anaxes arc. I think it’s also apparent by the return of his notorious sarcasm, that Crosshair is happy to see a familiar face, one of which he may have previously deemed a friend. Cody, in return, places tidbit of trust in Crosshair (I’m also going to link this post in case anyone is curious about my thoughts on Cody’s initial comments). Not only does the commander inch toward the precarious conversation about “going rogue” and the Order-66 debacle, but Cody lets Crosshair take the lead after their shuttle crashes on Desix. “Trust me,” Crosshair begs, and Cody accedes.

They gain access to the strong hold; Crosshair, Cody and Nova (RIP) struggle only mildly with the droid forces ("Droideka's."). Crosshair demonstrates more inhuman trigonometry abilities and immaculate skill by using those mirror pucks to shoot around corners. Cody saves Crosshair’s tushy when a Commando droid gets a little too close to the sniper. Crosshair lowers his weapon at Cody’s request while they negotiate with Tawny Ames, a motion he had otherwise refused earlier in the episode (the civillians they come across behind a closed door— Cody lowers his gun and reassures them, Crosshair does not.) And when the Empire shows its true colours by demanding that Cody renege on his promise of peace and assassinate the governor, Crosshair does not hesitate to answer the call.

Now superficially, this act would appear as nothing more than a repeat of his crimes on Onderon, or Crosshair simply “following orders” as he had previously developed into a sort of mantra. But I think it’s much more layered than that. I think Crosshair recognized that Cody would be subject punishment did he not comply, a notion reinforced by his extended time at Rampart’s elbow, where it was regularly displayed that clones were of little significane and use to this new military regime. What would happen to Cody as a result of his disobedience? Would he simply be demoted from Commander? Would he be court-martialed and questioned? Detained and imprisoned? Killed? Is this why Crosshair took action into his own hands, and “did what needed to be done”? To protect Cody from the repercussions of disobeying a direct order? Or, more harrowingly and something that I am more inclined to believe, was Crosshair protecting Cody from the poignant shame and self-hatred that he knew the Commander would feel if he DID comply? Was Crosshair unwilling to let the mind of another clone be tainted by the emotionless demands of the empire, so he took the action upon himself? Was his objectively unnecessary and cruel attack, an action of deep seated respect and appreciation? Is this why Cody's comment about living with the consequences of their decisions affects Crosshair so deeply as they separate at the end of the mission?

Let’s dial back to the debated intention of Crosshair’s shots— are his missed shots deliberately missed? Our next stop on this journey is The Outpost (my personal favourite, and not because of the dreamy, sardonic, bearded Commander Mayday), but because of the overt growth that we see Crosshair attain. (Here’s an analysis I posted a while back about some of the messages I think the writers were trying to convey via symbolism throughout Crosshair's episodes to this point). If you've read it and even partially subscribe to my theory, then we can agree Crosshair’s mentality has been shifting little by little since we saw him last, and his attachment to Mayday (and the adjacent benefit that Crosshair rediscovers in companionship and brotherhood) is proof of this. So here’s what happens— raiders make it inside the perimeter of the Outpost thanks to limited man-power and degrading equipment. Crosshair heads directly to where he knows he can play to his strengths: high ground. He’s taking quick and careful aim at the retreating insurgent when the nearby shuttle explodes, and something peculiar happens. Whether it be the blinding flash of the explosion magnified significantly by his riflescope that had caused him such immediate discomfort, or something more (chip alert? Maybe? Or residual effects of having it augmented so many times?), but Crosshair’s subsequent shot is not of his regular quality. He hits his target, so I am not deeming this as a shot missed, but Crosshair has a track record of “one-shots” or “kill shots” of which this is not.

I’m inclined to ramble on for centuries about this episode because there is simply so much development, growth, and symbolism that occurs in those 28 minutes— it’s truly a masterpiece in story telling, but I’ve deviated too far from the intention of this essay (novel) so let’s trek forward.

Let’s get to Tipping Point, and what I would deem to be his only failed shot (and the implications of what it might mean). Crosshair has been sedated, interrogated, injected, neglected, confused, and abused since arriving on Tantiss. (You guessed it, I also have an analysis of this episode, structured a little differently than my previous but still helps to break down what I deem to be the motives behind his actions). Hemlock first attempts to bribe Crosshair with his freedom in exchange for information on his brothers, and as such, divulges his true need for Omega. Crosshair, who has never really had the chance to bond with her like his brothers have, refuses to provide any information. And why? Having only a surface level relationship with Omega, and having rebuffed her advances for companionship several times, why would he protect her in the face of imminent chemical torture? Because it directly protects them, and they are no longer being hunted by a squad of recruited bodies lead by an angry brother... but by a twisted and cruel doctor who's methods were proven unorthodox and tortuous upon immediate introduction.

Upon awakening from another round of interrogation, Crosshair understands the time to act is diminishing quickly, as is his ability to refuse Hemlock the information he wants. Each interrogation leaves him physically and mentally weaker; the time is act is now. He shoots and kills the pair of troopers, as well as the interrogation droid, with no difficulty. He stuns Emerie the scientist (possibly recognizing her clone accent for what it is, thus opting not to kill her?), steals her access card, and stumbles from the room. His body is no where near recovered from whatever toxin that droid injected him with, and he staggers through the unknown halls. Quickly coming across a pair of troopers guarding a doorway, the next shot is the only one that I believe he truly missed, and understandably so. It lands on the wall between their heads, and Crosshair quickly realizing his failure, shoots them with the following two rounds.

While missing that shot is largely inconsequential to the overall story, I think it’s an important anecdote for his character growth. In that moment, Crosshair is both physically weakened and mentally desperate to get a message to his brothers, and it’s the combination of those that had his aim faulty. He’s found himself nothing more than a man broken… stripped of the celebrated titles he’d once possessed and mentally mined until simply raising and aiming a blaster, a motion he’d once found more innate as breathing, was a motion difficult for him. He's forsaken his family, lost his purpose, been rendered nothing but an experiment and a tool.

So to summarize this egregiously long essay of Crosshair’s character, I’d like to reiterate that he is human. As we all do, he has faults. A lot of his reasoning is arguably flawed. He makes poor decisions, often in haste without considering the ripple effect it may have. He is extremely stubborn, and he does not communicate well. And there are things he’s done and decisions he’s made that I can not personally elucidate and would love to openly discuss with other Crosshair enthusiasts (example, trying to incinerate his brothers in an ion engine— did he assume Hunter would double back again, and this is Crosshair’s attempt at forcing them into the open? Or is this one of the moments when he cannot fight off the chips control?). You don’t have to like him. You don’t have to agree with him or anything he says. You don’t have to like me or agree with anything I say, but as we head into the third and final Act of this remarkable story, it is worth determining which of his actions are superficially misunderstood, and which have a deeper meaning that a casual viewer might simply overlook.

Thank you for attending the Ted Talk that no one asked for.

Holly ♥️

**forewent the taglist as this is not my typical content

[iridiss]

It’s time for part 2 of my in-depth character analysis of Garmau, Laurmau, and Garrance relationship dynamics and development!! Part one is here, and this is a very very long post, just like last time. I am going to go until I hit the image limit of a single tumblr post. With no time to waste, let’s jump straight back into it!

Something that occurred to me after I posted the first part was an idea about Garroth’s decision to create the rule of “any guard that turns into a shadow knight is forced by honor to take his own life the moment he returns from the Nether,” and it’s that I think he did that not out of a lapse of brief, cold heartlessness for Laurance, but out of love. Love for Aphmau, obviously, mainly, but I don’t think Garroth himself thought of something like that as…harsh. I think he genuinely held this shared understanding with Laurance, this assumption of their mutual bond as knights, that he believed he knew Laurance is perfectly well aware of the way this shit goes, this job they’ve pledged their lives to. Laurance’s life is to protect his Lord above all else, Garroth’s life is to protect Aphmau’s at any cost. So of course, if you as a knight have become something so monstrous and bloodthirsty that you are an imminent danger to your own Lord’s life… you either resign, or die. And if someone else was trying to murder their Lord, I imagine the natural thing to do would be to kill that person, so if you eliminate the threat… you save your Lord’s life. Laurance did something incredibly noble by sacrificing himself for Aphmau. That was, effectively, his life’s entire purpose. There’s a sense of being… disposable, as a guard. One that Zenix himself even pointed out and criticized, I believe.

Guards are made to be expendable. It’s the nature of the business. Laurance’s purpose was to give his life to Aphmau. Laurance’s purpose in life was to be expendable. Garroth isn’t purposefully trying to abandon him while he’s being tortured and horrifically broken down to pieces, Garroth highly values the role of a guard and therefore highly values Laurance’s sacrifice, because it is the epitome of the most important thing any guard can ever do in their life. So of course he’s going to make sure Laurance honors that choice. In that way, it’s something twisted and rotten and wrong that a guard would then come back from the dead, especially as an undead threat designed only to kill the very Lord he’s made to protect. To become a Shadow Knight is to become a total inversion of what it means to be a Guard. If any part of the original Laurance still remained inside his heart after his transformation, it only makes sense that his only option remaining would be to take his own life, to sacrifice himself once again to ensure his Lord is safe, it’s not even a matter of how “dark” or “horrific” this may be—it’s just business. And Garroth sees it as that, Garroth sees this as not only incredibly necessary, but as the utmost thing he can do to honor Laurance’s life. He probably thinks Laurance would be relieved to hear about the new rule he’s made, because he trusts he would understand this principle as much as he does. He isn’t casting him out—he’s tenderly taking the last remaining piece of Laurance’s humanity into his hands and sending it back to him like the boat of a funeral pyre. He’s laying him down to rest with a kiss on the head, telling him not to worry anymore. He’s making sure Laurance doesn’t destroy himself in the worst conceivable way possible. He’s trying to save him.

He’s protecting the love of his life, yes, but… he’s protecting Laurance from himself, too. And what relief would it be, to come back in a horrifying bind he struggles to grapple with, struggle to know what to do with or which direction to choose, the old truths or his new instincts as an undead creature—and to realize that he doesn’t need to worry about any of it at all. Because Garroth is there, to build in the safety railing. To create the mattress that cushions his fall. This is the most loving thing Garroth could do for Laurance, in a dilemma like this. To remove the dilemma entirely, and take care of it, take care of his life, take care of their purpose and their Lord, for him. To them, this isn’t something horrific—this is intimate.

Garroth would kill him, if Laurance asked him to. Because Garroth understands what must be done. Because he (believes he) knows what Laurance would want, if he were human again. Where guards like Zenix rebuke their expendability and demand independence and worth of their own, Garroth upholds it as something reverent, something special, something important, something morally good and right and correct that Laurance should adhere to. I wonder how that lesson went, during mentor-and-apprentice training sessions lmao.

…it is still horrifying and fucked up to witness on the outside, though. And Aphmau, who is not a guard, she wasn’t taught any of this. She didn’t have this ingrained in her through years of bootcamp. From her perspective, this is a “WHAT THE FUCK NO!!!! DONT KILL HIM!!! WHY WOULD YOU DO THAT TO HIM??” moment, because if Laurance has been hurt and is currently in a dire and horrible situation, then naturally the good and kind and right thing to do would be to fucking rescue him. Even if he isn’t human anymore, it doesn’t matter what he is now or how he’s changed, he’s their friend and any good and caring friend would save him. Thats what it means to give a shit about him, to rescue him from his perilous situation and bring him home so they can tend to his wounds and take good care of him. She doesn’t think of him as “his purpose as a soldier,” she thinks of him as a goddamn person who deserves better. There’s a very staunch difference in what Garroth and Aphmau believe to be the definition of highest moral good, what it means to be kind (Lawful vs Neutral moment let’s go), and they clash over this. But in the end, she also knows Garroth as a source of wisdom and rational, responsible knowledge in her life, and he is her bodyguard. He knows best about keeping her safe. She knows, rationally speaking, that there’s a danger to letting an undead monster into her home, it’s like she’s trying to bring a bear into the house just because it’s wounded and she wants to help it, and Garroth is saying to her, “no, don’t fucking do that, it’s our house and that thing will KILL YOU” and she’s conflicted on whether or not she should listen to him. She does for a while, though she consistently keeps trying to bring it up and convince him otherwise. Maybe if they were given enough time before Laurance’s return, she would have reached a point where she said “fuck it” to Garroth’s ideals and gone off on her own to bring Laurance back herself, without Garroth.

That being said, no matter what his beliefs are, its still really fucked up and wrong to try to pressure someone actually kill themself, and Garroth should never be doing that to anyone no matter the reason. Especially if that person is very depressed and in need of help. There are better ways to handle the dangers of effectively having a werewolf/vampire in the house. He should have at least tried to search for alternative means to help Laurance or handle his transformation into a Shadow Knight, and I’m very glad and relieved that continuity-wise, Garroth forgot his own fucking rule once Laurance actually returned. I’m glad we left that as a forgotten part in canon history. It’s fascinating to me how Garroth’s own system of morals justifies this behavior so staunchly in his mind, and it reveals to me more of the inner workings of how he works internally as a Lawful-aligned character, and honestly it’s pretty cool that two of our main characters have such different methods of thinking of morality and the greater good and believing in it wholeheartedly, but oh my god man please never do that again. what a way to reunite with a friend, my god

Anyway, we’ve now reached episode 56, and this is where shit gets real.

So the plan to pretend to be Garroth’s girlfriend didn’t work out so hot. Aphmau keeps having this bad habit of almost getting arrested lmao, this is the second time in S1 where Garroth and Laurance have to step in to save her from getting arrested. It’s also our second ever solid Aphmau/Garroth/Laurance interaction as a trio, to see how they clash and mold and mix with each other once they’re all together as a unit.

I’d like to point out, Garroth is willing to cut his brother to pieces if it means protecting Aphmau. MCD!Garroth doesn’t have anywhere near as much affection for his little brother as he does in Mystreet, in Mystreet he’s much more doting and loving, while in MCD he seems to regard Zane with this disgust, fear, and disdain. He says he’s uncomfortable being in the same village as him, says Zane has always displayed “disgusting” personality traits since long before his father’s corruption, and generally regards him with disgust, contempt, anxiety, discomfort, and terror. Not to say that that’s the only thing MCD!Garroth feels about Zane, but it’s definitely there at the forefront. So I suppose it’s not terribly surprising that if Zane merely talked shit about Aphmau, let alone threatened her very life, he would be a hair away from murdering him in favor of defending his Lord lol. But still, I find it interesting. His family has most certainly moved elsewhere. Zane isn’t his family, not as much as Aphmau and Levin (COUGH and Zoey COUGH) are.

And then Laurance pulls this.

This is so impactful of a shock to Garroth that we even get a dramatic angle shot of him, with all the limited “film equipment” they had at the time. You just know Jess had to break a block right in front of the NPC and get into this one-block-hole so she could get the right angle looking up at him lmao, and then probably had to fill that hole and move back to her spot to continue filming. Maybe she even went into creative mode for it. Teasing lmao

Anyway, I do think this was a smart move on Laurance’s part. He recognizes The High Priest of O’khasis through the commands and speech of the guard and Zane himself, probably realizes “oh shit, HE’S here? Oh fuck, this is really bad,” and keep in mind he has NO CONTEXT for what’s going on!! No one has told him a damn thing about Zane being here, or the fake relationship between Garroth and Aphmau, he has no idea what they’re all talking about, he just knows that O’khasis means really bad news and if he doesn’t act fast, Aphmau will be in some serious trouble, and he may never see her again. And unless he and Garroth had some sort of intimate off-screen conversation before this, this would also be how Laurance finds out in the moment that Garroth is the brother to Prince and High Priest of O’khasis, Zane Ro’meave—and therefore, Garroth is a Prince. Instead of reeling over these realizations and losing his shit, his clever mind comes up with a plan on the spot and starts twisting the fuck out of Zane’s arm to make him leave.

He listens to what Zane is saying, and Zane says that Aphmau was implying that Garroth might have a woman in his life, and Zane assumed that she was talking about herself, but doesn’t have any proof more than speculation, and is using said speculation as grounds for an arrest. Laurance hears this, understands that they don’t actually know if Aphmau is dating anyone, so Laurance calculates taking advantage of that confusion and swoops in with a claim that completely destroys Zane’s entire argument. Aphmau can’t be guilty of espionage, if she’s actually dating Laurance instead, so he pounces.

I don’t think he did this to get some sort of cheap win of “ooooh look at me I got the girl, lemme rub it in Garroth’s face while we’re here, ooh look I’m forcing her to be my fiance all of a sudden without even asking for her consent,” he actually feels really bad for suddenly jumping this on them and likely wishes he could have at least discussed it with them beforehand, but again, no one explained a damn thing to him, and they wouldn’t have expected this to happen anyway. There was no possible preparation for this beforehand, and frankly, he needed the others to believe him too, in order to convince Zane he was telling the truth.

He doubles down hard, acting with complete confidence and cold, determined certainty.

Clever and sly as a fox, he starts blackmailing Zane immediately. Picking apart his arguments to peel back the veneer that Zane’s crafted for himself and reveal the sheer extent of his lies and his own acts of treason underneath, and he uses that to scare Zane into shutting the fuck up. Laurance sees Zane for who he truly is, in the same way Zane sees Laurance for the Shadow Knight he really is. He’s not afraid to call him out on it, saying “hey, you think you have grounds to arrest her? You should remember I have grounds to tear your life apart, you son of a bitch.” And when Zane threatens to destroy Laurance’s life in turn, he says that’s fine, because if it means protecting Aphmau, he has nothing left to lose. He is a Shadow Knight, after all, he’s pretty much lost everything he could’ve held onto before. He lives under a ticking timebomb. There’s nothing Zane can take away from him that he won’t inevitably lose, once his time is up. If Zane wants to destroy him, he’ll fuckin take him down with him.

I love Zane calling him, “you of all people.” They don’t have any history together, he doesn’t know who Laurance is. So I think when he says “you of all people,” he’s referring to Laurance’s identity as a Shadow Knight. Zane may have dirtied his hands with his own demonic magical dealings, but he’s still a High Priest. This is a holy man, and the highest holy man of Ru’auns biggest empire. It’d make sense that he’d look down on Laurance as a Shadow Knight, seeing him as a form of lesser vermin under his superior shoe. Laurance is a demonic creature, and Zane is a holy priest. There’s a hierarchy, a superiority, there between them. I love this moment as Laurance revealing his hand as a demonic creature, meeting this holy man and seeing him for the sinful, filthy beast he really is, and reflecting it back for all to see. He knows what Zane is, he knows all about people like him. “I know a fellow sinner when I see it,” he says to him, “You can’t escape me that easily. You think you’re better than me? I’ll show the world exactly how holy you really are.” It’s the first thing Laurance does as a Shadow Knight, imo. The priest meets his match against the demon who can smell his sins a mile away.

Anyway. Laurance lied when he said he was Aphmau’s fiance, but he was telling the truth when he called her the love of his life, the only light in the dark, the one person he would sacrifice his entire life and well-being for time and time again. In a way, he’s offering up his own neck for the chopping block a second time here. He may be horrifically traumatized by what came of it afterwards, but one thing he’ll never regret is giving up his life for Aphmau, and here he’s insisting he can and WILL do it again and again if it meant keeping her safe. He just got back, and he’s already shoving her out of the way of the bullet and taking the glare of Zane’s rage for himself, putting himself under the blade and offering himself up for the feasting. “Here, you want a bite?” He challenges, “Take one from me. I have nothing left to lose. There’s nothing left for me. I’m expendable, remember? I’m the disposable one. If you want someone to destroy, choose me.”

Boy needs therapy.

He really does love her, though. It seems there was some level of genuine affection that he developed for her in the time where they were barely more than strangers, trying to flirt with some strange maiden he found and getting vehemently rejected at every turn. I don’t know why he would, but it seems it was enough to let his love for her multiply tenfold since his sacrifice.

In his confession earlier, he says he clung to the thought of her as his only solace keeping him sane through his transformation. In doing so, he formed this feeling of dependence upon her that forged as strong as a dog’s love for their master. She has become his definition of comfort.

Zane does a really mean thing by asking Garroth, of all people, if they have his “permission” to get married. (…not that they would ever in a million years need his permission to get married… considering he’s not their dad or a family member or anything, he’s just their friend,,, his opinion would mean nothing and changes nothing… but Zane’s specifically trying to be a jerk here, so)

And Garroth says yes. It takes him a long time to force it out of his lips, though. And I’m wondering if maybe this is purely a moment of circumstance, where he can recognize that Laurance is specifically saving Aphmau’s life in this situation, and if he says no, he fucks everything up. The reason why I feel like he’s forcing himself to say yes due to the circumstance, and not being 100% genuine here, is because in later instances, Garroth does NNNOOOOT take kindly to Aphmau hooking up with other people. Like with his betrayal in the S1 finale, he takes Aphmau kissing Laurance soooo incredibly personally and very very badly. And again later on, when Aphmau tells him she’s pregnant with Aaron’s child, he doesn’t take THAT well EITHER. Garroth, to me, feels like someone who believes Aphmau should be his and his alone, and when someone else interferes with that, holy fucking hell does he have a PROBLEM with it. He doesn’t exactly strike me as the kind of guy who likes to share, I suppose. He’s always been a much more territorial soul than say, Laurance, and especially more so than Aaron. So to me, I see this and I think he is using every single nerve and bone in his body to restrain himself from losing his cool. He is doing everything in his power not to scream or cry or start shouting right now lmao.

He recognizes Laurance is currently trying to save Aphmau’s life, which, again from before, is something that means a lot to Garroth and something he really really admires in Laurance. (it’s kind of the only thing he admires about laurance, actually… at this point in S1, at least.) So there’s this conflict between bringing out and exemplifying the thing he admires most in Laurance and knows he’s very trustworthy and honorable with, but also like. that’s the girl he likes, so he’s upset she’s.. dating someone else or whatever. To be honest, he probably does suspect that Laurance is lying. Because when Laurance dropped the act and admits he’s lying and apologizes, Garroth doesn’t show ANY surprise over it. He says it’s okay, he knows he was just trying to save her life.

He knows they’re not actually getting married. He’s just that upset to even witness or hear anything suggesting the hypothetical that they would. It really does distress him quite a bit. (which will become a problem later……)

This is the beginning of their rivalry/competition over Aphmau, though.

And with the beginning of the actual competition, I’d like to set a disclaimer: I’m a very polyamorous/open person. I do not take the “ship war” bullshit seriously lmao. If you asked me which “side” I’m on, I would say I’m on Aphmau’s side, honestly. The girl is her own individual human being and a person who deserves to have a right to her own autonomy and personal choice, and it is both hilarious and deeply concerning to me that Garroth and Laurance think they have any control or say over who Aphmau chooses to kiss and sleep with. Especially since she’s still single and not actually dating either of them, so she has NO REASON to be “committed” to either of them. Garroth and Laurance are like investors crying over a bidding war for a plot of land, and I do not take their “””heartbreak””” seriously. It is quite literally the definition of a manchild crying over spilled milk to me. Aphmau is her own person whose free will deserves to be respected, not a piece of territory that they can claim ownership of or dictate the decisions of. Garroth and Laurance have literally zero right to get angry or upset with her for romantically choosing someone else, and to do so is not only very dehumanizing/objectifying towards Aphmau, but also just…generally extremely emotionally immature. The correct reaction they both should have had is to congratulate her, say they’re happy for her and her happiness, wish her well, and then just…continue going about their day. And if they did cry about it later, they cry about it very far away from Aphmau and her happy new life and continue to treat her respectfully, appropriately, and professionally the next time they see her. Buuut I also understand that respectful and emotionally mature behavior doesn’t always breed the best drama for a plot, and we are dealing with the Aphverse and its number one favorite kind of drama to write, so it is what it is.

So know that when I assess the ship war as, unfortunately, a pivotal core of the majority of Garmau and Laurmau interactions across the Aphverse, know that im coming from an impartial place who does not favor any side any way. When Aaron gets introduced, this will also apply to him, and I’ll be analyzing his character and Aarmau’s relationship with equal levels of care and respect and fairness (especially since I honestly kinda like Aaron as a character… he’s a really chill and cool guy, once you look past any “cringe factor” of him being a mega buff self-insert character whose the Ultimate Alpha Werewolf and Super Sexy lolol, or any lapse in the writers own personal judgment in regards to whether or not it’s appropriate for a freshman to date a senior ((it’s really really not)). But I’m not here for the writers own lapses and judgments, im here for the character. And I like Aaron Lycan the character, so I wanna give him a fair chance) I like all of them, and I love this series, so I’m not gonna like…favor any side in particular, and if anything, I’m against the competition itself as a whole and im not gonna be afraid to call Garroth and Laurance out on the moments where they’re being total assholes about it. Aphmau deserved better lmao. I’m glad that in Mystreet she got married to the only character in the entire cast who doesn’t actually give a shit about any of this lol, she deserves better than to worry about territorialism bullshit

I do like that their rivalry isn’t really a hostile one, though. Garroth and Laurance don’t make enemies out of each other despite the situation, they actually find a really close bond in each other through it all. They’re not perfect, but they’re kind to each other, and I like that approach. It’s different from a lot of other “love competition” plots I’ve seen, where the men are locked in an embarrassing, perpetual toxic-masculinity-ragefest pissing-on-each-other contest lolol. It cuts in half the potentially debilitating level of second-hand embarrassment I’d get just by watching them, and personally I feel like it’d make more sense for two knights to be chivalrous with one another and honor one another than anything else. So if this is the first note we’re introducing their rivalry on, it’s a wonderful one, and I love this scene as a whole. They can be very adorable sometimes.

Laurance immediately apologizes once Zane leaves them be, like a sweetheart he feels horrible for doing something like that to them so suddenly <3

I love Garroth treating him civilly, he recognizes the situation for what it is, and though I imagine he got quite the upsetting scare that he’s still feeling shaken up by, it’s overpowered by Garroth’s own immense admiration for Laurance’s actions as an honorable knight. He knows he can trust him with Aphmau’s life, he knows that Laurance will take good care of his loved ones and do anything he can to make sure that they’re okay. That’s a big deal, especially since Laurance’s loyalties as a guard would technically belong to Meteli, as its Head Guard. But Laurance’s care and good heart doesn’t apply only to the people under Meteli’s jurisdiction—the people he’s required to guard as part of his job. Phoenix Drop isn’t his business, he would have reason to leave and go back home and not give a shit about Aphmau and her troubles, but he doesn’t. His principles and his heart apply to anyone in need, no matter who they are or where they’re from or who they serve. That’s a true honorable man/knight, someone who does it not just for a job, but because it’s in his nature to tend to everyone in need, no matter what. He’ll always look after you, whether you’re a child of O’khasis or the Lord of Meteli, his heart knows no boundaries. And Garroth sees this in him, sees this on full display that night when he stepped in to save Aphmau—and it’s incredibly important to recognize who he’s standing up to. He’s not only willing to go to blows with a Goddamn Prince Of Motherfucking O’khasis, seeing him for his corruption and not being afraid to defend underdogs in need, even standing up to other fellow guards who chose their greed and pride over doing good by serving Zane (contrasting Laurance’s choices), but he’s willing to confront Zane Ro’meave, Garroth’s brother. He is, unintentionally, in a way, defending Garroth as well, from his abusive family members. Zane is hellbent on hurting Garroth by taking Aphmau away (thus ensuring Garroth would come with him and return to O’khasis), and Laurance stops that shit from happening.

It’s unspoken, but in this scene, he’s protecting Garroth as much as he’s protecting Aphmau. He just saved both of their asses. And I feel like that would mean a lot to Garroth, to see Laurance stand up to his terrifying, overpowered family in order to protect Garroth and his loved ones, putting his own neck on the line despite the massive risk, despite how much power and money he could gain if he followed in the other, corrupt guards’ footsteps and chose to defend Zane instead. It must feel incredibly cathartic and even emotional for Garroth, to see someone defend him from his family with all the strength and bravery and balls he doesn’t have to stand up to Zane himself—and also have the incredible wits enough to make it work!!! This is an incredible and miraculous feat Laurance has just pulled off here!!! He outsmarted Zane Ro’meave!!! Made the High Priest of O’khasis run for the hills with his tail between his legs!! Laurance would, without question, stand up to your bullies and defend the underdog no matter what, and he would WIN <3

Ironically enough, if there’s any moment where Garroth would decide that Laurance is a keeper, I think this scene would make a pretty damn good contender.

Which I think is why Garroth doesn’t get angry with him for this. He’s not happy at all that Laurance would claim to be Aphmau’s fiancé, even if he knew for certain that he was blowing smoke, but everything else about this scenario overpowers that anger/upset, so he chooses to be civil and gracious instead. He‘s feeling the brunt of a bruised heart and ego, yes, but he also came out of this with the knowledge that he could most certainly trust Laurance with both his and Aphmau’s lives.

Which would probably throw some conflicted feelings into the mix of the whole “Laurance is a shadow knight designed to murder the mother of my son” thing lmao.

Also I love to picture Garroth looking like he’s on the edge of tears here, and Laurance internally thinking to himself throughout the entire confrontation “shit fuck damn it Garroth im so sorry im so sorry DONT BELIEVE ME YOU DUMBASS IM SO SORRY MAN AAAUUUUGH” and then apologizing to him so earnestly once Zane left, trying to console him because he knows what a dick move doing that to his crush in front of him would be and he feels SO BAD. And meanwhile Garroth sniffles and says “it’s okay, really, it’s fine… you saved her life, I can’t thank you enough…” and Laurance gives him a hug

Garroth wanting to hurt, maim, or potentially even kill his own brother because he threatened and insulted Aphmau. Wanting him to just disappear, to go away, to get rid of him or scare him off somehow. Their relationship is significantly worse in MCD than it is in Mystreet.

chat I love them so much <3 Laurance flirting with Aphmau purely just to taunt her and be a teasing little shit, Garroth laughing along and teasing Aphmau alongside him, so Aphmau turns the tables to tease Laurance by saying she’s gonna make Cadenza dye his hair blue next time, and Garroth backing her up by saying it already is blue. There’s a beat between Laurance’s “WHAT?!” And “YOU GUYS ARE JERKS!” So I can’t help but imagine he uses that beat to reflexively take his hair and try to check what color it is, only to realize he can’t fuckin’ see and that’s why they’re saying it’s blue to tease him back, and then he calls them jerks for it lmao. Garroth and Aphmau laugh, and then Aphmau drags them both back to the party to dance and have fun together as a trio for the rest of the night.

GUYS THEY’RE BESTIES NOW!!! THEY’RE BESTIES TOGETHER!! THE THREE MUSKETEERS!! Laurmau, Garrance, and Garmau work really well as individual pairs, but when they’re together as a trio is when they start to really shine and boost each other up in their happiness. I love the teasing and mischief and chaos that naturally blooms between the three of them when they feel comfortable and relaxed with each other, it heavily contrasts the strict, sterile professionalism they normally have to keep up for the sake of their jobs and their safety and gives them this real sense of…being human, together. In those moments, they’re not “knights doing their job” or a lord trying to maintain order, they’re dumb young adults playing and fucking around and enjoying the time they have together—especially in a world where time is, often, cut short. No wars, no politics, not even much about their inner competition. Just them, as they truly act when they’re at their happiest and most comfortable, embracing the time they have together. A family.

Garroth cuts loose his usual shy, strict, closed off exterior and goofs off, something that’d normally be very rare if not at all possible to witness with the man, if it wasn’t for Aphmau and Laurance bringing out his more snarky, playful side. Laurance continues to be a flirtatious tease, but this time it’s not because he wants something out of Aphmau, it’s because he’s being a dork who’s trying to be funny and stupid and silly to make her or Garroth laugh. He’s taunting her. It’s much more light-hearted and genuine and sincere than the “fuckboy” style flirting he was keeping up earlier, and I think that’s why it works better with Aphmau. Because it’s coming from an entirely different place. It’s not spoken with the intent of “I wanna get something out of you ;)” (which makes her uncomfortable) it’s spoken with the intent of two best friends taunting and teasing each other back and forth in order to have fun and be little shits to each other and ultimately make the other laugh. And that, Aphmau most CERTAINLY can get behind.

Something I like to notice in MCD!Aphmau is that all Aphmaus, in every universe, have a very core personality trait of “playful.” They’re mischievous, they’re chaotic, they cause trouble, they tease others, they love puns, they’re always the first to start laughing and the loudest to laugh. But most Aphmaus have some sort of variation in the specifics of how that playful core nature manifests. Like, Void Paradox Aphmau might veer a little more likely to literally set herself on fire if she thinks her hypothesis will work, but Mystreet!Aphmau has a liiiittle bit of a stronger fear of death lmao. MCD!Aphmau is the least playful out of all the Aphmaus, due to circumstance. When you’re in the middle of a war and spending every day slaving away at your unrelenting job trying to make sure everyone you love and care for doesn’t get literally fucking murdered in the next week, and if they do it’s your fault as a leader—you kinda end up not having as bright and bubbly of a spirit on main anymore! MCD!Aphmau is also one of the oldest Aphmaus in terms of meta, real-world time. MCD came before Mystreet and its more light-hearted tone, and it came well before the extreme tone shift of Cocomau/Aphmau SMP content. The difference between the original Diaries Aphmau and Cocomau Aphmau is very night and day.

MCD!Aphmau is the most emotionally mature. She’s more serious, more stern, more cautious, more depressed and anxious and traumatized and stressed out, she’s more jaded, she forms trust issues that struggle against her constant desire to be forgiving, she’s a military leader, she’s constantly locked in violent combat where she fights for her life on the regular against a myriad of foes constantly trying to kill her, she creates battle plans and military strategies and political tactics and allegiances with other nations. One of the things war forces its newest soldiers to do is to grow up. And as MCD progresses, you can see the gradually increasing toll it takes on her. S2 Aphmau carries herself with a much more emotionally scarred and stressed out demeanor than she did at the beginning of S1, and by S3, she’s seen the love of her life die. She’s lost too much to be…bubbly, silly, air-headed, clumsy Aphmau anymore.

So to have someone in her life that can bring out the more innocent heart buried deep inside her… It’s fucking beautiful. To remind her of who she used to be, to put a smile on her face in a time of dire trauma and depression, to make her laugh and stop worrying about the world for just a moment… To bring back to the surface the kind of Aphmau we see in Mystreet, and make her feel free… She needs her boys. She really, really does. She depends on them more than they depend on her. Her boys are her soft place to land, her grounding comfort, who make her feel human again and keep her from losing herself in it all. They keep her afloat. Especially Laurance, whose number one gift is laughter. He may be clever, or brave, or resilient, or doggedly loyal, but by far, Laurance’s greatest strength and greatest asset is his ability to bring laughter. Joy and whimsy and innocence and love that comforts above all else. For someone who struggles so much to find his own sense of humanity, he sure is good at bringing out everyone else’s humanity. I’d kill to have someone like that be by my side during my darkest hour.

Their happy, carefree moments are so rare in this series. It’s always a treasure to find them.

They’ve grown a bond now, but it’s not easy knowing that Laurance is still a monster of the undead. Garroth feels conflicted now, when previously he was utterly resolved in his determination to make sure Laurance, as a Shadow Knight, stayed away from Aphmau and their town, now he knows and likes and admires Laurance as a person. Now he doesn’t know what to do. He’s terrified of the possibility that Laurance could turn at any moment and attack them, he’s much more scared of it than Aphmau is. He trusts Laurance the person with their lives, but Laurance the Shadow Knight…

Meanwhile, Aphmau does not give a shit lmao. Garroth confides in her that he’s scared Laurance might actually kill her, and Aphmau’s like “lmao is this because ur jealous he got to flirt with me last night and u didn’t” and teases him for it. Girl is NOT worried at ALL. (even though it’s her life on the line…) It’s almost like it doesn’t fully click in her mind that this man, one of her closest allies, the man she plays and jokes around with so easily even now, he will be the one to draw her blood. She’s playing with the wolves, as their number one prey, with the number one predator chosen to devour her and her specifically, with the carnivorous beast that craves nothing but her and her blood, his only desire for the feasting, and she just…has no fear. Not really, not deeply, not truly. Not like Garroth does. Maybe as the cat curling up on the crocodile tongue, it still exists in her mind the possibility that those jaws could snap down on her at any time. But she knows Laurance, she trusts Laurance, she knows he won’t. He holds her life in his hands, and she trusts him so much to feel completely comfortable with how he holds her. His jaws could hold themselves over her throat, and she wouldn’t begin to sweat. She still holds on tight to him. She’s the one who feels in control, despite all the odds. She knows he’s not going to hurt her, not like this. She knows he’s tamed. So of course she teases Garroth, taunts him for his concerns.

(aphmau likes her boys to be a lil,,, a little monstrous <3 …… a lil bit deadly, a little bit inhuman…… lil bit a fangs, little bit a claws… monsterfucker aphmau real…… ily monsterfucker aphmau……)

Laurance is currently reveling in the joy and relief of being out of the Nether, recovering his sight, he’s starting to get his old self back. So he plays along with their banter, laughing and having the time of his life. He doesn’t feel like much of a Shadow Knight right now. But he does take Garroth’s concerns seriously, seriously enough to offer to leave Phoenix Drop completely if he starts to really scare them. The weight of this offers kinda glossed over in canon, but like…I want to bring your attention to how heartbreaking that’d be. Aphmau is his number one comfort person, the love of his life, the light in his darkness, the woman that makes him feel human, the close friend that brings out his truest self and holds him dear. He’s offering to give all of that up, everything that makes him happy, everything that makes him feel human, if they would feel safer and more comfortable living without him in their lives. I can only imagine how quickly he would make a dramatic turn for the worst if he did actually leave Phoenix Drop like this, how fast he would deteriorate, the deep depression he would be allowing himself to slip into, all to make them happy. He would give up everything, if it meant they would be happier without him. Guys I want to cry.

AND HE SAYS “It’s just nice to have a place to call home.” GUYS!!!!!!! AAAUAUAUAUUUGUGUGHG HH!!!!!!!!!!! DO YOU KNOW WHAT THAT MEANS ?!?????? He has Meteli, doesn’t he? If he still considered Meteli a home he could return to, why the fuck would he talk like he DOESNT HAVE ANYWHERE ELSE TO GO ANYMORE—!!-!!!!!!!

Joh was murdered by Sasha, a Shadow Knight. Hayden and Cadenza were both kidnapped by a Shadow Knight. He has, quite literally, become the very same thing that has broken and traumatized his family the most. He resigned as the Head Guard of Meteli after his return from the Nether. It would make a whole lot of sense if Laurance chose to withdraw himself from Meteli, his hometown, and his only-surviving father, in an effort to protect them. Do you think Hayden even knows? Do you think Hayden was told that his son figure was lost to the Nether? Do you think anyone told him? I don’t think Cadenza or Hayden know that he’s a Shadow Knight now—the very thing that murdered his other dad. Do you think Laurance chose to leave his home behind, in an effort to conceal the horrible truth and protect them too? Do you think he resigned as the Head Guard of Meteli because he doesn’t trust himself to protect Hayden, because if he was already incapable of protecting Joh before, how bad do you think it’d be now that he’s the same breed as his killer? Do you think he believes he wouldn’t be fit to be the Head Guard of a town already so traumatized and scarred by Shadow Knights in its past? That he doesn’t belong there anymore? How traumatic would that be for him? To become his own worst nightmare? To let go of his own hometown, to let go of his family in a way, to keep the truth from them, because he knows how they would react if they found out what he had become? Do you think he believes they wouldn’t trust him anymore? Wouldn’t think so highly of him anymore? Do you think he thinks of telling Cadenza the truth, sometimes? How she would react, if she knew?

He doesn’t consider Meteli a home he can return to anymore. Phoenix Drop is the only place he can stay, with the only two people who know the truth and are still willing to keep him around. So if he left PD, he would become a homeless wanderer, with nowhere to stay, no one to trust, nowhere to go. He really wouldn’t have anything left. So Laurance does everything he can now to help out around the village and help Garroth with his work, likely to prove that he’s worth keeping around and to make up for any loss that his new identity may cause. Aaaoouguhhuhhhhhghhh gguhhuhhhhhgggggggggggg

ALSO!!! LAURANCE IS PLAYING WITH HER SON!!! LAURDAD!!! LAURDAD!!!!!! EVERYONE TURN ON THE ALARM BELLS, WE HAVE DAD LAURANCE BEING ADORABLE!!!!!!!

With all of that said, don’t get too attached to all the gutpunching goodness of these episodes’ moments, because we’re about to cover the most fucking hilarious and utterly embarrassing Garmau/Laurmau moment in the entire series. To me, at least.

That’s right, we’ve reached the “witnessing your WORST FEARS!!” episode. And this is Garroth and Laurance’s worst fear, right here.

Excuse my burning, autistic passion for a moment: LOOK AT THESE LOSERS!!! LOOK AT THESE UTTER DUMBASSES!!! LOOK AT HOW THEY SUCK ASS!!!!! They’re so embarrassing to witness I want to SCREAM. I want to tear them to pieces with my teeth like a dog upon a chew toy, LOOK AT HOW FUCKING STUPID THEY ARE!!! This is the lowest point Garroth and Laurance’s intelligence has EVER hit (thus far) and to me, honest to god, it’d be less embarrassing if they pissed themselves. What fuckin’ losers. I’m so unreasonably peeved by their idiocy (says the person writing 10,000 words of yapping about everything these fuckin Lego blocks do and think and say………)

But seriously you honest to god could not make me believe that “aphmau kissing a stranger they’ve never met” is the worst fear of both Garroth and Laurance. Bullshit. I call absolute fuckin bullshit. I REFUSE to believe that, fuck that shit. Do you have any idea what these bitches have been through???? Laurance witnessed his own father figure be horrifically MURDERED in front of his very eyes, when it was HIS JOB AND SOLE RESPONSIBILITY to make sure he stayed alive, and he FAILED. Not only that, his father figure was murdered by his own and only BESTEST FRIEND, after he WATCHED HER BURN ALIVE IN A POOL OF LAVA, and then he returned to the very same realm he watched her die in, gave up his LIFE to SLOWLY DIE IN A HORRIFICALLY TRAUMATIC PROCESS OF PHYSICAL TORTURE AND UNGODLY LEVELS OF PAIN that gave him SEVERE PTSD in the very same realm that she died in, only to become the SAME EXACT BREED OF MONSTER THAT HE WATCHED KILL HIS FATHER, and forever be faced with the reality of INEVITABLY FOLLOWING IN HER FOOTSTEPS AND REPEATING THE SAME CRIME BY MURDERING THE LOVE OF HIS LIFE!!!!!

AND GARROTH???? OHOHO THIS BITCH AINT FREE EITHER!!!! Garroth was raised in a highly dysfunctional, possibly even abusive household with a vicious and cruel father that looms over his life and legacy like the world’s most mortifying shadow of every expectation he COULDN’T MEET because he was so goddamn upset and scared and disturbed by the ways his father tried to remove his personal agency and consent (by marrying someone he didn’t want to, entering a romantic, possibly physical relationship he did not consent to) that he faked his OWN DEATH to RUN AWAY FROM HIS FAMILY, only to be rendered incapable of meeting the expectations and hopes of all the people in Phoenix Drop, too. He disappoints them like he disappoints everyone, and everything goes wrong because it’s his fault, and he never stops feeling guilty for his own cowardice or his loving heart that can’t see people’s true corruptions until it’s too late, he loathes himself for every sin that he carries upon his shoulders. Even if it’d be personally reasonable that he didn’t know, or he was only trying to take care of himself in a dire moment of need, etc. He’s lost his brothers, he’s lost Zenix, who he still terribly mourns to this day. He still believes in Zenix, he still grieves losing him, this monster he believes he created. He watched Phoenix Drop burn, because of Zenix, because of him. He thought he was safe, before Zane came around, before his only place of safety and security away from his mortifying family was completely breached and torn wide open by his ravenous brother, hunting him down like a bloodhound upon rabbits, there’s nowhere safe for him to hide anymore. He’s not safe from his family, no matter how far he tries to run, how much he tries to hide. He’s not safe from Zane taking everything away from him just for the kicks and giggles of it, he’s not safe from his father taking away his life and his personhood, he’s not safe from his legacy or his ever-looming shadow, he’s not safe from his sins, from the shadow of Lord Malik, from the weight of Zenix upon his shoulders, from losing his mommy, from losing Vylad… Garroth lives in a perpetual state of seeing his world, his safety, his security, crumble to dust all around him. Garroth lives in fear. Garroth lives in shame. Garroth can’t stop running, no matter how close the hounds get to snapping at his hooves, Garroth can’t stop hiding, no matter how many times his family pries open his security measures and breaks down his walls and invades every last space they weren’t allowed to open up. He belongs to his father and his wicked throne. The noose never stops looming, never stops closing tighter and tighter around his throat, no matter how hard he thrashes or struggles—or straight up just…gives up. His family tells him he means nothing, that he should be ashamed, that he’s stupid and worthless and only good for continuing the monarchy, and he believes them.

Garroth and Laurance’s “worst fear” would never be “aphmau kissing another man,” and in comparison to everything else we know about their character arcs by this point, the sheer childish, shallow pettiness of this choice feels like someone spitting on everything else these boys have been through. Not to mention the fact that we’re toeing the line of toxic, territorial heteronormative bullshit and toxically possessive behavior with shit like this. Genuinely it is not okay in any degree for Laurance or Garroth to actually attack and try to physically or violently harm anyone Aphmau wants to hook up with, especially since she is single and can date whoever she pleases, and they have zero ownership over her, nor do they deserve ANY control over her love life just because they like her. Thats fucked up, man. If this were actually really happening and Aphmau really did want to kiss Dante, and Laurance and Garroth tried to fucking maim him for it, Aphmau would have every right to fire them and kick them out of her guard. She would have every right and frankly should kick them to the curb for ever even attempting such a thing. What the fuck.

And on slightly more analysis-based terms, I believe Aphmau’s presence in their lives does make up an aspect of their overarching tapestry of trauma and fear and concerns and thoughts. If you put them through a nightmare sequence that covered all of their worst fears, I believe she should definitely make an appearance! But not like this. Not in the context of “ohh what if she romantically gets with someone else,” bro wtf they’ve got SOOOOO much bigger fish on their plates to worry about rn wtf. How about “I hope Zane doesn’t try to execute the love of my life and take me away from my son,” huh? What about “I hope I don’t worsen my greatest failure tenfold by becoming the exact same as my father’s murderer, even though im struggling against the inevitable explosion of a timebomb destroying everything I hold dear all over again”? How about you start worrying about the actual war looming on the horizon, instead of childish middle school drama bullshit? How about you start worrying about who you might watch die in the next coming months? You’ve got a son being hunted for his blood by monsters beyond all human strength and power, one of them being your own little brother/son figure who you love more than life and dearly miss and mourn despite his ultimate betrayal, and you’re worrying about your crush? What are you, 13 years old?

Anyway. Taking deep breaths now. Drinking a nice cup of tea like Zoey Taltatheil would want me to. I love this series with a very strong fiery passion, so like. If ever I go off about Garroth and Laurance’s worst actions or certain writing decisions, know that im not like,,, talking shit, especially not just for the sake of talking shit, yknow? I see so, sooo much infinite worlds of potential for these characters, so much so that I need to write thousands and thousands of words about them on a regular basis just to get the magnitude of how much they mean to me out of my chest, or else I explode lmao. So know I’m coming from a place of love with all of this, I say this because I love these characters and I love these stories and I want the best for them above all else. They truly are something beautiful, and a pivotal piece of my life, I’d give anything to these guys, and I don’t wanna be perceived as like… a negative person or harsh or anything like that whenever their…more dubious moments get me all fired up. But with all of that out of my system, back to legitimate character analysis, because this scene does actually have some interesting pieces I’d like to unpack as well:

Putting aside whether or not they should be reacting like this at all, I want to bring attention to how drastically different their reactions are, and how that’s used to contrast the two and their core personalities/demeanors. We’re also getting into how this arc is kind of the first time we see how Laurance’s transformation starts effecting him. So it’s very likely his anger is being heightened by his SK transformation, as it does for him later in this same arc when he argues with Garroth. But this exemplifies how, to me, Laurance is a lot like fire, and Garroth is a lot like water. Laurance’s anger is explosive, he’s shouting and screaming violent threats while Garroth stands in horror, speaking in quiet, broken up, whimpering, wounded phrases, barely anything at all. Where Garroth draws quiet and pulls away in his hurt, Laurance snarls and screams and explodes outwards, kicking and fighting against whatever bind you put him in. Maybe his SK side invents this in him, or perhaps it simply exemplifies and draws out an inherent character trait of how Laurance handles his temper, whenever it spikes.

That’s not to say that Garroth is incapable of reaching a high temper and shouting at people as well, he often does! But genuinely it feels like the dynamics of fire and water to me when he does. Like during his betrayal in S1’s finale, Garroth gets angry, but he handles his anger by withdrawing. Stepping back, turning quiet and reserved and cold. Backhanded, passive aggressive, still snarky, but not in the quippy, clever way that Laurance is. He feels like ice, cold and sharp and potent and deadly. While Laurance seethes, he blisters with his grudges and his grumblings under his breath and the sour glares he burns into your soul, only to shout at you once you poke his temper like a bear and a stick. Where Garroth is quiet, Laurance is loud, where Garroth is a sharp, singular, calculated point digging where he knows it’ll hurt the most, Laurance is an explosion that burns up everything around him in his vicinity, destroying his life piece by piece without much care for all the people it hurts when he finally blows up, all the people he pushes away at once. It’s present in the ways they act when they’re at their complete worst, but it’s also present in how they act when they’re at their best: The spark of laughter, the kindling of a warm and happy home. The comfort in the quiet stillness of a lake, in the gentle lapping of ocean waves by the shore.

(my god they got the red and blue homosexuals …… bro the fire/water red/blue elemental theming…… bro it’s everywhere……)

There’s also something fascinating to note about how it’s like… maybe this is just on Laurance’s side of things, maybe it’s both of them, but it’s like the competition for “who gets to be Aphmau’s lover” only extends to Garroth and Laurance in these two’s minds. Like, to them, they see each other as the only exceptions. Because there’s a contrast in their behaviors when it’s each other “succeeding” vs watching someone else, unrelated to their personal rivalry, “succeeding.” Garroth kisses Aphmau in a dream, and Laurance’s reaction is to teasingly say, “Hey, do you think if I showed up in his dreams, he’d be so excited to see me again that he’d kiss me too?” But Laurance watches Dante almost kiss Aphmau, and he loses his shit. Like it’s fair game for Garroth, his close friend and fellow rival, to kiss Aphmau, but once someone else he’s never seen before starts to “get in on it” so to speak, he’s FURIOUS. I wonder if that factors into why Laurance and Garroth dislike Aaron so much later on. Because he’s technically “”winning the game”” (i really don’t like referring to Aphmau like she’s a “game/prize” to be “won” and not like. a person, just making decisions. but like this is what exists in their heads and i gotta communicate how these boys think somehow) but he’s not been like… officially sworn into the match lmao. He’s an outsider, I guess. Either that, or it’s a matter of how familiar Laurance is with Garroth that he trusts him to be able to take good care of Aphmau and love her properly, so his protective nature doesn’t really extend to Garroth as a “potential threat,” but he hugely distrusts everyone else he doesn’t really know, so he doesn’t trust them to take good care of Aphmau, and therefore gets much more riled up about it. Just overall he has a much greater distaste and distrustful, angry and violent contempt for people he doesn’t personally know and trust trying to date Aphmau, a possessive/overprotective contempt that doesn’t apply to, say, Garroth, for some reason. Garroth doesn’t have this internal phenomenon as much, he’d still be like. Incredibly bothered if Laurance kissed Aphmau, this doesn’t apply to Garroth anywhere near as much as it does for Laurance, Garroth just doesn’t want anyone else “winning” her heart in general

To touch on what I mentioned with Aphmau being an aspect of Garroth and Laurance’s Concerns TapestryTM I think of Aphmau as representing something important to them in their lives. For Garroth, Aphmau is all the love that he never got growing up. For Laurance, she’s his humanity, his keystone of truth and sincerity and what it means to feel safe, to feel like yourself. She’s the guiding beacon back home. So if Laurance lost her, like say through murder or death or someone else taking her away or what have you, he’d be losing his only lighthouse of where to go in a world shrouded with darkness. Without her, he becomes lost, wandering through the shadowed and foggy wastes in his mind, slowly losing himself more and more and becoming everything he fears the most. He loses his humanity, he loses himself, he loses his heart, he loses all the love in his life that she (and his family + Garroth) brings. He needs her in the way a drowning man clings onto a rock, in the way a ship needs its lighthouse on the stormy, cloudy nights.

For Garroth… There’s a reason why im going on a character analysis journey, because I genuinely don’t know him as well as I know Laurance. He’s a big fan of keeping his true thoughts and feelings smothered wayyyy down out of sight, so it’s a lot harder for me to read what Aphmau means to Garroth on a real, complex, multi-faceted level. Beyond the simplicity of just a surface-level “oh he loves her.” Why does he love her? What, specifically, does he love about her, and what does he dislike? What kind of influence does she represent and cause in his life? Is she what home feels like to him? Is she the ideal form of the wife, the love, the family, he’s always wanted, but could never find in O’khasis? Is she the physical embodiment of the very reason why he left Nicole? When he looks at Nicole (later on), does he see Aphmau in her and think of an alternate timeline where those pieces were all he clung to to try to find solace in justifying that this arraigned marriage was okay? Or does he see a void in every way Nicole is vastly different from her and realize just how deeply unhappy he would have been, in every way they would have clashed as a couple, and everything he would yearn for that she could not give him? Is he disturbed by the differences, or relieved by them? Did he always wish and yearn for someone like Aphmau to love him, or did he rebuke the very idea of love growing up? Is this the first time it’s ever pounced upon him, startling him out of the blue? Does he struggle against its pull, in his mind? Does he think of all the ways that this would be a terrible idea, for someone to love him now, or does he put it on a pedestal? Is he so completely consumed by the appeal of being loved, that he doesn’t actually know what a relationship looks like? Does he refuse to believe that a being as wonderful as Aphmau would ever love something as disgusting as him? Is that why he kept quiet for so long? Is that why it stung so badly when the idea in his head that Aphmau could never be his, would never want to belong to something so foul and flawed and hideous, comes true? (in his personal perception, I mean, of the illusion of laurance kissing her in the woods)

Is she security, to him? Or is she the feeling of the thrill, of dangers unseen? Is she safety, or is she the terror of everything he’s scared to lose? Is she his master, of any kind? His leader, the one who paves the path that a measly dog like him can only follow? How much does he dedicate himself to her as an utter servant, bent to every beautiful and illustrious word she could ever say—or does he wish to control her himself? How he wants her to be his, and only his, does he want to claim her, mark her, forever emblazon her as his own claimed territory, an extension of his pride? Is there a vicious and cruel leader that lives on in him, that demands ownership of all he sees, that’s greedier and pettier and more prideful and wicked than he would like to admit, and he’s terrified of ever awakening it? Is that why he stays so quiet, why he draws away from others, why he keeps them at arms length and refuses to open up too much? Why he refuses to ever become a leader of anything—because he knows what he would be summoning if he did? The knowledge that, in truth, he has the potential to not only capture Garte’s legacy, but take it to new and terrible sights no one could ever imagine? Do you think it scares him? Do you think he’s desperate to never become the man he could be, and yet it gets drawn out of him anyway? In his pettiest moments, when the worst of him gets dragged out by the most insulting of circumstance, when his ego is bruised enough, it comes out anyway and he embraces it in the meanest way he can, in all his blinding rage and his stubbornly bleeding pride?

Do you think Aphmau is his guide through the dark, in a very similar way to Laurance, in all the ways she influences him to be better, to be kinder, to be more merciful and forgiving instead of strict, to have empathy beyond his warped moral code, in the ways she encapsulates everything he wishes, desperately, he could become instead? And when he rejects her, he strides strong and direct into the dark, to become the worst version of himself, to dominate and control, to turn to higher ambitions (joining the jury of nine) and closer to the throne than ever before, to embrace his dark role in the family unit, his powerful role in the family unit—do you think he and Laurance are opposites, in that way? Why Laurance had to be the reminder of empathy and heart and forgiveness and mercy, to find him in the dark and drag him back to what’s real, as opposed to what’s right?

I don’t think of canon MCD!Garroth as some woobified ditsy adorable golden retriever boy, like what he,,quite literally becomes in mystreet lmao. I used to, but then I started my rewatch and realizing a lot of his behaviors and decisions in the canon series are not actually that “Boy Scout” of him? And in my personal opinion, he feels a lot closer to having potential of becoming a mean and gritty villain in a slightly different timeline than having any sort of potential for being a,,,cute, innocent, “oh no so saddd :((“ golden retriever prettyboy with a heart of gold. My man does not have a heart of gold, and I will die by that. He has a heart of fiercely believing what he thinks is right, and valuing that + his pride over things like empathy and love. He’s a man of his own personal law, not a man of sweet adorable innocence. He’s not your pookie, he’s one hell of a bitch.

He’s most of the reason why im going through the whole series to create a perfect, detailed tapestry of every way Garroth speaks, thinks, ticks, moves, feels, what he believes, what his morals are, where he aligns himself, his best and worst personality traits, why he’s loved by others and why he loves Aphmau in the first place, why he turns on her, how he feels about Zane, whether or not he values his pride above anything else, including love and care and empathy for others. I understand Laurance and Aaron like the back of my hand, but Garroth? Not so much. I’m always guessing with this man. So like… at this point in my research, the data is unclear. I’ll get back to the question of, “What does Aphmau mean to Garroth exactly? What would it mean for him to lose her?” when I figure out the rest lmao

Plus, it’s a little harder to approach the question of “what would it mean for him to lose her” when it comes to Garroth specifically, because he like. totally throws her to the wolves later, he kicks her ass to the CURB lmao, so like- whatever he gets in losing her, it’s clearly not terrifying or dire enough for him to actually give a shit about keeping her around when his ego gets tested lmao

(It’s also harder for me to understand MCD!Aphmau as a character, so im also going down this character analysis journey for her sake as well, but anyway)

Aphmau, surprisingly, isn’t really phased at all by what she just witnessed, in terms of seeing her boys react so embarrassingly. To be fair, she is the author, so if their reactions are ethically fine to Jess, then they’d be ethically fine to Aphmau, and I fully think that’s why. But there’s also the fact that she’s not really having any reaction at all in general, she doesn’t talk to the boys about it, she doesn’t confront them about it, she doesn’t check on them to ask what that was about and if they’re okay, and I think that’s because, narratively, this scene isn’t intended by design to leave much of an impact on Aphmau personally. Most of them aren’t. Sometimes MCD!Aphmau is a character more than anything else, but a lot of the time she functions as little more than a walking camera for the audience. That scene wasn’t designed to leave a lasting emotional impact on Aphmau as a character, as a complicated, in-depth person, that scene was designed to allow the audience to watch a juicy moment of drama where we get to see the boys witness their “worst fear!!!” and get mega jealous. If I were to come up with how Aphmau would be feeling about her boys’ reaction to the illusion, I would probably be extrapolating into the land of variable subjective headcanon and, to a degree, starting to make shit up. Which is what I mean about how she’s harder to read as a character because she’s more of a vessel than anything else, half of the time. She’s a camera for her YouTube audience to see what she’s written, and she’s the author reacting to dialogue and events as if she were immersed in the world, but throughout S1, Aphmau’s not really fully a character yet. I think S2, when we drop the video cam in the corner and treat her more like a narrative pov instead of a YT streamer’s camera, is when her personality starts to get a lot more fleshed out and she starts reacting to things and being impacted by things more properly.

In a way, you could use that as fuel to write an arc for her that’s based on the concept of what makes us a person. In others eyes (Irene correlation), in our loved ones’ eyes (with all the general objectification done by Garroth and Laurance if you’re keeping that in), and in our own.

Anyway, Aphmau does something super sweet and adopts Malachi as her own. New son gained! Where the others see a dangerous and unpredictable threat, Aphmau sees a child playing with things it doesn’t have the emotional maturity/capacity to understand. This proves her high empathy, forgiving nature, and,,,uh. maternal instincts, probably.

I do love Laurance calming the fuck down to see this from a more empathetic perspective as well. He says he’s an orphan too (he’ll be a 2x orphan after the timeskip🔪) so he can’t help but sympathize with the little lad. He reacted the most violently to the illusion, but he’s also the quickest to open up to the idea of Malachi being his new baby, so,,, I. I dunno. Hey I’ll take a Laurdad moment wherever I can get one lmao

It’s sweet that he’s at least trying to do the same thing Garroth did when he found out Aphmau would be taking in a kid to raise as her own. He wants to make sure she isn’t handling it alone, that he shares some of the burden and helps her out, supports her in this responsibility and journey.

Lmao i feel bad for Dante. What a way to make a first impression on your newest little friend lmao. “Welcome to the guard!!! (WE WILL BOTH PERSONALLY EVISCERATE YOU AND TEAR YOU LIMB FROM LIMB IF YOU EVER SO MUCH AS THINK OF ROMANTICALLY PURSUING OUR CRUSH. ONE WRONG MOVE AND WE’LL FUCKING KILL YOU)”

also right after Aphmau and Dante get down from their position up above witnessing Laurance and Garroth’s fear responses, Dante tells Aphmau, “Aphmau, that child is a spectre! get away from it, be careful!!!” and Laurance retorts to him with a “SHE can do WHATEVER she WANTS, EXCUSE YOU”

and i can’t help but like… laugh at that, coming from laurance lmao. like. i know it’s related specifically to handling the ghost and he’s just being snarky here, but. laurance my guy you are the exact reason why she can’t do whatever she wants. like you and Garroth are single-handedly the number one reason why Aphmau actually isn’t allowed to do “whatever she wants” with her life and her choices. like you just barely proved that pretty damn strongly lmao. if there’s any way Aphmau is being unreasonably restricted from being free to do whatever she wants with her life, it is like. most certainly your own fault my guy

I have literally drawn this moment because of how much it means to me. It is the banner for my profile, as of writing this. I fucking love Laurdad. I do like that the boys kinda have their own favorite kid that looks like them, Garroth has Levin as his number one favorite son with the blonde hair and blue eyes, and Laurance has Malachi as his favorite son, and though i know Mal looks a lot more like Vylad than anything else, I think he’s based on Laurance in the same way Levin is obviously based on Garroth. He has brown hair like Laur, and though he has green eyes and currently Laur has blue, he used to have bright green eyes before the Nether. And if the orange was hair dye, then that means Laurance’s natural, unaltered appearance would be brown hair with green eyes. Just like Mal. Not to mention the fact that Malachi and Laurance also share an orphaned past and a life bound by the supernatural, creepy, and even disturbing undead. Of course Laurance “The Doomed One & Our Vampire Allegory” Zvahl’s kid would be the creepy undead one <3

This move also integrates Laurance solidly into Aphmau’s family unit. Previously, he could have just been seen as Levin’s occasional babysitter, or an uncle figure, but now he is solidly one of the dads. And with it, I wanna bring attention to one of my utmost favorite things in Minecraft Diaries by far—The Aphmau family unit. Let me spell something out for you: We have four children, only one that’s biological and three that are all adopted, one that’s a supernatural former ghost, with two moms, and two dads, four parents in total. That is NOT a heteronormative nuclear family unit. That’s a weird-ass family unit to have!! Three adopted kids, one biological kid, two moms, two dads, and NONE of them are married, or even officially dating. And the narrative never views them as weird!!! It’s never commented on by any of the characters how strange it is that these adopted kids have 4 parents at once, or even that they have a single mom as their only “official” parent! It’s never questioned! It’s never judged! They’re treated as normally and kindly as anyone else, and you know what’s really awesome? Instead of judging and scorning Aphmau for being a single mom, everyone in her vicinity immediately offers up as much support as they can. The whole village cares for her and her wellbeing and success. Logan (and probably Donna and their children by proxy as well) takes good care of her kids whenever the town is in danger, and he helps Zoey raise and take care of the boys during the timeskip. The town throws baby showers to celebrate each child and give Aphmau all these gifts, probably to make her life easier as a mom! Garroth and Laurance never question her ability to raise her children on her own, instead they automatically take the extra responsibility of helping out as co-parents without any fight or hesitation or apprehension or scorn. They just…automatically sign themselves up as parents, because Aphmau’s a mother now. They recognize that being a single mom is a lot of work and a lot of responsibility to carry—so they choose to help!!! Just- automatically!!! Without any resistance!!! And they LOVE being dads!!!!! They’re not even married!!!!!!!! Do you have any fucking clue how rare odd/unusual and arguably revolutionary family units are in fiction??!?!?!?! The only non-traditional family unit in fiction I can remember seeing consists of like…all the tragic shows and movies and video games I’ve seen out there about a single father or mother + their kids, which is still much more normal than whatever Aphmau’s got going on, and like… Steven Universe, with one kid, four moms, and one biological dad, and the only people who are married in that situation are two of the lesbian moms that are not biologically related to Steven. That’s the only family unit in fiction I’ve seen that’s comparable to MCD!Aphmau’s. Aphmau’s family means soooooo sososo fucking much to me man.

(oh! and Aaron has a biological kid of his own that he had from a different marriage, so Alina and the others have a half-brother through him, and Zoey has a son that we never ended up seeing, so he’d probably count as some kind of,,,,uh,,,half,,step brother? from her? so in reality there are six kids, with the extra two being from previous marriages, one widowed and one basically divorced. those other two kids are just. uh. out of commission, so to speak)

Also, that means Vylad and Zane are uncles to Aphmau’s children, and Cadenza is their aunt. And Hayden, Joh, Zianna, and Garte are all grandparents. Levin should meet his uncle Vylad at some point, I think that’d be really sweet

...Speaking of Aaron~

THE MAN!!

THE MYTH!!

THE LEGEND!!

ABS MAN!!!

Its the alpha male of your dreams (or your worst nightmares), the man who refuses to let his Sick Fit conform to the ways of “time periods” and “a medieval fantasy setting” or heaven forbid the laws of “temperature and body heat,” the man blinded by his scarf who somehow still has perfect aim, the definition of mysterious brooding tall dark and handsome, the insufferable jackass with a true heart of gold, the man whose flashing the biggest sword out of all the other sexy boys in the cast and yes im talking about the weapon— AARON LYCAN!!!!

Hate him or love him, it’s good to see you again, man.

Dude, MCD Aarmau is wild when you actually look back at it. You thought Laurance and Aphmau got off on a bad foot? Try these two. They’re strained and clashing for a looong time before they become close. They are a rollercoaster.

Aaron is cold, stern, and completely closed off from the world. He lives in an abandoned, arctic wasteland without any hope for human civilization miles away. He’s completely isolated himself, and he’s hellbent on staying that way. He’s brash and harsh and icy to those around him in an effort to push them all away, because of the trauma in his past. He has trust issues and a hellish amount of anger in his system because my man is not handling the mourning and grief of his wife and son well at all. There was a severe amount of injustice in how they died, they were innocents murdered by a man causing destruction just for the fun of it, for kicks, and he’s furious that they’re gone and furious with Zane and furious with trusting strangers ever again, and it bleeds out a lot into everything else. But I think he also harbors a lot of self-loathing and guilt (exactly like Garroth and Laurance) over the death of his family and his village. I think he blames himself for it. He blames Zane, yes, he’s furious that Zane murdered an entire innocent village, including his wife, his son, his childhood friends, and the head guard that raised him (sounds an awful lot like agent r to me, but that’s just a headcanon) and burned down his childhood home and likely any remnants of his father and family and anything he ever held dear—but he also feels like it was his fault that it ever happened in the first place. Maybe if he hadn’t taken the amulet, maybe if he had just taught his son to be slightly more wary of strangers, maybe if he had found Zane first, none of that would have happened. Maybe if he hadn’t failed, they would all still be alive. I wouldn’t be surprised if Aaron was a victim of survivors guilt as well, feeling guilty that he was the only one who survived, when they all had such potential for wonderful lives they should have been allowed to live, not him. The life his son was supposed to live, how his son was supposed to outlive him, not the other way around. Maybe he hates himself for surviving. The grief of all of that would be fucking crushing. I can see how, in a depressive state that far down, a man like him would isolate himself, cut himself off from ever loving or caring for anyone again, because he’s so fucking terrified of losing them the same way—of losing them because of a mistake he made. So it’s better to be cold, to not care, to never give a shit about anyone else and spend the rest of his days utterly, miserably alone, punishing himself with his isolation in the freezing cold that could very well kill him at any moment. Fighting werewolves, something that could very well kill him if he made one wrong move, and only holding onto his anger as the only emotion that could possibly keep a man that depressed and traumatized and psychologically torn to shreds still standing, still moving, still pressing onwards despite the weight of it all. Because what else does he have to live for, if not to avenge everyone that died? Maybe if he avenged them by killing Zane, it would make right his sins. Maybe then, he could finally allow himself to rest, to stop moving and searching for him, to lay down in the snow and finally join his family in peace.

His self-imposed isolation is supposed to make him look all cool and mysterious and brooding, but I can’t take that seriously for the life of me lmao, so I’m gonna see it for what it really is: Self-destructive behavior. Constant, never-ending self-destruction, harming himself and his livelihood out of blood-bleaching terror, guilt, shame, grief, anger, fatigue, and despair. He is not handling his trauma well at all, so he pushes everyone away all the time…but that’s never going to be enough to erase his heart. Not completely.

He could have left Aphmau to die. It would have been easy. But what kind of person would he be, if he let someone else die, again? If he had the ability to stop it, and once again, he fucking failed them? He couldn’t possibly. He doesn’t want to be seen as nice, he doesn’t want anyone to like him, to grow attached to him and try to keep him around. Maybe because he doesn’t intend on sticking around. But no matter how hard he tries to smother it out, he still has a big heart underneath. The heart of someone who desperately yearns for love, for human connection that he hasn’t experienced in years, the whimpering and weak man who just wants his wife back, who wishes he could be a father again. Who has enough compassion to help out those in need, even if he tries to convince them he’s actually not very nice. Who has enough compassion and quiet, tender, shy, soft fatherly love in him left to treat Nekoette with a gentle patience and kindness, who would wholeheartedly participate in a tea party picnic with Nekoette if she begged him to. And you just know he would take that princess tea party very seriously, only to snark Aphmau, Laurance, or whoever found him sitting on a tiny plastic pink chair with a teacup perfectly poised in his hand, pinky raised. Aaron as a character is wise, emotionally mature, much more so than Aphmau, Garroth, Laurance, or like,,, most of the entire fkin cast lmao. In every universe, Aaron is the one who holds the brain cells. Notably, in MCD only, he’s also a former Lord. This gives him a level of experience and wisdom that Garroth and Laurance and most others don’t have, and it puts him on equal footing with Aphmau, as opposed to the imbalance of servant x idol that’s embedded deep into Laurmau and Garmau’s relationships, mainly due to being her knights. So if ever Aphmau needs help or advice or aid in handling Lordship, Aaron is the one who can and would give it to her, and MCD!Aaron isn’t gonna sugarcoat that shit. (yes I know Garroth is “technically” a lord in canon but he never went back to take his throne, so he’s literally never served a day in his life as a lord. he has zero experience and rejects that role as much as humanly possible. he does not count)

His design in MCD is hilariously laughable (look at them big and plump frostbitten blueass man titties. his skin doesn’t have nips on it because he’s already lost them to the arctic tundra. look at that pyramid stud-lookin hot topic belt with those emo black ripped skinny jeans. do you think his jeans are skin-tight to the curvature of his ass. do you think that whole ass is out, in the snow, in the mountains, in -0 degrees weather. do you think it claps when he walks. you can hear it echo across the mountainside from miles away. it’s his calling card. the abs count as armor plating, they deflect the blades of swords and even the hardest of werewolf claws. why? because the steel of the sword may be hard but aaron is harder. he leaves behind adidas footprints when he walks) but I do like him as a character lmao. We’ve entered DILF territory from here on out guys

nevermind guys I take back any prior frustration. i love them. guys look at them they’re so fucking CUTE aaAAUUGH they love each other <3

I love love love that they included an apology. I love that they fight, but then they make up!! They step back to cool off, and when they do, they come back to each other and apologize earnestly for everything they said and did while they were arguing. They really don’t like fighting each other. It’s SO sweet. It’s so sweet that they care about each other that much to admit they were wrong, for their love for each other they’ll forgo their prides and beg for forgiveness. I love seeing a glimpse into Garroth’s softer side in how he treats Laurance. He was the one getting insulted the most in that fight, and yet he’s the one who first turns right around and apologizes earnestly and insists that he was the one in the wrong, no matter what. He really does feel bad, he regrets what he’s done wrong and returns to Laurance to tenderly beg for forgiveness. And Laurance is more casual and carefree about it, shrugging off Garroth’s insistence that Laurance was justified and apologizing too for his own brash attitude. With how he’s talking here, i could almost vividly, perfectly capture the small smile on his face as he’s speaking. They should hug and hold hands and Garroth should cup his face in his big ol palms and they should hug and clutch each other close and then they should get married /silly

This episodes also an important point to spotlight the beginning of Laurance’s descent. Oh, to be doomed to become someone’s Judas.

In his description, Laurance paints an image that is honestly horrifying, with losing literal control over your body but being forced to watch as something else, something well beyond your mortal control, a worse and warped, inhuman version of you, takes over your body and your words and does everything it can to destroy everything around you. It’s like he’s getting possessed. It removes your inhibitions and your filter and pushes you to be so much angrier than you normally are, artificially pushing you over the edge and encouraging you to spit venomous words and do everything you can to start a fight and draw blood and get violent. I wonder how much regret and fear Zenix feels, if that’s true. But it does imply that Laurance’s angrier moments, the times he’s meaner and sharper and crueler, they’re unlike him and a deviation from his natural state, artificially caused by his demonic descent into madness and bloodlust.

i luv men <3

Laurance being petty and snarky, he’s the one who always starts fights, Dante isn’t the one who starts them but he’s the one who gets caught up in them, and Garroth is always the one to settle them. Garroth’s the one in the group with enough maturity to tell them all to stop fuckin bickering over meaningless things. And Aphmau’s outside of the arguments—but she insists she wasn’t the one who got them lost. But as a whole she prefers to stay away from any and all bickering in general. Garroth keeping track of where their priorities and responsibilities really are and yanking them back on track when Laurance veers off on a distraction and Dante easily follows.

Then Aphmau gets arrested/almost arrested for the third time now.

Aphmau gets turned into a dog per Lucinda’s escape plan, and i love the contrast in Laurance and Garroth’s reactions. Garroth gets mega worried and freaks out, and meanwhile Laurance just trusts Aphmau to always know what she’s doing, even if shit gets wacky and weird, he’s still down! He’s all for it! Let’s get weird! He says she’s lookin’ good! Garroth asks that she PLEASE be safe PLEASE please be SAFE and meanwhile Laurance is just like “knock ‘em dead baby 👉👉” Garroth is a worrywart pacing a path into the floor of the cell, while Laurance is much more adventurous and always down to clown. They’re opposites!

these two are a never ending rollercoaster on studying the portrayal and varying extent of empathy vs ego. Maybe i need to rethink prior assessments about these two. I’m learning just as you guys are as you follow me along this journey, I’m making this up as I go, so naturally I expect myself to start getting certain shit wrong. Maybe my previous assessment of “Garroth has lower empathy than laurance” wasn’t entirely correct. But I still feel like I need to figure out some sort of solid, in-depth explanation for why Garroth betrays them later on… It’s this interesting dichotomy Garroth’s character poses to me. Perhaps I need to shift my paradigm. I’m focusing on the wrong things, simplifying my assessments based on surface-level reactions and traits, looking at the equation from the wrong angle.

Here, Laurance reiterates the idea I’ve so far assumed, and it’s that Garroth is a very pride-based man. Not as in he’s particularly arrogant or haughty or full of himself, not in the slightest. Just that his pride, his ego, is one of his highest priorities. When it’s wounded, it cuts him so much deeper than it would for other characters, like Aphmau or Aaron or Dante. And that was my explanation for why he behaves the way he does in certain circumstances, especially and mainly at his worst, and how it affects his view of Aphmau. When he’s at his worst, from what I remember and presume, he seems to act very pridefully, and there��s a consistent emphasis on “Garroth’s pride” throughout the latter half of S1, like right now. So it’s certainly at least…an aspect of him, of his values and core pieces that influence his decisions and the way he thinks. He’s not full of himself at ALL, he’s actually severely insecure, and that’s why he’s a man of wounded ego, and men of wounded egos can often do… drastic and unfortunate things. Like leaving his loved ones and his entire town to die in a critical time of war, or even sacrificing his life because he sincerely feels like his loved ones are better off without him.

But I think where I assume incorrectly about his character is in the latter half of what Laurance points out: His pride doesn’t stem from selfishness. His pride stems from selflessness, and an extreme, empathetic excess of it.

That’s fascinating. I’m gonna need to chew real hard on that.

Laurance says, “What he’s most proud of is the people he cares for - he invests too much of himself in them and while I don’t believe that to be a bad thing, he invests ALL of himself into them, which IS a bad thing.” What this demonstrates is high empathy, or empathic behavior. And I do trust that Laurance knows Garroth intimately enough by this point to know Garroth’s real and honest flaws, I think he’s fully telling the truth about him and would make a brutally honest, accurate assessment of his character. I trust Laurance’s assessments of Garroth more than I’d trust anyone else in the cast and much more than I’d trust my own lmao. He’s painting the picture of how Garroth has such immense empathy and intense love and care and compassion for everyone around him, that he doesn’t see them for the swindling or wicked or heartless people they really are. I don’t feel like Laurance is correct or telling Hard Objective Facts when he claims his own method and approach is better than Garroth’s, but he is correct when he assesses that Garroth’s sensitive heart may lead him to falter with or possibly refuse to do something like killing Zenix, if push came to shove. I doubt that Garroth is exactly a doormat? He doesn’t seem to be much of a doormat to Zane, I mean. Or to any of the other more run-of-the-mill threats they come across. And it’s not exactly doormat behavior to betray your father’s commands by escaping your toxic family to a brand new, healthier, better life for yourself. He’s not a doormat, I think Laurance is referring to Garroth hesitating before taking a crucial strike, because he loves Zenix with his whole heart, while Laurance wouldn’t hesitate to kill Zenix on sight (ironic lmao).

And maybe this is more true than my theory of Garroth not caring as much as he seems. In how Mystreet!Garroth still smothers Zane in love despite all the years of unrelenting insults and bullying and cruelty his brother throws on him, because he sees the best in his brother and struggles to think that he would actually hate him. In how MCD!Garroth worries and paces holes into the floor as he desperately tries to think of a way to get everyone out alive, and how he frets when Aphmau gets turned into a wolf pup. In how he comes back to apologize earnestly to Laurance and struggles to wrap his head around how Laurance could be in the wrong, too, even if he so obviously is. In how he dedicated his life to the woman that gave him a guard tower, because he’s so immensely grateful for her gifts and occasional kindnesses that he tries to give his life to her in return.In how Garroth saw the way Zenix acted and spoke and behaved, which was rude, crass, insulting, rebellious, rebuking him and challenging him regularly and being difficult and always suggesting unethical or morally shitty alternatives to doing anything (if Rebirth is anything to go by) and it had never occurred to Garroth that he could be a bad person or a jackass or anyone who would betray him.

Which is why I actually really dislike Rebirth!Garroth much more so than MCD!Garroth, because where Garroth is occasionally cold and prideful, Rebirth!Garroth is straight up harsh and angry and resentful and bitter. When I think of Rebirth!Garroth losing Zenix, deadass you’d have to write me an essays worth of proof just to convince me his reaction to losing Zenix wouldn’t be “Oh, thank god. I’m so glad that insufferable brat is gone.” Where MCD!Garroth is tender and soft and redeemable at his worst, Rebirth!Garroth is severely annoyed with everyone and anything and hates his life and doesn’t want to be here and never wants Zenix to speak ever again lmao. Man im FAR from a Garroth fanboy and even I feel like Rebirth butchered my boy.

Garroth is a more lawful character, especially when you contrast him with Laurance, but that doesn’t mean he’s…a stern, no-nonsense, disapproving prude. He redirects their focus when Laurance takes them off track, and he dislikes how inappropriate Laurance behaves when he’s acting like a misogynistic fuckboy and harassing girls who don’t want his advances lmao, but there’s never been a point thus far where he criticizes Laurance’s chaotic or adventurous or playful personality. He doesn’t like him sexually harassing others who feel uncomfortable with his advances, he thinks of it as ungentlemanly of him, but have you noticed that he hasn’t brought that up even once since Laurance’s return from the Nether? Aka, when Laurance dropped the fuckboy act? Laurance still flirts with Aphmau on the regular now, but Garroth doesn’t speak of it as inappropriate anymore. He just gets flustered and jealous, but that’s all. And later on, he even admits to envying and admiring Laurance’s confidence to speak his mind. He admires Laurance’s boldness, just when it’s appropriate and not breaking anyone else’s boundaries. Once Laurance cuts the shit and starts flirting much more respectfully and kindly, he doesn’t mind so much. He’s not mortified by it, because he knows Aphmau is comfortable with it. He sees how he makes her laugh, and he’s grateful for it. He’s just a shy man who struggles to be that confident in his own life and relationships, so he wishes he had some of Laurance’s self-assurance and bravery. Maybe he shows some more disdain for Laurance’s,,,~promiscuity~ (lol) in the future and I just haven’t come across it yet, in which case I’ll correct myself if I do, but like. I’m just saying. We’re 71 episodes in now and he hasn’t talked shit about Laurance’s sexuality yet.

Like, I feel like if canon-accurate Garroth saw Laurance in some like,,,super sexy, revealing leather fit, his reaction would NOOOOOT be prudish shame clutching his pearls with disdain and disgust for how bold and Crude and Outlandish laurance is being. His reaction would be him shyly or nervously not knowing what to say, maybe stuttering, maybe getting flustered, and saying something about how he admires Laurance’s confidence and wishes he could be that cool. Maybe muttering under his breath about how he wonders if he could get Aphmau to look at him like that if he did the same, and then immediately shaking away the idea and shooing it away as quick as it came. Mystreet!Garroth would probably react more with a, “Woooow… Sexy! Hehehe, this’ll win you all the girls for sure!” ((REMINDS YOU LOUDLY OF THE TIME GARROTH CANONICALLY WORE NURSE LINGERIE FOR A COMEDY SKIT LAURANCE WAS FILMING)) At worst, his reaction would be a deadpan, neutral “Wow. Now that’s something you don’t see every day… Why am I not surprised?” but frankly if it were me, I’d give that reaction to Aaron! If you tweaked the dialogue a little, it’d suit Aaron much better than it would suit Garroth. And they’re supposed to contrast each other. Aaron is the stern, cold, “judgy,” deadpan one. Not Garroth. Laurance is adventurous and chaotic, Garroth is orderly and shy and a highly empathetic worrywart with a rare playful side when he’s comfortable (a side that’s completely brought to the focus in Mystreet), and Aaron is the deadpan, mature, wise, no-nonsense serious one that’s blown away by their crazier antics every time. Laurance is clever but not really wise, (MCD)Garroth is…uh. Mainly emotionally intelligent above anything else but not an idiot, responsible but not exactly wise, and Aaron is the wisest one out of all of them but lacks in other areas that the other two fill. ((—that being said, I do see a lot of people adding on Catholic guilt and shame to their versions of rewritten Garroth, and I think that’s cool <3 it suits him, fits in snug with his canon characterization, and in that case giving him more sexual shame and prudeish behavior would be very fitting. sadly im doing everything I can to not cover headcanons though lmao))

He never talks shit about Zenix’s more rude, judgmental, obnoxious, and brash behavior either, by the way. He never talks shit at all about how he used to act and behave, now that I’m thinking back. That’s something that’s entirely new to Rebirth. They cropped that in, that annoyance with Zenix’s behavior didn’t exist before. (it’s because they made Zenix more of a misogynistic creep in rebirth and didn’t want to seem like they were endorsing it lmao, but like. you could’ve easily salvaged their original, close, intimate bond by just. not making Zenix act like a misogynistic creep all the time. and then Garroth would have nothing to be angry about lmao. like that was optional. we could’ve gone without that just fine)

Laurance says, “what he’s most proud of is the people he cares for.” Most proud of the people he cares for… What does that mean? I don’t think he means that in any form of selfish way. I think he means that Garroth invests soooo so so much of himself into other people, to the point of not fully taking care of himself and his own needs. Maybe that’s how Lillian was able to get to him so easily. Because he doesn’t take care of himself first. Everyone else in the world is his priority before he’d invest in his own personal wellbeing. Aphmau is his highest priority above all else, pretty much everything he does is for Aphmau’s sake. He feels cautious and apprehensive about Laurance’s SK transformation because he’s worried for Aphmau’s sake. He stops their bickering for her sake, leaves PD to travel to the arctic for Aphmau’s sake, adopts a son for Aphmau’s sake, it’s in everything he does. So of course he would put himself as the last on his list, of course he would give up his own life for Aphmau’s. Maybe what Lillian was able to convince him of was make him see just how little he does something for himself. Maybe he was simply just…wounded, plain and simple, by Aphmau and Laurance getting together, no further resentment or vehement rage, maybe he felt betrayed that they progressed their relationship so much behind his back, despite how present he was in this three-way rivalry situation they have going on, despite Laurance knowing how much it all meant to him. He found them kissing in the woods, confirming a relationship. He saw them staying together at night and keeping secrets and growing all the more close and intimate, and meanwhile Laurance never told him a word, when he was so certain that he trusted he would. He was part of this strange, three-way waiting game, and surely it looked exactly like all of a sudden he’d been booted out of the group dynamic with zero explanation, like getting kicked out of your best friend’s group chat, and they start drawing away from you and ghosting you and never think to tell you why. That would make him feel wounded and betrayed, and if his heart is as big as Laurance says, if he invests soooooo so so so fucking much of his extremely loving heart into his relationships, suddenly getting kicked out by your dearest friends and isolated would feel horrible. And Garroth likely didn’t understand why they would do something like that, and it’s not like they’re communicating with him the answer lmao, they’re not even aware that he’s upset!! They just think he caught the flu!!! And Laurance assumes that’s why he’s upset, because he’s sick!!! Perhaps that makes it even more insulting, that it doesn’t occur to them that anything would be wrong. Of course they wouldn’t even notice that he’s gone. And when they do notice his absence, they STILL don’t acknowledge getting together or what they’ve actually done, it doesn’t occur to them at all that he’d be upset about them leaving him behind. I can see why he’d be angry. Garroth thinks he’s been abandoned, this sensitive and already very reserved and bad-at-talking-about-his-feelings man who struggles so much to feel like he deserves to be loved, he assumes they don’t want him as their intimate companion anymore and shuts himself away from the world from how horribly his heart is broken—and that’s when Lillian meets him.

Maybe Lillian puts the idea in his head that this was an intentional move on Aphmau and Laurance’s part, that they were excluding him on purpose, because they don’t like him anymore. Because Laurance betrayed their entire previous bond and agreement and competition not by finally “getting the girl,” but by never telling Garroth and silently booting him out of the group by keeping Aphmau all to himself and abandoning Garroth, never even telling him or communicating with him or checking on him to see if he’s okay with everything going on, or letting him know the news of what’s been going on and checking how he feels with it all. Instead of handling it with the kind of equal respect and open, honest communication and,,,frankly, love and close intimacy, that they were treating each other with before, he feels like Laurance just… swooped in, took his prize, and both he and Aphmau completely dropped Garroth, both as a lover but as their friend, when he was no longer relevant to them anymore.

Maybe Lillian reminds him of how little he does anything for himself. Maybe she shows him how much he did for them and how much he loved them both, and told him how little they love him in return, and such a revelation would be crushing for a heart like his. And poor, wounded, isolated, naive Garroth believed her, because the damage had been done, and then anger brewed. Anger that made him stubborn, anger that made him want to close off his heart in an extremely volatile way. I wonder if Lillian had never been part of the equation after the initial illusion, he still would’ve shut himself away from the outside world for a few days, but maybe he wouldve been less angry, as he would’ve had more time. Maybe like the apology he gave Laurance in the manor when they were fighting, he would eventually cave to his heart and come out, reach out to Laurance, assuming he already knew everything that was going on, and beg him to simply talk to him and explain why he doesn’t want him around anymore—only for Laurance to immediately correct him and insist no no no no, why would you ever think that? you and Aphmau are the most special and dearest people in the world to me, why would you ever think I don’t want you around anymore? And then they’d figure out that there was an illusion, Aphmau and Laurance would explain the whole secret amulet nightmare hell they’ve been tangling with lately, apologize profusely for accidentally making Garroth feel like he was worthless by keeping him out of the loop with all of that, and they’d clear it all up and have a good cry and everything would be happy hunky-dory and they go beat Zane’s ass.

I think Lillian’s influence is what brought out, seeded, and festered Garroth’s anger. The heartbreak was the unfortunate coincidence of two things colliding, Laurance and Aphmau accidentally drawing away by keeping secrets and Garroth distancing himself like the reserved and shy/uncertain man he always is, and the illusion Lillian planted to make Garroth think Laurmau getting together was why. And not what it really was, which was like… crazy espionage death threat spy bullshit making them grow more private and secretive than before. And in reality, Aphmau and Laurance still really deeply loved Garroth during all of that and were really really worried about him when he withdrew and locked himself away to cry in his bedroom for 42 hours (which is a reasonable response). Maybe if Lillian hadn’t been there, when Aphmau came to check on him and try to speak to him and just…letting him know that they miss him and they’re here for him whenever he’s ready to come out, maybe he would have actually gotten up and answered the door and spoken to her then, and they would’ve worked things out.

I can’t help but think about how Garroth probably was raised to believe that he was unloveable, growing up. Especially if everything Zane tells him in all/both universes is anything to go by. He did say that Zane started copying and learning from his father’s terrible behavior, once Garte started turning more corrupt. Perhaps they made him believe that no one would ever want to love someone as stupid, naive, gullible, useless, incompetent, foolish, bumbling, childish, oversensitive, dramatic, emotional, soft, and weak as him (based on how Zane insults him). So when Lillian and Zane come in while he’s vulnerable, while he feels heartbroken and betrayed and isolated and abandoned, and he doesn’t know why, and he can’t understand this difference in their behavior, they swoop in and whisper in his ear the idea that all the things the cruel voice in his head says to him is true, that it’s always been true that no one would ever love him, and only now, now that Aphmau and Laurance have left his worthless heart behind, can he see the truth. But not to fear, because Zane sees his potential for what it truly is. Zane’s always been right about him, he knows his brother better than anyone else, and no matter how far he tries to run, Zane will always find him, and be here for him. See, Zane has a place for him. Lady Aphmau may not want him anymore, but Zane does. His family wants him. They have a purpose for him, a way for him to mean something, a home he can never run away from, a home that will hold him, even if their hands are cold and their hearth is even colder, even if it’s nothing like what he really wanted—but what he wanted out of love and life and family was impossible to achieve, now was it? Nothing but the stupid, silly, childish dreams of a bumbling, foolish man that made up a fantasy that could never happen in the first place. His family will always be here, behind him. Waiting for him. Pulling him back. His family will always be the only thing that’s true.

So he comes back. He drops his home at Phoenix Drop, he returns to Zane’s side, and he joins the Jury of Nine. In his despair, he lets go of the new family he’d made, his children, his loved ones, his home, the town he raised Zenix in, the friends he’d made, the memories he’d made over the years, everything he’d ever cared for and needed and valued most above all else, he throws it all away and it kills him on the inside, but he burns with anger for how he was betrayed. Much like Aaron’s poor handling of his own grief turning into anger that pushes everyone else away, he pushes everything away, isolates himself even further, continues to spiral down this lonely pit of utter self-destruction, because he believes every word Zane tells him. He’s furious, he’s grieving, he’s depending on Zane as his only direction left, the only family and home and love he could ever have left, like a dog licking for love off of knives. Not because he doesn’t actually give much of a shit about Laurance and Aphmau, but because he loves them so fucking much. Because he can’t imagine any other life without them, and he’s furious that they burned that to shreds in front of his eyes, because goddamn it they were all he had. He’s angry that they didn’t seem to love him as much as he loved them, and now he has to settle for his worst nightmare, because his executioners and abusers are the only ones who actually want him in their grasp. And if no one else will hold him, then he might as well settle for the embrace of his killers. And that’s horrible, that’s unfair, that’s unjust, that’s wrong, but it’s all he has now. And that’s why the moment Laurance starts confronting him like he cares about him, starts breaking down the manipulation Lillian and Zane fed to him and indirectly proving to him that, oh, wait, they do care about him, wait, they do want him back and in their lives, and he realizes the mistake he’s made.

And that’s why he immediately turns on Zane and starts fighting him instead, dedicating the rest of his life to undoing the damage he’s done by saving his loved ones and fending off Zane. The real reason why Laurance gets through to him, and why he feels like he needs to sacrifice his life for them, and why he finally fucking tells Aphmau how much he loves her. And oh, god, how much that means for him to say.

Ok i’ll flesh out the details of that and work that into something way more closely aligned with canon when we actually get to those scenes, but like. i need you guys to realize something lol. I went on this journey to better understand the relationship dynamics of Garmau, Garrance, and Laurmau so I’d feel more comfortable rewriting my MCD rewrite fic to include more of them, yes, but I also went on this journey purely just to convince myself to actually like MCD Garroth Ro’meave. Before this point, with this Laurance screenshot forcing me to rethink everything, I was a bigtime MCD!Garroth hater. I have despised him up to this point. And all of that just changed my mind completely. I chained myself by the wrists to forcibly hold myself in Garroth Appreciation Purgatory until I reconsidered how I felt about him and Understood why MCD!Garroth was so widely beloved by the community. Until I knew every way he ticked and every way he thought and everything he ever felt, in hopes of convincing myself to appreciate him too, and my plan has succeeded. I have switched sides. I am a Garroth fanboy now. I get it now. I Understand him. I can finally unlock my chains and frolic here freely from this point onwards. I have learned to love my domesticated dog-coded boy who definitely listens to too much fuckin mitski. I get it now. you have no idea how much fucking work I’ve been doing to stay as impartial and nice and respectful with his character as possible lmao, I have had to step back and take breaks from how angry he was making me and now I am free. now i am. liberated. now i am. homosexual

No but genuinely I thought he only betrayed them because he was a bitchy jackass manchild crying over losing the dumbass game he’d literally been agreeing to play this entire time, but he didn’t end up having the emotional maturity or the balls to handle actually “losing.” guys I thought he was just a misogynistic possessive piece of shit crying over literally nothing of meaningful value and actively, spitefully, pettily choosing to burn it all to the ground, despite the mounds of logical evidence against his entire argument. i thought he was a fucking asshole this entire time. thats why I kept insisting he was a bitch and a prideful piece of shit. now I need to rethink everything. Disregard (almost) everything critical or deprecating i have said about Garroth Ro’meave before this point, I am wiping the slate clean, I am starting over with new lenses, and I will do my boy better proper justice now, i. i need to reassess everything now. goddamn it

I would like to return to a previous question I proposed about “How does Garroth feel about Aphmau exactly?” And answer part of it. And it’s the question I posed of, “is he truly more of a servant at his core, a loyal and domesticated obedient dog to those he idolizes and loves dearly? or does he harbor a dark side underneath, of the cruel and corrupt king that’s run by his pride, who wishes to possess and own all things as he desires and is petty and backhanded and cold?” And now that I see him more clearly—the answers entirely and absolutely the former. He is a servant. He is desperately begging for affection wherever he can get it, as silently as he can. If he has any Evil King bone in his body, there’s only like. one of them, and it’s outvoted every time by the hoard of other bones in his body that would cry if he accidentally stepped on his dog’s paw. The latter is a cool idea for an au, the former is closest to canon. In my opinion. My ever-shifting and evolving opinion.

When Garroth is upset and heartbroken, he listens to mitski. When Laurance is upset and heartbroken, he listens to The Neighborhood. I don’t know what Aaron listens to, but I feel like he’d listen to something from the old era of rock. But I’m not familiar with that genre at all, so old rock fans will have to fill in the gaps for me there

I know I said I’d go until the image limit, but oh my god I’ve written so much and I think I have at least 11 or 10ish more images/scenes to go. I’m so fkin tired. believe it or not I do in fact have a yapping capacity LOL

Before I fuck off to continue in a part 3, I want to leave you guys with just a fun little factoid of semi-canon information:

Garroth’s a lot like Fluttershy, Laurance is a lot like Rainbow Dash, and Dante is like Applejack, in Jess’s mind. Now, mind you, I have much more complicated opinions on what pony Aphmau is most like that im still working out, and personally I feel like it’s stupid and inane to only pick her pony based entirely and only off of the idea of “is it purple” and I feel like after reading all of this you would be able to tell exactly why im the kind of person who doesn’t like basic, surface-level character choices LOL, but atm im fighting somewhere between “aphmau is a LOOOOT like pinkie pie in personality” vs “oh but MCD!Aphmau specifically and uniquely shares a lot of the leadership and anxiety and some minute character details that Twilight Sparkle has, plus twi is purple” vs “I should examine the side/supporting/background cast of MLP:FiM to search for The Perfect Match for Aphmau because none of the mane 6 quite fit her perfectly exactly” so yaknow. it’s whatever. Rarity isn’t even an option I would consider for Aphmau. Rarity is Cadenza, Cadenza is Rarity, and that’s that lmao. Garroth = Fluttershy and Laurance = Rainbow Dash and Garrance = Flutterdash, and im very happy with that

But Zane is Princess Luna. Zane is in every conceivable way an exact replica of Princess Luna. Zane is Luna. End of story

[mepostdcfanartshere]

Hi!Since “Plastic Man NO More！”is out,I decide to share some of my thoughts on the latest comics and other Plastic Man related topics.

The relationship between Plastic Man and his children is one of the aspects that initially attracted me to this character, and it is also an important part of his character development in modern DC comics. In "Plastic Man No More!" when Plastic Man was left with lasting damage in an action, he discovered that his body was disintegrating, and his death was imminent. He realized that the same thing will happen to his son, Luke, who is superhero Offspring.He needed to find a way to reverse this before it was too late.

Regarding the portrayal of his relationship with his children in various versions, it can generally be categorized into three types, although these descriptions are not mutually exclusive and may vary depending on the writer's understanding of Plastic Man's character (which can sometimes be disruptive to the continuity of the character's development).

1. A caring parent who loves his children, whether they are biological or adopted in any way, and loves them in his own peculiar way.

   [👍👍👍 (V2/The Kingdom: Offspring/V4/V5, in Jack Cole's version, he did not have children, but he really enjoyed being with kids!)]

2. A parent who is often absent due to the responsibilities of being a superhero or for other reasons (sometimes not by voluntary choice).

   [A bit sad, but there is potential for development in a positive direction (“The Terrifics” and "Injustice," these two comics actually portray Plastic Man and Luke's relationship very well.)]

3. A former partner/deadbeat dad who avoids family responsibilities

   [(JLA *65/Count Down to Mystery) Although such a scenario usually implies that their relationship has room for improvement, just seeing this portrayal makes me feel like I'm going to be in pain for the rest of my life.]

The new comic's portrayal of Plastic Man and Luke's relationship clearly emphasizes the second and third types—this is something that concerns me.（even though what Plas is actually doing is,trying to save his son. ）Although this comic is a black label comic set independently of the main DC storyline, it will still affect how people and subsequent writers view this character. In fact, this comic, despite only having released the first issue so far, has already did his origin wrong in many ways,this is something I will discuss in more detail later.

*PS：English is not my mother tongue so my wording may not really match the meanings*

[domesantis]

Lotor and Keith: The Duo We Deserved

Disclaimer: it's been around 8 months since I've last watched voltron. details may be inaccurate

Sometimes I think we were robbed of what could've been an amazing friendship.

Keith's discovery of his Galran lineage and Lotor's of his Altean heritage, and their indirect parallel of upbringing, I hoped these two would form an amazing bond as they're the only people that could relate to each other in terms of ostracization due to their race. But that hope eventually dwindled down when I realized that the showrunners were definitely not planning that, and in fact, even makes Lotor a bad guy again.

At the very least, I had hoped for a heart-to-heart conversation about them being mixed race and flesh out that aspect of them more. Yet again, I was let down.

During Keith's entire life, he has been ostracized by his peers and constantly bullied for being different. It has been the fundamental characteristic of him— his preordained Galran traits— embedded into every crevice of his disposition and being unable to do anything about it. When he finds out about his Galran heritage, we finally conclude the reason, in profound realization, why he's never fit in much back in Earth. Ultimately, this would give clarity and closure to Keith about why he's the way he is, but what the showrunners overlooked is the inevitable, imminent consequence of an identity crisis.

He's too galra to be human (antisocial, rebellious, fierce and stubborn), but too human to be galra. (compassionate, warm, weaker and smaller in stature, humanly physical features)

This is his reality everyday.

I distinctly remember Sendak belittling Krolia because of her half-breed son, Keith. It went something along the lines of: "Is the Blade of Marmora so low on soldiers that they recruit a half-breed and his mommy in?" Which, most likely, amplified his identity crisis. Poor guy.

I feel as though the same case could be applied to Lotor.

Raised by only Galrans and raised to be one, his father, Zarkon, would also say that something was quite fundamentally different about him. Compared to a stereotypical, standard Galra, he seemed to be quite more compassionate and carefree as a child, showing great intellect and promise in other aspects yet lacking in the personality traits as a Galra and embracing more of his Altean characteristics.

Growing up, Lotor always believed in goodwill, altruism, and attempted to prove to Zarkon that he could successfully subjugate planets by sheer goodwill without repercussions. However, his father's constant abuse for millennia, and cruelly destroying said planet, would of course, send him to spirals and awaken his long repressed Galran characteristics: Tyrannous, vindictive, cruel and spiteful.

Both Keith and Lotor had been abandoned by their biological parents, one in a literal way, and the other, emotionally. Both of them had something just fundamentally, unutterably different about them that they couldn't quite explain, thus thwarting the standards of "what they should be".

If Keith and Lotor had formed a genuine, wholesome familial friendship to replace their absent/abusive parents, they could've established an actual safe space where they felt belonged and heard. The rest of the team may also provide an emotional connection towards them, however, nobody knows their pain more than each other. After all, they both went through similar experiences. Mixed race solidarity!

Also. I think it could've been a great way to represent mixed race people (I'm sorry. Is that how you call them? Is this offensive?). I'm not one myself, so I'm not sure, but this would've been so great to promote inclusivity and accurately represent their struggles in the actual world. This also could've been an amazing plot point for Lotor's character development and fleshing out his character more onto a much more profound and raw level. Instead, they threw it all down the drain by betraying VOLTRON then dying. Disappointed.

Also, I'll be diving deeper into Keith's identity crisis more in one of my next posts, and Lotor's tragic fate.

Get me out of this VOLTRON hellhole. The hyperfixation is too much.