#chara is such an interesting character

[shopkeeps]

maxing out stats

[mimorobo]

Chara!!

The First Human, also the first human I made!

=D

I'll do little animations and poses of all the guys I'm gonna make, for fun and also to get a feel for how they work.

Chara is pretty small, it feels like I'm holding a baby kitten, haha! Luckily they're also easy to move and don't have many restrictions... Result: my new fav figure to animate!!

[welcometogrouchland]

my Stephanie Brown hot take is that she should get mad bitches now that she's single in comics. Yes yes shipping BUT the one time she had sex she was punished by the narrative via teen pregnancy. I think she should be allowed to have as much sex as she wants with zero consequences. Could be a lot of sex, could be a little. Point is she should get to do it without getting narratively baby trapped this time. she should get them pregnant, actually.

[instantpansies]

life is hard for us oz fans who are only meh about wicked. have half a meme.

[inthecarpets]

Thinking once again about how beautifully and nuanced Ryoko Kui crafted Toshiro and Laios' relationship. And how in a way the many interpretations and types of reactions say a lot about the viewers' lives and perspectives.

How sometimes two people might want to be polite, might want to be kind, but due to their differences, misscommunication and their own personal flaws they will only end up hurting each other. And the longer their misscommunication lasts, the more it hurts. How sometimes if people spoke sooner it wouldn't get to be so bad.

And how reactions say how quite much everyone been in some kind of situation like that. We assume the best and the worst intentions in each other.

We have to deal with a person who can't stop bothering us. Deal with a person who seems a little shy but they are nice but actually no, they secretly hate us. Situation where someone pretends to be a friend or for some forsaken reason forces themselves to hang out with us. When it's hard to confront someone. When we are too much. When we are in the wrong without realising it. When it's hard to be confronted. Being in a situation you wish you were confronted at the start. How sometimes confrontation is near impossible. Taking a risk of confrontation in general. Not being able to find the right words. Not being able to utter them.

Sometimes we'd all rather to point fingers and call each other names instead of realise the flaws of the world that we live in. How sometimes there Sure are bad people and bad intentions but sometimes it's also just all a bad accident with good intentions on both sides, and lack of education.

Ryoko Kui crafted such a very nuanced and beautiful story. A story with details such show the readers and viewers' feelings and perspectives and shortcomings when interacting with other people. And yeah, i think that's beautiful. Bless.

[marciaillust]

fellas, drawing Orion and Garret with cigs is not enough, 2014 called and it wants numbers

I turned on anon for this so you can go wild <3

[fraternum-momentum]

for a mosterfucking manga, this was actually pretty wholesome

[luckyarchivist]

Touchstarved Voice HCs

Ais - He smokes so I have to give him smoker's rasp b/c it's one of like two things that's sexy about smoking. He doesn't speak loudly —honestly he slurs words and mumble-speaks and cuts off words quite often — but his voice carries surprisingly well. Stays mostly in one pitch. Deeper, more resonant voice with a warm timbre: he talks and it feels like a cozy day in your brain.

Vere - I like to call his voice "mommy voice, for men". Honestly, rather than me explaining it, just listen to Doppio Dropscythe read his lines. The drawl of it and the semi-melodic intonation is everything I'd imagined for Vere!

Mhin - Most clear thing about their voice in my head is this underlying hiss to all of their words, like they're always whispering, even when their volume is normal. It leads to a raspy quality that's different from Ais's rumble. I think they probably have a higher-pitched tone of voice than any of the other LIs, but not by too much.

Leander - Announcer-y quality: you could pick his voice out of a crowd, easy. Plays with his speech: lots of variation in tone, speed, pitch and so on. Some (American) people have made him British, which I could never put onto a man I love (/j, I'm so sorry, British people) but I do think he has some qualities of the stereotypical posh British accent — mainly, the enunciation of every word. He doesn't cut corners when speaking, though not to the point of sounding unnatural.

Kuras - definitely the hardest of the main five for me to hear. I think he has a pretty deep voice, with a soothing cadence to his speech. Like Leander, his words are all enunciated and easy to understand. However, he's kinda the opposite of Ais — the demon says mean things with a warm tone of voice, and the angel says nice things with a cold, even tone. If you manage to surprise him, though, or perhaps get closer to him, you could trip up his normally smooth speaking and make him sound more "human".

BONUS: Of course, these two don't have any lines yet, but just based on looks...

Sen: Personally don't think her voice is super deep, but it is throaty, like she's speaking from the back of her mouth. I think she probably pauses a lot when she talks. IDK why, but she has the energy of someone who takes a while to get through a sentence, so she'd rather just show you without having to tell you.

Elyon: If anyone would have a British accent it would be this guy. He speaks with mostly a teasing-slash-condescending tone of voice, but whether it's intentionally or unintentionally is anyone's guess. I don't think Elyon's voice is as deep as Ais's or Kuras's, but it could still be considered conventionally sexy.

[xxplastic-cubexx]

ppl who are “charles fans” but are ashamed of comic charles are just scared of liking morally dubious characters like i promise you’ll live it’s alright❤️ your fav can suck and you can still like them whilst not defending their every action!

six decades of different stories and different writers your fave making cringe decisions will be inevitable you just gotta have fun with it

[adelinamoteru]

purely fanon jason vent below so feel free to ignore

every other fic in the jason todd tag whether its romantic or platonic or whatever just has to include something about the no kill rule or him giving up killing like is it not enough ! have we not hashed out this argument enough already ! can I not read some jason content without having to be randomly bombarded by the morality police and how “oh jasons not killed anyone for x amount of months thats great! we knew u could do it jay”

and I wish I was just joking like I really do but I have scoured the tag almost from top to bottom and it always, without a doubt, has to come up at some point. its his fucking defining character trait apparently. mind u he’s not even the only dc character that kills but yall just won’t let it go! I do not need jason giving up his stance on killing to be written out for me to be able enjoy content about him

and whether its included so that his relationships with other characters can be viewed as ‘realistic’ is just so. what does it matter. its already fan-fiction who the hell cares about justifying the universe that you’re choosing to write him in

[bumblingbabooshka]

I hate when Chakotay is watered down to be Janeway's yes man because their disagreements are actually very interesting. [A lot of rambling analysis of this debate in particular below]

Chakotay in Parallax is very interesting in that he has to navigate a lot of different dynamics. Balance a lot of plates while being watched keenly by everyone around him. Immediately preceding this scene we see him ask B'Elanna for her opinion on the bridge - both as a chance to show her knowledge in his bid to make her chief engineer (because she wouldn't get a chance to otherwise as Janeway has clearly indicated that at this point she views B'Elanna as a troublemaker who won't be considered for the position) and because he just thinks she's a better engineer than Carey and wants the best possible chance of them succeeding. Janeway sees this as unacceptable. Carey is the chief engineer and so he should be called and Chakotay NOT asking for his opinion is an insult to Carey, Janeway, and might make the crew doubt Chakotay (and by extension the Maquis') loyalty to the Starfleet crew.

At this point it seems that to Janeway integration ["They're not your people"] means the path of least resistance, specifically tailored towards the Starfleet crew. She wants Chakotay by her side to keep the Maquis crew calm but also seems unwilling to consider them for important positions aboard the ship. Though she says that the Maquis are not Chakotay's people, not his crew, she certainly doesn't seem to consider them hers [Compare this to later instances where she stresses 'our' crew, here she simply says they aren't Chakotay's: Whose crew are they? Are they crew at all?]. This less leaves the impression of "We need to be a cohesive team" and more "You're not in charge here." She essentially accuses Chakotay of playing favorites. In her mind Chakotay's actions are not conducive to integrating the crews which would (again, in her mind) mean the Maquis being docile and accepting, obedient and content - not making trouble for the Starfleet crew. Chakotay counters Janeway's accusation with one of his own: That he IS trying to integrate them into the crew but her not allowing the Maquis any opportunity to prove themselves or succeed, not showing any trust in any of them (except, implicitly at this point, him) is making things difficult. At this point the Maquis crew are ready to mutiny on his word at any time. He knows this for a fact. Aside from that looming threat (the threat being that tensions are high and if nothing changes and they remain high there might be a mutiny even without his word) - Chakotay knows these people and trusts them. Though Starfleet and Janeway think of the Maquis as a violent bunch of criminal terrorists, Chakotay and a good number of the Maquis joined because they believed in the cause they were fighting for. These are people Chakotay knows WILL fight fiercely for what they believe in and conversely, AGAINST what they perceive as injustice. Even if they're not in the majority - they're used to picking fights which seem impossible to win. At this point Janeway admits that she ISN'T making it easy for Chakotay to integrate the Maquis - specifically talking about practical concerns; how she doesn't feel she can let Maquis crew have roles of importance on the ship because they lack the ability to hold them. "They don't have the discipline, they don't have the training," - asserting that they just aren't prepared for any such roles and it doesn't have to do with them being Maquis specifically. Ostensibly, she's treating them as she might treat anyone unqualified for the job.

Chakotay maintains that some of them, like B'Elanna, have the ability to be trained - challenging her point by saying that IF they're trained there's no reason for any Maquis member NOT to be given a more prominent role on the ship. He isn't suggesting they just unqualified people important jobs. If the problem is that they aren't trained, let's train them. These people have the ability to succeed if you give them the tools they need and a fair chance, he insists. Janeway then switches gears and her argument becomes not "The Maquis are untrained so they can't be given those jobs" but "The Maquis crew are unworthy of those jobs when compared to Starfleet personnel" saying that it'll cause insult and upset among the Starfleet crew if any member of the Maquis were to be promoted above them. Again, her idea of integration is based more on Maquis subservience to the Starfleet crew than it is the two crews working together. (Not that I believe she looks at it that way, it's just where her 'path of least resistance' leads) - though she accuses Chakotay of being too focused on "his" crew, she is admitting here that she believes her real crew are the Starfleet officers aboard, not the Maquis. She also admits here that the system she wishes to maintain (and is asking Chakotay to enforce) is one where there will ostensibly never be any chance of a Maquis crew member being promoted because no Maquis crew member will ever be more qualified, more worthy, than a member of Starfleet. We can see how it'd be difficult for Chakotay to convince his crew to remain calm under these circumstances. There's also Tuvok's behavior toward him at the beginning of the episode where the Vulcan nearly goes over Chakotay's head and when he doesn't do so (as Chakotay reminds him that HE'S the superior officer, the First Officer in fact,) Tuvok acts as if him backing down (partially) and conceding (partially) to Chakotay's authority is a favor to Chakotay.

Tuvok in this conversation is downright insubordinate to Chakotay. Despite Chakotay being the first officer, he doesn't take what he says seriously, argues that his own opinion on what should be done should be followed rather than Chakotay's, lectures the first officer about his conduct, and then almost seems to threaten him with a report. In Starfleet's rigidly hierarchical rules, acting like this to a superior officer (ESPECIALLY the first officer) wouldn't be tolerated and Tuvok knows this perfectly well. He isn't a rebellious character and clearly in other episodes adheres to these Starfleet hierarchies and codes of conduct very strictly. He values them highly. But Chakotay, a Maquis, shouldn't be First Officer. Why should he be given respect for a title he didn't earn? [Affirming Janeway's argument about how Starfleet officers won't be eager to follow a Maquis senior officer] Even though Chakotay tells Tuvok off for it ["I don't have to explain myself to you"] he doesn't threaten to put Tuvok on report or explicitly mention his insubordination. It's unclear if this is Chakotay's personality or if he just doesn't feel he CAN do that. Tuvok is one of the three most senior officers aboard and very close to Janeway. Chakotay has to think of the optics of any situation at all times - we see seconds after this conversation that rumors have already started swirling around B'Elanna being relegated to quarters that've fanned the flames of mutiny. Though we know Tuvok has personal reasons for behaving the way he does toward Chakotay (which he later admits), I really don't think it'd be out of the ordinary for this to be how most Starfleet personnel would treat the Maquis if they weren't outright hostile: Like they're only pretend crewmen. To a lesser extent we even see this with Janeway: In the following staff meeting, she clearly doesn't consider B'Elanna a viable option when Chakotay brings her up and almost ignores the suggestion entirely.

It also, again, leaves Chakotay in an impossible position. If he doesn't protect and fight for the Maquis crew, they won't ever be considered a true part of the crew and dissatisfaction will likely spread among them. Dissatisfaction which the Starfleet crew will then use to further label the Maquis as insubordinate, uncontrollable, unfit. Not to mention that if he doesn't advocate for them, he might lose their trust. However, if he DOES try to help the Maquis crew advance the Starfleet crew will view this as 'favoritism' and will further distrust him, won't respect the people he puts forth as worthy. Janeway seems to be intent on not advocating for any of the Maquis crew and also seems unwilling to ask that the Starfleet crew grant leniency. She implies that the Maquis crew need to learn to get in line and keep quiet and it seems almost like [we must remember the optics] she has Chakotay as the only Maquis in a position of power to facilitate that. Chakotay recognizes and pushes against that, saying that he won't just be her token Maquis - there only so she can point to him and say "See? We don't discriminate against the Maquis here." effectively a tool used to shut down any arguments of unfair treatment and a tool to quell the Maquis if any talk of mutiny DOES arise. In this model, Janeway can just tell Chakotay to calm them down and they'll listen because they trust him. She also doesn't have to really listen to anything he says: A token First Officer has no authority; his words don't hold weight. [Chakotay isn't Maquis anymore, they aren't his crew anymore - ok. What is he then? What are they? Nothing, without respect.] This plan seems untenable, as much as Janeway frames it as sensible: "I can't make it easy, Commander. Surely you can understand that," and alternatives as impossible "How am I supposed to ask them to accept a Maquis as their superior officer just because circumstances have forced us together?" - in the long run, how would this be sustainable? In any power structure, you cannot expect a group of people you're unwilling to grant trust or agency to obediently follow you forever. This proposed form of 'integration' in which the Maquis are kept on the bottom rung and told intermittently to stay there quietly by the only one of them granted permission to stand at the top would never be sustainable - especially with a group like the Maquis who again, were founded on the belief that its members should fight against inequity and are already on the verge of mutiny.

I specifically find the statement "How am I supposed to ask them to accept a Maquis as their superior officer just because circumstances have forced us together?" to be interesting because personally I'd say that being forced together for the rest of almost everyone's natural life is a pretty good reason to ask people to adapt and Janeway does understand this but only applies it to the Maquis - the Maquis are the ones who have to adapt, not Starfleet. The only thing the Starfleet crew have to do is tolerate their presence on board.

At this point Janeway again claims that if Chakotay can show her a 'qualified' Maquis candidate she'll consider them. I believe this is true but we already know that Janeway's standards for qualification will likely not fit the vast majority of the Maquis and Chakotay ignores the claim in favor of putting forth B'Elanna again, firmly. Janeway predictably dismisses her as unqualified and Chakotay disagrees, arguing that he knows her. He's worked with her. He KNOWS that B'Elanna can excel at the job even if she doesn't meet Starfleet/Janeway's qualifications. He doesn't value those qualifications over what he's observed about her - just as he didn't value Carey's title over what he knew about the gap between his and B'Elanna's abilities. Then, Chakotay switches gears. He admits that Janeway's right - he does view the Maquis as his crew but that's because Janeway (almost self admittingly) doesn't and if he doesn't, who will they have? [What kind of captain, kind of man, would he be?] "You're going to have to give them more authority if you want their loyalty." "Theirs or yours, Commander?" Janeway frames Chakotay's words pointing out the flaws in this plan which I outlined earlier, as almost a threat (if she doesn't have Chakotay's loyalty it'll most definitely mean mutiny). Chakotay asserts that it wasn't a threat, he's only trying to help by telling her how the Maquis crew will react to what she's telling him. "I'm sorry you can't see that" - not an apology for what he said but that she isn't willing to budge, not willing to listen to him and acknowledge that she might be as biased towards her crew as he is towards his. Chakotay is trying his best to acclimate his crew but if Janeway isn't willing to do the same, to talk to her people as he's talking to his, then this will not end well and that isn't a threat. It's just the reality of the situation. He then asks permission to leave, showing he is willing to observe Starfleet protocol (just as when he asked permission to speak freely), and Janeway lets him go, exhaling at the intensity of their debate when alone in her ready room.

[cocoabubbelle-newblog]

Random Thoughts

I keep thinking about Season 3, Episode 2: “The Stuff of Heroes” of X-Men: Evolution, where Rogue saw her face on the news and is dismayed that she “looks fat.”

And, well…

I’m not sure if the writers forgot that her overall body shape looks like this…

Or this is the particular part they are referencing that makes her “fat.”

‘She has the biggest breasts of all the girls’ is what was written, btw.

In that same episode, before she made that comment, we already see some characters searching through the Brotherhood’s things and eyeing the size Fred/The Blob’s clothing, but apparently that wasn’t enough of a joke?

Anyway, maybe they had her say that to reinforce her low self-esteem, but c’mon. I love this show, yet while the amount of times they make fat jokes is not that much, it still seems to come out of nowhere with some of them 😅

Whelp, regardless of how truly bigger she is or not than the other female characters, Scott scooping her up onto his shoulder like she weighed almost nothing is always a treat to remember and see. 🥰🥰🥰

[buttercupbees]

Flowey posting cause hfjfnekandjsoka pondering

I like how much flowey cares about toriel. Even if it's not much it's still a lot compared to other people.

Usually with most characters he treats them like video game characters just as much as we do but even though it's small, toriel is the one character (other than chara) he treats differently even if it's minor. He gives her a glass of water when she falls asleep drunk twice, once I think even before pacifist? She's also the one he calls you out on killing. Once directly, which you could argue is just because the game wants you to know that your choices will always matter and that it remembers your saves since she's the first boss, but he taunts you about it again through the echo flower in waterfall which is pretty far from the beginning of the game. Makes me kinda feel like he's mad at you for it even if he can't get himself to care for her like he used to. Idk I just find it interesting that he won't hesitate to kill asgore in any route but will remind you twice about killing toriel which is a lot considering he's not in the middle of the game at all really. He also says in the genocide monologue that if there's one last person who can make him feel anything it would be toriel, more so than asgore could. Even if it doesn't work, he still tries really hard to. Means asriel must've had a really really strong connection to his mom and I think that's sweet idk. Like the one person alive who can make the emotionless murder flower care about them is his mom aw

Btw I know about papyrus too but that's mostly post pacifist

[introspectivememories]

ahh yes, the naruto experience™

[xxplastic-cubexx]

I love problematic charles every now and then but I'm VEEERRRRRYY picky with how thats presented bc most of the time it feels like its an "either or" situation where he cannot ever be a good person and make stupid decisions and have "evil" tendencies. Its the same case with erik too but hes more easily forgiven since he's an antagonist.

Also how they make Charles evil is what makes or breaks it bc i love "hypocritical when it comes to how and when you use your mind control/you really are a control freak even when you're 'noble' about it" charles but hate "creepy to your own student(s) and unrepentant about being a control freak and not even trying to hide it in your actions. You also love the government's boots for some unholy reason" charles. (The comics can be varying degrees of this and its why i have trust issues with marvel bc idk if im gonna get a good charles or a stupid one. Also sorry for raving in your inbox i hope you're having a good day)

my favorite flavor of Morally Dubious charles is 'has good intentions overall but for one reason or another acts amorally'... i think id like a master list of stories like that if such a thing even exists ... when it's just 'he did something bad that was so obviously bad and hard to justify/consider acceptable under any lens' its not as fun ... not just for the sake of I Like Him but cause i like it when his actions have some room to be like 'alright well i guess i see what you were going for'- doesnt mean it was a GOOD action but yk what i mean.....

Lowkey/Unaware-He's-A Control-Freak-But-Under-The-Guise-Of-Doing-Good charles is also very good.. charles' psychology in those instances is very intriguing to me .... i need to crack his brain open like a walnut ....

[annyankers]

OKAY SO BASICALLY.

They had Riley doing his thing with the vampire girls, but... Them being vampires didn't actually add anything to the narrative? It was just a metaphor for infidelity that could have been done without making them vampires. Sure, it's dangerous, but nothing came of that danger.

But what if it did? What if one of them got too attached and Riley got turned?

Suddenly we see Buffy facing the choice of whether or not to kill someone she loves (who we've known for more than once episode), an opportunity that I feel canon WASTED by not having happen. There are also two paths to go down there. Either Riley goes full evil, becomes a villain (and more fleshed out character), and we get that conflict...

Or he doesn't. He's a soulless demon, but he still loves Buffy or values his old morals, given just how driven in they were, and doesn't want to run around killing and torturing people. Personally, I find the latter (or somewhere in between) to be more interesting. Buffy's normal life boyfriend is now yet another demon and he walked right into it on his own volition. But he also still loves her. Maybe he's even /better/ to her now, because he doesn't have a leg to stand on being bothered about her being the slayer now. Does being a demon mean that he's inherently not deserving of love the way he was as a human, even if he's not hurting anyone and is some ways behaving better than he was before, even if it's not out of the same human-style emotions and empathy? And even if she doesn't want to be with him anymore, does he deserve to die or spend the rest of his existence tormented by a soul curse? Because what Angel got was a /curse/, which I feel like a lot of stories forget in favor of making it an easy solution.

I just think it would have been a more interesting way to break them up /or/ revive their relationship in a way that could have gotten people invested in it.

this is FASCINATING.

I think literally my only issues with this as a possible Riley plotline are the usual issues related to Riley which all just stem from the writers kinda equating "normal" with "boring" and the season 4/Initiative plotline suffering from Walsh's actor wanting to leave early so it's less any issue with this idea and more pre-existing stuff.

Riley is absolutely one of those characters I see potential in that just wasn't utilized to their fullest/productively like Tara, Xander or Anya but tragically I never really have the same level of interest in trying to fix him because like... he's so boring lskdgjhsklgsd they did him so dirty by having a bunch of nerds of varying pettiness from likely the coasts write a handsome military jock from the Midwest. Like I'm from Pennsylvania and I can tell they did the most blah job of writing a Midwestern guy imaginable lol.

This is an objectively fascinating storyline and especially one for someone like Riley who'd been very anti-demon/iffy about that whole end of things. But when I try to extrapolate out what he'd look like a la vampire Willow and Xander I get either "still deeply boring" or "so unhinged about Buffy it makes Spike look normal". So I think for me at least I gotta work on a more fun version of Riley (at least for me, a guy who thinks vengeance demon Anya is a silly lil guy and loves that shit) than is currently extant and then I can better visualize how to put him in situations. Because man, this is a COMPELLING situation to put him in.

I do think it's really funny tho if they still break up and it's not even because he's a creature of the night now, it's still because he's somehow tragically mid or cringe lol.