#cc&rs

[killugonficlibrary]

idk if these have been submitted yet but

- its by your side i make my home

- revenge is best served sweet

- & i said to the star “consume me”

- like storms in the summer

- let me love those bruises out of you

- of all the stars in the sky you see me (fav out of all of these)

- winner x winner

- handle me soft

- come as you are (& ill love you like that)

all written by miah_kat @sawamura-daichis-thighs !!!

my absolute fav killugon fics, all short one shots and so cuteee

this author also has some cute leopika fics too!

Featured Writer: Miah_Kat

9 Works.

of all the stars in the sky, you see me ( G | 3,058 | 1/1 )

“Does it bother you?” Gon asks, tilting his head to pin Killua with a wide-eyed look. His tone is genuinely concerned as he assures, “I can stop if you don’t like it.”

No, is his immediate reaction and, to his continued mortification, his mouth blurts it out without his permission. He shoves his hands in his pockets, ducking his chin to glare at the dirt as he mutters, “I mean, I don’t…mind it.” He glances back up at his friend through his fringe to find a delighted smile aimed his way, wide and bright and captivating. His heart leaps in his chest at the sight.

it's by your side i make my home ( G | 3,505 | 1/1 )

Gon giggles against his neck, smile pressed sweetly against Killua’s pounding pulse, and he can’t help but think he’d like to have more evenings like these. Nights spent on the couch together, talking about everything and nothing, Gon’s icy toes tucked under his thighs despite the fire just a few feet away. Evenings dancing around each other in the kitchen as dinner cooks, or waking up on the weekends to breakfast, or hastily packing lunches for one another when they’re running late for their next hunt. He wants all of them, mornings and afternoons and nights together, for as long as Gon will have him to share them.

revenge is best served sweet ( G | 1,747 | 1/1 )

Alluka knows full well that her brother would never call Gon ‘svet moyego serdtsa’ to his face if the boy had even an inkling of what the words meant.

It’s both amusing and frustrating. They’re both so obviously head-over-heels for each another and yet they continue to dance around the root of it all, always toeing the line that separates friends from lovers (a line that’s already sufficiently blurred), hearts still bruised tender by the past. She hopes that this fresh start will allow them to finally take that final step towards being happy together.

& i said to the star, "consume me" ( G | 1,320 | 1/1 )

There’s glitter on his face, a sparkle that plays hide-and-seek between highlight of the moon and shadows of the night. It enhances his beauty, the swell of his cheeks and the cupid bow of his lips; his eyelashes and hair shimmer with it, like a fresh snow or—

Gon can’t help but reach out, cupping Killua’s cheek so that he meets his gaze. His blue eyes are shadowed navy in the dark, wide with confusion.

“You’re like a star,” Gon breathes, awestruck. Even with just the moon’s pale glow, he can see the pastel pink that spreads over Killua’s face, a familiar warmth against his palm. Before Killua can protest, he murmurs, “Can I make a wish?”

Killua’s lips tilt up at that, what must seem like a corny, childish request. He indulges him with an affirming hum.

Gon takes a steadying breath, inhales slowly and holds it in his lungs for a moment before wishing, “Stay with me forever.”

like storms in summer ( T | 3,000 | 1/1 )

A sharp elbow in his gut distracts him, then Killua’s reprimanding tone as he scolds, “Watch the movie, perv.”

“But Killua,” Gon whines, drawing out the last vowels of his boyfriend’s name petulantly, “I missed you and the movie is boring anyway.”

“Hey!” Killua complains, turning in his hold enough to meet his gaze with a mock glare. “Take that back.”

“No,” Gon replies stubbornly, tightening his arms around Killua’s waist. He can see the familiar glint of mischief in those blue eyes, so he knows Killua isn’t actually upset about the insult to his favorite film. He’s just about to continue where he left off when Killua moves away, deliberately avoiding his advances if his smirk is any indication.

Gon whines his name again, trying in vain to kiss his boyfriend. Killua masterfully eludes him despite never leaving the circle of Gon’s arms.

“Take it back,” he demands again, poking Gon in the side, just below his ribs. He jumps reflexively, narrowing his eyes at the competitive tone. “Or I’ll make you.”

Heat flares in his stomach at those words, anticipation coursing through his veins as he goads back, “So make me.”

let me love those bruises out of you ( T | 2,296 | 1/1 )

“I’m not afraid of Killua,” Gon assures earnestly, putting every ounce of love and trust into his tone that he can. Killua still doesn’t budge, stubbornly holding on to his misplaced sense of protection. He’s so kind, Gon thinks a little sadly, that even in the midst of his own turmoil he thinks first of keeping Gon safe. So Gon waits patiently. He’s willing to sit here all night until Killua gives him his hand; he refuses to allow Illumi’s lies to take root any deeper than they already have.

His best friend knows him well enough to realize he’s fighting a losing battle because eventually he gives in with a heavy sigh, offering his hands reluctantly. Taking them in his own, Gon wastes no time in bringing one to his lips to place a kiss to his palm. Killua jolts at the touch as if shocked by his own electricity.

“G-Gon, don’t.” He shifts uneasily, even tries to tug his hands back again as he eyes Gon with an uncertain, wary gaze. His next words are so soft that they’re barely audible when he mumbles, “They’re dirty.”

winner x winner ( T | 2,124 | 1/1 )

What are you doing? he wants to ask, but the words lodge themselves in his throat; he can feel his heartbeat in his fingertips. If you touch me like this, I’ll—

“Killua looks good with his hair like this,” Gon murmurs absently, almost like he’s thinking aloud, trailing his hand higher still until he’s carding his fingers through the longer curls. His eyes dart over, lower, and his hand follows until he’s fingering one of the piercings in Killua’s ear. His touch is soft against the sensitive skin; it’s all Killua can do not to shiver.

“And these, too,” Gon adds. Is it Killua’s imagination or was his tone kind of breathy? But that wouldn’t make sense—Gon doesn’t—

He tries to respond, licks his lips in an attempt to despite not knowing what to say, but then Gon’s gaze snaps down to lock on his mouth.

handle me soft ( G | 3,029 | 1/1 )

“Because Killua deserves to be spoiled,” Gon answers matter-of-factly, eyes lifting to meet his again and staying. Killua’s certain his face is way too red to blame on the lukewarm bathwater, so he turns away from the earnest look to face the wall again. Gon giggles knowingly behind him.

“I don’t,” he mumbles, wishing his hair wasn’t slicked back with suds so he could hide behind his fringe. He feels especially vulnerable right now, even with Gon at his back.

“You do.” Gon insists, tone brooking no argument as he starts to rinse the soap away. He reaches forward to tilt Killua’s head for him again. “Killua helps me all the time. The least I can do is wash your hair now and then.”

come as you are (& i'll love you like that) ( G | 2,523 | 1/1 )

It makes his heart ache, knowing Killua doesn’t truly know tenderness. That he hasn’t experienced contact that’s soft on his skin just because he deserves to be touched without having bruises left in the wake of it.

When he first realized it, Gon wanted to reach out and gather his friend close, wanted to offer an open palm and urge, Here, see? You’re safe. I’ll take care of you. But he noticed the rigid set of his best friend’s shoulders, the flex of his sharp fingers and the aversion of his eyes, and knew he would have to earn that right.

very demure & mindful of you to recommend these. i had no idea the Miah_Kat one-shot fluff kingdom existed, and my existence = infinitely better after reading every last one of these. their use of languages is so unique & heartwarming.

thank you so much for for rec ! (& for the library's first ever "featured writer" post. you guys can check out the new page dedicated to featured writers by clicking here.)

~ gabs ʕ•ᴥ•ʔ

[rachirdsims]

[heywoodmanagement]

Top Resources to Access CC&Rs for Your Community

What are CC&Rs and Their Role? CC&Rs (Covenants, Conditions, and Restrictions) are legally binding documents that outline the regulations within a homeowner’s association (HOA). They cover everything from property maintenance to acceptable paint colors, and landscaping requirements. Familiarizing yourself with the CC&Rs is essential if you’re buying a home or already own one within an HOA community.

Key Resources for Finding CC&Rs

County Recorder’s Office Most CC&Rs are filed with the County Recorder’s Office, making them public records. You can search for these documents by property address or parcel number, either in person or through the county’s online system. Many counties have searchable websites, but if not, a quick trip to the recorder’s office should yield results.

Direct Contact with the HOA or Management Company Homeowners associations typically maintain records of the CC&Rs for properties within their jurisdiction. Contacting the HOA or their management company can often provide you with a copy of the CC&Rs. You may need to show proof of ownership, but they are usually available upon request.

Online Property and Real Estate Databases Some real estate databases and title companies provide access to property documents, including CC&Rs. Websites like Zillow, Realtor.com, or Redfin occasionally link directly to these records, especially for properties governed by HOAs. This method is often straightforward and can be done from home.

Real Estate Agents and Legal Professionals If you’re having trouble locating the CC&Rs, consider reaching out to a real estate agent or an attorney with real estate expertise. Agents are often familiar with community restrictions and can help connect you with the HOA or the necessary records. Similarly, legal professionals can assist in obtaining CC&Rs if they’re not readily accessible.

In Conclusion Finding and reviewing CC&Rs is crucial for anyone involved in property transactions or community living. These rules help maintain the neighborhood’s character and ensure that all homeowners follow the same guidelines. By using the resources above, you can easily access the information needed to stay compliant with your community’s standards.

[heywoodmanagem]

The Importance of CC&Rs in Arizona Real Estate | How to Find Them

If you’re looking to buy property in Arizona, understanding the Covenants, Conditions, and Restrictions (CC&Rs) is essential. CC&Rs dictate how property owners can use their property, and being informed about them can save you from potential conflicts in the future. So, how do you find CC&Rs for a property in Arizona? Here’s what you need to know.

What Are CC&Rs?

CC&Rs are legal documents that outline the rights and obligations of property owners within a specific area or community, particularly in planned developments or neighborhoods governed by HOAs. These documents can cover various topics, from architectural guidelines to maintenance responsibilities.

Why CC&Rs Matter

Before you buy a property, knowing its CC&Rs can help you understand what you can and cannot do with your new home. Violating these restrictions can result in fines or even legal action, making it crucial to review them before making a purchase.

How to Locate CC&Rs in Arizona

Finding CC&Rs in Arizona can be straightforward if you know where to look. Here are some effective strategies:

Ask Your Real Estate Agent Your agent should have access to the CC&Rs for the properties they show. If not, they can guide you on where to obtain them.

Review the Seller’s Disclosure Arizona law mandates sellers to provide disclosure statements that may include CC&Rs. Check this document thoroughly.

County Recorder’s Office CC&Rs are typically recorded with the county. Visit your local recorder’s office or their website to search for recorded documents related to the property.

Homeowners’ Association If the property is part of an HOA, contact the association directly for the CC&Rs. They often have these documents readily available for prospective buyers.

Online Real Estate Platforms Websites like Zillow and Realtor.com often provide information about properties, including links to CC&Rs if they are available.

Real Estate Attorneys If you find it challenging to navigate the CC&R landscape, consider consulting with a real estate attorney. They can provide valuable insights and assistance.

Conclusion

Understanding the CC&Rs for a property in Arizona is vital for any potential homeowner. By following these steps, you can ensure you’re well-informed about the rules governing your new home. Take the time to research CC&Rs before making a purchase, and you'll be better prepared for a smooth homeownership experience.

[businessskibat]

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[rusticsims-blog]

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You can find the items by searching for  APRACTUKA/RS  or APRACTUKA in game.

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THANK YOU FOR UR SUPPORT! - Rusticsims 🍅

@coffee-cc-finds @snootysimsbook @lanaccfind @sssvitlans @sssvitlanz @maxismatchccworld @oddfunfinds @sims4ccsthebest

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[carsthatnevermadeitetc]

Panther Solo II, 1989. After abandoning the 2-seat 1.6 litre Solo because of fears it would be uncompetitive against the then new Toyota MR2, Panther set to work on a larger, more up-market car. It was powered by the 1,993 cc turbocharged DOHC 4 cylinder engine from the Ford Sierra RS driving all 4 wheels. The wheelbase of the original Solo was expanded to turn the car into a 2+2. Alas there were problems with the car and at most 25 were made before the project was abandoned. As of 2020, 11 examples survive in the UK, with all but one listed as SORN (Statutory Off Road Notification, to legally notify the government that the vehicle will not be driven on public roads).

[bestanimal]

can I send in propaganda for favourite animal before relevant polls. like I will send in a photo of my favourite animal right nowdjjrh rs jfjhdnbshth e’s ncc cc vii.

You can, but I won’t post it until I post that animal’s poll. Tumblr has eaten asks I sat too long on before though so if it’s one that’s not gonna come up for a while you miiiiight wanna wait just in case 😅

[annabelledrumm]

How To Knit Woven Floats Technique

How To Do Woven Floats Technique

This hand knitting article will introduce you to the Woven Floats Technique. See what it looks like, how it is constructed, some different methods of knitting and check out the series of cowls I designed around this technique. Knitting that is worked using Woven Floats Technique creates a warm, multi-strand fabric which looks tidy on both the right and wrong sides. I found it so unusual, I decided to go exploring and create a series of knitting pattern designs. The designs start off basic, then slowly add features and skills as the series progresses. So, the easiest one is first and later ones have more to keep your concentration. I’ll continue to update and edit this article as I progress through the series. I have at least another 4 ideas I’d like to do but there are other projects looking at me with big, dewy eyes, begging to be given some attention. Subscribe to my news, because I will continue to create more designs and add them to this blog.

What is Woven Floats Technique?

Look At Regular Colour work First If you are familiar with Stranded Colour work or Fair Isle work, both of these techniques use 2 or more colours. Stocking stitch (also known as stockinette stitch) is used to create a pattern. It might be worked in the round or back and forth. Knitting in the round tends to create a more even result. Let’s use the example of working with Colour A and Colour B. The colour strands are held at the back (wrong side or WS) of the work and are lifted up to the needles when it is their turn to be added to the pattern. If Colour A is worked for a few stitches, then Colour B stretches out along the back of those stitches. This creates a long horizontal thread called a “float”. Practicing Stranded Colour or Fair Isle Technique allows you to find just the right amount of tension in the float. You are aiming for a float that it is not so tight as to pucker the stitches of Colour A and not so loose that it creates the shape of a hanging hammock. Catching the Float After Colour A is knit for 4 or more stitches, it is often good practice to catch the float of Colour B before continuing to knit the next stitches in Colour A. This keeps the back of the work tidy and reduces the chance of a super long float getting caught on a shirt button, your ring or fingers whilst dressing or undressing. You can catch the stitch by wrapping Colour A either up over or down over Colour B before you work the stitch on the needles. Repeat again if Colour A continues another 4 or more stitches. Essentially, both Stranded Color Work and Fair Isle use stocking stitch which is knit on the right side (RS) of the work. On the Wrong Side of the work, you can see floats, the places where the floats have been wrapped and the purl stitches. Compare to Woven Floats Technique With Woven Floats Technique, you flip the fabric over. Now the wrong side is the right side and vice versa. The pattern is created with the floats, the places where the floats are wrapped and the purl stitches. Some parts of the pattern are created by the long floats themselves. These can become bold, striking shapes and so I have called these my Main Colour (MC) in the designs. Other times, a more detailed, grid pattern can emerge from the method of wrapping up and down before each purl stitch. We do use more grid yarn than the float yarn in the design. However, the grid yarn is not as dominating in the over-all picture and so I call this my Contrast Colour (CC). In my series of knitting pattern designs, I’ve stayed with a staggered grid pattern for the background plus some slight variations on the theme. The most unusual feature which makes it different from Stranded Colour and Fair Isle is that the MC is never worked on the needle. It literally floats along, held against the fabric by the CC wraps. CC is the only colour that creates stitches along the row. All stitches are purl on the RS, wrapping up and down over the MC strands. This is not necessarily a rule for the technique over all but is the rule I used for the series. Where did it come from? As with many hand knitting techniques, it is hard to know when knitters started to experiment with this technique. I saw a designer talking about it on the net. She said that she saw it in a vintage photograph so, I assume that could be 100 years ago. There were no instructions attached to the vintage photo. Zooming in on the photo allowed her to work it out for herself. The Designer was about to teach a class which I could not attend so, I figured, hey, if she can work it out, maybe I can too.

How to do Woven Floats Technique

What do you need For this series I’ve mostly used 3 strands of yarn at once. - 1 Strand of CC colour for the grid pattern that wraps and is worked on the needles - 2 Strands of MC colour in the same weight as CC for the floats. As a variation, you can use one heavier weight strand of yarn for your MC to replace the 2 strands of MC described. For needles, you may need to experiment to see what suits best to match your yarn. For this series of designs, I used: - Fingering weight yarn, 3.5mm (US size 4) needles - DK weight yarn, 4mm (US size 6) or 4.5mm (US size 7) needles Length: The circular needle length is a little smaller than the circumference of the design. For practice, start with something small such as the 40cm (16 inch) length. Different Methods of Working Left Hand Throwing technique - Lay the foundation. Cast on stitches for your sample. As an example, for 40cm or 16 inch length cable, fingering weight cast on 97 sts. For DK weight cast on 89 sts. - Work a few rounds as a foundation. I like to use Moss stitch because it has a similar stitch width. You can use one strand of MC or one strand of CC for these rounds. It's up to you. - Starting the technique. Lay the other two strands over the work between the needles. If your base rounds were MC, lay another strand of MC and one of CC. If you base rounds were CC, lay 2 strands of MC. All 3 strands now stay on the Right Side of the work for this lesson. - UP. To create an up stitch, wrap your CC under, then UP OVER the front of the two MC strands and purl the stitch on the needle using CC. This very first stitch will look rather plain. The UP stitches after this will create a diagonal line up to the left with the CC yarn. - DN. To create a down stitch, wrap your CC DOWN OVER the front of the MC strands. Lift CC behind MC and purl the stitch on the needles. This creates a diagonal line down to the left with the CC yarn. - Continue to alternate between UP and DN (up and down) stitches creating a zig zag grid. Every few stitches, stop and space out the stitches on the needles and the floats to match the gauge. (I find 20 sts for DK weight and 22 stitches for Fingering weight every 10 cm or roughly 4 inches is ideal.) Don’t worry too much if the MC strands look a little kinky. They will straighten out a lot more when you block the project. Up versus down

Dn Stitch (Down): White CC strand wraps DOWN over the teal MC floats. Purl the next stitch which looks like an up pointed triangle (see the white stitch on the left needle)

Up Stitch (Up): Wrap the white CC strand under, then UP over the floats. Purl the stitch on the left needle which is hidden behind the teal MC float. As you work more rounds you will find your mojo and the most efficient way of working the Technique to match your method of knitting. I use Left Handed Throwing for knitting generally and find it useful to create a loop in the wool for a DN stitch which then drops in behind the CC for the UP stitch. This way, I never have to juggle the balls of yarn. Continental technique My lovely test knitter Kitty provided this video tutorial because she most often works Continental style as her preferred method of knitting. - Lay the foundation. Cast on stitches for your sample. As an example, for 40cm or 16 inch length cable, fingering weight cast on 97 sts. For DK weight cast on 89 sts. - Work a few rounds as a foundation. I like to use Moss stitch because it has a similar stitch width. You can use one strand of MC or one strand of CC for these rounds. It's up to you. - Starting the technique. Lay the other two strands over the work between the needles. If your base rounds were MC, lay another strand of MC and one of CC. If you base rounds were CC, lay 2 strands of MC. All 3 strands now stay on the Right Side of the work for this lesson. - UP. Wrap your CC under, then up over the front of the two MC strands, purl the stitch on the needle using CC. This very first stitch will look rather plain but further UP stitches will create a diagonal line up to the left with CC. - DN. To create a down stitch, with CC yarn at the back, insert right needle into the next stitch as if to purl, lay the 2 MC strands over the needle and pierced stitch. Wrap the CC down over the MC strands, wrap under the needle and up the back, pull CC through under the stitch on the needle and the 2 MC strands. This places the tail of CC in front of the MC strands ready for the next UP stitch. - Continue to alternate between UP and DN (up and down) stitches creating a zig zag grid. Every few stitches, stop and space out the stitches on the needles and the floats to match the gauge. (I find 20 sts for DK weight and 22 stitches for Fingering weight every 10 cm or roughly 4 inches is ideal.) Don’t worry too much if the MC strands look a little kinky. They will straighten out a lot more when you block the project. Right hand throwing technique As neither of us work right handed throwing, I would be keen to see how you work the stitches with the strands in your right hand. Feel free to tag me if you record a video or take photos so I can describe it here in the article. First Round / Row As you work along the round up, down, up, down... You will see the pattern emerging.

The first round of woven floats beginning at Start-of-Round Marker. A pattern emerges from the up/down rhythm of the stitches. The Up stitch lifts to an upward pointing triangle. The Dn (down) stitch has a float in front of it. Pay attention to the difference between these two. They will help you spot mistakes, find where you are in the pattern and also can be used as an audit when you have lost your way.

One stitch is a pointed triangle, the next stitch has a float over the top. This will help you find your place in a pattern chart or when working the next round. Second Round / Row At the end of the round, with an odd number of stitches, you will be working the opposite stitch to the round below. If the first stitch of Round 1 was DN, the first stitch of Round 2 is UP. Keep going for a few more rounds and you will see the diamond grid starting to form. This can help prompt you to know what next stitch to do. - If you see an upward pointing triangle, use DN stitch to come down and meet the point. - If you see a stitch hiding behind a float, use UP stitch to lift up to meet it. Once you have laid out a few rounds, the spacing is much easier to keep even.

Using an odd number of stitches in the round, the stitches in the second round mirror the stitches in the round below which creates a diagonal grid. As the fabric develops, you will find your focus is drawn to the floats rather than the stitches. The floats fill in the gaps between the diagonal diamond grid lines. Correcting And Fixing Mistakes In Your Knitting Wrong wrap changes direction for all the next stitches The difference between the two stitches - the UP with a pointed triangle and the DN with a float in front - is really helpful. You can use it as an audit to check if you've made a mistake in the pattern. However, one wrong wrap can change the direction for the next stitches.

Two DN stitches side by side (2nd and 3rd stitches in the second round shown here) have reversed the pattern for the next stitches. If you see the next round placing an UP stitch over an UP stitch and a DN stitch over a DN stitch, then something has gone wrong with the work.

This is what it looks like in the knitting. See the two DN stitches side by side affects the next stitches and can interrupt the pattern. Look back over the round and the round below very carefully to spot the error. Use your Start-Of-Round Marker and any section markers if you are working a chart to find where the error occurred. For example, say, in Round 5 all the section markers start with a DN stitch. Check the beginning of each section in the round until you find the section that changed direction. This can be a quick way to locate the error. When I was first learning the technique, I made plenty of mistakes. I was focused on getting the tension right and would frequently wrap the wrong way. Other times I might need to pause the work to manage a distraction, then would continue, thinking I knew the last stitch I worked. Sometimes I would notice I was putting an UP stitch over and UP stitch, so would correct without going back. Now that can be really messy! Checking your knitting frequently can help you catch the error early so there is less work to undo. Floats too long It can take some practice to space out the first few rounds of stitches. If you find you’ve worked the first rounds too loosely and the floats are falling down into a curve, you can use a crochet hook or the tip of the knitting needle to gradually feed the floats back along the round, forward or back, and spread it out further to take up the slack. If the floats are too tight, it’s a lot more tricky to suck extra yarn in from the surrounding areas. Spacing the stitches as you go means you don’t have to unfurl (or rip back) your work and knit it again. Several wraps going the wrong way It may be possible to undo a purl column if a grid stitch needs to change direction. However, you can’t change a grid stitch that has been accidentally wrapped twice. Getting lost in the surgery If you undo the column, correct the error but then can’t find your way back up the column, put an open lock stitch marker through the last correct CC stitch in the column so it doesn’t unzip any further, then undo your work carefully back to that stitch. Patience may be required when you are first learning this technique but the end result is worth it. To save time, I recommend looking back over stitches just completed to find the errors early UPDATED

Creating the Woven Float series of Cowls

I have a bad habit of falling in love with a new yarn and adding it to the stash. Sometimes I’ll buy it specifically for a new design. Other times I’ll buy it because it is interesting and I’ll design around it. Either way, the yarn then sits waiting for me, hoping I will remember of its existence. For this series of cowls (which are circular scarfs) I decided the first rule was that I wasn’t allowed to buy any more yarn to make the designs. As is typical, I would sometimes come up with designs where I just didn’t have the colours I needed in my stash. Being resourceful, I was able to either acquire the yarn through the local Knitters’ Guild or swap colours I had from the local yarn shop I no longer needed.

Woven Illusion Cowl Working the Woven Illusion Cowl was really delightful using two DK weight yarns. The CC cream colour was a wool acrylic viscose tweed blend worked with MC of pure wool. I will be interested to see how the CC blend goes with wear and tear over time. Let’s see if it lasts as long as the wool. Generally speaking, wool yarn is known for its longevity and hardiness. However, it isn’t always suitable to make garments that sit directly against the skin. Many people have sensitivities and allergies to wool. They find it either scratchy or even to the point of creating a skin rash. So, it was a bonus having the blended yarn to use up against the neck.

One Tree Hill Cowl One Tree Hill Cowl (currently being tested) used a DK weight and a Worsted weight yarn that felt very similar in thickness and weight. It’s important you hold and feel the yarns, especially if they are coming from two different brands. Pinch the yarns and hold them side by side to see how they might work together. (Just another great reason to support your local yarn shop rather than buying on the internet.) I had the heather grey wool left over from another project and was given the beautiful forest green wool manufactured by Knitpicks.

UFO Sky Cowls The two UFO Sky Cowls (currently being tested) were meant to be one pattern. I made one but then thought I could include a different shape and couldn’t be bothered ripping out all that I had done. On checking with other knitters, they felt both versions had their benefits - one with embroidery and one without. They felt each would appeal to different knitters. The cowls were both worked in DK weight wool from the same brand with the embroidery worked in fingering weight colours left over from other knitting projects.

Peru Double Cowl The Peru Double Cowl was inspired by my love for fingering weight Drops Alpaca (from Peru). I paired the alpaca with a wonderful vintage bouclé yarn from New Zealand. I find, when I go out at night, that I like to wrap something around my head and ears to keep warm. Carrying a hat can be annoying and, if I use a shawl, my friends laugh and tell me I look like a Russian peasant. So, making a long cowl that can wrap up over the head and still keep my neck warm solved the problem. The was the first design I had someone offer me several hundred dollars for. Quite the compliment for a newbie. Read the full article

[retromania4ever]

1986 Ford RS 200

1.803 cc / 4 In-line

240 hp / 280 Nm / 1.180 kg

Vmax : 229 m/h

0-100 km/h : 5,5 sec

💂🏻‍♀️🇬🇧💂🏻‍♀️ #Motorsport

[simlycutenesz]

“DAY IN A LIFE” Posepack.

7 Single Poses

Can be used in blender

Items that you need:

@cocoelleansims​ Strawless Starbucks Acc (Here)

Any RS/LH bag to your liking

iPhone 12 LH by @redheadsims-cc​ (Here)

Any car to your liking

Term of use:

Do NOT put my work behind any Paywall (Adfly, Patreon, etc.)

Do NOT steal or claim my work as your own

Do NOT convert without permission

Disclaim:

The posepack does not include the Blender scene or any other CC in the picture.

Download (SFS, Free)

Make sure you tag me, @Simlycutenesz.Poses on Instagram or @scutenesz​ on Tumblr so that your cute self can be reposted.

If you run into any difficulties or if you may have any questions, don’t hesitate to message me.

@afrosimtricsims @redheadsims-cc @xmiramiraccfinds @whitleys-ccfinds @sssvitlanz

[deep-fried-egg]

Now I am more interested in the g!p headcannons for CC Bog 😂😂 got anything else you’d like to share with me? ❤️🤭

IF THIS GETS DELETED ONE MKRE TIME IM CRYING. I originally wrote these at 11 am today smh.

Cc would probably be very experimental. She loves trying new things (that she usually sees in porn)

I think the farthest she would go with that is breath play… but she would get too nervous the second the time comes and it wouldn’t actually happen.

Cc doesn’t want any kids of her own EVER so she doesn’t have sex with r if she doesn’t have condoms.

She gets super turned on from porn that surrounds a breeding kink but that shit is not for her to try in real life.

Girlie doesn’t know where the clit is

She’s pretty vanilla since she doesn’t know how to ask r to try anything else.

When she did get enough courage to ask, she asked r to peg her since she thought it would feel good… it didn’t since she wouldn’t loosen up.

She doesn’t have a big dick, I mean it’s pretty small but she can use that thing.

She used to masturbate on calls to rs voice before they got into a relationship.

During her first time with r literally nobody came since she couldn’t find the right spots to hit.

We love our awkward girlll

[splatoonpolls]

*CC = calamari county

*SL = splatlands

*OA = Octarian army

ALSO 12 OPTIONS YAY

Also agent 4 is just living the big time rush dream

[postsofbabel]

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