#cause my idea is I'd start posting my art there

[ghwosty]

I have the day off tomorrow

I should really sit down and work on my neocities site

I also need to jump back into my self-guided coding lessons I was doing so I can do fancier more complicated stuff with the site

[weaponizedmoth]

Been meaning to do another one of these for a second, but didn't have any cool outfit pics--until I remembered these blurry pics I had from 2021 that I could never do much with. Libbyframe is the inspo for these as usual,✨️

[prijune]

Behold more ocs from the back.

[sharkylass]

ALRIGHT, I ASKED FOREVER AGO, BUT WHO WANTS TO HEAR ABOUT MY ISA LOOPS AU??

Heads up this contains a lot, and I mean A LOT of spoilers for In Stars And Time. Including: = Act 6 spoilers, including main mystery and secret encounter = Minimal Act 5 stuff = And a bunch of extra stuff that happens through Act 3 and 4. SO BASICALLY ALMOST EVERYTHING, FINISH THIS GAME COMPLETELY BEFORE READING (ESPECIALLY THAT ACT 6 ENCOUNTER, IT WILL LITERALLY BE THE FIRST THING I MENTION UNDER THE CUT)

With all those warnings out of the way-

IN REPETITION AND CHANGE

Initial Concepts:

I feel it's important to show these sketches because they were the first ideas I ever had. I wasn't even entirely sure I wanted to make an AU at this point, I didn't even know how I'd approach it. But I started sketching and it's been on my mind since- SO! Isa is stuck in the timeloop. I know what his wish is and he DOES have a Loop equivalent! The grumpy dandelion guy is Roboro (it/they/he). Their name is a very small play on Ouroboros and they call Isa "Seedling". However, this post is not about them, as I'm gonna talk about it and Isa's dynamic in a separate post. In short, Isa is his normal loud self up until Act 3, right? They beat the King, they reach the end, and whoops, the loop isn't broken. So now, what happens is that Isa starts getting his brains out. He starts thinking more analytically and tries to problem solve.

The more stuck he gets in his head, the less he's able to perceive his friends as real people, and more like them holding him back. Because even if Isa explains that he's smart, that they shouldn't be surprised if he says something, shock of all shocks, reasonable- They'll forget it the next loop.

So Isa is stuck with trying to portray his confident, loud, supportive facade- Which is fine! It wouldn't be the first time! But it progressively gets more and more frustrating, as he tries to find answers and simply looses the energy to pretend to be stupid.

TL;DR: Isa in the timeloop, unlike Siffrin, becomes more distant and cold rather then something more akin to Sif's mania.

NOW, MORE ART!!!

KILL KILL KILL:

I imagine Isa didn't have this encounter the same way that Sif did. Yeah, frankly, Isa is pissed with the sadness- But that's not why he goes through with this.

In this moment, Isa is trying to kill two birds with one stone. He's trying to get through this quickly, as well as reassure Mira that they can do this! If he shows how strong he is, then she'll feel safe right???

Poor Isabeau forgot that whenever he shows that he thinks ahead, he scares people. How could he forget that? How could he forget that he's inherently---

Family Quest:

I still think Odile is the one to call out to him (same with sus quest).

The hangouts I'm still figuring out, cause I don't think they'd too similar to base game- But, fun fact, at the end of this run, everyone agrees to keep travel together!

Isabeau brings it up, can't hurt if you can fix your mistakes right? And everyone agrees. The relief on Siffrin is the most palpable thing Isabeau has ever seen.

In this moment they love you. In this moment they all love you. In this moment---

Death Screen:

He loops back anyways. (This is one of the initial concepts that I ended up animating. This line in particular is when he reaches the end)

Act 5 Tarot Card:

NOW TO SEE MORE OF HIS PASSIVE AGRESSIVE SIDE

Thanks to @the-bitter-ocean for prescribing tarot cards to Isa (THEY ALL FUCK SO HARD) and for the RAW ASS LINE

If interacted with in act 5, predictably, Isa tears it apart. He doesn't need the divine judgement upon him, he's faced everyone's perception his entire life.

However, he tears it methodically. Tears it once in even pieces, twice, three times, and one of the pieces once more. In a way he isn't even getting his emotions out, it's like he's actively trying to tear it apart so it stops nagging him, like he wants to shut it up. Though, the Judgement card symbolizes rebirth, absolution and inner calling. In Act 6 he'd be able to look at it and find comfort and confidence in the card.

Act 5 Mirror:

And lastly, I have the Act 5 mirror picture. I haven't quite figured out how to make the normal ones work yet, however, I couldn't let go of the idea that Isa would not want to be in the picture.

The idea of seeing himself at all makes his head hurt and his stomach squeeze. The memory haunts him as he stands to the side and says the word. He didn't think the mirror would catch him.

AAAAND THAT'S ALL THE ART STUFF FOR NOW!!

I still have quite a bit of it to post, especially about Roboro, but I'm gonna leave it here for now.

I still gotta figure out the hangouts and potentially the dagger equivalent- but I have ideas for Bad Touch, the glass equivalent, and some extra little things that didn't happen in Siffrin's loops.

I needed to yap about this, because I've been slowly stacking up ideas and writing and I needed to share it at some point- If anyone read all this and has questions and stuff I fully welcome 'em!!

[mewtwoandme]

I was hoping this would all blow over, but since it's continuing to happen, now with people attacking other artists of the commewnity. I'm putting out my two fucking cents! Cause this whole art/character theft and pointing fingers, who stole what from who bullshit it driving me up the fucking wall!!

Long story short, it started with me and one other blog whose name I won't mention publicly. Despite the horrible light they tried to paint me in, I don't want anyone going to this person and ganging up on them. This person had some serious bitterness towards more "popular" artists and claimed that I've made characters similar to theirs and once used a pose they apparently used before (which was a very common pose, considering it was a reference from the game version of mega Y). Since then, they had desperately tried to conjure up evidence, narrowing down to the most miniscule detail how I've been stealing from them when I hadn't even known their blog existed until I was forcefully thrown into that unnecessary drama with the unhinged call-out posts they've made. With this being said, I'd like to point out that they never came to me or addressed this concern with me in the first place. They had every opportunity to privately DM me if they had suspected I was "stealing," but no, simply because they already made up their mind that I was a thief, that was a good enough reason to lack common fucking sense and decency, making what should have been a private issue public, going on to villainize and dehumanize me. And apparently, it hasn't stopped with me either, cause recently I've been seeing other artists in the community having to deal with this where people are being white knights on high horses, pointing fingers on how one artist's mewtwo looks "the same" if not "totally identical" as another artist's mewtwo. I refuse to believe it's a coincidence. But what makes me disgusted is that since TC's post, apparently it's had the opposite effect on some people and they're hopping on this blame bandwagon like it's some damn media trend!!!

This is NOT okay! Nothing about this kind of behavior is funny! It's upsetting to all of us. We dont need you causing problems where there isn't any, thinking you're doing us a favor! The majority of us are adults for gods sake! We are old enough where we don't need other people coming to us being tattle tails saying this person did this and that. That's what little children do! If you suspect any form of theft, I think I speak for ALL creators in this commewnity that we'd prefer you DM us privately saying something like "Hey, I think this person is copying you, might wanna look into it." And if possible, provide a link to the art in question, for which we would kindly thank you for making us aware and we'll handle it ourselves from there. Just a brief, yet SIMPLE interaction...that's all we ask!!! Don't even come at me with "Well, it's scary attempting to talk to an artist that's well known." Or dare I say ~pOpUlAr~ If you claim that taking the first step to send me a quick DM makes you nervous, yet you have no problem making public call outs in posts or asks, belittling and degrading what could actually be innocent artists doing nothing wrong, literally leaving yourself open to all kinds of comments and opinions from all kinds of people....I'm sorry but your anxiety isn't as bad as you say it is then, if being rude and ignorant in a public post/ask is easier for you. If you come to us, shaming someone else who 9/10 probably isn't doing anything wrong, thinking you'll be in our good graces for doing so, sorry, you're not going to be told, "Good job!" with a pat on the back and given a lollipop! You're just being an asshole.

Quick reality check for everyone who's made it this far before I end this train wreck of a rant:

People can have similar ideas that coincide with one another! There's only so much you can do when a whole community is focused around drawing the same character! We mainly draw mewtwos and mews, you're bound to find a plethora of similar colors, patterns, and designs because of it! Creativity only goes so far when trying to stay true to a character and not stray too far. It's not a crime to take inspiration from other artists' characters, we actually encourage this! It makes us feel good that you liked something we've done and you want to incorporate it into your own designs! It makes us happy that we inspired you! The line is crossed when someone does a literal copy/paste of a character down to the exact detail, and they call it their own original creation. That my friends is what stealing actually is!

[gayhorrorsans]

shakes you

head canons that make you insane about the bad or star sans?

okok this can be taken two ways

Insane as in AHHH I LOVE THIS

or insane as I'M GONNA HURT YOU

So I'll do both, starting with the first one.

Stars:

I find it amazing when Dream is given less innocence, but also isn't an asshole. I know this isn't really a 'headcanon', but the amount of times Dream is either some innocent toddler or an asshole is ridiculous. Like give him morals and stuff that he might lash out at but come on.

Dream having possession of something that reminds him of Passive Nightmare, a journal or some pictures. Maybe something like Basil's photo album from Omori.

When they aren't all assholes... AHHH I LOVE IT. I know this is the bare minimum but the stars have been butchered by the fandom so badly ☹️

Ink knowing about some AU details, but not all. It's more interesting, he may forget some of it anyway, as he's very forgetful.

Swap not being yandere.

Them being friends, I don't like them having drama, or at least if they do they can ignore it to protect the multiverse.

Most of my headcanons focus on the bad sanses since that's how I maintained my interest in the fandom. I've always preferred villains in stories. There's probably more I'm just not remembering. I know theres more it's just not coming to mind

Bad Sanses:

Dadmare is a headcanon I have always LOVED. it's not my main au, so depending on how I want a story to go, I may adjust characters, but Dadmare is a guilty pleasure.

Headcanons that delve deep into the mental of them. How Horror is mentally, Dust is, Killer is, Cross, error etc.

Speaking of that, Cross being a part of the bad sanses is a must, or he must be at least aligned with them (I'll discuss what this means in another post) and Error must occasionally work alongside them, and would have a room at the castle.

BRO I could yap for ages oml.

A general idea that Horror, Killer and Dust cancel out each other flaws. Horror is amazing physically, Dust is amazing magically, Killer is a mix. They all balance out another. Like I'm not saying Horror is gonna wipe the floor with with Murder, but he would certainly stand a chance, and given a chance, would easily win. Killers a Jack of all trades, hes fantastic magically and physically, but doesn't specialise. However since he has both he can use his skills to confuse apponents.

Silly Killer is funny.

okay this is actually kind of hard to write about. I can do bad headcanons easier. So in no particular order:

Making Fell abusive towards Lust

Making the Fallen Starts exist... I've seen them properly executed less than 5 times.

Making Horror act EXTREMELY feral (I do like it, but there's a line... and people treat it like a fucking jump rope.)

Making Nightmare extremely horrible. I don't mean he has to be a dad, but I personally have a limit, I like the angst, it's just not what I'd personally have in my AU.

The Bad Sanses becoming 'good', maybe they're not as bad as people thought, but making them good I don't like.

I think my least favourite headcanon of all time would probably be like Classic being on the star sanses.

I LOVE MY BOY CLASSIC OKAY. AND I WANT HIM NEUTRAL. And when he joins the stars for some reason he veomes super emo and depressed and shit and suddenly has an alter ego like this is some Jeckyl and Hyde. I don't like him being on the star sanses AT ALL.

Okay I'm writing these so Im forgetting them... I'll update if I remember anymore.

but my fav one I love to see.

is where classic IS one of the MTT. Classic is Dust or Killer mainly.

CAUSE OMG

the stories you can make. the animations you can make. THE ART. oh my lord. guys

😼 Heh. if you're struggling for ideas on what to draw yknow 😉😼 there's an idea 😊😊

[clown-cafe]

After talking about this with a friend earlier, I wanted to make a post as a place to theory-craft about Jonathan potentially being the Little Pale Girl's next vessel (the witch?)

I know this is a popular theory

But these are things I've picked up on that made me personally believe it. I'd be super interested if people have other ideas/interpreted any of these differently 👀

1) In Terrifier 2, Jonathan wanted to dress up as Art for Halloween. That's always felt like foreshadowing waiting to happen to me personally.

2) Sure, Sienna can see the Little Pale Girl in Terrifier 2 because she's some kind of warrior angel force for good. What about Jonathan being able to see her? Is it just because they're related, or was he chosen to be able to see her?

3) Sienna and Jonathan always felt like direct parallels of Art and The Little Pale Girl to me. Not exactly evidence, but I've always correlated them in my head.

4) The Little Pale Girl/Victoria have already nailed mimicking Jonathan's voice. I know she also mimics Sienna's aunt and uncle, but mimicking Jonathan twice in two different forms... Hm...

5) Jonathan is seen taking medication and telling someone in a very deliberately included shot of his phone that "It's getting worse/bad again (can't remember wording - I need a rewatch)"... what is? We never find out the details of his trauma. We never find out what exactly caused Jonathan's meltdown. Are his issues similar to Sienna, or is he dealing with something far more sinister.

6) We never see what Art and Victoria did with Jonathan. I do not believe he's dead. I simply do not. Maybe they're holding him somewhere. He feels like a real ace in their sleeve for dealing with Sienna - why wouldn't they kill him in front of her if they wanted to break her that bad.

7) Victoria/Pale Girl were built up to be a very important figure in Terrifier lore in Terrifier 3. But Victoria is presumably dead now as a vessel. She'll n e e d a replacement.

8) Jonathan is particularly closed off and calloused in Terrifier 3 which, don't get me wrong, can definitely just be his trauma. But he wasn't at the start of Sienna's hospitalisation. When he was studying demonology and writing to her that they "Need to kill the Little Pale Girl before it's too late." He of all people knows what she is - where's his urgency.

9) Lastly, this may be entirely unrelated. But Art ate Victoria's face. Then she was possessed presumably by the time she attacked Monica Brown.

At the end of Terrifier 2, Art is seen attempting to eat parts of Jonathan.

Not killing him.

Biting him.

With all his tools that he has there

That he could have been torturing him with-

Biting him.

And I'm sure Art has bitten more people and I just forgor

But it keeps coming to mind again and again.

Feels significant somehow.

With all the chances Art had to kill that boy.

Why was he alive so long.

[the-cat-and-the-birdie]

Spidersonas are the perfect exercise and I recommend everyone try -

Quick-Spidersona Exercises

How I use new Spidersonas as Artistic Practice

[A MEDIUM length post where I share ideas and exercises to create Spidersonas quicker and easier, while practicing your writing/art]

Spidersonas can be a great tool for any artist!

If you're a writer looking for a way to get better at character creation, research, and world-building - Or an artist looking for a way to get better at character design:

Consider trying out Quick Spidersona exercises as a fun way to do that! I use them all the time, because seriously, who says you can only have ONE Spidersona?

(I think I have at least 15-20 now - counting the eight named kids I gave Miguel & Moche)

I usual end up making at least one a week - and I find they're amazing for learning how to make characters quickly and in a really fun way.

Everything can be canon in the Spider-verse, including a sentient piece of Lego-Plastic and a Pre-historic Spider-saur.

Plus, with the Spider-Society being full formed, and canon events at your choosing, you have a loose template for a background - making it easier to throw them into the story.

I use a couple different exercises on making Fast-Sonas, and I thought I'd share some.

Here's a couple of my favorites! If you find this helpful, let me know!

1 - Hour Sona Challenge

Ever have a half-baked Spidersona Idea or come up with a funny crack Spider?

Give yourself an hour (or two) and go at it.

[This challenge is good for quick practice, Character Creation & Design]

Design them a suit as quick as you can, coming up with abilities and a rough personality.

You don't need to go into backstory if you don't feel like it, and it's a great way to get started

This is something you can do routinely - I do, I usually do this once or twice a week; And soon you'll have a full cast of sonas that can interact with each other!

It's great practice, and the more you do it, the easier it gets.

When you're doing it on the fly, or know it's just one hour - it can produce characters that are more natural, because you don't have time to second guess. Plus, since it's only an hour, you can get as silly as you want!

Stoner-Spider is an example of a 2-hour Sona Challenge.

Adapt-A-Spider

This challenge is good for Character Design

Make your own cross over!

For something a bit easier - Take a Non-Spider character and make them a Spider-person.

This could be anyone, from other Marvel characters, to Disney Princesses, Celebrities, and characters from your other fandoms. You can even make some of your old OCs into Spider-people!

For Artists - this can be a real fun challenge - try and blend the characters original outfit and design into a suit suitable for swinging.

For Writers - try to adapt their current background, and shift it around so they have 'canon events'. If the character you like has lost someone, the person they lost could stand in for their Uncle Ben or Aunt May.

Example: If you're looking to adapt Ellie from The Last of Us, losing Joel could be her Uncle Ben canon event.

This works for every character (basically). What if Black Widow ACTUALLY got bit by a black widow? Now Nat Romanoff is on campus. (Every Peter thinks she's an MJ cause the red hair at first).

No matter how ridiculous, you can stretch it. In Spiderverse, everyone is Canon.

If they can write a SpiderCar - you can write ANYTHING.

Some ideas are:

Celebrities, Animals (like SpiderCat or the Dinosaur), Princesses, Greek Gods, Historical Figures, Fandom Characters,

Mundane Spider

This challenge is good for: Character Building & Design

Not everyone is extraordinary. SOMEONE has to flip those McMiguel burgers goddamn it.

If making a huge story and traumatic canon events send daunting - just... Don't do it. Challenge yourself to make a Spidersona that's literally just a person.

Like a Target employee who got bit by a spider that came out a shipment. And now they have to work at the Society AND target. They wear the Target polo over their suit.

Pick a normal type of person, and challenge yourself to make them super.

Maybe a stay at home mom that got bit by a house spider, or a college student that got bit at the library. Any one could be a Spider-person! So don't worry that they're 'boring'.

Ideas for this:

A person based on your town/city, Random Professions, Teachers, Therapists, People based on hobbies you like to do (ex: Margo is eSports. SpiderCanada is hockey based),

History Spider

[This is good for Research]

History Buffs WHERE U AT?????

If you love a period of history - GO ALL IN.

Take the SpiderNoir and Hobie route.

If your Spidersona was from Ancient Egypt, what would they wear? If you really like the Medieval Era, would their city want to burn them at the stake?

For Artists - What would they wear? And how would the fashion trends of their time period effect their suits?

For Writers - What would be their real name, if it were time period accurate? How would they act and speak? Consider how they would adjust to things like 2099, and how their time period would effect their fighting style.

Culture Spider

If you're from a interesting culture or place, make a Sona for that!

[This is another great one for Research, as well as Character Design too]

I've seen it all, from my own IncaSpider, to Korean Spider-people and Romanian Spider-people.

For Artists - It's REALLY fun adapting traditional dress and colors into a Spider-suit, and you may even find yourself falling down a research hole.

For Writers - This can go DEEP. You can pick any time period of your culture and home. Things like their accent, their behaviors and traditions, and their backstory can all be reflections of your culture.

With HUNDREDS of years is material to pull from, using Culture as a back drop for a Spider can help them seem deep and natural. Plus, you can just Google clothing and use that as suit inspo

Ben Reilly - Mary Sue Spider

Arguably my FAVORITE. Not for the faint of heart.

[This is the best for everything - Literal SELF CARE I MEAN THAT]

BE CRINGE. DO IT ON PURPOSE.

Write a character that's super strong and effortless about it. Pavi is. And he's still a great character.

Write a character who ALWAYS looks kick ass and rides a cool motorcycle or plays a rad guitar - Jess and Hobie are literally THAT.

Want your character to be big and super smart with deep trauma that haunts them? - Ben Reilly and Miguel. The three of them can be a trio.

Challenge yourself to make the COOLEST MOST FLAWLESS DRAMATIC SONA YOU CAN.

Every time you draw something or write something that makes you cringe, or feels to OP or too much.

Good. Leave it in. Turn it up to 11.

Go all out. Draw your Instagram dream outfit. If you want your Sona in 12 inch heels - have at it!

'Oh but that's impractical and stup-'

They're literally a Super-Human. If Gwen can catch a helicopter like that, I think a Spidersona can manage stripper heels or Final Fantasy Hair.

What's the worst that can happen? You're doing it on purpose.

At the best, you'll make someone REALLY REALLY rad - like Hobie.

At the least, you'll make someone REALLY REALLY funny - like Ben Reilly.

Disco-Spider Diane is an example of this. She was probably supposed to be a completely self-indulgent, unhinged Sona.

So much so that she thinks she's perfect, even though she's a little bit naive, lazy, and in her own world. But because she doesn't care.. it's all good :)

No Logic Whatsoever Spider

[This one is just funny. Great one for Character Design and getting out of your comfort zone.]

Spider-Ham, Spider-Car, Spider Cat, LegoSpider, Spiderplush and SpiderPopsicle all have a club. The No Logic Whatsoever Club.

Challenge yourself to make a new member.

Break all the laws of logic. If something can be Spiderman, then it is or duty to make it so.

What's your favorite animal? Make that.

Can they put on the suit themselves? No? Who cares they're a Spiderperson-thing now.

Is there a funny art style you like - make a Bendy's style 1930's black and white silent cartoon.

For Artists - This is a great one. It can be as simple as drawing Spider-man merch and making it sentient. Or as bizarre as drawing a Dinosaur in a Spider-man costume.

For Writers - HARD MODE. For pure crack fanatics. Enjoy trying to make logic of this. Or don't. They are what they are.

----------------------------

So here are just some exercises and ideas for those looking to strengthen their writing/art skills with Spidersonas.

They can be really quick to make, and you can always build on them over time, do a '1hr Sona Update' Challenge, run them through canon events and see them change.

Having multiple spidersonas can be fun, make writing easier, and it's great practice that translates everywhere - into world building, character design, research, and a lot of other creative skills.

Literally theres no need for just one! The Spiderverse is open to any Sona, no matter how bizarre, mundane, or self-indulgent!!

If this gave you and ideas or inspiration, let me know. If you try a challenge, I'd love to see too!

And as per usual if you've read this far: Here take this as a token of my gratitude

Go forth, create, and kill cringe with your bare hands. Smash it into a moving train. That usually does the trick.

Bye.

[kanmom51]

Rebirth - Muse - JM

[**This post was written before the release of today's BTB and the little explanation JM gave us about Rebirth and Slow dance. What can I say other than just how much more my words feel relevant now. ]

As promised.

Thought I'd sneak this one in before Are you sure? lands, cause Idk, I just have this feeling that once it does we are up for 1 of two options:

I'm so overwhelmed by the amount of content we are getting that I'll be so dumbfounded and unable to post at all; Or, I will be so busy ruffling through everything running after my own tail trying to post post post post, that I will have zero time or ability to post this.

Long story short, this was the time. Do or die pretty much.

So Intro: Rebirth.

Before I get into the lyrics themselves I do want to go back to what we learnt from the Minimoni album exchange.

I kind of feel like a broken record here, but then again, I do think that obviously watching that exchange and my post on it can be a good starting point into understanding not only what Muse is all about, but also that out of all the songs on the album, Rebirth, in a sense, is just a little more personal than the others.

JM talks how the lyrics for this one were really hard to write. He mentions this a couple of times.

This was also when JM talked it was hard to write about having a crush.

Before moving on and talking about the song itself I do want to clarify something here.

I was really surprised to see how people are interpreting this.

Do people not know what the meaning of the word crush is? Not only the actual term JM used in Korean (that perhaps got lost in translation), but the actual meaning of the word in English.

짝사랑 - this is the term JM used while talking to RM.

Which basically translates as unrequited or one sided love, which is just that if you understand the actual term of the word.

Go to Oxford dictionary and crush is described as: "a brief but intense infatuation for someone, especially someone unattainable." And if you look up "infatuation" well: "an intense but short-lived passion or admiration for someone or something."

Now, when I heard the word crush that is exactly what I understood and it was funny for me to see that there were those that interpret the word as falling in love or being in love or similar to that, when crush means something else all together.

*Side note: JM's love life aside, knowing the concept of JM's album, it's easy to understand why he chose to use the idea of a crush as a metaphor to describe that short lived passion/excitement he was feeling with his work, telling us or showing us, with the development of the songs in the album, that indeed it is short lived and he was yet to find that long lasting feeling of excitement with the things he was doing (work/his art) - still searching for that "who".

Back to the meaning of crush.

As explained, a crush in English means an intense infatuation with another that is mostly unattainable. Two people can crush on each other, but it's a crush only as long as it is yet to be requited. Once it is reciprocated then it's no longer a crush. So, you can crush on someone unknowing that the other person has a crush on you. This crush can fizzle out and end in nothingness. But a crush evolve into a relationship if the two people involved move forward from it. Making that move forward towards each other.

This is what having a crush looks like:

And this is how it looks when you had a crush and are realizing that maybe, just maybe that person is reciprocating.

And this is when you have decided that he really is.

That was back in 2015 btw. August 2015 and December 2015. ALMOST 9 YEARS AGO.

Unattainable.

Short-lived.

Are we surprised JM wouldn't remember the last time he had a crush?

I will repeat this for the rows in the back that might not have heard. When JM says he doesn't remember the last time he had a crush, that doesn't mean he's single. Whoever thinks that is what he's saying needs a crash course in English and/or life.

A crash course in crush... lmao (yes, I am easily entertained).

So, JM had to turn to the youngest member of SGMB (lol) to remind him what it feels like to have a crush. And yet, as I have explained in the Minimoni post, Muse might not be autobiographical, but that doesn't mean that there aren't personal aspects to some of the songs, and the lyrics. Feelings expressed being real feelings drawn from his trove of inner thoughts, feelings and life and love experiences.

I will also add that although crushing is mostly one sided, and when it turns into more, as in the other party reciprocates, of course there are some of the feelings that linger. The rush, the want, the need. But at the same time things change in that the other side is feeling the same. When you look at them, they look back, gazes linger rather than avoiding eye contact, for example. There are the touches when crushing, and there are the touches, just as hesitant, after it becoming MORE. The first are one sided and usually hidden as something else (for example: "I just need to check your arm muscles for a sec"), while the second are two sided, intentional but at times hidden from others.

The differences might be so very slight at times, but if you have a keen eye you can definitley notice them. And they sure were noticeable when it came to Jikook.

Another thing before I start.

One word:

SERENDIPITY

Idk why, but I feel like Rebirth is a prequel to Serendipity. Even though Serendipity was not written by JM (although I do believe he had input into the song just like or even more so with John Billion - remember how JM says he's an American RM...), it most certainly was claimed by him and JK as theirs. You are me I am you being their trademarked catch phrase. A love ode from JM to JK. That song JM said he will gift his loved one and did. Followed by GCFT, JK's love ode to JM. And if I'm going down that road, well, if Rebirth is the prequel to Serendipity I'd say that Letter is the sequel to Serendipity. I kind of think I've mentioned this before in one of my posts about Letter.

Now that I'm done with my precursor, let's move on to the actual song. A song that out of the lot of them in this album seems to be the most personal. The only song that we didn't get to see the process of writing or recording of in content we have gotten so far for Muse (promotions now over).

[Verse] If I'm tryna be special Can I get closer to you? I can feel my heart pounding When your fingertips graze past me If I'm tryna be special So that I can sing while making eye contact with you I'll show you, baby Oh, I didn't realize Oh, I didn't think I'd care Oh my gosh, now I Won't hide You are the light in my darkness Like the sunshine vibe It spreads quietly [Chorus] That I want a real good love, good love, good love I'm tryna find a love, good love, real love I was in pitch black, but I couldn't stop thinking of you all day long I want to take one step and two steps closer without you knowing Stay with you, with you, with you, with you I will be your reason, rеason, reason, reason I hope this feeling rеaches you, to you, you To you [Outro] White clouds The wind passing by Floating petals It feels like it's been waiting just for us When that door opens When I get closer to you I'll tell you this I will be special all for you Special just for you For you (For you) For you (For you) I wanna be with you

I will share with you what went through my mind once listening to Rebirth, all while reading parts of the translated lyrics. The flashing scenes. Parts that screamed JK or Jikook.

"I can feel my heart pounding When your fingertips graze past me"

This:

And this:

And this:

And this:

More:

I can go on with this all day long. Being one of the most obvious sus behaviours with these two. But seeing that I don't want to exceed my image limit in this post I think this is where I will stop. Point made I guess.

"So that I can sing while making eye contact with you"

This was the first thing that came to mind:

😭😭

Although these did too:

And do we recall JK's sentiments about making eye contact with JM on stage?

They connect on stage. Before, during and at the end of the performance. We have seen it and they have told us so throughout the years.

Was that what JM was thinking of while writing that line?

This is clearly a line that is taken from his own personal experience. Singing while making eye contact is not something that regular people like you or I would come up with to express a feeling of love or want towards someone.

Drawing from his own emotions and experiences, how it is for him and how he might have used to wish it would be.

This line, more than any other is clearly that.

"Oh my gosh, now I Won't hide You are the light in my darkness" and "Like the sunshine vibe"

The latter, as JM explained to RM, was a word game/pun for which he asked permission from Taeyang to use in his song, seeing that his name literally means sun and Vibe was his song, lol.

But, we also know there is someone else, much closer to home, much closer period, that is referred to as the sun. Someone that makes JM happy. Someone that makes JM laugh even when he's sad. Someone that JM chose to go into the army with, together!!! Someone that is the other half of the sun and moon duo, the sun to JM's moon.

And what about this?

I'm tryna find a love, good love, real love

And he found it.

Coincidence? I don't think so.

"When that door opens When I get closer to you I'll tell you this I will be special all for you Special just for you For you (For you) For you (For you)

And he is. JM is special for JK. He has told and showed us this in so many ways in the past.

"I wanna be with you"

I wanna be with you...

Again, JM told us the songs aren't about his life, right? And yet, that doesn't mean they don't have a personal connection, that while writing he didn't take from his own experiences or feelings, that after writing he feels an emotional connection with the song, that even if not intended to it hits closer to home than others. And I feel like this is the case with Rebirth. I do believe that there is a reason it is the connecting song between Face and Muse. That there is a reason the interlude separates it from the rest of the songs.

[caligvlasaqvarivm]

I know you've touched on it in your Gamzee Essay/general alternative timeline post but may I hear some more about your ideas regarding GamTav (or only Tavros)? You get these two in a way the broader fandom doesn't (which is fine, I'll still reblog even the most vanilla ooc art of them) so I'd really love hearing more of your thoughts:3

Ok, I think this is going to be someeewhat controversial, but I think they're destined for pale together, despite Gamzee's initial flushed flirting. I did in fact reread ALL of Tavros's logs for this.

I think the first thing we need to establish is that Tavros actually feels really shitty about himself. It's obvious that his problem is "self-esteem," since he's constantly prattling on about it, but there's a bit he says as Tavrossprite that's pretty enlightening as to where his actions stem from:

TAVROSPRITE: i SYMPATHIZE ENTIRELY WITH YOUR SOCIAL IMPASSE, cAUSING NOT GOOD REFLECTIONS ABOUT YOURSELF, tHAT MAYBE ALSO DOUBLE AS LIBERATING STUFF ABOUT YOU THAT YOU RANDOMLY DECIDE IS FINE SUDDENLY, TAVROSPRITE: oLD ACQUAINTANCES, aND GUYS YOU ONCE CALLED FRIENDS, TAVROSPRITE: tHOSE ARE VERY HARD, TAVROSPRITE: bECAUSE OVER TIME THEY GET EXPOSED TOO MUCH, tO ALL MY FLAWS AND INSECURITIES, TAVROSPRITE: aND THEY START LIKING ME LESS BECAUSE OF THAT, TAVROSPRITE: aT LEAST, tHAT'S HOW THE TRUTH FEELS, iN MY BRAIN, TAVROSPRITE: sO i START THINKING, mAYBE THEY CAN'T BE THAT IMPORTANT TO ME, aFTER ALL, iF i'M GOING TO WANT TO FEEL NOT SAD ABOUT MYSELF ALL THE TIME,

He has a mixture of self-loathing and social anxiety, the latter of which exacerbates the former, as his mind tells him that his friends secretly hate him. However, his real problem is what he then does with those feelings - he avoids them and the situations that cause them. This causes two major knock-on effects: the first is that he actively ends up distancing himself from people who ARE nice to him and DO care about him, only adventuring with Vriska because he's a pushover and she's very pushy (he adventures completely alone up until that point, and winds up sleeping almost all the time afterwards); the second being that, because he refuses to actually sit with and address his negative feelings about himself (or anything else), he's never able to fix them, or remove himself from shitty situations.

Something consistent with Tavros is that every time he tries to make a decision before his death and Vriska-prototyping, it's by trying to rely on something external - whether that's his imaginary friend, his robot legs, or the story of Pupa Pan... or relying on advice from Kanaya, or seeking approval and forgiveness from Vriska, or earning flushed interest from Jade. He believes himself to be deeply flawed and untrustworthy, so he allows other people to make his decisions, and when relationships do get intimate enough that someone might get him vulnerable, he peaces out. Even his ill-fated attempt to kill Vriska is heavily encouraged by Vriska herself:

AT: aND THAT BEING THE CASE, AT: eVEN THOUGH i'M TERRIFIED OF YOU, AT: aND nOT AS STRONG, AT: oR REAL CONFIDENT, AT: oNLY MOSTLY FAKE CONFIDENT, AG: Yeeeeeeees? AG: Go on. AT: i THINK, AT: i AM GOING TO HAVE TO STOP YOU, AG: Yeah! That's the spirit. AG: Pretty weakslime threat there, 8ut it's a start. AG: Tell you what. AG: If you can find me in this la8, you can have at me. AG: I'll even give you a free shot! No funny 8usiness or anything. AT: oK, AT: tHEN, AT: hERE i COME, AG: I'll 8e w8ing. <3

As we see with Jade, whom he's attempting to flirt with flushed, he's actively trying to impress her using "self-esteems" explicitly gained from "fake" things he's acknowledging as fake - that is, refusing to be genuine and vulnerable with her, because he doesn't believe anyone would like him the way he actually is.

AT: bUT WHAT ABOUT, AT: mY ATTRACTIVE BRAVADO, AT: aND IGNORING MY INSTINCTUAL COWARDICE HARD ENOUGH TO SAY THAT i LIKE YOU, AT: iSN'T THAT, AT: sUPPOSED TO BE VERY ATTRACTIVE, aND ENCOURAGE THE MAJOR HAVING OF FLUSHED FEELINGS IN OTHERS, AT: i GUESS WHAT i MEAN IS, wHAT ABOUT ALL MY CONFIDENCE, AT: wHAT DO YOU THINK ABOUT THAT,

His "dating" Vriska in the dream bubbles is also dubious and one-sided at best, as John calls him out for faking it and Tavros isn't willing to bring up wanting the Ring of Life because he was planning to propose to Vriska. Thus, once more, he's attempting to use something disingenuous (in this case, a human proposal) to win another person's affection, which he believes would be a symbol of actualizing his "self-esteem".

We also literally see him do the "deciding someone wasn't actually important to you after all, so it hurts less when you cut them off before they can hurt you emotionally by noticing your flaws" thing with Nepeta - he actually quite likes Nepeta, and would certainly have enjoyed having her play the game with him, but he assures her that it's not a big deal basically immediately, and insists he'll just find someone else:

AC: :33 < tavros im sorry i cant be on your team :(( AC: :33 < im not allowed AT: oH, AT: tHAT'S OKAY, AT: tHEN i GUESS HE SAID NO, tHEN, ... AC: :33 < hmm purrhaps AC: :33 < but i still f33l bad AT: i'LL FIND ANOTHER PLAYER, iT'S NOT A BIG DEAL, AT: gOOD LUCK, bEING, AT: oN THE BLUE TEAM, AC: :33 < ok thanks :((

But, perhaps most strikingly, is the way he leaves his good friend Gamzee on read after Gamzee suggests... gasp... intimacy.

TC: WhEn wE Up aNd sTaRt tO KiCk aT ThIs rEd TeAm NoIsE, TC: YoU ShOuLd mAkE YoUr wAy tO GeT YoUr hAnG On aT My hIvE. AT: oH, yES, tOTALLY, TC: We cOuLd sPlIt a tIn oF ThE PiMpEsT SnEeZe i gOt oN HaNd, BaKeD Up aLl sPeCiAl fOr yOu. TC: AnD ThEn mAyBe mAkE OuT A LiTtLe. AT: uH, TC: ;o) AT: , AT: ,,

It freaks him out, and he's never seen hanging with Gamzee again. And this is a huge shame, because not only is Tavros one of the only people who is nice to Gamzee and appreciates his religious beliefs, but Gamzee is one of the only people who hears out Tavros's genuine insecurities and desires without making fun of him:

AT: tHE ONLY THING MORE FLY THAN THE RHYMES, AT: i'M SAYING TO EXPRESS ALL MY MALICES, AT: iS THE ABILITY HE HAD i WISH WAS MINE, AT: iNSTEAD OF i GUESS, THIS EXCESSIVE PARALYSIS, TC: (lOoK OuT FoR ThE HoOk bRo!!!) TC: GeT OfFa tHoSe wHeElS, gEt oFfA ThOsE WhEeLs. TC: If mIrAcLeS ArEn't fAkE He'lL GeT OfFa tHoSe wHeElS! AT: bUT HIGH, iN THIS CASE, hAS DOUBLE THE MEANING, AT: iT MEANS HE CAN FLY, pLUS DOES HIGH SELF ESTEEMING, AT: tHAT'S TWO THINGS HE HAS, tHAT i'D RATHER WERE MINE, AT: hIS TWO FLAPPY WINGS, aND hIS BIG HEALTHY SPINE, AT: oOPS, AT: tHAT'S THREE THINGS,,, TC: GeT OfFa tHoSe wHeElS, gEt oFfA ThOsE WhEeLs. TC: If mIrAcLeS ArEn't fAkE He'lL GeT OfFa tHoSe wHeElS!

(Compare:)

PAT: i'M SORT OF, lYING ON vRISKA'S FLOOR RIGHT NOW, PAT: lIKE, iN HER BLOCK, PAT: lYING DOWN, PAT: uHH, yOU KNOW, bECAUSE i CAN'T WALK, CCG: OH NO SHIT REALLY??? CCG: YOU CAN'T BE SERIOUS, WHEN DID THIS HAPPEN.

He isn't able to do a REAL self-confidence at least until he gives Vriska the bird and flies away, for the first time asserting that he thinks she's an asshole and doesn't actually want or need her validation or approval. After that, he's able to convince a ghost army to follow him using friendship and asking and niceness. Breath powers! Also Page powers! Also actual self-esteems! Although I don't personally hold anything after Game Over as anything more than soft canon, I think we can still see a fairly straightforward character arc reach a natural conclusion there.

But as to why I specifically think him and Gamzee are destined for pale, despite what appears to be flushed leanings from Gamzee's end, and despite the fact that I usually believe what the comic tells me, is because what brief few interactions we see between them are very much pale in nature, and it would be kind of narratively bizarre if Gamzee were set up to have a failed moirallegiance - the quadrant described as "soul mates" - without managing to find his real soul mate after. And who's it going to be? Equius? Or the guy that Gamzee literally says he feels "at chill with" talking to?

Gamzee kissing Tavros's corpse is often used as evidence for his desire for flushed, but I disagree - however Gamzee feels about Tavros romantically, kissing a dead player is how you revive them, so it reads to me - especially given how sad Gamzee is about Tavros dying - more like a desperate act to bring him back. Lest we forget, Terezi also gives it a try, and Karkat kisses Kanaya for the same reason - the reality that their extra lives are gone hasn't sunk in yet for these 13 year old kids, so they must try revival even if they know it won't work.

Moreover, Gamzee indirectly describes Tavros as his "best friend," after having called Karkat that through most of the game, and having an implied pale crush on Karkat during that time.

TC: YOU MOTHER FUCKING KNOW, BROTHER. TC: its the fuckin puppet. TC: THE ONE THAT'S ALL GOT TO BE MY BEST FUCKING FRIEND I GOT NOW. TC: now that my other buddy managed to be having his head chopped off. :oC

Moreover moreover, what Karkat cites as being the cause of their moirallegiance's failure is Gamzee's religious beliefs:

KARKAT: HE STARTED GETTING SO UNBELIEVABLY SELF SATISFIED AND PIOUS, LIKE WAY MORE THAN HE EVER WAS BEFORE. KARKAT: LIKE HE'S JUST SO COMPLETELY CONVINCED HE'S FOUND HIS CALLING, THAT THIS SESSION IS THE GATEWAY TO THE PROMISED LAND WHERE HE'LL FULFILL HIS DESTINY. KARKAT: HE'S SO CAUGHT UP IN HIS IDIOTIC SCHEMES HE COULDN'T GIVE A FUCK ABOUT ME ANYMORE.

Which are explicitly what Tavros invites Gamzee to speak on, and appreciates:

AT: yEAHHH, yOU CAN TALK ABOUT THE CLOWN THINGS, wHICH, AT: i DON'T REALLY UNDERSTAND EVER, bUT THAT'S OKAY, AT: bECAUSE IT'S KIND OF FUNNY, AT: wHEREAS, i'LL ADDRESS SOME TOPICS PERTAINING TO MY INTERESTS, AT: aND i GUESS, pERSONAL MOTIFS, TC: YeAh! FuCk YeAh, ThAt Be HoW sHiT's AlL uSuAlLy Up AnD fUcKiN lOcKeD bRo. ... AT: dO YOU HAVE TIME FOR, mY MIRACLES, rELIGIOUS FRIEND, }:) TC: Do yOu gEt yOuR NoTiCe oN Of tHe mIrAcLeS AT: sO MANY, uH, gRATUITOUS EXPLETIVE, mIRACLES, tHE MAGIC MOTHER, aLSO eXPLETIVE, mIRACLES, TC: FuCk yEs, HeReS WhErE ThE SlAm tUrNs tO NoThIn bUt hOnKs... TC: HoNk hOnK HoNk hOnK HoNk hOnK HoNk TC: HoNk hOnK HoNk hOnK HoNk hOnK HoNk AT: HONK, TC: FuUuUuUuUuUuUuUuUuCk! AT: iT'S LESS APPROPRIATE FOR ME TO DO THE HONKS, tHAN YOU, bUT THAT WAS STILL GREAT, TC: YeAh, BrO. yEaH!!! AT: tHE SLAMS WERE TRULY PRIME, aND, AT: yOUR RELIGIOUS VIEWS, tHOUGH i DON'T SHARE THEM, aRE, AT: rEASONABLY INSPIRATIONAL, AT: i THINK i'M IN THE PROCESS OF RELEASING AT LEAST ONE TEAR,

But also in Tavros's single conversation with Gamzee, we see Tavros stand up to a highblood:

TC: :o) HoNkHoNkHoNkHoNkHoNk AT: }:o), hEH, TC: hAhAh FuUuUuCk, YoU sToLe My FuCkIn NoSe BrO! TC: WhAt GoT yOu EvEn Up ThE gUmPtIoN tO aLl FuCkIn Do ThE sHiT lIkE tHaT? AT: eRR, i DON'T KNOW, iT'S JUST, AT: kIND OF THE OBVIOUS THING TO DO, AT: sTICK THE CIRCLE IN FRONT OF THE DOTS, aND, bEHIND THE BENDY ONE, AT: pLUS, oH YEAH, mY HORNS, TC: hAhAhAhA. AT: mAYBE WE CAN SLAM ABOUT IT, ... TC: fUuUuCk, So FuCkIn FrEsH. TC: YoU nEeD tO bE sLaPpEd FuCkIn SiLlY wItH a MoUtH lIkE tHaT! hAhA. AT: aND, iF YOU GOT A PROBLEM WITH IT, AT: tHEN i SUGGEST YOU GO AND RAP IT DUDE,

He feels safe with Gamzee, enough to take a bit of an attitude with him, enough to open up about his insecurities about his disability and how much he wishes he was like Pupa Pan, and Gamzee explicitly states he feels calm when he talks to Tavros, which is the stated function of a moirallegiance.

TC: Me tOo, BrO, yOu mOtHeR FuCkIn kNoW ThErE Be sOmE Of mY EyE's RoYaL JeLlY To gO WiTh yOuR EmOtIoNaL pEaNuT BuTtEr. AT: wHOA, aHA, hA, TC: ThIs iS BeAuTiFuL, dUdE, i fEeL So aT ChIlL WiTh yOu. AT: yEAH, fRIENDLINESS WITH YOU IS, pRETTY MUCH ALWAYS NICE, aND FUN TO HAVE,

And the thing is, trolls are constantly getting into moirallegiances when they want to be flushed (Eridan, Kanaya), having palecrushes when they want to be friends (Gamzee), and winding up flushed with their moirail (pale solfef is forshadowed in the same breath as pale erikar, and they don't seem to confirm a matespritship until after Sollux's actual flushed crush, Aradia, explodes). Especially for Gamzee, who was neglected by his lusus and struggles with social interaction to the point where he feels like he has to hide his real self (casteist beliefs, constant talk of religion and murder, which, by the way, come out when he talks to Tavros), it'd be easy for him to mistake the "instinctive attraction" of moirallegiance for the passions of matespritship.

These thoughts are all pretty disorganized - I'm really sorry, it's super late/early for me and I'm exhausted for other reasons - but I hope that that . was what you wanted? hahah

[skythealmighty]

This is Melvin Sneedly. He's the kid with the fluffed up hair and the bowtie; remember that now!

So. Um. I'd like to offer my own AU to the table! It's called Pranksterswap, and how it works is Melvin swaps role with both George and Harold. At once! They don't swap personality, though, that stays the same. (ALSO, THIS AU FOLLOWS A MISHMASH OF THE BOOK AND SHOW, NOT THE MOVIE.)

Let's start by analyzing our main G&H, shall we?

WARNING: LONG POST. SORRY.

George Beard and Harold Hutchins

They still write comics as Tree House Comix! In fact, they even have matching button pins- courtesy of Harold's mom, who I like to imagine is a bit of a craftswoman. There's one key difference though- they started comics in first grade, not kindergarten.

George is still our loveable dumb humored writer, he's just a little less rough and tumble than before and a bit more cautious (Harold played a big influence on that). He wears pants now! And a backpack all the time for his notebooks.

Harold played a lot more influence in the early days, leading them both to be a lot less jump-into-danger-at-first-sight. Sometime after they start making comics, he gets the idea of art school from his mom (who went to art school), so they both plan out to go to art school so they can make comics forever.

They're... mostly model students. They both have ADHD, but only George is medicated, so Harold tends to unknowingly space out. (George has the Hyperactive type, Harold has the Inattentive type.) Really, the only rules they break are "doodling in class" and "selling comics on the playground", so they don't see the principal often.

This doesn't mean they don't get prank ideas; they do, but when they get them they usually hand them off to...

Melvin Sneedly

Melvin is... still Melvin, mostly, with a different progresssion. Especially in kindergarten, he very much felt unchallenged and bored, but without G&H causing mass mayhem, he didn't turn to tattling- instead he turned to online classes, and then to studying his classmates like a lab experiment.

Potty humor and childish jokes eventually became what he tried to figure out, mostly by nature of him growing up with more "sophisticated" humor. Though he didn't end up completely getting it, he did end up appreciating some of the wordplay and figuring out the "formula" so he could join in.

Though he still didn't quite "get" it, seeing other kids laugh at his jokes was a point of pride and made him happy. Thus begins his more juvenile sense of humor.

By the time George and Harold started selling their comics, he was studying other possible ways to make his fellow students laugh, and also keeping tabs on what his classmates did for fun. Naturally, he bought a pretty early copy, just about when he found out about "pranks", and well, things were pretty much set in motion.

Using the first Tree House Comix as a guide, he did his first prank on his first grade teacher, and burst out laughing at her reaction, something finally clicking for his sense of humor.

The rest is history, really, though a lot of his pranks quickly became much more complicated after that, mostly to test his inventions and intellect. A lot of them were inspired by Tree House Comix, of which he was now an avid reader- which, of course, eventually ended up in...

Captain Underpants!

Melvin makes an off-hand joke while trying to get out of weekend detention (he has the Invention Convention that weekend, where he can proudly share off his prank inventions! Come on!), and it accidentally turns Krupp into the Captain, which as we all know makes things so much more complicated.

Unlike G&H, Melvin does realize the weight of what he's done pretty well, and is frankly kind of horrified about it. As a result, he treats Captain a lot more genuinely than canon G&H do, and ends up in the fray alongside him more often than not using technology to make up for his lack of superpowers.

The books/show end up leaning far more towards edutainment just by nature of the main characters- Captain is kind of clueless, and Melvin likes sharing knowledge. As a result, Captain here is a bit more knowledgeable, though he does tend to retain all-over-the-place fun facts more than other things.

Melvin also has generally no qualms about Krupp finding out, but he's also spent so long anxiously agonizing over the scenarios of what would happen so he's still dreading it. Captain seems mostly oblivious to this.

So... yeah that's... about it! Sort of. There's a lot more that I haven't touched on, but this post is LONG as is. Colored versions of the drawings might come eventually! ...Eventually.

Oh yeah and feel free to send me asks if you have any questions!

[viperbunnies]

*Note that this mini event takes place in the future, years after the character's have graduated and left Night Raven College. Lydia and Silver have two kids by the time they get married, Ryuumi (their adopted son, age 6) and Momo (their biological son, age 4) They live in Briar Valley (specifically in the house Lilia raised Silver in), with Lilia visiting/staying over often (he basically lives with them lol ♡)*

You open your mailbox one morning to find a letter, wrapped in twine and wild flowers. Your name was written neatly on the front, with small drawings in crayon surrounding it (done by a child). Inside the letter was an invitation, inviting you to a joyous occasion.

Lydia and Silver are getting married, and you're invited! ���

The wedding and reception will be held outdoors, in the woods near their home (essentially their backyard lol ♡). The wedding will have chairs on each side of the aisle for guests to sit, decorated in soft pinks, blues, and gold (alongside the natural plant life). The reception will have tables and chairs, along with a dance floor and buffet (that will be catered).

Since this mini event takes place in the future, think of this as a fun opportunity to imagine what your OC and OC x Canon's future will be like! Maybe they're married, or have kids of their own? Or maybe they're separated, and have a reunion at the wedding?? 👀👀👀

Is your OC attending as a guest, or are they part of the wedding? Like a bridesmaid, or groomsman, or even being Lydia's hairstylist for the day! It's up to you ♡

There's no dress code/requirements either! It's moreso what you think your OC / OC x Canon would wear if they got invited to a wedding (or were apart of a wedding party!) ♡

Once people start responding to their invitations (whether it be with art, writing, etc) I'll write some scenarios to go along with it, and tag you when it's posted ♡

Thank you! ♡♡♡

Ramblings below!

It has been a while since Lydia's last letter to Oz, given that the pair have been travelling and exploring the vast world. It was quite hard for them to receive any letters. It took a Oz a moment to understand the words inscribed on the parchment, when the realization hit him his eyes widened, causing Jamil to chuckle.

"Took them forever!" Oz exclaimed-- sparkles practically dancing in his eye, "Oh, I'd love to style Lydia's hair for her wedding! She has long hair like you Jamimil~" Oz smiled as his thoughts were full of ideas on how he'd tackle his friend's hair.

Oz then glanced at his fiance, a small knowing smile on his face. Jamil knew what that grin meant. He could only muster a sigh when Oz began to tug at his sleeves,

"Alright, feel free to practice with my hair..."

(I wanted to include their fankid but I realized I don't have them fleshed out yet 😭 So have my initial idea of them travelling all over Twisted wonderland before they settle down hshsh)

[severus-snaps]

Snape and Poison

I got distracted whilst writing a different meta so just thought I'd list every time I've come across that Snape was associated with poison in the series.

I first started thinking about all of this because Lucius was trying to get rid of poison in Borgin & Burkes at the beginning of CoS:

“ — and as you see, certain of these poisons might make it appear — ” “I understand, sir, of course,” said Mr. Borgin. “Let me see …”

...and I liked the idea that Snape was originally the one to brew it. Although unlikely, I also enjoy the idea that Snape had a hand in both the poison Draco attempted to use to kill Dumbledore, and Voldemort's emerald potion which ultimately did kill Dumbledore - because how sad if, no matter what he did, Snape was always the one destined to end Dumbledore's life?

It's obvious that Snape is most closely associated with potions in the books, but Snape is also the most consistently associated character with poison (with the notable exception perhaps being Slughorn - but even then it's shown that Harry is mostly learning from the Prince):

Philosopher's Stone Snape's introductory lesson outlines how a bezoar will save you from most poisons; he brews poisons for the PS riddle; his introductory speech includes how to "stopper death":

Potter, where would you look if I told you to find me a bezoar? ... For your information, Potter, asphodel and wormwood make a sleeping potion so powerful it is known as the Draught of Living Death. A bezoar is a stone taken from the stomach of a goat and it will save you from most poisons. As for monkshood and wolfsbane, they are the same plant, which also goes by the name of aconite. the delicate power of liquids that creep through human veins, bewitching the mind, ensnaring the senses. … I can teach you how to bottle fame, brew glory, even stopper death

From WebMD: Aconite contains a strong, fast-acting poison that causes severe side effects such as nausea, vomiting, breathing problems, heart problems, and death.

Snape's riddle/poem:

Three of us are killers, waiting hidden in line. Choose, unless you wish to stay here forevermore, To help you in your choice, we give you these clues four: First, however slyly the poison tries to hide You will always find some on nettle wine’s left side

Chamber of Secrets Snape looks as though anyone who approached him about a love potion would be force-fed poison in CoS:

“My friendly, card-carrying cupids!” beamed Lockhart. “They will be roving around the school today delivering your valentines! And the fun doesn’t stop here! I’m sure my colleagues will want to enter into the spirit of the occasion! Why not ask Professor Snape to show you how to whip up a Love Potion! And while you’re at it, Professor Flitwick knows more about Entrancing Enchantments than any wizard I’ve ever met, the sly old dog!” Professor Flitwick buried his face in his hands. Snape was looking as though the first person to ask him for a Love Potion would be force-fed poison.

Prisoner of Azkaban The trio think Snape is trying to poison Lupin in PoA; Snape sets an essay on undetectable poisons; Snape warns that potions brewed incorrectly can turn to poisons (revisited when the Trio visit Arthur in hospital in OotP post-Nagini, and a sign reads: "A clean cauldron keeps potions from becoming poisons."), and threatens to 'poison' Trevor.

Harry looked curiously at the goblet ... Professor Lupin took another sip and Harry had a crazy urge to knock the goblet out of his hands. “Professor Snape’s very interested in the Dark Arts,” he blurted out. “Some people reckon — ” Harry hesitated, then plunged recklessly on, “some people reckon he’d do anything to get the Defense Against the Dark Arts job.” “But if he — you know” — Hermione dropped her voice, glancing nervously around — “if he was trying to — to poison Lupin — he wouldn’t have done it in front of Harry.” Harry sat finishing a nasty essay on Undetectable Poisons for Snape. “Everyone gather ’round,” said Snape, his black eyes glittering, “and watch what happens to Longbottom’s toad. If he has managed to produce a Shrinking Solution, it will shrink to a tadpole. If, as I don’t doubt, he has done it wrong, his toad is likely to be poisoned.”

Goblet of Fire Snape implies he'll poison someone, and Harry absolutely thinks that Snape wants to poison him in GoF; Moody says Dark wizards can poison an unattended cup, and regularly checks his food for poison (wouldn't do him any good if they were undetectable however); Snape later threatens to practically do the same thing to Harry that Moody is trying to avoid by only drinking from a flask, and slip something into Harry's drink [only with Veritaserum this time, not poison] when he thinks Harry has broken into his potions supplies again

“Brilliant!” said Harry. “It’s Potions last thing on Friday! Snape won’t have time to poison us all!” “Antidotes!” said Snape, looking around at them all, his cold black eyes glittering unpleasantly. “You should all have prepared your recipes now. I want you to brew them carefully, and then, we will be selecting someone on whom to test one. …” Snape’s eyes met Harry’s, and Harry knew what was coming. Snape was going to poison him. Moody had told them all during their last Defense Against the Dark Arts lesson that he preferred to prepare his own food and drink at all times, as it was so easy for Dark wizards to poison an unattended cup. [“It is Veritaserum — a Truth Potion so powerful that three drops would have you spilling your innermost secrets for this entire class to hear,” said Snape viciously. “Now, the use of this potion is controlled by very strict Ministry guidelines. But unless you watch your step, you might just find that my hand slips” — he shook the crystal bottle slightly — “right over your evening pumpkin juice. And then, Potter … then we’ll find out whether you’ve been in my office or not.” - interesting also because Moody had also been in Snape's office] Professors McGonagall and Moody kept them working until the very last second of their classes too, and Snape, of course, would no sooner let them play games in class than adopt Harry. Staring nastily around at them all, he informed them that he would be testing them on poison antidotes during the last lesson of the term. He found it hard to concentrate on Snape’s Potions test, and consequently forgot to add the key ingredient — a bezoar — meaning that he received bottom marks... Snape handed Dumbledore a small glass bottle of completely clear liquid: the Veritaserum with which he had threatened Harry in class.

Order of the Phoenix Ron says "Poisonous toadstools don’t change their spots" when discussing Snape, his general personality, and whether Snape ever truly stopped working for Voldemort (echoes leopards never change their spots/Moody's "spots that don't come off" in GoF); Snape discusses the use of Veritaserum, poison, and venom on Harry with Umbridge, and expresses his 'sympathy' (read: apparent desire) to use poison on Harry; when advising Harry to continue Potions during his careers discussion, McGonagall said that poisons and antidotes were essential study for Aurors, and that Snape would not accept students below an Outstanding

“I wish you to provide me with a potion that will force him to tell me the truth!” “I have already told you,” said Snape smoothly, “that I have no further stocks of Veritaserum. Unless you wish to poison Potter — and I assure you I would have the greatest sympathy with you if you did — I cannot help you. The only trouble is that most venoms act too fast to give the victim much time for truth-telling…” “...Then you ought to do Charms, always useful, and Potions. Yes, Potter, Potions,” she added, with the merest flicker of a smile. “Poisons and antidotes are essential study for Aurors. And I must tell you that Professor Snape absolutely refuses to take students who get anything other than ‘Outstanding’ in their O.W.L.s, so — ”

Half-Blood Prince The Prince inherently understood Golpalott’s Third Law on antidotes to poisons, and then the plot revisits the bezoar from PS both as a means of helping Harry in class but also to save Ron.

“You sure the Prince hasn’t got any tips?” Ron muttered to Harry. Harry pulled out his trusty copy of Advanced Potion-Making and turned to the chapter on antidotes. There was Golpalott’s Third Law, stated word for word as Hermione had recited it, but not a single illuminating note in the Prince’s hand to explain what it meant. Apparently the Prince, like Hermione, had had no difficulty understanding it. And there it was, scrawled right across a long list of antidotes: Just shove a bezoar down their throats. Harry stared at these words for a moment. Hadn’t he once, long ago, heard of bezoars? Hadn’t Snape mentioned them in their first-ever Potions lesson? “A stone taken from the stomach of a goat, which will protect from most poisons.” It was not an answer to the Golpalott problem, and had Snape still been their teacher, Harry would not have dared do it... He hurtled back to Ron’s side, wrenched open his jaw, and thrust the bezoar into his mouth.

Not rooted in reality at all but a theory I once came across that I cradle like a fascinating little animal that I just can't stop looking at, is that Snape and Dumbledore somehow switch bodies before 'Dumbledore' takes Harry to the cave, and then switch back in time for Dumbledore to actually die at Snape's hand.

And, of course, the (separate but works here too) theory that back as a 'real' Death Eater, Snape helped Voldemort with the emerald potion that was already killing Dumbledore when Snape finished the job.

Deathly Hallows More tenuously, Aberforth asks "where will you lot traffick potions and poisons when my pub’s closed down", and it was the Hog's Head where Snape was lurking when he overheard the prophecy - whether that was as part of his role as spy/he was applying for a job like Trelawney said, or because he was an opportunist with a sideline in poisons - I enjoy both ideas).

Not just poison: Snape and venom

The series also mixes up (or at least uses interchangeably at times) venom and poison; although to a lesser extent associated with venom, Snape does have his moments where he is associated with venom - ultimately, of course, his final moments are spent under the influence of Nagini's.

Snape is described as shooting Harry (and Ron) "a look of pure venom" in CoS; he sets an essay on antivenoms in OotP; "Harry’s anger at Snape continued to pound through his veins like venom" during Occlumency lessons in OotP; "The only trouble is that most venoms act too fast to give the victim much time for truth-telling" says Snape, two books before attempting to find a way to tell the truth no matter how fast-acting Nagini's venom is; when Harry sees Arthur dying of Nagini's bite, it is Snape who has to teach Harry Occlumency to prevent such a thing from happening again, and Snape who ultimately dies of the same attack - but he does not, due to timing (mid-Battle and all) or ill will receive the same rush from the entire Order to attempt to save him, and despite all of his knowledge of poisons and venoms and antidotes, also does not save himself - despite Slughorn being described as carrying around antidotes to things like Veritaserum on the off chance that Dumbledore tries to get a memory out of him, so carrying antidotes for a well-prepared and cunning Slytherin of a certain level of skill is not unheard of, or impossible.

[wirewitchviolet]

I need to rant a bit about scanline filters.

The one big riddle I still need to solve in this whole designing my own console thing is how I'm outputting the graphics, and as you might imagine, as I try to research this, I mostly keep running across forum posts and such from people trying to recreate the experience of playing their favorite old console games (or new games going for that sorta vibe) including the distinct differences between modern monitors and the CRTs they had back in the day. And a big part of that involves stumbling onto so damn many "scanline filters" that drive me up the wall.

If you zoom way the hell in on the above image, it is, to be fair, attempting to simulate a particular thing, but what it's simulating is not scan lines, and if the goal here is to look like a CRT, then essentially outlining every pixel with a black border, which is what this at least appears to be doing at a distance, is WILDLY wrong. If anything, color should be bleeding all over and filling any darker spaces.

I'd like to actually get into scan lines before getting into the other stuff that's wrong with this, but let me just hit you with another terrible example of what people call a "scanline filter" first just so we're on the same page.

For real here, what the hell are we even doing? The functional definition of what a "scanline filter" is seems to just be interlacing. That is to say, making every other row of pixels black. Now, this is at least a little bit tied to "retro graphics." I recall playing Day of the Tentacle back when it was new, and AT THE TIME, as the game itself had a maximum resolution of 320x200, and would be displayed on a monitor that even on the cheap end would be outputting at at least two or three times that, the graphics settings had an "interlaced mode" which rather than just displaying each pixel of the game's art as a 2x2 or 3x3 or 4x4 or whatever block of actual-monitor display pixels, it would only draw half of those, leaving alternating black lines that absolutely made it look like you were watching the whole game through some sort of mesh screen left half the visual information to your imagination, so you could just kinda pretend the resolution was higher and fill in the gaps between lines of pixels with your imagination.

But again, THAT HAS NOTHING TO DO WITH SCANLINES!

When you have a CRT, rather than having a big array of liquid crystal squares or heated plasma blocks or LEDs or whatever other weird thing people are using now that just have a direct current run through to turn them on and off, you have this absolutely bonkers mad science to-this-day-I-can't-believe-someone-even-thought-to-do-this-let-alone-it-being-plan-A gun just straight up firing out electrons in an accelerated stream that is aiming around at practically unfathomable speeds shooting at dots of phosphor painted onto a sheet causing them to glow with an intensity proportionate to how many electrons they're getting hit with. We don't have a separate gun for each dot, just the one hitting each in turn (well, 3 really, we have separate guns for the red green and blue dots). And specifically, because I suppose the alternative would be to encode the signal for every other line backwards to keep shooting on the return trip or something, what they would do is sweep (or if you prefer scan) across from left to right, light up one row of dots, swing back and drop down slightly, sweep across the next line, and so on, then on finishing the final line swing back up to the top left corner to start sweeping across energizing all the phosphor dots at the right intensity for the next frame of video. Or really if you want to get technical I believe they'd hit more like: every odd line on the first pass, reset, hit every even line, reset, new frame, repeat. I guess reading about that is where people get this interlacing idea from maybe?

Anyway, if you wanted to simulate this on a modern display, you'd just need to draw a new frame for every scan line in real time (ideally more since it's not like the line appears all at once, we're really hitting one dot at a time and going down the line). We literally can't do that though. We're probably simming a standard definition TV right? Well the standard differs depending where you are in the world, but the big two are the NTSC standard, which draws one frame composed of 480 lines 60 times a second, and the PAL standard of 576 lines 50 times a second. That's easy math to do. We just need a refresh rate of... 28,800 FPS. Or ideally more, because again, you'd want to draw each line over multiple frames... and that's just for a standard TV. If we're simming a monitor, there were CRTs out there that I THINK still managed 60 FPS while spitting out 1600 or so lines on each frame.

Unless I'm severely mistaken, modern display technology just straight up cannot get anywhere near that. It's rare to find a display that can go any higher than 60 and again, we're drawing a whole screen in that time so the lines aren't relevant there. I'm not even sure if the materials currently glowing/controlling how much light gets out can, on their own, flip on and off as a phosphor dot being pelted with electrons, but I DO know we're still setting pixel brightness one at a time, a line at a time, so what would there really even be to sim there? Hell, famously, filming CRTs never works right because most cameras' shutter speed won't catch things right, and if you use a super high speed camera you actually CAN see the scan lines being rendered one by one but you're catching so little light you're kind of only seeing the one line, as in this video here:

Now, displays back in the day, and also displays, you know, now, break out the red/green/blue components and just cram something close enough together to blend together and give you some single color with a ton of potential range. It's an illusion technically, much like the whole screen being lit at once and not just the last thing to get an update or getting hit with electrons. So let's get back to those black pixels in these filters and what they're actually trying to simulate and how dumb all that is. Have a couple more visual aids plucked from the above video.

Now you might be looking at this first image here and thinking "aha! Look! There totally are solid black lines between the pixels!" but that first one is the modern high res display. The second image is the one from a CRT. You will notice there is an offset, such that even with crazy high zoom there is no horizontal line you can draw through here that's ever going to be all black (unless that part of the screen is showing something black). Furthermore, again, it's important to keep in mind that while in that first image, every subpixel you're looking at is, in fact, glowing steadily over a period of time, at any given instant, only ONE of these little phosphor strips (of each color) is actually getting shot with electrons and doing its full-bright glow. When a given dot on the screen is active it is WAY brighter than what the camera here can detect and if you're really looking at one, your eyes are taking so long to process that you don't even notice that literally only the 3 are active at a time. Even this camera here is catching a bunch of fading afterimages. Point is, in real life, this display isn't anywhere near this dark.

So OK, let's say you're doing your CRT filter effect, which again, you should NOT be calling a "scanline filter" by all means make use of the higher resolution you have to work with and have like 5 redscale pixels, 5 black pixels, 5 greenscale pixels, 5 black, 3 bluescale, 5 black, then shift alternate columns down by 3, BUT if you're gonna do that, remember to have the brightness cranked way up on those bright ones, and also bring up the corresponding color values of the surrounding few pixels to properly portray that intense emissive glow. i.e. the "black pixels" between red and blue aren't really black they're some shade of purple or magenta or whatever, and hell ideally the color bleed shout cover at least one neighboring "pure color" column. Because nothing on a CRT has ever looked like you're looking at it through a screen door like all these filters floating around.

Oh and side not to everything, that offset hex grid-y shadowmask arrangement was I think the most popular for color CRT TVs but different people roll in different ways. Pretty sure this was more common for PCs with higher available resolutions, for instance:

For real though, you could light a whole room pretty well just having a TV on back when everyone had CRTs. I do not understand why all these filters make everything so much darker.

Also speaking of darkness, I'm sitting in it because I am completely bottomed out on money and I'm penny pinching every way I can so... patreon, maybe?

[literallyjusttoa]

Hey guys! I'm putting out a call for my commissions again for two big reasons: One, Emergencies have caused me to be low on funds when I wasn't expecting it, and that kind of sucks actually. Two, I have a project that I've been dreaming about for years but have actually been able to start working towards in the last couple of months, but to finish it I need to not be living paycheck to paycheck for like a month at the very least, which brings me back to point one :(. I will talk more about the big project under the cut, bc I think it's something you all might really enjoy!

But for now, I will link my commission sheet: Here (It's also my pinned post)

And my new Ko-fi!: Here for if you just want to donate, which would be literally incredible and I would owe you my soul actually.

Ok now for big Project Time!!!

I am in the process of editing and revising my first Youtube video! This has been an on and off dream of mine for like 7 years at this point, but I've finally taken the plunge and gotten to work on a channel. I wanna talk about all sorts of fandoms (including the riordanverse ofc) With videos ranging from plot and character analysis, to trends in fandom culture in general, to fun little ranking videos and speedpaints. All around, I just want the channel to be a fandom hive, where everyone can find something they enjoy.

I already have PNG's created of my sona to use as assets (And I have a sparkly new sona, the one in the pic above!) and I have two finished scripts, with the first one being fully recorded as well! One for my first video, which will be a retrospective on Gravity Falls, and one for a video about the Percy Jackson TV show, the inherent differences between TV and books as mediums, how I think the TV show could improve, and the things I think it got perfectly. I also have a bunch more ideas, such as:

BIG Trials of Apollo video essay, with a focus on how the books and the fandom have effected me over the years.

Ranking all of my favorite characters from all of the media I've been a fan of over the years (This would be over 70 characters)

Explaining the Iliad, but make it funny (with a side of Troy apologia)

Reading Lore Olympus and pointing out how it deviates from myth (the things I'm willing to do for you people /j)

Canon vs. Fanon, where I compare a characters canon characterization with their fanon counterpart and try to figure out how things turned out the way they did.

And more, but I don't want this post to be 5000 words long.

Now here's the big question. As I said in the part above, I'm struggling a bit now money-wise. And I really wanna make this project work, but there's also, you know. Tuition. Rent. Food. Stupid other adult stuff. So if anyone is amenable (and this is totally up to demand, I don't wanna pressure anyone into doing anything!) I was also thinking of maybe making a Patreon. Now, I'd have to do research for this, bc I wanna make sure anyone who signed up would get the right rewards and really get the bang for their buck. I'm pretty sure there's not gonna be much interest in this rn, cuz like, I'm not that big of a blog oof. But if anyone is interested! Here are some of the perks I would definitely be implementing! (sry it's another list)

Early access to videos, and behind the scenes looks at art assets and video creation

the ability to request topics for videos

Patrons names being shown in the videos. And higher tiered patrons getting custom chibis that will be shown in videos as well (and given to the patrons obv)

This ones a bit complicated, but I want to create a cover of a song that has to do with each video to play during their outros. So like, for the gravity falls video, I'm gonna record a quick cover of the Disco Girl song from the show. Only a small section of the song would be in each video, but patrons would get access to the full covers, and be able to request songs to be covered.

Discounts on commissions

A monthly speedpaint that would be exclusive to patreon. Patrons would be able to vote on what the drawing would be.

All of these ideas I'm 100% sure I want to add to a patreon if I make one, but obv there could be more that comes up later. I'm just gauging interest on this idea rn, so let me know if that's something you'd be down to sign up for! Maybe I'm jumping the gun here but I'm just really excited to create and give back to the community and aaahhhhh

Now, no matter what, I'm gonna have this first video out by mid-September at the latest. Because stupid money troubles are not gonna stop me from making this a thing dangit. So look out for that, I'll link the vid here when it releases! But I am just really stressed rn and any support would go a long way towards making this dream come true. And on that note, one more sappy real talk if I am allowed it?

If you've read this far, from the bottom of my heart, thank you. This community and fandom is truly incredible. My blog is about to reach 5 years old, and I've never seen a group of people so accepting and creative and just fun to be around. You guys have truly changed my life, and I wouldn't have the courage to try for this if I didn't have the support you've given me. I know this is super dramatic for just trying to make a youtube channel, but making a place where I could just talk about all the nerdy and overly specific things I care about and share them with the world is something I've wanted for my whole life. You guys gave me that with this blog, and if this channel works out, it'll be thanks to you, so you'll have given it to me twice. I don't have the words to express how much I love this community and all the incredible people in it. So even if you can't support, just know that being here for however long you have been, whether it's the whole five years or the last two days, has done more than you'll ever know. You guys are the best, thank you for everything <3

[hello-there-cyarika]

Hive Troopers!

But what if the Kaminoans crossed Jango's DNA with some sort of Nabooian or Alderaanian honey bee? It probably helps them communicate on the battlefield, and obviously they get the benefits of not needing a jetpack! I've got a lot of thoughts about these boys, but I'll just give some of the basics for now:

The troopers can use communicate sort of like a hive mind! It's not as sophisticated as using communicators, but they can convey feelings and vague ideas

Their antennae are very sensitive! They can be used to sense touch, smell, taste, some vibrations, temperature, and more! I think that ARFs like Waxer and Boil would probably learn to use them with a lot more skill through their training, in the same way they'd learn to use more complex or advanced HUD modes.

I think that troopers' stingers would be closer to the stingers that wasps have: retractable, and doesn't cause them to die after one sting by getting ripped off.

Troopers' wings are also probably way more durable, I can't imagine the Kaminoans sending them into battle with anything fragile like that, so they probably modified the DNA. I think the wings are pretty flexible instead of being breakable.

I'll go into this more another time, if anyone is interested, but I think that the distribution of internal organs would be significantly different with the addition of the secondary abdomen.

The boys are FLUFFY!!!

I think that the fluff would be kinda waterproof (I mean,,,, they grew up on Kamino and all) but on the other hand I think it'd make fire waaaay more dangerous. I think that blaster bolts could also cause the fluff to catch fire....

Can they make honey? yeah dude they're beeeeeees

They probably made space-mead out of it lmao

I have a lot of feelings about the way cadets are grown in little tubes land sleep in tubes on the walls like bees use honeycomb for their larvae and its all in large curved structures and how the whole thing seems just a touch like a hive......

They can DEFINITELY dance maps like bees can!!!! The ARCs and ARFs are the best at it.

They don't have compound eyes, but they do have hexagonal pupils!

I'm gonna doodle more of this whenever I have time, so let me know if you want to see anything specific, or have any fun ideas from this? I'd love to talk about them!!! <3

I also want to say that I have been VERY heavily inspired by @mothask! Please go have a look at their amazing fluffy moth boys!

@yukipri's winged au is also a huge inspiration for this! Y'all have GOT to go check out "Take Flight, Brothers All" on ao3 it's SO GOOD!!

And finally, a lot of the ideas I've developed about the bees' ARF training have come from the Reconstruction Corps AU (specifically Open Skies), created by the amazing @cacodaemonia!! I've got a lot of plans for Wax and Bo as ARF bees that I'm so excited to get started on!

So much love and appreciation to all of my inspirations!!!!! <333333

I have no idea if anyone's made anything like this before lol, but if anyone has I'd love to know!!

<3 I do not give my consent or my permission for my art to be re-posted or reuploaded on this or any other website <3