#cause like the fact of the matter is that if lack of ability to create sound anaylsis wasnt a problem we wouldn't have issues with

[yoursonlucifer]

my favorite (sarcasm) thing about fandom media analysis is when someone presents a fact of the piece of media that is relatively clearly presented but assume that because they've removed it from the context of the media that it acts as analysis

example: jinx and silco have a close relationship because of how she felt abandoned by vander and vi [uses evidence from the show to prove this]

and it's like yeah. that's kind of central to... the whole thing; you don't need to prove it. you're right because the show already told us that and can't exist without that truth. there's never actually an arguable claim involved.

I was going to add to the example, "and he fills a gap in her relationship patterns that has to be filled by a parentified figure" which is true, but one can argue that he didn't actually fill that gap or that it doesn't have to be filled by a parentified figure, because the problems jinx had persisted in spite of the relationship. instead, one could argue that only isha could fill that gap by giving jinx a chance to show someone the love she needed--so there can be actionable analysis there. but it kind of only functions as actionable analysis because I pointed out that one could argue that it's not the case and opened up a different point of view to demonstrate why I'm not just sharing facts and explaining them without ever making a claim.

I developed this example off the top of my head, so you will also see that as I analyze this statement, I poke holes in it and change my claim.

please always keep in mind the ever important "which means..." part of the claim. it cannot just be "[this] and [this] happened, which demonstrates [thing central to the media]." it also has to include your own extrapolation, which obviously needs to be supported by the media in any sound analysis, but cannot be presenting something basically innately true. even the thing that I presented as an example of analysis can fall flat, but I can strengthen it by emphasizing that jinx's love for isha also represents a love for her younger self, giving outside evidence or personal anecdotes to strengthen my claim along with what the show says.

by this definition, "silco and jinx's relationship is strong because silco was a parental figure to jinx" is just facts

"silco and jinx's relationship is strong because of the abandonment jinx felt from vi and vander, leaving silco to occupy a parental space" is better but still really just presenting facts

"silco and jinx's relationship was strong but built on a sense of abandonment and unfilfilled parental relationships. in order for jinx to have a stronger and more healed relationship, she needed someone like isha to exist." I could go further by saying "the show could not have had a resolved ending without a character like isha." with that, I've said something that is actually a claim instead of a fact and said something defensible, which allows me to actually create analysis rather than just listing facts.

the last line of my argument is especially subjective because I could mean lots of different things by "resolved." therein lies a word choice that actually allows me to create a defensible claim

TLDR; analysis is only fruitful when it provides an alternative perspective to emphasize its strengths and must avoid being a compilation of facts. a good way to think about it can be: [event] and [event] came together to demonstrate [fact], which led to [theory].

[shoutydwarf]

Veilguard spoilers

- juggernaut lore retcon for no reason. They were supposed to be golems.

- one singular line for a dwarf rook to confront the evanuris about what was done to the titans. That line is @ mythal, not solas, the one that created the dagger to commit the genocide with.

- white man casually commits genocide on said titans but the part he regrets about it is the blight that strikes back at him. not the inconceivable pain, death and horror he inflicted on an entire race to cause it.

- you cannot talk to him about it.

- dwarf!rook holds that dagger the entire game without once remarking on what it did to the dwarves.

- we went to kal sharok and still know nothing about it. All dwarf content is restricted to harding’s quests.

- you can establish that you believe in the maker or the elvhen stories, but not the stone. There is not a single line where a dwarf rook can express that they have dwarven faith.

- on the other singular time you can mention the titan genocide, it’s just one minor part of a list of reasons you still don’t trust him. To which weekes’ mouthpiece, morrigan in this case of all people, insists you should forgive him because he is very very sad about it.

- harding, the single dwarf mouthpiece, also insists on forgiving him and having compassion for him. This is AFTER I chose to have her honor the titans anger.

- this is all while every other villain in the game is 100% one dimensional and unforgivable.

- all dwarf dialogue options you get with harding are variations of “im not connected” “i dont know what you’re talking about” “i dont get it”

- not a single Ambassadoria mention.

- Orzammar is thrown away in a codex entry in which harding says they’re purposely suppressing the titan reveals in order to uphold the caste system. Because having corrupt society like every other nation in the world means they’re undeserving of the truth. Doesn’t matter that the king I and most people selected has been working to undo that system for 20 years now. It could have had to do with the fact that they’ve been selling their peoples blood to survive for the past thousands of years but yeah let’s strip away the nuance and paint Orzammar as the bad version of kal sharok.

- dwarves can apparently dream now except they can’t because rook tells harding they can’t except they’re contacting solas in their dreams every other night and it’s never elaborated on and they’re never particularly weirded out about it

- I counted 6~ special dialogue options in the entire game, the bulk of which happened in a single cutscene. I got more than that in act 1 alone for my elf.

I’ll write out more on why all of this specifically feels like shit later. But tldr: dwarves are pitted as the first victims of the evanuris, which you expect to be a big deal, and then it is Not. Combining this with an utter lack of ability to clock weekes’ mouthpiece characters when they’re trying to convince me to forgive the man that committed genocide on my people, because he’s so very very sad about it you see, the game’s entire thematic message is dogshit

[tocomplainfriend]

VIV is constantly criticized by her own fault.

TW: Mention of: SA, Rape, Transphobia, fat phobia, Antiblackness.

(Hey, i'mma probably do a post eventually about episode 4. Btw, awfully shit, worse than I thought it could be... BIG TW OF R-PE AND SA IF YOU'RE GOING TO SEE IT. AND TW of the minimization of those topics too.)

(SORRY FOR BAD ENGLISH IN THIS POST TOO)

BUT I NEED TO CALL ATTENTION TO THIS! One of the reasons I criticize a lot of Viv specifically is because of how much she puts herself out there. She sees something she posts on Twitter about it a shit ton (even on "threads" lol). AND because of how lacking of improvement she has being. (I personally know people I have considered terrible when we were teens, but I have seen legit improvement from them in recent years. They seem like people who struggle, but got to grow up and made up for any problems (or pain caused to me or others). People have the ability to change and become better. Something that matters at pointing out issues or discussing-is the idea of creating change on others. It is better to get someone to change for the better than to cast them into the forever jail of nothingness (unless, IDK, they Sexually Assaulted someone, for example). Specially when they are young people. Doesn't mean YOU have to stick with other people that hurt you, no. Doesn't mean people get to do what ever and get away with it.

BUT All of this problem I have seen from Viv are from age 19-30. (you can change at anytime btw) And see constantly repeats herself and her actions. Seems to have never accepted criticism (said by herself too), and never able to see her own faults. The fact that is a continuous behavior is a problem, how she always responds is awful. My post of "Viv has being transphobic for 10 years", was to signal that. If she really had changed over those 10 years to a genuine thing- I could've taken that! But no, the shitty double standard against trans men... the weird treatment. THE MANY STORIES OF EMPLOYEES GETTING MISGENDERED HEAVILY, TOO.

(I know people who were transphobic [When they were teens mainly], that Genuinely improved and changed their beliefs. Now they treat trans people with respect and care! And still learning about gender-fluid people, too!)

It just seems to be further and further away from getting better! The fact that she only decides to take in account voices from SA victims that agree with her- it's painful as a victim, my self!

And yes, people who sent gore or dumbass shit to Viv (or the team) don't help. And go get help why you're looking and sending Gore to anyone. (Also, stuff like this does lead to people not listening to others people genuine callouts). The fact that I criticize something doesn't mean I agree with the people that go and do shit like the thing I just mention above.

AND ALSO A IMPORTANT THING HERE!

This drawing was created by DollCreep. BUT ALSO FUCKING REMEMBER this was done in response to the shit that Viv drew of him.

If you didn't know Viv drew a transphobic caricature of DollCreep using the name Jojo (his old nickname). This put together with a shitty anti-sjw meme video. DollCreep is a transman, Viv drew a character based on him. A furry wolf girl, If you can see in the image the main thing listed below the character name is the fucking "Sex=♀️". SO ON PURPOSE, CHRIST. Like... AND YES-is shitty from both to have drawn this (even if it was in respond) mainly immature in DC part. But that, or any toxicity coming from DC, doesn't delete the transphobia here. (imagine drawing a racist caricature of a poc person, because they are shitty to you). THE POST LINKED ABOVE SHOWS THE SITUATION, and in the end of the day. Viv says that DC is an abusive shitty person to her, but never realizing her own faults or anything she could'be possibly done wrong! (and again, any wrong done by DC in general can not be deleted by the fact of having being treated badly. If he did shitty stuff himself, that doesn't delete the wrong done in general to him or to others by viv)

Here about transphobia:

(this is like 8yrs old too)

Again, she never acknowledges anything that she might have done wrong. "She is a thoughtful person, that wants tor write queer and disabled characters! She wants to tell empowering stories of..." It doesn't even feel close to that when people bring up actual problems in her writing that are stereotyping or bad, and she just yells and cries. It all feels like empty sticks she is only interested in in the surface level, she doesn't want to actually deal with.

When she says "This characters is black guys ♡♡♡" and then the fucking 7th, a grayish character with zero black features. She can not actually try and draw a black person with a different hair texture, she'll faith is hair isn't straight and spiky (has done this so much too). She is all for positivity and diversity (can not draw more than 1 character that isn't a fucking stick with the same stupid face).

She can not write relationships in general. She cannot do gay couples, then don't lean on the stupid old uke uwu defenceless x big rough seme protector stuff. Again, all the interactions with Husk and Angel are sexual harassment. They are already a revealed future couple (and episode 4 is terrible for them, specially with that song). Stolitz is toxic, and predatory. That is not acknowledged, and all Stolas's predatory behavior and power dynamics are put in the background, cause- "look how sad Stolas is :(! HIS DAD IS SOOO MEAN, HIS WIFE IS A BITCH". All her gay characters are in pure surface: over-sexual twinks that are assholes, which also fit into the top/bottom as personality boxes.

Any other point includes sexual harassment as a joke. BUT KNOW SHE WANTS TO BE LIKE "GUYS SA STORIES MATTER, LOOK AT WHAT I WROTE" as if she didn't lean back into the problem of the diminishing of SA and r- (in general and done to men) with her jokes in HB. With all the sexual harassment that Angel Dust puts on Husk and others. (AND YES THERE IS NO WARNING IN EPISODE 4, FOR ITS HEAVY TOPICS! I do believe all series/movies with this need it. SPECIALLY IF IT'S SO GRAPHIC! "Sexual content" is not the same as a warning for SA or R-pe. An adult can see a movie with sex or sexual nutidy- when they see that- but it's different to get straight assault on screen. Victims can watch movies/series with sex in them all good, you cannot just group consensual sex in the same assault or R-pe...)

The thing where Mammon (the only fat character that isn’t from the fucking background.) is like FIZZ YOU NEED TO LOSE WEIGHT. AS IF SHE COULD EVEN DRAW ANY DIFFERENT BODY SHAPE WITHOUT DYING. Like there is only Mimzy (hasn't appeared yet, not given any importance. In the female lead show). Mammon the piece of shit (does the same as Blitz, but he is actually fully bad.) His design is done with 80 fucking layers on top. Like all the test of the skinny character's clothes suck up to their body except for Mammon. His body is hidden in layers upon layers of clothing (that's all you got?). All you main guys need to fill "the skinny have nothing men" and "skinny woman with big hips and legs, but no fucking stomach"?

AND YES! VIV DOES DO THE FUCKING, "FAT = FOOD LMAOOO". You know the thing HH fans and hater where like the "Bee needs to fat thing is bad, cause of fat = food (only food) is reductive and shitty"

(Can I refer to how the show Bojack H, make Diane gain weight cause of anti depressants- and it wasn't a joke! And she was happier too?)

(mine, from post right below)

... like is a bundle of issues. And Viv will never accept that she might be /or is wrong. That's why it hits the fan with stuff. -And again I liked many of the little concepts and stuff in HB and the original pilot of Hazbin. Shit- I still like Sir Pentious and Nifty. I do like Mammon as much as he is a pack of problems to call out, I fucking love the piece of shit Australian jester- The artist work hard on it, and I'm happy it's an openly queer! (as limited as it gets, too....). I liked Huni-cast, I loved the original voice cast! -and that happens! I could be writing this about other stuff too, not only Hazbin... if I created this blog earlier- IT WOULD ALL BE ABOUT RWBY, DANGANRONPA, even svtfoe...Ladybug... or Agretsuko's ending too. So yeah, sorry for the long post (as if all my post weren't)

[weeb-polls-with-pip]

Autistic Anime Girls Group 3 Round 2 Match 5

SUBMISSION PROPAGANDA:

Sayaka -

"Deadpan, forthright, and unapologetically candid, Kanamori never hesitates to voice her thoughts, no matter how harsh or unvarnished they may be. She is often deemed as impolite, ruthless or severely intimidating (by adults and peers her age alike), and is jokingly compared to the likes of the Yakuza. She’s regarded with a degree of caution, due to her unwavering no-nonsense attitude and the fact that she will stop at nothing to get what she wants, phone camera at the ready to capture any slip up that could potentially be used as blackmail later. Survival is her top priority, looking out for herself and whoever might be left behind unfairly by circumstance. She has a steadfast mind for business and strong work ethic, openly admitting to her desire for monetary compensation (or other favors and methods of payment, such as milk or food) for even the smaller and most mundane of tasks, and won’t shy away from charging fellow members of the club as well.

She firmly holds the belief that friendship is an idealized and glorified notion. To her, individuals referred to as "friends" are often mere products of chance, brought together by shared interests and nothing more. Sayaka adamantly refrains from using the term "friend" and readily corrects anyone who mistakenly categorizes her coworkers or those she spends time with as such. She befittingly conveyed this perspective of hers to Midori on the very day they first crossed paths, and this prompted Midori to freely opt out of using the label entirely as well, instead referring to her closest peers as “comrades” ever since.

Regardless of this, Sayaka prefers to achieve a level of coexistence, as she personally describes it, with those she truly cares about, such as the few other club members. While not explicitly considering the girls as her friends, her actions reveal a deep concern for their well-being. She often watches over them, remains by their side and is ready to defend them and their cause whenever necessary. A significant reason the club came to be in the first place is Sayaka's recognition of her classmates' immense artistic potential. She encouraged them to establish their own independent studio, enabling them to create their animated films, attain recognition, and reap profits from their efforts.

In her role as their producer, she's primarily motivated by financial gain, but as she reviews Midori's and Tsubame's work, she ensures they always have the option to do their job efficiently and avoid overexerting themselves if they ever choose to do so. She’s equally supportive of their goals and will often assure them that their art is more than good enough. She insists that their work is already impressive; therefore, they could forgo so much self-imposed pressure and stop doubting their abilities or attaching undue importance to others' unhelpful criticisms, as these are often incongruent with their own artistic sensibilities and convictions.

Sayaka lacks interest and doesn’t possess much insight about art herself, yet she is more than willing to learn from her team to become a better producer. Aside from having a keen eye for business since her early childhood (despite being bad at math), she also appears to be quite knowledgeable in a wide variety of topics, and will take people by surprise whenever she starts rambling about the ins-and-outs of something that’s relevant at any given moment. One time, someone pointed out that Kanamori wasn’t at all different from Asakusa on this regard, to which Tsubame responded with a simple and knowing “yup”.

She can be seen idly cracking the knuckles of her right hand every now and then, and rarely displays a different emotion as she goes about her day donning a neutral grimace on her face. Kanamori almost only ever smiles when she’s getting paid, when friendly mocking someone, or when she’s in the middle of twisting someone’s arm to hers and the club’s advantage.

I’m going to cut it here, since I realized I have much more to say about Sayaka than any other Eizouken member so far (I thought Midori was going to be the longest but this one was already effortlessly surpassing 700 words and counting. Good god) Please please PLEASE consider voting for her!! she’s an amazing character in general, and I can easily see why she’s Sumito Oowara’s personal favorite of the bunch."

Miku -

"Hatsune Miku is the character/persona created for a voice bank. As such, she has no set personality and can essentially be molded to fit the song’s scenario. She’s basically made to be your little dress up doll except your not dressing her up with clothes you’re dressing her up with your special interests and hyperfixations. She’s like the Barbie of Autism, if you will. As such, she has garnered many fans since her debut because of how relatable she is and how comforting she can be and how you can project your own interests or quirks on her and it’d still fit her because that’s essentially what she was made for!!!

You could consider the songs she sings and brings to life for producers to be her special interest!

As she’s a voice bank, she also can struggle with tone and inflection when speaking or singing, but can also, at times, sound very life like as well! She’s incredibly versatile as a tool to use for songs and as a character! She can do anything and be anything!

Also, all characters under the Vocaloid title usually come with an item that represents them! Miku’s is a leek/spring onion, even her hair has a similar appearance to one and it could be considered a special interest of hers!

I know the whole “she can be anything” seems sorta like flimsy propaganda for her, but I think it can also resemble how some people on the autism spectrum mask our true personalities and try and adapt to who we are talking to! And we can also have many talents and special interests at a single time! At least, that’s how my experience has been with being on the spectrum….

(Anywhosies I hope this helps! Miku has been important to me and many others for a long time and it’d be a shame for her to lose due to lack of propaganda 😔)."

[selene-moonie]

AOT: Faith in the 'Cause' and Social vs Inherent Value

NOTE: SPOILERS for the entire series. Also, I'm not saying anyone is right or wrong here. I only hate the shitty parents. Each character worked within the worldview they were raised with, and each of their decisions matter in the story.

Let's get a few definitions out of the way to start:

The 'Cause' - whatever you believe in that's bigger than you. Saving your country, ending the titans, getting a better life.

Social Value - when your worth comes from your ability to support others or your accomplishments.

Inherent Value - the idea that everyone has individual value regardless of their social accomplishments.

There are a few different types of parents. Some raised their kids to believe in a 'cause', others didn't, and some originally believed in a cause and then started valuing their kids as individuals.

Let's start with one of the original villains - Grisha Yeager. He raised his first son to believe in the 'cause' and valued him mainly for his ability to progress this cause. He will be written into history as a monster, like his brother, but it started when Grisha and Dina removed his humanity.

Zeke valued himself so little that he got his parents killed, endured years of spinal injections (and essentially became a male brood mother which is horrifying), had no close relationships other than the one with his mentor, and died for his sins right after he finally started smelling the roses. That is a fucking tragedy if I've ever read one.

His brother didn't get it any better either. Eren grew up with more love, and less of a cause than Zeke, but Eren picked up his own cause and inadvertently copied his dad. Eren's mom is a black haired woman, and Eren kept everything secret from his loved ones till it was too late. He's also dead because he valued himself more for what he could do for his friends than actually living his life.

Which is a shame because Mikasa deserved better than beheading the man she loved. I know Eren couldn't end the cycle of violence himself, he could only save the people loved, but it sucks that he had to die to do that.

I do want to say here that the parents who pushed their kids to further the cause are the ones aware of the reality of the world, like the fact that there's a war, the discrimination against the Eldians, etc. The parents who raised their kids not to believe in a cause, but instead valued them as individuals are the parents unaware of these things.

That doesn't mean they lack awareness of their immediate reality, as in the case of Artur Braus, Sasha's father. He straight up told her she could hide out in the forest and choose to not adapt, but he would change his family traditions to cope with the changing world. Her response was to rebel by joining the military but Sasha eventually came into her own and was one of the best members of the Scouts.

I think of how Sasha and her dad were key players in making sure another Eren wasn't created in Gabi. Her entire character arc was her learning that the Paradis Eldians were people just like her. The kindness, courage, and fighting skills that Sasha brought to the table years prior paid off in Gabi's interactions with her family, which is eventually what changed her mind. I just love seeing the cycle of violence end.

Jean is another one who was brought up with inherent value. He was self-absorbed and self-interested, but also ended up having one of the biggest character changes throughout the story. Jean quickly realised that his skills weren't as useful inside the walls as outside. He also chose not to kill a child soldier, in addition to saving Reiner, despite everything Reiner had done. He was one of the pettier characters, yet he grew into a really responsible man who chose to do better than continuing the cycle of violence as well.

Now the third type of parent is the one who originally valued their children for their social value, but eventually came to love them for their inherent value. These include Karina Braun and Leonhart. Karina straight up used her son to get a leg up in their society, and Leonhart adopted Annie for that purpose which is wild to me. I'm not sure how, or why they started loving their kids after they'd gotten them into the war criminal stuff, but hey, their kids eventually started making decisions that aligned with their true identities. Annie just wanted to go back home, and even though Reiner developed borderline personality disorder and suicidal ideation, he turned out ok as well.

I do wanna talk for a sec about the fact that the ones who were valued socially engaged in the most self-sacrificial behavior. Eren was in love with Mikasa since day zero or something, but he never told her. His relationships were strained and eternally kept at arm's length for his cause. Zeke didn't even have close friends, and Pieck apparently always knew he was a liar.

Meanwhile, the ones who saw inherent value in themselves ended up being the most well-adjusted of all the kids. They were also the ones to reach out and bridge the gaps between the Eldians in the end. Sasha probably never went a day wondering if her best friends loved her, and even though Niccolo hadn't proposed, she probably fantasized about marrying him as well. She lived fully, though she became a casualty of war. I don't think the ones with the causes got to do that.

The kids who eventually learned to value themselves as individuals (Rei, Annie, and Historia) had to assimilate their shadow selves, and they also learned to live life for themselves.

Each of these kids' parents had an active role in the decisions they made and how they valued themselves. The ones who were valued socially died alone and sad, while the ones who did die but were valued inherently had happier relationships. And the others just had to find ways to deal with the shadows they had collected along the way.

[probablyasocialecologist]

Articles, reports, and studies about agriculture are likely to contain some version of the following sentiment: “The population is expected to grow to almost 10 billion people by 2050. We must double food production in order to meet demand without hiking up prices. How are we going to produce enough food to feed all of these people without destroying the planet?” Increasing food production to meet the demands of a growing population is presented as the ultimate conundrum. Proposed solutions are predominantly centered on increased reliance on technologies to maximize yields and feed ‘all of these hungry people’ as the population grows, accelerating at a seemingly unstoppable rate. Whatever new technologies or techniques are introduced, they are, first and foremost, measured along the metric of increasing yield. This narrative isn’t just misguided — it depoliticizes the problem, shifting blame in a dangerous way. The reality is that we have enough food on the planet to feed every human being a calorically complete and healthy diet. Contrary to popular belief, hunger is most often caused not by a lack of food but by a lack of access. With the amount of food we produce today, we could feed the highest population prediction of 10 billion people by 2050 — today. This has much more to do with economic inequality than anything to do with population. The people who cannot afford food are most often the people involved in growing it. The vast majority of the world’s impoverished people, most of whom live in rural areas, are involved in agriculture. This seems counterintuitive, but many farmers worldwide are net food buyers, meaning they do not subsist on the food they grow, they sell their crops and use that money to buy food for their families. When prices for crops are too low to offset input prices, when farmers face barriers to accessing markets or credit, or they are forced into exploitative contracts or other arrangements, farmers do not have adequate funds to purchase food for themselves and their families. This is the result of the long process of industrialization that has displaced millions of rural people and removed them from their traditional agricultural practices, replacing polycultures with monocultures. Perhaps the other most damning piece of evidence to counter the narrative that we must ramp up production to end hunger is that some cities have already ended it — without increasing yield. Belo Horizonte, one of the largest cities in Brazil, managed to virtually eliminate hunger through a network of policies addressing different facets of the issue. They expanded school meal programs; partnered with local small farmers to deliver produce to underserved parts of the city at fixed prices for staples; created subsidized restaurants where people could eat affordable, dignified meals, and a host of other policies. It never took more than 2 percent of their annual budget, and the whole transition took less than 10 years. It didn’t require corporations ‘innovating’ or developing expensive technologies. It required political will, the strengthening of governance systems, declaring food as a right of citizenship, and correcting for hunger as a market failure. We are choosing not to end hunger. Presenting it otherwise obscures the fact that it is, at its core, a matter of political will — not a matter of ability.

[multiplicity-positivity]

Here’s some positivity for created systems who are having trouble learning to switch!

For some systems switching comes naturally, but this is definitely not the case for every system! Many folks, including those who have consciously or unconsciously created their system, may find it difficult or downright impossible to switch or swap members into the front. This post goes out to all the created systems who are struggling to learn how to switch!

💠 Shoutout to paromancy systems with paromancers who have not been able to switch with their paros or thoughtforms!

🔄 Shoutout to daemonism systems with daemons who have never been able to take full control of the body!

🌀 Shoutout to created systems who want to switch, but are coming to accept the fact that this may not be possible for them!

🔄 Shoutout to created systems who have been trying to learn how to switch, but have been making very slow or little to no progress!

💠 Shoutout to imagian systems who want to try switching, but aren’t sure how or where to begin!

🔄 Shoutout to created systems where some members can switch easily, but others can’t!

🌀 Shoutout to created systems who want to learn how to switch without causing potential harm to themselves or inducing dissociation!

🔄 Shoutout to created systems whose difficulties learning to switch come from struggling to understand guides made by others online!

💠 Shoutout to created systems who have only been able to achieve coconsciousness, cofronting, or passive influence, but never a full switch!

To any system who is having difficulties learning to switch, please know that a lack of switching does not invalidate your plurality in any way! You are still a system and your headmates are real, even if you never figure out how to switch. Every system is different and your plurality is still worth exploring, discussing, and celebrating!

We hope that, with time, practice, and patience, your system will finally be able to achieve switching in a way that is comfortable and affirming for you. And if not, we hope that you can find peace and self-acceptance as you are and function now! Regardless, know that you are so loved and cherished as a collective, no matter what your switching abilities look like. Please do your best to look after yourselves, and have a great day today!

[insert-something-funy-here]

MUEHEHEHE >:)

CHAT IT'S SILLIES TIME!!!!

For those who didn't see before I deleted it, sometime ago, I made a post about an idea for an AU I have where Biograft is sentient enough for Medkit leaving Blackrock to affect him (and on top of that, that's how he discovers his own sentience). I spent a couple hours writing cus I got inspired! Biograft doesn't yet realize he's sentient, so I think (if people like thus enough) I'll make a pt2 to this cus I have ideas for where this could go!! (Tbh, I'll probably do it regardless of if people like it or not, but still!!!)

Edit: Am in fact making this a series

This is the start || Part 2

An error. A simple miscalculation. Making breakfast for two, when there was only one here who could eat. Opening the door to an empty, and uncharacteristically clear room. No phighter for me to wake. Green flowers at the bedside now wilting from missing… from his absence. It was odd how he would “heal,” them every other morning. I don't have such an ability, being created for the opposite of healing. Most iterations of me anyway.

I should throw those away before they begin to rot. It’s been a week now. Or I could leave them. Perhaps after such long-term exposure to his crystal, they will last longer than regular flowers. That’s all this is, testing a hypothesis. I can leave them a little longer, just to see the results.

New connections have started forming in my programming. One of me was out collecting materials for Subspace, and I saw those flowers again. When I saw them, what came to mind wasn’t any data about it, not its place of origin, ideal habitat, or its potential uses, but the memory of seeing Medkit reverse the effects of time on the ones he kept. Yet another odd error.

I asked Subspace to help me troubleshoot these recent errors. We came to the same conclusion of there being something in my software. He checked, said that my algorithms had been evolving rapidly and creating a new type of data, which could have been overwhelming the system and causing these errors. But what caused that spike in complexity? The only thing to have changed recently outside of myself is that his presence is no longer here. Subspace hasn’t given me any new updates, and such drastic change has never happened without Subspace’s intervention before. There is no reason for me to have change unless my creator requests it or it is within his benefit for me to do so on my own time. This isn’t benefiting anyone, so why is it happening? And why didn’t Subspace fix me?

He said even though he himself had no idea of the catalyst of these changes, with refinement, they gave the opportunity to lead wonderful new breakthroughs. Yet I find myself still unable to understand, which only in turn creates further lack of understanding. How am I unable to see what it is my creator wants from me? Why don’t I understand the results he wishes for?

Why do I ask and hesitate now instead of proceeding onward as I always have?

What makes life?

The definition I was programmed with was, “the condition that distinguishes animals and plants from inorganic matter, including the capacity for growth, reproduction, functional activity, and continual change preceding death.”

Am I alive?

I fit 2.5 of the important descriptors. I have the capacity for artificial change and growth (but it is not continual) and functional activity. I have the ability to die. To its simplest point, is living not just the absence of death?

Perhaps I mean to ask if I have sentience?

Is there a difference between chemical and code if they both have the potential to react irrationally to stimulus, be it internal or external?

Could this metal exterior be made metaphorical flesh?

One of me was out at the Crossroads today. I saw him, yet I did not attack. He is a wanted traitor, and I had the opportunity to pursue him, yet I didn’t. He saw me, and he didn’t run, even though he should have.

When I saw him, I thought of those flowers again. It’s been a month now. They’ve dried out but haven’t rotted yet. I should’ve thrown those away the same way I should’ve gone after him, without hesitation.

For some reason, part of me wanted to follow him, not to bring him back, but to see how he is now. Perhaps he would be able to explain why I’ve changed. What a strange hypothesis. Perhaps one worth further investigation.

It’s happened a few more times now. It’s been 4 months since his leave. Every time I see him, I act as though I haven't. I believe he’s caught on that I do it on purpose. I don’t know why I have this inability to approach him first. I think this “test” ends here. How unsatisfactory, with no results to show for it.

Is this cowardice? I think I better understand the concept outside of its definition now.

He stopped me as I went to leave this time. He pulled me aside into a nearby alley. Why? We stared at one another in an uncomfortable silence. Could silence be comfortable?

He asked me what I was doing. I asked him to clarify. He asked why I hadn’t been trying to go after him whenever Subspace wasn't around. I had no response. I moved on and told him something within me changed, but I couldn’t figure out what. He seemed confused but told me to continue. I told him about the errors, some of my questions, and about the flowers.

Something in the way he looked at me changed. He understood something about me that I did not. I couldn’t recognize what it was he held towards me with his gaze, but he stepped closer, and I let him

Innocent hands, covered in blood, not mine or its own, that wished to hold onto me. Sorrow grips us both.

I flew away to a false sky before my wings could be fully clipped, but left you, a fish in a bird cage. I can't take you to the water, but let me bring you drops of the sea.

“Even you need to rest and grieve… I missed you too.”

New ideas I had yet to understand.

I felt his arms wrap around me and an intense sensation rushed through me, it wore at me, as the waves do to a coastline, until I was left with nothing but the soothing sounds of the ocean.

[pikachu78109]

Worst Traits That Some Champions Have Part 2

((This is part two of my original post where I wrote different bad traits about some of the Pokémon Champions, so I’ll be giving more Champions some negative traits that I think they might have. Enjoy!))

Cynthia

This one is sort of hard as Cynthia, as a person/character overall, appears so humble and down to earth. She’s not out here trying to be high and mighty nor a perfectionist. Cynthia understands herself well and is aware of both her strengths and limitations; she doesn’t obsess with being number one, nor doesn’t flaunt her abilities to newcomers or bystanders. So, suffice it to say, Cynthia has difficulty accepting compliments and praise. Like, she’ll smile and say “thank you” to not be rude, but it’s a quick reciprocation. Knowing how powerful of a Champion she presents, and how often many compare, it’s a continuous thorn in Cynthia’s side that she will ALWAYS be an exemplary champion that many other future Champs, or even the current ones, should aspire to be. Deeply, it wounds Cynthia that she overshadows other Champions due to this, how some may downplay their strength in favor of Cynthia’s. Truthfully, I can’t say that this is a worst trait. It’s more of an insecurity, albeit Cynthia not enjoying being a damn expectation for all Top Trainers. She hates the pressure and believes that every Champ deserves their time to shine individually. For Cynthia, when not battling, the spotlight always makes it back to her and that makes her want to retreat so badly.

Geeta

As both a Champion and Chairwoman, Geeta has a lot on her plate, so she never has any free time. Much like Lance in part one, she’s a workaholic, constantly on the move, and makes frequent visits to each Gym in Paldea to make sure everything is running smoothly. This, of course, makes her prone to burning herself out and usually Rika has to step in and reel her back.

Given her frequent visits to each Gym, Geeta can be very strict and I’m putting that lightly. In truth, Geeta is an intense woman. Outside, she appears calm and collected. La Primera never loses her temper towards anyone. However, she’s very domineering albeit politely (yes, I know it’s strange). She tends to overstep boundaries without meaning to and this comes off rather poorly towards the Gym Leaders such as Katy and Ryme, and, of course, our one and only Larry. Geeta views these visits as necessary, so she doesn’t quite understand that her barging in unannounced and unprompted has caused the Gym Leaders to garner a negative opinion towards her. Geeta doesn’t know this as, once again, her intensity deters the Gym Leaders (even Elite Four) to call her out on it.

Geeta has a bad habit of assuming what people should do with their time and often asserts her own opinion on things that she has no say in. When she asked Drayton about a position in the League to replace Larry, he turned it down immediately and gave his reason. That’s one example of Geeta pushing a choice onto someone without considering their wants/needs. This is by far Geeta’s worst trait and one that irks people the most. She thinks she’s being helpful and generous while others say differently. It’s inconsiderate at worst and intrusive at, well, the ultimate worst.

Diantha

I don’t think it’s fair to put Diantha on the same page as Alder in terms of running away from Pokémon League duties. Fact of the matter is, Kalos isn’t as battle heavy as other regions, so challengers coming to face off against Diantha are pretty rare to come by. Because of the lack of challengers, Diantha isn’t seen as “Champion-like” nor exudes an intimidating aura like Lance or Cynthia. She’s often not taken seriously, which isn’t a bad trait but more of an insecurity on her part. Diantha cares about her position, but she won’t deny that even she doesn’t understand why she still has the Champ title.

There really isn’t much I can say about Diantha, but she’s forgetful sometimes. She tends to forget about the League due to her busy schedule as an actress and her time at the League isn’t always available. It’s not her fault of course, but her being away so often has led others to assume that she’s neglecting her League duties. Her time management skills need work and she’s trying hard to improve on that.

Steven

Much like Cynthia, Steven has a difficult time accepting compliments and praise from people given his notoriety and strength. Again, much like Cynthia, Steven is polite and keeps it brief but the man can be a bit overwhelmed when a huge influx of praises roll in. Usually, Steven might react very little (still maintaining politeness) and, when done, he just tries to get away from all the attention. At heart, Steven’s a bit of an introverted guy as opposed to Wallace. He’ll avoid any large gatherings as much as possible, but inevitably he’ll get washed away by many fans pointing him out in public. It’s exhausting and Steven tries to be a positive influence but this guy just wishes that it would be over quickly so that he can go back to his rock collection.

Quite argumentative, but only when he’s at his absolute limit. Steven’s a reasonable person and doesn’t mind a bit of back and forth, but when he gets heated, it becomes another level. Steven doesn’t like to be wrong and doesn’t like when people insult his intelligence (Zinnia is a prime example here). For all his coolness and collected demeanor, Steven tries to articulate his points clearly and makes damn sure that it gets to the point. However, it will get lost in translation because Steven might fumble with his words, picking out correct words that will deliver a final say. Regardless, most debates end in stalemate and Steven feels salty for a while. He’ll get over it, but it’ll take a few minutes. Or at least an hour.

[would-this-pokemon-be-a-friend]

I'd like to know how a Porygon-Z would do as a pet. My favorite little creature :)

As with this species' pre-evolutions, porygon-z are a curious pet candidate. These pokémon are artificial, mostly digital beings, which makes them about as rare as they are behaviorally peculiar. If you do manage to adopt a porygon-z (or provide your porygon2 a Dubious Disc to allow them to evolve into one), I’m afraid there aren’t a lot of resources out there to help you with caring for them. It takes some pretty advanced programming to bring about a porygon-z, so finding one to adopt can be pretty expensive or will require some advanced computer engineering skills. This blog’s primary source of information, the pokédex, has hardly anything to say about this species. Because of this, this post may feel a little… cobbled together… but I’ll do my best to provide you with all the speculative information I can. The bottom line, though, is that porygon-z might make good pets for some owners, but their unpredictable behavior and abilities may make them more than most can handle.

Let’s start with the easy stuff. Porygon-z are a good size for a house pet. They’re far from too heavy, and their ability to levitate makes it easy for them to comfortable get around, even in smaller living spaces. You’re probably already wondering, though: how big a risk is there of a porygon-z wandering off into other forms of space. Porygons, after all, have the fascinating ability to traverse digital space, which can cause some issues when it comes to owning one as a pet (see the porygon post, linked at the bottom of this one). Porygon-z are created using porygon2s as a base, meaning that many of their programmed behaviors and abilities can be inferred by looking at the information we have about their predecessors. These related pokémon are so similar in some ways, in fact, that many pokémon scholars don’t even consider porygon-z an entirely new evolution of pokémon (Shield). It is fair to assume that porygon-z have a similar ability to traverse cyberspace like porygons, but it doesn’t end there. Porygon-z seems to have been designed to traverse and work in even stranger dimensions of reality, described vaguely in the pokédex as “alien dimensions” (Platinum, HeartGold/SoulSilver). This was supposed to make them a “better” and “more advanced pokémon” (Diamond/Pearl, Scarlet), an absurdly subjective and frankly insulting goal (porygons and porygon2s are perfect the way they are). Whether or not this programming worked seems to be up in the air, but no matter what you will want to take precautions to avoid them wandering off into cyberspace. This is, of course, easier said than done. When it comes to porygons, which have very predictable programming, there isn’t a lot of risk of them popping off without permission. Porygon-z, by contrast, are quite erratic.

As a result of the programming they’ve been given in order to turn them into interdimensional travelers, porygon-z are unpredictable both in their movements and their behavior (Diamond/Pearl, Sun, Moon). This may make porygon-z difficult to train and to contain, and could even make them dangerous. Like their pre-evolutions, these pokémon are capable of using some pretty gnarly moves, like Tri-Attack, Double-Edge, and Hyper Beam, which could easily prove lethal in the wrong context. Given the lack of information about this species’ behavior beside it being “odd”, it is difficult to recommend them to someone unless they are aware that caring for them might look different every day.

On a positive note, these pokémon have a pretty good ease of care. Porygon2s, which porygon-z get most of their programming and physical “biology” from, can survive in the vacuum of space, after all! The problems with caring for a porygon-z don’t lie so much with a danger to them but to a danger to you and the risk of their getting lost. They are also, mostly likely, highly intelligent and social, if those parts of their porygon2 programming remain. They are likely much more adaptive than porygons, for better and for worse.

All-in-all, it is about as hard to recommend porygon-z as a pet as it is to explain exactly why I can’t. While their needs are very simple, their formidable ability to cause harm and run away from home, combined with their notoriously erratic behavior, makes them a pet that only the most experience pokémon (and preferably, porygon) owners to handle.

The Porygon Post:

[monstersdownthepath]

One of the most fun implications to come from the Book of the Dead is just how hard it is to create undead that are good aligned because of how, exactly, negative energy works once it’s been shaped into a pseudo-soul.

It IS entropy and decay, stagnation and emptiness, destruction and death. It exists to destroy, to the point that creatures that are powered by it HAVE to destroy, or they begin to fall apart like a living creature would if it were starved. The author of the BotD goes as far as to say even non-sapient undead possess this urge and express it in simple ways; skeletons forced to plow fields or construct buildings actually decay to uselessness significantly faster than ones who reap those same fields or demolish structures instead. Undead used as tools to create experience more ‘glitches’ or sudden bouts of hostility than ones used to destroy. Undead, even mindless undead guided by nothing but dim instinct, that do anything to increase the overall amount of entropy in the world, no matter how small, can remain intact and active decades past when they should have crumbled to dust.

How many undead beasts have you read about that possess some meaningless hunger or cruel hatred for the living? How many seem to exist solely to destroy and despoil? It’s because their very essence is sustained by it. Much like a creature of positive energy will become overtaken with despair and boredom if left without the ability to create something, creatures of negative energy feel the exact same despair and boredom if they cannot destroy. This doesn’t directly explain the lengthy torpor that undead can enter if left bereft of stimulation, but my preferred explanation is that the polar-opposites theme goes even further; that positive energy wants to change all the time do everything, but negative energy’s ultimate desire is to have nothing to do. If you locked a living creature in a featureless, pitch-black room, they would swiftly go insane from lack of stimulation, but an undead becomes peaceful as they bask in an environment where change and growth is no longer possible.

Because most forms of ‘life’ sustained by negative energy are undead that were once mortals, their new cravings are translated by their minds into sensations they can understand. Hatred, hunger, hostility; things that force destructive change and entropy. “You’re not you when you’re hungry” taken to unimaginably nightmarish levels because your hunger isn’t physical, it’s in your very essence. Imagine, if you will, waking up one day changed, and finding out that the only things that bring you any sense of joy, peace, or fulfillment involve causing death, destruction, and chaos! This is why Good-aligned undead are so damn hard to create; it’s hard to remain fully good when faced with the fact that making the world flourish and grow around you becomes gruelingly, frustratingly boring, or even painful to your new existence.

[lucas-deziderio]

I've been thinking a lot about Spider-Man and about how I headcanon him as someone in the autism spectrum, in big part as a way of seeing myself represented. But I genuinely think there is some good supporting evidence in canon! And with some slight headcanon adjustments you too can interpret him as neurodivergent!

• First off, Peter Parker was constantly being bullied throughout all his school life. Even though he is canonically attractive, funny and smart. I think this could be explained by the lack of social abilities and communication skills usually seen in autistic people. Not knowing how to express oneself or doing so in an awkward or rude manner can quickly turn you into a target. That's specially clear in the Ditko era comics.

• Second, his big interest on STEM and related subjects can be seen as his special interest. I think this is specially poignant because his investment in physics is what caused him to attend to the radiation experiment that created the ill-fated spider. And him being the closest person to the machine is what caused the irradiated spider to bite him in the first place.

• Third, his enhanced spider-sense could be interpreted as his sensory issues, also related to the autism spectrum. MCU's Peter, in his very first appearance, explains that he can get overwhelmed with his senses and has designed specific glasses to help him with them. Though less cool in real life, using special glasses and/headphones is indeed something many of us do to help with sensory issues.

• Expanding on that last point, it is noticeable that the Venom and other related symbiotes are specially vulnerable against sonic attacks. Though there's now a very different canon explanation for it, this could be headcanonned as them absorbing Peter's enhanced senses and intensifying them to the point where it can easily becoming debilitating. Having a Spider-Man with sensory issues could also make villains such as the Shocker and Sandman more threatening.

• There's also the matter of the weird hand pose he uses to activate the web-shooters. As far as we know, this was originated from the fact that Steve Ditko just liked to flex how good he was at drawing hands. But I believe that this can be interpreted as a stimming movement by Peter. I myself use to stim by moving my fingers in weird ways.

Well, that's all I have for now. I'd like to know if you people have any more headcanons I can add to the list. Any good recommendations of fanfics that treat Peter as neurodivergent would also be welcome.

[nicomoon69]

ignore the slight style inconsistencies, I am tired :3

oc lore dump under cut!!

little background:

the isolated area in which these characters live is about the size of Eurasia. there’s five main islands with littler ones mostly near the bigger islands. two islands belong to the humans and two belong to the elves with the last island being mostly neutral.

there’s been a war going on between the humans and elves for as long as anyone can remember. while they may not be actively fighting there’s a lot of hostility and distrust. no one exactly knows how it started.

elves are split up into two sub races: Sylvestrean elves and Mageian elves. elves specialized in their own type of magic over a long period of time, creating the difference between the sub races. Sylvestrean elves are in touch with nature, their powers based on the elements and all that is living. Mageian elves focus on more abstract magic, usually a something that enhances a skill and is something that they’ve developed and passed down through their family.

regardless of sub race, elves have an increased life expectancy compared to humans and age slower. they worship the moon goddess Ela and worship of any other god is a punishable offense. while they aren’t as developed technically compared to humans especially the Mageian elves are catching up. most of the elven states/countries/regions are ruled by nobility.

humans despite being one race are much more of a mixed bag than elves. some humans live like they’re form medieval times, but on the other end of the spectrum there’s human who live in a sort of steam punk society. they also have no innate magical abilities but can practice magic through other means and are thereby also not limited to one thing. this however is generally frowned upon and will even get you a prison sentence in some places.

humans generally live a way shorter life than elves. they worship the sun god Sol, though there’s also some that will pray to Ela since laws surrounding religion are less strict. humans have all sorts of governments, there is no one way to do it. due to that humans are far less united than elves.

Lavern Levesque (they/he, 24)

pirate captain of ship the Levesque (though if you ask anyone in their crew they’ll tell you he’s usually too busy tinkering to care about what direction they’re sailing). former trust fund baby (parents were no1 wine exporters in the nation) but after their entire family got burnt to a crisp in a fire that may or may not have been caused by the mafia they’ve been homeless and on the run. at some point in his homelessness career he and the rag tag group of friends he collected over the years stole the Levesque from some poor chap who was doing business. that was when Lavern Levesque was truly born. ever since he’s been busy scamming the rich and robbing the snobbiest they can find. (they’re also in a committed relationship with the daughter of one of the people he tried to scam- oops??)

Ida (she/her, 26)

formerly part of the mafia (that’s gonna be a real awkward conversation with Lavern at some point) and currently on the run. with little options she’s been doing a lot of physical labor for whoever will hire her which finally led her to the Levedque. due to the captain’s lack of involvement with hiring she didn’t know who she was going to work under, which led to an uncomfortable realization. ever since she’s been hiding her past and trying to get over her middle child related trauma (imagine having 8 siblings and you’re exactly in the middle, yeesh) as well as living with the guilt that she was in fact a part of the reason Lavern’s family is dead.

Hedvig (they/it, ??)

not much too say about their past since they suffer from heavy memory loss and barely remember their name. it has a suspicious amount of buried combat knowledge though and magic that lets them shape whatever they want into any form as long as the matter is non-living. was found by Eleanor (she’ll pop up later) on her parent’s ship and immediately left a bad impression by being scarred, wet and not speaking the common language.

Finn (he/they/she, 16-18)

he’s honestly just a poor little guy. he was the product of an affair between a human and an elf, which since a young age put a huge target on his back. despite trying to hide it Finn could never fit in with his peers or even his family. his step father resented him and his mother wasn’t in a position to defend him. this all reached its boiling point when he was about eleven years old and was put on a ship to another island. unfortunately, his ship got caught in a storm and he washed up on the shore of a dangerous island. ever since he’s been stuck, the island’s forest having all sorts of dangers. he’s seen countless people wash up, attempt to leave or get resources and get killed by the island’s mysterious forces. his survival has relied solely on what has washed up and what little he could find.

Elanor Sylvian (she/they, 32)

part of the royal Sylvestrean family, she’s the eldest daughter of the king and queen. she was raised to be the next queen, not exactly having a childhood or many friends. as ruler she would’ve been responsible for making sure the nobles under her were doing their jobs well. she set out with her parents to a meeting between nobles which was when she found Hedvig on the ship. due to her having studied many languages she luckily could understand Hedvig, who only spoke in a which was thought to be extinct Mageian dialect.

[saturnniidae]

As someone who loves both httyd and wakfu I am BEGGING you to talk more about this

Well it wasn't much more than a passing thought I wrote down before i forgot it and I was gonna apologize and say I've not thought of much but character classes, but I blacked out and went into a frenzy.

So for character classes:

Hiccup: Eliatrope and Toothless is his dragon brother

Astrid: Feca or Cra (though I could maybe see her being a Iop too?)

Snotlout: Iop

Twins: Iops as well (I'd say most of Berk's population is)

I'm kind of stuck on what Fishlegs would be. huppermage? Maybe? Idk

Dagur: Sacrier

Heather: Sram

Undecided on what I'd want Viggo to be, or if I'm even going to include him but I'm open to any suggestions.

And for a Rotbtd version (bc I contracted that disease recently):

Merida: Cra

Jack: Rogue

Rapunzel: Eniripsa

But I don't have much more than that for this version rn.

And then I have some story ideas for it but I'll put them under the cut because it's kind of a lot

Berk is a a small coastline port village known for its fishing and inhabitants with ridiculous names and violent tendencies (most of them are Iops).

(Debating on its actual location but I can't for the life of me find a map for the World of Twelve that's actually labeled 💀)

Stoick is a Iop and chief of the village. He found Hiccup when he was an infant. He's never actually sat Hiccup down and given him the "you're adopted" talk, but they're both aware of it. This doesn't really have any strain on their relationship though (they love each other, but like in canon, are shit at actually showing it) the fights they have are over other things, mostly Hiccup's hazardous passion projects. And later, Hiccup's desire to leave Berk.

Hiccup is the village blacksmith's apprentice, but is often distracted with his own projects.

He is more focused on making inventions powered by wakfu than honing his own abilities beyond portal making (because of this, they often explode). as well as seemingly having a lack of interest in finding out about himself and what he is. Beyond the fact that deep down, he knows he is not human. He still wants to get out of Berk and dreams of exploring the World of Twelve.

Hiccup lost his left leg below the knee in an accident he indirectly caused when he was 14. Part of why he doesn't like using his powers.

(If you've watched the show, you'll know that when Yugo makes two portals and puts them in front of each other, it creates a beam of energy that essentially decimates whatever it comes into contact with. And iirc it's mostly been used on machines and such, so I don't think organic matter like bone muscle and flesh would stand a chance.)

Fishlegs is the closest thing he has to a friend. they'll eagerly talk about his inventions, until Fishlegs asks Hiccup to go more in depth on how his powers work, then Hiccup shuts him out. Usally after a few days of silent treatment things go back to normal and they act like it never happened.

Snotlout is Hiccup's cousin who used to bully him but has stopped (doing it outright anyway, ofc he's still rude and we love him for it <3) due to a begruding respect for Hiccup, not that he'll ever admit it (and perhaps out of fear, after all blowing your leg off and accidentally destroying half the village, intentional or not, is an impressive feat). The twins follow Hiccup around in hopes to see what disaster he'll cause next. They're the reason Hiccup moved his 'Workshop' out of the smithy and into a remote clearing in the forest miles away from the village proper.

Toothless is Hiccup's dragon brother and has been searching for Hiccup for years, but Hiccup is so out of tune with his wakfu their connection was almost completely severed and Toothless is unable locate him. Until recently Hiccup had no idea Toothless existed, beyond a lifelong feeling of something being very distinctly wrong and the occasional vague prodding sensation in the back of his head (Toothless trying his absolute hardest to get through to him).

I have no idea what I want to do for Astrid tbh. I want to do her justice which is why I'm so indecisive.

And I have nothing for Heather and Dagur beyond what their classes would be honestly. Something will come to me eventually though.

If anyone has any questions (especially abt wakfu if you're only familiar with httyd) feel free to shoot me an ask and I'd love to elaborate!

(Also a lot of this is subject to change if I have any better ideas)

[weeb-polls-with-pip]

Autistic Anime Girls Group 3 Round 3 Match 3

SUBMISSION PROPAGANDA:

Sayaka -

"Deadpan, forthright, and unapologetically candid, Kanamori never hesitates to voice her thoughts, no matter how harsh or unvarnished they may be. She is often deemed as impolite, ruthless or severely intimidating (by adults and peers her age alike), and is jokingly compared to the likes of the Yakuza. She’s regarded with a degree of caution, due to her unwavering no-nonsense attitude and the fact that she will stop at nothing to get what she wants, phone camera at the ready to capture any slip up that could potentially be used as blackmail later. Survival is her top priority, looking out for herself and whoever might be left behind unfairly by circumstance. She has a steadfast mind for business and strong work ethic, openly admitting to her desire for monetary compensation (or other favors and methods of payment, such as milk or food) for even the smaller and most mundane of tasks, and won’t shy away from charging fellow members of the club as well.

She firmly holds the belief that friendship is an idealized and glorified notion. To her, individuals referred to as "friends" are often mere products of chance, brought together by shared interests and nothing more. Sayaka adamantly refrains from using the term "friend" and readily corrects anyone who mistakenly categorizes her coworkers or those she spends time with as such. She befittingly conveyed this perspective of hers to Midori on the very day they first crossed paths, and this prompted Midori to freely opt out of using the label entirely as well, instead referring to her closest peers as “comrades” ever since.

Regardless of this, Sayaka prefers to achieve a level of coexistence, as she personally describes it, with those she truly cares about, such as the few other club members. While not explicitly considering the girls as her friends, her actions reveal a deep concern for their well-being. She often watches over them, remains by their side and is ready to defend them and their cause whenever necessary. A significant reason the club came to be in the first place is Sayaka's recognition of her classmates' immense artistic potential. She encouraged them to establish their own independent studio, enabling them to create their animated films, attain recognition, and reap profits from their efforts.

In her role as their producer, she's primarily motivated by financial gain, but as she reviews Midori's and Tsubame's work, she ensures they always have the option to do their job efficiently and avoid overexerting themselves if they ever choose to do so. She’s equally supportive of their goals and will often assure them that their art is more than good enough. She insists that their work is already impressive; therefore, they could forgo so much self-imposed pressure and stop doubting their abilities or attaching undue importance to others' unhelpful criticisms, as these are often incongruent with their own artistic sensibilities and convictions.

Sayaka lacks interest and doesn’t possess much insight about art herself, yet she is more than willing to learn from her team to become a better producer. Aside from having a keen eye for business since her early childhood (despite being bad at math), she also appears to be quite knowledgeable in a wide variety of topics, and will take people by surprise whenever she starts rambling about the ins-and-outs of something that’s relevant at any given moment. One time, someone pointed out that Kanamori wasn’t at all different from Asakusa on this regard, to which Tsubame responded with a simple and knowing “yup”.

She can be seen idly cracking the knuckles of her right hand every now and then, and rarely displays a different emotion as she goes about her day donning a neutral grimace on her face. Kanamori almost only ever smiles when she’s getting paid, when friendly mocking someone, or when she’s in the middle of twisting someone’s arm to hers and the club’s advantage.

I’m going to cut it here, since I realized I have much more to say about Sayaka than any other Eizouken member so far (I thought Midori was going to be the longest but this one was already effortlessly surpassing 700 words and counting. Good god) Please please PLEASE consider voting for her!! she’s an amazing character in general, and I can easily see why she’s Sumito Oowara’s personal favorite of the bunch."

Richeh -

"her life's purpose is to live her life according to her own rules, regardless of society's rules that don't make sense to her. and she does that by wholeheartedly embracing her special interests of making delicate magic of crystally stuff and shiny ribbons! she's also prone to making lil puns with her name and the names of the other witches in her atelier, and nobody really gets them aside from the people in her found family <3

also (CONTAINS SPOILERS) her brother once told her that he loved her magic just as it was and that he hoped she never stopped making it and being herself (paraphrased cuz i don't remember the actual quote!) and she took that literally to mean that she shouldn't make magic that wasn't the kind of magic that was hers- i.e. shiny, small, ornate, and detailed magic. Being forced to change how she made her magic in order to "do things the proper way" during her original apprenticeship caused her intense distress, and she'd often refuse to do so and would instead think up her own magic to solve problems instead of doing things by the book. Doing that subjected her to harassment and abuse from her original professor, leading to her eventually needing to leave her 'traditional' witch apprenticeship and get her apprenticeship done at Qifrey's atelier, a place far removed from the main witch cities that accommodates her and allows her to grow the way she wants to."

[dailyanarchistposts]

We are indebted to the Earth. Our gracious host has provided us with more than enough resources to live, grow and prosper over time. But throughout history, and especially in the modern capitalist era, some have let their desire for more become a perilous dedication to conquest. The urge to make other humans, wildlife and all parts of nature submit to the will of markets, nations and empires is the rule of the day. Today, anything associated with nature or a true respect for it is regarded as soft. That which is not vulturous like the destructive economics of the reigning system is steamrolled to pave the road to unhinged expansion.

This logic of expansion and conquest undoubtedly changes the relationship between humans and their environment. In this context, the “debate” over climate change actually becomes a matter of human survival. Those who entertain climate change as a question at all have already, maybe unknowingly, chosen a side. The fact is that climate change will create more refugees and forced human migrations; it will lead to the murder of environmental activists around the world and start new resource wars; it will spread disease and destabilize everything in its path — and more. Unless capitalism’s unquenchable thirst for natural resources and the fossil fuel combustion that powers it is abandoned, the Earth will be forced to do away with humans cancerously plundering the carbon energy it has stored over millions of years of natural history.

What is most unfortunate is that capitalism, which has multi-layered discriminations encoded within it — racism, sexism, classism, and so on — affects how thoroughly people are capable of bracing for the damages wrought by climate change. Though nature is indiscriminate in its wrath, the sustained ability to protect oneself from rising temperatures and natural disasters is a privilege not all can afford. Those who are already harmed under the pitiless whims of capital are doubly hurt by the lack of protection afforded to them for life in an increasingly turbulent environment. The Global South is much more likely to feel the brunt of climate change, despite contributing much less to causing it. But even in the world’s wealthiest nations, the poor and working classes are much more vulnerable to ecological devastation.

If the people who understand the gravity of the situation want this state of affairs to cease, then the system of capitalism and the egregious consumption of the so-called First World itself must cease. That which puts all of us at risk cannot be tolerated. The vast satisfactions in wealth hoarded by a few does not outweigh the needs of the many suffering the consequences every day, as the Earth deals with malignant human behavior. The systemic drive towards excess that is pushing the planet’s carrying capacity to the brink must be brought to a halt throughout the world, but especially in the empire that exemplifies excess best: the United States of America.