racing to prevent an apocalypse, without the doctor, in an alternate timeline that ultimately never comes to be due to their efforts, their efforts that no one will ever know of as the wheel of time keeps on turning with barely a feather ruffled
I think a lot about how common it is for Raph to be the one to have direct focus put on him when Leo gets into all his near death experiences.
Like, when Leo is thrown off a building, it’s Raph who’s right there jumping after him, not even thinking about the consequences to himself when he does. When Leo almost gets skewered by the Krang, Raph’s right there to take the blow and send Leo to safety without a second thought. When Leo’s being strangled to near death, it’s a Krangified Raph doing the job, doing exactly what Raph would never, ever want to do. When Leo is telling Casey Jr to close the portal, it’s Raph who tries desperately to convince Leo otherwise.
Likewise, Leo is consistently very single minded when Raph gets forcibly separated from them. Both when in the sewers and by the Krang, Leo is dead set on finding Raph first and foremost.
I also think it’s interesting that during each of Leo’s near death experiences, the lightheartedness of his words during them goes directly hand in hand with both how close Raph is to him physically and how much danger Raph is also in in that moment. From a literal “I told you so” as Leo’s falling away from Raph to a soft joke about how “hero moves” are Raph’s style - both of these are on the more morbidly carefree side and both of these notably take Leo farther away from Raph and, in turn, have Raph not in immediate danger.
On the other side of things is the apology from Leo, heedless of the danger he himself is in as he seriously and genuinely speaks to a Krangified Raph face to face. Then there’s Leo’s freezing and desperation as Raph takes a hit meant for him and sends just Leo to safety, leaving Raph himself behind. Both of these involve much closer proximity and Raph being directly harmed - these together make Leo much more vulnerable in his words and actions, something not even the threat of death can make him.
These two care about each other so much, and they’re way too much alike for their own good.
S4 and F5 genderbends, because I believe in Fem!Idol outfit supremacy and wanted to redesign their outfits while staying as close to cannon as possible
She's brilliant. One of the best written and developed companions of the classic series, such a template for the modern era. So many different fates and stories across the different media. If you don't love her in one you're bound to in another. And then she got her return in the new era to boot.
Oh yeah; and beating the crap out of a Dalek with a Gallifreyan enhanced baseball bat. What a legend. she's... ACE! (@seven-times-champion /@elden-12 )
Ace is the natural predecessor to modern female companions. She's a fighter, smart, caring, an explosives "expert", a match for the Doctor despite being so young. She follows her own morality, will smash a dalek with a baseball bat no problem, and has a banging wardrobe! (anonymous)
Donna Noble
you already know who she is bc she's the most iconic companion of all time. imagine teleporting into the tardis on the worst day of the doctor's life (so far) and not clocking any of his angst and SCREAMING at him to take you back to your wedding not only is this THE funniest introduction it's symbolizing how she saw the doctor at their worst, underneath the front that they put up, and due to this she understands them on a level like nothing else and changes their life forever. "you don't just need someone to stop you, you need someone to keep you going". AHHHHHH. she isn't in love with the doctor she calls them out whenever they're being awful and need to be whacked on the back of the head. she is filled with so much compassion for the smallest person she reminds ten of the kindness that was beaten out of him and she is so so loving to everyone except for herself. she loves her trans daughter so much. she changed the narrative of the doctor back from the tragedy it was into something hopeful. healing is real and possible through the power of queerplatonic relationships actually. donna sweep or i blow up the website (@aq2003 )
there’s a trend on tiktok where people have been taking the “are you a soldier, poet, or king?” uquiz and the large brunt of it is people complaining how they didn’t get poet and like. i get what the point is. i get the quiz gives it’s own definitions of each title. but also they are all just arguing over what side of jesus they wish they identified with more and i can’t stop thinking about it
Friendly reminder that everyone engaging in ship discourse within the Ghost fan base is a loser and the block button is free. Secure your peace of mind and never forget: it ain't that fucking serious.
Like the game doesn't offer ulder enough. and it's frustrating because some people are starting to see the layers behind wyll's discussion of his horns/why he would be seen as unsettling to the tieflings, but idk if people are also fully understanding not just the role devils play in the game but ulder's own experiences... he says he became a "plaything for devils" when in elturel. That's bad yeah? like I fully believe he loves wyll and I fully believe that part of his firm refusal to listen to wyll stems from not just the real fear of losing his son to powers beyond his control, but also from his recent trauma of being abused by devils and then seeing his own son bear these marks. It's still not fair to wyll. But I find that having a character who's a flawed parent, who tried and tries and still has shortcomings but admits to them, is incredibly interesting and worthwhile to engage with. But also larian seems so uninterested in actually exploring their relationship, as evidenced by how little we get between the two of them lol
In echoes, witches are made by sacrificing someone to the Mad God, and one of the final bosses involves a character we've seen turned into a unique fire-elemental witch. Her fight is more sad than scary, since she's just a silent, soulless echo of the kind woman we saw before.
I really liked combining this idea with the witch-hunt vibes in Bring it On. In my fantasy au, Fuuta wrongfully leads his band of knights against a village girl, resulting in the townspeople burning her before all the facts were laid out. She was using magic, which is what Fuuta called her out for, but she wasn't using it for any malicious or witchy purposes. When she dies, the bit of magic in her flares up with her emotion and she returns as this type of fire spirit. As well as Fuuta's abstract haunting guilt, he now has a silent, destruction-bringing ghost haunting him each time he tries to run away from what he did.