#casually racist

[pandadrake]

Spider-Society and The Day of Lots of Involuntary Trips to Earth-19999. (Finally finished this, god damn.)

I hadn’t seen any takes on what Spider-Society was like during Spider-man: No Way Home (2021), so I thought about it too hard.

I.e. I pulled up a clip of No Way Home to see what the Peter-abduction spell would look like from Miguel’s POV, then realized he'd have no idea what he's looking at and would probably mistake it for something else.

[qqchurch]

you know you're in a cishet male gamer discord when you see stuff like this without pushback in comment to people being mad or baffled by a gacha girl having a complete joke of proportions 🫡🫡🫡

[cinnamonsikwate]

"why couldn't shuro have just been honest about what he felt with laios and falin it's not that hard" are you. are you White

[gzteacher]

I'm still here.

I work for a school directly now and we've finished a school year.

This was me at one point trying to find an apartment in China:

I was legit considering living in a hotel because of this. I posted on WeChat explaining the situation and the secondhand embarrassment my local acquaintances experienced moved two in particular to step in and help me find a place to stay.

I didn't want to talk to the school's HR because she was hounding me about why I didnt have a Chinese girlfriend. She asked with her whole chest during the interview if I was changing jobs because of a woman.

Even as a fluent Chinese speaker, going to those housing agencies and watching them call up landlords and explain to them that a foreigner wants to rent, only to overhear the landlord asking "white? or black?" was never not embarrassing.

Everyone was all "dial 123456 and report them!" Tried that. I was all automated prompts which then lead to an app I had to download but then couldn't use because I didn't have a Chinese ID. No surprise, honestly, but was worth the shot I guess? (A lot of institutions are designed on purpose to be exhausting. You can know this in a place like China because they'll tell you straight up: If you wanna complain about is, dial this number. Good luck lol)

It was only luck that the person who reached out to help me was the random gym trainer who added my WeChat after searching for a place to workout literally 2 days prior.

Fast forward to now. School's out. Typical shenanigans: students making accidentally racist microaggressions. One kid commented that "it doesn't look right having a teacher who should be a rapper or basketball player; I don't think you're professional and can't take you seriously." And after the whole apartment malarkey, I could only give him a look, shrug my shoulders, chuckle at his inbred ignorance and keep teaching. Too tired to give the you-probably-haven't-learned-this-about-yourself-yet-but-you're-racist talk. It's 2020something, I'm saving my energy.

I'm just here to save up to leave. That's all. I now have friends in a different country and I'm working to collaberate with their career endeavors more intensively.

I'll be out of here soon enough. Just need to get a few things in order.

[cupiidzbow]

I’m still thinking about that post i rbed earlier today about self shippers of color esp black ones having to deal with so much racism bc no fandom space is ever safe for them and everyone in the tags being like “we need to do better to make this a safer community!” and literally i have to be like hang on were yall not doing that before?

[jaggedjot]

“Louis de Pointe du Lac. That's an interesting name.” “Louis of Pointe du Lac Plantation. My great-great-grandfather owned one. All that remains is the name.”

“And a sizable trust to oversee as a consequence. Capital accrued from plantations of sugar and the blood of men who looked like my great-grandfather but did not have his standing.”

When introducing himself to Daniel both in 1973 and in 2022, Louis alludes to the ways that the legacy of chattel slavery in the United States remains present through his life. The ramifications of this history will be explored further in his interviews; it is intrinsic to the racism that Louis describes experiencing, and it is built into the economic and cultural foundations of the societies that Louis has and continues to navigate through. The way that this subject is broached however, in both the past and present, specifically centres the relationship between slave plantations and Louis’ own affluence.

Daniel’s remark being prefaced by Louis offering to “Get the boy whatever he wants”, before carelessly pushing a platinum credit card between them, implicitly correlates Louis’ response with that ostentatious display of wealth. It is not an intentional association made by the characters, and Louis immediately downplays the link when he recognises it (“All that remains is the name.”). Given his reaction, it seems likely that Louis did not talk about this topic during his subsequent interview with Daniel, though, again, that does not mean it would have had no bearing on other matters discussed. By contrast in the present day, Louis broaches the subject himself and fairly openly acknowledges the correlation. It was a slave plantation and the exploitation of enslaved people that created the sizeable trust that paid for the house and lifestyle that Louis and his family enjoyed. While Louis does not state it directly, the unavoidable implication of Louis clarifying that his great-grandfather was black and had a different social status to that of slaves (“[…] the blood of men who looked like my great-grandfather but did not have his standing.”) is that several generations of Louis’ black relatives have, at least indirectly, financially profited from chattel slavery. It is unlikely that this wealth was all inherited after the fact, considering that the abolition of slavery in the United States occurred only a couple of decades before Louis was born. These pieces of information seem to contradict then the implicit suggestion of Louis’ earlier explanation in 1973, that the only direct bearing the de Pointe du Lac plantation has had on his life is a shared name.

Both the dismissal and the acknowledgement are characteristic of how Louis describes the past; factual as a basic statement but carrying additional implications whose accuracy is more questionable and or left carefully unexamined. This is a rhetorical device that aids Louis in maintaining control of the narrative and its meanings while avoiding, as much as he can, outright lies. While Louis does view Daniel as a necessity for him to revisit his story, it needs to be stated that this does not prevent Louis from consciously and unconsciously tailoring it for his audience. It is possible that Louis only acknowledges the subject at all in the second interview because he is aware that Daniel has likely done some background research on his family. Considering how insensitive to racial issues Daniel can be, as well as his deliberately combative and contrarian approach to interviewing, it may be that this is a subject that Louis does not want to explore with Daniel specifically; it is perhaps notable that the penthouse Louis shares with Armand contains at least two pieces of art (Slave Auction by Jean-Michel Basquiat, and Transformation by Ron Bechet) which are about chattel slavery. Regardless of the reason for Louis’ selectivity, this context continues to hover on the periphery of Louis’ story, adding additional layers of meaning to the events that follow.

It contextualises the contradictory feelings Louis has about his work as a landlord and pimp, roles that may step outside of the shadow of sugarcane and slavery but are only made possible through investing the profits of them. When Louis confesses to the ways he treats his workers, tellingly he invokes plantation imagery with “[…] I lie to myself, saying I'm giving them a roof and food and dollar bills in they pocket, but I look in the mirror, I know what I am; the big man in the big house, stuffing cotton in my ears so I can't hear their cries.”. This conflict then deepens the resentment Louis has towards his family for criticising how he provides for them, with Paul being the only member who even entertains the idea that they should not spend the money at all (“We should tithe that o'er to St. Augustine's 'fore this house falls in on us.”). Whereas the family judges Louis for connecting them to an industry they view as sinful and lacking respectability, contrasting it to the seemingly fondly remembered family plantation (“Daddy was here, we'd still be in sugar cane.”), Louis is troubled by the exploitative nature of that work and capitalism as a whole. Yet there are also times when Louis exhibits pride towards his business dealings (“And I was now the owner of the brightest club in the district. My club, my rules. […] It was everything I had ever wanted or wished for. […] I made a mountain of money, enough to retire and be buried like a pharaoh.”). This could be suggested to be partly because Louis has moved away from the legacy of his family’s past to create something that he can try to believe is helping his, primarily black, workers (“I paid the staff better, paid the band better, all the while helping those who had been with me down the block to better themselves.”).

Most significantly of all, this context adds an additional lens through which Louis and the audience can examine some of the overarching existential ideas that Louis has been grappling with throughout his life, and that the second interview brings to the forefront. How does the past continue to define our present? Can we be considered in any way culpable for the actions of others? What reparations can we make for the harm, deliberate and unintentional, that we do? The open-ended way that Louis approaches the link between his inherited wealth and chattel slavery, as well as the subsequent ways that these have shaped his life, is reflective of those unanswered questions. Louis is desperately trying to find, if not a definitive answer to these philosophical quandaries, an insight that can give his existence purpose and direction. It is vital to Louis that his experiences offer some greater lesson (“That's the purpose. Our book must be a warning as much as anything.”), and ideally one that he can prove that he has already learnt. The different ways that Louis approaches the subject in 1973 and 2022 then reflect how he is revaluating the past and himself (“The passage of time and the frailties that accompany it have provided me perspective.”), but despite this, critically and symbolically, Louis still does not seem to have come to any conclusions.

[wetcatspellcaster]

I'm not going to tag this bc I can practically visualise the hornets nest I'm kicking, but I am starting to get annoyed by people who are complaining about inconsistencies in dragon age lore, when the inconsistences mostly seem to be happening in places where the old lore was severely problematic and written at the height of game of thrones grimdark fantasy market trends.

[horrorbrewery]

[neechees]

I cannot stress enough that Smeyers's racism is 100% intentional & not an accident, this isn't a case of ignorance. Mormons ingrain racism into their kids at a young age. Racism is deeply embedded in Mormonism. She knows what she's doing.

[v6quewrlds]

gossip pages are truly the personification of delusion

[occulthours]

as excited as i initially was to have a sapphic couple be the main romance for one of the bridgeton girls, reality just kicked in. casting a dark skinned black woman to play a racebent AND now genderbent version of a white male character, particularly a white male character that’s beloved by the fandom, is gonna bring on levels of misogynoir i’m scared to witness. masali’s comments, as well as all of the comments under the posts from the author and the official bridgerton page are already filled with hatred.

and how much do you want to bet no one in production says shit about all of this and comes to her defense?

[grapecaseschoices]

not to be extra, but i find it telling that it takes up to number 9 to reach a woman and number 17 to reach a character of a color. i love this 'i love women' web ass site.

[kirkwallguy]

i saw a solasmancer say that they hope davrin doesn't call rook "vhenan" because that's sollavellan thing...imagine trying to gatekeep the elven equivalent of "sweetheart"???

i saw someone say that too and it made me feel crazy... merril literally did it first! but half of these people have only played dai so they think solas is the first elf to speak elven onscreen or something

[hacksawboy]

gay people when you put them on a game with customization (they will not stop drawing their characters)

the spy thing did actually happen to me earlier btw. i was so elated about the 2 kills i didnt care about being called a slur (dude was just toxic in general anyways)

anyways if u like shooting games with customization why havent you gotten pvz garden warfare yet best shooting game ever made sold 10 garden warillion copies (ive been obsessed with this game for 10 years and counting thats why i keep bringing it up)

[odinsblog]

Jesus

👉🏿 https://ktla.com/news/local-news/thats-animal-abuse-woman-caught-on-video-hurling-puppy-at-man-in-mid-city/amp/

[yeeclaw]

As much as I enjoyed seeing Laura in Deadpool & Wolverine, one thing has been bothering me since opening night, and I can’t shake it:

Why did Marvel design her a shirt that says “Savage”?

It’s a fictional band t-shirt. I spent hours reverse image searching and browsing album covers and tour posters of bands with related names, album titles, and song titles, and while it’s clearly inspired by real rock bands and tours, it was nevertheless made up. They actively chose to make up a shirt with a derogatory racial term for a group Laura and the actress who plays her is not a part of for her to wear. Someone was paid by Marvel to design it. Why?

Now companies are selling copies of the shirt, so more people will be out in the world wearing a shirt with a term that, whether you want to call it a slur or just a “derogatory racial term,” has a dark, violent history and makes many Native Americans uncomfortable. It is a word that was used to justify cultural genocide within my parent’s lifetime, that has been used as a justification for racist discrimination and hatred within our lifetimes, not just Logan’s lifetime.

Logan had band logos, too. They used Awaken the Dreamers by All Shall Perish. The title track is about fighting for human rights and ending oppression, the design features the Statue of Liberty holding a gun, not a torch, surrounded by the silhouettes of swarming military planes. Now in Deadpool & Wolverine, we’re casually using the word savage, sticking it on a “feral” character with a reputation for violence. It could be powerful if Laura were Native. She escaped from a government run institution systematically abusing and dehumanizing children based on their heritage. Logan cast primarily people of color to play the X23 children. Gabriela Lopez died at the Liberty Motel and Logan died at what was described at “the last stop on the mutant underground to Canada”. They utilized the mutant metaphor very deliberately, and I feel that Deadpool & Wolverine’s choice of costuming for Laura did that a disservice.

(Yes, I’m aware of Savage Wolverine. Its potential as an Easter egg for a racist comic book title doesn’t make it not racist)