#cas + cars

[shallowseeker]

Today, am a little obsessed with the concept of Cas + cars

The "pimpmobile" as the mark of immaturity & unsettled identity:

Ah, yes. THE Lincoln V. Very "Tom Selleck." (Magnum PI)

When he steals the Continental "pimpmobile," Cas is symbolically the young buck who hasn't settled down. Indeed, in seasons 9 & 10, Cas is wandering the world in search of penance, inevitably finding himself drawn into another guerilla-angel war. (The new flock with Hannah has all the markings of modern warfare, from the tracking to the maps on the wall. They're just trying to get home, but it's still war.)

In groups, Cas does not drive the car. (Driving is still pretty boring thing to him, and he misses his wings.) So, then, the Continental isn't perfect fit...he just likes it. It's a "searching" car. Cas is trying to find his preferred path.

1978 Lincoln Continental Mark V. (Image by Mikael.)

///

But perhaps Cas grows into the retro meaning of the Continental

The 1978 Lincoln Continental V was modeled after the Thunderbird and sold as a luxury item. Popular in its own right, colors like the one Cas drove were referred to as "understated like a diamond solitaire." It's aimed at the idea that "'real' men command quiet power and don't need to throw it around for show."

(Images by Mikael.)

When Cas is with Hannah, he starts embodying the retro meaning of the car: "Good guy you got there," says the trucker after seeing him interact with her child. Slowly, throughout season 10, the idea of Cas + parenthood is being planted and watered.

At this junction, Cas makes a bold switch to try to appear more human than angel, and among this is doing penance to Claire Novak. Cas learns that being a father fills him with...something. It's a feeling that appeals to him and gives his life a new kind of meaning. He's starting to create a life-framework he prefers.

Yes, the Continental is a "searching" kind of car. Cas drives it primarily when he's without his own grace. (Who ARE you now? Who are you, without "all the bells and whistles?")

When Metatron steals the Continental, thus begins his own dark night of the soul, and we see him struggling with soul-searching up until season 11. Indeed, Metatron has also lost his grace, and he loses his faith in everything, from his father to the very idea of the novel and stories.

When Cas gets the car back, something has changed in him, and it no longer fits. He's got his own grace back, for starters. He also starts staying in the bunker more permanently, the choosing of the human struggle over heaven's war. He's feeling out his human family and finding where he wants to fit within it. ///

The brown truck as mark of family!protectorhood

And post-Continental, it turns out Cas is toootally a truck guy. A few things about trucks:

they sit higher on the road, so the driving experience is totally different than a sedan, or even a muscle car

in terms of handling, you can generally be much rougher with them

that is, they're less responsive to steering, so you can grip and turn considerably less delicately, which might be really nice for someone like Cas

they're less responsive to braking inputs due to their suspension and weight, so if Cas is a lead-foot, this would also be very nice for him

they can carry heavier loads than cars and for greater distances

they're also very reliable and they're less likely to break down

when they do break down, they're easier to work on

Cas's 1987 Ford F-Series from season 12

In season 12, when Cas steals the workerman's truck, he takes on family protector more overtly (or the "father" role, as Cas conceptualizes it in season 15's Gimme Shelter). The protector!truck is a SPN mode reflected all the way from John's truckzilla to the tan Ford truck (same model, nearly same year) that Dean drives when he's "dad" to Lisa & Ben's family unit. Though perhaps unlike Dean, Cas thrives in this role. It's comfortable to him.

From SPN 1x21, John's black 1981 GMC Sierra Grande truckzilla, and from SPN 6x21, Dean's tan 1988 Ford F250. Far right is the The Ford of the kind man who offered him water and a sandwich after The Great Fall in SPN 9x01.

The tan truck is a positive sign of a healthy father!protector, whereas John's truck represents a crumbling of strength and brokenness, with only the outward signs of being a stable father. The tan truck also has a positive motif of kindness, since it bears a striking resemblance to the truck of the guy who showed Cas compassion when he fell (offering him food and drink).

Cas's taking of this vehicle as he rushes to rescue a kidnapped Sam represents a resolution to offer support as a father figure to Sam, post-Dean's "death." Certainly, Cas is Sam's friend; it's not as simple as Cas being solely his angelic protector figure. But there is an element of "parental" support in how he interacts with Sam, especially in later seasons (Gadreel + grace extraction, loss of the AU hunters + subsequent mentorship).

///

Stealing the vehicles, though!

Nevertheless, there's something a little dark in Cas stealing the vehicles, subtly reflecting the horror of the taking of Jimmy's vessel in season 4.

However, since his body was restored to Cas directly a la "organ donation" from God, this late-seasons vehicle choice can also reflect a choosing of roles and identity.

Of note, in his later vehicles, Cas usually drives them, even in groups. They are more fully his.

///

The tan truck + Jack n' Kelly

But oh, back to the tan Ford truck. This little farm truck is cute. It is probably in this truck that Cas first listens to the mixtape.

Cas continues his parenthood journey in it when he spirits Kelly n' Jack away. When Cas is agonizing over whether or not to kill Kelly, his little tan truck breaks down. It reflects his uncertainty to take on this new mantle of mature fatherhood, almost like Jack is pausing the narrative as he considers if Cas will be a good choice of Father. And after this, in the hotel room, Jack indeed chooses Cas.

In doing so, Jack's also choosing the Winchester human family of which Cas is a part. We see this when Jack literally steals Baby, and Kelly waxes poetic about how Cas has been chosen as she drives it. (And Baby does NOT break down. She complies, like she's agreeing that Jack should be born and Cas is indeed the Father.)

(Images WinchesterFamilyBusiness)

Alas, it ends in tragedy. There's something so achingly sad when we see the abandoned truck in front of this dilapidated lakehouse in the valley. It's a desolate image next to the dusty, dull impala. And unlike with the Continental, which represented a Cas trying to fill a graceless, human role by reflecting Dean, the truck showcases a more integrated Cas with new familial role: spouse. Which is why the widower arc feels like that.

Visually, Cas (the truck) and the house (the family unit) are dead. The war has killed them and left only an orphaned child in its wake. And Dean and Sam are in the valley. (Indeed, when Cas returns, in the script, he's described as long-lost father, returning home from War.)

(Lakehouses have so much spooky symbolism with regards to the interconnectivity of space and time, but that's another tale for another day.)

///

The Dodge SRT-10, AKA The Family Truck: renewed faith + fatherhood + retaking of Angelicity

Ah, the Dodge.

So, I love that Cas has this truck in particular. This truck is legendary, kinda controversial and it's just SO ridiculously overpowered and goes SO fast for a truck, hahaha. It's definitely a family support vehicle.

Originally, it is ALSO the vehicle, throughout multiple versions of the script, that was supposed to have the broken tapedeck. (Which means, since it's a 2000s-era truck, that someone probably had to put in a CD-tape combo. Ahem. Anyway, I prefer these original scripts, because this broken tapedeck mirrors Cas's empty deal wonderfully.)

So, the Dodge. With 500 horsepower and 525 lb-ft of torque, it is the fastest truck available, doing 0-60 in a reported 5.2 seconds. It's just so overkill for a quad family truck. ("Nobody else was making a four-door truck with 510 horsepower, so the Dodge people took it upon themselves to fill the void.")

This looks like a shopped-for truck. You're not just gonna happen across a truck like this. "Less than 10,000 of these were ever produced and with a fire breathing V10 under the hood, they were quite possibly one of the coolest trucks ever made." So, we can guess that yes, Cas does appear to genuinely like trucks, and he definitely seems to have chosen this sledgehammer of a vehicle.

The Dodge Ram 1500 SRT-10 pickup truck (specifically for work/hunting and family support). It's a stupid lot of power stuffed into a truck, like how Cas is an angel is stuffed into a human.

Also, this hints that Cas likes rapid acceleration and driving fast. This makes sense to me, as he complained about the Impala being slow, and he told Hannah in season 10 that he would take the curves FASTER "to help her nausea." (Oh, Cas...)

For the later seasons, this truck is visually very "Cas," and in scenes and drafts, he's exclusively the one driving it, and he's usually driving it when other family members are feeling vulnerable; ergo, support. (See original draft versions of The Spear.) Like the specter of the double diamonds in 15x09, The Trap, Cas is utilitarian and pragmatic, a divergent-convergent thinker.

In season 14, Cas also drives:

The blue Ford Fiesta

But I'm 99% confident this is Sam's car

Because vintage SPN underlines that blue, nondescript cars are actually Sam's preferred car make and look

It's fuel efficient, so Cas takes it to the shaman

Also, Cas's acting on behalf of Sam's wishes when he goes to see Sergei

Ford LTD Crown Victoria (the bird poop car)

Presumably, he drives the bird poop car in Peace of Mind to be a little more incognito than the big, imposing truck

It also reflects Sam's low state of mind

Sam drives it in Moriah, too, a direct parallel to Sam versus Chuck and Sam versus Mayor Harrington from Charming Acres

The super sexy 1968 Mercury M100

Another truck Cas drives in late season 15 with Jack is this open-bed teal classic. The incredibly collectible 1968 Mercury M100.

And this M100 is delicious.

It's also, like the SRT-10, highly sought after and not a truck you're going to just happen across. It's another shopped-for truck. (I find it unlikely that it was one of the classics sitting in the MoL bunker, since they were slaughtered by Abaddon in 1958 and this one's make is 1968.)

So, either Cas has gotten into rare trucks (a real possibility since this one is even more challenging to drive), or Dean shopped this one with him, too. It's probably a mix of both, considering that in 13x22's Exodus script, Cas is shown helping with basic mechanics and repair. It's very possible that Cas has developed an interest alongside his newfound interest in human language and metaphors.

ANYWAY, these M100's are as classy as fuck and are actually workhorse trucks, too.

It's got a legendary straight six engine, and again, there weren't many of these vehicles built or sold. (Straight six is a trusty little pump of power, especially for the time. It's also easier to work on than most; would be great for someone who's only so-so at maintenance.)

This truck, unless it's been upgraded, is a little bit hard to handle, too. It takes a firm grip and a heavy foot, because it's a manual through and through. Manual gear shifting and no power steering. It's a two-hander just to go around curves.

In terms of its style, it's a little more laidback than the Dodge, which is probably why Cas is taking it on the murder investigation (i.e. not hunting). It's got an open bed, which means it's probably a little more fun for Jack, too. (Indeed we see Jack enjoying sitting in the truck bed. The green/teal is a symbol of renewal & growth, visually keying into Jack's return and the slow healing of the family unit.)

CASTIEL: My name is, um well, my name's not important. I do know what blind faith is. I used to just follow orders without question, and I did some pretty terrible things. I would never look beyond the plan. And then, of course, when it all came crashing down, I found myself lost. I didn't know what my purpose was anymore. And then one day, something changed, something amazing. I... I guess I found a family, and I became a father. And in that, I rediscovered my faith. I rediscovered who I am.

This is Castiel's preferred answer to season 15's question of nihilism.

This is what Castiel has chosen, and his later-seasons vehicles reflect this desire and this chosen identity. He even walks away from it in 15x06 to meditate on his path, and when he steps away, he sees Chuck for what he is. He chooses to come back specifically to fight Chuck's machinations and protect his family from them. To help them find their way post-existential crises, the way they helped him find his way re:Heaven. For better, for worse, for richer, for poorer, in sickness and in health, to love and to cherish...till death do us part.

//

Some other Cas + cars fun stuff

The broken tapedeck in the script

The Fiesta is totally Sam's car

[catfindr]

[souporsaladnatural]

hey listen man, all im saying is that dean said to cas one, bert and ernie are gay, and two, you are not going to die a virgin, and then simply walked off with no further explanation. and cas followed him. and then, one car ride later, cas expressed surprise at dean having brought him to a brothel. that is not what he thought was happening

[ca-dmv-bot]

Customer: BISH(OP) IS OUR LAST NAME. DMV: BITCH CAR; true--------------> Verdict: DENIED

[daftmooncretin]

supernatural movie reboot but its a ghostfacers mockumentary about their attempt to make a “serious film” about sam and dean winchester. opens on ed and harry going “CUT!” and the camera pans to a guy that looks kind of like jared padalecki pulling off a party city wig. turns out the finale was actually part of the ghostfacer’s retelling of supernatural. Sam Dean and Castiel spend the entire movie chasing after ed and harry trying to stop the thing being made. (its a huge commercial success and they screen it at the destiel wedding)

[try-set-me-on-fire]

there’s a design

to what I did and said

[rasoyas]

"Dude, I gotta say, you're like the REALEST person I know. If I had to choose you between you and my best boy Josh— whoa, that thought just made me SUPER SAD. I cant choose between bros. I love all my bros equally! Ah shoot I got some of that "feeling sweat" in my eyes again, BRO I need a tissue." — kyle kyleson about his “best boy”

[kerryweaverlesbian]

Castiel comes to Sam for advice about his crush on Dean but he obfuscates who he's talking about successfully because Sam doesn't know just how much he and Dean hang out without him.

Dean, obliquely trying to come out to Sam during a conversation about settling down: besides who would even want to date me long term. Cas is the closest thing I've had to a girlfriend in years.

Sam, casual and oblivious: I think Cas has a boyfriend.

Dean:...What????

Sam: yeah he told me about him. He's like a drummer or something, travels cross country a lot. I thought you knew? It's pretty serious, they've been together like 8 years I think?

Dean, seething with jealousy and horror: What's he like? Have you met him? What the fuck??

Sam, delighted to have more info on Cas than Dean does for once: Cas really didn't tell you? Well I guess that makes sense. I've always thought he and I share a more profound bond.

Dean: Sam.

Sam: Okay, okay. I haven't met him but from what Cas says, he's like, a real dork. Won't let anyone touch his CD collection, always brings up movie references no one has ever heard of- although it is Cas, who knows what his scale of normal movies is. He's good with kids, apparently.

Dean: sounds annoying.

Sam: ha! That's funny. I said he sounded like you, and Cas gave me a death stare. Yeah just like that one.

Dean: what does Cas want with a normie guy like that? And why didn't he tell me? There's gotta be something going on with this dude. This whole thing stinks. And - wait. Hold the phone. Cas is gay????

Sam: dude, you've met Cas, right?

Dean: shut up!!!! Keep talking. Where can I find this sonofabitch and how can we find out his intentions

Sam: well according to Cas he intends to be [cas impression] 'adorable and infuriating at the same time and succeeds on both counts'. Cas seems pretty happy with the guy, I think we should just be happy for him.

Dean, heartbroken and hiding it gruffly: yeah. I'm fucking ecststic.

[littlebluejaydraws]

Dude on my car, he showed up naked. Covered in bees.

My contribution to the recent discussion :)

ID in alt text

[boxedwinedean]

in my spn canon sam had that arm cast in season 2 because he had a ladybird moment during an argument in the car with dean

[hornystiel]

they're in horny jail (the camp snapped)

[shallowseeker]

There is...one more Cas-adjacent car to discuss, but I don't quite have it all straight in my head.

LOOK! It's not the same tan sedan, but it IS interesting. (4x03 & 13x01) Isn't it? Let's ramble:

////

Look at this cute little tan sedan that Dean drives in 4x03 In the Beginning!

This is one of his very first interactions with Cas, and our first on-screen date car drive.

They've interacted very little at this point! Previous appearances with Cas n' Dean were 1) their first meeting in the barn and 2) the very tense middle-of-the-night meeting in the dream kitchen.

Anyway, this is the vehicle Dean drives throughout the episode. It's our first car ride with Earth and Heaven teaming up.

///

Dean is ghostly as he bears witness to the tragedy of Samuel Campbell's death (stabbed in the gut, just as Mary was before she burned), Deanna Campbell's death (broken neck), and John Winchester's death (broken neck).

Azazel is killing all of Mary's support system to better weaken her resolve and entrap her in a deal.

Young—afraid—alone—distressed. Mary would have taken any deal, surely.

(Mary's Fate is not unique, exactly, but it's definitely got its own signature. It's an off-rhyme parallel in Supernatural. She did not, in fact, barter her soul, or go to Hell, as John and Dean will eventually do. No, she unknowingly Rumpelstiltskin'd her second child.)

Mary looks sadly over her shoulder at Dean, who was unable to help her. Then, John breathes in air with a shuddering gasp—returns to life.

Dean gasps, too, and Cas returns to his side. They disappear together, leaving only mysterious tan sedan in their wake.

Mary turns to look one last time, and we now have the setup of the scene: John—Mary—tan Cas Car (lights on)—black Dean Car.

///

Mary’s voice was so small when she asked if Azazel would revive her parents, “M-my parents, too?”

(Of course Azazel said no. Mary has to take what she will get, and she may have made a terrible mistake, but she knew enough not to barter her soul.)

So, Mary gazes at her father—the protector—lost as he failed to protect her, just as she will fail to protect Sam. (Oh, and her mother? She's dead, too. Mary's world has shrunk. And the world is so, so much scarier after your father dies. He’s supposed to be invincible.)

This failing of his child will haunt Samuel Campbell beyond the grave and entangle him in a demonic deal of his own. (Just as Cas, too, will be drawn into an Empty deal for Jack, post-resurrection.)

///

"I'll tell you one person that you're not gonna save. Your Granpappy."

Deanna, very nearly victorious in her bid to go for the gun on the ground, gives herself away with a grief-stricken scream:

We've seen this ghost before. The demon comes through the door. It kills the protector. Then it seeks to kill the second line of defense, before moving onto the rest of the vulnerable family members.

///

Now, we come to 12x23 All Along the Watchtower and 13x01 Lost and Found. And well, it hurts.

Nothing is one-to-one in Supernatural. All parallels are based in the specter of missing bonds and of lost love—whether that's a child, a comrade, a sibling, a parent, or a lover. It's a symphony of harmonizing pain. :(

So, in 12x23/13x01, Cas dies. Dean and Sam are stunned speechless.

In 12x23, it's Mary who leaps into action, and Dean can only stand, a paralyzed witness to Jack's twin fate of The Lost Parents. (Jack's mom, Kelly? She dies. Dean can't save her. Jack's chosen father, Castiel? He dies, too. Dean can't save him either.)

(Both Deanna and Kelly die with their eyes open.)

But Mary is triumphant. She is a Doomed Child fighting back. She protects Jack from Lucifer, even though she could not protect Sam from Azazel. (Echoing this, Crowley serves as an inverse: he spurned his mother's protection from Lucifer and bit off more than he could chew to further the security of his career/position. His death, surprisingly, tears Rowena in two and unfreezes her heart.)

///

But thanks to Mary's heroic efforts here, her own kids are spared this time, and Jack, too. (From here, Mary will go into another world where she never made her deal, and she will make peace with her past.)

Of course, Dean bears witness to his own off-rhyme parallel fate to Mary, The Death of the Lover, at the hands of a Luciferian figure. Cas falls at his feet, and Dean falls to his knees.

Dean is also like John. He can only watch as his loved one's sacrificial debt comes due, with no hope in sight, like how Mary's sacrifice came due--those cosmic consequences.

(And later, Jack, in a painful echo of Azazel, will resurrect The Lover but become destined to kill Mary.)

Later, still in North Cove, Dean pleads with God on the landscape of his broken dreams—Washaway beach, (a cruel nod to the beach trip he will never take), a valley without people or friends in it, and a car.

Like Mary, he looks over his shoulder to find a mysterious tan sedan (but its lights are off & it's enshrouded in darkness).

And there's nothing for Dean here. No miraculous resurrection. No deals that can be made. Not for Dean. Dean's happiness, and the happiness of his loved ones isn’t important enough. The universe turns a blind eye. The father doesn't care if he lives or dies, and his happiness certainly never mattered to Him.

It isn't fair.

His voice shakes, and his lip trembles. "Please. Please, help us."

But God's not listening. "He doesn't give a damn."

///

And we're left with a similar setup to Mary's tragedy, another off-rhyme: we return to the lakehouse and we have...a black Dean car. A tan Cas truck, at cross positions to one another, as they were in 4x03.

But like John, Dean is now left with just Sam n' Jack, and he's ill-equipped for parentally supporting either of them.

///

But Dean just keeps looking and looking and looking. Hoping.

He looks like he's about to faint, actually.

(A kitchen. A dining table. An empty chair at its head.)

But this is how it goes with Cas. Dean tries to stop him from walking away, and in reality, he's powerless to stop him from going anywhere.

Having faith when miracles happen and when they don't? What good is it? It just hurts more.

[nervouswrecktm]

season 5 episode 22 swan song’s whole opening chuck monologue is about the impala being produced and coming off of the production line at Chevrolet and how it wasn’t a big deal. until it was bought by john winchester and then she was the biggest deal ever and holds all of the fond childhood memories that end up saving the world. castiel helps save the world. he defied the Host’s orders and follows what he thinks is right to save one human. and castiel came off the line with a crack in his chassis.

is this anything?? something about the production line and the imperfections in both the impala (the legos in the ac, the soldier boys in the ash tray) and cas (love. so much love) as they come off of their genesis being what is inevitably special about them, what saves the world

[reyolfx]

dean and cas went to hot topic together and picked out a fucking grumpy cat stuffy for claire

[ca-dmv-bot]

Customer: (not on record) DMV: PULLED FOR SPY Verdict: DENIED

[cassierobinsons]

season 5 destiel flirting would be like. [dean voice] "hey wanna go to bone town?" and castiel being like "please i beg of you. stop making obscure references im SO tired." and dean is too embarrassed to explain he was flirting

should've just laid one on him, dean. 😔