#careers page

[samosysblogs]

A Comprehensive Guide to Responsive Web Design for Beginners

Embarking on the exciting journey of responsive web design can be both challenging and rewarding for beginners. In this comprehensive guide, we will explore the fundamental concepts and practical techniques to help you create websites that adapt seamlessly to various devices. For businesses seeking a Codeigniter development company in India for their website, Samosys Technologies Pvt. Ltd. offers expertise and tailored solutions. Recognizing the significance of responsive design is essential for crafting contemporary and user-friendly websites.

1. The Foundation of Web Design: Understanding the Basics

Web design is built on a foundation of key principles, including fluid grids, flexible images, and media queries. A fluid grid system ensures that page elements resize proportionally, adapting to different screen sizes. Flexible images scale with their containing elements, preventing distortion. Media queries, the heart of responsive web design, allow you to apply styles based on device characteristics. This section lays the groundwork for creating layouts that gracefully adjust to diverse screen dimensions.

2. CSS Magic: Styling Responsively for All Devices

Effective styling is crucial for reactive design. Dive into CSS techniques that empower you to craft visually appealing and reactive designs. Media queries in CSS enable you to conditionally apply styles, ensuring optimal display on various devices. Flexible styling techniques, such as relative units and percentages, allow your designs to adapt seamlessly to different screen sizes. This section provides insights into creating the best and most visually cohesive user interface.

3. Mobile-First Approach: Designing for Smaller Screens

Adopting a mobile-first approach is a fundamental strategy in reactive web design. Start with smaller screens and progressively enhance your designs for larger devices. This method ensures a streamlined user experience on mobile devices while allowing for additional features on larger screens. Learn how prioritising mobile design can lead to more efficient and user-friendly websites.

4. Tools of the Trade: Navigating the Best Design Frameworks

Explore popular website design frameworks like Bootstrap and Foundation that simplify the development process. These frameworks offer pre-built components and a grid system, streamlining the creation of accessible layouts. Understanding how to navigate these tools can significantly accelerate your workflow and help maintain a consistent design across various devices. For those looking to establish a strong online presence, especially in India, consider leveraging the expertise of a responsive web design company in India. These specialised firms can provide tailored solutions, ensuring your website not only meets global standards but also caters to the specific needs of the Indian audience, fostering an accessible and engaging user experience.

5. Testing and Debugging: Ensuring Cross-Device Compatibility

Testing is a critical step in ensuring your web designs work seamlessly across devices and browsers. Learn effective debugging techniques to address common issues and ensure a flawless user experience. From browser developer tools to online testing platforms, discover the tools that can help you identify and fix website design challenges.

6. Beyond the Basics: Optimising Performance and User Engagement

Explore advanced topics such as optimising images for responsiveness, lazy loading, and performance enhancement. Elevate your skills by implementing strategies that improve both the speed and user engagement of your websites. These optimizations are crucial for creating websites that not only look great but also provide a smooth and enjoyable user experience.

Conclusion

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Whether you are aspiring to build a career in web development, we extend an invitation to explore opportunities within our team by visiting our careers page. We believe in fostering talent and providing a dynamic environment for professional growth. Join us on the journey of shaping the digital future, and discover how you can contribute to innovative projects and advance your career in the ever-evolving landscape of development.

[nenoname]

Details in Stan's letter that still haunt me

(how long will I continue thinking about a two page letter that's technically not even that long because Stan's handwriting is fricking large? .....you don't need to worry about that.)

The bro code only shows up in the Lost Journal pages, and to me Stan's message feels like it purposely echoes Ford's "miss you" in the college photo (and for some reason the message doesn't appear in the website version of the photo?) ....or alternatively Stan simply noticed how distressed Ford was about this entire thing and wanted to support him in a way so he can be sappy but without the kids knowing, or both!

Stan's claim about the Oregon lottery contradicts what the Lost Legends website said about Tate McGucket's ability to predict the winning numbers!! ...but also breaking into the Lottery HQ is definitely a very Stan thing to do and it's not the first time small gags have been retconned

Despite spending most of his letter nonchalantly destroying him, the taunt about ripping a dollar bill in half is the only part where Stan is directly responding to Bill. Maybe it's the two of them having similar ways of thinking but it's rather specific considering Bill taunts the reader about it...

And after Bill spends an entire book calling Ford Sixer despite normally using a pretty wide range of nicknames for him, Stan then spends his letter mainly referring to Ford as Sixer, even though post-Weirdmageddon he tends to use a mix of nicknames. And it's not like he'd gotten to see Bill himself for long, let alone see him steal that childhood nickname (that is only used twice in the actual show btw!). Did Ford tell him what happened or...?

With all this and the website's "still on your mind" message, what I'm getting at is my tinfoil hat theory of Stan somehow seeing some of the pages the irl readers saw, even when it should be personalised to the specific reader, and he's been lying about it for some reason. Considering that the book flat out doesn't make an attempt at convincing Soos, I find it a stretch that whatever Bill was telling Stan via the book was an attempt to convince him either.

Wouldn't be the first time Stan's skimmed through a book and lied about what it meant to him.

(...Now I kinda wanna see a story about the family reading their versions of the book and making fun of it while Stan is improvising every single one of his pages and blatantly ignoring Bill's attempts to mock and taunt him)

But also I'm fascinated by the letters that only showed up on the website (aka the Soos+Wendy+McGucket+Pacifica ones). I'm assuming that Mabel had stuck them on after Stan's letter... but they were basically eaten by the book itself because seeing Stan's letter kick-started Bill's breakdown which takes up the rest of the book

[coquelicoq]

if you're wondering what the big deal is about the louis-philippe sentence in les misérables, it is, in the original french, 760 words long. the subject of the sentence doesn't appear until 95% of the way through, at word #711; the main verb is word #712. the sentence contains 91 commas and 49 semicolons and is almost entirely a list of laudatory adjectival phrases describing the erstwhile king of france. this is perhaps especially notable because les mis is, shall we say, not known for being particularly gung-ho about the monarchy.

this sentence copied and pasted into Word takes up more than one page single-spaced. in the 1800-page folio classique edition, it is fully two and a half of those 1800 pages. that means that les mis is 0.14% this single sentence. more of les mis is made up of this sentence than earth's atmosphere is made up of carbon dioxide (0.04%). if the page count of les mis stayed the same but every sentence was the length of this one, les mis would consist of only 720 sentences total.

incidentally, guess who named hugo a peer of france 17 years before the publication of les mis?

[sleepsucks]

[corviiids]

based on how i approach plotting ive come to the conclusion that even if i were morally and logically okay with becoming kira i would get the death note and think "okay, im going to make sure i come up with the perfect plan so i can't get caught", spend several months on it, refuse to execute it because it's not foolproof yet, and simply never get around to it. if ethics and reason didn't stop me from becoming kira then sheer procrastination would do the trick

[deoidesign]

Hello! I just discovered your blog and I immediately became captivated by your webcomic, but I'm unsure where to read all of it. I know it's on Webtoons, but I can see it hasn't been updated for a while, and you still post about it.

Are your physical novels just prints of the webcomic? Are they a continuation? Is the story complete? Thanks in advance!

Hi there!

Glad you found me and are enjoying my comic!

It's only on webtoons, and the story is not complete yet! We're 2/3 of the way through right now. It's currently on hiatus, and it's scheduled to come back in about 2 months!

I'll explain why it's been so long if you're curious, but also for my followers who might also be wondering about it under the cut. Sorry, it's pretty much just me complaining haha

I took a month off I took 2 months to get the books printed I took a month to prepare my next comic and I took 2 months to write the rest of the series (I knew the character arcs I wanted, but not the time periods or mysteries!!!) I've been working on actual episodes since then

I had to take some time off because of some pretty extreme burnout due to the sheer amount of work it was to draw over 800 pages and write 6 complete stories in a year and a half... I was getting sick almost weekly due to the overwork, it was really really bad honestly. I was having to work 60+ hours every week just to keep up...

The nature of the comic itself is also difficult... Each of the arcs is a complete, self contained story which can be read (ideally) without context, and my arcs need to be about 10-13 episodes each... And since I have an exact number of episodes to work with, it's even harder.

It takes a ton of planning and a ton of refinement, and working week to week with no breaks I was forced to put out second or even first drafts, so I just wasn't happy with the work I was doing... And to do that for the rest of the series? I wouldn't be proud of the work I did.

Plus... To be entirely honest, webtoon has treated me quite badly IN MY OPINION... They deprioritized me before I launched (I had to beg for more promotion, I'm not exaggerating), they outright denied me the opportunity to even ask for a raise, I don't make any money on fast pass and they pay me less than my partner makes working at trader joes. My first editor left me completely hanging, my second editor (who I loved) was fired... And they told me I wouldn't get a third season before my first season even finished. So it was just repeatedly completely demoralizing.

I'm sorry it has taken so long, it'll have been 10 months by the time I come back. But I realized... I won't get promotion either way. I won't get more episodes either way. I won't get more money either way. So to finish everything, to make it feel good, to make it something I'm proud of, I chose to take longer to make it better.

I am fully aware I will lose a significant amount of my readership for this and it might genuinely affect my career moving forward. But it's what I had to do! So I'm sticking to my guns on it, and I'm confident long term it'll be worth it. It never could have been this good if I didn't take this much time.

[thebramblewood]

Help, I think I've found the Sims 3 version of Lilith Vatore in Bridgeport and I already want her desperately. Also met this random bartender who I'm a little bit in love with too. (I swear I don't go looking for the ladies... the ladies just come to me naturally.)

[oneofthebeautifulpeople]

I low how Jimmy Page is known as being notoriously bad at sharing songwriting credit and generally collaborating well with other artists…

Except when it comes to Robert. He really saw this pretty blond and IMMEDIATELY jumped at the opportunity to share songwriting credit with him just so he could see both their names written out prettily next to each other, look me in the eye and tell me it isn’t the equivalent of a giggling schoolgirl writing their name alongside their crush’s 500 times in a notebook (the notebook in this case being the music industry)

[moonshynecybin]

REPORTER MARC AU???? ohhh it's so good. marc maybe never having met vale. or maybe only as a child. writing almost mythical articles about him. vale who he always wanted to be but failed. they see each other in a debrief and the TENSION is thick and they fuck obv (hero worship + vale has read all his hero worship) but then sepang 2015 happens (um. vale takes something marc wrote as a slight and openly slanders him + ruins his reputation?? not sure). and marc of course still has to write abt vale bc it's his job but. now there's a sharp undercurrent of bitterness? he knows him so well he knows how to get under his skin. and of course vale HATES being known by the media he is always putting on a mask but. marc knows him.

so crazy… and like i think, here the tension isn’t derived from racing competition it’s derived from vale’s insane relationship to fame and the media. like him putting up so much of a mask only for a member of the PRESS to be the one who can see right through him… marc coping with a lot of weird wistful feeling about not being able to ride… career ending too soon but also being JUST like vale concerning competition so he has insane insight… and vale wanting to be vulnerable with marc but being categorically unable to because he’s a JOURNALIST. forgetting himself and then self policing about it…

like. okay so marc has to stop racing sometime in his teens due to (unintelligible health reasons) so he straps on his psycho ambitious little intensely practical brain and goes okay. i will become the best racing journalist to ever live. he understands how to ride he understands the mindset he WAS going to be the next valentino rossi and now well. at least he can interview him. so marc gets a press pass and immediately rocks up to the paddock and uh. charms vale a little. hot smart but not a competitive threat. vale likes him ! marc’s questions aren’t stupid but ARE fun so vale plays ball… and they become sort of friends and flirt a little through the first years… BIG tell all interview at the end of marc’s first season that gives him SO much more credibility as a journalist… like they never quite make a move on each other because vale will NOT risk any sort of gay affair involvement with a JOURNO but they are in love. like obviously. making eye contact with each other in presscons it’s very sweet. everytime marc drops a piece everyone is like wow this is the best and most revealing vale interview in years :) and eventually, vale is like. uh oh ! oh no ! like he did not mean to share his secrets to this twink reporter he just. love his ass unfortunately

and maybe after that they fuck ONCE . just to “get it out of his system” and then it DOESNT go away and vale freaks out. pulls away goes cold clams up in press scrums… but all the while marc’s low empathy career obsessed ass writing such beautiful articles about vale (and so horny lbr). and they’re SO intimate and comfortable and frankly getting a little too close to the beating lurid heart of him… marc is seeing. he is perceiving. he is spinning it out onto the page beautifully because that is his JOB… and after they fuck and there little too much wanting on both sides. and vale shuts him out HARD. but marc (now heartbroken. framed photo of vale and him on his first day with press access in his office) is still writing those insane articles… pissed that vale is fucking with his career so he’s going even HARDER now… and vale hates being seen but also can’t get over that marc sees him. that he understands him. insane emotional experience… like what if you wanted to be seen so badly but also we’re so so scared of it when it actually happens because of your fame trauma….

[another-little-hippie]

My Roman Empire is Robert wearing his boyfriend’s merch at his own concerts, because that is true love.

[sophisticatedswifts]

Upon seeing this part of a Wikipedia page, you’d probably assume the page is for some sort of celebrity

and you’d be absolutely correct, it’s Ms. Olivia Benson Swift

[there-are-many-ways-to-smile]

[wavesoutbeingtossed]

I know it’s been talked about ad nauseam, but I think one of the things that got lost in the discourse about TTPD and the muses and whatnot is how one of, if not the core trigger points of the album is the yearning for commitment and perhaps even more poignantly, motherhood.

The reason she was so susceptible to falling for the “conman’s get love quick schemes” is because she was grieving that imagined life with the person she had long assumed would be the one to give her that. What has been beyond clear in several albums, let alone interviews etc, is that those plans for building a family were very much real and top of mind for years, and she kept holding on and shifting her world in service of making that happen. And when whatever happened happened that pulled that rug out from under her, it left her bereft not just for the relationship that had once been her world but also the imagined family she had been hoping for and sticking out the hard times for.

And that’s likely why she was swayed by and trusting of the promises of someone who knew her history and knew how unmooring that loss was to her. It may have been partially about the person himself or lust or whatever, but the core issue was the pain of giving up the dream, and sublimating that dream into this new opportunity in front of her, because she was so desperate to hold onto the last scraps of that imagined life she wanted so badly. (And I don’t mean desperate as in pathetic or negative, I mean as in fighting within the last ounce of energy and hope she had.) It wasn’t rational and it wasn’t love, it was grief, not just for a relationship but even more so for the family it represented.

So to me the core issue of TTPD isn’t just the Joe vs. Matty or whoever of it all: it’s Taylor and her yearning. She wanted a family badly and a life that was theirs and was processing losing that in all kinds of ways. It’s all over the album in overt and subtle lyrics. It may not have been grieving a literal death but I’d bet it felt pretty darn close.

And I’d also bet that’s why we’re seeing… what we’re seeing now.

(I have so many more thoughts about womanhood and motherhood on TTPD but that is another post being worked on piecemeal in my drafts… this is just a little Saturday morning post-zoomies reflection)

[orbmanson7]

Have some more sketchbook pages in the meantime!

[funkbun]

gamers who still, to this day, get angry about the simple existence of black ppl (both real players/creators and characters in the games) in the gaming space are genuinely so fuckin awful and unbelievably annoying. it's 2024, either learn to change or die idk