#can't watch a bunch of episodes in a day like i used to

[beth-is-rainpaint]

I have somehow gotten so far off track with my AoS rewatch that if I want to watch 5x12 on March 9, aka the five-year anniversary of the date it aired, I have to watch an episode every single day from today until then

[apomaro-mellow]

Every Baby Needs a Daddy 4

Part 3

"And you said yes?", Robin said, her voice impressively even.

"I did", Steve said, phone on speaker as he got ready for work. "I figure, if he's going to have a sugar baby, might as well be me, right? I think this is the universe giving me a break."

"Okay, yeah, sure, until he takes you out and gets you involved in like drugs or something, or takes his anger out on you when he doesn't win a Grammy or something. Or worse, you're a mistress and his actual spouse comes for revenge. OR you actually get really involved with him, help him get even more famous, have very talented children, but then his drug running gets you arrested and when you get out of jail he acts like he doesn't know you and estranges your children!"

Steve paused in putting on his shoes, grinning. "You've been watching Empire."

"Terrence did Taraji so dirty Steve."

"But not enough to learn their characters' names. I need you to catch up so we can watch season 2 together." It hurt being away from her. Before, whenever one of them started obsessing over a show, they could literally sit down and put aside one of their days off to binge a bunch of episodes.

"Sorry, let's get back to you dating a rockstar? Steve? Steve."

"We're not dating. He's just gonna text me whenever he wants to fuck. That's it. He might buy me something nice from time to time." Steve grabbed his keys and went out the door, nearly stepping on something left on the floor in front of it.

"Okay, yeah, sure, but isn't this the reason you cut your parents out? Did they want this exact life for you?", Robin asked.

"No, this is totally different. For one thing, Eddie doesn't want commitment. He doesn't want kids out of me. And even if I attend events with him, I'm just arm candy, but you know, in a good way."

"There's a bad way to be arm candy?"

Steve thought back to the functions he had to go to when still under his parents' thumb. There was definitely a bad way to hang off someone's arm like a decoration. He looked to the little box in his hand. No note, but it had clearly been placed in front of his apartment.

He opened it and found an expensive looking watching inside. The face was a cool navy blue color. He didn't need a card to know who it was from.

"Eddie's different from the guys my parents wanted", Steve said. "And when it's over, I'll at least have something to show for it."

"Just don't be stupid about this, dingus. If this goes sideways, I won't be close by to save your ass."

"Noted", Steve said as he closed the box and continued on his way to work.

-------------------

The next time Eddie texted him, it was to go to lunch. It was a more casual setting than before, but still a pretty high end sushi restaurant.

"I must admit, I called you here under false pretenses, Steve", Eddie said as they sat in a booth.

Steve smiled at his serious tone. "I gathered, given our whole arrangement." Being taken out somewhere was typically a prelude for something intimate later, even in a normal relationship. When Eddie asked him out, Steve full expected sex. He wasn't complaining, last time had been very nice. He wondered how long until Eddie sent a simple 'u up?' booty call.

"I have to attend some fancy lunch meeting in a couple days and they're taking us to a sushi place", Eddie started to explain. "Problem is, I hate sushi."

"...Did you...are we here to train your taste buds or something?", Steve asked.

Eddie nodded. "These are some pretty important people and I can't sit there and tell them my favorite fish is whatever they use for fish sticks."

"Pretty sure it's cod."

"What? Nevermind. I just need to get one of everything and force myself to acquire a taste for it", Eddie said, eyes narrowing in focus at the menu.

Steve smiled. It was cute how serious he was being. He thought back to previous gatherings when some alpha would try and force a drink on him or when the hors d'oeuvres being served weren't to his liking.

"Want some advice?", he offered, continuing when Eddie nodded with his big Bambi eyes, "Instead of forcing yourself to like something, you should be able to say why you don't like something."

"Sounds like complaining", Eddie said, putting the menu down.

"No, you sound cultured", Steve clarified. "Watch." He cleared his throat and held up his glass of water. "Thank you for offering, but I only drink water from a natural spring. I prefer Canadian or Icelandic, but I'll take Swedish if you have it. Nothing from Switzerland though, it has this horrid mineral after taste to it." He set the glass down, adjusting under Eddie's wide eyed gaze.

"I don't know if that was bullshit or not but it sounded legit."

"It's legit what some girl said at a party once. I've never sourced where my water came from, but it works for just about anything. If you can articulate why you don't like something, it comes off better than just saying you don't like it."

"What kind of parties did you go to?", Eddie smirked.

Steve shrunk a little. "Just, you know, parties. So what's your experience with sushi?"

"Supermarket stuff", Eddie said simply.

"....You're kidding. How long have you been a rockstar?"

"I didn't realize this was an interview."

Steve tapped the table as he considered something. He looked to the other part of the restaurant. The bar where chefs were preparing the food. He almost asked Eddie a question directly, but remembered his role as a sugar baby. It wasn't his job to ask how much something would cost or even to ask Eddie to spend the money. All he needed to do was ask for what he wanted.

So he moved over to Eddie's side of the booth and leaned in close to his space. "I think you need something a little more...fresh."

"Fresh?", Eddie echoed as Steve led him to stand.

"And flavorful."

"Uh-huh."

"And satisfying", Steve whispered the last part before sitting down at the bar.

Eddie didn't know when Steve got him here but he did and he ordered something called 'omakase' and suddenly the chef's hands got really busy. He put a little filet of something on rice and then took a blow torch to it.

"I didn't know you could cook the fish..."

It was placed in front of him, but Eddie was still skeptical, which Steve noticed.

"'Omakase' means you're trusting the chef to pick out the best for you", he said. Then Steve took his chopsticks and picked up his piece. He ate it in one bite and Eddie subconsciously swallowed as he watched it pass his beautiful lips and then slide down that gorgeous throat. He wasn't even eating sexily, that was just how far gone he was.

Then Steve picked up Eddie's piece and held it to his lips. Eddie didn't even hesitate to open up and let it in. Tender rice, delicate fish, a total opposite to the sushi he'd experienced before. And it didn't stop there. The chef served cut after cut and each time, Steve asked him what he liked or didn't like.

Eddie was no slouch when it came to language. So he was able to come up with that on his own. He had just never considered respectfully refusing food and to do so with a haughty air deserving of a celebrity.

"Mmm, great choice on the shrimp", Eddie praised the chef. "Texture is superb. Sweet on the tongue too. Nice one, Tatsuro-san."

"Better than the crab?", Steve asked.

"I'm sorry, but nothin' beats an old fashioned crab boil for me. It's the only way I can eat crab."

"You've got opinions and you know how to voice them. I never imagined that be an issue for you, but I think you're ready now."

"Oh I've got opinions out the wazoo. I was just taught to never complain about food."

"Good boy", Tatsuro commented as he prepared something else.

"Very good", Steve agreed as an oyster on a half shell was put in front of him and Eddie.

Tatsuro winked at Eddie and he tried not to think about it as they finished up the course. He was absolutely not thinking about how oysters were an aphrodisiac, or how he'd had a great time, or how this felt like a date and not an outing with a hot piece. He wasn't doing a good job of being a sugar daddy, was he?

Time to fix that up right away. He paid for the meal, leaving a generous tip and led Steve out the restaurant, arm around his waist.

"You were extremely helpful. I can honestly say I like sushi now", he beamed. "And I think excellent service deserves a reward."

"You gonna give me a tip too?", Steve teased. And there was certainly a tip Eddie wanted to give him. Really the whole thing, but he had another idea in mind. And thankfully the appropriate place wasn't too far from here.

"You're buying me a suit?", Steve realized as they walked into a tailor's.

"I've got an eye for these kind of things. And you need something to match your new watch", Eddie said. He had a feeling Steve knew what to do, so he let him free.

Steve gave him a look and Eddie made a 'go on' motion. So Steve went, picking out different pieces for himself to assemble a new suit. There was a man awaiting any need of assistance and did so once Steve came out of the dressing room and stood in front of the mirrors.

Eddie was sitting before him, watching as Steve appraised his reflection and the tailor took some of his measurements. The suit was in silver, with a black shirt underneath. He finished of the look with a dark blue handkerchief in the chest pocket. It already looked great. Eddie knew he'd be breathtaking once it was bespoke. He ached to put his hands on him but public decency kept him from doing so.

"You look good enough to show off", Eddie praised.

"You look like you have somewhere in mind", Steve said, looking at the other man through the mirror.

"There's a shindig goin' down that I wouldn't mind having a date to."

Eddie put in the order for the suit to be done the day before the event. "Let's head back to my place."

This time, as they traveled, Steve was the one who couldn't keep his hands to himself. His hand stroked Eddie's thigh, getting close to where he wanted but never actually touching.

"What're you thinking about?", he asked when he noticed how hard Eddie was holding the wheel.

"Oysters. And you." And how he really should get a personal driver on hand.

Steve laughed softly and let a finger do circles on his crotch. "I think our chef was trying to be subtle. But I know what oysters are supposed to do."

"Oh?"

"And I don't need any culinary suggestion to get me in the mood." Honestly, he kind of felt like blowing Eddie now and probably would have chanced it if it wasn't still light out. "Can you be a good boy like he said?"

Eddie nodded.

"Good. Because we still have to take the elevator."

They didn't get as far as they did the first time they took this elevator but Eddie did attach himself to Steve's back and kissed at his neck. Once again, Steve could see their reflection in the wall. Eddie's eyes roamed his torso, wanting to go further but holding back. He only got bold enough to pinch a nipple through his shirt when the doors opened to their floor.

Steve only moved because of Eddie's prompting, finding it very easy to melt in his hold. They got about two steps out of the elevator before Eddie pushed him against the wall, kissing his lips and running his hands up under his shirt.

"Saw you lookin' at yourself in the elevator. Pretty baby likes how he looks?"

Steve's only response was to moan against his lips and rub against his leg. The closest camera was all the way at the end of the hall, though they'd be screwed if anyone opened up their door. He knew he looked good and liked looking good. And he'd seen the way Eddie's eyes were glued to him at the tailor's. That was a good feeling too.

Eddie took out his key card to open up his door and pulled Steve inside. They migrated to the couch, just needing to get horizontal. Steve lied underneath, Eddie's leg in between his again and providing friction as he rutted up against it. It was so hot, Eddie wanted to watch him get off just like this. If he got his pants off he could watch that sweet pussy drag-

Steve nearly jolted off the couch when a loud guitar riff sounded from Eddie's back pocket.

"Shit", Eddie hissed when he realized who was calling. He could ignore it, but he knew they'd just keep it up until they got to his door.

"You need to take that?", Steve asked, voice a little breathless.

"Just-just gimme a moment, it'll be quick." Eddie answered and Steve could be patient. He just couldn't be good and patient. He rubbed at Eddie's arm before taking his hand in his own. He brought it to his lips and swirled his tongue around his index finger, keeping his gaze down at first and then looking up at Eddie.

The man above him was speechless, up until whoever he was talking to shouted at him from the other end and got his attention again. Well, half of it anyway. The other half was on Steve sucking down two of his fingers now. Eddie groaned both in frustration and the beautiful man under him. Steve was only half following the conversation but it sounded like their time together might be cut short.

Eddie hung up with a sigh. "Baby...baby I gotta go."

"Right now?", Steve asked.

"Yeah but...but if you could, I mean you can stay here until I get done. It'll be quick, just a couple of hours tops. And I can take you out to dinner too."

"You want me to stay?"

Eddie's hair shook as he nodded. He stood up, glad he had a bit of time to calm his boner down. Then he saw Steve lying there on the couch, lips kissed wet and certain his lips farther down were just as glistening. He leaned over to cup him between the legs, feeling the warmth through his clothes.

"Don't forget who this belongs to", he growled when Steve whimpered.

"Okay." And because this man was sent from above, he whispered, "Daddy."

Eddie couldn't hold back then, kissing him hard, tongue marking his insides while rubbing Steve through his pants. He unzipped them, thinking he could just get him off quick when the ringtone sounded again. Pulling back was the hardest thing to do.

"Keep it nice and warm for me", Eddie said before fully removing himself.

"Hurry back."

And then Steve was alone. In a rockstar's hotel room. He thought about what a sugar baby might do when their daddy went off for what must be a very important but impromptu meeting, especially when it stopped such a heated moment. It became very obvious what he needed to do and so he headed straight for the bedroom.

Part 5

I need you to know that when I first envisioned this fic it was literally just supposed to be smut with connecting scenes but it somehow turned to "don't catch feelings" and "oops we're accidentally dating" the fic so here we are.

Tag Team

@awkotaco24 @lingeringmirth @littlewildflowerkitten @estrellami-1 @tartarusknight @velocitytimes2 @mrsjellymunson @trashcanniballecter @marklee-blackmore @dragonmama76 @paintsplatteredandimperfect @a-little-unsteddie @sllooney @starman-jpg @oxidantdreamboat @xxbottlecapx @chaosgremlinmunson @newtstabber @tiny-enthusiast @desidrarry-wolfstarshipper @y4r3luv @hello-fellow-nerds @anonymousbandgirl @alyelf @potato-of-the-lord @beckkthewreck @greatwerewolfbeliever @croatoan-like-its-hot @pluto-pepsi

[livelovecaliforniadreams]

Jenna Well, this whole thing ends with Jim walking back into the break room, seeing that Pam has watched the video and handing her the original teapot note. 

Angela The one he took back and put in his pocket all of those years ago. 

Jenna We got a fan question from Lainie B in Westerville, Ohio, who said, Was it always the plan to revisit the teapot card Jim wrote for Pam, or was it something that the writers remembered and wanted to incorporate into the episode? Lainie, it was not always planned. Like, not from when we did that first Christmas episode did anybody say, one day we're going to reveal what was on this note. It sort of took on a life of its own. People became so curious what was in the note that Jim didn't give Pam. And I've told this story before, but when we were pitching to Greg about season nine, I said, Greg, we have to read the Teapot Note. 

Angela I mean, it's the greatest callback of the whole series. It's brilliant. This is a fantastic idea. Did they lose their minds when you pitched it? 

Jenna Well, I felt like I kind of had to convince them a little bit because-. 

Angela What?! 

Jenna Here's the thing. Greg said, I don't think we'll ever be able to write anything that would satisfy everybody's imagination of this note after all these years. Like, the beauty of the note is that as the audience member, you've written the perfect thing on the note. 

Angela That's brilliant. I mean, he's so smart. 

Jenna Right? 

Angela That is a very smart take. But it's enough for me to just see it. 

Jenna Well, that was the thing. We didn't have to read it to you. You just needed the satisfaction of Pam getting it. of Pam reading it. 

Angela She finally gets it. Yes. 

Jenna And then you still get to fill in the blank, but you get that closure. I've told this story before, too. But John Krasinski wrote the note. It was a private note. 

Angela That he wrote to you as Jenna. 

Jenna Correct. 

Angela About being your scene partner all those years. 

Jenna Yes. So it was kind of like a goodbye thank you note. I still have it. It's private. I'll never reveal what was in it, but it was a beautiful, beautiful note from one scene partner to another. It made me cry. So when you see me crying in the episode, those are my real tears. 

Angela I did notice when you were reading it, it seemed like some genuine surprise that you didn't know what was going to be given to you. 

Jenna Yes, they told me they were going to let John write the note, but I thought he was going to write it as Jim to Pam. So as I'm reading it and I'm realizing that it says Dear Jenna and then it's just this beautiful letter about what it has meant for us to work together and be these scene partners. And, you know, it's like to be Jim and Pam. I was like, my gosh. My goodness. 

Angela Yeah. You see your face goes through a bunch of realizations. 

Jenna Yeah. And I think you can see John watching me read it. I think you see him be like, okay, I'm standing here as you read this letter. 

Angela Yeah. Yeah. Well, I agree with Greg. I'm glad you've never shared what you actually read, what was from John to you, because I don't want to break that fourth wall. I want to imagine this moment between Jim and Pam, and I want to imagine what I would have wanted Jim to say. 

Jenna Well, as a wrap gift at the finale, I wanted to return the favor. So I bought a little teapot, and I wrote a note to John from Jenna, my own little teapot note to him thanking him for all those years working together and what it had meant to me. I mean, I'll never have a scene partner like that again. I feel like I have a work partner and a creative partner like that here with you, Angela. This is like another moment of, like, chemistry that you just you can't plan for it. It just, like, it's perfect. But to go on a nine year journey with another actor in such an intimate and vulnerable way as our characters do, it's pretty special. I mean, we're bonded for life. For sure. 

[angelsdean]

I need people to understand how S&P (standards and practices) works in television and how much influence they have over what gets to stay IN an episode of a show and how the big time network execs are the ones holding the purse strings and making final decisions on a show's content, not the writers / showrunners / creatives involved.

So many creators have shared S&P notes over the years of the wild and nonsensical things networks wanted them to omit / change / forbid. Most famously on tumblr, I've seen it so many times, is the notes from Gravity Falls. But here's a post compiling a bunch of particularly bad ones from various networks too. Do you see the things they're asking to be changed / cut ?

Now imagine, anything you want to get into your show and actually air has to get through S&P and the network execs. A lot of creators have had to resort to underhanded methods. A lot of creators have had to relegate things to subtext and innuendo and scenes that are "open to interpretation" instead of explicit in meaning. Things have had to be coded and symbolized. And they're relying on their audience to be good readers, good at media literacy, to notice and get it. This stuff isn't the ramblings of conspiracy theorists, it's the true practices creatives have had to use to be able to tell diverse stories for ages. The Hays Code is pretty well known, it exists because of censorship. It was a way to symbolize certain things and get past censors.

Queercoding, in particular, has been used for ages in both visual media and literature do signal to queer audiences that yes, this character is one of us, but no, we can't be explicit about it because TPTB won't allow it. It's a wink-wink, nudge-nudge to those in the know. It's the deliberate use of certain queer imagery / clothing / mannerisms / phrases / references to other queer media / subtle glances and lingering touches. Things that offer plausible deniability and can be explained away or go unnoticed by straight audiences to get past those network censors. But that queer viewers WILL (hopefully) pick up on.

Because, unfortunately, still to this day, a lot of antiquated network execs don't think queer narratives are profitable. They don't think they'll appeal to general audiences, because that's what matters, whatever appeals to most of the audience demographic so they can keep watching and keep making the network more money. The networks don't care about telling good stories! Most of them are old white cishet business men, not creatives. They don't care about character arcs and what will make fans happy. They don't care about storytelling. What they care about is profit and they're basing their ideas of what's profitable on what they believe is the predominate target demographic, usually white cis heterosexual audiences.

So, imagine a show that started airing in the early 2000s. Imagine a show where the two main characters are based on two characters from a famous Beat Generation novel, where one of the characters is queer! based on a real like bisexual man! The creator is aware of this, most definitely. And sure, it's 2005, there's no way they were thinking of making that explicit about Dean in the text because it just wouldn't fly back then to have a main character be queer. But! it's made subtext. And there are nods to that queerness placed in the text. Things that are open to interpretation. Things that are drenched in metaphor (looking at you 1x06 Skin "I know I'm a freak" "maybe this thing was born human but was different...hated. Until he learned to become someone else.") Things that are blink-and-you-miss-it and left to plausible deniability (things like seemingly spending an hour in the men's bathroom, or always reacting a little vulnerable and awkward when you're clocked instead of laughing it off and making a homophobic joke abt it)

And then, years later there's a ship! It's popular and at first the writers aren't really seriously thinking about it but they'll throw the fans a bone here and there. Then, some writers do get on the destiel train and start actively writing scenes for them that are suggestive. And only a fraction of what they write actually makes it into the text. So many lines left on the cutting room floor: i love past you. i forgive you i love you. i lost cas and it damn near broke me. spread cas's ashes alone. of course i wanted you to stay. if cas were here. -- etc. Everything cut was not cut by the writers! Why would a writer write something to then sabotage their own story and cut it? No, these are things that didn't make it past the network. Somewhere a note was made maybe "too gay" or "don't feed the shippers" or simply "no destiel."

So, "no destiel." That's pretty clearly the message we got from the CW for years. "No destiel. Destiel will alienate our general audience. Two of our main characters being queer? And in a relationship? No way." So what can the pro-destiel creatives involved do, if the network is saying no? What can the writers do if most of their explicit destiel (or queer dean) lines / moments are getting cut? Relegate things to subtext. Make jokes that straight people can wave off but queer people can read into. Make costuming and set design choices that the hardcore fans who are already looking will notice while the general audience and the out-of-touch network execs won't blink and eye at (I'm looking at you Jerry and your lamps and disappearing second nightstands and your gay flamingo bar!)

And then, when the audience asks, "is destiel real? is this proof of destiel?" what can the creatives do but deny? Yes, it hurts, to be told "No no I don't know what you're talking about. There's no destiel in supernatural" a la "there is no war in Ba Sing Se" but! if the network said "no destiel!" and you and your creative team have been working to keep putting destiel in the subtext of the narrative in a way that will get past censors, you can't just go "Yes, actually, all that subtext and symbolism you're picking up, yea it's because destiel is actually in the narrative."

But, there's a BIG difference between actively putting queer themes and subtext into the narrative and then saying it's not there (but it is! and the audience sees it!) versus NOT putting any queer content into the text but SAYING it is there to entice queer fans to continue watching. The latter, is textbook queerbaiting. The former? Is not. The former is the tactics so many creatives have had to use for years, decades, centuries, to get past censorship and signal to those in the know that yea, characters like you are here, they exist in this story.

Were the spn writers perfect? No, absolutely not. And I don't think every instance of queer content was a secret signal. Some stuff, depending on the writer, might've been a period-typical gay joke. These writers are flawed. But it's no secret that there were pro-destiel writers in the writing room throughout the years, and that efforts were made to make it explicitly canon (the market research!)

So no, the writers weren't ever perfect or a homogeneous entity. But they definitely were fighting an uphill battle constantly for 15 yrs against S&P and network execs with antiquated ideas of what's profitable / appealing.

Spn even called out the networks before, on the show, using a silly example of complaints abt the lighting of the show and how dark the early seasons were. Brightening the later seasons wasn't a creative choice, but a network choice. And if the networks can complain abt and change something as trivial as the lighting of a show, they definitely are having a hand in influencing the content of the show, especially queer content.

Even in s15, (seasons fifteen!!!) Misha has said he worried Castiel's confession would not air. In 2020!!! And Jensen recorded that scene on his personal phone! Why? Sure, for the memories. But also, I do not doubt for a second that part of it was for insurance, should the scene mysteriously disappear completely. We've seen the finale script. We've seen the omitted omitted omitted scenes. We all saw how they hacked the confession scene to bits. The weird cuts and close-ups. That's not the writers doing. That's likely not even the editors (willingly). That's orders from on high. All of the fuckery we saw in s15 reeks of network interference. Writers are not trying to sabotage their own stories, believe me.

Anyways, TLDR: Networks have a lot more power than many think and they get final say in what makes it to air. And for years creative teams have had to find ways to get past network censorship if they want "banned" or "unapproved" "unprofitable" "unwanted" content to make it into the show. That means relying on techniques like symbolism, subtext, and queercoding, and then shutting up about it. Denying its there, saying it's all "open to interpretation" all while they continue to put that open to interpretation content into the show. And that's not queerbaiting, as frustrating as it might be for queer audiences to be told that what they're seeing isn't there, it's still not queerbaiting. Queerbaiting is a marketing technique to draw in queer fans by baiting them with the promise of queer content and then having no queer content in said media. But if you are picking up on queer themes / subtext / symbolism / coding that is in front of your face IN the text, that's not queerbaiting. It's there, covertly, for you, because someone higher up didn't want it to be there explicitly or at all.

[mirai-e-jump]

Animage August 2024 Issue Bakuage Sentai Boonboomger ft. Main Cast & Suit Actor Interviews (translations below)

Publication: July 10, 2024 (between episodes 19-20)

Iuchi Haruhi x Hayama Yuki x Suzuki Miu Saito Ryu x Soma Satoru x Miyazawa Yu

-The newest purple warrior is a wonderful big brother-

"Since Miyazawa-san joined, has there been any changes in the atmosphere on set?"

Hayama: So far, Satoru-kun's been the one pulling us along as the oldest, but now he's here and helping us from a different approach, and I feel as though we've gained an older brother that we can rely on. I feel that the atmosphere on set has become much more tense.

Suzuki: When the five of us are together, we become noisy like a bunch of students, as we're always excited all the time (laughs). In a good way, for the times when Zawa-kun says, "I'm gonna do this here," he snaps into it an instant. When we're having fun, he does his best to enjoy the same atmosphere as us, and it makes me think, "We've got a wonderful big brother."

Saito: I feel that the atmosphere has become more tense, but I also feel that BoonViolet is really cool and strong, and that he's caused everyone's competitive spirit of "I can't lose" to start emerging alittle. Of course, we get along well.

Iuchi: Up until now, I used to watch the scenes of the other four and think, "That was good just now, I wanna steal it," but now that Yu-kun's here, I feel like I have more opportunities to learn. Sakito himself is completely different from the characters that have appeared in Boonboomger so far, and since Yu-kun's also had work in stage plays, things like his vocalization, the way he stands, and the way he moves are completely different from anything I could've imagined. I'm always learning whenever we're together

Suzuki: Zawa-kun, what's with the face? (laughs).

Miyazawa: I'm just happy.

Iuchi: It's because everyone's praising him.

Suzuki: What do you want to do about this?

Miyazawa: Hmmm, wanna go out for yakiniku after this?

All 5: Yeah!

"(laughs). How about Soma-san? He was the oldest until Miyazawa-san joined."

Soma: Only in appearance though, right? (laughs). I'd really rather not play the oldest character.

Suzuki: All you ever say is, "I don't want to be the oldest."

Soma: That's right. I don't really like being called the oldest. That's why I was grateful that he immediately took my place.

Miyazawa: I don't think I've taken your place. Please keep on being the oldest (laughs).

Hayama: Satoru-kun's also been the one leading us so far.

Soma: You think so?

Suzuki: It's more like Satorun looks out for everyone.

Iuchi: Right. He's something of a motherly figure.

Suzuki: I feel that Satorun is like a motherly big brother, while Zawa-kun's a big brother with some off vibes.

Miyazawa: Praising me will get you higher grade yakiniku.

Soma: Will each of us get two servings?

Miyazawa: Hang on, I'm the one footing the bill (laughs).

Soma: Let's go for four! (laughs).

"Did Miyazawa-san adjust to the team right away?"

Miyazawa: Joining a finished team itself was fine, as it's something that usually happens on the set of a regular drama. However, my only concern was that since we'd be working together for about a year, what if one of the five members had a personality that I don't get along with?

All: (laughs).

Miyazawa: But, on the day of my costume fitting, Ryu and Miu-chan came running over to me and asked, "What's BoonViolet like?"

Suzuki: Yeah, it was the first time we met the one playing BoonViolet.

Miyazawa: When I first greeted the five of them, I thought, "These guys are truly wonderful people!," and I still have that impression now. I can feel that everyone's having a good time, and I'm also enjoying the energy that I receive from them.

-The unanimously agreed upon person who has no gap between themself and their role is…?-

"Out of the six of you, who would you say has the biggest gap between them and the role they play?"

Miyazawa: Someone who's as far away from their role as possible you mean.

Suzuki: What should we do?

Hayama: Let's all point them out.

All: Ready, and, go!

(Iuchi-san points at Hayama-san, Suzuki-san points at Soma-san, and the other four point at Iuchi-san)

All: (burst out laughing).

Saito: Haruhi.

Soma: It's Haruhi.

Miyazawa: It can only be Haruhi.

Iuchi: Wait, what do you mean?

Hayama: You're a fool!

All: (laughs).

Iuchi: Wait, wait, hold on, who are you calling a fool? (laughs).

Hayama: Taiya himself is the leader of the other five members as BoonRed, however, the more I got to know the person named Iuchi Haruhi-kun, the more I found out that he wasn't all there.

Suzuki: Right, right.

Miyazawa: Haruhi's making an unhappy face (laughs).

Hayama: For the most recent episode, I told him, "We're going to film this now," but he had forgotten what it was about. I really feel that the gap between him and Taiya is huge (laughs).

Miyazawa: It was almost unanimously Haruhi.

Iuchi: No~……

Suzuki: Something like that happened before, didn't it?

Soma: The pepper mill incident.

Miyazawa: Yeah (laughs). I heard that for Miu-chan's birthday, everyone got her a pepper mill.

Suzuki: Yeah, I received it from everyone.

Miyazawa: When we were talking about it, I casually asked, "Haruhi, do you know what a pepper mill is?" He replied, "I know. It's a machine that squeezes out milk, right?"

Hayama: What the hell were you talking about? (laughs).

Iuchi: It's because it had "miru" in it (laughs).

Miyazawa: I said, "Did you give Miu-chan a pepper mill without knowing what it was?" He replied, "No?" I then asked, "Do you know what oatmeal is?" He said something like, "A fully automatic milk dispenser."

All: (laughs).

Hayama: Just like that, huh? (laughs). That's not it!

Iuchi: I thought "oat" meant "automatic," but I would've never guessed it was a food. (*the loanword for auto and oat are the same)

Soma: I guess "mill (miru)" takes over as "milk (miruku)" every time, huh?

Suzuki: Sure seems like it (laughs). Well, to put it simply, he's an idiot.

Iuchi: No!

Miyazawa: He himself didn't want to talk about this story publicly, but I will.

Hayama: He's cute, isn't he?

Suzuki: So cute.

Iuchi: My secrets are being revealed one after another……I'm not an idiot! Please treat me well (laughs).

"(laughs). Suzuki-san was pointing at Soma-san, while Iuchi-san was pointing at Hayama-san."

Suzuki: I'll be honest, I've been watching Haruhi-kun for a long time, so I've grown accustomed to seeing him like that (laughs). Of course, there's a gap between him and Taiya, but it's become established that it's apart of him. Genba often doesn't put everything he's thinking into words, but Satorun's the opposite and talks alot!

Soma: That's for sure (laughs).

Suzuki: Even when everyone else wants to take a short nap during film breaks, Satorun seems to have the type of body that prevents him from sleeping, so he'll wake us up by starting "Soma Satoru Radio."

Miyazawa: We're like, "It's begun today as well."

Hayama: He'll do it at random.

Miyazawa: Satoru-kun will sometimes talk to us in a strange way, right? He's like, "Where'd you put the engine now?"

Suzuki: That! I know what you're talking about!

Iuchi: That's true. I was also torn between choosing Satoru-kun, but I thought it had to be Yuki-kun.

Suzuki: (Looking at Hayama) Hey, don't look so happy!

Saito: He's got a face that says, "I love it."

Iuchi: Just like what everyone said about me, the more I talked to him, the more I saw different sides of him. I got to know Yuki-kun through filming, and I realized that he's far from the cool Chasshiro. However, Chasshiro himself is a character with a pretty big gap, so I think he fits the role very well.

Miyazawa: I think I know what you mean about Yuki's gap.

Hayama: It doesn't upset me. (In a bold tone) Thanks.

Suzuki: We don't mean it as praise. It's just a question of if there is or isn't a gap (laughs).

Iuchi: Be careful not to give Yuki too much praise (laughs).

"On the other hand, who would you say is the one with the smallest gap?"

Suzuki: What do we do? Have everyone point again?

Iuchi: I guess so.

Soma: Ready, and, go!

(All of them point at Saito-san)

"Amazing, it was unanimous (laughs)"

Iuchi: He also pointed at himself.

Saito: When I first received the proposal and saw Jou's setting, I thought, "It's me."

All: (laughs).

Saito: It was so much like me that I thought, "Is it really a role?," even my manager asked me, "Was it written for you?" (laughs). I've also admired heroes since I was little, and the fact that he's abit clumsy is a good fit for me. I have a strong sense of responsibility, like how I was always class president during my school years.

Miyazawa: You were?!

Hayama: And the class didn't fall apart?

Saito: It was properly kept together! (laughs).

Miyazawa: Did you ever say (slang) stuff like, "Wassup!" with everyone?

Saito: I've done that, and was told off for it (laughs). Also, for some reason, I was popular with the mothers in my community, and at my high school graduation, I took lots of pictures with the mothers of my classmates.

Suzuki: You did?!

Soma: Not with your classmates?

Saito: I thought I'd be asked by my classmates, but I was approached by mothers, ones who I didn't know, and they'd asked me, "Can I bother you for a picture?" The fact that I was popular among those in the parent age group feels abit similar to Jou.

Suzuki: Jou's hot blooded and loud, while Ryu-kun's the same way, he can't even whisper.

Saito: That's true.

Suzuki: It's not that his natural voice is loud or anything, it's just that his voice is always loud. Even when he shouldn't be speaking so loudly, his voice is so clear that I wonder if he's talking to someone 10 meters away (laughs).

Saito: That's why I can't keep secrets.

Iuchi: In a roundabout way, I think that's a good thing.

Miyazawa: It's kind of adorable, isn't it? Jou's friendliness is just like Ryu-kun's. He normally calls out to me with "Zawa-nii," but when he comes into my personal space he's like, "Zawa-nii, Zawa-nii."

Saito: I'm sorry (laughs).

Miyazawa: No, no! I think it's a really good thing. I don't know why, but I think it's really wonderful that he's developed this kind of personality, it's like I could forgive him regardless of if he's Jou or Saito Ryu.

Suzuki: No matter what he does, you can't hate him.

Soma: It's like, "Because it's Ryu."

Suzuki: That's it.

Iuchi: I was going to say that.

Saito: I'm so happy!

-A film overloaded with special elements-

"We'd also like to ask about the film, what was the most memorable scene from either the script or filming?"

Miyazawa: I feel that the real thrill of the Super Sentai series is when the six of us are able to accomplish something together. When I read the script, I realized that kind of scene with Sakito hasn't happened in the main story yet, so I was really looking forward to filming it.

Hayama: It wasn't my scene, but I was impressed by the fact that Mira plays an active role. Surprisingly, Mira playing an active role in battle hasn't been depicted in the main story yet.

Suzuki: Tell me about it! I'm always paired up with someone.

Hayama: I felt that it was refreshing, and as Chasshiro I thought, "I can count on her."

Suzuki: I was also very happy to feel the growth of Mira in the scenes with princess Nicola. If you've been watching since the first episode, I think you may feel alittle emotional when you see her, thinking, "That Mira is……"

Saito: I remember thinking it'd be very interesting from the moment I read the script, not only because of Mira's growth, but also because of the resurrection of the Kurumaju and our special self introductions. Especially for the self introductions, I was so excited I thought, "Wow, now this is a film!"

Soma: When I first opened the script, seeing that "HIKAKIN-san is here!" really surprised me.

Miyazawa: Yeah, you're right!

Soma: In the main story, it's often stated that, "This is the main character of this episode," but in the film, there are moments when the focus is on each character. That made me happy, everyone had their own highlight, and I think we worked very hard on those areas.

Iuchi: When I found out that HIKAKIN-san was going to perform, I became uneasy. I've been watching HIKAKIN-san's videos ever since I started watching Youtube as a kid. Because of that, there was a kind of tension that felt different from usual, but I tried my best not to let it show. On set I told myself, "I don't know this guy, so I shouldn't be nervous."

All: (laughs).

Iuchi: Nevertheless I was still conflicted about my performance, as I felt like the person I admired was right in front of my eyes. Along with the appearance of extravagant guests, the film is full of action scenes, and the amount of information on screen and the camera work is something that's unique to the film. Make sure you go to the theaters and see it! _

The Great Space Invasion Running Team Hashiriyan

They've made numerous planets their territory and have attacked people to collect the negative energy "Ghassolin" generated from human screams. The first to arrive on Earth, the newest target of the organization, are the "Sanseaters" Decotrade, Itasha, and Yaiyai Yarucar, the three on site supervisors.

In an attempt to make the Earthlings scream, the Sanseaters create monsters called "Kurumaju" out of wedding dresses, saunas, koinobori, and all other kinds of things on Earth. However, the three of them are so harmonious, that it's hard to believe that they're evil, and they're not afraid to do anything out of the ordinary, such as showing themselves off on TV shows or getting involved with the abilities of a Kurumaju. While comical villains that are hard to hate are sort of a standard in the Super Sentai series, the Sanseaters have quickly gained the passionate support of fans.

The Sanseaters will also appear in Boonboomgers film, which will be released this Summer. Not wanting to lose to Demon Thunder, the Hashinriyan Catching Captain, they challenge the Boonboomgers in order to take all the credit! The Hashiriyans and Boonboomgers, come witness the greatest battle of all time in theaters!

Ogura Toshihiro (Decotrade) x Miyazawa Yuki (Itasha)

-The Sanseaters way of naturally being out of sync-

"What were your first impressions of the Sanseaters, and what are you conscious of when playing Decotrade and Itasha?"

Ogura: I thought of the Doronbo Gang from "Yatterman" and Team Rocket from "Pokemon," and various other trios from popular anime that people may remember. In any case, I decided to just be cheerful and have fun.

Miyazawa: However, I never would've imagined that one of them was a car! (laughs).

Ogura: Yeah, there's one person who can't move so freely (laughs). Yaru-chan's got a bad mouth and will make your heart race.

Miyazawa: Yaru-chan, who'll just give it to you straight.

Ogura: He doesn't hold back, so if we're not careful, we could get hurt (laughs).

Miyazawa: (laughs). Still, thanks to Morohoshi Sumire-san's voice, he's simply adorable. When I play Itasha-chan, I try not to get knocked down, I try to survive in the story (laughs), and I'm making an effort to make her a beloved character.

Ogura: I may be conscious of being there naturally, without being bound by any form. It's like we're acting normally, but something seems to be alittle out of place.

Miyazawa: We're living at full power, at full speed.

Ogura: Yeah, we're enjoying life (laughs).

"Please tell us your impressions of each other's performances."

Ogura: Miyazawa's reaction to the performance is genius and interesting! I've never worked so hard with someone on a performance before, and I've been making suggestions and consulting with her on the spot, but her reactions are so funny. Sometimes I can't see what's going on at the set due to visibility, so when I watch the broadcast, I realize, "So this is the reaction she had!" It's really amazing, and I just feel like I need to go along with her.

Miyazawa: As for me, I also find Ogura-san's out of nowhere jokes very funny, and I find myself being like, "I'll do that too!" (laughs).

Ogura: I guess it's mutual. We may have some synergy.

"What are some of the fun parts about playing comical characters like Decotrade and Itasha?"

Ogura: That I don't have to be cool (laughs).

Miyazawa: That's right (laughs). We'll leave looking cool to the members of Boonboomger.

Ogura: Still, regardless of how people see us, we don't really intend on screwing around.

Miyazawa: Yeah, we're living seriously.

Ogura: We’re just being serious and following the script, but they’ve got alittle bit of something going on, you know? (laughs), in terms of their setting, we play an attractive role.

Miyazawa: That's right. In case you were wondering, they're good looking.

Ogura: While the Captains are fighting hard beside them, the Sanseaters are doing their best in their own way.

"What are the most memorable scenes that you've filmed so far?"

Miyazawa: I was surprised when we went to a sauna (episode 4).

Ogura: You don't go to a sauna in a costume...normally.

Miyazawa: At the time, I thought I was going to die (laughs).

Ogura: Also, I think we've been doing alot of cosplay lately. I don't know where they get their costumes from (laughs), but they seem to prepare outfits that suit the situation.

Miyazawa: Weren't the school uniforms our first cosplay? (episode 8).

Ogura: Yeah, that's right.

"At that time, they were costumes to trick all the Boonboomgers, except Taiya, and lock them in cages."

Ogura: Even though their faces are left unchanged (laughs), they think it's suitable to look like that.

Miyazawa: Surprisingly, the Boonboomgers were also fooled by the uniforms (laughs).

-Becoming beloved characters through the power of many people-

"Please tell us some of the highlights of the film."

Ogura: There's a part where the used Kurumajus appears. It made me think about all the monsters that've been created up until now. Alot of them appear, and I thought it was a gorgeous, cinematic experience right from the start.

Miyazawa: The circuit was also amazing, wasn't it? It was my first time being at one.

Ogura: Fuji Speedway, right? And, our car will also make its appearance there.

Miyazawa: Right, The Sanseater Car.

Ogura: I don't know how the completed footage is going to turn out, but we drove it hard, so I'm looking forward to seeing where it appears.

"The Sanseaters have also been seen riding the Boonboom Killer Robo in the TV series, so they're fortunate to have so many vehicles."

Ogura: That's right. We weren't even told that we were going to be riding in a Robo.

Miyazawa: The cockpit is much more luxurious too. It also has properly installed seat belts.

Ogura: Right. Normally, we don't have a fixed base, just a corner of a factory somewhere with some pots and a stove lined up (laughs). I didn't think they'd make a cockpit for us. It was incredible.

"The scene of them flying out of the blown up Boonboom Killer Robo in episode 14 also became a hot topic among fans."

Ogura: Now that I know we won't get hurt even if there's a big explosion, I think we'll be fine no matter what the situation is (laughs).

Miyazawa: We were promised that we wouldn't be leaving the show over something like that (laughs).

Ogura: The next morning, it was like nothing had ever happened (laughs). Relating to the Robo, I'll never forget the Bon Odori (episode 13).

Miyazawa: Yeah, we got the audio on the morning of the shoot.

Ogura: We had to come up with the dance within the same day (laughs).

Miyazawa: I was wondering if we'd have a choreographer or something, but all we had was the interesting audio (laughs). We came up with the choreography on the spot, didn't we?

Ogura: We were like, "What do we do? What do we do?" (laughs).

"That was quite a terrific story (laughs). In general, for your performance, do you often leave it up to someone else?"

Miyazawa: We leave most of the movements and acting up to them. If we overdo things, they tell us, "Hold on, stop" (laughs).

Ogura: Generally, things go bad atleast once (laughs).

"The Sanseaters should be proud that they haven't lost in popularity to the Boonboomgers, but how do you feel being loved so much by the fans?"

Ogura: It's thanks to the script that we've been able to enjoy acting, and I think the Voice Actors Suwabe Junichi-san, Mizuki Nana-san, and Morohoshi Sumire-san have added alot of charm to our performances.

Miyazawa: I would've never expected Mizuki-san to be the Voice Actor for Itasha-chan, it really surprised me.

Ogura: We have meetings in advance, but we also have the desire to, "Do something natural and appropriate for the situation," so we'd start adlibbing with Yaru-chan on set. The Voice Actors will see this and make it more interesting by doing things like inserting words where we haven't said them, or by adding a performance that's appropriate to the scene.

Miyazawa: We'd think, "They even put something in here."

Ogura: Yeah, I'm often surprised when I watch the broadcasts. I think it's really wonderful, and thanks to that, they've made our characters memorable to both the eyes and ears.

"Filming for the TV series will continue, but do you have any ideas for what you'd like to do as the Sanseaters in the future?"

Miyazawa: Someday, I'd like us to become friends with the Boonboomgers.

Ogura: Yeah! Once at the very least.

Miyazawa: I'd like to get to know them alittle better, it'd be fine even if it's just for one episode or something.

Ogura: That could be interesting. If that does happen, it'd make it harder to fight them in the next episode.

Miyazawa: Also, I'd like to do more cosplay.

Ogura: We've done quite abit so far, no? (laughs).

Miyazawa: You know, we get our cosplay costumes fit every single time (laughs). I'd be happy if we got something like a ski resort episode.

Ogura: Skiing?! I guess it'd have to be the right season.

Miyazawa: Just like Christmas and Halloween, there's tons of events in Japan (laughs).

Ogura: Neither of those events originated in Japan though (laughs).

"We're looking forward to seeing more cosplay in the future! Finally, please give a message to the fans."

Miyazawa: I'd like to continue to play the role of the cute Itasha-chan, and for the three of us to live happily together. I know I'm abit inexperienced (laughs), but please continue to take care of me.

Ogura: This isn't some wedding announcement (laughs). I'm happy to hear that everyone is enjoying what the three of us, including Yaru-chan have done together. However, it really wasn't only our efforts, but also those of the Directors, Scriptwriters, Staff, and Voice Actors that created characters that were so well received. As the three of us continue to work together, we'll do our best!

[that-one-kiddo-in-the-back]

Fandoms creepy obsession with torture... Lily doesn't understand depression or trauma.

I've been sitting on this one for a while, so let's dig in. Today's word of the day is "Martry," a person who is killed for a belief.

Right off the bat, Lily starts talking about how we as a fandom is obsessed with the torture of WOC using Korra, Luz, and Anne and an example for a dark joke she made in her moon girl review and in this video she's only gonna be using Korra, Luz, and some She-ra.

She starts with Korra and the torture she experienced with the red lotus, the group that's been trying to kill Korra ever since she was born, and how in her Korra is garbage she was pretty harsh for how it portrays her trauma at the final season. She then goes on to explain the torture scene, how you saw everything in all its gory detail, makes a small insult towards Korra's VA, then how she's tossed around like a rag doll then almost suffocated with the end of all that being shown Korra weakly reaching for her father before she passes out... "a heartbreaking shot that is under cut by the sheer sadisticly glee the writers had when the tortured Korra." Something I found kinda funny was that in her long ass Korra is garbage video, she complained that you didn't see a dictator...acting like a dicktator. Korra is the main character in a made for teen show made in 2012, so yeah, you're gonna see the poor girl getting beaten down. In the 2010s, a lot of shows that were aimed for teenagers showed a bunch of main characters getting beaten down with barely any psychological effects. Teen wolf, young justice, the fosters, your name, and Chronicle all shows during the 2010s that displayed pretty horrific scenes of torture or just getting beaten up and that wasn't because of the fandom or the writers being fucking weird it was more of a trend that started out of nowhere.

Lily then decided to call that all torture porn all because Korra's trauma is erased, with there still some mercury in her body. She then goes on about "how people said that Korra's behavior is realistic because that's what people think trauma looked like you being sad and demotivated." She continues by explaining that trauma is deeper than which is true to a degree. That fact is trauma is not one thing. You can be depressed and not even want to get out of bed, which changes how you think. Lily thinks that just because Korra was able to slowly pick herself up that she's back to normal and not bothered by almost getting killed to which I say Lily did you really want to see Korra have panic attacks and constantly hallucinat? Because it sounds like you do.

At the end of her talking about Korra, she finishes it by saying that the torture wasn't necessarily and a big fuck you to character development and that it was just the writers getting off to the idea of torturing women... now to Luz.

Lily starts out by saying that Dana terrace is really into depressing and the macabre, but on a fan girl surface level and still thinks creepy pasta is cool (keep that shit out of your mouth Lily) Lily really can't help herself but to drag women/nb/transmen creators through the mud in her Korra section she didn't name drop or even show a picture of the creators or writers even though she said the men where showing off their creepy "torture fetish" before watching this I watched her video on Catra and Adora's relationship and how abusive Catra is and Lily called ND Stevenson a Creep and an abuse fetishist and I think this all comes from a place of jealousy because they were able to make something amazing and be green light for shows where no one is a right mind would trust Lily with a five dollar bill.

After Lily was finally able to pull herself away from talking shit on female creators, she finally started talking about Luz's trauma, bringing up how, in the last episode of the first season after Eda was dragged away she starts to fight Lilith and says that was her trauma response which it's not really. Eda being captured was the beginning of the traumatic experiences Luz was gonna go through. As the show went on, you can see more of Luz blaming herself for things out of her control. Even when it was the smallest thing, she'd go way out of her way to make it up. Luz's trauma response is trying to fix what she broke she's the kind of person that would bring treats as an apology and tell the person she wronged how sorry she is for a week.

Lily then goes on to complain that in season 3, she doesn't do anything she mops around instead of trying to fight like in season 1, but a lot has happened between 1 and 3 Luz's trauma and depression all falls from her blaming herself for everything that happened.

Eda being captured, seeing her mother and the promise she made, failing to attend her father's grave, seeing all of the past golden guards empty helmets, watching Hunter get dragged under by belos, finding out she help belos met the collector who in turn gave him the draining spell, and the final nail in the coffin being King sacrificing himself to protect her resulting in Luz and her friends being stuck in the human realm with no idea if their parents and family are alright. Who the fuck wouldn't be depressed after all that?! She says she wanted a scene where Luz talks about her trauma which she already does she talks to her mother she knows that everyone else isn't having a good time either so she doesn't want to talk about it. If you found out all of your friends were not doing so hot, would you really want to bother them with your problems? That's the thing with deep deep depression it makes you think the world would be better off without you. That you're a pest to your friends and family and that they would be happier without you, which isn't true, and even when you know that you can't stop thinking that anyway. Lily talks about depression like it's something easy to get over with, that if Luz just really sat down and talked about it, she'd instantly feel better and go back to her ass kicking self but that fact that she didn't Luz is now a terrible girlfriend.

Now, we all know how Lily deals with people who have crippling depression which to say she kicks them to the curb and dusts off her hands of the situation. Remember Lily broke up with someone who was in a horrible state of depression saying that she was being toxic and a waste of time, and to that, I say what kind of a cruel person ditches someone like that?

She calls Luz a shit person for having crippling depression for not talking about the root of her self blame. Luz has been keeping her role in helping belos with the mass genocide and other things a secret and lies because she believes the truth would hurt them more she's not being a shit person on purpose. Luz never expected her friends to paddle her bad behavior or to even shower her with affection she's expecting the opposite. She thinks that if she tells them the truth, they will look at her with disgust and leave her, you know, like the mind trap the collector put her in that showed her worst nightmare. That you would have known if you watched it!!!

Lily once again blames Dana for not having a crying scene when her show was canceled, and instead, we got a realistic depiction of crippling depression. She goes back on calling everyone in the fandom creepy fucks that like our slow burn hurt with no comfort fics and how we like it even more when it's with women and black people. Now I like my edgy fan fiction, and it's not because I like seeing black women getting tortured. I simply like it as an outlet. I like seeing strong men and other characters at their lowest. Seeing how people write out how they would react most of the stuff I read, I would never want to happen to me or my loved ones. Hell, if my friends tell me their in a depressed state, I'm not gonna leave them to dry (like some people).

Lily also really has the biggest balls to call professional writers bad when she only writes fanfiction she's done it with RS, ND, and Dana. As if she could do better. I write fanfiction, and I would never put myself up there with actual show writers and published authors she brings up her shit Star Wars fic, saying how her fan base around the story wanted to see the angst that she scrapped out then proceeded to call them all racist and sexist for wanting angst. This shows that her fic is so boring that people want to see more things happen.

And now we are finally towards the end of this garbage video, where she brings up how, in her personal life, she used to like being called names, and her "friends" told her it's just a kink and it doesn't mean anything but her therapist told her it's a problem she then goes onto say that she was making herself worse until she met people who loved her and that kink went away... now I'm glad she was able to fix her own problem, but that's not a universal thing. Some people need outlets, and kinks can sometimes help. It's not for everyone but to call people liars, freaks, and judge them for their own outlets is a fucked up thing to do.

Lastly, no writer has the intention of having their audience of kids jacking off to torture scenes. I think that says more about you, Lily, if that's what your conclusion was. The writers weren't freaks because you thought it was hot.

Do yourselves a favor and don't take mental health advice or writing advice from Lily.

[notnights]

Little ninja fans of present day and past, I began watching RC9GN in December of 2012, and it changed my life forever, now it's 2024 and I'm nearing 30, time sure flies! Anyways I've been working on cleaning out my computer files and found a bunch and I mean A BUNCH of Randy Cunningham 9th Grade Ninja promotional material and side content. I pretty much have most things that came out from 2012 - 2015 pertaining to the show.

I imagine a lot of these things have been lost to time as some of it was originally posted was from the DisneyXD website, and variations of the DisneyXD website (meaning from other countries). I have interviews, bumpers, dubs of episodes, even footage of some of the old RC9GN games, and Randy cameos (I saved footage of someone playing the RC9GN Poptropica promo!)

I also have a clip from WSFA where they reported on the fan that wrote Rachel's song. I had thought it was posted to youtube but I can't find it again so maybe they removed it, it's not on the article that's still up either! Guess it's good I saved it. (The article isn't entirely accurate, I believe she said she got the internship because of her song)

I also have a few clips of other dubs, including an Italian dub of the song and music video "GO NINJA GO," that's pretty cool! I also found audio files of the raw music from the show! I can't even remember how I got that. (they are unfortunately not named)

I have some less quality stuff like literally me just recording promos and bumpers off of the TV screen lol. Some of these also include snips of other Disney XD bumpers and promos though.

Anyways, I don't want this stuff kept all to my self as I see a lot of it is lost to time, if not hard to find. And oh look at that looks like I have a handy little sideblog I never used that's perfect for this! @theninjanomicon (I'll pretty it up later), so over time I'll probably share some of it on there.

Younger me was unfortunately not very thorough in the archiving, so some titles, dates, names, and exactly where I got them from, are missing, but I can give a rough time frame and where I got these from that I can remember. (another reason why I'm doing it! to mark down what I can remember before I forget anymore of it)

I wouldn't be uploading any full episodes for obvious reasons but might upload clips of some of the alternate dubs I have. And yes I have the pilot, which I can't share either but I do have STORYBOARDS from the pilot (which up until this year was our only reference for this "kim possible style" it used to have) which maybe I can share as I got it from the storyboarder's portfolio which was public back when I got it.

I might add some commentaries under a readmore for certain posts to give extra contexts/what I remember being relevant to the piece I post.

Now the hard part is figuring out where to start! What would y'all like to see first?

[spaceorphan18]

The Lady Whistledown Papers: 1x05 The Duke and I

Welcome back, Gentle Readers, to The Lady Whistledown Papers, where I’m taking an in-depth look at Penelope Featherington and Colin Bridgerton’s character arcs and romance within the show Bridgerton!

For previous issues, follow tag : The Lady Whistledown Papers

It's episode five! Things are getting spicy! ;) While there's not a ton in this episode, there are some BIG developments...

Tomatoes

Alright, so I should mention before we get too into this scene, that it kicks off with mentioning the money issues the Featheringtons are about to have. It's part of the reason Portia is gonna push Marina marrying Colin so hard. Having a wealthy Bridgerton in her pocket kills two birds with one stone.

Alright, so this is day who knows how long of this courtship has been going on, and after the events of last episode, Penelope is no longer thinking this whole thing is cute or tolerable anymore. It's a combination of -- she's fucking with the man I love and the man I love is being fucked with, which are two different things. Yes, she is protective of her feelings and has no desire to watch Colin be with someone else. But she's also very protective of Colin in general - because they do have a relationship. It may not be romantic, but there are mutual feelings of friendship, and she sincerely does not like that Marina is manipulating him.

But of course - the look on her face here is pure jealousy. Because Colin is bringing flowers to Marina every day. And Marina doesn't really care all that much, but oh, how Penelope would love to be courted, love to be romanced, love to have the attention of any one showering her gifts and compliments. But the fact that it's not just some guy that she could live vicariously through Marina with, it's Colin, which makes it intolerable.

Meanwhile, oh Colin, lost in his own fantasies. He loves playing this role of romantic hero. He brings in flowers every time for Marina -- because it's a way to show he cares about her. It's also, probably, proper gentlemanly contact to bring gifts during a courtship. But it's also interesting -- that the whole reason this tomato discourse kicks off is that he wants to surprise her, be unpredictable, make himself stand out when it comes to the courtship.

Also, I'm really entertained by the thought that a bushel of tomatoes would be used as a courtship device. Nothing says romance quite like the tomato. (As much as I'm being cheeky about it, I do love a bit of spontaneity and absurdity in a relationship, so I do approve of Colin's ridiculousness here.)

I LOVE the tomato discourse. I love it.

I love that Penelope can't even help herself by injecting her comments. She is gonna meddle, but it's going to be on a simpler level to start with. Just a throwaway comment that really doesn't raise eyebrows (at first) that Marina doesn't like tomatoes. Which undermines the act that Marina is throwing at Colin (and Pen so notes this -- and, honestly, she's probably a bit amused that Colin picked something that Marina probably does actively hate).

Then, of course, after Marina kind of brushes that comment off, Pen digs in a little more -- suggesting the best place to go get tomatoes is... Greece. (My god, this cracks me up every time -- is Greece known for it's tomatoes??) And I love that she says this with a smile, playing it off as if she were just trying to be helpful. Then she suggests Colin bring her back a bunch (because I'm sure they'd survive the trip) after he gets back from Greece. Oohh, Pen, it's a longshot stall tactic, but if she can just put this courtship on delay...

It's fascinating watching Marina in this moment. She KNOWS that Penelope is up to meddling. She knows that she's intentionally trying to stop things from progressing forward, but the interesting thing is that she doesn't know why Pen is doing it. I mean, I kind of think it's obvious, but Marina, at this point, has begun to trust Penelope as a friend -- so it just comes off as her being super weird.

Colin, meanwhile, is a bit baffled by Penelope. He doesn't really catch on that she's meddling -- thinks, more so, that she's being a little obtuse, and that is not catching on that he'd rather see how things work out with Marina. But...

There are a couple of interesting dynamics going on in this last little bit.

First of all, the comfort in which Pen and Colin speak to each other says a lot. There's no formality between them. They speak with each other at ease, in the way siblings would talk with each other. Colin, no doubt, probably does think of Pen a bit like Eloise in this moment. He even calls her Pen, here, which is kind of unusual when you think about it, because they're at her house and not his. And the way he kind of dismissively states he's unsure of his travel plans -- it's said, almost irritatingly, in the way you'd want to tell your younger sibling to bugger off, I'm trying to hook up with this girl...

When Pen brings up his travel plans, she mentions that he's always been interested in travel. And while this is a calculated thought - a way to re-inspire desires that he has probably for sure talked about at great length when she's been over to visit Eloise -- I think there's some sincerity here, too. I think she can recognize a desire to go out and see the world, and the idea of him closing the door on that opportunity -- especially for Marina, who is manipulating a relationship with him, and will saddle him with fatherhood at such a young age really does get to her.

Which is why it's more complex than -- I have a crush on a boy, if I get him out of the country, he won't hook up with the pregnant lady and be stuck with her.

Colin then has a line that REALLY sticks out to me. :: 'Were I to go, there are things in London I'd miss more than seeing the world.'

This line hits a little harder when you sit down and think about it. I don't doubt that Colin has an adventurous spirit -- more so than either of his older brothers. But I think also, unlike them (well, Benedict is going to go about it another way) Colin is searching for something. He isn't sure what, but travel seems to be an opportunity to find out.

Marina is a purpose. She's a reason to stay. She's a reason to do the things that his heart really desires to do. She's a person to protect. A person to start a family with. A person whom he does want to figure out his sexual desires with. A person who will let him satisfy the role he thinks he's supposed to have in society. And if that person is right there - then why travel in the first place? He doesn't need to search for something that is right there.

The fascinating thing is that it is better for Colin that he does end up going. He kind of needs those experiences to gain new outlooks on life, to clear his head, to be at peace with himself, and to understand what really missing something when he's away is. And, of course, because he'll find that he'll get to fall in love in a deeper way while he's gone (of course - through his correspondence with Penelope).

And, of course, i can't help but go back to thoughts on The Odyssey -- which is one of the myths embedded in Pen and Colin's story -- the story of a world weary soldier just trying to get back home to his wife... Penelope.

Colin thinks he understands what he's saying when he says that line. But he doesn't truly get. And won't ever if he choses a path with Marina - one that is doomed to be a (possibly) unfulfilled life.

It's always so funny to me when TV characters have private conversations literally two feet away from people who shouldn't hear it, lol.

Pen is probably well aware that the childish meddling she's doing isn't really working, so she goes to appeal to her mother. She points out that Colin is young, yes, but she tries to appeal to her mother's sense of logic. She points out that there may not be enough time to get them married since Colin is young and may not be ready for marriage. Portia considers, but does have her own plans...

Ug, poor Pen, the pining does get me. It'll be alright, girl...

A Plan...

If there's one thing you can say about Marina, it's that she knows how to play this game, and how to do it well so that she can get what she needs. Is it manipulation? Yes. Is she doing it out of self preservation? Absolutely.

She completely plays Portia here (Portia, isn't necessarily stupid, either, but is trying to be calculating in her own right). Marina appeals to Portia's sense of status -- and her desire and need to maintain that status. So Marina basically cuts her a deal. Let me go after Colin, and I'll repay you by letting you stay in your good standing with the Ton. And so the two of them forge an alliance.

But, ah, all this talk of seduction and manipulation -- that's breaking Penelope's heart as she hears it. It's bad enough that the guy she loves is interested in someone else. She has always known or felt that she'd lose Colin some day to another woman. But to lose him to people who do not have his best interest at heart? It's devastating.

But still... she does not go first to her best line of defense, Lady Whistledown... that's the last possible card she'll play.

A Wedding

This is, like, the saddest wedding ever. Man, they look miserable.

Colin seems fine about it. He smiles a bit because it's Daphne, and she's getting married. But not a whole lot of insight to pull out here. He's so detached from this plot line, lol.

A Proposal

So, right before we jump into the Pen and Marina stuff, Cressida approaches Daphne and basically says -- I hope some day you'll pay me to keep quit about the shit I saw in the garden. Like, the girl had a blackmailing mindset even here. I mean, obviously Season 3 didn't come out of nowhere, but it is interesting the seeds they did place for things so early on.

Anyway... Penelope's back to her meddling -- this time trying to get Marina interested in ANYONE else. And I mean, Pen's got a good eye. She's watched all of these people, and I trust that she's attempting to set Marina up with a good (enough) match.

After Marina becomes stubborn about Colin, Penelope opens up. While she's not entirely truthful, she is very open and does lay a lot of it on the line. She admits she does care for Colin. She admits that she just cannot stand back and watch him be manipulated into a life that he didn't sign up for. While she is holding back on the extent of her romantic feelings, she is being emotionally vulnerable, in a way to get Marina to empathize with her. I mean, she is being sincere, and cutting a lot of the mind games crap she had been doing. But she's hoping that a more open approach will help change Marina's mind.

Of course - Marina is out to win. She sees no other options, and she does throw some of it back in Penelope's face. She knows that Colin is a sure thing, and that she'll be treated right. She is not going to lose that chance - because the alternative are the Rutledges of the world. And she just can't take that chance.

It's kind of funny that she still doesn't get how invested Penelope is in this, but she is giving Pen her own moment of emotional vulnerability. She is running out of time, and she will do what she can to secure a good future for herself, and however Penelope feels about it, doesn't really matter because it's ultimately not about her. (And, you know, she isn't wrong, even though we may side with Pen on this one.)

We also learn that Rudledge is engaged and off the market (darn) so Portia tells Marina she'd better get working on Colin... there is a time limit after all.

Before we get to Colin though... we have this brief moment between Pen and Eloise. They've had their fight, and now it's awkward. Neither really quite knowing what to say. But it'll be alright... They always find their way back to each other. But no time for that now! Other plotlines to get to! lol

Poor Pen, no where to hide in this brightly lit, very white room. She can't hide from Eloise. And she can't hide from Marina and Colin. It's just a lot... Just a lot to witness, and she can't do anything about it.

Not at the moment anyway...

The reason the earlier episodes showed Pen and Marina getting along well is to establish the respect Pen has for Marina and vice versa. But this is the turning point. Because Pen had tried to be open about her feelings and Marina was just not playing that game.

Oh, there is some anger in Penelope's eyes. You do not fuck with Colin. You just don't. Penelope would help her with any, every other man in all of England. Just not hers. Pen could accept if Marina truly loved Colin, she probably would let him go.

But the 'act' is going into full swing now, and Pen just cannot with it. She just cannot with how Marina is going to completely manipulate the situation. And even though Pen doesn't get to see what we're about to -- she knows what's happening. Unfortunately, poor Colin can't.

So, what is the FIRST thing Marina do? She needs to get them alone, so she pretends she's not feeling well. And I mean, she gets him. She so gets him. His protector/hero complex is activated and he quickly is not only concerned, but gets her out of there.

And oofff, this next scene is almost hard to watch, because every beat of it on Marina's end is calculated. It's masterful really.

Oh, poor Pen, having a moment for herself of sadness.

But I also just thought of something... had Marina chosen anyone else, she could have really helped Marina. The Lady Whistledown of it all could have helped her. Penelope watches everything, she knows things, and she could have helped Marina in snagging any other man at that party. Of course, she was never going to give up her identity, but it's kind of interesting to think of the what ifs...

Oh man, Marina's smug look when they enter the study. She isn't even trying to hide it.

Colin. You are such a dumbass. (Said with all the love, cause I do love his dumb ass.)

It's funny, Colin is such an interesting study because he's got such a duality about him. Social decorum is something he thinks about (and will very much so in this scene), but he also isn't really one to play by the rules.

In this instance, though, it's his youthful inexperience and naivety that is his down fall. Does he want to be alone with Marina? Yes. But does he sense that she's setting this up so they can be alone? Not even in the slightest. He's still in protector mode. Even the scandalous shutting of the door is about her comfort, not about what she's trying to get.

He may be a little slower, but he's not a complete idiot, and when he takes a moment to asses that she's fine, he gets it. And the wheels start turning. And yeah, he does want to hook up with her. His little grin at his fortune says that.

Marina, however, just has zero time for the drawn out romance Colin has playing in his head. She is direct and gets right to the point. And I love that there's a little moment of freak out that crosses his face. Sure, he wants to hook up -- but he clearly never has before, because the minute she moves forward he does have a sheer moment of panic before he regains himself. He wants her. But he has no idea what he's doing.

And then we get this. This almost kiss. And there's just... a lot to this little moment. A lot.

Because I think it speaks to Colin's fantastical idea of what romance is vs the reality of it when it's staring him in his face.

I do think, yes, base line, he wants to kiss her -- among other things. And I do kind of wonder if he even has kissed anyone at this point, because he's kind of acting as if he's in this place where it just feels... not right. And, not even coming from the societal pressure (which I'll get to in a second) but from a place where -- he has all of these romantic little fantasy of what this moment should be like, and having a rushed moment in the study the way Anthony probably would do it, is not really Colin. Or.. this youthful version of Colin who doesn't have the experience.

I have to wonder if this younger Colin has all these fantasies about kissing his wife for the first time at their wedding and the magical moments he know does happen afterwards. And I think that's why I do think it's a good thing all of this happens because it does end up smashing his idyllic version of romance to allow him to be open to what real romance is -- not the ideas he's made up in his head, but what is really there.

(And I mean, I guess I'll get into it maybe later? I do have headcanons for Colin -- such as his first time with a woman was probably bought and paid for at a brothel. That after this whole Marina thing kind of sours him on love for a while, it pushes him to go out and get some experiences. It allows him to understand the world a bit better - so when he finally does see Penelope, he'll understand it better.)

So he stops the kiss. And Marina, who is savvy as fuck for navigating all of this so quickly, doesn't push him. She's gonna seduce him, but she'll do so on his terms. And appealing to his greater sense of romanticism and honor. Which really works in her favor, ultimately.

Colin can barely believe he's stopping - because he probably is a bit overwhelmed by whatever body reaction is probably happening in that moment. He still considers himself a gentleman who does things in a proper order.

And it's funny, as much as he ends up being a bit of a rule breaker, it's almost not intentionally. He wants to always be doing the right thing. He wants that honor. He wants to be the gentleman. He wants to be seen in good standing by the greater society. So he won't do anything to compromise himself, but more so her. And so he holds back because this is not the proper way. So, yes, I do think some of society's pressure is on display here, too.

Oh, but Marina, girl is so calculated in this scene. She plays on his gentlemanly nature. Plays on his need for honor. And pushes hard on his desire. You almost feel bad for how easily Colin cracks. He is very much a 'my wife' guy. Even here with Marina, that tendency is here on display.

The jump to marriage is bonkers quick. Yes -- it is partially fueled by society's restraints on sexual desires. But it's also a romantic fantasy Colin actually wants. He wants a wife. He wants that life. He's just never found that emotional connection to really fuel him to go for it. But he thinks he has that with Marina. He thinks that she wants that life with him, too. And, of course, now that they've been alone and courting, he thinks it is the proper step to take. So he does.

It's sweetly in earnest. And a bit unsure of a proposal. He doesn't doubt his own feelings, but he doesn't know where Marina stands.

When Marina not only says yes but looks ecstatic about the idea, he just lights up. Romantic achievement fulfilled. That almost kiss did make him unsure of things. But now that marriage is on the table. Now that they can have this nice long engagement and a fancy wedding and this idyllic life of love he's always heard about from his mother, he is so, so excited about it. He thinks he's getting everything he's ever wanted.

And... he thinks he's giving her everything she wants. He talks about her deserving a grand wedding. He is (almost hilariously) breathless when he says it'll be wonderful. (There is really a little ten yo girl living Colin's heart, lol)

Unfortunately, Marina's excitement is not for the same reason as his own. She's thrilled that this whole plan has worked as quickly and as swimmingly as she wanted to. And... she didn't even have to sleep with him to get a proposal. Win-win, really.

Oh, Colin... he feels everything so intensely. It's a shame this is a mix of lust and youthful ignorance fueling romantic fantasies that this proposal comes about. And Marina was hoping for all of that. He promises that he'll give her everything she wants, and he does in this moment. It's a shame that what Colin doesn't realize -- it is just a fantasy, and ultimately, not what he wants.

Oh man, that look Marina gives before she turns around. Diabolical. I don't think of her as a villain. I really don't. I think she's a young woman who is desperate and willing to do what she can to ensure her own safety. But she is playing with his heart, and knows it.

Look how giddy he is, oh Colin... Well, they promise not to say anything -- because seriously, probably not a good thing to announce your engagement at your sister's wedding. But Colin's probably going to be sleeping well tonight.

It's interesting -- thinking about how Penelope is currently a little heartbroken while all of this is going on. But, you know, she's had a long time to have to deal with these problems, with the emotions. She is able to handle a lot of these harder emotions and process them better because they've been going on for so long.

I think when the shit hits the fan with Marina, it's going to hurt so much worse in some ways. It's like the opposite of the she fell first, he fell harder trope. He's never had to experience heartbreak on this level before, and it'll feel devastating. It's no wonder he spends all of season 2 spiraling. Huh.

Anyway, on that happy note, we get to move onto episode 6! Which is my favorite Polin episode for Season 1 :)

[As an aside, this episode ends with Daphne and Simon's first time, which -- has a lot of similarities, beats, and dialogue as the Polin mirror scene. But the atmosphere, tone, and even acting are a lot different. Idk - I find it really fascinating. If anyone else does, let me know, and I can do a side by side analysis of it, cause there are some interesting things to dissect there.]

[pandaroboto]

Taskmaster Recording Report

This will be a long post and it has spoilers, so proceed with caution. More after the cut.

I will put in two different sections, what happened on warm-up and between takes and what they cut from the episode and I remember. WARM UP

Greg told people to stop sending sexy DMs because he would disappoint all the ladies/some guys.

He introduced Alex who came to the stage and hugged Greg's...knees?

Greg told the audience Alex was a master and could mimic any animal doing a dance style. He did a guinea pig first and it was the cutest thing, then a wolf (there is a picture of this that was used on a press release) and then a lion. When Greg asked about a dance style I yelled SAMBA with all my strength and then I saw Alex trying to samba as a lion. It was amazing.

Mark Olver asked who came from furthest to watch it and I raised my hand and said Brazil and he said BULLSHIT, you didn't come here just for that. I then explained I also was going to see Tim Key in Cardiff the next day and he was like "Oh..she did came here just for that then"

Again British people can't understand my name so I was referred as "Brazil" for the rest of the afternoon

I was also questioned about how do I watch the show and I quickly replied Youtube .

He made me list my favorite contestants to see if I could stay in the country. I tried to think which contestants were on the YouTube series uploaded. I then said Bob Mortimer, Mike Wozniak and Mark Watson (Alex smiled a bit when I said his name). Olver went " I can't believe someone in Brazil was watching the Woz fart a pile"

When I was telling I am from Brazil Alex waved at me and I was sure he knew who I was because long story short a bunch of friends really made me feel special and got me a signed book by Alex and he knew I was going to be there after travelling for 14+ hours.

At that point Greg said "Did you come for me???" and I pathetically went YES Y ES YES. He waved at me and IDK till today how I survived this.

They joked about a guy being first row and not being a fan,Mark asked who he had to fuck to get those seat and greg was pointing to himself.

They said we were clapping at the wrong places and that would confuse Alex and Greg

After the recording when I got back to London randomly meet Asim Chaudhry on Leceister Square. He was so sweet. We chatted a bit , I talked about how Sandman was big here, and that he had Brazilian fans and he got very excited and telling his mates about it

STUDIO

Sue got a massive round of applause. I think she and Julian got the big whoops from the crowd

The prize task was so much longer. Lucy went for ages talking about the ghost of the dog, and Greg kept asking questions. I knew most of it would be cut, but Greg kept mentioning during the episode and made me question how they would edit the references. They are bloody genius those editors.

Sam's Pinocchio made quite the impression, and Greg had a lot of fun with it. They talk about Pinocchio's penis, there was questions if it grew too with the lies. And Greg kept saying Pinocchio during the recording.

Sue's monkey orgy story was longer too.

When they showed Sam getting super closer to Alex, Greg mentioned Alex was very uncomfortable with touch and to prove that he got really touchy. BTW guys the amount of hand touches, and whispers behind the cards...they are insane

After the team task they were basically talking about how kinky it was, and Greg joked about Alex tied up , hogtie style and that he enjoyed. This was the thing I was most excited and I hope they put on the outtakes because I know how the fandom will be mental about it.

Greg is...MAGNETIC! Like the man demands attention and is very hard to not be looking at him. I kept looking at them at the studio and mostly ignored the tasks because I knew that I could see them later.

The live task took ages to set up and to reset after every round, Greg even joked we would spend the night there. It was more or less 3 hours of taping.

Greg interacted with us a lot because they had to reset the seesaw all the time, At one point he asked us to go "oooooh" that was show in the episode but he asked Alex using those words "Do you want the audience to oooh you while you pull it out slowly for me?" and he said with such a voice that...if I were a dude I would have a boner.

There was a point when Alex had to explain the outcome and he got it wrong and the audience corrected him to Greg's delight, he was very giggly. Sue got quite mad at Alex and the chains.

I guess it was this. At least that is what I took from my notes.

[dayscapism]

My Thoughts on the Percy Jackson TV Show (was not a fan):

Months have passed but, I guess I like to throw wood to embers to make fires again. Honestly, I would have abandoned it after episode 3 if it weren't one of my favourite book series ever and I wanted so bad to be hopeful and pleasantly surprised.

I don't think it's a terrible adaptation, but I think it's boring, badly edited, with character inconsistencies, has first-draft-level writing and just missed potential. I'm happy it's been working for so many others, but I've also seen a lot of people being so reluctant to negatively criticise anything about it. Which is weird, it makes me feel like we're watching two different shows and I'm the problem (am I the drama? perhaps. I don't care.)

It's not been an easy time to watch for me; it's a sustained, painful, physical effort to pay attention to this show, especially during dialogue scenes. Like how do you make a show about a bunch of ADHD kids and make it so NOT ADHD-friendly to watch?? (The writers and editors should watch EEAAO, that's how an ADHD brain approaches visual media). The pacing, the terrible exposition, it's the static and uninteresting camera work, the lack of a campy hyping music/soundtrack, the lack of stylization, the lazy editing, the actors stopping to chat in a static shot every other minute, no running during urgent situations, etc. Nothing is engaging! It's such a boring show! There's always exactly 1 thing happening on screen and nothing else around it, no hidden meanings, no mystery, nothing that could be layered storytelling, which is such an important thing in a TV show where you only have 8 episodes to tell your story! Spekaing of, ADHD and dyslexia don't seem to be shown or discussed again after it's mentioned that Percy has has it in episodes 1-2. I was hoping for bolder representation with that. (Why didn't they include the little dialogue where neither Percy of Annabeth can't figure out the sign at the emporium because of dyslexia, and Grover has to tell them! These little moments count so much for representation of this kind.)

The dialogue paired with the pacing/humour is not landing. It truly feels unpolished, like a first draft. Like technically it serves its purpose, but it's an ineffective, unengaging manner to write a tv script. They should have done more flashbacks too, to give context and exposition. But instead, everything is given to us like you would in a book. (And this is coming from someone who read the books years ago so I NEED this exposition because I don't remember a lot of details, but the exposition isn't even helpful and the writing doesn't keep me engaged enough for me to even pay attention to the exposition!) The actors are doing the best with the material they have, they're all really precious, but this writing and directing is hurting their acting so bad. The dialogue and scenes are so awkward, which hurts the chemistry between the characters too (I expand on my issues with the characters later).

A lot of the tone and pacing issues could just be a book-to-tv adaptation thing because we're no longer in Percy's head with his funny sarcastic remarks and long paragraphs that can give us context. But then why didn't they include narration? Why didn't they keep it up after the intro in episode 1?? Why did they even include that bit if they weren't going to keep it up?? We have 4th-wall narration in lots of things these days (from the top of my head, Fleabag and Deadpool), usually done for comedic and style effect. This would help so much with the pacing and tone! the lost potential is so frustrating. Many movies/shows don't need narration; this one could have benefitted so much from it.

The show is not funny whatsoever when the books are hilarious. At no point did I laugh out loud here. Such a crime. I hate to be one of THOSE but the movies at least got the unserious and funny beats right. Like why is the music in this show just an epic forgettable MCU-like soundtrack but with a serious tone? Why didn't they include modern or campy songs? They should have taken clues from the Umbrella Academy's first seasons. And they could have included Greek music in it too! How could would that have been? It's not a bad soundtrack by any means, but if nothing else is used in a very strange manner in some scenes because it sometimes cuts the action or doesn't match the energy or vibe of the scenes. The visuals and settings are pretty good, I admit, but these are underserviced by the entire production's lack of style and music and tone are a big part of that.

Some people have said the action scenes are bad, but I feel the problem is there's no sense of urgency, of danger (no layered storytelling here either). The fights with the monsters are okay, great even, the problem is this lack of excitement. The problem is the setups to the action: the lack of tension and then rushed resolutions. For example, they dragged the scenes with Medusa and Equidna talking that it lost all suspense. Equidna literally says instead of just jumping to it, showing what she would do to them kids. (Ok the chimera is cool tho, looks really cool. I want it as a pet 😊 And the editing when Percy falls from the arch is pretty cool too, rare exception.)

But most feels so underwhelming. These kids should also be running everywhere, not calmy walking (bad directing!) This makes the monsters not feel as menacing, because they always have time for a calm exposition break long conversations in the middle of what are supposed to be life-or-death encounters with ancient Greek monsters. And mind you, these pauses for conversation aren't even layered, they're often shot with a static camera, with dull dialogue no 12 yo would speak. They could be having these conversations while running, while hiding, while doing something else! Mix dialogue and action! Layered storytelling, it's about themes and characters but also about how you present the scenes themselves.

An adjacent problem is also the actualization of the myths for a modern audience is a bit surface-level (like with Medusa). They could have done so much more here.

Now, issues with characterization:

Characters can really make or break a story. Here we have a lot of character inconsistencies, or rather, a lack of definition of the characters. It's not about the show being exactly accurate to the book here, it's the show wasting perfectly good character and plot moments from the show, while not being true to tone and to the core of the characters. Change in adaptations can be good, to consolidate or make things clearer and work for the new medium, but they character work here was very ineffective and inefficient.

Percy is supposed to be cunning, smart but not knowledgeable about the Greek world. The show has this being reversed many times. Grover is perceptive and has more life experience but he is reduced to nothing. Like I'm wondering why is he even here? Also, Annabeth and Percy get sincere with each other really quickly after like 1 day of knowing each other, no layered storytelling or emotional reactions to them baring their deepest fears and darkest backstories either. (Poor kids are doing their best with mediocre adaptation, though Walker is carrying the show at this point, tbh.)

And Annabeth... Oh. Annabeth is a hard character to portray and write, tbh, it's easy to make her unlikable and straightforward, can very easily come off as annoying, pedantic perhaps, though I am all for unlikeable female heroines. But this is such a baffling iteration of her character. She comes off as a stalker in the first episodes, then she's bossy yet she doesn't seem to actually plan or have good strategies (all is deferred to Percy really), then she sort of uses "the power of friendship" to resolve things but never her growing wisdom in too. Yes, she could be weird and caring and smart but they didn't nailed any of those traits. But my biggest gripe is that they didn't make Annabeth nerdy enough! Annabeth recalls a lot of facts during the show to look smart I suppose, but she rarely gets to problem solve or truly nerd out neurodivergent kid style, which I think is a huge missed opportunity.

An example, which might be very niche but it shows mu issue with her characterization and I have to talk about it cause I'm a physics nerd (literally, it's my major), the part in the ST Louis Arch in episode 4 where she tells Percy and Grover stuff about the construction is so... basic. Like she just read it out of a tourist pamphlet or something. She just says how tall and wide the arch is and that it's symmetrical. That's it. Right...

Why didn't she mention what type of arch it is?? (A catenary arch, more specifically one that follows a weighted catenary curve. It isn't just held by "symmetry" it's tension! It's cool math!) Maybe she even mentions that it's a hyperbolic function and Percy and Grover can be like omg what are you even talking about, and she keeps going on and on about calculus and architecture, like a neurodivergent kid would about their interests. I mean, sure she's like 12, but she's supposed to be like a gifted kid, daughter of Athena, right? She probably knows some of the science and engineering behind the arch. Missed opportunity. Or maybe it's just that I see so much of myself in Annabeth and it hits too close when they can't make her justice. Idk. Like having a true nerdy, brilliant, neurodivergent, bossy but caring, black Annabeth would have been amazing. I guess the world wasn't ready for that.

This was episode 4 and the episodes are getting better...

Annabeth and Luke's relationship also suffers a lot from telling and no showing. Why don't we have flashbacks?? Such a missed opportunity for a show. As a rule, showing isn't superior to telling, but these two techniques need to be balanced in the writing, they can be combined too to serve the story during a specific scene or passage. In this case, telling was the wrong way.

For Luke, if they want his arc to have the emotional hit it has in the book, they really needed to build his character more and give him more screen time! Which could have been done with flashbacks. Because with Annabeth's stoic acting, too, we don't really get the emotional reactions appropriate to the events she recounts. So how are we going to feel with the betrayal since the relationship hasn't been built strongly so far? Nothing. We'll feel nothing.

Annabeth's actress is doing her best with what she's given she portrays her like she's in a Disney Channel kids sitcom from the 90s, deadpan but snarky, which is not a flavour of acting that helps this adaptation. This might be a larger directing issue, though, because Percy barely reacts when he sees his mother "die" in front of him.

Anyway, Flashbacks and narration could have saved this series alone, tbh. We don't even know how Thalia looks like! How are we gonna know it's her at the end of the book with the fleece reveal??

Ok, disclaimer, I didn't finish the show. I got distracted and bored and couldn't be bothered. I think I stopped after the Underworld episode (episode 7 I think.) I couldn't be bothered to watch the finale even with Toby Stephens in it. That's how enthusiastic I am about this.

Also a bit of a nitpick but why isn't it explained why are Percy and Sally are stuck with Gabe in the first place? About his scent? Why is the abuse so... sanitized too? Like yeah, we could have a more psychological and verbal form of abuse situation, of course, but we also didn't get that? Gabe was just unpleasant and a bit of a jerk, pathetic, but that was basically all. Also, no explanation for the blue food?? When it's such insight into Percy's relationship with his mom?? So much EXPOSITION in this series yet they missed many of the important parts!

Disney watered down Sally too. They really did. Her makeup is nice though.

So... yeah, they could be doing so much more with all the characters.

Concluding thoughts:

I don't hate the show (the visuals are great and Walker Scobell's acting is amazing, such a young talent!), but every time I finish watching an episode, I'm just bored and underwhelmed and wished I had done something else with my time.

I know it's frustrating that in previous decades usually had 20+ episodes, plus season 1 and 2 being shot side by side so we didn't even have to wait and fear of cancellation after so little; shows really don't have to be perfect from season 1, they need room to grow, but they have to have SOMETHING to pull the viewer in from the beginning, to make them stay. Anything! This show is giving me nothing to work with. I do hope the show gets better in season 2, and I understand that the 8-episode-season model is a constraint for writers, but I still think it could have done much better with the resources it did have.

For example, Black Sails had an infamous first season, but then it grew to be what imo is the best show ever put to TV. And yes, it took a while for it to find its perfect footing, but it was like a delicious cake that maybe has some bad frosting but the foundation is there, it just needs polishing and a few changes. But this PJO show doesn't live up to its potential and it's just so frustrating because I wanted to love this show so much but I'm finding it difficult to think of anything that I truly loved about it other than Walker Scobell's acting and course Toby Stephens (but I already love him from his previous work so it hardly counts).

Honestly, I'm a little bit tired of discourse going around saying that critiquing a show from season 1 is not acceptable because the show hasn't finished growing and we want a second season, we don't want the criticism to affect a season 2. But this is irrelevant and that's not how media criticism works. People can get very on board with good shoes from 1 season alone. That's no excuse. There are genuinely good book adaptations out there that make changes for the better and get a good foothold from the get-go! Look at Lockwood & Co, OPLA or Anne with an E. It can totally be done. The criticisms we have are precisely because we love the books, because we wanted this adaptation to succeed, because we wanted to love it, but it disappointed us. And we are allowed to voice that, as long as is done in good faith.

I'm happy this show got renewed because of the fans who enjoyed it, love the Percy Jackson series, it is truly dear to my heart, but would I be sad if the show was cancelled? Honestly, no. I couldn't care less what happens to this show at this point. Why should I? I was given no reason to care, aside from my already existing love for the books. I'm not intrigued about how they're going to adapt book 2, I didn't connect with the characters, I wasn't having fun. Nothing. And sure, I want young kids to be introduced to Percy Jackson, great if it's through this show, I want younger generations to love this series too, but I don't know any gen alpha who would enjoy such a show. (Hell, I really wanted my audience-age-appropriate niece to love it, but she couldn't care less about it and jeez, I wonder why...) Kids deserve better shows than this.

Will I watch season 2? Idk. Maybe? I can put it in the background while doing something else perhaps. I do hope they improve stuff but I don't have my hopes up. Will I watch episode 8? No. Life's too short. I already read the books so why bother (hehe)

[guppybibi]

hii !! can you do akito (shinonome) with a gf who’s OBSESSED with another group? i just thought of this and found it funny

he’s always like “why don’t we go to your place” and reader is like oh no it’s ok haha!! because it’s kind of embarrassing but there’s so much merch it’s impossible to take down

and one day he convinces you to let him stay over and boom. posters everywhere. cds everywhere. binders full of photocards. a whole shelf of albums just sitting there. don’t forget the dvds and polaroids! bonus points if you forgot to turn off your cd player when you answered the door so it’s blasting said group’s music as well 💀

( ++ doesn’t have to be any group in particular but i’m heavy in my enhypen phase right now, so maybe them? that’d make it even more nerdy but 😭 )

𖦹 pairing: Akito Shinonome x fem!reader

𖦹 content: Confused Akito, fluff, kpop stuff, idk..

𖦹 notes: aaaa i love this idea, tysm! for the group i chose enhypen as well but also stray kids because you can never stan too many groups ᵔ ᗜ ᵔ (i had the biggest stray kids phase lollzz, plus idk much abt enhypen:c sorrie) also wrote half of this at school wowie

⋆*･ﾟ:⋆*･ﾟ⋆*･ﾟ:⋆*･ﾟ⋆*･ﾟ:⋆*･ﾟ⋆*･ﾟ:⋆*･ﾟ⋆*･ﾟ:⋆*⋆*･ﾟ⋆*･ﾟ

-Just..so confused?? He doesn't get the thing about collecting photo cards and the terms fans use so you have to explain it to him.

-Once he gets it though he's just mildly concerned, for your sanity and wallet. He does commend your dedication and loyalty to these groups though (silently hopes you do the same with him.) 

-Occasionally asks you if VBS had merch would you buy some, his reaction would vary on your answer. -

-If you say no he’ll just say ‘uh huh’ and walk away. (pancakes are the solution, TRUST.) + he's just playing around, he isn't mad. 

-If you say yes he’ll just smirk smugly and try to talk everyone into making merch. (he fails)

He’s so confused right now, he just doesn't get what's the big deal about it. The ginger knew you absolutely loved these so called K-POP groups and he didn't mind at all, not a tiny bit. To be fair, he was somewhat an idol as well. A street musician to be exact but that was close enough. 

And today was another added episode to the collection of you not letting him go to your home, what exactly were you hiding from him? He stood before you, in all his glory, a skeptical look on his face. “C'mon doll..is yer room messy or somethin’? I’m sure it can't be that bad, trust me–I’ve seen worse.” He said in an attempt to reassure you, intently watching how your lips pressed into a thin line and your eyes darted across the park you two were at. “L..-look! A bunch of people are doing cool skating tricks!” You exclaim, pointing to a bunch of randos doing flips or whatever. Distracting him was worth the shot, no guarantees it’ll work though. 

He almost facepalms himself when he hears your shitty attempt at diverting his attention elsewhere. “Doll I’m not the smartest but I'm not that dumb..” It was honestly offensive that you thought that would work..You couldn't keep hiding forever, you two wouldn't progress if you didn't allow him to do something so simple as coming into your home. And as he said, he's somewhat of an ‘idol’ as well so he probably wouldn't find it too weird. Yeah, think positive! He won't think you're some kind of koreaboo or anything!

“Right..I guess you could come over to my place. But on one condition..” She starts. “Don't find it weird..?” He chuckles in response, shaking his head. “No promises.” 

And that's how he ended up in this rather strange position, sitting on your cozy bed as the posters on your walls stared down at him. “Wow..this is um..a lot.” His mouth formed a crooked smile, glancing at the shelf filled with albums. Where you got the money for all of this was a mystery to him. “So..who are they?” He asks, flopping back onto your bed, full of a bunch of stuffed animals. Your eyes start to sparkle, this was your time to shine, well rather to rant about your unhealthy obsession with these KPOP groups but let's not talk about that right now. 

After your rather lengthy explanation about every basic thing he needs to know, the expression on his gruff face seems unreadable. Was he angry or somehow jealous about it? Or was he simply just not interested in it? That might've been the case, but not right now at least. “Mmh..alright.” He sounded way too casual about it for comfort if you’re being honest. But if he was held captive and needed to be honest, extra–I know, he found this..mildly concerning addiction of yours quite endearing. It’s not like it would cause problems along the way, unless you spent all of your money on merchandise and went broke but he has enough trust in you not to do that..don’t break that by buying some lightstick that costs more than your kidney. 

[fearidescent]

I watched all episodes of The Grimm Variations, which released on Netflix earlier today. Here's my ranking, starting from the bottom:

6: The Elves and the Shoemaker. Setting is modern day Japan, which I'm not particularly interested in, and there aren't that many fantastical elements. The characters are pretty boring too.

5: Hansel and Gretel. This one is more due to the fact that I feel it diverges too much from the source material, particularly the ending. It feels like it could stand on its own, away from this anthology, but someone decided to tack the names Hansel and Gretel onto it, just to make it fit. Does earn some points for its sci-fi setting though.

4: The Pied Piper of Hamelin. The animation is pretty, as expected from a director who used to work for Ghibli. I do feel it loses some of that Clamp edge, though. The piper himself is an interesting character, and Maria is probably the best protagonist of the bunch. On the other hand, that teacher is probably my most detested character out of the entire anthology. Creep. The setting is a medieval village where fun is basically outlawed, and with that I'm sure you can guess how the piper lures Maria away.

3: Cinderella. The setting is Japan from I'm guessing from when it had just opened its borders to the western world? Not modern-modern, but not ancient either. Kiyoko (Cinderella) herself is a very strong villainess. I also like the outfits that the stepsisters wear. This story is probably also the most effective at the "what if [main character] was evil?" You can see why most people believe that Kiyoko is not evil, but considering we mainly see things from the stepsisters' point of view, Kiyoko's evil does become pretty obvious.

2: The Town Musicians of Bremen. On the surface, this one probably diverges from its source material the most, what with making the main characters humans instead of animals. But beyond that, it sticks to the story pretty closely. I like the character designs from this one the most, and the setting is interesting, kind of a sci-fi wild west pastiche.

1: Little Red Riding Hood. I like the setting from this one the best, a far future where the lines between reality and the virtual are blurry. The wolf, Gray, is an interesting villain for very much favoring the real to the artificial, which is usually what you'd expect for the heroes of these settings. Though it seems Scarlet also prefers the real to the virtual, so it doesn't feel like it's making a moral judgment on those darn kids who can't live without their phones or whatever. (Also Scarlet can stuff my stomach full of gemstone-lookalikes anytime.)

And there you have it! Feel free to reblog this to add your own ranking of these episodes, or just talk about the series in general.

[fictionkinfessions]

I've seen enough asks on here about the topic, so I just want to say:

If you identify as a system, GO GET THERAPY. Being a system is not a "normal" human thing and it definitely means you need fucking therapy. You can't just call yourself a system and call it a day. You cant just say you're KINNING, either, because the kin community goes back decades and it is bigger than some teenager on tumblr picking up kins from your mutual's posts. My honest, genuine opinion is that anyone with 100+ kinds or alters IS NOT ACTUALLY A SYSTEM. You are just young and impressionable and the world is in shambles right now and theres a sense of comfort in being someone else. Everyone wants to know who they really are and you will NOT figure it out until you're in your 40s. If it brings you comfort, fine. But go get therapy so they can tell you how to ACTUALLY cope with the real world instead of using "escapism." Escapism is not the answer to your problems and you still have to deal with them.

I say this as a person who felt inhuman since before I was 10yo. I even told my dad about it back then. And I've been watching the way the "community" has changed over time. You are not a polyfragmented system if you have 100+ kins, you are just trying to find an identity that fits you. Kinning nowadays is a good FIRST STEP. But I cannot stress enough that CPTSD, autism, and ADHD mix together to cause dissociative episodes. Maybe you should all look into it and find peace with yourselves before adding a new kintype to your list

All of this being said, yeah I do think having a bunch of kintypes is fine. It's okay for one alter to kin a handful of different people and shift between them. But you do not need individual listings for each separate one. You do not need to make a new proxy with pluralkit. I see people confessing to only seeing a character ONCE and kinning them. It doesn't work like that. Take some time to think about it. Its IMPORTANT to figure out if these similar kins are actually just the one person instead of assuming they're someone new. If you actually had 100+ kins (that you treat like individual alters) you would not be functional

...

[fountainpenguin]

Riddle watches New Wish - Post #14

Lost and Founder's Day

I do really like how the theme song flows, especially at the end where Cosmo and Wanda jump from their human disguises into fairy form.

Ooh, Founder's Day came back from "A New Dev-elopment." Continuity! I like how the title card shows us the hat that Dev and Hazel saw during their treasure hunt.

I'm gonna throw my money down on the Dimmadomes founding Dimmadelphia (or an ancestor).

skdfj, Hazel's so cute when she steals her teacher's hat.

-> Yes, it was the Dimmadomes.

I like how Dev's shades are still gone, but he's still got that smug tone of voice. But today, he has a good reason to be a bit smug for a festival his family is hosting (that his dad had to work over the weekend to pull together). This is gonna be interesting.

I don't trust any of this tech to be good (in the moral sense). Dale literally tried to promote pollution a few episodes ago.

LKSDJFSD, Dev giving out watches that do a bunch of cool technical things and this is the face he makes when he's asked if the watches tell time:

(They do not).

This is the first time Hazel's shown interest in anything related to Dimmadomes' tech (She has a phone case covering any logo and didn't know how to do the dance they apparently made) and now she's gushing over the gift Dev gave her so I'm... hm. Where ya going with this, Hazel?

Okay, so... what the HECK is going on with Dimmadelphia? I'm sure we'll get to learn the real founder soon, but all I can assume right now is that it was Doug himself, hence the hat logo. If that's true, he was BUSY during the 50 years of frozen time.

-> That WOULD justify my Buxaplenty overlap seeing as the train lines would've been crucial for this.

It's gotta be a different ancestor. There's no way Doug would be in Dimmsdale if he'd founded another city. This city's huge. I'll be watching for any indications of "established X year."

Aww, Hazel adores Dev now and is blatantly gushing over him. That's really cute. Local #1 Dev fan:

[cnt'd under the cut - #long post]

I can't believe we didn't get a "Hazel has a bone in her hair" gag when she got shocked by the tech.

omfg, Dev is so desperate to interact with his dad that he's begging to "organize merchandise by tossing boxes back and forth to each other." He's smart. Goober.

Diagnosed child who would play Catch with active TNT minecarts in Limited Life SMP. He would just do it...

Dale, you shouldn't tell your son to "Eat a lizard." That's mean.

Oh noooo, are we about to get "My dreams were crushed many years ago... How old are you?" version 2.0?

-> Note to self, Dev's birthday is 9 years, 7 months, and 14 days before Founder's Day (give or take since he says "pretty much exactly my birthday to the day, which I think implies he's doing math and decides it's the day).

Dev is 9? Lol. Didn't we already have end of the year tests in like, Episode 2? And our implied end of school year dance? Baby.

-> I double-checked and Sadie Hawkins is in November. There were Sneezy Hawkins Dance posters in Episode 1 when Hazel walked in. Those posters hung in school for multiple episodes (I'll keep my eyes out for them in future episodes), which would imply she started school in September or October (Probably not August since she was specially introduced to the class as a new student).

-> If we keep seeing the posters throughout the whole year, I'm willing to wave them off, but while planning the timeline, it's worth noting they exist, we know we're post-2019, but probably not too many years later since that was the most recent date on the gym's championship banner for a school that clearly wins sports games often ("Fearless"), and we've seen multiple waning crescent moons.

-> No snow, but not unreasonable since Dimmsdale was in California.

... I gotta say, I'm really enjoying these recent episodes, but D: Where was this early in the series when I was confused in Post #10 as to where all the underlying trauma vibes were?

We've absolutely shifted vibes from where we were when I wrote that post. Which is fantastic, but I'm surprised we didn't get this earlier. THIS is FOP vibes. THIS is what I wanted and why I was super confused by this show's tone earlier. Yeah, of course I like Dev now... He's shifting the tone back to the OG show's vibes.

I'm wary, but I've approached to eat out of the hand.

Oh no, we scene shifted before Dale could reveal the statue under the cloth. Either he's broken and we're going to see the aftereffects (following Hazel's POV where she's confused as to why he's gone off the rails and turned snappy) or he's gonna find out during the event and he'll break down in front of the crowd. Uh-oh...

...... Okay, now they're just taunting me with the moon. It can't always be a waning crescent!!

The stage looks like Doug Dimmadome.

Please tell me Dale didn't forget to add Dev's info to the ID-scanning robot.

Every time Angela is onscreen she has a new therapy book and I support her.

Wanda: Parenting never gets easier.

-> Please tell me Hazel's parents are about to ask about that and they're going to have to either backpedal or they're going to imply they've raised like 100 kids.

sdlkfj, they only cite Poof. BRUTAL.

-> Cosmo one again giving me "First fairy baby born in 1000 years." Yeah yeah, Westley Periwinkle held the title first, we all know him (/fanfic joke).

Seriously though, it's very funny to me that Poof is never, ever referred to as "first baby born after Cosmo" or "first baby born in tens of thousands of years, or hundreds of thousands." Only first in hundreds OR first in thousands. I can't believe that DANG KID is still haunting me in the new show.

-> Cosmo still confirmed to have been the pregnant parent. I'm glad that wasn't retconned (despite Cosmo's best efforts to scramble and cover up what he said by claiming Wanda was the pregnant one).

Cracking up. Cosmo, I think the neighbors think you're trans but not out about it.

Angela: Where's your son now? :) Wanda: Eh, we don't know. I mean, we forget because we were on vacation for 10k years.

Wanda, WHAT did I say in Post 11 about how you cannot leave that clingy child alone immediately after tearing him away from Timmy?? If Poof shows up and he has abandonment issues and/or clingy vibes, I'm gonna shake you both so hard.

-> Why is Marcus not calling them out for being paranormal creatures? ... That's kind of funny since Crocker would've lost his mind.

I like how Cosmo and Wanda turned their wands into lollipops for the carnival. That's cute.

Uh-oh, the statue's not been revealed yet. I hope Dev isn't onstage when this happens. (I want him to be onstage and suffer).

-> I should note that "Stanky Danky" and "Lost and Founder" are the episodes Dale lists the companies he's in charge of, and I'm pretty sure they're different. I want to make a coherent list throughout the series.

Marcus is reading his wife's book at the party, aww. They're so cute.

OH MY GOSH, their ancestor IS surnamed Dimm! I am once again thinking this implies Dale Dimm from "Which Witch Is Which?" - who founded Dimmsdale - is probably also in this family tree.

Wanda's glowing wand is adorable. They're both cute.

So, Hazel has been here long enough she agrees she hasn't "just" moved here anymore, so I'll allow the waning crescents.

Doug Dimmadome struck gold in 1953? I'll be making a note of that. I know that's after both Dimmsdale and Dimmsdale Flats were founded. This doesn't do much for me right now, but it's good to note.

-> This implies he was a teen or adult in 1953, so he's definitely not close to the age of Timmy's parents, who were 10 in the '70s. This checks out; he's got the white hair.

-> Let's say this is 2020 for the purpose of "We know we're after 2019." (2020 - 1953) is 67, and the youngest I'd be okay letting him strike gold is 10, since 10-year-olds do a lot in this show. So, he's at minimum 77 years old during this show, and could very easily be 87 or more years older (87 if he struck gold at 20), if I'm doing my math right.

And again, that's off the assumption it's 2020, which is a little earlier than I'd been brainstorming. I'm okay with this since he had white hair in the OG series, but I'm gonna have to plot out a timeline for Dale's age at some point.

Dale: /evil monologues about his plan to monitor kids' heartrates to figure out exactly what a child want. Me: Dale, have you tried... talking to a kid? Maybe YOUR kid? Standing behind you? Dev, clearly uneasy: Dad, that's so great! You get to help kids right away!! Dale: ... Help kids?

^ Me

Wait, so the drones can waste products and not get yelled at? Dale, maybe you should focus your attention in that area of your business- I think you're losing product.

Why do the drones sound so sad? They're talking like all their friends just ditched them. They're so cute.

I love how he's still wearing the big boots:

Oh no, Dev's on stage and Dale's talking about how the statue "isn't just him" under the tarp and "he can remember when this bundle of joy arrived." Yeah, Dev's about to shatter.

Okay, Wanda's clearly startled that the statue doesn't depict Dev and even Cosmo's starting to sense that something's going on in that family. You two are going to report this, right?

Aww, Cosmo misses his son.

The contrast of Dev crashing and burning while Hazel is enjoying her new hat is very funny to me. Like, we get this sequence of how happy she is and you just know Dev's having the worst day.

Dev: It's Hazel! Of course... Her well-known love of hats! /said not long after Wanda was like "Hazel, I've literally never seen you wear a hat before yesterday, what do you mean you like hats?

That's actually very funny. And cute? When did Hazel and Dev talk about liking hats? Logically, that must've been while they were montaging on the treasure hunt and posing next to those hat-shaped objects for photos.

With Dev talking about the Dimmadomes running a family business, I'd really like to see what Dev's relationship with his grandfather is. Doug was also careless about destroying childhood memories and I don't trust him to be a good dad either, but I'm curious.

-> I actually have no proof Doug Dimmadome is still alive. I wonder if he's out of the picture and if that had a negative effect on Dale, which may be why he's throwing everything into the business right now, and why he loves his boots.

-> I should check if those boots are similar to his dad's. Like, what if he saw his dad die on the day Dev was born and the boots were left to him, so that's why the boots are so important to him that he dedicated a statue to them?

POV, the dad who (presumably) pampered you for life after you'd spent 7 years of torment underground - and you don't seem to have a mother in your life so this is your only parent and only known connection to a world that isn't full of suffering - is dying on the same day your wife is in labor. What do you do?

Aww, Hazel knows Dev well enough to sense that something's up and ask if he's okay, implying they seem to have grown closer from "A New Dev-elopment" when she saw his father scoff at him and opted to change the subject instead of asking about his feelings. They seem to be doing well as friends and I like that.

-> All these crescent moons make me wonder how long it's been since that episode, though since Dale was working on the Founder's Day event on the weekend, I assume we're still in that range of time.

Dev, holding his arm when Hazel asks if he's okay: I... don't have time to get into it.

They're so cute. I love them.

-> I love the focus on Dev right now, but I hope we don't go full steam ahead into Hazel's friendship with him and she sidelines Jasmine and Winn for her new buddy and/or potential crush.

She hasn't seen her friends this whole carnival, which surprises me. Don't do it, Hazel.

What, where did Dev get those shades. He didn't have those .4 seconds ago.

Dev's going to complete his task and give Hazel's hat back to his dad and still get rejected.

OH NO, Dev is trying to lure the scanner drones away from Hazel, but he didn't tell her that so she thinks he just called her a name, mugged her, and ran off. That's hilarious. #You tried.

Dev, you have to talk to people. You can't just assume she knows what's going on. Fool.

I like how Dale also has special eyewear (VR glasses).

I like how Cosmo inexplicably thinks all the Dimmadomes have "Pickle" as a middle name. I think he said that to Dev in an earlier episode, right?

I like how Hazel saved the day by "doing what Cosmo would do" and pressing all the buttons randomly. That's hilarious.

Barry the dinosaur was at the carnival... That's great.

HAZEL'S MAD!!

As she deserves to be- that's the second time Dev regressed to calling her names. She thought they went through this, but now she's like "He's not changing and also I literally just caught his dad in an evil plot of shocking children's brains with electricity. And Dev seems to have been helping."

Yeah... This is gonna go great. Also, his cute little poses:

Oh thank goodness... We are SO BACK, baby! The fluffy episodes were fine, but NOW we're gettin' somewhere!! Time to break some hearts.

"I would hug you, but I do not have human arms or warmth." I love them.

Aww, he likes her so much. Best buddies...

I didn't know this was his phone, I thought it was a retro video game console.

Oh, it's an iPad parallel. It's got a stand and that's why it's big.

I like how my extremely specific "Ed Leadly as Dev's other grandpa" situation just keeps getting worse the more I think about it.

Little Dev: Grandpa Leadly, I learned to write my name! :) Leadly sitting among his pencils as Dev hands him a tablet he typed on instead of pencil and paper: Buddy, rising star, apple of my eye, my little angel... I will pay you 17 million dollars to never do this in front of me again.

Dad who likes flashy and long-lasting things to remind himself how far he's come vs. grandpa who's willing to massively overpay for anything he took interest in for 5 seconds; what arguments will they endure?

OHHH BOY, it's fairy assignment time! LET'S FREAKIN' GO!

It's Poof!! That is not the voice I expected out of him, but maybe I should've because he did love deep voices back in "Certifiable Super Sitter." I accept it.

Aw, he's so ready to play! This makes me so happy... That's exactly what a fairy godparent is here for- Finding miserable kids and turning that around so they get happier memories of their childhoods. That's exciting!

-> Oh, NOW I see why you guys were all messaging me about my "Poof adores his hero Westley Periwinkle and likes naming things after him" lore, sdkjfl. Ahahaha... I'm in danger.

-> "Don't Let Your Babies Grow Up to Be Pixies" Poof-Westley interactions looming on the horizon

Interesting choice to change his name? I wonder if that was done for stylistic reasons like the script. I seem to remember the OG show's scripts would say POOF in them for special effects, and I can see how that would be confusing.

Is... is this because he's trying to lie low so he can dodge the attention he was always getting as a celebrity kid? That feels right, seeing as if it was a true deadname to him, he probably wouldn't have introduced himself as Poof before saying "I changed it to Peri, like Periwinkle."

Either that or he's unclear if Dev's heard anything about him from Cosmo, Wanda, or Hazel and he wanted to clarify who he is, though that doesn't seem likely.

Huh. I'm kinda surprised Poof showed up. I know in the past, he was a controversial addition to the show and I half-expected him to be swept under the rug, though I did wonder about it when Cosmo and Wanda were talking about him earlier.

I've always loved him though and I'm excited to have him back. Return of my other OTHER son.

I'm really excited to hear him talk since his talking was limited to "School of Crock" (only at the end), "Fairly Odd Fairy Tales" (which he mostly slept through), and "Certifiable Super Sitter" (which is... unique). I've had to make up his entire personality for 'fics based on what limited understanding we had of his interests. I look forward to learning more about this version of him!

My established version of him in 'fics will take priority over new information. I'm currently still on the line of "Do I want to ignore New Wish in my canon or try to incorporate what I can?"

That said, I'm leaning a little towards incorporating, since I think I can work with most of it so far, especially if we're throwing in "Fairywinkle-Cosma family aren't strangers to time travel right now."

-> I'm not committing by any means, so don't hold me to that, and even if I do, it'll be cherry-picky.

-> One of my canons for Cloudlands AU Poof is that he's a fanfic writer, mainly for a series called Ninja Cowboy (which he chronically leaves unfinished, to Foop's distress since as Poof's opposite, he's addicted to finding out their endings). He also writes Anti-Cosmo x H.P. fanfics because it's the only thing that makes them back off when they show up to bother him.

Point being, I hope he gets to engage in Prime Meridian with Dev. I feel like they'd enjoy writing 'fics together and it would be funny to me :)

-> I'm wheezing on the floor. Poof's early concept name was Dusty. Even though the writers wouldn't have reason to know that was his concept name, it's funny to me that his name was changed to something that's also not that. The man of as many names as voices he can mimic...

That works really well for me since I named his younger brother Dusty, so that would've caused me problems.

I also gave Poof a mullet / ponytail in my teen design, so that makes me laugh. Lemme see if I have his ref sheet...

I do! Plus a bunch more from my files:

Looks like I gave him a tuft kinda close to his extra hair strand! That's fun. I wonder if New Wish Poof also likes sports. Hmm...

I'm gonna have to look up what era suspenders were popular. I specifically designed my teen/adult Poof with a late 60s / early 70s vibe since Cosmo was said to have been designed for the 50s, which is the time period parallel I was treating Fairy World in during that era too (hence Poof's blog tag being #purple hippie dragonfly, which I'm not planning to change because it's for me).

Exciting! I like Poof's staff. I've seen people do adulthood designs for Foop with a staff, but Poof's a new one. That's fun.

Alas, no freckles... but that's not gonna change in his Cloudlands AU design. We are "biological queen bee" all the way here.

Hmm. Foop has freckles, but... we'll see if he ever shows up in this series. I do not expect the artists to remember his freckles since they only showed up when he puffed his cheeks or flushed, but... if Foop shows up without his mustache and goatee, I'mma have questions.

Actually, this is perfectly fine because I always draw gyne fairies with pale freckles unless they're at their peak, and I already set Finley up as more dominant than Poof at school (with Finley suppressing his pheromones so Poof's "locked down" anyway). It looks like they're pretty faint in his ref sheet too. I'm satisfied with this.

No promises I'll work the Peri arc into my canon. I think I have room for it to exist and I don't think I've seen anything in New Wish that directly conflicts with Cloudlands AU in a way I can't work around, but I'm not likely to write 'fics for New Wish right now.

-> I'm not opposed to incorporating New Wish prompts into the 130 Prompts series IF I find any old drafts I end up not liking, but I did a deep clean in early 2023 and got rid of ones I didn't like, so I'm not sure.

I did sketch Hazel for a potential arc cover though, so I can use that if I have reason to.

So far, as long as I can find a satisfying way for Poof to age, I think I can swing New Wish around to fit with Cloudlands AU... unless we get something super specific like Poof-Peri already graduating high school or Cosmo and Wanda confirming they won't have godkids after Hazel, in which case I'll have to ignore that.

I can even work things around if Peri's not with Goldie, because their whole thing in Cloudlands AU is celebrity drama and dating life struggles anyway (iirc, Foop even told readers that Poof and Goldie keep splitting up and getting back together).

-> I've always suspected Poof would get special advance godkid permissions seeing as, y'know... Jorgen literally made him trial test Crocker's Mom as his "godperson assignment" in "Fairly Old Parent," plus Poof was getting on-the-job training his whole life. It's neat to see him!

I hope Poof's better at not burning himself out now. He looks like he's doing okay. He's grown out of his shell!

-> According to my timeline, Erg was Cosmo and Wanda's trial kid while they were still in high school, so it would totally work for me if Dev is Poof's high school assignment.

I'm not expecting that to be stated, but I can work with it.

Thanks for joining me in this liveblog! Looking forward to more episodes :)

[linguafrencha]

Hi! I want to learn French and Russian. Could you share your favourite resources for beginners? Could you also include books and movies/TV shows recommendations for both languages in your post? Thank you.

That's really cool that you want to learn those languages!!!

I have a bunch of Russian resources that I used because I started out as solely self-learning. So a large part in my absolute beginner phase I spent listening to podcasts, specifically, these: understanding spoken Russian which is great for just getting a feel for the language while also learning a bit of grammar and this one for getting grammar and vocab explained in a very down to earth kind of way without any types of big words you need to know.

Besides these I essentially learned all the Russian grammar I know on Youtube. Especially from this channel. Daria is very cool and also has several podcasts under the same name.

This one has helped me with specific questions about little grammar things, so might also be useful.

Nastya has this year begun doing a Learn Russian in a Year thing where she uploads every day a thirty minute lesson. It's a bit slow for me personally having already learned a lot and just generally me being impatient but it can definitely help with vocab.

He also has good videos and also some free stuff on his website iirc.

For TV shows I unfortunately can't recommend a lot for beginners. What you can do though is watch episodes like Peppa the Pig on Youtube in English and in Russian/French to compare and learn or only in your TL as they're obviously at a low level. What I do highly recommend as a show though is слуга народу for Russian and Lupin for French.

Also, if you're into audiobooks, try typing children audiobooks into Youtube or try listening to the Russian/French version of Harry Potter (that's what I'm doing rn actually).

If you're looking for a book and willing to spend some money I recommend this book with Russian short fiction for beginners. I just finished it and I thought it was very fun with vocab lists and questions for the stories at the end. The same author has also books for higher levels.

Unfortunately, as I learned almost all of French in classes I only have one channel I actually use to recommend, which is this one. You'll find some of my posts where I used this channel as my source.

I hope this helps! I might update in future when I find more. Good luck with your language learning journey!!

[mantequillamcwhoremick]

Hi! I ended up reading through Choas Plan in pretty much two days (your writing is actually phenomenal) but I was actually curious on your inspirations to write it? Did it come from any other particular works or maybe episodes from sp?

WHAT NO WAY😭😭😭😭😭😭WHAT THE HELL THAT'S SO NICE HOLY SHIT THANK YOU SO MUCH <33333

You can't just ask me shit like that dude I will respond with a huge fucking essay I LOVE questions like that!!!!

I honestly have several inspirations, many come from the show itself and some I've drawn from cyber crime documentaries and books I like (namely the Six of Crows duology by Leigh Bardugo, you might recognize the scene with Mysterion and Harris in chapter 3 is very VERY similar to the one between Kaz and Jan Van Eck at the beginning of the book), but if you've read the notes in the fic you might have seen that the story idea was initially born when I was playing TFBW.

The Idea

The U-Stor-It scene where Butters/Chaos locks the C**n and Friends in the facility and talks to them through a screen was just so fascinating to me, it reminded me a lot of Jinx from Arcane and the Joker in The Dark Knight (especially because of the flashy decorations and graffiti). Mainly the story evolved from the question I posed to myself in that moment, which was: "What needs to happen for Butters to become someone like Jinx?" and that's how I started brainstorming the backstory.

The Backstory

Obviously that was inspired mainly by Linda's behavior in Butters' Very Own Episode, but it features elements from stuff all over the series and the games that prove just how fucked up Butters' parents are and treat him.

(Remember when in TFBW he mentioned that they bought an electronic lock system to keep him in his room because he left the bathroom once while grounded? yeah, that convinced me Butters' home life probably would only get worse with the years, especially with him entering his teens & puberty, and Post Covid honestly just confirmed that.)

The Villain/Hero Concept

I hadn't yet watched much more of South Park than up until seasons 15/16 so I didn't know about Post Covid's Vic Chaos yet, I mostly just wanted to do something with Mysterion and Chaos that had a darker and serious tone without either of them having any Marvel-esque powers or tech-organizations aiding them, something closer to the South Park lore at hand and realistic enough to feel like it could happen in our world.

Chaos' Methods

With Butters having a knack for Internet-related shit and him being able to hack into a baseball stadium screen to broadcast his evil plans in the Professor Chaos episode, and ofc his whole thing in TFBW and the episode of him becoming a pimp, I figured he has the stuff to be a hacker and entrepreneur.

I started getting spoilered a lot on the whole Vic Chaos and NFT scammer thing so even though I hadn't watched Post Covid I drew a lot of inspiration from that as well. I've been watching a lot of documentaries on Cryptocurrency scams and other cyber crime related stuff, so yeah all that shit also gets my brain generating a bunch of ideas as well.

Mysterion

As for Kenny/Mysterion's side of the story- I'm a huge fan of the "criminal who gets paid by a shitty pig/capitalist who would normally never hire them to take on a job" concept in Six of Crows, so that's how I got Harris involved, later further fueled by his Thin White Line arc in TFBW.

The way Kenny used his death powers in the C**n & Friends episodes I found very intriguing, and I absolutely LOVE playing around with them, so I included my own interpretation & spin of it as an active "superpower" he uses in order to be successful enough as a vigilante to be taken seriously. His canon powers separate him from your average humanbeing. It's a way to show the audience "hey look, Kenny really is just some guy, but also no one else could take on this role, ever. He may not have super strength or speed or money for equipment backing him, but he can get into places and out like no other person ever."

Coming up with a kryptonite-type weakness was also super fun, because I didn't want things to just be too easy. Mainly it's his need to remain anonymous, but the biggest reason for that need is because he needs to keep up his ability to financially support Karen. That, I obviously got from the show-, namely episodes like Mysterion Rises, The Poor Kid and City Part of Town, but his dynamic with Karen got increasingly more interesting and influenced in the fic after I played the TFBW DLC From Dusk Til Casa Bonita. The fact that he's so obsessed with keeping her safe the best way he knows how but completely overlooks to consider letting her have a say in it, is absolutely delicious. Like fuck yes, let's go complicate these character relationships (rubs hands evilly)

TL;DR

Inspirations come from all over, but of course the main ones do come from the show and games. Kenny and Butters have always been increasingly fascinating characters to me the more I watched the show, so the fact that Kenny canonically is the only kid Butters respects (source: s16, Ep "Going Native"), to an extent that in the future Butters funded his entire career, I thought had a shit ton of potential. Hence their friendship in the fic before "the incident", and the way Butters goes about Kenny now that he's taking over the town >:)))

Thank you SO SO MUCH for the ask!!!! I hope I didn't ramble too much for what you actually wanted to know, but I just absolutely love sharing my inspirations for this fic. Really gets my brain go brrrrr heheheh I'm so so grateful that this interests you <33333