#can you tell ive been in fandoms where people had their versions of a character meet up n interact before?

[moons-br]

I think as a fandom everyone who has a version of jonny who doesn't look like the canon version of him (aka creature jonny <3) should have then all meet like some sort of fucked up doggy playdate.

It would go horribly but also I like to image it and laugh

[pink-pavlove]

Big fucking spoilers babe

Okay I need to dump. I’m actually gagged Rosie is holding alastors leash. Like GAGGED! I would have never guessed in a million years. Rosie x alastor friendship has been popular in the fandom, ive seen it in so many fics and fanarts. Although when i first watched the series i thought the relationship between them was more of a friendship of convenience and mutual interest (cannibalism, power, murder) more than it was that they actually enjoyed each others company. That being said i still would have never guessed she was such an important character. Now that im over the initial shock lol, im pleasantly surprised.

Alastors backstory. First of all the way it’s presented to us; Alastor going to ask a favor from Rosie and being bitchy about it; is *chefs kiss*. I can’t tell you how much I love seeing this side of al. He’s vulnerable in a way I didn’t expect to see but also stays true to himself trying to smooze or intimidate to get what he wants. Love that for him! I loved his human version. Idc what ppl say about the mustache, *captain holt voice* “that mustache was ERA APPROPRIATE!!”

Oh no, he’s hot! Maybe it’s just cuz his voice doesn’t have the staticy overtone anymore (or maybe it’s cuz he just sounds angry) but his voice is HOT. Human al is a maniacal hottie and I will not apologize for saying it!!!

When Rosie laughs about him getting shot and killed the day after making their bond, and he goes “oh hahahahHaHHAHAHAHAHA! Yesssss… SO! funny…” all sarcastically???? Babe… I’m done. His character is so naturally hilarious they don’t even have to do too much with him.

I’m so excited to see more Vox this season. I love him deerly (haha… ha?) Him absolutely trashing the hotel and making Charlie’s life hell is a great plot point and I honestly want to see it the most. Besides a few quick glimpses of him, there was a storyboard with al and angel dust tied up, apparently Vox kidnapped them. 🥵 girl I’m too twisted to think normally about that. I’ll just leave that one alone….

All the scenes of heaven made me SO MAD!! I hate them fr. Tbh it’s such a great and intelligent commentary on our society and how we treat people we deem worthy/unworthy, (An arbitrary concept that is based in opinion not fact) and how we often let our emotions get the better of us. The way they immediately assume sir pentious forced his way into heaven, that it’s a “trick”. They refuse to acknowledge or even consider that their way of thinking, the things they have been doing, the beliefs they’ve based their society on, might be wrong. They would rather make it almost impossible for new souls (worthy or not) to enter heaven out of fear. Fear that the people they’ve oppressed and abused might fight back, and fear that there actually might be consequences to their actions (if one can be redeemed, than it would be right to assume one can also fall (they even have an example that this is already true, Lucifer!)). It’s disgusting to watch them act this way, but only because it’s so REAL! This is really how people are and it just confirms the theory that the people in heaven aren’t that different than those in hell.

I think all this backs my personal theory that people don’t end up in heaven or hell because of what they’ve done in life, but instead they end up where they THINK they belong. Sir pentious went to hell because he never forgave himself for not coming forward when he should have; for not saving people when he had the chance. So when he did have the chance to save his friends, and he acted on it selflessly, he in his mind believed he had atoned for his past mistakes. Therefore! Landing him in heaven, redeemed.

Further solidifying my theory, he hates it in heaven! I fully believe people end up in hell most of the time simply because they would have more fun there than in heaven! Heaven lowkey sucks. Having to hangout with LUTE? Or stupid fucking ADAM?? Yeah, no, fuck them! Heaven might be nice, but no drugs? No porn? Yeah I’d perfer hell too 😅🤭

Lucifer being a guest at the hotel is also an interesting addition I didn’t expect. The dynamic of the show seems much different than the first season, definitely more intense imo. Didn’t see much or any of angel or husk, (I think there’s a leaked Angel song somewhere but I haven’t found it yet) although I caught a glimpse of cherri bomb curled next to Angel on the couch and I’m really hoping that means we get to see more of her!

Anywaysssss I’m off to look for more spoilers, I’m finding all of the leaks on tiktok btw! I wanna hear you vent so come talk to me about it in the comments or dms 🫶

[lustale]

Hello everyone! Thank you all for almost 50 followers!! :3c All activity has been on my main account @morguemaw, so if you want more direct content of Lusttale shoot me a ask about it!!!!

So, abit has changed over the few months and i have a update, coupled with info for all you new guys who found this blog!

1) AU is decided to be 16+. Its suggestive, no NSFW will be posted/shown as i want whatever content i MYSELF to post to be accessible to everyone within a comfortable range! There will be light sexual jokes, however if at any point it reaches too much, please tell me! I know the AU itself should obviously be considered a Explicit Rated AU, however i know there are people who enjoy the AU without the sexual aspects.

2) This AU is not a fan AU OR variant: This AU was made with the plan to 100% rewrite Underlust, i will explain below!!

Why the rewrite?:

I've loved Underlust since i joined the Undertale community, and others have too! However, the owner WAS involved and DID create content involving fontcest, a nazi Chara, Frans content, and was friends/mutuals with others who also created gross content like BlogTheGreatRogue and Lizherubones. This disgusted me and made alot of others feel the same. The AU was left off on a confusing as shit note, from the disgusting writing of Lust MTT to the messed up relationship between the brothers. I want to erase this the best i can. Alot of characters have also 0 content (Such as Lust Alphys) and although i will mostly focus on Sans/Papyrus/Frisk still, i WILL be creating content for mostly every character to again ensure the AU is fully fleshed out for as much enjoyment as possible.

Wheres the creator/owner?:

Awhile back, the owner, NSFWshamecave/Niel, left the internet and the AU for personal and mental reasons and bounced between owning and not owning the Au. They have since been MIA(Missing In Action) from the internet and AU, i doubt they will return or be involved at this point. The AU is considered fandom owned, which if you prefer that i support it, but do not interact with my blog as im basing everything on a rewritten POV with the entire intent to overhaul the AU without being too different or too similar.

What about the Underlust domain name?:

Lusttale CAN be called Underlust, BUT i prefer Lusttale to separate it as its alot easier, HOWEVER i have no issue with it being called Underlust! (Just still please credit/tag me, id love to see any content!)

What about fan AUs or others who make their own Variants?:

Keep going! I support these ten fold. Ive seen so many creative AUs overall, including a recent aroace one that has such adorable designs and is why i want to refresh myself and explain this blog to anyone new who might mistake me as a fan account. If you want to consider your variant a version/variant of my Rewritten AU, please tag me! Id love to see your AUs, your Varaints, EVERYTHING!!

HOWEVER. I do NOT support a single soul who ever uses my AU for Frans, Fontcest, or akin. Dont tag me OR interact with me, its public knowledge how the community feels about those, and im one of the many who don't like that content and wish for my AU to not be used in it. Self inserts, OC/Y/N x Lusttale, or etc is the same, id love to see it!!

What about Swaplust/Lustfell/AUs?:

Swaplust is also inactive: I have had my own interpretation of Swaplust since i found the AU when it was first made, Lustfell however i dont know, if its requested i will create something but i dont want to just claim every Lust AU out there. Not saying im claiming ownership of Swaplust, im saying that the Swaplust i want to make will be considered canon AU and it will be the ONLY Underlust AU i will ever claim, Swaplust has the same exact permissions. (Swaplust too had a very close Frans suggested ship, that is my reason for it)

To clarify if needed, im not forcing the view of me owning the AU onto every Underlust created content, im just saying if you yourself, the community, support what i do, i will continue, hence why i say tag me! I love to see it!

What about headcanons/outdated info like Sans being shorter?:

RN, Sans is the same size as Gaster Sans (i think 5' something?) however im fine with people drawing him short! ^^

Head-canons are also fully fine!!! Tell me any you think of, id love to hear. As long as you respect that i have my own plans, id be overjoyed to read whatever you guys think of or have.

So, to sum it up, Underlust has had a MIA owner since 2019/2020. Because of the history, and the way its loved, its a massive honor if i could step up and help give the community a AU with a solid backstory, solid characters with fleshed out personalities, and a structured plot that will replace something that was/is beloved. The best i can explain it, is my goal is to structure the AU but still keep support for the community as the AU was indeed considered Fandom Owned, again, you do not have to support me wanting to claim it, just do not bash me for it, as im absolutely not considering Lusttale a variant or AU, im considering Lusttale canon.

Questions are welcomed, if you have any concerns i can also explain! (Anon/Off Anon preferred so i can have it be public accessible incase others have the same questions)

[fictionfixations]

belphegor: humans cant be trusted. i cant trust [MC]. they've been lying to us this whole time!

also belphegor: appears all haha blushy as a special guest the fight right after💀

out of everyone it couldve been lmfao.

tbh im not attached to the demon boys (i do care about them but fhsui) so it doesnt really hurt me. like. i mean i can understand the sadness that comes with time traveling and seeing people youve known before but who dont know you and who also arent the same people you knew. i literally recently read a fic just like that and the way i sobbed when this character who we see as a father figure threatened to kill us (protag. i just say us from pov i read from) because he doesnt know us hasnt had that attachment and just my heart hurt. and im not over it.

but also thats come from being in that fandom and consuming a lot of media related to it for like months often. ive been on and off obey me so like i care but i dont have any emotional attachment?? like i mean i want them to get better and be better versions of themselves, but tbh its less i wanna romance them and more i want them to get better. to not have unhealthy coping mechanisms and stuff.

..now if it was simeon itd be a different story cause i would like to romance him

anyway thought i had regarding stuff. isnt it wacky that angels are meant to like care for and guide humans. except oh no they can't love them SO much that they want to be with them romantically, no no thats TABOO ?????? so like angels need to care about humans (or maybe they treat humans like infants so its less about caring and more that they believe humans cant do shit without them?) but not too much, no thats bad why. thats. so dumb.

and then what happens if humans prove that they can take care of themselves?

like later solomon said about how he wants us to be on the humans side if anything happens because otherwise itd be like being okay with how it is right now where humans are thought of as inferior and need an angel or demon's guidance to do stuff.

like. like okay so if humans prove that we can stand on the same footing as an angel and a demon, then tf do angels do? so they guide humans. okay what else? what if we dont need your guidance? what if we just want to live our own life even if we make stupid decisions???

would it be okay then? or would humans be looked down upon for trying to gain independence?

im just trying to understand

i really dont want to be their enemy cause itd suck and i dont know if we could be friends after

(me when one of my favorites is literally the demon who hates humans and has not gotten over it because of what they've done. why do i do this to myself)

and lets be honest idk what the protagonist has outside of the demon brothers, and like maybe the angels and solomon

..tbh i never finished the obey me (the other one)'s story so idfk if we can even do magic without taking magic from the demon boys so

???

but so like. what are we without them?? do we have a reason to do anything? a motivation?

i feel like. if we lost them that we'd lose a purpose in life. sure we have solomon and we have the angels but its not the same yknow?

also belphegor being all mad at us and its just like. sorry i kissed you in an earlier chapter 💀 i did the hug one first cause its never really felt appropriate to do romantic stuff during emotional times but if you know me i also go back to do other options so.. sorry for kissing you while i was of a species you detest ??? my bad

anyway wonder how we get out of this one when we cant tell them that we time traveled.

i dont really understand how it works but would it mean that there'd be a point where we do actually have to like leave leave them

with the idea that our past self would then appear when we do in the other game

and then us our future self would then appear in the 'present' who used to be our past self and we'd be back to the time it was in the last game

since nightbringer is clearly taking place after the first game except we just time traveled is all??

but then what about the demon boys memories? or would those memories be taken and then implanted into our future/present demon boys from the first game while we are also back into our present self while at the same time letting it continue as if the demon boys never met us so timeline doesnt get fucked but ALSO that the demon boys remember what happened in the past and what happened in the present so they're still the same-ish?

idk im bad at thinking about time stuff.

but i feel like if they remembered us from the past then something would happen, maybe not for the better. like if they changed the future then which couldve meant that we never then went to the past to meet them and then i guess paradox?

tbh i dont even remember how we got here its been way too long

also i forgot to make a post about it but nightbringer has gotten title dropped a few times, who is seemingly the guy who made us time travel

..why.

like before this did we get told of the scenario why? or ?? cause if we did iforgot

like. were we in danger? were the boys in danger??

idk man i feel like im going in circles

[lilac-melody]

hai! :)

im new to the fandom as i've only found out about it through the anime. but ive been curious ever since i came across ur blog. are the characters in the novels/mvs very much different from the ones in the anime? i would like to read the novels if that's the case. anime adaptations tend to make their version much more different than canon so... i hope u dont mind me asking...

Good morning anon !! (Or afternoon, evening, etc)

Tbh, I'd say yes, they're pretty different. They have the baselines accurate, but in all honesty the anime felt more like a fanfic rather than an actual re-telling of the events. Not to mention, the anime completely trashes LIPxLIP's trauma which I will honestly never forgive.

The novels are honestly so good.

For Hiyori, there's Nonfantasy, which is basically just her becoming LIPxLIP's manager.

And then there's her next (also last) novel, Heroine Development Plan. This is quite different from the anime as it follows the MV of the same name, where Hiyori falls for a guy named Asuka. He had to be retconned though since Asuka belonged to ASCANA, who were Johnny's Project characters. They collabed with Honeyworks but ended sometime in 2021, so the anime couldn't use them. Though personally, I like to consider Asuka's events happened and then Nagisa's happened, since the MVs are continuing and saying that Nagisa's events happened as well.

As for LIPxLIP, they have 2 (technically 3) novels.

One is Kono Sekai no Tanoshimikata, which is also the name of the movie...which tbh, I recommend more than the novel, simply because 1, you can actually see the other characters and their thoughts as well as see the performances, and 2, it's honestly faster. You can find the movie on any 🏴‍☠️ site, but if you want the novel, it's linked above.

After that is the Romeo novel, which is basically them after they become idols but before their debut. This novel was the first for them specifically to come out and it's very important to their character and backgrounds! It goes pretty into detail for both of them (Mostly Aizou since most of the novel is in his point of view, but Yujiro has a couple chapters that pretty much confirms he's canonically depressed. The novel gets pretty heavy, I'm not gonna lie)

And finally! The most recent novel for them that came out only a few months ago, Fantasia LOVE&KISS! This novel is styled a bit different as half of the novel is about the fantasy world basically following the events of the MV. And the other half is also very important to their characters, and even expands on their trauma and how they work to overcome it together. I def recommend reading this one after Romeo, but this one is soooo important and honestly, it gets pretty intense! (/pos). It seriously shows how much the two have grown not only as idols, but as people, and shows just how important the other is to them and..

God I want to cry I literally love this novel so much. They make me mentally ill anon 😭😭 it's such a beautiful novel.

I sincerely hope that you read the novels and find as much joy in them as I, and many others, have!!

[deathclassic]

i was tagged by @you-are-so-much-better-than-that​​ and @mikhailoisbaby​​ to do this fic writer/artist tag! ive never seen an artist version of this so this is exciting :D

1. Do you post on Ao3? If so, how many works do you have on AO3? If not, where do you post?

i dont post art on ao3 but i post fics there,,,,not gonna say my username though

2. What is your total art count?

we gotta be like 500+ by now

3. What are your top 5 pieces by likes/kudos?

they’re all dan and phil surprise surprise i was surprised that the first one has 12k notes for some reason. im just going to link them

spooky week sketches  amazingphil shop spon PHIL QUIFF DEBUT!!! black ‘n’ white dan phil is not on fire collection

4. Do you respond to comments? Why or why not?

i try to but sometimes i forget and i also dont have notifcations on any social media turned on so i miss a lot of things

5. What is your current fandom, and what was the first fandom you drew for?

currently drawing for umbrella academy, shameless and stranger things. first fandom i properly drew for was one direction but i was drawing stuff for like panic at the disco and powerpuff girls and my little pony and my chemical romance when i was like 7

6. Have you ever received hate on any art?

tonnes lol, i’d say every 2-3 pieces i draw gets some kind of negative attention. recently there’s been an asshole in my asks accusing me of fetishising ian and mickey so thats something to look forward to every time i pose 

7. What’s a fandom/ship you haven’t drawn for yet but want to?

i want to go back to shows i watched as a kid like total drama island and draw the characters in my art style, i did it with the winx club earlier this year and it was fun. i want to draw harringrove but im not mentally prepared to be like,,,sent death threats atm

8. What’s your all-time favorite ship?

i dont know tbh ian and mickey are up there i guess

9. Do you draw outside of fandom?

yeah im a graphic designer so i draw a lot of shit 

10. What’s the an art piece you’ve drawn that came out completely differently than you expected?

this one actually

11. Do you draw smut?

sometimes

12. Have you ever had any of your art stolen or copied?

yeah of course, someone sells my shit on redbubble and i have to keep reporting them

13. Have you ever collaborated on a piece?

yes! @mishervellous​ and i did that amazing comic together for gallacrafts and im so proud of that! also collaborated with a lot of dan and phil artists to make a calendar, a phil is not on fire poster and some general collabs for fun (if anyone wants to collab hmu bc im down)

14. What’s an idea you have that you have yet to draw?

i really want to draw drummer mickey for some reason

15. What are your drawing strengths?

people i guess, maybe like details on clothes and stuff?

16. What are your drawing weaknesses?

hands and feet lol

17. What’s your favorite art piece you’ve drawn?

im so proud of this drawing even though no one really liked it, like looking at it makes me so happy

18. What is one thing you’d like to tell people about your art that they might not know?

like harvey said haha i also use the same colour palette especially skin tones and hair colours also i sketch a lot of the drawings traditionally and then trace over it on photoshop

19. What inspires or motivates you to create for fandom?

myself. i would still be drawing even if no one notices it. heck i draw so much stranger things stuff only for a top of 10 people across instagram, twitter and tumblr to interact with it. 

20. And finally, can you describe your process a little? Do you have a favourite place to draw? Do you play something in the background? Do you do research or just go for it? Give us a little insight

i sit at my desk and use a wacom tablet and my laptop. I have my other laptop open and im normally listening to a tv show that ive seen so i dont have to pay attention or a play through of a game or some creepy stories. sometimes i listen to music on my record player. i always spend ages looking at pose references and rage quitting when i dont draw it right the first time before coming back to it a few hours later. i draw mostly in the evenings, after dinner. sometimes i drink a hot chocolate if its late enough lol. 

im gonna tag @mishervellous​ @doodlevich​ @heymrspatel​ @adakechi​ 

[cellydawn]

sans IS gaster (OR the sans theory masterpost pt. 2)

Part 1 || ❤️ || Part 3

(drawn by me, color by @magenteel​)

Previously, we discussed: Sans and his hand in the destruction of a world, his connection to Ice-E and Deltarune, and how he relates to Gaster. We’re going to continue the thread we left off on.

Section III - Gaster (Cont.)

Snails are mentioned too many times throughout Undertale for them to not be of any significance. As it turns out, they are pretty important in unraveling the mystery behind Gaster and Sans.

When you enter the area with Napstablook’s snail farm, you’ll notice that Sans’s theme is playing despite him not making an appearance. 

In one of Papyrus’s phone calls, he mentions that Sans recently bought snail-shaped pasta and says “He’ll probably fill them with hotdogs and slime.” Toriel also owns a book called “72 User for Snails”. Track 72 in the Undertale OST is “Song That Might Play When You Fight Sans”. That’s multiple times that Sans is likened to snails. 

Snails belong under the taxonomic class Gastropoda. Gasterpods.

These long pauses between words and phrases are not unlike how Gaster speaks.

Here is Gaster speaking with us in the opening sequence of Deltarune. And...

Now. Let’s move on.

(More under the cut.)

Mus_smile is the track that plays in room_gaster. This is my personal opinion, but the character that is the most strongly associated with smiles is Sans.

And Sans is certainly intelligent enough to be the prime suspect for being Gaster. The proper name for his namesake is Comic Sans Microsoft, or Comic Sans MS. MS can also be used as a suffix for the name of a person who has a degree in a Master of Science.

Sans also owns quantum physics books. The subject of Gaster’s scientific research is revealed in Entry #17: “photon readings negative”. Photons are described as a "quantum" of electromagnetic energy, and are of course within the realm of study under quantum physics.

Gaster, like Sans, is brilliant yet slow-working. Slower than Alphys, who is repeatedly noted to have nothing to show yet as the royal scientist in the eyes of the people and is shown to slack off constantly.

Gaster is implied to have perished, and I suppose he did, in a way, if these speculations do end up being correct. However, there’s something more to this statement. Ghosts are sort of in the realm of being not-alive, and Sans and Napstablook have a surprising level of comparability.

They both:

Get likened to “garbage”

Have connections to snails (Napstablook runs the snail farm)

Speak completely in lower case

Pretend to sleep and say “Z’s” out loud

Have black “sclera”

And the black sclera is also a topic of its own; it’s equated with the status of being brought back to life. Being “determined”. (See: Asriel and Undyne)

Undyne is especially suspect due to the strange right-eye-phenomenon she has in common with Sans, with spears shooting out of hers. Spears that are actually colored light blue, not unlike Sans’s eye. 

To recap: 

Sans and Gaster are heavily involved in Deltarune

They have been displaced from time and space

They have connections to snails

They are both doctors with knowledge in quantum physics

They both “fell” into the abyss

They both talk similarly

They are both slow

They are both characterized by their smile

They are both some degree of dead

Sans is Gaster or a significant piece of him. Sans has Gaster Blasters because they belong to him. If all prior conjecture proves true, he is and will be responsible for the destruction of a world or THE world within Deltarune. After all, the Latin definitions of “gaster” and “sans” are to destroy and to be without, respectively. 

That brings us to the next subject: why is Sans Sans? More specifically, why is that his name? Why even change his name?

Below is the Japanese version of the fun event with Sans’s phone call. It features completely different dialogue from its English counterpart. 

Am I Licca-chan? (Select No) Then from now on call me Sans. I need to check every once in a while. I won’t know when my name has changed. 

“Licca-chan” is a well-known Barbie-esque dress-up doll in Japan, so popular to the point where it is even used as a synonym for other dolls from different companies. Perhaps it implies that Sans is adaptable due to Licca-chan’s nature as a doll and how she is in a constant state of change to reflect the times. It also seems to be a pun on “liquor” because Sans was talking about beer in the English version. I tried to scour the Japanese fandom for clues, but they also seemed stumped. If anyone has any ideas on what this could mean, please let me know!

Regardless, “Sans” doesn’t seem to be his actual name. Perhaps his true name was Gaster...?

Additionally, If the player changes the name of the fallen child via going into the code, this message appears in the stats menu. The vernacular is very Sans-like, with his frequent use of question tags at the end of his sentences (I counted 14 huh’s from Sans).

Finally, let’s talk about the number six. We know that it’s Gaster’s number--All of the explicitly Gaster-related fun events trigger for fun values in the sixties, Gaster’s stats are all comprised of 6′s, Gaster’s “typer-value” is 666--you get the idea.

The concept art Toby drew for the Alarm Clock’s character screen features what is presumably Sans and the number six.

“The Choice”--the track that plays during Sans’s judgements--is “Undertale” slowed down by 666%.

Section IV - Angels and Demons (The “Why��)

In modern day culture, 666 is closely associated with the devil. The Book of Revelation (13:17-18) asserts that 666 is “the number of a man” (this is important, and we’ll come back to it later) and is “the number of the Beast”. The Beast is mentioned as “coming out of the abyss”. 

Sounds a lot like someone else we know, doesn’t it? And how fitting for Sans, the one who judges our sins and demands us “to burn in hell”.

But if we go further, the Beast of Revelation is described to have seven heads representing seven kings. The beast itself is an eighth king who is of the seven and "was and is not and shall ascend out of the bottomless pit, and go into perdition." 

Chara is an eighth of the seven fallen children. 

There’s something Chara, Sans, and Gaster all share, and it’s their association with demons.

Here is an excerpt from the Cutting Room Floor:

Among the four strings in version 1.0, the last one, designated by variable “demond”, stands out for two reasons. 

 The letter “d” is separate from the other letters denoting the demon variables--the rest, “x”, “y”, and “z” are in sequential alphabet order.

The speech pattern of the last string is different from the others. It has that signature question tag at the end of the sentence that a certain character is known for.

In version 1.001, the strings clearly reflect Chara’s speech pattern. This time, all the variables are in sequential order from “a” to “d”. 

Pieces of dialogue at the near-end of a genocide route from Chara and Sans. Recall that Chara is using the same “Now” from earlier with Gaster and Sans.

Chara makes a reference to Banana Yoshimoto's book “Kitchen”. Take note of the page number.

Chara is also linked to the number nine. It’s the highest achievable stat in-game. It’s the stat of the locket and real knife. It’s how much damage Chara deals. It’s also the number six flipped upside down. 

The connections are undeniable. 

And yet, it goes further. Let’s take a look at how Christmas comes in to play.

In Deltarune, there are a few references to it, the most foremost probably being the importance of Noelle Holiday as a character. We also get Lancer’s laugh and the joke with “Krismas”.

Back to Undertale, there is significant Christmas iconography represented by “Gyfmas” and Gyftrot (bearing a strong resemblance to Photoshop Flowey, the DT Extractor, and Gaster Blasters).

What I’d like to focus on is Santa.  Papyrus describes him as “a chubby, smiling man who loves to surprise people.” From the thank you note addressed to Santa we find in Sans’s room, we can assume that Sans is a Santa, at least to Papyrus. It’s pretty fitting, since Sans can be described as someone who “knows if [we’ve] been bad or good”. Maybe he can even tell if we’re sleeping or awake with how the Dark World appears to be linked with sleep and dreams (please read my theory on Sans being a Darkner for more on this).

So we can reasonably conclude that Sans presents himself as a friendly, child-oriented figure, in-line with the nature of Comic Sans, a font for children, and Ice-E, a mascot of a company marketed towards children.

…

Santa is an anagram of Satan. 

…

To recap: Gaster’s association with the number 666 marks him as a “demon”. Chara and Sans are also called demons and similarly have connections to the number 6. This is more evidence that Gaster and Sans is or used to be the same people, and Chara has some form of correspondence with them.

I failed to mention before that there is actually a second Beast of Revelation “from the Earth” with "two horns like a lamb”. From the “earth” like Flowey, with horns like Asriel. 

Asriel is most likely the “Angel” depicted in the prophecy within the scope of Undertale; he’s named similarly to Azrael, an angel of death, and one of his attacks is literally called “Angel of Death”. He also bears a striking resemblance to the Deltarune in his God of Hyperdeath form.

Surprise, surprise, he and Sans also share parallels. 

Let’s start with their introductions. “Flowey the flower”. “Sans the skeleton”. It’s a similarly alliterative greeting and they’re both using fake names.

Mirrored dialogue yet again...

…and similar meta-commentary.

These three characters--Sans/Gaster, Chara, and Flowey/Asriel--they have all fallen. Gaster fell into his creation. Chara fell into the Underground. Asriel had “fallen down”. (Sans and Papyrus are also the only sibling pair other than Chara and Asriel. I won’t talk about Papyrus in this part though because this thing is shaping up to be too long already.)

What does this mean for Sans? I have a personal theory.

Above the entryway of the Judgement Hall, there is a reversed Deltarune. The triangles are inverted and the wings are more bat-like. In the room where only Sans appears, the same room that plays a version of “Undertale” slowed down 666%.

I think Sans is a candidate for the Angel prophesized to destroy the world in Deltarune. I think he is Sans Serif, a seraph. He fell into his experiment and became a “fallen” angel, a demon. 

The Angel’s Heaven mentioned alongside, on the other hand...  Heaven can also be used to refer to God. Dog is an anagram of God. 

Sans has many, many connections with dogs, especially one Annoying Dog. More on this next time.

Part 1 || ❤️ || Part 3

[amuelia]

How do you think Roose will meet his demise? Or will he survive? What's your best Roose end game predictions?

Thank you for the question! This will be a long post under the readmore, going into my thoughts on the show ending and exploring what the books may have set up in regards to themes and characterization, as well as a bit of general analysis of Roose' story arc in a Dance with Dragons (and some speculation about Ramsay as well).

If you click on the readmore i will have divided the post into sections with bolded Headers, if you want to only read my specific endgame ideas you can skip ahead to the "His Endgame?" section.

In The Show

The show had him get killed by Ramsay in s6, which informs a lot of the fandom speculation about this storyline.

I am not a fan of the show's scenario as it was both similar to tywin and tyrion as well as a mirror of robb's death; it would also be offscreen in the books since neither of the characters are PoVs and Ramsay would need to do the act in secret. This would ultimately undercut Roose' role and impact, being a death scene that is not very unique and also isn't shown to the reader directly. Since no PoV is even in Winterfell currently, we would just hear of it from afar and not witness the consequences.

The show also has a different dynamic in the Bolton storyline, emphasizing Ramsay as the "main character" of this arc, and elevating him to the main villain for s5-6 to fill Joffrey's shoes as an evil character played by a very charismatic actor. Ramsay's show writing is informed by the needs of a TV setting that wants shocking moments and capitalizes on "fan favourite" actors; his rising importance in the show thus is not necessarily an indicator of his book importance. The show was also missing many central characters like the northern lords and the Frey men in Winterfell.

The show had a tendency to kill off characters early when they wanted to cull storylines or had no plans to adapt more of the character's story (like Stannis, Barristan, possibly the Tyrells...); In Mance Rayder we have the most obvious example, where they killed him off for real in a scene that in the book was a misdirection. We also have characters like Jorah where it appears the showrunners had their own choice of how they want his storyline to end, even if Grrm has his own ending in mind.

"For a long time we wanted Ser Jorah to be there at The Wall in the end," writer Dave Hill says. "The three coming out of the tunnel would be Jon and Jorah and Tormund. But [...] Jorah should have the noble death he craves defending the woman he loves." - Dave Hill for Entertainment Weekly

So a death in the show does not need to be an indicator that the books will feature an equivalent scene, even if it gives a hint as to what may happen. By s5 the show has become its own beast, and the butterfly effects from radical changes they made as well as the different characterizations results in the show having to cater to its own needs in many cases when it gets to resolving a plotline.

"We reconceived the role to make it worthy of the actor's talents." - Benioff and Weiss for the s5 DVD commentary, on Indira Varma's casting as Ellaria

In The Books

(Since this post was getting out of hand in length a lot of these arguments are a little shortened/not as in-depth as i'd like! Feel free to inquire more via ask if something is unclear or you disagree)

In the books i find it hard to make a concrete guess as to how it will end. Occam's razor would be to assume the show sort of got it right and that it will vaguely end the same, which could very well happen and i will not discount the possibility; Ramsay is cruel, desires the Dreadfort rule, and is a suspected kinslayer and has no qualms to commit immoral violence.

"Ramsay killed [his brother]. A sickness of the bowels, Maester Uthor says, but I say poison." - Reek III, aDwD

Reek saw the way Ramsay's mouth twisted, the spittle glistening between his lips. He feared he might leap the table with his dagger in his hand [to attack his father]. - Reek III, aDwD

Arguments against this or for a different endgame come down to interpretations of the themes in the story arc and opinions on dramatic structure/grrm's writing, and are thus very subjective.

The way the story currently is going, Ramsay killing Roose treats Roose almost as a plot device; his death brings no change or development to Ramsay's character as we already know his motivations and cruelty align with such an act, and we can assume that he would feel no remorse about it either. The results of such a scene would be firmly on a story level, as it brings political changes and moves the plot along into a specific direction. Roose himself cannot have any relevant character development about it as he does not have a PoV and we would not be able to witness his reaction from the outside.

“The only thing worth writing about is the human heart in conflict with itself.” - William Faulkner, often quoted by Grrm

Further, killing his father is very difficult to pull off in secret (Roose is frequently described as very cautious, and employs many guardsmen). And even if Ramsay pulls it off (people often interpret Ramsay as Roose' blind spot, assuming he might be caught by surprise, not expecting Ramsay would bite the hand that feeds him), Roose is the one that holds his entire alliance together; The Freys would be alienated by Ramsay who would antagonize Walda and her son as his rivals, The Ryswell bloc appears to dislike Ramsay (especially Barbrey), and the other northmen are implied to not even like Roose himself. Killing Roose would quickly combust the entire northern faction, and hinder Ramsay's further plans (another reason why I am not convinced of a book version of the "Battle of Bastards"). Though this might of course, if we look at it from the other side, be grrm's plan to quickly dissolve this plot and move the northern story forwards.

"Ramsay will kill [Walda's children], of course. [...] [She] will grieve to see them die, though." - Reek III, aDwD

"How many of our grudging friends do you imagine we'd retain if the truth were known? Only Lady Barbrey, whom you would turn into a pair of boots … inferior boots." - Reek III, aDwD

"Fear is what keeps a man alive in this world of treachery and deceit. Even here in Barrowton the crows are circling, waiting to feast upon our flesh. The Cerwyns and the Tallharts are not to be relied on, my fat friend Lord Wyman plots betrayal, and Whoresbane … the Umbers may seem simple, but they are not without a certain low cunning. Ramsay should fear them all, as I do." - Reek III, aDwD

Roose' death at Ramsay's hand also removes him thematically from the Red Wedding, as we can assume such a death might have happened regardless of his participation in the event (seeing as Ramsay is getting provoked by Roose constantly in normal dialogue, and has a general violent disposition). Roose already took Ramsay in before aGoT started, and married Walda very early in the war, which is already most of the buildup that the show's scenario had. It also has little to do with the The North Remembers plot except set dressing, since the northmen are presumably neither collaborating with/egging on Ramsay nor would they appreciate the development.

Themes: Ned Stark and the rule over the North

Roose is treated as a foil to Eddard; They are often contrasted in morals and ruling styles, while also having many superficial similarities that further connect them (they are seen as cold by people, grey eyed, patriarchs of rivalling northern houses, etc...).

Pale as morning mist, his eyes concealed more than they told. Jaime misliked those eyes. They reminded him of the day at King's Landing when Ned Stark had found him seated on the Iron Throne. - Jaime IV, aSoS

They both have a "bastard son" that they handle very differently; Roose treating Ramsay in the way that is seen as common in their society. Ramsay and Jon as a comparison are meant to show that Catelyn had a reason to see a bastard as a threat (since Domeric was antagonized by his bastard brother), but also shows that her suggested plan for Jon would not have stopped any danger either (as Ramsay being raised away from the castle didn't help).

And if his seed quickened, she expected he would see to the child's needs. He did more than that. The Starks were not like other men. Ned brought his bastard home with him, and called him "son" for all the north to see. - Catelyn II, aGoT

"Each year I sent the woman some piglets and chickens and a bag of stars, on the understanding that she was never to tell the boy who had fathered him. A peaceful land, a quiet people, that has always been my rule." - Reek III, aDwD

It appears to me that Roose' story functions in some ways as an inversion to Ned. He makes an attempt to grab a power he was not destined to (becoming warden of the north), where Ned did not want the responsiblity thrust upon him ("It was all meant for Brandon. [...] I never asked for this cup to pass to me." - Cat II, aGoT). Where Ned rules successfully and his northmen honor his legacy ("What do you think passes through their heads when they hear the new bride weeping? Valiant Ned's precious little girl." - The Turncloak, aDwD), the Boltons are largely hated and there are several plots conspiring against them ("Let me bathe in Bolton blood before I die." - The King's Prize, aDwD).

It seems possible to me that in terms of their family and legacy, Roose might also live through an inverted version of Ned's story; where Ned died first, leaving his family behind, Roose already lived to see the death of his wives and trueborn heir, and might thus also live to see Ramsay's death. Ned leaves behind well raised children and a North who still respects his name, and even though he dies it will presumably all be "in good hands" in the end (in broad strokes, obviously this is all much more morally complex). Roose however built up a bad and toxic legacy, and also built his way of life around evading consequences; it makes sense to me that he would be forced by the story to finally endure all the consequences of his actions and witness the fall of his house firsthand. After all we already have Tywin who fulfils the purpose of dying before his children while his legacy falls to ruins, and a Feast for Crows explores this aspect thoroughly.

Roose' arc in A Dance With Dragons

The story repeatedly builds up the situation unravelling around Roose, and him slowly losing a grip on it and becoming more stressed and anxious.

Reek wondered if Roose Bolton ever cried. If so, do the tears feel cold upon his cheeks? - Reek II, aDwD

Roose Bolton said nothing at all. But Theon Greyjoy saw a look in his pale eyes that he had never seen before—an uneasiness, even a hint of fear. [...] That night the new stable collapsed beneath the weight of the snow that had buried it. - a Ghost in Winterfell, aDwD

Lady Walda gave a shriek and clutched at her lord husband's arm. "Stop," Roose Bolton shouted. "Stop this madness." His own men rushed forward as the Manderlys vaulted over the benches to get at the Freys. - Theon I, aDwD

It also directly presents him as a parallel to Theon's rule in aCoK, who similarly experienced a very unpopular rule and his subjects slowly turning against him. Presumably, the point of this comparison will not just be "Ramsay comes in at the end and unexpectedly whacks them on the head". Both Theon and Roose invited Ramsay into their lives, giving him more power than he deserves, and causing Ramsay to make choices that increasingly alienate others from them (the death of the miller's boys for example has repercussions for both Theon and Roose). Grrm is likely steering this towards a difference in how they will deal with this situation.

It all seemed so familiar, like a mummer show that he had seen before. Only the mummers had changed. Roose Bolton was playing the part that Theon had played the last time round, and the dead men were playing the parts of Aggar, Gynir Rednose, and Gelmarr the Grim. Reek was there too, he remembered, but he was a different Reek, a Reek with bloody hands and lies dripping from his lips, sweet as honey. - a Ghost in Winterfell, aDwD

"Stark's little wolflings are dead," said Ramsay, sloshing some more ale into his cup, "and they'll stay dead. Let them show their ugly faces, and my girls will rip those wolves of theirs to pieces. The sooner they turn up, the sooner I kill them again." - The elder Bolton sighed. "Again? Surely you misspeak. You never slew Lord Eddard's sons, those two sweet boys we loved so well. That was Theon Turncloak's work, remember? How many of our grudging friends do you imagine we'd retain if the truth were known?" - Reek III, aDwD

Roose' arc is deeply connected to the relations he shares to the other northern lords, which has been heavily impacted by the Red Wedding. It stands to reason that they are going to be an important part of his downfall, and we see many hints of them plotting to betray him.

The north remembers, Lord Davos. The north remembers, and the mummer's farce is almost done. My son is home." - Davos IV, aDwD

Themes: Stannis and kinslaying

The books set up Roose and Stannis as foils as well; Both lack charisma and have trouble winnning the people's support, Stannis and Roose both parallel and contrast Ned, Stannis appears as a "lesser Robert" where Roose is a "lesser Ned", Stannis represents the fire where Roose represents the ice, both struggle over dominion in a land that doesnt particularly want either of them, etc... What i find interesting is how they are contrasted over kinslaying:

"Only Renly could vex me so with a piece of fruit. He brought his doom on himself with his treason, but I did love him, Davos. I know that now. I swear, I will go to my grave thinking of my brother's peach." - Davos II, aCoK

"I should've had the mother whipped and thrown her child down a well … but the babe did have my eyes." [...] "Now [Domeric's] bones lie beneath the Dreadfort with the bones of his brothers, who died still in the cradle, and I am left with Ramsay. Tell me, my lord … if the kinslayer is accursed, what is a father to do when one son slays another?" - Reek III, aCoK

Stannis is set up as someone who is very thorough and strict in following his own code and his "duty", even if he does not like what it forces him to do.

Stannis ground his teeth again. "I never asked for this crown. Gold is cold and heavy on the head, but so long as I am the king, I have a duty . . . If I must sacrifice one child to the flames to save a million from the dark . . . Sacrifice . . . is never easy, Davos. Or it is no true sacrifice. Tell him, my lady." - Davos IV, aSoS

The armorer considered that a moment. "Robert was the true steel. Stannis is pure iron, black and hard and strong, yes, but brittle, the way iron gets. He'll break before he bends." - Jon I, aCoK

Roose however is frequently characterized as someone who tries to get as much as he can while avoiding negative consequences, and who does not have a consistent moral code and instead bends rules to his benefit to be the most comfortable to him.

It is often theorized that Stannis will end up burning his daughter Shireen; the Ramsay issue might then serve to contrast the two men. If Grrm intends it to be compared by the reader, I can see it going two ways: Either Roose will be forced to finally act in a drastic way after avoiding his responsibility in regards to Ramsay and he will be forced to get rid of his son, making him break the only moral hurdle he has presented adhering to during the story (though analyzing his character, the kinslaying taboo is probably less a sign of moral fortitude and more him using the guise of morals to explain a selfish motivation). Or he might not act against Ramsay and suffer the consequences, presenting an interesting moral situation where some readers might consider his action "better" or more relatable than Stannis', breaking up the otherwise very black and white moral comparison between the two men. It serves as an interesting conflict of the morality of kinslaying compared to what readers might see as a moral obligation of getting rid of a monster such as Ramsay; contrasting Shireen whose death would not be seen as worth it by most. Ramsay as a bastard (who was almost killed at birth if he hadnt been able to prove his paternity) also makes for an interesting verbal parallel with the bastard Edric Storm, and might be used for a look at the utilitarian principle of killing a child (baby ramsay/edric) to save countless people from suffering that underpinned Edric's story.

"As Faulkner says, all of us have the capacity in us for great good and for great evil, for love but also for hate. I wanted to write those kinds of complex character in a fantasy, and not just have all the good people get together to fight the bad guy." - Grrm

"Robert, I ask you, what did we rise against Aerys Targaryen for, if not to put an end to the murder of children?" - Eddard VIII, aGoT

"If Joffrey should die . . . what is the life of one bastard boy against a kingdom?" - "Everything," said Davos, softly. - Davos V, aSoS

However Grrm decides to present these conflicts or which actions the characters will take in the end, it will result in interesting discussion and analysis for the readers.

His Endgame?

Looking at the trends of the past books, it is probably going to be hard to predict any specific outcome; every book introduces new characters and plot elements that were impossible to predict from the last book even if their thematic importance or setup was aptly foreshadowed.

Roose has a lot of plot importance and characterization that has, in my opinion, not yet been properly resolved in a way that would be unique and poignant to the specific purpose his character appears to fulfil. However I also have a bias in that i did not like the show's writing of that scene which makes me averse to see a version of it in the books, and i really like Roose as a character and want to see him have more scenes in the next book(s). This leads me to discount plot speculation that cuts his character arc short offscreen early. Roose is only a side character; however, i have trust in grrm's writing abilities and that he would give him a proper sendoff that feels satisfying to a fan of the character.

"…even the [characters] who are complete bastards, nasty, twisted, deeply flawed human beings with serious psychological problems… When I get inside their skin and look out through their eyes, I have to feel a certain — if not sympathy, certainly empathy for them. I have to try to perceive the world as they do, and that creates a certain amount of affection." — George Martin

Considering my earlier analyis, there is a case to be made for Roose killing Ramsay; however it appears grrm might have a different endgame in mind for Ramsay, foreshadowed in Chett's prologue:

There'd be no lord's life for the leechman's son, no keep to call his own, no wives nor crowns. Only a wildling's sword in his belly, and then an unmarked grave. The snow's taken it all from me . . . the bloody snow . . . - Chett, aSoS

I tend to think something might happen to Roose/the Bolton bloc later in the book that would cause Ramsay to attempt to flee the scene again like he did back in aCoK fleeing Rodrik's justice; perhaps Ramsay is sent out to battle but then flees it like a coward, or he sees his cause as lost. This time, the fleeing and potentially disguised Ramsay would not make it out to safety though, and get killed without being recognized as Ramsay, dying forgotten. This would serve as dramatic irony since Ramsay so strongly desired to be recognized and respected as a Lord of Bolton, without being too on the nose.

As for Roose, i could see him getting captured and somehow brought to justice (either when someone takes Winterfell or in some sort of battle). I see it unlikely that he will be backstabbed like Robb was, because it seems very "eye for an eye" and ultimately doesn't teach much of a lesson except "he had it coming"; But the various people conspiring against him could lead to his capture by betraying him (giving a payoff to the northern conspiracies and the red wedding). I would find a scene of him standing trial interesting since i believe we didn't have one of these for a true non-pov villain yet, and it would be an interesting confrontation that he cannot escape from (he also loves to talk so it would be a good read to see him make a case for himself).

I assume Roose will be out of the picture when the Other plot finally properly kicks into gear (whether dead or "in prison"). With Stannis as a false Azor Ahai and Roose as a false Other (with his pale, cold features), their struggle in the north seems to be a representation of the false "Game of Thrones" that distracts people from the "real threat" of the Others.

As always this is just my opinion, and it could all go very differently in the books! There could always be something that completely uproots my analysis and goes into a direction i did not expect from the material we had; But i have fate that Grrm as a writer will deliver and give me something i can be satisfied with.

[emptymasks]

I’ve seen a lot about your thoughts on Elisabeth and Tanz der Vampire, and they’ve been really helpful getting into those musicals! But you have a huge list of other musicals that people can get into…

So I was wondering if you had any musicals you hadn’t mentioned in a while that you really like or would like to talk about??? (preferably something from your lists that has a blue heart please?)

Oh if only you knew how long the list of European musicals really is... I however have only seen 9 (if I counted right) and I have a lot more that I still need to watch. Oh also, I only put the blue hearts on any musicals that I was providing multiple links for so people could see which version I reccoment the most highly. If a musical only had one link and didn't have a blue heart it doesn't mean I didn't like it.

I've watched: Mozart das Musical, Elisabeth das Musical, Tanz der Vampire, 3 Musketiers, Mozart L'Opéra Rock, Dracula (the Graz production), Rebecca das Musical, Roméo et Juliette and Schikaneder.

If you enjoyed those two you're likely to enjoy Rebecca! It's written by the same composer/lyricist team as Elisabeth and Mozart (and same lyricist as Tanz der Vampire - though if you're listening to any German musical, original or translated, 90% of the time the lyrics will have been done by Michael Kunze that man is everywhere). The Stuttgart production has my favourite set design of any musical! Well... Actually probably. There are so many big set pieces it's insane, way more than I've seen in some Broadway and West End musicals. You can tell so much work went into it and the visual effects that I won't spoil if you don't know the plot but if you know the plot you know what I mean by the effects at the end are so good and I didn't expect them at all and I freaked out so much the first time I watched it. Jan Ammann as Maxim in the Stuttgart production is the best Maxim. No I won't take any argument. Other actors feel a bit one-dimensional to me, but the way Maxim acts at times comes from trauma and some actors and productions seem to forget that, but Jan really goes for it and his Maxim is a lot more sympathetic and I just want to give him a hug. Pia Douwes as Mrs Danvers, if you've seen her in Elisabeth what more do I need to say, she's amazing. A musical goddess. Her Danny is a bit more wild than some, but she kills it. My favourite video, which I put the blue heart next to, has understudy Christina Patten as Ich/I, but I adore her she's my favourite. She adds some spunk to Ich in act 2 and her voice is so pretty and aaaa. I just love these three actors together in these roles.

Roméo et Juliette is another favourite of mine! It's hard to choose which one to recommend, but it has to be the original 2000/2001 production because of the sweetness and chemistry and voices of Damien Sargue and Cecilia Cara as Romeo and Juliet. They're so pretty and work together so well. The only reason I say it's hard to pick is Mercutio. I adore him, but in the original production they cut out a song they had planned for him and he doesn't really do much at all? In the 2010 revival they gave him two more songs and you care about him so much more and John Eyzen plays such a good Mercutio. So I'd recommend the original but if you want to like Mercutio more, which you should he's amazing, I'd recommend watching at least clips of John's. It's an interesting musical because all productions are non-replica and also change around the order of songs, add or take away characters, all sorts. The Hungarian production is also very popular and I'm sure it's great, I just haven't' gotten around to watching it yet.

Mozart das Musical was the first non-English language musicals I watched so I have a fondness for it, but it's not my favourite. However, I do realise I have forgotten most of the songs and the few I've gone back and listened to are better than I remember.

Dracula isn't super popular and I understand why, I don't love the plot of the Dracula/Mina romance in it, however. I do love this musical because despite how I find the plot lacking, the songs are so good! At least, I love them. And the actors are all doing a great job. And it's one of the few Dracula adaptions to keep Quincy Morris so they get bonus points for that.

Mozart L'Opéra Rock and modern French musicals... This isn't necessarily a bad thing, but they're often more like pop-rock operas now. So if you're not into musicals with that style of music it might not be for you, but I still enjoyed it even though I didn't think I would because of the style of music. Mozart and Salieri's chemistry is very good, Salieri's bisexual crisis song is iconic, actually all of Salieri's songs are iconic.

Schikaneder... eh. I didn't like it that much and I didn't really like any of the songs. There's no English subtitles, but someone sent me the entire English synopsis and I watched it with a German friend so I had double the help of understanding it. Doesn't mean others might not like it, just none of the songs stood out to me and I had no desire to listen to any of them again. It's by Steven Scharwz of Wicked fame and I love Wicked, but I didn't love this.

3 Musketiers!! God it's so underrated and not spoken about within the European musical fandom that I even forget about it and literally forgot to write about it earlier in this post. It's a Dutch musical (though did also have a German production) and it's really good!? Faces you might know are Pia Douwes as Milady de Winter, Stanley Burlseon as Cardinal Richeliu (Netherlands Der Tod in Elisabeth), Henk Poort as Athos (Netherlands Phantom and Jean Valjean). The dialgoue is funny, the songs are good, some of the set pieces have no right to exist in this tiny musical?? They made this giant boat and pelt the actors with rain just for one 5 minute song and then we never see the boat again? And while I recommend the Dutch one because Dutch musicals deserve more love and it has official English subtitles!! Official ones, not fanmade! I have the DVD and it comes with English subtitles (and Dutch and German subtitles) which is so nice. The German version is also good, good cast, Pia came back and Uwe Kroger as Richeliu and omg they rearranged the songs and the German arrangement of Nicht Aus Stein is insane and amazing and frankly iconic.

That's all of the ones I have watched. Next on my list to watch are Rudolf and Notre Dame de Paris, both of which I have listened to some songs from and already love (I've listened to way too much of Notre Dame de Paris and am so in love).

I want to start organising streams where I'll host the musical either by getting the video from Youtube or my own files and anyone who wants to join can come along and watch with us, chat with us if you want or just watch there's no pressure to chat. I thought about doing weekly streams? This would also make me finally watch some of the ones I've been meaning to for ages. But I keep wondering about time zones. I'm in the UK and would want to stream at about 11pm at the latest (11pm BST/GMT+1 as we’re in daylight savings at the moment, if the streams continue past the end of October which would be wild then I’ll make a note of the time change that would be to 11pm GMT), which I know can work for other UK and Europeans, but for any Americans would be in the afternoon. So, I wondered if doing it on a weekend would be better? Then it doesn't matter if it's in the afternoon? Maybe Saturday evenings then? It would either be Saturday evenings UK time or Friday evenings UK time. What do you guys think? If people are down then I'll make a separate post with a list of what we'll be watching each week and if anything happens to me that means I can't stream one week then everything will just get pushed back a week, but I don't see that as likely to happen. And I'll only be streaming those that have English subtitles, so don't worry about not being able to understand anything.

edit: am also open to 10pm bst if others want that, im just trying to think of what time works best for everyone so sorry if 11pm is a little late for europeans, i know 10pm could be a little early for americans. also in case it sounded like these are the only musicals i will be streaming, thats not so, ive got more than just the ones mentioned on this list!

(Tagging some people who I know are or might be interested in streams to see what you think of that plan: @sirona-art @ringwraith100 @tanz-der-trash @smilingwoland @the-weird-dane @witchgaye @ami-fidele @kisstheghouls @looking-4-happiness @ladysapphire928 @sloanedestler @tinywound @persephonaae @phoenixdewinter @uwucoffee @freshbloodandgothicism )

[collisiondiscourse]

on the wonder duo (part 1)

(BNHA Analysis Post Ahead! This isn’t explicitly romantic, but it is an analysis of the relationship between the two most popular characters in BNHA--Katsuki Bakugou and Izuku Midoriya. Split into two posts because I realized that this was gonna be long as HELL)

yall ever think about the fact that the wonder duo is perfectly set up in so that bakugou and deku together are the better version of all might?

bc like. ive been thinking.

everyone knows the win to save and save to win parallel. How they are supposedly two halves of a whole perfect hero (which, previously, was defined as all might)

but ever since bakugou and deku started working as one—growing together to win AND save and continuously reminding each other that they shouldnt try to do things alone, ive realized that its BECAUSE theres two of them that they surpass all might. its not a case of deku and bakugou both being 50% of an ideal hero, but rather i think that they are 100% of what all might SHOULD HAVE BEEN from the very beginning.

as early as the AM v AFO battle in kamino, we see the effects of all mights flawed existence. the fact that he, the greatest and supposedly infallible symbol of peace, was destroyed—society had begun to collapse. there was suddenly no pillar to hold people together and the impacts were so severe that even in the latest chapters of mha it keeps on getting worse. the truth is, all mights biggest mistake was the burden he placed on his own shoulders

with bakugou and deku... its different.

its different for them because down to their attributions, they seem like two halves of a whole person.

i think that the wonder duo are going to surpass all might because of the fact that they work together.

@bakugoukatsuki-rising @svpercraigus @tybee​ @isaustraliaathing​

(batshit crazy and conspiratorial essay under the cut !)

1. Complementary Colors

I’d like to first preface literally everything I say by the fact that I am not an expert analyzer or literary major in any way. I am literally just some random fan on the internet who has wayyy too much time and looks wayyy too deep into things, but here we go!

A common thing we see when we talk about bakugou and deku is the way they are... sort of an inverse of one another.

Down to the design of their features and the way they move, Deku is the obviously softer of the two. There’s an intentional contrast between the two of them, in the way that Deku’s drawn with round shapes and curvy hair and the way Bakugou is literally all spikes and half-mast eyes and rough muscles. Bakugou’s movements too are languid and showy, with the way he leans when he walks and splays his legs and kicks open doors. Katsuki, in a casual sense, is loud and dramatic. 

Deku on the other hand s finicky. He jitters when he walks and he’s often fidgeting and mumbling. Comparatively, the aura he radiates is energetic and frenzied, even self-conscious to a point unlike Bakugou’s calm and confident movements.

the point is, there’s a clear difference in how either of them are designed and what exactly they are supposed to represent. They utterly complement each other down to the way they behave and even their main colors (red-orange and blue-green) being literal complementary colors.

Now, moving to my more ungrounded points, this is quite a bit of a stretch so I’ll try as much as possible to make sense of these with hyperlinked sources because. yeah.

Down to their names, I think Deku and Bakugou both symbolize something deeper. I think that the way Hori expresses characters and what they’re meant to do is something that we have to pay close attention to when we talk about the Wonder Duo’s rise to success.

Izuku Midoriya (緑谷 出久), as some of us may know, does have an interesting meaning when broken up. According to a lovely fan translation of his name, ‘Izuku’--while not an actual name used commonly in real life--means to ‘Come out’ or ‘Long time’. ‘Midoriya’ on the other hand means (Midori) ‘Green’ and (ya) ‘valley’. The translator further pointed out that his first name ‘Izuku’ could be a reference to him being the first legendary hero to come out of the long-running All Might Era. (or, if you’ve been reading @/bakugoukatsuki-rising’s posts, the first significant anime protag in a long while to come out as queer, ppfft)

but that isn’t my focus right now.

We know that Hori LOVES telling stories with names, and more often than not in the BNHA universe, names alone tell us a lot of things about the characters. When referring to Izuku’s last name, Midoriya, it’s important I think to step back and realize that hey, maybe there’s something more to Green Valley than just the fact that his motif is all green.

After searching for a lil on the specifics of green valley, I’ve found out that across many cultures, the colour green and valleys in general tend to represent life. From dream analysts, to Christianity, and even old Taoist teachings, valleys are seen as areas of fertility and escape. They are seen as safe havens and often escapes for people to come to after running away from bad circumstances.

(Sound familiar?)

Deku, in essence represents life and peace. He represents being the “salvation” that the world in BNHA needed. To me, it sounds like Horikoshi is trying to say that he is the long-awaited hero in the sense. The one that people can feel will create a society that feels safe for everyone after years of All Might just saving people from themselves as a band-aid solution.

On the other hand, we have Katsuki Bakugou (爆豪 勝己), who’s name we commonly know means (Katsuki) Winner and (Bakugou) Explosion Master. He is essentially, the champion. The power. His name means success and power and all the things that make up winning.

When putting them side by side, it then becomes increasingly... interesting to me how their names almost perfectly slot into All Might’s save to win and win to save mantra, and how they are both quintessential parts to what made All Might as a hero.

2. Hero Too!

Now, I’m not even gonna really TOUCH much of what happens in canon. If you want me to do a step by step breakdown of their arcs in regards to the plot of manga and anime, feel free to send me a gratuitous ko-fi tip so I can pay for the headache I get after trying to organize my thoughts into word vomit.

What I WILL talk about on the other hand, is the subtle shift both of them slowly have in regards to how they look. Bakugou and Deku, while growing up, seem to have MANY many parallels--but before I elaborate on all of that, I wanna talk about something else.

Detour: Deku’s Red Shoes 

We all know the iconic symbol being Deku’s red shoes. For all his life, save for some outfits like his hero one, we see Deku more often than not wearing his signature red sneakers which have become a running joke in fandom.

But the funny thing is, in Japan, red shoes seem to have an interesting connotation.

In 1922, a popular Japanese nursery rhyme was written, called “Red Shoes”. The interesting part to me about this song was the symbolism that, in my tiny pea-sized brain, I could connect to the story of BNHA.

The story goes that there was a little girl with red shoes named ‘Kimi’. She was from Shizuoka prefecture (which, if you didn’t know, is most likely where Musutafu supposedly is) and was raised by a single mother. When she was young, her mother had to entrust her with a foreigner under the impression that they would give her a better life in America. The stranger is a man named Charles Hewitt (who was described to have blue eyes) and supposedly took her away. 

The singer of the song (supposedly the mother, but some argue it was written from the perspective of a childhood friend) believes that Kimi is happy and living a better life away from them, when the reality of the situation was much worse. The young girl with red shoes in actuality had Tuberculosis, and thus the foreigner whom she was entrusted to had left her to fend for herself and eventually left her to go to America while she died alone and orphaned.

“When I see red shoes, I think of her.”

A very interesting story with very interesting implications indeed.

-

Anyway, moving on to the more... “nuanced” and connected parts of this section, I have every reason to believe that Bakugou and Deku were simply MEANT to be working together down to how they dress. Now, I’d like to discuss their hero costumes.

At the start of their series, using these godawful pics for reference, it’s clear to see that neither of them seem alike in any way--reflecting the dissonance in their relationship at that point in canon.

ough. deku why. (yes we know why its because you love your mom you stupid little bunny <3)

Anyway, we see an immediate gap in how the two of them are. Deku’s first costume is one that reflects how he treated his dream of being a hero. He was still in that childlike idolization phase, the one where his dreams and aspirations were hinged on pure feelings and inspiration from All Might. Katsuki on the other hand was a lot more tactical--professional to an extent. The gap between their respective development with their quirks is something that is clearly felt in every fashion decision they’d made.

(Notice how Deku’s green is a lot brighter and less like the green accents Katsuki has all over his costume.)

As time progressed however... their costumes changed. The colors, the silhouettes, the practical functions, most things.

(Deku’s Gamma Costume and Bakugou’s Winter Costume used respectively)

we begin to notice a few similarities.

As the show goes on and we see more evolutions of their costumes, it almost seems like they begin to look like a matching pair. Deku’s green grows darker and almost teal in nature, while Bakugou’s orange is veering towards red territory. This is important to note because red-orange and blue-green as I said earlier were complementary colors as compared to simply orange and green. The minute shift is something I really wasn’t quite sure was intentional, but something I find interesting to pick up nonetheless as the colors they used to accent their costumes begin to match up.

Secondly, I think and important thing to note is silhouettes. The way that both Bakugou and Deku’s costumes are designed follow a lot of parallels that typically we don’t see with the rest of 1-A. For one, they both have a combination of tight long-sleeved tops with a bulkier set of bottoms. They also share the use of utility belts and metal pieces typically worn around their necks. Deku has his bunny-eared hood that mimics All Might’s hair, while Bakugou has his orange and black explosion ear-pieces that mimic his own quirk.

i don’t think any other people in class 1-A match each other as subtly yet strongly as these two. Uraraka and Deku and Bakugou and Kirishima do come close however.

“But Codi, you fucking knob!” I hear you plea. “This is such a reach and tells us practically NOTHING!” And yes, I’m inclined to agree with you! You’d be sort of right in the idea that this is a reach. Maybe I am looking too much into this, and maybe it really isn’t that deep--but I do think that them subconsciously matching outfits means something quite brilliant.

In the way that their costumes are designed, each aspect of either outfits have a very logical explanation. The changes were strategic and made with their fighting styles vividly in mind, so what that tells me is that BECAUSE these costumes are so complementary or similar in nature (Bakugou’s reinforcing his arms while Deku reinforces his legs), these two are implicitly showing the audience that their combat styles are complementary as well. 

The evolution of their design choices and similarities tell us that even unknowingly, their minds line up in strategy on the battlefield--a clear exhibit for why they would be INCREDIBLY POWERFUL as a Hero Duo to begin with.

When I look at their hero costumes side by side, I see a mirror. I see the way that these two are reflections of each other and are strong where the other isn’t. The point I see in BNHA repeatedly is that EVERYONE HAS A WEAKNESS. Nothing is infallible, regardless of how hard you train or how powerful your quirk is. Everyone will always have a weakness, but the significant difference I see when fandom discusses the future of Pro-Hero Society is that the new generation is finally raising itself to be RELIANT on each other. 

Observing their fighting styles and the simple use of their quirks, its obvious that they are indeed two parts of a whole hero. Bakugou, who’s quirk emphasized his arms and hands and the power that comes from it, while Deku who’s quirk now emphasizes his legs and lower body and the way he’s always running to save people.

IN CONCLUSION:

As they become heroes, it is easy to assume that if nothing else, Bakugou and Deku will cover each other’s weak spots (especially when you consider the way Deku probably won’t be able to keep using his arms with the way both the anime and manga are going...) (also chapter 285, anyone?)

-

Part Two: Interactions, OfA

kofi || commission details

[hmslusitania]

I see we're going ape over buddie and Choices tonight so

Yknow in 2.07, when Shannon comes back and her and Eddie have their first scene together? The argument at the end, after Eddie says it wouldn't be a good idea for her to see Christopher bc she left them, she says she needed him, she needed a husband and a co-parent - and "I needed someone to have my back!"

To which EDDIE says, "I always had your back"

*insert Incredibles "coincidence? I think NOT" gif here*

(Also side note, I do like that the show doesn't try to sugarcoat what Shannon did being messed up, and that Eddie's own actions weren't really the right thing either[thinking about his conversation with Buck where he says he got to pretend he left for a noble cause even tho he was running], and that it was just a sticky situation that neither of them were equipped to handle in any way, and snowballed. I do kind of wish we could've gotten post-divorce Shannon and Eddie and Christopher interactions, figuring out how they fit together, if at all, bc I like those intricate and messy situations but I could see how that might get too close to retreading old ground re: Michael and Athena's divorce. But I do hate how ive seen the fandom like. Seem to oversimplify things with Shannon sometimes? And make her the ultimate villain, and Eddie Did Nothing Wrong, Ever)

Hi Anon!

The decision to have Buck and Eddie's first bonding moment end with "You can have my back any day" and "or, y'know, you could have mine" only to then six episodes later find out that at least a contributing factor to Eddie's marriage dissolving was that he "didn't have her back" is like. Such a galaxy brain chaos move for them to take, honestly. Like?? They could've had the phrasing be literally anything in 2x07 but instead they had it directly echo Buck and Eddie in 2x01. What was the reason? Why did they do this?

As for the rest of your ask:

(gosh this got long and, uh, opinionated. It is Not Pretty below the cut)

One of the things I really liked about Eddie Begins is that we did get to see him at the beginning of his journey in being Chris's dad because it gives us an opportunity to appreciate how amazingly he's grown as a father. Like, he didn't start out as a perfect dad and he was definitely kind of lost in the woods at the beginning there when it came to the whole "how do I parent" thing. And before Eddie Begins, we'd only ever seen the end result of the growth he's gone through, where he really is a fantastic dad whose son is basically his entire reason for being. Before Eddie Begins, we get to hear him say things like "I left first" and "I've failed that kid more times than I can count but I love him enough to never stop trying" but we kinda have to take that on faith? Because we hadn't actually seen him be anything besides a good dad until we saw his Begins episode. (And even then in his begins it's like "area man in his early 20s unsure how to care for small child while also coping with PTSD and a toxic support system" which like. yeah. no shit. there's one hell of a learning curve there)

The thing about Eddie and Shannon as a couple and as parents that always gets to me is that they were so fucking young. We don't know exactly how old Eddie is in the show, but we can guesstimate pretty safely that he's around the same age as Ryan which would make him between 23 and 24 when Chris was born, and it seems reasonable to believe Shannon was around the same age. It's also a pretty common reading in the fandom -- although I'm not sure how much canon support there is for it because we really, really don't know anything about their relationship pre-Christopher unless I'm forgetting something -- that they got married because Shannon got pregnant and that was the Done Thing. And when you're 23-24, baby on the way, freshly married, that is just like. So much. It sure as hell ruined my parents' relationship when they did that exact thing, and then they disliked each other until they were 27 and then they got divorced, and no one was happier than me about it, I have to tell you.

Back to the show, I can only give you my impressions, obviously, but the impression I have always gotten from the whole "I left too" conversation and the context that goes into it and the different behaviours we see exhibited by the characters is that Eddie "left" first and it comes across to me that he was basically an early twenty-something kid running scared from the abstract concept of being a father in general, and then when he was forced home by an honourable discharge, and was confronted with the reality of Christopher, he managed to step the fuck up and become Christopher's dad. It's there in 2x02, right? "Oh, you've got a kid? I love kids!" "I love this one." Eddie doesn't strike me as a Swiss Army Knife all-purpose Dad(tm) the way Bobby is. Eddie is Christopher's dad. (and like, of course, he's obviously moved by kids when he's on a call, we've seen that enough times to know that if there's a child who can even glancingly remind him of Christopher, Eddie's sense of self-preservation goes out the window, and I love that about him as heart-stopping as it can be in practice)

Shannon, on the other hand, didn't run from the idea of being a mother -- at first. When she left, it wasn't from the abstract. She left Chris (and "gave up" on Eddie, thanks Helena). She was not running from a concept, she was running from a reality. I think Shannon is a fascinating character to include in a television show as a side character, because she really isn't a one note character. Like, she was unarguably a bad mother, and from what we saw, she was a questionable romantic partner to have (but as you said, anon, Eddie was also not 100% the best romantic partner when he was with Shannon either; their entire relationship so far as I can tell was built on sexual chemistry which, uh, super does not sustain a relationship), but she also seems to have been a devoted daughter? I mean, yeah, it's entirely possible that her mom being sick was a convenient excuse to bail -- and obviously she didn't come back after her mom died, and didn't, y'know, contact her son or husband in the interim, so yes, I can see that being a valid way to read the situation. I don't think she's the Ultimate Evil, because she strikes me as a very human character in all the ways that people are more often than not really fucking flawed.

But then we get back to the actual break-up scene. The first time I watched it (and second, and third; then the fourth time the person I was watching with was like "I mean, sure, but it could also be read in this light") her "I'm just learning how to be someone's mother" speech really bothered me? Partly because it was the abstraction of it, right? Eddie doesn't like kids, he likes Christopher, and Shannon sort of had the inverse journey there, I guess, where it went from she didn't know how to be Christopher's mother, to she didn't know how to be a mother. And that speech bothered me because it always sounded to me like she was bailing again. She begged Eddie to let her back into Christopher's life (guilt? I guess?) and like, straight up bribed him with sex which was sure a choice, and then decides -- for a second time -- that she's out. It sounded, to me, she was handing Eddie papers and maybe, in a few years, possibly, once she'd had "time" to "figure out how to be someone's mother" she would try again. Just like she had in the interim between leaving when Christopher was little and the time of season 2.

And like, that could totally be a misunderstanding of the scene and what she was saying. It's what I took away from it, but that could very well be influenced by the fact I was raised by divorced parents and my dad had custody and if you count up all the time I spent with either parent when I was a minor, I was predominantly raised by my father and have had an especially tempestuous relationship with my mother that is mostly (sometimes) repaired now that I'm in my late twenties and have not lived with her since I was sixteen.

Back to the show, and to your comment that the fandom tends to treat Shannon like the Ultimate Evil and act like Eddie Did Nothing Wrong, I mean. Yeah. Fandom as a rule tends to shirk nuance. We're all fools here on the internet sitting in our blue industrial waste container crying about a wee woo show. I personally believe a more nuanced take on that might be that Eddie has shown a great capacity to learn from his mistakes (sometimes to make fun, shiny, new ones, but for the most part, just like ends up doing better the next time) and Shannon did not show that capacity in the time we knew her.

I think, depending on what they did with it, there was potential for an interesting storyline if they'd played through the divorce. I don't think it would've been rehashing ground covered by Michael and Athena's divorce because I can't see Eddie and Shannon having reached a point of amicability and friendship. The only thing we know they had in common was Christopher, and frankly, when you boil it down, the ways they engaged with Christopher as a person were so disparate that -- to me -- it really didn't seem like they had Christopher in common when you get right down to it. But I wouldn't have wanted to see Christopher and Eddie dragged through an ugly divorce process. They deserve better than that.

There's also a conversation to be had about Shannon's blatant ableism towards her own son, but that is extremely not my lane since I am not disabled myself. But even from an outside perspective, basically their entire parking lot conversation in Haunted, uh, haunts me with it's repugnance and the fact that instead of calling her on any of it, Eddie "Chronically touch starved" Diaz's response was to kiss her? Gosh golly do I wish that was one of the mistakes he learned from properly instead of finding a new, shiny version.

ANYWAY this got long, tl;dr (although if you clicked on the read more, you probably read it) version is No, Shannon is not the Ultimate Evil, she's a shitty mom not a demon in a skin suit and a pretty yellow sundress; and No, Eddie is not a flawless human who's never done wrong in his life but holy fuck is he trying and he'd be the first person to tell you he's made mistakes (and often has been); and no, sorry, I don't want to see the divorce storyline play out because we probably would've had to see either Eddie Bashing, Shannon Redemption, or Shannon turning up again like a cardboard cut out of a cartoon villain the way Eva did and I want to be witness to exactly zero of those things.

[plounce]

what if gay CATS........... were gay PERSONS

(info on this au under the cut)

theyre all shitty young adults just kind of. getting through their early 20s as best they can. or as much as they can. maybe things will get better someday, but right now they’re kind of spinning their wheels

magic exists but like eh it’s not a big thing don’t worry about it. it’s around but like whatever. not many people have it and it’s mostly just like. a curiosity or a party trick

demeter and bombularina are together, tugger and mistoffelees are together, bombularina and tugger occasionally fwb, it’s cool and aboveboard and it’s all fine

demeter:

bisexual with a preference for women. 24 years old

semi-psychic (not as powerful as tantomile or coricopat). tends to have vague and confusing prophetic dreams

dropped out of grad school for sociology due to trauma and ensuing intensified mental illness. kind of bitter about it, but tries to get through every day. general anxiety disorder even before all that

very nervous around most men she doesn’t know & trust

currently working at a barnes & noble starbucks, which sucks. she recently became the assistant manager, which turbo sucks because now she has more work for only like a buck raise, but at least she’s getting reliable shifts

her go-to therapy is cutting her hair with scissors. her hair is fried to all hell from regular bleaching

she’s learning how to crochet because she’s decided she needs to do something physically productively creative with her hands to distract herself from Stuff

bombalurina:

bisexual. 24 years old

got her bachelor’s in english two years ago and hasn’t found a job in her field and has kind of given up on it for now

she’s been bartending for like four years, does freelance editing work on the side. will occasionally write listicles for clickbait sites if she needs extra cash

literally any extra money she can save goes to tattoos. her right sleeve’s almost done

has natural red hair but dyes it cherry red

a hedonist to cope but is also just a natural hedonist. likes a good bath

i know that like the typical thing fandoms say about female characters is “doesn’t take shit” for the girlboss points but she truly does not take shit anymore. she used to take people’s shit sometimes but at this point in her life she’s tired and she has a girlfriend to be protective of. she has a couple people whose shit she will take (mostly just tugger) but besides them (and having to practice basic customer service to keep her job) she’s tired of other people’s shit! enough!

my personal take on bombalurina is a mix between the riot grrrls of the 90s and 80s punk girls, and then a dash of the greaser chicks from grease. i saw that spiked collar and my brain went OH okay i can run with this somewhere fun. same for demeter, but less so - she just has the piercings.

demelurina:

bombalurina met demeter in college at a women’s activism club, noticed her because of her dimple piercings and was like “oh someone else with a lot of metal in her face, i’ll sit next to her”

they were each other’s first off-campus roommates and were close friends. made out a couple times, but it was mostly a lot of sexual tension. there was a lot of bombalurina staring at demeter while she or demeter made out with someone else

demeter was on and off with her high school boyfriend munkustrap and bombalurina was like “oh he’s so much more stable/calm than me and she needs that, i party a bit too much for her, i shouldn’t try anything” so she just sort of. lets their almost-there peter off

(this is all bombalurina’s internal thoughts - demeter always was interested in her, but thought she was too boring for bombalurina. so neither of them thought they could pursue it)

bombalurina graduated and moved somewhere cheaper further away from campus. they kind of drift apart

munkustrap and demeter peter off and he moves away for a job (they’re still good friends, it was a very amicable breakup) and then demeter gets with macavity, which is a deeply toxic situation for her and sucks hugely and throws her whole life really off track. won’t go into further details

she finally manages to break up with him and calls bombalurina at like 2 am asking if she can pick her up, and also if she can sleep on her couch, it’s okay if that’s not okay, she just. really needs a place she feels safe, and her gut is telling her to. and of course bombalurina says yes

bombalurina also knew macavity and had also made out a couple times with him at like parties and stuff (see: staring at demeter as she makes out with people). something about transference of feelings - bombalurina was into him for a couple moments because he and demeter had a thing.

this is due to me interpreting the song “macavity” as actually about bombalurina wanting to fuck demeter and her singing as a half-repressed expression of that. i use my really good wlw brain to reach that conclusion. it’s kind of a non-competitive version of eve sedgwick’s take on the love triangle. (<-- normal thing to say)

but anyway demeter stays on bombalurina’s couch and she tries so hard to stay on track but eventually she just has to drop out. bombalurina helps her with that too. she’s just really supportive even as demeter’s life is at its lowest point. when she gets home from bartending she gets demeter to go to sleep

she just Stays with her and makes her smile and reminds her that her life isn’t over, there’s still things in her day to enjoy, to keep her trudging forward

bombalurina is roommates with tugger at this point - he also recently dropped out and demeter knows him because he’s munkustrap’s brother, so he’s Trusted and also is like “hey it’s okay that you dropped out, im here and im chilling and you like me and respect me at least a little, and you have a bachelor’s degree at least!” (more on him later)

demeter is like “oh god ive been crashing at their place for so long not paying rent, theyre gonna ask me to leave, im such a freeloader, they wont take my attempts at paying rent” but then bombalurina and tugger are like “hey! the lease is almost up! we found a pretty good 3 bedroom, do you wanna have your own room for real?” and she nearly cries because 1. the RELIEF 2. oh my god you want me around???

cut to bombalurina helping demeter put together an ikea dresser (tugger got banished to the kitchen to make crystal light lemonade for them because he’s useless with a screwdriver) and demeter has two epiphanies:

1. i thought i was ready to d*e four months ago and here i am making a dresser to put clothes into in my new apartment where i live and feel safe and loved. im still not happy but im still alive and im making a dresser

2. holy fuck im back in love with my best friend, and ten times more than i was back then.

so she like kind of freaks out because she’s already imposed so much on bombalurina, how could she impose her FEELINGS on her like this, oh no oh no oh no

meanwhile bombalurina’s back in love with her even MORE and she’s also like no... she’s already dealing with so much... i don’t want to make her uncomfortable or feel unsafe in her own home especially after her recent relationship trauma... i just want her to feel safe around me...

you might think tugger as their roommate would be like “JUST KISS” but he is in fact pretty oblivious because he is self-absorbed. mistoffelees on the other hand..

eventually they do have a big confession of feelings after demeter has a bad day and it’s very dramatic and they make out in the rain. and it’s like. well this is a movie scene. but also im cold and damp. let’s head inside our home and get warm and dry :)

and then they go inside and and talk through everything, all their feelings (not just their romantic feelings but like ALL their feelings) and their shared histories and bombalurina is like “do you think you’re... ready for a relationship right now? like that would be a good thing for you?”

and demeter considers it. she does stop and think. and then she says, “with anyone else... probably not. but it’s you. and i feel so safe around you, and we’re already so close. you make the future feel more worth it. you make more days alive feel not just tolerable, but something to look forward to. and knowing you’ve loved me all this time... it’s nice. it’s good. i’m - i’m understating it so much, it’s more than nice, it’s just - it’s a lot. i wish i had noticed back then.” “hey, hey, don’t blame yourself. i’m the one who never said anything.”

anyway. everything works out, and they start dating for real :)

tugger:

bisexual. 22 years old

dishwasher at the same bar bombalurina works at. she got him the job. he keeps bugging her to teach him bartending tricks and on slow nights she will agree to

he dropped out of their four year, but he managed to secure an associate’s in communications before he dipped

trying to be an ig influencer hotboy and hopefully get modeling jobs from that but his phone’s camera sucks shit so his account isn’t really going anywhere. but he continues to post his low resolution shirtless selfies

trying to cope with being the failure son who does not have a fancy nonprofit job with a salary and healthcare by being self-absorbed and self-aggrandizing

it works about 60% of the time and 60% of the times that it doesn’t he’s able to hide it

he dropped out right around when bombalurina graduated and he was like HEY! ARE YOU LOOKING FOR A ROOMMATE WHO DOESN’T CARE IF WE LIVE TEN MILES AWAY FROM CAMPUS? WELL HAVE I GOT A SOLUTION FOR YOU: ME!

to which bombalurina (who has fooled around with him here and there and thinks he is funny little man and genuinely goodhearted, and also he has rockin abs as a plus) says munkustrap already asked me if i need a roommate and if i do to consider you, because you don’t want to move back home. in other words: yes, you little idiot

they do fool around with each other but they are both very understanding that it is strictly platonic and for fun, especially once they become roommates. they both do not desire each other for anything serious

he did have a bit of a crush on each other when they met (hot punk older girl who’s friends with his brother) but 1. it dissipated pretty quick after they fooled around for the first time because it was not a very serious crush 2. she was in the middle of being in love with demeter so she was focused on that, emotionally

he got his ears pierced a couple times in high school but bombalurina inspired him to get a couple more. she went with him when he got his nose pierced

demeter has always understood that him and bombalurina are strictly fwb, has never been an issue.

she and him like to bleach their hair together when their hair schedules line up (he bleaches his way less often then she does), but she refuses to use his fancy conditioner that keeps his hair unfried because it’s expensive, even though he tells her to go ahead and use it, please, the health of her hair is giving HIM anxiety, demeter please. please demeter

mistoffelees:

gay. 20 years old

has magic. it’s pretty good magic but again: magic is not a big deal in this concept

a bit spooky. skulks around. a bit of a bitch but also very very nice. chooses when to speak

he has postings on craigslist and fiverr about finding lost objects and people with magic. like a gig economy private detective

side job is a waiter at a fancy restaurant

sometimes he gets paid VERY well from the private detecting, depending on the client. he does ask his psychic friends (tantomile & coricopat) to give a quick glance over on some of the more suspicious clients just to make sure he isn’t finding someone who should not be found by that person.

doesn’t go to college. is roommates with his sister victoria, who’s a freshman and studying dance. moved into town with her so she wouldn’t have to live in the dorms by having a guaranteed roommate.

tuggoffelees:

the general vibe i want for these two is mistoffelees walking around town or driving around in his shitty toyota camry while tugger tags along because he’s bored and thinks this is cool as shit

the general tone of the au is “magic isn’t a big deal” except for tugger, who thinks mistoffelees’ magic and his magic freelancing is the coolest shit ever. this is mostly because he just likes mistoffelees. “there are people who can do cooler shit than me, tug” “yeah but i don’t KNOW them also theyre not as COOL as you” “you had to explain to me how instagram reels work”

idk how they met i just think tugger shows up at his and bombalurina’s apartment one day (this is when demeter has moved in but they havent moved to the 3br yet) with this dude to dash in and pick something up and bombalurina is like “uh. who’s this” “oh this is mistoffelees he’s SO GOOD AT MAGIC” [mistoffelees nods hello] “okay bye bombalurina see you at work!!!” “uh. later”

after that he just shows up a lot. sort of ambiguous if theyre dating or what for a while before bombalurina straight up asks like “hey does the dude you’re dating know we fool around” “the dude im - what?” “... the little magic guy who keeps using our hot cocoa mix. misty.” “oh. uh. we aren’t dating.” “... do you want to? because you’re kind of all over him constantly” “um. well! haha, if i wanted to, i could! haha!” “yeah get back to me on that”

tugger trying to use his ig clout to get mistoffelees more work even though 1. he has no clout 2. mistoffelees has a very stable client base. but mistoffelees appreciates the effort. the self-promo guy promoing someone other than himself... the highest expression of love...

mistoffelees is A Nonthreatening Man plus he’s pretty obviously gay so demeter is chill around him pretty quickly. when mistoffelees is over they’ll sit on the couch where demeter sleeps and watch documentaries quietly while she crochets

they both occasionally say spooky shit at the same time because magic stuff. bombalurina and tugger are both torn between “that was cool as fuck” and “god that’s unnerving”

just a lot of tugger following mistoffelees around on his jobs and mistoffelees letting him because he’s fond of him and them occasionally getting into minor peril and interesting shenanigans, but it is 90% fetch quests

i think the first time they met tugger was taking selfies in front of a hydrangea in a public park and he saw mistoffelees walk up with a shovel and start digging in one of the flower beds and he thought he was hot so he went over and offered to take over on the shoveling to look strong and masculine and he ended up digging up a skull, which mistoffelees picked up and said “thanks” and then walked away

mildly terrifying but also very interesting and tugger’s days are kind of boring and dishwashing kind of sucks as a job to do like every night and he is a person who thrives on novelty so. moth to a porchlight

i think they do start making out for fun here and there and then a while later theyre out on one of mistoffelees’ jobs and someone asks “who’s the guy with you” and mistoffelees replies “oh that’s my boyfriend, don’t worry about him” and then it’s like. “HUH? I’M YOUR BOYFRIEND?” “uh. yeah? i assumed. is that okay?” “i mean yeah of course i think you’re great! how long have we–” “oh like a while.” “oh. uh. cool!!”

they just hang out a lot. mistoffelees enjoys teasing him and enjoys his warmth and bombasticity and tugger likes watching and helping him solve little mysteries around the county because it’s always something new. they’re kind of a comedy duo. they just enjoy spending their time together and following mistoffelee’s internal magic gps to find lost dogs and lost necklaces

yeah right now this au is just vibes and just sort of. continuing forward with your days and your weeks and your months. just young adults hanging out

[macgyvertape]

Castlevania kinda had a pacing problem

spoilers for all of Netflix’s Castlevania. I haven’t seen much analysis for the show on tumblr, im honestly curious if discussions I had with irl friends mirror what fandom talks about

tldr: Castlevania seems inconsistently paced from season to season, and within season as well, leads to a lot of characters motivations feeling unclear so characters repeatedly explain why they are doing something while they’re doing it

overview of the seasons:

S1 I know somewhat of a test for Netflix but it has good main trio character establishment and sets the scale of the conflict

s2: pretty complete emotional arc for most characters and resolves the plot of killing Dracula while setting up additional characters to continue the story. Isaac, Hector, Carmilla all established with the audience as characters whose story would continue

honestly I would bet this is the most popular season

S3: s2 did a bit of worldbuilding, but this season really fleshed out the world with both a wide range of locations and exploring the question of “what now, Dracula is dead but vampires and night creatures remain”.

There were basically 4 plot threads: 1) Sypha/Trevor investigating the cult & Saint Germain; 2) Hector & Carmilla (also introducing Lenore, Striga, Morana); 3) Isaac’s journey of revenge & self discovery; 4) Alucard sits around the castle and is betrayed.

overall characters roughly feel like they are in the same place if not worse. A big criticism I saw at the time, which hold up after rewatching this before s4 is nothing felt resolved for the main characters

I would say this season is where the pacing issues start to become apparent, juggling 4 plot threads that lack a central theme or even mutual character connection. If there was a central theme it would be “humans are awful to each other”. The Judge doing Hot Fuzz style murders, The Wizard in the tower, Sumi & Taka

S4: it starts with the same 4 plot threads, though upfront it is made clear that the plot theme is “people are trying to resurrect Dracula”, and the progression of the plot works to resolve unrelated plot threads until the main trio reunites for the boss fights. To me and my friends watching it was obvious that the show would reunite the main trio, the question was how and how far into the run time.

Season 4 is why I’m writing this essay, for the past 2 days I’ve been like, yeah that character sure explained their motives repeatedly maybe with some philosophical discussion, but it’s just such a weird place considering where they were in s3

Alucard’s arc:

Where he was left in season 3, it was after killing people he had trusted in self defense and impaling their corpses. It was clearly meant to parallel Dracula’s dislike of humanity. However overall his character lacked a proactive motivating force.

Honestly the most interesting thing I found in s3 was Alucard clearly misses Sypha and Trevor, however they don’t miss him or refer to him

One reason Sumi & Taka betray Alucard is for the secrets and power of Castlevania. After inviting the village including St Germain who Alucard was warned of into the Castle, Alucard makes 0 effort to secure anything, not even his personal childhood room. Guess he really learned nothing

Discussing St Germain, I think it’s funny that they had a several minute flashback sequence for his lost girlfriend (who doesn’t have a name or a voice actor), to remind the viewer of who he is, and to justify how he’s suddenly back and down for murder.

In s4 there is the call to help the village, and the walk back to the castle is a montage of Alucard opening up to Greta and becoming friendly literally overnight. He laughs off the impaling, and basically all of the darker things he went through in season 3, which has me asking what was the point of his season 3 arc then? 

Honestly writing this I realize the biggest parallel he has with Dracula is the call to action from a bold woman with a dramatic entrance speech which then leads to a romance

Isaac’s arc:

in s3, with all the other themes of “humanity sucks” I was always unsure if the townspeople were meant to appear irrational while attacking a larger force instead of letting him pass through an leave, or him not caring about how he’s provoking them is meant to show his insanity

ive seen the discussion elsewhere, curious about the Discourse here

is s4 Isaac has the whole monologue about how he now has agency but him gaining that agency was his s3 arc. In s4 he’s already at the point of accepting it. By the end of s4 he’s one of those who comes the furthest from his first character appearance to his last.

s4e5 where of Isaac attacking Carmilla in Isaac’s 2nd appearance had him resolving like 4 plot threads at once (Carmilla, Striga& Morana, Hector, and Isaac himself).

but i do wonder if Trevor, Sypha, or Alucard even know any of these people exist. I think not

I was honestly confused if I missed a scene from his dialogue about building something and what is inherent nature, to “My plan has evolved, my plan is now conquest” because he only conquests the one castle and the rest is left unclear

Upon rewatch the connection there is “killing [the wizard] felt just ... I liked that feeling”, so the show says that Isaac in the end attacked Carmilla for the sake of justice and not revenge.

Isaac in his last conversation expresses the theme of s4 “build something new on these old bones, where people can live for the future”

however, his arc honestly feel scenes were cut, and then dialogue was written around it. He’s the only living character who doesn’t show up in the epilogue and the sentient night creature “what if I could empty hell” dialogue was some of the most interesting worldbuilding. Night creatures with sentience and possibility of regaining memories!!!!

The Council of Sisters & Hector’s arc:

oh I’ve already seen s4 discourse about Lenore/Hector while searching for character analysis, a chunk of it seems to be rationalizing the absolute difference between how s3 ended with these characters and s4. It was extremely confusing for me and my friends; wondering if 1) was Hector showing more emotional intelligence than before and putting on a facade to cover up hatred? Nope 2) did more time pass than 6 weeks for there to be some kind stockholm syndrome? No, Hector seems fine to let Lenore kill herself

The slave control ring: played up in the climax of s3 and easily solved s4. s3 Lenore says if he tries to harm them, flee, or take it off it would cause crippling pain, in s4 Hector just easily cuts off his own finger.

for a control ring that they take time to show a version being on the Rebus, it doesn’t do much controlling of Hector

also guess the definition of “do harm” just refers to direct action

Lenore in s4: has no purpose in conquest, has that useless remarked on by multiple characters, is imprisoned, then kills herself after a genre aware philosophical discussion. This essay is long enough, but what the fuck happened to this character who ended s3 clearly physically and sexually abusive? Seriously this was one of the biggest writing changes to the point where she was treating Hector as an equal. Compare her last words in s3 “shh the real people [vampires] are talking”. The change in the relationship is actually something I would have taken being shown, or atleast told of what exactly caused this change other than the vague “you adopted him”

Striga&Morana get the best arc of the Council. 3 scenes: the tent argument, Daybreak armor fight & argument resolution, declaration of feelings and turning away. You could argue Castlevania is plot to be connective tissue between fight scenes, but for all the dialogue about human resistance in different seasons it was nice to see it. Overall the scenes were short but had a lot of showing what their relationship is not just telling,

unlike Carmilla. For as much hyping up as they did with her, and as much power as she had, she only appeared in 2 episodes and no other group except Isaac knew about her military conquest.

the map scene where she states her motive for conquest of wanting to take things from old men is the key example of how characterization became tell not show. How interesting was that monologue compared to the past seasons flashback to her murmuring the old vampire lord, or all her repeated insults of men/man-children that shows how she judges people??

That monologue had to carry the weight of justifying the Sisterhood bonds falling apart as well as why her motivation changed from building a human pen from Styria to Braila to world conquest. I think it did so poorly

Sypha & Trevor

really Sypha & Trevor have the main plot in the show. I checked and post season 1 the only episode they don’t appear in is s4e6, which is entirely devoted to the Isaac, Hector, and Council of Sisterhood arc. Their partnership and adventures are the main plot of the show.

Its easy to see what Trevor’s arc was over the show: coming to peace with the deaths of his family, taking up the mantle of being a Belmont, and starting a new family with Sypha.

With Sypha I actually had to scroll through tv tropes for what is her character arc, and I guess hers is disillusionment from adventure and life outside the speakers? My friends joke that Sypha’s magic is what the plot demands to look cool in a fight, which isn’t necessarily a bad thing.

Tangent: the ending of their arc was easy to guess: as soon as Trevor went to fight the final boss alone I literally said “oh i bet Sypha’s pregnant, Trevor’s doing a heroic sacrifice, theyll use the unexplained magical dagger mcguffin, and 60/40 odds that he goes through an infinite corridor to outright come back vs just the implication he might come back”

I guess my final thought of the show, was overall the SUPER Final Boss got my by surprise. It was a good twist I enjoyed. Not that Death appeared, I had guessed that from the heavy foreshadowing, but I was surprised by who it was, because I had thought I thought the characters involved feeling shoehorned into the plot was just more bad writing. The Alchemist who put St Germain on the path or murder for no discernible motive for helping? Sure gotta move the plot along. New Dracula court member Varney who has a whole introduction with almost every character he meets and banter about his smell? Sure thats basically how all characters talk with a snarky and acerbic voice.

[fictionfixations]

i think i have a problem

okay listen: this was made before i encountered riddle in game (as in i had the game downloaded but hadnt actually started playing it until awhile later lmfao)

so. its less about riddle in general and more like. a melting pot of vibes. like i have traumacore, those hyper songs i dont know the name of, mishmash of the 'burnt out gifted kid' ones, romance, sad depression, and also like artists that i think fit well with the vibe. like for example, tuyu songs. all of em (or the ones i listen to i mean lmfao)

so i mightve gone overboard

lmfao (some of them are repeats of the same song. others are like. those song playlists that people combine into one video)

also. you can see like 'rain', 'off with your head' (i think), and dead girl walking and cyrille's doll, which is because 1. i finished watching like hoyofair around that time

2. i started the playlist because i stumbled into rain the song. and then thought of any other song that might fit and there.

it was all on impulse lmfao

if you wanna go through it:

also you can see what fandoms ive been in lmFAo

and then look at the playlist thats just for everything ABOUT [character] specifically:

its literally just

genshin cutscene songs with furina (as in sinner's finale, theme, la vaguelette)

fan songs (consisting of Daughter of the Seas I think. and. WU-HAHAHAHA??? which includes both english version and like the chinese version)

PLAYLISTS. there's like two furina playlists. and one neuvilette (i can never tell if i spell his name right) because where else do i put it lmfao

so big difference

[staylavendertea]

young avengers characters and relationships as songs

billy kaplan : season of the witch by donovan and mr. sandman cover by joe p, it’s fun, there’s that groove, it’s witches and it’s dreams; a total billy kaplan jamming out in his room in his boyfriends too big shirt 10 at night moment with that magical and just like ,, witchy billy vibe i can’t explain through words that i love dearly, it also just gives me a connection between him and wanda i really love, the family witches between soul mother and soul son and that bass in mr sandman for some reason screams billy

teddy altman : space girl by frances forever need i say more, that song screams smiling golden tall boy theodore in overalls and sweaters, prince charming of space deserves the song space girl, the song is soft like teddy is, all hugs and kisses, that is until “stupid boyfriend putting himself into stupid danger all the stupid time” and “why do i try he never listens” “i heard that” “sure now he listens” then it becomes all hugs, kisses, bickering with the boyfriend, and threats of mauling people, but that’s for childrens crusade and family matters arc to tell

tommy shepherd : rebels by call me karizma but also steady, as she goes by the raconteurs mostly just for that guitar and music, i heavily head canon billy as the pianist and tommy as the guitar and bass player all the way and steady, as she goes screams tommy’s kind of music, the song rebels because that boy is the biggest rebel around and i wouldn’t be surprised if he was an arsonist

eli bradley : i just wanna shine by fitz and the tantrums i honestly had a bit of a hard time finding a song that really perfectly fit eli, but i think this one really hits the spot - eli is totally the boy that’s just trying his best and live up to his and everyone else’s expectations, i think he’s actually a softie and repressed nerd that believes heavily in doing what is right and i think that this song encompasses that, i really miss eli bradley thank you for coming to my tedtalk

cassie lang : blackbird by the beatles (cover by dodie) cassie gives me total adorable and soft but such a cool person dodie vibes, but i think the song blackbird fits cassie on so many levels, especially the lyrics as growing up after losing her dad, getting and learning to control her powers, and growing as a super hero she knows her dad would be so proud of, i love every single one of the young avengers but mygod cassie

nate richards : run boy run by woodkid and something better by hidinin i feel for nate, that poor kid literally is running away and trying to kill his future because he knows it’s a bad road and honestly he’s so brave for that and it’s all thanks to nate that we got all the young avengers in the first place so credit will be payed where credit is due, nate is really just a clumsy teenager thats a total nutcase and a bit clueless without that common sense sometimes that will think a pack sour troll gummies and a bottle of gateorade is a well rounded training diet but he’s also a descendent of sue and reed richards and what’s there to expect from child geniuses

kate bishop : love club by lorde and ribs by lorde i kinda just stumbled upon these honestly forgotten songs in my playlist and was pleasantly surprised how perfectly kate bishop these songs are, the lyrics most likely mean something else but i see the love club as the young avengers and “go get punched for the love club” just sounds like a kate bishop thing to say, these songs give me vibes of kate bishop in a rolled sleeves black and purple flannel and black jean shorts with scuffs and bandaids on her elbows and knees, probably also a developing black eye and bloody nose but lookin badass per usual

david alleyne : karma by ajr i picked this one for david because the second i heard it david was immediately the person i thought of when listening to it, i haven’t read many comics with david in them, i’m searching tho, but i am reading the current x factor and david just goes through a lot poor dude just wants to learn and help with what he can and i love him every moment for it

america chavez : a good song never dies by saint motel and dead girl in the pool by girl in red i honestly don’t know much about america besides some basic background stuff and some her character and personality since i haven’t been able to get my hands on some ya v2 issues besides what i’ve seen online but what i have seen of her i already love her and know she is so badass and a bit chaotic but in the best way possible from the little i do know about america’s character i think these songs just fits both the vibes of how she presents and holds herself but also her personality, america is a good song that just never dies are vibes i will happily live with

loki : run the world!!! by dayglow i haven’t really read much of loki in the comics, the versions of them i know the best being the actual norse myth god and movie loki and i know how the movies can be with their comic book characters, but from what ive heard about kid and teenager loki is that they’re a little punk and this song seems to just fit that perfectly

jonas : growing pains by coin i honestly didn’t know that there was more to jonas besides ya v1 and childrens crusade but now i’m intrigued, but this song just speaks jonas to me who i was also calling judas for like ten minutes without realizing i had a totally wrong name, but from what i read and his whole thing with cass, i think growing pains very much fits a mr. jonas

now for the relationships/ships - this post is so long i am so sorry for all the reading but i’m having fun -

david and tommy : affection by between friends im not even sure completely why but the music just screams david and tommy’s vibes, especially how tommy is usually head canonized in relationships, *chiefs kiss* of a song

nate and cassie and jonas : in the middle by dodie this song is literally the three of them, like perfectly, the lyrics fit to a t and it’s literal perfection for them

billy and teddy : pleaser by wallows for how much i love them i surprisingly had a hard time finding a song for them, i know at one time i heard and had a song that was perfect but i can’t remember it all, but i think pleaser fits just as nice, it fits their personalities and the music itself is the vibe they give off to me : imma make an edit from this post previously cause i’ve been thinking about and i would like to add the song leaves by joe p cause it just fits too well, especially when looking at billyteddy fan art whilst listening to it, it’s too good : HI THIS ANOTHER EDIT IMSORRY but it literally took weeks to remember but now i remember what the original song for them i had picked - electric love by borns - it also gives me billy lightning powers vibes and i do adore some billy lightning powers, i think it would be so cool to see them mixed in with his reality warping ones

eli and nate : talk too much by coin honestly it’s them, it’s a vibe they both argue and to each other, talk way too much, i’m calling it they kissed like at least once just to see how that would go - probably arguing who was the better boyfriend when they were both single

eli and kate : falling for u by peachy! and mxmtoon this song is very eli and kate for me, especially the beginning of their relationship not relationship, was that ever really established what was happening there ?? but this song fits perfectly amongst the bickering and racking numbers of how many times they’ve saved each other’s asses

kate and america : given it all by hayley kiyoko and midnight love by girl in red i love this ship and i have no idea if there was ever a thing happening between them or if it was pure fandom but it’s amazing and i love it, hayley kiyoko and girl in red is an of course and i think these songs speak them

- now just the young avengers as a group -

leaves by joe p a song that is totally just a hang out and drive all around all night as teenagers without a care in the world song and can totally see the gang jamming out to it

hey barbara by IV of spades this song literally speaks “hey did you watch that one beach episode” sunny and everyone vibing and hanging out, i can totally imagine tommy trying to get david to dance this and the attempts made is hilarious

teenagers and na na na by my chemical romance now last but certainly not least mcr because of course mcr, these kids can definitely be punks when they wanna be, especially when they’re mutant/alien/super hero teenagers that will literally do what they see fit, all in good manners of course

whhoooopp this was a lot longer than what i was initially expecting to make but after a few hours of song surfing and trying to make tumblr typing fonts work with me we’re finally here, this was just something fun for me since i associate music with everyone, but if you’ve read this far and wanna mention a song you think fits, totally put it out there, share the music !!

[yourclownpal]

A comprehensive list of all my Ghost au's

this post will be talking about all of the ghost au's ive created or co-created including talking about ghost au's from old fandom's that i am no longer in. if you want to ask about any of my au's my ask box and dm's are always open this includes the hermitcraft au but keep it to a minimum please also if any of the creator's of the characters have said that they arent comfortable with what im making ( with proof ofc) i will edit or delete what is needed to fit in the boundaries also another thing this is a long post if you just want the art go under the cut! this post will discuss how each au works and basic plot stuff about them the fandoms in this post are hermitcraft, epithet erased, and dsmp okay first things first-

my hermitcraft au (what a pity)-

On my old tumblr account I made a few posts about it along with a fanfic which never got finished due to me not wanting to interact with the fandom any more due to personal reasons and also I'm not very good at writing imo but I think I'm ready to talk about it again. Just keep in mind i will most likely not talk about this fandom ever again at least not on here again for personal preference : -) it was about season 6 Grian since he was who i was hyperfixating on at the time, being haunted by the ghosts of Sam and Taurtis, both of them from the old roleplay series' Yandere High School, and Tokyo Soul, and taurtis from Grians old-ish smp Evo. Since I never finished the fanfiction nobody but me and close friends ever got to hear the full story i had planned but now you will i guess. It was mainly just grian stressing about Sam and Taurtis being ghosts and him worrying about being crazy, though he would still join the hippies during the area 77 war he would be significantly more stressed especially when finding out that Sam and Taurtis have been possessing his body during the night, he’s more worried about Sam though because of his track record back in the other servers( yhs and ts) it was going to be that Sam (although death isn't permanent) would go on a killing spree in Grians body which would cause the area 77 guys to put him in the facility to see what's going on with him, and it didn't get further then that. My favorite part of this au much like all of my au’s were the design elements i had for it which i'll have under the cut with the other designs. Now for a rundown of how the ghost physics work in this world, in typical ghost fashion Sam and Taurtis were not able to touch or move anything, but they were able to interact with Grian, him being the only person who could see/hear/or touch them. Their only super natural abilities is being able to possess Grian.

Okay! Time for my Epithet Erased au!: Unlike what a pity this one doesn't have a name or a fanfic to go with it as said before i'm not exactly a writer but i have talked about it a bit before on this account along with posting the designs and general concept but i'll go more in depth here! As said in my original post this au was a co-creation with my best friend and sibling @brocolibean so go check bun out ^^ Unlike ‘What a Pity’ it was more lighthearted and comedy centric because it dealt with a bit more and also the original show is a comedy. This au didn't include the character’s epithets so they are all humans. This will also include talking about house each ghost died so if your uncomfortable hearing about that you might want to skip the ghosts portion Just like the original post I'll separate the story summary into 3 parts with intervals in between to talk about the ghosts. First we have the Banzai boys part of the story. Giovanni, Spike, Dark Star, Crusher, Flame Thrower, Car Crash, and Ben all decide to move into a house together so they could all easily split the rent since its close to their collage, the house, which they get for cheap, is aa very old house with sketchy history. But it's a huge house for cheap so they don't complain they encounter the ghosts very early on living in the house and they swear to figure out how they died so they can get their memory back! The ghosts, Molly, Sylvie, Trixie, and Pheonica have no memory! All they know is that there are ghosts! They are connected to the property of this house but if you where to get something- like perhaps a stone from the property the ghost is still technically attached to it therefore the ghost can go with you anywhere Speaking of- -Phoenicia Fleecity is one of the last ghosts to show herself, her body is found in the overgrown garden flowers growing over her skeleton, she is from the victorian era making her the oldest out of the ghosts though he death is the most mysterious -Molly Blindeff is the first ghost the group meets her decomposed body is found buried in the floorboards of the living room, found when gio decided that the house needed renovation and taking matters into his own hands, she died via blunt force trauma i will not be going into detail here because i'm still thinking of doing something with this au she died in the early 2000’s -Sylvester Ashling is the second ghost to show himself though he didn't want to, his body was found in the bottom of the pond in the backyard of the house in the garden. His body while it was decomposing and falling apart was still intact, bloated from drowning. Again i wont go into detail but this wasn't an accident time of death is unknown -Trixie Roughhouse is the third person to show themselves to the Banzai Blasters she is found in the bushes in the backyard her face disfigured from some sort of explosion unlike the others it seems like it was purely an accident, like sylvie their time of death is unknown Mera Salamin is the collages part time librarian nicknamed “the library witch” she started seeing her ghost after obtaining a neck bow with a blue pendant from a pawnshop she got it cause it was pretty and didn't expect a himbo to come along with it -Indus Tarbella is a ghost who is attached to the pendant and bow Mera wear it used to be his own until he was decapitated wearing it through he was properly buried he has no troublesome memories about what happened even after seeing his body he’s just happy to be with Mera Percival King is a security guard at the college and one of the best at that, she wields a story she got from a pawn shop as its her preferred weapon she takes her job very seriously -Ramsey and Zora both died by the same sword while fighting neither remember who wielded the sword, even after death they hate each other and hate being bound together even more Everyone ends up meeting and finding out they all have ghost hijinks ensue. The way ghosts work in this world is a bit strange I'll admit but it's one of my favorites. The ghosts can interact with the human world(menma style) but

they can only talk to the others who can see them (the Banzai Blasters, mera and percy) and the ghosts can interact with each other ghosts in this au attach themselves to an item or property that has someway to do with their death, the kids in the property, Indus it's the bow, and the sword duo is well, the sword Percy carries. As alluded to from before Gio and the rest of the boys end up carrying a bit of the property with them in the form of friendship bracelets four for each of them which makes 28 different bracelets so the kids can decide who to follow around for the day.i talked about how percy and Mera’s items work enough but i would like to mention that Indus does most of the heavy lifting around the library but becaus enoone else can see indus they assume she’s magical, the glowing pendant doesn't help.

The last two au’s i want to talk about are both dream smp au’s

though i've never talked about them online until now, again thanks to @brocolibean for letting me brain vomit my way through these au’s and helping me out with things i love them please check him out I'll be honest i'm so scared of this fandom so i'm afraid to talk about my au’s please be nice to me Also this is all roleplay and fiction!<3 The first one i'll talking about is the dsmp ghost hunters au Sam runs a company where groups of people hunt ghosts for money! Those groups being Phil, Technoblade, Wilbur,Tommy, Tubbo, and Ranboo Dream, George, Sapnap, Quackity, Karl Bad, ant, Skeppy, and Puffy There’s most likely more but there the only people i can think of at this moment The only canonical ghost being Schlatt This au doesn't have a proper story perse it's more about gags and stuff about the different character fighting over ghosts for money but the story stuff i do have- Sbi family dynamic is real here you can rejoice, Phil adopts Tubbo after his dad (Schlatt) kicks the bucket and fucking dies , Tubbo befriend’s Ranboo some mysterious teen who just desperately needs a job so he- and the rest of the Minecraft family help him get one- though they find out Ranboo isnt as human as he was made out to be and he finds out he’s this worlds version of angels called ender’s and he’s there to protect Tubbo and Tommy which explains why the more violent ghosts start being less violent at the arrival of Ranboo joining their team. Bad isn't human either being a demon his entire group know’s plus quackity. Quackity found out but squirting him with holy water through a water gun but don't worry he promised not to tell anyone; -) Bad and Ranboo know about each other because they see each other as their true forms The minecraft fam found out about Schlatt being a ghost through Tommy- despite Tubbo telling him not to- telling them from calling up and paying for them to investigate their own house saying “technically i didn't tell them” they ended up not getting rid of Schlatt though I'm not going to talk about how the ghosts here work because it's not super important to the plot

The second au is another ghost au where the main characters are ghosts themselves,

like the others its mainly lighthearted and comedic with dark attributes The plot surrounds the sbi family moving into a new house and Tommy finding out it's being haunted by two ghost’s. Those ghosts being Tubbo and Ranboo This au isn't fully figured out but I know that he found out he was haunted by sending a selfie to someone(possibly Drista and Purpled? Since there are only other minors who were part of the dsmp lore? But ultimately idk) and them being like “yo i didn't know you had friends” and him being like “?????” Tubbo died from a boiler exploding and Ranboo died from drowning (which are apparently my two favorite deaths) this also doesn't have an official story? It was just an excuse to make ghost designs with a bit of a story without the commitment As said before it's a sbi au but also a Dadschlatt au cuz I like Dadschlatt au’s. The main story bits i have are background stuff for Tubbo and Ranboo which ill elaborate now The house was originally meant to be just a summer home because it had a large lake in the backyard Ranboo’s family would go there often but that doesn't mean his family liked him very much because of his heterochromia, Vitiligo, and his height his family thought he was strayed from god and drowned him Tubbo died during sleep while Schlatt wasn't home either out drinking or just at work he came home to the house being partially blown up and his son nowhere to be seen he calls Puffy out of fear and she calls the cops. He moves away and most likely starts drinking a bit more. The house gets rebuilt and now the sbi live there hijinks ensue! The ghosts in this au work in a simpler manor only Tommy can see them unless a photo is taken but even then they are blurred, they can float and go through walls and their ability to touch things is limited Ranboo’s memory is worse then Tubbo’s but Tubbo’s isn’t much better.

below the cut will be designs and stuff be safe pal's- there will be minor/cartoony blood-

rip me exposing my old art on this account also i'm ripping these from my fucking amino account that i don't use but still have the password too

gonna do the original what a pity drawins first them ill show a more recent rendition because i hate the old drawings

these are the old drawins i hate them

then,,, i just drew them,,,,, fuck these guys/j

thses are the old sprite edits of these four! trixies design is the only one that really changed

the ded;-; i couldnt fit him on the page

there he is! ft indus and very much alive mera(who i cant figure out how to FUCKING DRAW-)

gay's get wilbur'd/j

they lookin for ghosts

the whole fmaily is here but its quality is shit

these bitches dead! good for them,,, good for them,,,,,,/j/rp