#can we both be evil willow?

[kasagia]

Flesh and blood

Pairing: Halbrand x fem!elf! reader Summary: Centuries of running away, fighting with what is right and what you should do, have left their mark on you. In time, you begin to realise that the war between good and evil, light and darkness, will never end. And you are tired of all of it. Especially since HE never leaves you alone. Not even for a short moment. Not even when you're about to marry someone else. A bit of a sequel to Skin and Bones, but can be read on its own! It took me longer than I thought, but I kind of like the way it went. I hope you will like it! 🤭🥰 Inspired by: David Kushner - "Flesh x Blood" Halbrand's Masterlist ~•♤♤♤•~ Main Masterlist

"I don't remember the last time you prayed to the Valar." Galadriel sneaks up to you silently. You close your eyes and breathe in the sweet air of Lothlórien.

You were looking for a quiet place where you could calm down and clear your mind of everything that had been bothering you in recent days. And quite a bit had piled up. And not just because it was your "wedding week.".

"That was… ages ago." You reply thoughtfully and stroke the ring hanging around your neck with your fingertip. A ring forged by Halbrand.

"He won't come here. I will make sure of it. He's too afraid of failure. We have many more allies now. You can be safe for yourself and your fiancé." Galadriel assures you with burning fervour and takes your hand that you hold on your lap. You smile, glad that something of her fire still remains—despite the centuries you have fought for yourselves and your people.

"It's not me I'm worried about. Nor Thranduil. You know… you know how Sauron is. He'll do exactly what we least expect. And I can't let him surprise me again." You say, standing up and taking away your hand from her grip. You walk closer to the willow with white leaves and rest your hand on its trunk.

You try desperately to cling with your soul to the power that lies dormant in it—the light that is both a part of you and Garadiel. But as usual, you don't feel the pleasant tingling in your body. You feel the power flowing through you, but... it's not as addictive as the darkness that he tried to pour into you so many times.

The silence after your words is oppressive, to say the least.

"Do you still have these dreams?"Galadriel's soft whisper makes you shiver a little. You wonder if she can feel it in you—the way the light the Valar gave you beats against the darkness that sang to you the most tempting ballads and promises.

"Less often. I guess he's too busy to bother me. Or maybe he's already bored with me? That would be convenient turn of events." You reply and finally turn to fully face her. A small smile appears on your face, but by the way she narrows her eyes at you, you can tell she's seen through at least some of your lies.

"But do you want it? For him to... leave you at peace?"

"There is no peace for me, Galadriel. Neither for you. We both know that." You try to avoid responding to her question and are about to walk away from her, but in the distance you see the silhouette of a very familiar prince of Mirkwood. “Forgive me.” You say, using that perfect excuse, and head towards your fiancé.

Guilt hits you every time you see a smile on Thranduil's face. Not just any polite, mocking, or trained smile that you get used to seeing. He seemed to have his special one—the one reserved just for your eyes to see.

You don't know exactly how you've charmed the Elven Prince, but you didn't go into too much detail. This alliance would be good for the elves. It would unite you in the fight against the one who held the torn remains of your heart in his claws.

Although... you couldn't say you didn't hope that the passionate feelings the platinum-haired prince had for you would be returned from your side someday. Maybe in time you'd learn to love him as he loved you.

"My lady." He greets you and reaches for your hand. He places a kiss on the top of it with full reverence, not to tease you as HE used to do.

"Elf." Halbrand's raspy voice rings out behind you as you and Galadriel discuss something. You're celebrating a battle won against your enemies, the night dark, the area lit only by the light from the campfires and torches. You blush as you meet the intense gaze of his stormy eyes, and you blame the alcohol you've just consumed for that, not the effect this special mortal has on you. "May I?"

Too focused on his muscular, exposed shoulders, you almost don't notice him nod toward the elves dancing around the fire. Before you can respond, Galadriel takes the wooden tankard from your hand and practically shoves it into Halbrand's arms. She would do anything to bribe him into ruling the Southlands and becoming her ally now. She would even go so far as to push you into his bed if it would change his mind.

You hold your breath, your heart beating a little faster as he takes your hand and presses a kiss to it. Your skin tingles as his lips caress you, his stubble teasing, just like the way his blue eyes scrutinise your reaction.

He pulls away, giving you a mischievous, mysterious smile and holding you to his chest, joining the other couples around the fire and spinning around in his arms like nothing else in the world matters. Ironically, a mortal makes you feel more eternal than any elf, dwarf, or man you’ve ever met.

You shake your head at the memory, and when Thranduil's eyes find your face again, you give him one of your smiles. One that he unfortunately can't recognise as a mask. One that Halbrand would see through in a blink of an eye.

"You were not at the war council today." He notices and nods toward the gardens. You begin to walk at a leisurely pace as you consider how to respond to his observation.

"I did not feel too… focused to participate in it today. I hope you didn't miss me too much?" You tease him, hoping he'll ignore the slight note of concern in your voice.

You wanted your complicated realtion with... Sauron to remain a secret from him. He didn't need to know about things that were long in the past… or your fears that the past wasn't as far away as you'd like it to be.

"I actually did." His comment catches you off guard a little. You stop when he reaches into your hair and tucks a sundrop lily behind your ear. It's a sweet gesture. Really. And you feel warmer and nicer inside… but your heart doesn't flutter in your chest like it would if HE did it. "I heard these are your favorites?"

You nod with a smile, not daring to tell him that your favorites are the red-white Carnations. And not because Halbrand gave them to you the other century...

"They are." You whisper hoarsely, a smile plastered on your face and you look away at the flowers growing around you.

He doesn't let you look away for long though. He gently takes your chin in both his fingers and tilts your head, forcing you to look at him.

There was a delicacy, a grace in everything Thranduil did. He was the epitome of an ideal elf, in whom it was easy to see the roots of a great family. And you would have fallen for him, indeed, had you not tasted the seawater of darkness on your chapped lips all those centuries ago.

"What's on your mind?" He whispers, staring at you intently, searching for an answer to your strange behavior.

There are a lot of things stuck in your mind… and none of them should be there.

Because how could you tell him that your mind wasn't occupied by him—just as it should be—but... by Halbrand? How can you tell him that you spend countless nights wondering about what could've been, turning the silver betrothal ring that Thranduil gave you on your finger and fantasising that its metal was black, made of the same as Sauron's crown?

"Many things. Wedding. War. Orcs... Sauron." You confess partly the truth, keeping your gaze fixed not on his eyes and face but on the garden behind him. "I… I'm worried about what's going to happen." You admit mysteriously, without betraying, that you are truly afraid of being bound to him.

You are too scared to admit that the dark corners of your heart are dying with longing for the one you should never have desired. That part of you wishes that your groom carried far less light within him.

"I promise you, he won't ever touch you again. I will protect you. With my kingdom, army and life." All you can give him in return for such a racy declaration is a faint smile that you hope actually looks more convincing than it feels.

"I know. But I hope you will never have to, Thranduil." You add, completely honestly, for the first time, and on instinct you lean in and snuggle up to the elf.

He seems at least surprised that you seek comfort from him, but he doesn't comment on it. Instead, he wraps his arms around you and places a hand on your head, gently running his hand through your hair as he lets you hide in his embrace for a moment.

And it feels good. Really.

But not as good as hugs from HIM.

"Galadriel said that I would find you here." Halbrand's voice interrupts your prayer to the Valar. You turn on the bench and look at the mortal. He slowly walks over to you and sits down next to you, staring at the holy oak before you. "Blaming yourself for their deaths won't get you anywhere. They're soldiers. They take into account the possibility of being killed when they go to war."

"Every life is worth mourning, Halbrand." He snorts at that, as if he doesn't believe the sincerity of your words. He turns his gaze to you, but you don't want to look back at him. You're afraid he'll see the tears in your eyes.

"Possible. But praying to the Valar will not bring them back to life." You jump up from the bench as if burned, to which he gives you a confused look.

"What are you trying to do? What do you want to tell me?! That stupid, eternal elf shouldn't shed tears over a life taken for no reason? That I shouldn't sit in a corner and cry like a child while people die around me? I know it! I know it perfectly well, mortal!" Your voice breaks slightly and you can no longer stop yourself from crying silently.

He freezes. For the first time, he sees your outburst. You're usually a composed oasis of composure, but now... after you saw him at the edge of death... Halbrand starts to connect the dots. He walks over to you and firmly, quickly closes you in his arms. You try to pull away, but he doesn't let go.

He actually doesn't want to let you go.

He had many names; he had taken many forms, but in none of them did he feel... peace. Holding you in his arms while you were crying into his chest, seeking comfort from him, as your fingers dug into his shoulders, clinching to him tight as if for dear life... he felt peace. He felt some strange kind of relief caused by the fact that you cared about him much enough to mourn his potential death.

You cried into his chest because you were afraid he would die, that he would leave. Sauron tries to remember the last time someone cared so much for him. He can't remember. Or he doesn't want to remember anything but this.

And he took selfish pleasure in the knowledge that his leaving would have devastated you.

You let yourself cry into him, pour out all the emotions that have been weighing on you since you saw him bleeding on the healers' bed, and you shiver in his arms as a cool gust of wind somehow hits your skin and breaks through the safe cage of his warm embrace.

"No Valar has ever answered my prayers. None has ever looked after me like you are... thank you, Y/N." He whispers into your hair and presses a kiss to your forehead.

He feels a strange pang in his heart as his lips touch the surface of your silky skin. You still tremble in his grip, but he holds you impossibly tight, refusing to let any force separate you. It's a strange feeling. One he's not used to. One that seems addictive - much like your sweet scent, which he hopes will linger on him so he can appreciate it longer.

This moment between you is... intimate. Not just because he holds you close to his chest, whispers sweet things into your ear, and plants kisses that colour your cheeks the same scarlet as your dress. It's because he uses your name for the first time. And it's to comfort you. A mortal. A blacksmith. A simple man... for whom you've fallen so quickly it's pathetic.

When you finally stop crying and he carefully wipes away every tear that's left on your cheeks with his thumbs, you do the boldest, stupidest thing in your entire, long life. You stand up on your tiptoes and connect his lips with yours.

He is... surprised by your unexpected act. At first he is unable to react to the way your lips move gently against his. You kiss him with a tenderness he has not felt for at least several centuries. And the Valar above, how sweet your lips were.

The tempting vision of the future he could have with you passes through his mind, enticing him more than any vision of power that Morgoth putted in his mind.

You take away his breath and any possibility of movement with each gentle biting of his lip. His heart beats uncontrollably quickly as he revels in your closeness and your ethereal scent, which wraps him better than any blanket could. He clings to your sofftness like a centuries-old thirst for touch-broken man that Morgoth had made him.

You pull away from him when he remains still for too long, fearing you've crossed a line. Allowing you to believe in it is the only crime he can’t commit.

His plans to slowly seduce you and use you to get on Galadriel's better side fly out the window as he desperately reaches for you. His needing of you is greater than anything he has felt since he took this new form.

And Valar, curse him if, after he has tasted you, he does not get all of you to himself.

He tangles a hand in your hair and, making sure his entire hand is securely around the back of your head, pushes you against the column in the courtyard with a force that makes you gasp into his mouth.

He’s quick to seize the opportunity, his tongue slipping past your slightly parted lips as he greedily savours every last bit of you, devouring you like a starving man as his other hand desperately grabs at your waist, taking a fistful of the material of your dress.

He wants to be as close to you as possible, any logical thought in his mind giving in to the force of his desire as he presses his entire body against you, wondering only where and how to take you, which places are your sweet spots, and what to taste first to put out the fire you've ignited inside him—a desire so great he's become its obedient slave in less than a blink of an eye.

And for a moment, he truly feels like a weak mortal. As you work just as quickly to unbutton his shirt, he feels like a regular human being. And he despises that feeling as much as he desires more.

"He is here." At Galadriel's words, you drop the white gown you were taking from the wardrobe.

Your maids rush to you, trying to save the silk dress from getting wrinkled, but you don't care. All you can think about is him. Sauron. Halbrand... Annatar. He was here.

"What?" You stare at her in shock as she nods her head for the rest to leave your chambers. The silence in the room is heavy, broken only by the hurried footsteps of the elves leaving, who have managed to do your wedding hair and light makeup.

"We... wanted to keep you away from it—Erlond, me, and Thranduil. We thought it would be the best for you. Sauron... he entered the city gates a week ago and... surrendered. Sort of. He let us lock him in his cell. He has no crown, no rings. He said he wanted to make an alliance with us. Peace. Of course we don't believe him. We're waiting for our allies to provide us with... the right means to get rid of his physical form for good. Before that... we'd like to get as much out of him as possible. Or rather, find out what his real plan is. But he's been silent for weeks. He wants to talk to you. Only you."

"You kept it in hidden? From me? Together with my future husband?" You ask coldly, inside seething with rage at their betrayal. How could they pretend nothing was happening for a week? That the greatest evil in Middle-earth hadn't come to your gates and wasn't lurking in the dungeons, waiting for the most likely moment to strike?

"Y.N, I… I know how you feel…"

"No. You don't know." You answer her firmly, piercing her with an icy gaze that makes her flinch. "Am I your enemy now? A less worthy ally who fell in love with an enemy? Because that's what he is to me, Galadriel. How dare you... how dare you doubt me after I've chosen you every time? After I had chosen Middle-earth and elves every single time! Each of us faces darkness, Galadriel. Even you are not made entirely of light. So I'm asking you, what right do you have to exclude me from your plans?!"

You explode in rage at her and walk over to her. You breathe quickly, air leaving your flared nostrils, and the urge to pin her to the wall with a dagger at her neck is overwhelming.

"Everything I do, I do for the good of Middle-earth."

"You're not the only one! What do you think is the reason for my marriage to Thranduil?! The good of Middle-earth, the strengthening of the alliance—that's all I've done for these cursed centuries at your side! But I thought I was your true ally and supporter. Thank you for reminding me that I fall short of your light and greatness, my lady."

Before she can say anything, you're already running out of the room. You ignore the elves milling around, who were listening to your conversation, and head to one place. The dungeons.

You can't ignore the pang in your heart as you consider your conversation with Galadriel. She didn't trust you. They didn't trust you. After all the years at their side, the sacrifices, the battle against the darkness within you, they thought of you as a lesser elf that any time can be consumed by the darkness. You were not a worthy guardian of Middle-earth in their eyes. And you probably never will be.

You blink faster, fighting back the tears that want to spontaneously come to your eyes, and practically run down the stairs. You don't ask the guards where he is. You can feel him clearly, the ring that still hangs safely on your necklace pulling you toward him, feeling him as soon as you set foot on the same floor he is on.

You prepare yourself to not show any emotion on your face. You take a few deep breaths and climb the last few stairs. A rather comical sight greets you. Six men stand by the bars, as if the chains and shackles around the neck, wrists, and ankles of the man in front of you were not enough to assure him that he would not escape. As if they could stop him if he actually wanted to escape.

You watch his new form closely as he drinks in your sight with an equally intense gaze, as if assessing all the changes in you since your last meeting. He is no longer Annatar. He doesn't have blond hair, but he is a near-perfect replica of Halbrand. A damn bastard knew too well which one of his forms you had weakness for.

"Leave me and the prisoner alone." You order the soldiers. They look at each other uncertainly. But you are in no mood to deal with their blatant refusal to immediately obey your words. “It was an order, not a request.”

You see a small, mocking smile spread across his face as he watches the soldiers hesitantly leave you alone. The door closes behind them with a bang, sending an involuntary shiver down your spine. Centuries. That's how long it took for the two of you to be in the same room in flesh and blood.

It shouldn't feel this right.

"Personally, I think I made you a better ring." He begins, casting a significant glance at the Thranduil's ring that adorned your finger. For a moment, you felt as if the metal would melt under his contemptuous gaze.

"Personally, I believe that it is not the ring that is important but the one who gives it." You comment and take a step towards the bars. He can't move, thankfully, so there still is a decent distance between you two.

He's trapped in the middle of the room, chained to the floor with heavy chains. And though he looks defenseless... but deep down you know he's been through worse. No prison could hold him for long.

"Your little elf prince... did he finally tell you that I was locked here? Or was he too afraid I'd steal you from the altar? By the way, I didn't know you had a thing for blondes? Maybe Annatar wasn't as disgusting to you as you claimed."

"Oh Annatar was a self-absorbed, egotistical psychopath with unrealistic ambitions. A pretty close and faithful form of you. Probably the closest yet, Sauron." He frowns at the contemptuous, almost disgusted way you say his name. He clears his throat and shakes his head, chuckling darkly.

His mockery sends waves of anger through you as well as a warm, all-too-familiar feeling in your chest. His laughter was both poison and wine to you. How much would you give to be able to get lost in it with impunity...

"Now now. Why call me by a name you despise? We both know which one you like more... especially in the darkness of your chambers." You tremble slightly, but you don't let him know that the constant visions and dreams were affecting you in any way.

If you've learnt anything about him, it's that he doesn't like it when you don't react to his actions. And right now, you really want to piss him off; see him losing his composed and mocking demeanour, as if he were still playing the cards in your game, as if he were 15 steps ahead of you.

"Why are you here, Halbrand? Perhaps you prefer Annatar? The Dark Lord? It's hard to keep up with the nicknames you've been giving yourself lately, Lord of orcs and Mordor." You ask calmly, playing with the ring on your finger—a habit you had developed far before your engagement and, as you've just noticed, something that annoyed him when it wasn't his ring that you were showing off like that.

"Oh, well, someone had to carry a pillow with wedding rings at your…"

"You're wasting my time." You interrupt him coldly, staring at him intently. “Maybe I should just let Galadriel play with you while I focus on my husband?” You ask, rasing defiantly an eyebrow at him as you wonder if he will continue his stupid game or once in his life he will open his cards to you.

"Good thing we have eternity, right?" You sigh and roll your eyes at him. That was exactly how you remembered him.

What else could you expect from him? If he hadn't shown you the illusion, he would have entangled you in his dark web of lies. It didn't matter if he came to you in visions or stood before you in flesh and blood—he wasn't the one you fell in love with; he was much more. You should have realised after all those centuries that whatever was between you two wasn't love, affection, or anything decent.

He desired your power. Not you. Maybe you should finally take a hint.

Maybe he had shown you the darkness for too long to feel tempted by it any longer. Maybe this light was finally what you longed for. Or maybe you got bored of his little, sick games and manipulations. Maybe you craved for something real—something he obviously would never give you.

You turn your back on him and are about to leave when he suddenly calls your name. Not the pet names he liked to call you. Your name. Your real name. And something about the way it rolled over his tongue wouldn't let you just walk away from him.

Even though you should have done it ages ago. Even though the whispers of darkness had been tempting you for too long, and even though you knew perfectly well that it would be better for you to leave this room as soon as possible, you didn't.

You stop, but you don't spare him a glance again. You wait for what he has to say, not really knowing what you want to achieve with him. Because you are perfectly well aware that Galadriel has already informed Erlond and Thranduil about your sudden outburst and that they are most likely eavesdropping on the two of you now. HE probably knew that too. Just as you all knew that he wouldn't appear here without a serious reason.

"Not in a joking mood, I see. You'd be a lot happier as my bride, by the way. But if you insist, I think I can tell you this great secret, but it must remain just between us two, my sacred light." He pauses, clearly waiting for you to look at him again. You sigh and reluctantly turn to face him. The intensity of his sea-green gaze burns worse than any flame, making you feel like you're the one being interrogated and shackled by him. "Actually... I'm here to replace your groom if he decides to run away from the altar. I wouldn't want the beautiful sight of you in your wedding dress to go to waste."

"Who said he would leave me? Thranduil loves me." You speak with complete certainty of the prince of Mirkwood's feelings for you. You wish you had as much confidence in yourself as you do in him.

"Not a big achievement. He's not the only one. He's not the only one who put a ring on your finger, is he? But tell me... what seems more... intimate? Wearing one on your finger or on a chain around your neck, close to your heart?"

After his words, the ring on your chest - the very one he gave you - becomes heavy, heavy under the awareness that his words carry a bit of truth... Why would you still keep his ring close to you if you already had one?

"You tell me. It seems that of the two of us, you know the most about the chains. Especially the dark ones."

"I may be chained to the darkness. But you, my stubborn and beautiful elf, are chained to the light. Tell me, Y/N, does the Valar answer your prayers and your pleas after you have cried out to me in the darkness of so many nights? Can you whisper their names in your holly gardens, knowing it is mine you wish to scream out loud for all of Middle-earth to hear?"

Only when blood is running in a stream from your hand do you realise that you've gone to the bars and wrapped your hand around them, squeezing tightly so you hurt yourself. He's drawn you to him like a spider to its prey, wrapping you in the web of his words, making you lose your guard enough to get close to the bars. And that was your mistake.

In an instant, he’s in front of you. You gasp in shock, unable to process when he’s freed himself from his shackles or when he’s wrapped his hand around your wrist and pulled it through the bars. All you can do is hold your breath and watch as he licks your wound, moaning as your crimson blood spreads across his taste buds, tasting you like you’re the most exquisite of drinks.

"We belong together, my lady." He says this nickname mockingly as he leans down to press his lips to your hand. "No matter how far or fast you want to run, or who you want to run with. I will always find you. I will always be near. You will be able to feel my breath on your neck in every dark night. You will always be mine, Y/N."

You gasp as his lips move up your hand. He’s so close, your noses brushing through the bars as he forces you closer to him, to feel you the way he wants.

You gasp as he slides his hand along the sharp edge of the bars and mixes your blood with his, pressing your hands together tightly. You watch as the black, thick liquid runs down his wrist, and an unwanted little voice in the back of your head convinces you to lean down and taste his blood with the tip of your tongue. You stand there, staring at him as if spellbound, unable to move as he presses kisses to your joined hands, spreading your blood across your skin.

Suddenly, you are being dragged backwards by two strong pairs of arms. And although Halbrand... Sauron tries to hold you by force, almost crushing your wrist, Erlond and Thranduil pull you away from him.

"That's a very rude way to interrupt someone's conversation." He comments unimpressed, running his finger over the bars where your blood still is. He sucks his thumb, humming at another metallic taste, irritating your not-yet-husband.

"You're lucky there's no suitable weapon here yet to end your miserable life, you disgusting, cursed Maiar. I'd like to see you try to get close to her, no longer having any physical form."

"I would still have a better chance of getting a taste of her wonderful nectar and light, little prince. Actually, I've already done it. What about you?"

You knew perfectly well what game he was playing and how much he wanted to spore the elf so that he would slip and stab him with his sword, thus not killing him fully but allowing him to take another form. But Thranduil seemed too agitated to leave him without a word, and Erlond was too interested in getting more information out of Sauron to stop his friend.

"I can connect with her in a more meaningful way. First of all, I have enough light in myself to bind our souls to each other." Sauron frowns in displeasure, never taking his contemptuous gaze off your fiancé.

"You may not know this, Elven Prince, but darkness is as good a connection as any, and a much stronger one I dare to say. Besides... you cannot bond with one who is already taken."

This is clearly too much for Thranduil to bear. The Prince of Mirkwood is in front of Sauron in a split second, his blade at his neck. A thin line of black blood runs down to his collarbones as he, unfazed, still smirking, stares down at your fiancé.

"Thranduil leave him." You butt in and place a hand on the elf's shoulder. He looks at you sideways, his jaw clenched and his hand trembling slightly against Mairon's neck as he is still tempted to take his life. You gently grab his wrist and pull his hand away from Sauron, ignoring the searing look he gives you as you touch another man before him. You gently cup the elf's cheek and force him to look at you. "He is not worth it. Let us go, he will not tell us anything useful, he will only confuse our minds. This is just another of his numerous games."

"You know perfectly well that not all of this was a lie, Y/N. And if anything… I'm not the only one here who resorts to it, am I, my beloved nemesis?" You try to ignore the look Sauron gives you from behind Thranduil's shoulder.

You lean down and gently connect your lips with the elf's. He seems to melt into your kiss, one of your rare acts of tenderness. And you can't quite give yourself over to the feeling of his lips against yours enough to not hear the soft growl of the man behind you.

"Let's take this wedding. We won't achieve anything here anyway." You say, moving away from him and trying your hardest to ignore the pain in your chest and the cries for the Dark Lord that Erlond and Galadriel were taking care of.

But you knew well that his imprisonment wouldn't last long. He'd get out. The only question was when... and what was the real reason of his comming here.

The ceremony is beautiful. Really. Even though you may not be the most enthusiastic bride, you are happy that your people have something to celebrate and have a moment of respite from the danger that is now closer than ever. With Sauron in the dungeon and an army of orcs on the loose, anything could happen. And you didn't want to even imagine the many possible scenarios.

"A coin for your thoughts?" Thranduil quickly joins your side, handing you one of the goblets in his hand.

You smile softly at him and take a sip of the drink, wincing slightly at the taste. He chuckles and wraps an arm around your waist, pulling you close as you watch the dancing elves.

This wasn't exactly how you imagined this connection between you two to look like. Elven couples who chose to bind their souls together through marriage spoke of a great connection of souls and minds, but you barely felt this link between him and you.

For a moment you thought you had said your vows wrong, but Thranduil didn't seem to act like anything was wrong. So you too pretended that everything was completely fine. Just as always.

"Honestly, this isn't how I imagined our wedding would be." You chuckle softly, sipping the drink he gave you.

"Well, that wasn't what I had in mind either, my dear wife. But it doesn't make it any less joyful. You're mine. Finally." He whispers and presses a kiss on your temple. A shiver runs through you as he gently slides a ring onto your finger. The engagement ring that somehow disappeared from your finger. You frown and give him a questioning look. "Sauron must have stolen it from you somehow. I'm just returning it to its rightful place—my queen's finger." He replies and reverently places a kiss on the back of your hand.

You frown and look at the metal band on your finger. It was… oddly heavier. Like more massive. Strange, since it was the exactly same ring as few hours ago.

"Is there something wrong, my love?" He asks sweetly, taking the empty chalice from you.

You absentmindedly play with the necklace around your neck, freezing when you realize you don't have the familiar weight of Sauron's ring hanging around your neck.

"Shall we dance? For the first time as husband and wife?" Before you can answer, he already has you in his arms and leads you to the dance floor. You surrender completely to his guidance, feeling your head hum slightly.

All you can look at is him. Your vision can't focus on the couples dancing around you or anything else except him. And suddenly, you see it. A small crack in your fucking vision.

You can't believe how you could be so stupid and naive.

"I... Sauron" You mumble, feeling slightly disoriented as the poison he gave you is starting to work. Suddenly, you are overcome with immense fatigue, and all you can do is lean against him as you wander into blissful nothingness.

"My beautiful light. Only mine. My wife." He whispers in your ear, confirming your too-late suspicions, and easily scoops you up into his arms.

You dream a dream without dreams. Very strange occurrence since for centuries you were haunted by him in any moment of peace.

It must have bordered on obsession, since the first thought you had after waking up was always him. He made you crazy without even trying, without even being close to you in flesh and blood.

And you're genuinely afraid of the lengths he'll go to once he finally has you within his reach.

"I know you are not sleeping, my dear wife. Your breathing quickened about 10 minutes ago."

You don't know how you could have been so stupid and naive. How you could not have noticed the obvious difference in Thranduil's demeanor. Just like you have no idea how he did it, how he managed to plan this entire show and execute exactly what he wanted. Just as always.

"Eventually you'll have to open your eyes. Don't you want to see our kingdom, my love?"

"Don't call me that, you disgusting plague." You growl, finally opening your eyes. You're in a bedroom, pitch black. You're lying on the most velvety silk sheets, but it's not them or the decor of the room that catches your eye.

He sits just a few feet from your bed. He's wearing black armour made of sharp metal plates. There's a streak of red blood on the side of his face. You shiver, wondering what he had to do to get that blood there.

"Now now. Is this the way to greet your newly wedded husband?" He asks mockingly as he slowly approaches you.

You sit on the bed and rest your back against the headboard, trying to move away from it as far as the handcuffs attached to your ankles will allow.

"I didn't marry you. I was promising myself to Thranduil." You say stubbornly as he slowly sits down on the edge of your bed.

You glare at him sternly as he lazily reaches up to stroke your cheek with his thumb. The ring on his finger—the very one you thought you were putting on Thranduil's finger—pricks your skin unpleasantly, mockingly reminding you of your great mistake.

"But that wasn't really him standing before you, was it? Your elven prince's… his… appearance is currently far from what you remember. You could always be mistaken, my love."

His voice is so sweet that it is nauseating. He drops his hand and suddenly stands up from the bed. He goes to the closet and starts to take off his armour, completely oblivious to the fact that you're in the same room as him. How you wish you had access to a small knife right now...

"What did you do to him?" You ask, your voice shaking as a thousand possibilities race through your mind. You can't believe how all of you fell for the idea that there was some way you could make him defenceless and block his powers. Millennia on his back, and he still played you however he wanted.

You shiver as he suddenly stands before you again. He gently cups your cheek in his hand and stares at you as if you were another addition to his collection of prized possessions he’s torn from the throats of his enemies. The pearl in his dark crown of scorched lands.

"He wanted to take you from me. You know very well what I do with thieves, my precious light of life. I burn them." He leans down and presses a kiss to your cheek. His stubble stings unpleasantly, your heart pounding at his closeness, but still all you can do is sit there in shock, wondering how he managed to gain control over you. And how best to play your cards to make sure he doesn't hurt anyone else.

"I wasn't yours. Not for anyone to steal me from you."

"Your mistake, for which his pretty face paid. Do you know how much time I spent convincing my army not to feed on him once they smelled the delicious scent of a burnt elf?" He asks, unfazed, continuing to press his lips against your skin. His hand tangles in your hair and wraps it around his.

He tilts your head back and buries his face in the crook of your neck, nibbling at your sensitive skin. You hold your breath, biting your lower lip until it bleeds.

A tear slips down your cheek, but he ignores it, ignores your quick breaths and broken sobs as you mourn the one man who truly wanted to save you from falling into the darkness. From falling into the arms of the Lord of the Rings.

"You are a monster." You whisper, unable to hold your voice back from a broken sob. His hand works on the fastenings of your nightgown, oblivious to the fact that you are currently reliving the suffering and death he brought to the land of Galadriel and your would-be husband.

"I am your husband. That's all that matters now."

He leans down and captures your lips. You can only moan as the force of his kiss cuts off all other sensations you feel. His lips claim yours as if it were his eternal right, one you've denied him and one he's had to rightfully fight for. You feel him sigh softly as he presses you against him, making sure he feels yours against every inch of his body. He's not kissing you. He's conquering you. He's marking his territory, laying claim to every tiny part of you, not wanting to leave any part of you unsullied by him.

He had cursed your spirit utterly centuries ago. He had planted the seeds of darkness that had only flourished in the centuries away from him. And now, having gathered enough of an army and grown strong enough to be virtually unstoppable, he was taking your body for himself.

And you realize that even the Valar do not forgive you your sin in wanting him even after all the terrible things he has done.

You still try to fight him. With the last of your strength, you push him away from you, trying to protect the remnants of light that remain in you. Light that he desired as much as he wanted to destroy it through his darkness.

"What have you done? Where am I?" You growl, trying your best to hide how panicked you are. You reach for your powers and throw him across the room.

You throw off the bonds that bind you and walk to the nearest window. You hold your breath as you see the lands that were once sacred gardens, where you prayed to the Valar, engulfed in flames and ash. He destroyed it all. He razed the entire city to the ground. All because you dared to bind yourself to someone other than himself.

"In your husband's house. Right where you belong." He approaches you silently and presses a kiss on your shoulder. He wraps his hands around you like a snake, tightening his grip on you.

You hyperventilate at the destruction you've brought upon those you loved. You wonder how many of them survived, how many escaped, how far his armies have spread, and how long he's kept you locked away in his golden fortress like a sick prize that you clearly were to him.

In your last, feeble attempt at rebellion, you scream. You scream until your throat aches, and much longer after that. You turn in his arms and throw yourself at him in a frenzy with fists and nails, wanting to hurt him as much as he hurt all the people of Middle-Earth and you. You want to hurt him so much that he will feel it in every tiny part of himself, so he will be able to feel your own pain and despair.

You curse him in both elven and general speech; you throw insults at him; you struggle and fight with him. The fact that he stands calmly without losing his composure, taking your blows as if they were nothing, makes you even angrier and more passionate in your efforts to hurt him. You hit him even harder; you want to throw him off balance, drive him insane—just like he just did to you. You feel extremely powerless when you realise that you cannot.

"Have you finished?" He asks, catching your wrists in both hands as your attacks become less frequent and your screams turn into quiet sobs.

He pushes you against the wall and presses you against it, immobilising you. His other hand gently wipes the tears from your cheeks, as if that would somehow ease the ache in your chest. You feel as if the last of your light is dying a slow, painful death with each of his touches.

"Not even close. Let me out. Let me out or I'll go mad. I'll go crazy. I'll make sure every single day of your damn life is a nightmare."

"You won't. I need your light, Y/N. It's the only thing keeping me sane among these stinking orcs. And if you go mad... then we shall go mad here together. As husband and wife. For sickness and for worse. Until we heal all Middle-Earth."

"You are already lunatic." You promise him, twisting your wrists so you can dig your nails into his palms. He hisses slightly, but doesn't remove his hands from you.

"Possibly. But I'm not your monster. I didn't kill them, Y/N. Your little friends should have died, but I spared them. I only took their land from them. I showed mercy, Y/N. For you. Because of you. My wife. Don't you see that? Don't you like the control you have over me, my lady, my light, my sweet and dear wife?" With each new nickname he trails kisses along your temple to your cheek, stopping at the corner of your mouth. "Doesn't that mean more than anything I have done for you?"

"It means nothing. It never meant anything and never will. You have no soul; you have no light. You can't... you can't bond with me... with mine... you won't pollute me."

You shiver as he runs his tongue from your jawline to your neck, stopping suddenly to suck a hickey into your skin. You gasp and bite your lip hard, trying not to let out any more sounds of pleasure, but you can’t just ignore the way he presses himself perfectly against you.

"Oh, Y/N…you know so little of the powers of darkness. I am already one with you. I have been through the ages and always will be. In body and soul, in mind, in dreams, in spirit, in flesh and blood, I will always be a part of you."

He's right. You know he is because you feel him with your whole being. Even hundreds of years apart didn't manage to get you out of the clutches of his influence.

He poisoned your mind through your dreams and entered your body like a venomous poison, starting with your soul and ending with your flesh. And the worst in all this situation was that you didn't know how to stop him.

"You… you promised you would leave me alone. That you wouldn't lift a finger until I called for you, until I came to you myself." You mumble as he pushes you back into the bed.

He straddles you and cups your cheek tenderly in his hand, watching you closely. He plays with you slowly, like a spider that has captured its prey in its web, savouring every moment he can explore your body with his fingers.

"Apparently you needed a little push. Beside that, didn't you ever try to reach me?" He asks, slowly weaving your hand into his. The rings on your fingers mock you more than his words. Because did you really defend yourself with all your might when you landed so easily in his arms? "You will beg for me, Y/N. You will crave my company. I will wait until the memory of any other kindred spirit than me dies in you. I am very patient, Y/N. Ages and aeons have taught me this. I will wait until you have no shelter, no confidant, no friend, no lover left on this world but me."

With that dark promise, he pushes your back down on the bed. He hovers over you, giving you no time to respond. He swallows your every breath hungrily, as if he'll never get to kiss you again, but you both know perfectly well that now that you're finally in his iron grip, it's quite the opposite. He has all the time in the world to destroy you. A thought that, along with the intensity of his kiss, fades inside you as you allow yourself to give in to your darkest, wildest, most ardent desires.

With every kiss that marked your body, every little moan, every soft gasp, you felt yourself sink deeper into the depths of darkness. His fingers caressed your skin, igniting something much more than lust within you.

And even though you love the way he feels against you, digging your nails into his back and tangling your hands in his hair, pulling him as close as you can, wanting and needing him to finally become one with you after all these centuries, you don't give in to him completely.

You knew what he was like, what he was capable of, and what sweet lies his lips could tell as they caressed your breasts, peppering every inch of your exposed skin in a frenzy of kisses as his fingers prepared you for him. You could moan and hold on to him tightly, pretending he had you all to himself as the edge of his wedding ring brushed against your walls, but deep down, every little connection to him made you want to fight him even more.

But you'll play smarter next time. You were a diligent student, and he's just taught you a very important lesson. Patience is golden. So you'll wait. Wait until he believes he's completely tamed you, that you'll willingly become his king, his Queen of the Rings. You'll make him believe you're his and his alone, and at the right moment you'll plunge the dagger into his Mordor-black heart.

You cry out and bite his shoulder when, just as you think about plunging the dagger into him, he thrusts his length into your wet, aching walls. And the Valar above, if this were to be a sin, then you no longer wish to remain holy and pure.

As he begins to thrust into you with all his strength, no longer holding back the lust and desire suppressed for years, you wonder if this is the ecstasy elves feel when they return from this world and become one with the light of the Valar. If not, you are glad he has led you far away from that path.

He whispers something to your ear in black speech, but to you these are just fragments of meaningless words, as your head buzzes with the flood of feelings he gives you. He is relentless in his conquest of you, and for a moment you truly feel utterly defeated and at his mercy. It is only when the blood from his arm—from the exact place where you bit him—runs down your chest that you remember that this is not the end for you. You will not submit to him. Ever. He may have won you through deception, but he will never extinguish the fire within you—the light that may not have been as pure but still blazed beneath the surface of your skin.

"Bind... yourself to me." He grunts between his hard thrusts, trembling as he nears the edge. You don't know if it's a command or a needy cry of the desperate, lonely immortal, but you know that if your plan is to succeed, you must give him part of yourself he could hold on to...

“Halbrand!” You moan when he suddenly slides his hand between you and stimulates your clit, teasing you and bringing you closer to your pleasure, caressing you the way you used to do in the dark of night with him in mind.

"Mairon." He breathes shakily, his tone bordering on pleading. You shiver, realising what he's just revealed to you. The name he didn't give himself. The one he had no control over. And maybe, if the circumstances were different, if he'd won you over differently, you'd appreciate more how... sensitive to you he had to become to share something like that. "My light... Mairon." He doesn't ask. He never does. But in that moment, you could take it as his prayer to you. A plea from the depths of his heart, where there's a shred of light left. Which you know perfectly well there isn't. Or at least you want to believe that he's completely rotten to the core. Otherwise, he could truly love you. And knowing that would destroy you.

"Mairon." You moan as you both fall apart and you open yourself up to him, doing what he asked of you - bonding yourself to him with flesh and blood.

He collapses on top of you, trapping you in the tight embrace of his arms. He presses his mouth to your temple, his nose in your hair as he inhales and absorbs every last bit of you, wanting to memorise this moment forever and etch it into the memory of his mind, into his very being.

You allow it. For both him and yourself, to enjoy this stolen moment of peace between you two.

Because Sauron forgot one important thing. That in the glow of your light he can both bask and burn. And since you can no longer remain holy and good like Galadriel, since that path of light was blocked for you from the day you met him and the Valar have turned their back on you, refusing to protect you and defend you against him, then you will become much worse than all of them.

Middle-Earth should beware of the new Lady of the Rings.

[spuffybot]

Hey hi! I saw your post about Buffy being your favorite show and what do you mean "you know what’s happening with certain characters based on the colors they are wearing"? That's SO cool and something I've never noticed despite being such a tv nerd, do you have examples?

Ohhhh my gosh I love this question!!! There are a few characters who come to mind (Buffy & Willow) but I’m gonna talk about Spike because I love to talk about Spike.

So Spike is a character who very much has a uniform and this uniform is linked to his identity. It’s important to note that this is an identity he crafted. Because as we know Spike started out as William, a man who was sensitive and kind and who was unappreciated by his peers. When he became a vampire he wanted to shed that weakness and he uses his hair, accent, and clothing to reinforce the idea that he is a strong, tough, and evil being.

Spikes official uniform is perfectly slicked back bleach blonde hair, a red shirt, dirty black jeans, combat boots and his signature leather duster. This is Spikes armor. It’s how he embodies Spike and leaves William behind. The red shirt is also quite critically linked to his “evil era” as I’ll call it.

Throughout the show there are key moments where Spike deviates from this uniform and it’s always linked to a crises of identity.

The first moment I want to talk about is Spike in the Hawaiian shirt. He’s just been chipped, he’s relying on the Scoobies for survival, the core tenants of his identity (predator, killer, lover of Drusilla, leader of a vampire gang) have all been stripped from him against his will. He looks ridiculous wearing Xanders clothes because we know it’s ridiculous (at this point) for him to just be one of the Scoobies.

This is not unlike Tabula Rasa (which has a deliciously layered theme of loss of identity both literal with memory loss and metaphoric with each of the characters personal lives) where we see Spike once again out of uniform completely and lacking his identity. Now like I said on the surface he has truly lost his identity he has no memory of who he is. But it’s no surprise that he draws the (incorrect) conclusion that he’s a vampire with a soul on a mission of redemption because for the past few months he’s been playacting that role. After Buffy died Spikes entire identity was usurped by the need to live up to her memory. He babysits Dawn. He patrols with the Scoobies. He lives a mundane and neutered life because he thinks it’s what she would have wanted. Except now she’s back. And she’s opening up to him in ways she never has before. And she’s kissed him. And this is simultaneously the most incredible and terrifying thing to ever happen to Spike because it’s all he wants but he knows deep down, it’s not who he is. He has no soul. He has no remorse. He is not good.

Now let’s talk about some less overt examples. Because the wardrobe team does an incredible job of making subtle shifts to Spikes uniform that communicate his emotional arc.

In Crush, we see Spike swap the red shirt for a light blue shirt (blue is going to be a theme!) and lighter pants. By doing this he communicates to Buffy that he’s different than before. He’s lighter and softer. A man she could be interested in. But of course, just like the uniform of Spike is a performance, this too is a performance and one Buffy sees through quickly.

Blue comes back again in Smashed, an episode where once again Spike’s identity comes into play. He has been play acting at being a Scooby but we know that’s not who he really is. Now, suddenly he finds that he can hurt Buffy without activating his chip. All of a sudden he gets a glimpse of his old self and it infuses him with confidence and purpose. The blue shirt in this episode is deep and rich, verging on purple. By wearing this shirt it shows us how deeply conflicted Spike is. The war between his selfish love for Buffy and his feelings of being trapped and controlled by his chip (and his feelings for her) is coming to a head. And of course, by showing his teeth he gives Buffy the push she needs to sleep with him.

Ok so now we get to talk about my FAVORITE season when it comes to Spikes loss of identity and the use of his uniform to depict that: season 7.

When we first see Spike in season 7 something very important is happening: his hair is completely disheveled and curly, with his natural brown roots showing. This is the closest we have ever seen Spikes hair resemble Williams hair and this is important because as we know, Spike now has a soul and so he is closer now to William than he has been in over 100 years.

When Spike finally leaves the basement he is in a bright blue shirt and lacking his signature leather duster. The duster becomes a key plot point in season 7 with the introduction of Robin Wood (considering it was his mother’s jacket and Spike killed her.) Now, Wood is a controversial character but I personally think having Spike have to reckon with the consequences of his past all tied up in the metaphor of identity that is his leather jacket is chefs kiss.

Speaking of the leather jacket, in episode 15, Get It Done we see Spike put the jacket back on for the first time since Seeing Red. This is a moment of reclamation of identity. Souled Spike is listless and guilt ridden. And as the potentials point out, even a demon can kick his ass. When he puts that jacket back on he takes back a piece of who he is and starts on the journey of self discovery that we will see him continue in Angel season 5. Because ultimately it’s not Spike or William but the fusion of the two that make Spike who he is. AND TO BRING IT BACK FULL CIRCLE while Spike reclaims the jacket, he does not bring back the red shirt.

One other interesting thing about season 7 is that Spike is no longer as wiry and muscular as he was in season 6. Now, James Marsters has said that this was deliberate on his part because he was tired of being naked on the show and figured if he stopped working out (he has also said that he created his season 6 body deliberately upon being told he would be naked all the time) then they would stop making him take his shirt off. And while this is obviously not a deliberate choice on the part of the show, I do think it’s interesting that Spike becomes less angular and sharp after he gets his soul. He releases some of the hardness that defined him emotionally and physically. Which ties in nicely to this overarching theme of identity crises. It also hints at a certain level of toxicity on set if one of your lead actors feels the need to take drastic measures to protect themselves but that’s a whole different essay.

I hope this answers the question and I would loooove to hear what other people think about this. I know I didn’t touch on every Spike moment but I wanted to highlight ones I feel are critical parts of his narrative.

[raisedbythetv89]

Listennnnn to be loved is to be seen

Buffy is SURROUNDED by people who project and project and project some more onto her without ever truly seeing her and just trying to force her to be whatever they want/need her to be often leaving her feeling used, abused, and lonely.

And so while yes on the surface the Buffy bot is icky as hell and obviously irl all of us would be rightfully horrified if that happened to us. This is fictional and with a still evil but trying to be good but with no human soul to help guide him on how to be good Spike - who has been rejected and is honoring that rejection and finding a solution to leave real Buffy alone by giving him a place to put all his feelings for Buffy somewhere that isn’t Buffy herself - programs her so well and therefore showing how well he sees and understands her!! NO ONE ELSE could have programmed that exact Buffy that was believable enough to fool her friends. So yes it’s twisted but this is a vampire falling in love with the slayer if you want completely healthy truly go elsewhere lololol but so the bot is used to show just how well Spike truly understands her and more importantly what he loves about her which given the partner she had right before this was Riley who VERY CLEARLY hated how strong she was and that she was the slayer…

spike is like SHE NEEDS A DEDICATED SLAYER FOLDER

HE PUT THE YEAR WILLOW CAME OUT IN HER BIO 😭😭😭😭 angel and riley truly could never in a million years pay close enough attention to the people in her life that Buffy cares about to add info like that

The choice of “make spike happy” instead of something like “pleasing spike” feels significant because it’s able to encompass a wider range of things including her care for her friends since that seems to be the active folder when she’s accessing information on them. Buffy caring about other people makes him happy even though he’s morally grey at best at this moment 😭 AND TWO KISSING PROGRAMS ARE THE VERY FIRST THINGS IN THAT FOLDER 😭😭😭 he doesn’t just “want to fuck her” like people try to claim he wants to love her 🥲 he wants her kisses like I’m gonna throw up from how disgustingly tender and heartbreaking that is

Buffy bot calls both her and Buffy very pretty and tells Giles he “should listen to the other Buffy because she’s very smart”. Spike made sure the Buffy bot was a Buffy that loved herself and valued her intelligence like I cannot even begin to tell you how NONE of this is your run of the mill making just a sex bot of your crush because not being able to have sex with them upsets you. He wants to love her because he knows she needs it as much as he wants to give it to her

We have this moment where Buffy bot has finally found Spike who she’s been looking for and worried about the whole time and seemingly only cares about him and no one else and she sees he’s SEVERELY injured yet when Giles calls for help Buffy bot responds at the same time as Buffy does and runs to his aide leaving Spike like she’s still just so BUFFY at her core even if the superficial aspects have been changed 😭

if we compare this moment to the one in something blue where xander calls out for help in the crypt in an IDENTICAL situation yet ACTUAL BUFFY just continues to make out with Spike when he’s not even injured at all 💀 like Spike didn’t even give Buffy bot the “extra love sick” component Buffy herself exhibits for him on multiple occasions 😭

and of course - WE END WITH THIS KISS AND THE WAY SHE’S FUCKING LOOKING AT HIM BRO 😩 she’s like holy shit he was for real when he said he loved me no one has ever done anything like this for me while simultaneously showing how COMPLETELY loyal and obsessed they are and how well they know and love all of me AND my sister like

‼️I CAN DEPEND ON HIM‼️

So close to death even Xander is feeling sympathy for him yet clocks IMMEDIATELY it’s her and she’s just like hi 🥹 yes it’s me, I really just did that. I see you and what you did for me. HAVE HOPE KEEP TRYING DONT GIVE UP.

If Buffy loves you she forgives you pretty easily and I personally think that’s what we’re seeing here with Spike like kissing him in the same ep she learns of the Buffy bot is low key CRAZY 😹 but truly people who have done less for her have done far worse!!! The bot kept dawn and tara from being taken instead and he proved he would protect both of them with his life and like she already loves him which is why she even went for the kiss she was like REALLY THE SITUATION CALLS FOR IT WHAT’S A GIRL TO DO 🤷🏼‍♀️

[thehollowwriter]

I think we should talk more about the mysgony when it comes to parents in media, and how fathers are favoured and praised for the most the most basic shit while mothers are demonised for making mistakes or being bad. This is gonna be a long one, buckle up.

I hate Mrs Rosehearts as much as the next guy, but it's unfair that Mr Rosehearts is not given similar criticism for allowing his wife to treat Riddle the way he does. I hardly see people bring him up apart from mentioning that Riddle's parents probably have an unhappy marriage, and some people say something along the lines of "poor Mr Rosehearts, struggling with a wife like that".

Of course, we don't know enough about his character to gauge how Mrs Rosehearts treats him, bit it's clear he just passively stands to the side when it comes to whatever Mrs Rosehearts wants to do with Riddle. That itself is very harmful and it's own form of abuse, imo.

The same applies to Alador Blight from the Owl House. He's praised for being a wonderful dad that finally came through and stood up to his "horrible wretched bitch of a wife" (who, if she was a guy, would probably have more people analysing her and trying to find ways to sympathise with her just saying)..

And while, yes, he did stand up to her and that's a good thing, the general consensus is he was a brilliant dad from the start that was held back by his wife's wicked ways. But... that's not true? His first appearance is him telling Amity to stop being friends with Willow. He ignores his children constantly, and, like Mr Rosehearts, stands passively to the side when Odaliah treats her children like her property.

He's a neglectful parent at best and just as concerned with image and status at Odaliah at worst. But... that stuff is just forgotten. Most people just say "we thought he was bad but it turns out he was manipulated by his wife". He is HIS OWN PERSON. You cannot just blame everything on his "evil manipulative wife" (which is also smt that sometimes happens irl when both parents are abusive). He is still fully capable of making his own decisions.

And again, it's unfortunate, but if Odaliah were to be given his treatment or if Alador were a woman, the general response would be "That's sad but not an excuse! I can't believe she was forgiven!"

The worst I can think of atm, is Silco and Vi from Arcane. Now ofc they're not married. But the circumstances are similar.

Silco is praised to the high heavens for being one of the best dads in animation (#1 goes to Doofenshmirtz ofc, which I agree with) and the reasons for this are because he... shows his care, puts Jinx first, and loves her. Wow. Fucking groundbreaking am I right. The bar is soooo high/s

The thing is, Jinx is a child soldier. She works for Silco, protects his shipments of Shimmer, takes out the enemies that need taken out, etc. He found her as a young child, and when we cut to the present, she's murdering people without so much as flinching, even delighting in it, and suffering badly from trauma and hallucinations.

Obviously, Jinx was not given the care she needed, and was instead trained to assist Silco.

Am I denying Silco loves her? Of course not! He clearly does. But that's just not good enough. He's a loving dad, but not a good one. He's not the father that neither Jinx nor Powder needed.

Meanwhile, we have Vi. Vi loves Powder, protects her, cares for her, tries to keep her out of harm, stands up for her, and so on. She cares so deeply for Powder, and you can see it. The moment she got out of prison, her first goal was to find Powder.

However, because she hit Powder once, and shouted at her, she's apparently an abusive monster who never cared about Powder. Reminder, she hit Powder because her entire family was killed in front of her and then she learned Powder was the reason that happened. She was like... 14? And she immediately left to calm down. She did not abandon Powder, she left to take a breather because she realised she was too angry. And when she came back, she was drugged and arrested.

Silco is a grown adult who purposefully flooded the streets of the Undercity with a highly addictive drug, turned Powder into a soldier, and is generally a terrible person, even if he is a three dimensional amd well written antagonist.

Vi started the story as a teenager suffering poverty and discrimination just like Silco, had to deal with her own parents death, then her adoptive family was killed in front of her, and then she was forcefully taken from her sister. And yet, people are convinced Vi is a terrible and abusive sister who never loved Powder?

The only example worse than this, methinks, is Stella and Stolas from Helluva Boss.

Stella is a shitty mother who ignores her daughter, which the the audience is shown via a scene were Octavia is having a nightmare and she tells Stolas to deal with it. She frequently screams and swears at Stolas and throws things at him, with no regard for her daughter's presence or feelings.

This is pretty terrible, right? Of course! Everyone knows Stella is a horrible mother.

Stolas on the other hand, is praised for being such an loving and caring father, who tries his best. He even has a song with Octavia!

Well, he also: openly talks about having sex with Blitz and how much he likes it while she was right there, told her people want her money and her body, generally doesn't pay much attention to her either bc he's wallowing about Blitz not loving him back, and doesn't give her feelings much regard.

And yet, the misogyny extends beyond just Stella because people generally agree that Octavia is ungrateful and doesn't appreciate Stolas enough. They get mad at her for disliking the fact that Stolas is cheating on her mother with an imp who's been nothing but rude to her and ruining their family further, and even mock her for feeling unloved. Hell even Brandon, one of the creators, has allegedly recently called her a "cockblocking slut" which, frankly, is a disgusting thing to say about a 17 year old girl.

Idk man I'm just tired.

[aingeal98]

Btvs is such a crazy show how is there only a handful of episodes acknowledging that Willow and Xander have abusive families and would choose Buffy in a heartbeat over anyone they're blood related to. And yet despite how it's barely seen on screen, their family life and how it influenced them shines through in practically every episode. We never even meet Willow's dad but from her mom alone plus how she's treated in school it's like oh man. This kid never had a chance did she.

How many times did Buffy chat away about her mom and Dawn while Willow and Xander shot each other confused glances trying to correlate the kind of love they're hearing about with their own version that they messily pieced together when they met in kindergarten. And then Buffy talks about Hank Summers and they're like ah yes. Much more familiar territory.

And of course it all culminates in the ending of S6. Xander can't stop Willow spiralling into nihilistic evil. They're both broken people who never had a real blueprint for how to be a functional child, let alone a functional adult. But at the same time, they taught each other love before they learned how to write the word. It doesn't matter that he's kind of shitty in general. It doesn't matter that by this point she's kind of worse. Even if they can't fix themselves or the world that shaped them so cruelly, he can at least love her. She can at least trust that much to always be true.

Platonic hand in unlovable hand. The world is alive because some random guy exists and as long as he's alive the terrifyingly powerful witch who could destroy the planet won't be tempted to. He's just some dude and you don't have to clap for him but if you kill him, well then she's blowing up the building and everyone in it. High possibility the blast radius will take out the whole earth depending on what kind of day you caught her on.

[vintagegeekculture]

Marvel's 1992 Darkhold Redeemers

“Darkhold Redeemers” was a comic created in 1992 about a group of supernatural investigators in possession of the Darkhold, an evil book of dark sorcery that has evil pages scattered over the world. In Marvel lore, the Darkhold is the book that created the first vampires. The comic was created by 90s Marvel journeyman Chris Cooper (also known for creating Starfleet Academy, a comic about the adventures of Cadet Nog that tied in to the events of Deep Space 9). 

The book is notable for three reasons. 

The first is that the premise is shockingly and coincidentally similar to the later Buffy the Vampire Slayer, with occult investigations carried out by a group that is led by a beautiful, tight outfit wearing vampire killer from a lineage of vampire hunters (Victoria Montesi, the Montesi Formula being the way vampires are destroyed in Marvel Comics), and also includes a mouthy scrappy everyman, an occult expert and archeologist who’s knowledge of the supernatural and collection of books leads to the secret of beating the creature of the week, a tough as nails government agent out of his depth when fighting the supernatural, and finally, a tremendously powerful and immortal dark antihero who joins the side of good despite his dark past (Mordred the Mystic is both Willow and Angel together, I suppose). 

The second detail is that it was the first Marvel Comic with an openly gay lead character. You might have heard it was Northstar, but this is not true. Chris Cooper is openly gay himself and always fought for inclusion of this nature. Victoria Montesi’s debut predates Northstar coming out of the closet (a comic, incidentally, that Chris Cooper wrote as associate editor on Alpha Flight, so he worked on both).

There are, likewise, many candidates for who the first gay character in Star Trek is, but one of the characters with the strongest claim to this title is Chris Cooper’s Yoshi Mishima in his Starfleet Academy series. 

Chris Cooper eventually left Marvel Comics after the 90s. Nothing happened. Most people in a freelance job like comic editing and writing are not Chris Claremont, who are there for decades. Careers in the arts don’t last forever, and they have to come to an end sometime, where you go and get a real job.

But Chris Cooper came up again decades later in the news, was the subject of an incident in 2020 when birdwatching in Central Park (he’d been a member of a birdwatching society at Harvard), where he was threatened by a female jogger, who said she would call the police as he threatened her, when we can see he did no such thing. The incident was known as either “the Central Park Birdwatching Incident” or the “Central Park Karen.” 

Looking at the footage now, it’s easy to see why it was national news and viral on the internet. Apart from the obvious racial angle, it is a chilling reminder of how a woman’s vulnerability can become a weapon, and how man’s strength can turn into a vulnerability. 

All the while watching the incident, I was like "...the Darkhold Redeemers guy? No, it couldn't be...it's probably a coincidence, Chris Cooper is a very common name." But nope, it really was the Starfleet Academy guy from the 90s.

Chris Cooper received a birdwatching show on National Geographic, and inspired many black people to go into birdwatching, but I could care less about birdwatching. I would like to see what happened next with Darkhold Redeemers and Starfleet Academy, which ended at a cliffhanger with a lot of unresolved plot points.

[maybebitterxox]

We were robbed of Willow/Faith in S7

I once saw someone say “Why did they introduce Kennedy as Willow’s love interest in season 7 when Faith was right there?” and it’s one of the realest BTVS takes I’ve ever heard. Like, seriously, the more I think about it, the more I realise just how badly we were robbed.

Think about it:

Willow apprehensively telling Faith about what she did at the end of season 6, and being surprised when she gets no negative reaction. Not even a little cringe, or a scoot backwards, or a change of topic. Faith just nodding, casually asking a couple questions, and light-heartedly saying something like “welcome to the ex-murderer club.” Willow is relieved, because it’s such a difficult thing to talk about, but with Faith it’s no judgement, no awkwardness. Just talking about it.

They talk more in-depth later, and Faith relates Willow’s situation to her own experiences, talking in detail how she had felt during and after her own “evil arc”, and for the first time in months, Willow feels not entirely alone.

They form a bond from their shared experiences, and start to understand each other more

Willow now sees that Faith wasn’t a complete monster, that she was just hurting and lonely in the same way that she herself was

Faith now sees that Willow wasn’t a coward or freak, that she was just insecure and trying to protect herself, in the same way that she herself had been

They start to look past their old grievances and grudges and actually see each other

Faith admits that she’s really impressed with Willow and her magic

Willow tells Faith about Tara, and Faith jokingly reminds her that she was the first one to pick up on it when she was in Buffy’s body in season 4

Everyone is surprised by how well they’re starting to get along

Buffy questions Willow about it and Willow just shrugs, saying that there’s more to Faith than she used to think

At some point getting a callback to their 3x19 conversation (in which Willow says that it’s too late for Faith to fix things or change and says that she’s become “nothing”) when Faith is being self-depreciating about the bad things she’s done and Willow takes her hand and softly says something like “It’s not too late for you. It’s never too late. You’re my friend, and I know that you’re so much more than what you did.”

Seeing them both hesitating outside the other’s doors/pacing around the room the night before the final battle, wanting to tell the other something but both being too afraid

Right before they part ways before the final battle Faith just goes ‘fuck it’ and grabs Willow and kisses her. Then Willow tearfully tells her to be careful when they break apart and Faith tenderly kisses her forehead before they go their separate ways

Seeing them next to each other in the final shot of all the characters standing together, reaching to take each other’s hand and smiling at each other before looking back out into the distance.

Would’ve been perfect imo, so much unexplored potential.

(Can you tell I’ve thought about this a lot haha)

[coraniaid]

Reverse Unpopular Opinion: Amy Madison

[Reverse unpopular opinion meme.]

This is an interesting one because I think there’s a solid argument to be made that the character of “Amy Madison” does not, in fact, actually exist on the show Buffy the Vampire Slayer.

By which I mean … look, okay, yes, obviously, there is a character in an early Season 1 episode called Amy Madison, played by Elizabeth Anne Allen.  And there’s a character with the same name in a Season 2 episode, and [in an admittedly weird coincidence] she’s also played by Elizabeth Anne Allen.  And there’s one in Season 3, and a one in a few episodes of Season 6, and one in an episode of Season 7, and all of them are played by the same actor.

But … I mean, come on.  There’s no way these can all be the same character, right?  They don’t have the same basic back story or the same relationship to magic or to Willow; they certainly don’t have anything resembling a definite personality or set of motivations or a consistent character arc.  No, surely what’s going on here is that there are several different “Amy Madisons” in Sunnydale – just like there are several different characters called Anne or Nancy on the show – and in a bizarre in-joke the writers simply decided to cast the same woman to play all of them.

Now, ordinarily, simply being written inconsistently over a handful of episodes and not having anything resembling the same personality from week to week would be no obstacle to having a few die-hard fans.  But – as far as I can tell, anyway? – there’s no “fandom Amy” either.  She never really gets mentioned when people want to talk about how all the Scooby Gang had awful mothers [even though Amy actually did, explicitly and inarguably, have a very, very awful and openly abusive mother!].  There’s very little in the way of Amy/Willow shipping going on here or on AO3 [even though witchcraft is heavily coded as a metaphor for being a lesbian and Amy, one of the first witches we meet on the show, is repeatedly linked to Willow throughout the show’s run].  There are no adorable drawings of Amy as a rat staring out of her cage at Willow and Tara (or if there are, they aren’t getting as many notes as they should be getting).  

No, it looks like most people who are still watching and talking about the show twenty-five years later have about as much interest in poor Amy Madison as the writers did.  She’s a plot device.  A punchline.  A cipher.  A blank slate.  She’s whatever the plot requires her to be to further the stories of the actual characters on the show, and she’ll never ever be anything else.  Which is a little sad, if you think about it.  I think Amy – or, well, most of the different Amys: The Killer In Me’s smirking evil-for-evil’s-sake Amy I’m not so sure about – deserved better.

[As I write this the thought occurs to me, belatedly, that I might be one of Amy Madison’s biggest fans.  Pretty grim news for her if so.]

OK. Enough stalling.  Five positive things about Amy Madison [with, as ever, the usual caveat about the comics, which I’ve still not read anything about and still don’t exist].

Witch, Amy’s debut appearance, is a solid episode!  One of that season’s best, I think (though not, of course, one of its very best).  And I think the duo of Elizabeth Anne Allen's Amy Madison (and Robin Riker as her mom Catherine) is a big part of why that episode works: no, they haven’t got a huge amount to work with, but I think they both do a pretty good job switching between evil witch Catherine and innocent victim Amy.  Catherine’s bodyswap spell foreshadows (albeit unintentionally) the bodyswap artifact that the Mayor gifts Faith in This Year’s Girl / Who Are You? and I’ll always have a soft sport for it because of that.  And I really like that the episode ends with Amy alive and hanging out with Buffy in a way that suggests that they are going to stay friends, even if we don’t see any evidence on screen that that happened.

Sarcasm aside, I’m really glad the writers brought Amy back in the second season.  To me, part of the appeal of the high school years are the recurring minor characters – I talked about Principal Snyder before, but also Jonathan and Devon and Percy and Harmony and … yes, Amy too.  The show obviously doesn’t care about her very much, and you have to do a lot of mental gymnastics to fill in the missing pieces of her story and make her arc make sense (why is she starting to do magic in Season 2?  When does she start hanging out with Willow?), but … well, I do care and I have done those gymnastics.  At least Amy didn’t end up like Marcie Ross or Buffy’s old flame Owen or any of those poor kids who must remember eating Principal Flutie. 

I’ve been reading a few old interviews Elizabeth Anne Allen gave recently (here and here, for example) which I think have some pretty interesting insights into how the character of Amy developed.  Had you ever heard there were persistent rumors at one point that Amy was going to be one of the starting regulars on Angel?  It’s mind-boggling to think about a world where that happened.  Allen seems to have put a huge amount of thought into her character, too, at least for her first few appearances, which … uh, I guess makes me feel a bit shitty about those opening paragraphs. [Not enough to delete them though…]  Also in one of the linked interviews she says that she “hopes she won’t be a rat much longer” – and that’s an interview she gave before the Season 3 finale had even made it to air, which made me pretty sad to read.  Forget appearing on Angel, imagine if Amy had been de-ratted in Season 4.  Imagine if Superstar was about Amy instead of Jonathan.

There is a second or two in Season 6’s Smashed – no more than that – when Buffy and Amy are catching up again (“How have you been?”  “Rat.  You?”  “Dead.”  “Oh.”) and you can, if you’re quick, delude yourself into thinking that the show is going to do something interesting with the obvious parallel it’s just set up. Willow has now not only brought Buffy back into the regular human world [and left her struggling to live and find meaning as a college drop out with a dead mother and an absent father last seen on screen about five years ago], she’s also brought Amy back into the regular human world [and left her struggling to live and find meaning as a de facto high school drop out with a presumed-dead mother and a presumably-now-absent father last mentioned about five years ago].  Surely this must be deliberate?  Well, no: the show doesn’t do anything with this idea ever again, because Marti Noxon had very different [worse] ideas for Amy’s character this season, but if you pretend it might be about do something like that it’s a pretty exciting couple of seconds.

The fact that “Amy Madison” exists as a (technically!) canon character means that I can write (or daydream about writing) fanfiction in which Willow has a friend in high school who is also a practising witch. One with a vague but miserable home life, who is secretly in love with Willow but too afraid to admit it (and so she keeps professing to be interested in men who she can’t possibly ever expect to date, either because they’re unpleasantly vile toward women or openly gay or both). And I can do that while, just about, pretending that I have not created the most embarrasingly psychologically revealing OC you ever heard about in your life.  Thanks Amy!

[g1nu00]

HERE WE AREEEEE (28/11/24 UPDATE- Some changes now-)

NOW IN ENGLISH PLEASEEEE

SMILING CRITTERS, HIDDEN WORLDS

(AU Smiling Critters X The Owl House)

Idea: An AU where the Smiling Critters are in The Owl House universe, keeping the same storyline but with some different narrative focuses.

Dogday is a human, but instead of being seen as the first human to learn magic, he disguises himself as another creature to fit in.

When Kissy Missy and Poppy find Dogday, they help him blend in with a "sun collar" that uses illusion magic to give him a slightly more dog-like appearance (just dog ears and black eyes with white pupils like the other Critters) and take him in at their home.

Thanks to the sun collar with illusion magic, he doesn’t face the same initial struggles that Luz did trying to fit in.

Poppy was once the most powerful witch, until she was cursed and turned into a staff. Because of this, she can transfer all her power to whoever wields her staff (in this case, Kissy Missy or Dogday).

Catnap embodies the Owl Beast curse, becoming the “Thing” (referencing Catnap's "Bigger Bodies" version). The curse was placed by 1006, who wanted Catnap to be more evil and cruel, as well as more dependent on him.

Catnap, being based on Amity, initially plays the role of a bully influenced by his adoptive “father,” who is a combination of The Owl House's Emperor and Prototype 1006 from Poppy Playtime.

Throughout the AU, Catnap undergoes a change, influenced by his developing feelings for Dogday. Catnap would also have the same issues Amity has with her mother Odalia in the series, but here with the twist of being the Emperor's child—almost a prince (royalty gone bad).

1006 represents both Odalia and Emperor Belos, and with Catnap as Amity and 1006 as Odalia, the purple cat is manipulated by his father, the Emperor 1006.

Due to his relationship with Dogday, the Emperor initially allows the relationship to gather information from Dogday about the human world, as well as to have more control over Catnap, threatening to harm Dogday if he disobeys.

We have Kicking x Bubba because in this house we love Goldric! (And the rivalry between Catnap and Bubba is obviously fun. Plus, out of all the Smiling Critters, Bubba seems like the one capable of following the Prototype only for knowledge.)

The emotional tension between Catnap, Dogday, and the Emperor is essential. Unlike Luz in The Owl House, who dealt with Odalia and Belos separately, Dogday must face 1006, who is not only the Emperor but also Catnap's father (his platonic partner).

Player is Dogday’s older brother, taking on Camila’s role. And, of course, his name is Angel.

Character:

Dogday is Luz.

Catnap is Amity.

CraftyCorn is Willow (Luz’s best friend).

Hoppy is Gus (Luz’s best friend, but here she's a girl).

Picky Piggy is Matt (because yes, I love the dynamic of the one who exercises and the one who eats well).

Bobby would be Emira (Amity’s sister, but here, she's just a close friend).

Kicking would be Edric (Amity’s brother, but here, he's his closest friend).

Kissy Missy is Eda/King (because she cares for Luz).

Poppy is King/Eda (for being special and the real powerful witch).

Huggy represents both Lilith (Eda’s sister) and Raine (Eda’s former partner, here in a relationship with Kissy Missy).

Bunzo Bunny is Hooty (God).

1006 or the Prototype is Emperor Belos.

Bubba would now be the Golden Guard, Hunter (who, instead of falling for Willow, falls for Edric, though he’s also like a brother to Luz).

The Nightmare Critters would be some bullies (Babachops would likely be Bosha).

Coven Leaders

Construction Coven – Bron

Beast Coven – Huggy Wuggy

Bard Coven – Boxy Boo

Plant Coven – Daisy

Illusionist Coven – Daddy Long Legs

Healing Coven – Candy Cat

Abomination Coven – Mommy Long Legs

Oracle Coven – Yarnaby

Potion Coven – Cat-Bee

Palisman

Dogday (little dog inside an egg): Sunny

Catnap (purple cat): Lavender

Hoppy (green rabbit): Peppermint

CraftyCorn (white unicorn): Uni

Bobby (red bear): Rose

Kickin (yellow chick): YinYin

Bubba (small blue elephant): Lumo

Picky Piggy (pink pig with brown spots): Blade

This AU is based on The Owl House, combined with the Smiling Critters. I’m considering making them half-human, half-creature, with Dogday being the only one who is fully "human."

For the version in Spanish, Here!

And now! Here are more Fanarts :D

Pilot idea ^^

[aiodenhunt]

Morgie is the second parent of the Hook children. (A theory brought to you by someone who is thinking abt this maybe too much)

I know this sounds crazy, In fact this is one of those theories that sound hella crazy at first; but please try to read through this one!

I will start superficial: He shares physical and behavioral traits with his youngest daughter!

Harriet and Harry clearly have Hook’s traits and that is shown by the way they’re described. both Harriet and Harry look a lot like Hook, anyone can see that. Both are mean-spirited (kind of), and kind of sadistic per say, they won’t think twice about it if they have to kill someone, just like Hook.

CJ, on the other hand does not share this characteristics! She does not have Hook’s black hair, She has this blond-almost-brown hair color that she shares with -gasp- Morgie! Her eyes also are more of a light brown, the worst she can do is hold someone hostage (That is being kind in Isle of the lost, alright?) and threaten. We saw that in Wicked world, she didn’t want any world-dominating power, she helped Zevon in his attempt to take over Auradon only because she wanted a boat, not because she wanted to take revenge or power like Zevon did.

Morgie seems to have this characteristics despite being in Uliana’s crew. As he is the one willing to follow orders, the one who tried to help her while she was transforming, he seems to be the ‘kindest’ or non serious out of the fabulous five. Perhaps he is not the most merciful person (“Yeah let’s burn her to a crisp!”) but it’s a start!

This could be a coincidence but, keep on reading!

This specific paragraph

“Most of the time he just barely seemed to tolerate CJ”

Maybe this is a little bit of a reach but, Notice that the paragraph only mentions CJ? The one who looks the most like Morgie?

After a loss, it is common on grieving parents to have a preference on the child who looks the most like the lost spouse, sometimes neglecting the child’s siblings. This could be the case of Hook and his children.

“Maybe Hook only tolerates her because it’s his daughter?”

Yeah but in that case the paragraph would include literally anything else. Like “He just barely seemed to tolerate his children” not just specifically CJ.

“Maybe Harriet and Harry didn’t exist when that was written.” Harry maybe, but when CJ’s book released the D1 novelization (Harriet’s debut) had already came out a year before CJ’s book, so yeah.

Morgie’s relationship with Hook. (And miscellaneous)

I will be honest. I’m not the biggest fan of serpenthook, It’s just not my thing but he does seem to have something with him. They’re always together, they’re always close to each other in Morgie’s 2:40 minutes of screentime, there *could* be something.

“Disney would never show a gay relationship in their movies!!!” -Coughs and points at Lumity and Willow’s dads in the owl house-

I mean I do doubt this will be canon but. Eh, let it be, for the sake of funsies!

“How did those two have children, then?”

Valid question! But like. We live in a world where magic exists. there are mer/octopeople, fairies, a God decided to have a daughter with a sorceress and then spawned another child of his own randomly.

Yzma is OLD. OLD OLD. She is one second away from being a mummy and somehow she had Zevon and Yzla😭 If Chad is the son of Cinderella and Charming and Chloe’s brother then Morgie can be the other dad of the Hook siblings. So we can just shove biology under the rug for this one. Nonetheless if this doesn’t buy you, we can say that Morgie used magic to shapeshift or that he’s trans or so.

We know coincidences are unfortunately very common in the Descendants universe but this seems too weird and specific to be just a coincidence. It feels off.

Why would you throw this guy who is not related to any of the original VK’s for no reason into the movie? We could’ve had Facilier, Gaston, the evil queen or Jafar instead of Morgie.

Why would you introduce him if it isn’t to fill a hole later? Why is he the only one with no blood relation to the Villain Kids?

It makes more sense if he was the other parent of the Hook siblings, as that little hole would be filled.

Where in the world is Morgie Le fay? (And other conclusions)

We really don’t have an answer to that. Maybe his mother’s magic managed to shield him from the magic wand and now he’s hiding, maybe he died in the isle of the lost as it is really hostile there, he isn’t in the list of those who deserve respect. Anything could’ve happened to him.

But more likely, instead of bailing Hook three children after, he is most likely dead or missing unfortunately.

I honestly don’t expect a big reveal out of this not only because the theory is kinda far from being canon, but because the Hook’s are not main characters. They’re not Mal and there won’t be a song about the reveal like they did with Mal and Hades. Maybe it will be just a dialogue or a picture on a frame in Harry’s room.

We should wait and see until the ROR novelization comes out to get more information about him and come to even more crazy conclusions I think, this is just a piece of my thoughts.

I’m okay with most theories and headcanons who try to explain who is the parent of the Hook siblings, I just did this because it made a little sense and the theory reminded me to the ‘Raven is Ruby’s true dad’ theory from the rwby fandom (check it out!!) and because I am so looking for the other parent of those children. I hope this guides whoever needs a bit of an answer, even if the answer is crazy.

Thanks for reading through this madness ^^! Hope you get my point of view uu

[sinusoidaldysfunction]

Decided to do @/falling-skyzz template bc. I don't think I've gotten to talk much about my thoughts on the books and characters and stuff. Also love getting to actually use my designs (I don't draw them that much surprisingly)

Who's who and thoughts under the cut

Mother+Dragonet→ Orca and Coral, I'm a little bit crazy about their relationship. Probably moreso my brain's interpretation of them versus canon, granted we really don't see them in canon. I just think it's so interesting, I wonder how Orca was raised, how Orca turning on her mother affected Coral and how she treated Tsunami and Anemone. What did Coral do to Orca that she decided to enchant a statue to kill all her heirs? Idk. Orca is my obscure wof character that I've latched onto.

(Grand)father+Dragonet→Fathom and Albatross, look man. I can't think of any dads in wof that are good dads. Maybe that's on me but idk. So. Albatross and Fathom. I don't think Albatross himself hated Fathom, I think he hated how Lagoon made Fathom out to be his replacement. Idk I just remember really liking the chapter that talked about them working on the Summer Palace together. (Also I just love drawing Albatross)

Royal Family Member→Grandeur. I just think she's neat. She's a grumpy old lady that gives a little insight into how the Rainwing tribe used to be. Also I love my design for her, I came up with it like 3 years ago and I think it still holds up.

Siblings→Darkstalker and Whiteout. Originally I was gonna put Luna and Blue here but I didn't wanna repeat characters so. These two. Man. Whiteout is one of the few dragons that Darkstalker doesn't turn on even throughout his fall. But she also never does anything to get in his way? Even before hatching, baby Darkstalker decides to not help her hatch, wanting Foeslayer's love to himself. Ngl man maybe Arctic was right, that baby was kinda messed up. Either way Darkstalker is fascinating, but everyone and their brother has talked about him.

Friendship→Turtle and Peril. Again. They're just neat. Peril is so much, Turtle is so shy, they're good foils. Both are powerful in their own ways. Also I love the scene where Turtle just throws fish at Peril so she can eat. Like Peril goes from this terrifying monster to just. Having fish thrown at her. I love it. Don't really ship them tho.

Animus→Chameleon. Okay. It's actually Orca, then Albatross, then idk. Chameleon has all the powers of an animus with the scroll okay he counts. Also he has some of the most interesting enchantments with his shape shifting and Pyrite. Evil old man.

Gay Ship→Jambu and Pineapple. I'm not big into shipping, they're cute. I like them. Like their designs. Idk.

Straight Ship→Luna and Swordtail. Himbo and Girlboss (who gets trapped in the terrible ending of her book). They're perfect for each other.

Lesbian Ship→ Sundew and Willow. I found their relationship pretty relatable when I read the book. Less now, honestly it's kinda a sore spot but. Eh. Again, really like their designs.

[girl4music]

I love how Hannigan plays that sacrificing the deer scene. Apprehensive but determined. Very much a “I don’t want to do this but I’m doing it for her” vibe. Of course she lies. Tells the Gang she got the deer blood at the black market. Never tells them that she killed the poor thing with her own two hands and drained the blood from its corpse herself. I suppose in a way it is safer than going to the market. But still, the fact of the matter is SHE FUCKING KILLED BAMBI! And you’re meant to view it as a very disturbing moment.

WILLOW: “All I know is that we have to have it to finish the spell so it’s good stuff in my book.”

It’s the whole methodically planned out deception to make sure Tara doesn’t know just how dangerous it actually is because she knows she’d never go along with it if she actually knew what the resurrection spell required. And Xander pretty much confirms that when he asks Tara in the next episode whether she knew about it and she immediately says “No”. So as far as she’s aware, Willow never knew about the risks or consequences either. It was a surprise to the both of them. Except that’s not quite true. Of course Willow didn’t know what was going to happen with the chaos of the Buffybot and biker gang breaking the urn of Osiris and disrupting the whole ritual. But she did know how dangerous it was. She did know of the risks and consequences. She just didn’t care about them because desperate times call for desperate measures.

Spike - when he found out - he immediately knew Red was the one behind Buffy’s sudden appearance and to blame for the absolute traumatised state she was in. That the rest of the Gang were merely just coerced and while knowing the goal, had no real idea of what Willow was doing and how far she was going to meet that goal. And the dishonesty of it all is telling of that.

SPIKE: “Listen, I’ve figured it out. Maybe you haven’t but I have. Willow knew there was a chance that she’d come back wrong. So wrong that you would ha- that she would have to get rid of what came back and I wouldn’t let her. If any part of that was Buffy, I wouldn’t let her. And that’s why she shut me out.”

XANDER: “What are you talking about? Willow wouldn’t do that.”

SPIKE: “Oh, is that right?”

Spike seems to be the only character that can see darkness in Willow this early because he deals with it in himself. Spike is scared of Willow because he recognises in her that hunger for power and a willingness to inflict pain and cruelty to get it that he constantly fights in himself as an evil demon. He sees right through her lying and manipulative tactics. He notices that she’s playing them all for fools because that’s what he has done and it’s what he can still do if he lets the darkness within him win the battle. He is afraid of what he sees in her because it’s something that he is afraid of in himself. Her energy is very frightening for him. And I’ve always said how I wish there was an interaction between Spike and Dark Willow but I’ve just realized something just now in writing this. He already was interacting with her the whole time. Dark Willow is already there right from the first episode of Season 6. There’s just no “makeover of the damned” because she’s not fully embracing the darkness yet. She doesn’t do that until Tara dies because that was the catalyst to push her over the precipice and fall. She doesn’t embrace the darkness because she’s convincing herself she was doing good.

It’s very clever what they do with Willow this season in that nobody even realizes that the Big Bad is right there with them. Hidden within the ranks of the good guys. Like a viper hidden in harmless vegetation. Something that’s purpose is to nourish and sustain you. Not bite and poison you. The only character that seems to realize this sudden change in Willow is Spike and that really is so interesting to me narratively and thematically because there’s layers upon layers of complexity with Willow that the only character that sees that in her is just as complex himself and I can’t imagine it’s very fun to see his reflection so he spends practically the whole season avoiding her because he can’t stand it. He can’t stand looking at himself. What he used to be. How he used to behave. How he still can if the dark side takes over and drives him over.

And you would think it’s because they’re just characters that wouldn’t interact because there’s no reason for them to why they don’t. I mean they don’t inform each other as characters usually. But rather - at least in Season 6 - I think that it is purposeful. It’s the point. He doesn’t want to interact with her because she scares him. She scares him because she reflects what he doesn’t want to see in himself because despite everyone still treating him as if he is (including the narrative), he isn’t evil anymore. He can still do evil things but his nature has changed because of his love for Buffy and Dawn. Because he cares for them and wants to protect them. I just think it’s so interesting that what was once the purest member of the Scooby Gang is the one member that Spike actively avoids now because he doesn’t want to deal with darkness anymore. He is looking towards the light. At least that was the plan. To change. But it doesn’t work out that way precisely because Buffy is brought back to life by Willow. So in a way she foils his plans by giving him exactly what it is he wanted. Which probably just made him even more scared of her come to think of it.

I really do think it’s interesting how Spike is with Willow in Season 6. To me they are the paralleled characters of the season. Even if not intentionally. It just makes sense to me given how I interpret them and their arcs. How they both struggle to hold on to who they believe they are and should be. And Spike’s had much more experience with darkness than Willow. He knows well what can happen if all control is lost when his anger flares up and he lets his dark side win.

[mollyringle]

Laughter in LOTR

My household has been rewatching the Extended Editions of The Lord of the Rings, and this has inspired me to excavate some of the LiveJournal (!) posts I wrote twenty (!!) years ago. In this one, I ran a search on all the times laughter is mentioned in the books, and listed them. It’s a long list—view the link only if you dare. My shorter sum-up is pasted below, however. The grim/bitter/nervous laughter section intrigues me now: I’d forgotten about Galadriel laughing upon being offered the Ring, or Pippin laughing about the palantír. Those moments were definitely not in the films!

Analysis from 2004:

I'd say we have at least three varieties of laughter: the genuinely happy, the grim/bitter/nervous, and the disturbing/evil.

The Genuinely Happy variety is what the hobbits do most of the time. It's also what the other good guys do when in the company of friends, old or new, when they are not currently under active attack from Mordor. Bombadil, the Elves, and the Ents engage in a lot of Genuinely Happy laughter, being pretty much without a care in the world. Gandalf engages in a lot of it too--and surprisingly so does Aragorn--despite both of them having plenty of cares. The sweetest and most touching instances of the Genuinely Happy laughter, in my opinion, are moments between Frodo and Sam: when Sam somehow makes Frodo laugh on the quest (e.g., see that passage about Samwise the Stout-hearted). Indeed, these tend to be the only times Frodo laughs on the quest, and it's good to see that they're genuine laughs and not laughs of our next variety.

The Grim/Bitter/Nervous/Ironic laughter encompasses those moments like Eowyn's laugh on the Pelennor Fields when she takes off her helmet, or Sam wondering what kind of spider made cobwebs like these. I would also count here the laughs I'm not sure what to make of. For instance, Galadriel laughing when Frodo offers her the One Ring? Is this really a funny moment to her? Maybe, but only if you consider it shocked/nervous laughter. Or Pippin laughing after the Palantir episode, saying he wants Gandalf to tell him everything there is to know. I can't imagine Pippin laughing at all that night, after getting psychologically knifed by Sauron, but if he did I suppose it would be to relieve the tension. We could probably put Gollum's cackling in this column too, since it comes of being mentally unstable. Ditto for Denethor and sometimes Saruman, though they're shading into the third category.

The Evil laughter is yet another beast. We find it in places where the movie also had it: Saruman, Orcs, Ringwraiths, and other evil creatures tend to laugh when contemplating the helplessness of their good-guy victims. That's standard fare for this type of tale. But Tolkien also includes laughter the characters fancy they hear in the wind howling off Caradhras, or in the depths of Moria, or from the roots of a nasty willow tree. Those instances are the laughter of the haunted house, the laughter we don't want to hear at night. Cruelest of all may be the Mouth of Sauron, who seemingly can't stop laughing when telling Frodo's friends that Mordor has caught him and the quest has failed and he'll likely die a painful death.

I think I've babbled enough now. You can easily compare it to the films, since we've all got the films memorized. One addition comes to mind that wasn't in the books: "It's the beards." Other things in the film were funny, but only the audience laughed; not the characters. ("In fact, it's better if you don't speak at all, Peregrin Took.")

Feel free to discuss.

[ihaveforgortoomany]

Alright time to speculate 2.3!

CN spoilers for the 2.0 story! So spoilers for 2.0,2.1,2.2!

Alright so I guessed right that the character on the poster was Willow, and she is both characters here.

Seems this time we will have allusions to the Paralympics with Willow! Love how BP can take a trope and put an interesting twist on it, Willow being a witch-ballet dancer hybrid with a prosthetic leg (is it a brace or a new leg Im not sure) is so interesting!

It seems that London has been reversed to 1950s after the Storm of 1966, as far as I can see with how patches have been happening linearly (as Linear R1999 can get). I would assume this is a sequel to 1.5, as the Uluru Games had been cancelled until the influence of Ulu and Spathodea; note they say Uluru Qualifiers, so the Games might not necessarily be in London but qualifiers is or was happening there.

Edit: as we know event patches will tie into the story, so I wonder if the smog in London could be the result of the Order of Enlightenment or Manus, so far we dont know what Forget Me Not and Ms Grace have been doing since 2.0.

They mention the year 1952 with the mention of the Great Smog of London, a severe air pollution that lasted 4 days. Note that Oliver Fog's dad, Arthur Fog died in this year. Now comes the question as we know Mr Fog will be making an appearance here, if TF is coming could Arthur Fog be saved?

(Also does Madam Z sound much softer in the PV? I know Sophia in 2.2 sounded slightly more sombre as well, maybe new voice direction?)

I think I am also onto something about Swan Lake, again Willow being a ballet dancer and we do see a swan in the PV. The woman in white who addresses Willow as Charlotte O'Hagan could be an allusion to Odetta the swan princess, (is she the figure in Willow's Ultimate? The hair looks the same) therefore in contrast with her witchy aesthetic Willow is an allusion to Rothbart the evil sorcerer. Either that or she alludes to Elphaba from Wicked, same ish vibes.

Can't say much on Slouch Hat (Brimely) and Flutterfly. Although Flutterfly is very adorable, and its fun to have a character like Brimley as a 5 star.

[soulfullives]

i think that we often do forget that the black brothers were not inherently good people; they were more or less morally grey, more or less leaning towards the good/bad side. it's hard to fully unlearn beliefs of your family (and i think that many people resonate with this statement, whether we are talking about fictional characters or real, fully-fledged people), and i think that morally grey characters are far more interesting than people who are inherently good or evil.

sirius black

many people (including myself) would say that sirius is leaning more towards the lighter end of the spectrum, given the fact that he actively tried to unlearn his family's beliefs, he ran away from home at the age of sixteen and decided to move in with people who were recognized in the wizarding society as good people, he joined the order as soon as he finished hogwarts, and, even after the unfortunate ending of the first war, he decided to join the order again and stay inside a house that was never a home for him, to ensure the safety of himself, the order, and harry, too. his last act was the attack at the ministry where he found himself, despite the fact that he was supposed to stay inside grimmauld place, and where he died.

however, we cannot deny that sirius, too, had slip-ups. one of them was the prank (to review what happened, essentially, he told snape how to get past the whomping willow, therefore revealing remus' secret to him). in this situation, sirius shows recklessness and a lack of thought towards the consequences that his actions could have towards not only himself, but severus snape and remus, too. his behavior showed a lack of altruism, and a lack of consideration for the people around him, being willing to put them in danger for whatever may have been the reason.

another one would be swm (snape's worst memory), where james is a part of the action too, but the tormenting of snape was unjustified (j&s started the fight, and snape responded) and ended badly. now, i am in no way a defender of severus snape's, but both j&s and him were acting based on either boredom (the aforementioned) and a need for revenge caused by the actions that had happened against him (the latter).

in canon, we are also shown that he does not exactly think the words he says, and the effect they have on people. (“You're less like your father than I thought.” — GoF). i think that sirius had no right to say this to harry, who was just trying to make sure that sirius would be safe. what we need to remember is that, by the time of the action of GoF took place, sirius was still on the run, and the ministry was still looking for him; it would have been dangerous for both him and harry (and whoever might have joined them) to go out of hiding and go meet up somewhere near hogwarts (hogsmeade). harry's response to sirius' request was logical, and sirius' response was reckless and not well-thought.

regulus black

we do not have enough information on regulus to fully state on which side of the spectrum he finds himself on. however, he was known to have held the same beliefs that his parents did and to be an open voldemort supporter (The Slytherin colours of emerald and silver were everywhere, draping the bed, the walls and the windows. The Black Family crest was painstakingly painted over the bed, along with its motto Toujours Pur. Beneath this was a collection of yellow newspaper cuttings (of voldemort), all stuck together to make a ragged collage.)

therefore, to some extent, we can safely assume that he held the same beliefs as him (and, implicitly, his parents). the voldemort collage might have been on the wall for either research purposes or an act of devotion (this interesting perspective has been added by @/werewolfenthusiast) we cannot be sure; however, i am inclined to think that it might have been a mixture of both.

furthermore, i think the fact that regulus only started actively betraying and going against voldemort only after voldemort's actions had direct consequences on him and the ones he loved — kreacher, and this is shown in two acts; (wording taken off the hp wiki)

After becoming a Death Eater, Regulus began to consider abandoning Lord Voldemort, partly because his master mistreated and intended to kill the Black family's loyal house-elf Kreacher whilst setting up the security measures for one of his Horcruxes.

One day, Voldemort asked Regulus for the use of his house-elf, Kreacher and Regulus eagerly accepted as he wanted to please his master. Voldemort used Kreacher to test the defences around his locket Horcrux, leaving him to die afterwards. Kreacher was able to escape using house-elf magic and told Regulus of what had happened. Regulus worked out that the locket was a Horcrux and was the reason behind Voldemort's immortality. This was the deciding factor in Regulus's defection.

therefore, regulus has been shown to feel remorse and to start to realize the lenghts lord voldemort would go through only when his family (implicitly, his house-elf) were targeted. however, by researching horcruxes and trying to destroy one of them, regulus (un)willingly helped the wizarding world towards voldemort's fall.

all in all, the black brothers are two complex characters who, to some extent, held their family's beliefs and values. whether they had actively tried to unlearn them (sirius) or their betrayal was slow and silent (regulus), and neither of them can be fit in the category of inherently good or bad people.

[raisedbythetv89]

*tw* mentions of sa throughout the btvs series:

Expanding on the thoughts in this post about fandom culture and etiquette for how to make this a safer and more enjoyable space for everyone no matter who you ship

If you are a fan of btvs or ats no matter who your favorite characters are or who you ship - you have suffered at the hands of joss whedon's narcissistic personality and the subsequent emotional abuse he not only put the actors and his characters through but the audience as well

He gave us characters and relationships we fell in love with and then always, without fail, something horrible happens to one of them or they do something horrific and we're forced to cope with the emotional whiplash that happens every time he does it and decide if we love the character or relationship enough to cope with what joss did to them or if that's it for us enjoying that character or relationship

Like Bangel? Surprise! He's gonna lose his soul and completely psychologically destroy Buffy! AND THEN he's gonna come back and turns out he's been lying to this whole time to Buffy and he actually loved Darla so much he tried to be evil even with the soul first and actually stalked Buffy for a year before he introduced himself and fell in love with the sight of her crying at 15 and we made her look SUPER childlike and innocent to really up the ick factor!

Like Spuffy? Here take the most traumatic depiction of attempted sexual assault we've ever seen in the series that comes out of absolutely nowhere and is specifically designed to punish women after Spike was the only person who could be there for Buffy besides Tara as she battles her severe depression!

Like Tillow? Well Willow goes from empowering Tara and standing up for her to yelling at her to shut the hell up and then magically drugging and sexually assaulting her! and then when Tara calls her out on in she uses the "I didn't mean to" line and then is gonna use magic on her in the exact same way! and then we're gonna rush tara forgiving her just to kill her off!

Like Fuffy? Well Faith is gonna steal Buffy's body and then sexually assault both buffy and riley simultaneously while trying to goad riley into violating buffy's body as much as possible!

The list is truly ENDLESS you either survive on btvs long enough to do something horrific or you're killed off in a brutal, shocking and senseless way (I'm not going to list every single relationship and horrific event as it seems unnecessary and I know I can expand on the above example even further but again it feels unnecessary so please don't freak out if you feel I missed something this is by no means an exhaustive list)

Joss hates people, he hates women, he hates people of color, he hates his audience. Doing horrible things to people you claim to love is incredibly normal for him and any abusive narcissist because they don't love people or even see them as fellow humans - they're just things they play with for entertainment or to make them feel good about themselves which is why this is so prevalent in the buffyverse in the first place

Liking a ship where something horrible happens, you're not condoning it - it happened TO YOU. You were going along loving a character or relationship and then the creator got bored or angry and decides to throw a narrative punch just because he can and he likes the control it gives him to make a bunch of people react in certain ways emotionally and he loves to ruin things people love that's a huge thing for narcissists - if they see someone else feeling good about themselves or experience joy they want it destroyed

We have all suffered at the hands of this man, everyone has their favorite characters for very specific and deeply personal reasons. Just because you can't move past or accept certain behaviors from a character doesn't mean you get to dictate that for everyone else. Truly loving or connecting to a character means you have more capacity for forgiveness than someone who just liked them - and loving a character also usually comes with a deeper understanding of that character in the first place that can give you perspective and understanding that helps you contextualize the bad things.

Loving even the worst fictional characters literally harms no one, but attacking, shaming, judging, feeling superior to real people for their fictional tastes does so don't come on here and "well actually" me with "well MY fav didn't do [x]" or "MY fav never did anything.." because that's not the point. The whole point of this post is other btvs or ats fans who like different characters or ship difference ships are not you enemy - JOSS WHEDON is the only enemy here - be mad at him and only him, hate on other characters all you want but being cruel to other fans who don't agree with you is exactly what joss wants and we all hate that fucker so stop playing his game and don't be a dick.