#Amy would be so interesting if the writers were interested in letting her be interesting

[coraniaid]

Reverse Unpopular Opinion: Amy Madison

[Reverse unpopular opinion meme.]

This is an interesting one because I think there’s a solid argument to be made that the character of “Amy Madison” does not, in fact, actually exist on the show Buffy the Vampire Slayer.

By which I mean … look, okay, yes, obviously, there is a character in an early Season 1 episode called Amy Madison, played by Elizabeth Anne Allen.  And there’s a character with the same name in a Season 2 episode, and [in an admittedly weird coincidence] she’s also played by Elizabeth Anne Allen.  And there’s one in Season 3, and a one in a few episodes of Season 6, and one in an episode of Season 7, and all of them are played by the same actor.

But … I mean, come on.  There’s no way these can all be the same character, right?  They don’t have the same basic back story or the same relationship to magic or to Willow; they certainly don’t have anything resembling a definite personality or set of motivations or a consistent character arc.  No, surely what’s going on here is that there are several different “Amy Madisons” in Sunnydale – just like there are several different characters called Anne or Nancy on the show – and in a bizarre in-joke the writers simply decided to cast the same woman to play all of them.

Now, ordinarily, simply being written inconsistently over a handful of episodes and not having anything resembling the same personality from week to week would be no obstacle to having a few die-hard fans.  But – as far as I can tell, anyway? – there’s no “fandom Amy” either.  She never really gets mentioned when people want to talk about how all the Scooby Gang had awful mothers [even though Amy actually did, explicitly and inarguably, have a very, very awful and openly abusive mother!].  There’s very little in the way of Amy/Willow shipping going on here or on AO3 [even though witchcraft is heavily coded as a metaphor for being a lesbian and Amy, one of the first witches we meet on the show, is repeatedly linked to Willow throughout the show’s run].  There are no adorable drawings of Amy as a rat staring out of her cage at Willow and Tara (or if there are, they aren’t getting as many notes as they should be getting).  

No, it looks like most people who are still watching and talking about the show twenty-five years later have about as much interest in poor Amy Madison as the writers did.  She’s a plot device.  A punchline.  A cipher.  A blank slate.  She’s whatever the plot requires her to be to further the stories of the actual characters on the show, and she’ll never ever be anything else.  Which is a little sad, if you think about it.  I think Amy – or, well, most of the different Amys: The Killer In Me’s smirking evil-for-evil’s-sake Amy I’m not so sure about – deserved better.

[As I write this the thought occurs to me, belatedly, that I might be one of Amy Madison’s biggest fans.  Pretty grim news for her if so.]

OK. Enough stalling.  Five positive things about Amy Madison [with, as ever, the usual caveat about the comics, which I’ve still not read anything about and still don’t exist].

Witch, Amy’s debut appearance, is a solid episode!  One of that season’s best, I think (though not, of course, one of its very best).  And I think the duo of Elizabeth Anne Allen's Amy Madison (and Robin Riker as her mom Catherine) is a big part of why that episode works: no, they haven’t got a huge amount to work with, but I think they both do a pretty good job switching between evil witch Catherine and innocent victim Amy.  Catherine’s bodyswap spell foreshadows (albeit unintentionally) the bodyswap artifact that the Mayor gifts Faith in This Year’s Girl / Who Are You? and I’ll always have a soft sport for it because of that.  And I really like that the episode ends with Amy alive and hanging out with Buffy in a way that suggests that they are going to stay friends, even if we don’t see any evidence on screen that that happened.

Sarcasm aside, I’m really glad the writers brought Amy back in the second season.  To me, part of the appeal of the high school years are the recurring minor characters – I talked about Principal Snyder before, but also Jonathan and Devon and Percy and Harmony and … yes, Amy too.  The show obviously doesn’t care about her very much, and you have to do a lot of mental gymnastics to fill in the missing pieces of her story and make her arc make sense (why is she starting to do magic in Season 2?  When does she start hanging out with Willow?), but … well, I do care and I have done those gymnastics.  At least Amy didn’t end up like Marcie Ross or Buffy’s old flame Owen or any of those poor kids who must remember eating Principal Flutie. 

I’ve been reading a few old interviews Elizabeth Anne Allen gave recently (here and here, for example) which I think have some pretty interesting insights into how the character of Amy developed.  Had you ever heard there were persistent rumors at one point that Amy was going to be one of the starting regulars on Angel?  It’s mind-boggling to think about a world where that happened.  Allen seems to have put a huge amount of thought into her character, too, at least for her first few appearances, which … uh, I guess makes me feel a bit shitty about those opening paragraphs. [Not enough to delete them though…]  Also in one of the linked interviews she says that she “hopes she won’t be a rat much longer” – and that’s an interview she gave before the Season 3 finale had even made it to air, which made me pretty sad to read.  Forget appearing on Angel, imagine if Amy had been de-ratted in Season 4.  Imagine if Superstar was about Amy instead of Jonathan.

There is a second or two in Season 6’s Smashed – no more than that – when Buffy and Amy are catching up again (“How have you been?”  “Rat.  You?”  “Dead.”  “Oh.”) and you can, if you’re quick, delude yourself into thinking that the show is going to do something interesting with the obvious parallel it’s just set up. Willow has now not only brought Buffy back into the regular human world [and left her struggling to live and find meaning as a college drop out with a dead mother and an absent father last seen on screen about five years ago], she’s also brought Amy back into the regular human world [and left her struggling to live and find meaning as a de facto high school drop out with a presumed-dead mother and a presumably-now-absent father last mentioned about five years ago].  Surely this must be deliberate?  Well, no: the show doesn’t do anything with this idea ever again, because Marti Noxon had very different [worse] ideas for Amy’s character this season, but if you pretend it might be about do something like that it’s a pretty exciting couple of seconds.

The fact that “Amy Madison” exists as a (technically!) canon character means that I can write (or daydream about writing) fanfiction in which Willow has a friend in high school who is also a practising witch. One with a vague but miserable home life, who is secretly in love with Willow but too afraid to admit it (and so she keeps professing to be interested in men who she can’t possibly ever expect to date, either because they’re unpleasantly vile toward women or openly gay or both). And I can do that while, just about, pretending that I have not created the most embarrasingly psychologically revealing OC you ever heard about in your life.  Thanks Amy!

[bring-cringe-back]

Okay I might just be reading too much into this. But while I was watching the episode *cough cough* procrastinating *cough cough I realised that they don't show how the Doctor and Ruby got there.

And I know that it's probably just meant to be vaguely like 'they just went for fun'.

BUT this is the third episode in a row where we haven't seen them arrive. And for 73 yards it was clearly a doctor who episode when it started but it immediately gets rid of the doctor. ( I know that for 73 yards and for dot and bubble it was because Ncuti Gatwa was filming other stuff but let me cook) In Dot and Bubble you could effectively be forgiven for assuming that it was a random Black Mirror episode or something similar until the Doctor turns up, and tbh if you were just flicking through channels and haven't been watching Doctor Who you could probably basically not know for much longer. In Rogue they are just there, except for the title screen (the same for dot and bubble) you could basically watch it as a Bridgerton episode until the Chuldur turn up.

(And there's whole other rant about how the Chuldur fits into the theory about this basically being a TV show within a TV show, I don't know the name for this theory)

But anyway these episodes are increasingly separated from the Doctor and Ruby as plot points particularly in the beginning of episodes. They are more and more like an excuse to tell the story or explore the topic that the writers want to explore. Which isn't totally different from the occasional episode of previous series, but this is a lot more in my memory at least from previous series. So it feels a lot like they are skimming over the more sci-fi doctor who elements. Which fits in in my mind to the idea that the 'One who waits' is a representation of story telling. I've seen theories that it's Ruby but she doesn't know it which makes sense, I think it would also make sense for it to be her parent(s) who left her, or alternatively just it's own thing all together. But it feels very like that bit where Amy is living a life and starts to realise it's all fake.

The narrowing down of these episodes into not showing them arriving, and at least in Rogue - I can't remember in the others - not showing them leaving the story, feels very different.

It feels more and more like story telling. They have covered fairy tales, Period pieces/Romance, Dystopia, War/SciFi, Musicals, Political Drama. They are also showing the doctor playing his role, something that we see companions doing often enough but we seldom see the doctor doing it.

In Space Babies he is scared of a new creature. In the Devil's Code he sings a song that makes little sense in the story, he doesn't question the road making noise. In Boom he's more himself but it's also the closes to his 'normal' environment. In 73 Yards they just fully remove him from the story, which I realise was done for filming requirements but would have been so interesting to see the doctor in a Political drama. In Dot and Bubble he plays the role of the outsider bringing information to those living under a Dystopia, how is he UNABLE to access the inside, sure he plays a role that's fairly similar to himself but Doctor Who is really Dystopian.

In Rogue he is becoming more and more his role, he is playing the role of a sort of Elizabeth Bennet style character, a strong romantic interest for the brooding man. Which is great, he makes fun of the genre, but he is hyper aware of the genre and still ends up in its pitfalls. He trusts a man so quickly he ends up handing over his sonic, he gets proposed to and basically immediately accepts. Now I am really hoping that Rogue gets to stay around I really liked him as a character, regardless of which theory of his identity if any are true. But the Doctors reaction to him is still a little out of character, he is feeling what he is SUPPOSED to feel and he is acting how he is SUPPOSED to act.

It just feels to me like an increasing number of these episodes are more and more story like and more and more separated from the more Doctor Who elements. And the lack of an introduction of how they get there, and the lack of them leaving in the TARDIS is so unusual to me and stands out to my brain so much.

It feels like they are removing elements that don't fit the genre. Anyway not sure if that makes any sense but I'm vibing with it.

[karbisworld]

I am bored af and I wanted to write since a WHILE so let's go! <3

✦˖ ݁ ˓♡˖ ݁ ˓⊹˖ ݁ ˓✦˖ ݁ ˓♡˖ ݁ ˓⊹˖ ݁ ˓✦˖ ݁ ˓♡˖ ݁ ˓⊹˖ ݁ ˓⟪SHIP⟫˖ ݁ ˓⊹˖ ݁ ˓♡˖ ݁ ˓✦˖ ݁ ˓⊹˖ ݁ ˓♡˖ ݁ ˓✦˖ ݁ ˓⊹˖ ݁ ˓♡˖ ݁ ˓✦ Jake Peralta x Reader

✦˖ ݁ ˓♡˖ ݁ ˓⊹˖ ݁ ˓✦˖ ݁ ˓♡˖ ݁ ˓⊹˖ ݁ ˓✦˖ ݁ ˓♡˖ ݁ ˓⟪CATEGORIES⟫˖ ݁ ˓♡˖ ݁ ˓✦˖ ݁ ˓⊹˖ ݁ ˓♡˖ ݁ ˓✦˖ ݁ ˓⊹˖ ݁ ˓♡˖ ݁ ˓✦ Romance // Comedy // Little angst // Friends to Lovers

✦˖ ݁ ˓♡˖ ݁ ˓⊹˖ ݁ ˓✦˖ ݁ ˓♡˖ ݁ ˓⊹˖ ݁ ˓✦˖ ݁ ˓♡˖ ݁ ⊹⟪SUMMARY⟫⊹ ݁ ˓♡˖ ݁ ˓✦˖ ݁ ˓⊹˖ ݁ ˓♡˖ ݁ ˓✦˖ ݁ ˓⊹˖ ݁ ˓♡˖ ݁ ˓✦ Jake Peralta just got his heart broken by the two women's he liked the most, his formal girlfriend at the time Sophia Perez, who broke with him and his another romantic interest Amy after she told him that she didn't wanted a relationship inside work; now he's alone with only his friends.

✦˖ ݁ ˓♡˖ ݁ ˓⊹˖ ݁ ˓✦˖ ݁ ˓♡˖ ݁ ˓⊹˖ ݁ ˓✦˖ ݁ ˓♡˖ ݁ ˓⊹˖ ݁⟪NOTES⟫ ˓⊹˖ ݁ ˓♡˖ ݁ ˓✦˖ ݁ ˓⊹˖ ݁ ˓♡˖ ݁ ˓✦˖ ݁ ˓⊹˖ ݁ ˓♡˖ ݁ ˓✦ Hello, new writer on tumblr here so have patience with me <3 I really hope you guys like my work, if you notice any grammatical error, well English is my second language so yeah. If you like my work you guys can ask me to write any idea you would like and I will be glad to! In this story, since I love Jake and Amy together too much, they never truly dated, let's say that Amy wasn't really interested on dating Jake... Anyways, enjoy!

-Man I told you, love is not for me- said Jake while taking a sip of his beer

-Oh don't say that Jakie, it's their lose!- said Charles trying to cheer Jake up

-I just can't understand my luck! Y/N you're a woman, tell me all women's secrets, I just can't understand why Amy said she liked me but then said she didn't wanted a relationship!-

Y/N just shakes her head -I don't know Jake, you know how is Amy, she's just afraid of breaking a rule maybe? I don't know dude, I am not her, every woman is it's own world but, if you say she told you she liked you at some point I don't think you have no chance- she says also taking some sips of her beer since the three were in Shaw's after work

Jake just keeps drinking frustrated -It's just a puzzle, I mean, I know Amy loves puzzles and all that but... MAN, NO FAIR!- he says laying his head on the table getting more wasted since he had a free day tomorrow, Charles looked worried and kept trying to cheer him up but didn't succeeded.

-Y/N please do something- Charles whisper to you

-What do you want me to do? The guy is heartbroken and getting wasted, I don't think I can do much here more than paying more beers- you whisper back, trying to show like you're not worrying much, even though you really don't like to see Jake like this

-Y/N please! It's your chance- he whispers. Charles discovered you had a crush on Jake a damn while ago, but you asked him to keep it a secret since you didn't wanted to cause any trouble in what Jake and Amy might had in between. Charles being Charles almost blew your secret a bunch of times since he knows, but you somehow made him learn how to keep the secret

-Shut up!- you say more louder than in a whisper making Jake lift his head from the table

-What happens?- Jake says confused, he is kinda drunk but still making sense

-Nothing- you quickly respond

-I was telling Y/N that I need to go- Charles said, you quickly looked at him with a little of a angry expression, he didn't even looked at you -Sorry Jake, Rosa just send me a text, one of our open cases just go a new lead so I need to leave-

Jake nods -It's okay Charles, can I help with the case?- he asked and his face light up

-Sorry Jake, this new lead is the last thing we needed so we basically just need to do paperwork about the case- he said strategically knowing that Jake hated paperwork

-Oh okay, I guess I won't be the only one being miserable tonight!- Jake said playfully lifting his beer as Charles get up from the table, you give him a look of "I will kill you later" - Come on Y/N don't let me drinking alone tonight! after all we both have a free day tomorrow!- Jake said, it was obvious that the beer was making more effect than before cause he was a little louder than before

-Sure- you said drinking a little more, you didn't do much since looking at the situation you would need to drive this man home

-Tell me Y/N do you have a partner?- Jake asks to you almost making you choke with the beer out of the unexpected question

-I do not- you answered

-Why not?- he asked

-Where does this questions come from?- you ask back

-Well I have been talking about my horrible love life all night, I wanna move on from that a little. I know everything about Charles but you're less open than him so, I want to know- he says drinking a little more

You sigh -I guess you and I have a messed up love life in common- you admit finishing your beer

-How so?- he asks curious

You shrug -I don't know, I just don't have luck in that area too-

-Cheers for that!- he says playfully taking a smile out of you and you two clink your beers and take a sip -But may I ask what do you mean by not having luck? Too much of heartaches?- he asks curious again

The beer was starting to affect you a little bit making you more honest so you nodded -Yeah, either people being assholes or not being into me so... Yeah- you admit taking another sip of your beer

-Not being into you?! How? I mean, don't take me wrong but... You're gorgeous dude-

Your eyes widen and you feel like you're blushing but you try to play it cool -Hahaha, sureeee- you say playfully

-No no, really! I mean it!-

-Shut up- you say while laughing -You're too drunk and saying bullshit-

-I might be drunk but not blind dude! Really you look nice-

-Okay okay, then, thank you- you chuckled -But still I don't know, people can say that but weirdly I don't have luck at dating- you admit

-Maybe people gets intimidated by you- Jake says drinking a little more

-Why would they?-

-Well, I don't know, you're a cop, and a badass one! And you're smart and all that-

-Would you get intimidated by me?-

-Maybe- he says playfully

-And not by Amy?-

-Amy too, I was extremely intimidated by her! I only confessed because I thought I would never had an opportunity later, you know since I went under cover and all that... But well at the end of the day it didn't helped or anything...- He says sadly

You put your hand on his -It's okay, it was very brave, and well, as Charles said before... Maybe is their loss? I mean I know it hurts to be heartbroken but, maybe it was for the best- you say trying to cheer him up

He nods -Thanks Y/N you're a great friend- He says making your heart break a little bit, you just smiled and nodded

-Aren't you drunk enough yet? It's getting late- You said looking that it was almost midnight

-Come on Y/N! The night is young! Don't be a Holt and let's drink more!- he says asking for more beers

-No, not more for me, I need to drive you home afterwards- you say rejecting his beer

-Come on! Just this one I swear! Do it for my little broken heart yeah?- He asks giving you the beer

You roll your eyes and take the beer -Just this one tho! No more- You say and he smiles

-Yeeesss!- he started drinking more quickly while you only drank one more he had like almost 3 making him more wasted than before, even needing help to walk properly

-God damn it Jake! I told you we should've left before- you say with a little annoyed tone of voice helping him walk out of the bar to your car

Jake just laughs while walking grabbed to you since he's tripping with himself -No! We should've stayed more more more! I am not sad anymore meaning that drinking is good good good hahaha!- he said at this point barely making sense

-It's not good for my freaking back!- you say helping him lean on your car as you unlock it -Get in, I will drive you home- you say helping him getting into the car

-Woah than-thank you! Y/N is a savior!- he says while laughing getting on the passenger sit. You get on the driver sit

-Put your seatbelt, I drank a little too so we better be careful- you say to him, he tries to but fails as he's too drunk letting the seatbelt get back to it's position

-Y/N your seatbelt doesn't like me!- he says putting a sad face making look in between extremely dumb and funny and extremely cute and kissable; you took the first option and just laugh softly helping him getting the seatbelt on

-There dummy- you said with a chuckle not noticing that you were really close to him, so you just backed down to your sit and tried to avoid thinking much about it -Okay let's go, and please tell me if you feel bad in the road okay? I really really REALLY don't feel like cleaning vomit from my car-

He nods -Don't worry Y/N! I have a strong stomach!- he said with a smile

-I hope so- you said and started driving to his apartment, you opened his window in the car just in case but thankfully, you guys arrived just fine to his place. He looked more sleepy than before so you had to wake him a little. -Okay Jake we're here- you say getting out of the car to help him getting out. You help him until you guys are at his apartment door. -Well, here we are, take care, sleep on your side and all that- you said about to leave but he grabbed you by your wrist

-Please stay- he said with some puppy eyes that could even fucking win a #1 prize in the most perfect ones that had ever existed -I don't want to be alone... Not anymore...- He said as some tears started forming on his eyes absolutely wrenching your heart

-But... But...- You tried to think on an excuse but looking at him in that state it would be a sin -Fine...- you said leaving out a sigh, he smiled and pulled you into a big hug without a warning

-Thank you, you're the best, you're the... BLEGH!...-

To be continued... (yes, he vomited on u)

[skull001]

Amy hot takes.

Amy's Sonic Advance gameplay is still THE superior 2-D gameplay for Amy, and the only reason it hasn't been revisited in newer games is because Sega are cowards still stuck with the "one-button" approach that only works for Sonic and Tails.

Even when games like Origins Plus and Sonic Superstars nerfed down Amy to just two moves, she is still more fun to play as than Sonic.

Amy's gameplay in Sonic Advance >> E-122 Psi Amy hacks >> Amy Mania by Troop Sushi/Codename Gamma >> Sonic Supertars >> Origins Plus.

Sonic X's Amy is the full package of how Amy should be like. Even with her flaws, she was one of the most fun characters to watch, and surprisingly got plenty of moments that humanized her and even explore a bit of how she saw her relation with Sonic, proving she isn't deluded about it like her detractors claim.

Giving Amy a toy hammer is one of the best things Sega did, and wish the full potential of what she can do with it was more explored in gameplay terms.

The tarot cards should be only a back-up weapon, never the main one. Story-wise, the can guide her in her quests, providing the player with hints that they have to interpretate.

IDW's characterization of Amy is alright. The issue if anything, is that she, like the game characters, are hardly the focus of the stories, nor are they allowed to be shown in a more personal manner. Don't care if it's because Sega is too strict, or if the writers only use them to get to the characters that THEY really want to write for. Either way, the situation sucks for the game cast.

I think Amy is better suited to be the franchise's co-protagonist alongside Sonic. She is very versatile as she isn't restricted to be by his side 24/7, and as long as she sees Sonic as her prince in shining armor, there really isn't any reason to keep her from growing into a stronger and more beautiful heroine.

I'd like to see a story where Amy tries to help a character find redemption, but is ultimately unable to, betrayed by them even. I think this would be an interesting change of pace because, even if let down by those Amy tries to help, that she still remain kind of heart would be proof of just how strong her heart is.

Superform. Of all characters not named Sonic, Amy's noble and compassionate heart should be more than worthy of awakening that miracle.

Morio Kishimoto really should go all out with exploring more of Sonic and Amy's relation. I think he is one of the few people capable of doing so and pushing the status quo to ot' limit whole keeping things fresh. After the let down of that last Tailstube where Amy's feelings were again the object of mockery from american writers ( especially HIM), I'd more than welcome the more respectful approach from Japanese writers towards the dynamic of these two characters.

Amy IS part of the main cast, and should be treated accordingly to her status as lead female character. That means, not giving away Amy's roles to less important ones. Wether it's things like her compassion (which Tyson Hesse mentions to be unique) or being the most adventure loving of the girls.

Don't make Amy be "mature" by becoming a party pooper who dislikes fun. This is a very outdated stereotype of women that honestly, doesn't apply to the real Amy. She would join the boys in doing dumb things, while still doing girly things with other girls too.

Enough of sad face Amy. Why the hell is Sega afraid to show an Amy that, no matter what, can be a beacon of hope for those who have lost their faith. Further more, why is she not expressing faith anymore on Sonic? I swear ever since Sonic Boom, only Tails is allowed to do this as an artificial means to push the bff thing, in contrast to previous games and even shows, where Amy did this. It saddens me how in Prime, she complains about Sonic not sticking to the plan, while Tails is the one who reminds that he has never let them down. Like, helloooooo? Amy also knows this, so why treat her like she doesn't?

Sonic, Tails, Amy & Knuckles >> Sonic, Tails and Amy >>>>>> Sonic, Tails & Knuckles.

Writers shouldn't be afraid to show/play out Amy's flaws. I like seeing characters make fools of themselves once in a while, as long as they are also allowed to get out of their mess by also playing out their strengths and positive traits.

[charlieconwayy]

Just curious what you don't like about Cory/Topanga if you feel like talking about it!

hey, i don't mind!

first off i think boy meets world in the context of just a purely heterosexual show makes it age pretty poorly, and that all stems from cory and topanga. i know one of the writers said a while back that the writers room was torn between shory and corpanga, and tbh, rewatching as an adult, that's extremely evident. i'm not gonna make this post all about shory bc that's reductive but i am first and formost a shory girl and a firm believer that cory matthews is a gay man

so let's get into it.

i really really love s1/2 corpanga. idk if it's just bc ben/danielle felt more natural back then or if it's bc they actually allowed cory to be wrong and topanga to be right, but it's just so sweet. one of my all time fav ship moments from the show is the frickin sock basketball scene where they touch hands and he giggles. so adorable! but i think what really makes them suffer after s1 (and kind of s2) is just that they clearly made topanga a normal, kelly kapowski girl-next-door type to make her more "desirable" for the male audience. that could be an entire separate post, but it's so fucking obvious that that's what the change was and it sucks because topanga was great the way she was.

they're not like hatable in season 3 exactly, but the "old married couple haha look how old gross and boring they are" trope when they were legitimately sophomores was just weird? and this is a retrospect thing but i hate how the show just kept retconning shit and pretended they never broke up in season 3, as if a HUGE storyline and one of the most iconic episodes (the happiest place on earth) wasn't about them getting back together? and for me just the concept of the ~universe wanting them to be together~ over and over again is just so fucking lame when they were so toxic. (great video on this here)

they really don't do anything wrong in season 4 either, but a long walk to pittsburgh is honestly so beyond ridiculous LMAO. i know everyone talks about how romantic it is, but i hate it because topanga literally runs away and moves back to philly just for cory. i know they claim it's to finish at john adams too, but i would find that much more believable if they had developed topanga AT ALL outside of cory. we know almost nothing about her home life and they wrote trini out so we never even see any friends of hers! the trend of them fighting and talking down to amy about their love is so fucking stupid too. like you are sixteen. it is fine to love someone and want to be with someone, but amy is right that it's not healthy for them to be as obsessed with each other as they are. like cory literally doesn't know who he is outside of topanga and that's NOT healthy.

oh lordy. s5. i'm not going to get into how much i hate that shawngela (a MUCH happier, more interesting relationship) was reduced to "wanting to be corpanga" in both their intro episode and then fucking gmw, but even the "old married couple" stuff in "chasing angela" at the restaurant is so annoying. "last tango in philly" is one of my fav episodes, but it's the perfect example of how cory can never accept he's wrong. shawn tries to tell him they should stop, and he just tells shawn he knows nothing about relationships and keeps being a dick about topanga and her (obviously gay) friend. but obviously, you're here to hear about how i feel about the cheating. yes, cory cheated and he genuinely liked lauren. for the show to act like he didn't is just gaslighting their audience. and tbh? i think ben and linda cardellini had excellent chemistry (certainly more than he and danielle did at that point . . .) and i think it's completely healthy to date more than one person! it was nice seeing cory be able to open up and bond with someone else, and yes, what he did was cheating. just bc he changed his mind and decided he "couldn't live without topanga" (bless u probably queer writer for what u did w that line :') ) doesn't mean that it didn't happen. topanga had EVERY right to break up with him. it does piss me off that we barely saw topanga's reaction to the breakup when there was a whole ep dedicated to shawn's reaction (and i say that as the #1 shawn stan), but that show hated women lbfr. AND WHY TF WAS IT BAD FOR HER TO KISS JONATHAN JACKSON WHEN SHE AND CORY WERE BROKEN UP????? bc cory can't accept things not going his way and not having control. the "we are a masterpiece" scene makes me so fucking angry omg i cannot

and i mean, bro, the yale shit has been talked about to death, but topanga lawrence going to the same college as straight d-student shawn hunter has got to be the dumbest, most woman-hating shit the show ever did. love can survive long distance if you put the effort in, trust me. (yes i am aware that the show prob didn't want to separate their main couple, but s6 was almost entirely about shawn anyway so????)

then in seasons 6 and 7 we get into the "cory yelling at and publicly humiliating topanga" trend. "undapants" is iconic so i'm not gonna go into that episode (fuck you "take her back to your tornado infested trailer park" line!), but i can name at least seven occasions where cory pressures her into sex. and rider strong is right. it was extremely holier than thou how they constantly made it seemed like corpanga was better than shawngela for not fucking before marriage. like isn't there a line where they call shawngela sluts in s7? the whole honesty bit in "the truth about honesty" (admittedly one of my fav eps) is also just ridiculous bc both of them always get pissed off at the other one for being honest, even in the past. i've seen people get mad at topanga for throwing yale in cory's face but lbr, who didn't see that coming? i guess maybe it's a little weird bc she'd never been resentful about it before, but that's a HUGE thing in their relationship. and yes, it is weird that she's using his razor without his permission but again just the pressuring her to show him her ass is also fucking weird (it's also weird imo that they've been together "their whole lives" but they've only ever kissed, but again, holier than thou bullshit)

one thing i can say about how weak and uninteresting their relationship actually is is that their ENTIRE wedding episode is about shory, bc they are the much more compelling dynamic in cory's life. weirdly enough, i do actually really like cory's vows though?? on a shawn hunter stan note, oblig "that best man speech was bullshit" comment. it's completely normal and healthy to have a best friend outside of your partner? especially when you can't be honest with your partner. god i fucking hate that bullshit. just like how i hate in "seven the hard way/the war" how they portray cory abandoning his best friend/true life partner for topanga AND THEN IN FUCKING GMW THE BAD FUTURE FOR EVERYONE LITERALLY CAME TRUE!!!!!!! omg i will go insane if i think about that for longer than a few seconds.

end of post, but leaving this here

[syrupsyche]

Chapter 1 of "Even If There Are Monsters" Director's Commentary

I wrote a Dracula AU for @/feathraly a few months ago, and for this spooky season I thought I'd do a lil behind-the-scenes look at what was going on in my head as I wrote the fic in the 2-ish months I had :D I'll be publishing a chapter or so a day until Halloween!

Feel free to read the fic here before/as you read the director's commentary :3

To start off: I knew I wanted the fic to read as close to Dracula as possible, and so I decided to stick with the epistolary format. Marius's entries were tough to write, simply because he and Jonathan are quite different tbh. Marius isn't as spontaneous as Jonathan; in the brick he's constantly paralysed at the idea of having to Make A Choice, and so instead I focused as much as I could on Marius's overwhelming desire for Cosette. I feel like he would have done ANYTHING for her, which is the one thing he has in common with Jonathan, and so hopefully that would have realistically spurred him on.

As I mentioned in the footnotes, I replaced the English Pitman shorthand with the French Duployan shorthand. It was made around the 1860s, so a little later than Pitman but still likely to have been picked up by Marius by 1890. As for changing Whitby, England to Cette, France, I mostly just searched for cities in the south of France, where Enjolras was canonically from, and specifically sea-side cities so that the Demeter would be able to wash up ashore later on. If I were a better writer and researcher, I might find somewhere more geographically similar to Whitby but um...I decided Cette would be fine 😭 apologies to any Sète residents for any incredibly inaccurate descriptions of its location.

Speaking of replacements, I had Enjolras as Lucy mostly for the lols :p. I mean sure they have their physical beauty that remains untouched even in death or wtv, but mostly I just liked whumping Enjolras. Though, a very lovely commentor did point out that both certainly had their own fire, and fought as best they could til their respective ends, so I'm glad their similarities were still present!

Prouvaire as the Van Helsing-figure was inspired by a prompt Feathraly had about him teasing Marius for being afraid of horror. Well, Marius certainly is going through The Horrors now, and Prouvaire is only spooking Cosette a little :') I think Prouvaire's canonical kookiness lends itself well to him being a vampire-expert in the story! He would have enjoyed Dracula the actual Book.

One of the main reasons why I had Grantaire be Enjolras's love interest in this fic (other than the fact Feathraly ships it :3) was because I couldn't fathom the thought of Enjolras dying without Grantaire (as per OFPD). So he was at least going to be the Quincey figure, but then I was like...well I hadn't written any proper romantic exR yet, maybe I should let them be happy in one universe (not for long but still), so I had Grantaire be the Arthur figure too! Maybe in a different Dracula AU, Enjolras would have a different Arthur figure...Courfeyrac maybe? He and Grantaire already share a lot of the suitor trio traits between them.

And speaking of sharing traits, it would have been easy to just pick a few of the Amis to feature and then substitute them in but idk....I didn't like the idea of just rewriting the entire novel with name differences. Though the general plot is still the same, I wanted it to feel like it was The Amis and Cosette having to face the horrors of Dracula, rather than just the OG plot of Dracula w/name changes, which is why there are so many "new" scenes written: to establish how most of them were already good friends, to build up the Enjolras/Grantaire relationship, and of course to infodump about vampires. Hope these changes were good!

Additionally, me not wanting to basically just repeat the entire novel unfortunately means I had to cut out a LOT of scenes and characters too. I basically squashed Jonathan's nightmares at Castle Dracula to just a few days, but hopefully it was still enough to make it terrifying for Marius 😭 I also sped up Enjolras's illness, and the Amis's fear re: Marius' silence, as well as cut out the character of Mrs Westenra. I feel bad for that, mostly bc she informs alot of Lucy's own character in the novel, but Enjolras is a whole other person who wouldn't fit into Lucy's dynamics with her mother, so I removed her completely.

Around the end of this chapter was when I knew I had to make this multi-chapt instead of a long one-shot 😔 otherwise /I/ would have lost track where everything was, and I was the author of it! And so I decided to split it where Marius makes his escape from Castle Dracula, and just before the introduction of a new narrator-figure: Combeferre! Now here's where I have to confess that my only reading of Dracula was via Dracula Daily, so I don't even know where the regular chapter splits are in the OG novel, hence my weird cuts for the rest of the fic. But hey, we got to a Shakespearean five-act structure, somehow!

And that's it for Chapter 1!! If anyone has any other stuff they wanna know, feel free to send an ask; I love talking about this fic!

Check back tomorrow for the director's commentary on Chapter 2 <3

[cringecompanionapologist]

Doctor Who Shipping Statistics: Because I'm Bored and I Like This Sort of Thing

So, I decided to see which Doctor Who ships were the most popular in the fandom, not because it matters, but because shipping is fun.

This probably isn't an accurate ranking of which ships are the most popular though, because it's just the amount of fics on Ao3. I'm only going off Ao3 because it's the only fic site where statistics are easy to find, because pairings are tagged and the number of fics with a tag can be counted.

If there's a really popular ship that people don't write fic for, for some reason, it won't show up on my radar, which is fine because this isn't exactly Science. It's fucking around with lists out of curiosity.

So, let's get started!

I started off with just finding the top 10 ships for Doctor Who in general. To no one's surprise, it was completely dominated by New Series pairings. The New Series tends to encourage more shipping and is ongoing, so more people are paying attention to it. Therefore, more fic.

10/Rose

13/Yaz

11/River

Metacrisis 10/Rose (That's the human clone of 10 btw)

9/Rose

12/Clara

Amy/Rory

Doctor (in general)/Rose

Doctor (in general)/River

Doctor (in general)/Master

Only Doctor/Master could be a pairing without any New Series characters, because that would include Classic!Doctor/Classic!Master.

Also, you might notice a lot of Rose. Get used to that. She's inescapable.

Anyway, I decided to filter the search to only E-Rated fics to see if there was a major difference when smut was involved. This didn't actually change very much:

10/Rose

13/Yaz

Doctor/Master (the Master comes up a lot more on the smut list lol)

12/Clara

Metacrisis 10/Rose

9/Rose

13/Dhawan!Master

10/Simm!Master

10/Jack (of course he'd show up more on the smut list)

11/River

What this reveals is that people are more interested in Doctor/Master smut than Doctor/Master romance, which honestly makes a lot of sense. The smut list is also slightly less het than the overall list. Slash fans appear to be the horniest of shippers. As a slash smut writer/enthusiast, I can't really protest.

But, what about Classic Who? I was more interested in Classic than New, so I looked at fics tagged Doctor Who (1963) specifically, instead of Doctor Who in general. Most Classic Who fics are tagged this way, so you'll find more Classic Who there. Here's the results:

Doctor/Master

2/Jamie

10/Rose (Yes, there's still new stuff in hear and of course it's Rose)

3/Delgado!Master

Tegan/Nyssa

4/Sarah Jane

7 and Ace (Notice the and. Platonic relationships get tagged too)

Ian/Barbara

6/Peri

5/Ainley!Master

And I did an E-Rated Only list for Doctor Who (1963) as well:

Doctor/Master

6/Peri (They seem to be more popular as smut than anything else)

3/Delgado!Master

5/Ainley!Master

2/Jamie

Tegan/Nyssa

5/Tegan (I see a lot of fics for this ship and feel strangely jealous...)

10/Simm!Master (A new series ship that isn't 10/Rose?!)

Mel/Ace

7/Ace (No and this time. They get shipped sometimes.)

Once again, Doctor/Master gets a lot of smut. Also, I think this is the first list to not include 10/Rose :)

Look, I don't hate 10/Rose. I'm pretty indifferent towards 10/Rose. Rose is nowhere near my favorite companion, but nowhere near my least favorite either. I just get a bit tired of seeing her absolutely everywhere.

I think decided to check for fics tagged with each Classic Doctor to see who they get paired with the most. I'll list every character who they're shipped with in the top 10.

First Doctor: Rose

There are at least 3 separate fics about Rose fucking every incarnation of the Doctor. If it was River or Jack, I probably wouldn't care, but Rose is not the Doctor's One True Love. And least River can claim dibs on having married an incarnation and Jack is Jack. This is what I mean about seeing her everywhere. Rose is often treated like the most important companion in the history of the show when she's just as important as any other companion. There's probably reason for this mindset that I could go into, but I'd like to finish my list first.

I did the E-Rated Only thing for each Doctor as well. Yes, for all of them. I'm curious and I fear no smut.

First Doctor (E): Rose, Barbara (there are at least 2 1/Barbara fics)

Second Doctor: Jamie

E-Rated Only doesn't change that. Fics tagged with the Second Doctor still contain a lot of Rose Ships, but 2 isn't emphasized quite as much. 2/Jamie is basically THE Second Doctor ship.

Third Doctor: Delgado!Master, Brigadier, Jo, Sarah Jane

E-Rated Only is the same characters in a different order

Third Doctor (E): Delgado!Master, Jo, Brigadier, Sarah Jane

Jo gets more smut than the Brig.

Fourth Doctor: Sarah Jane, Romana II, Sarah Jane/Harry, Rose, Ainley!Master

The Rose Fucks Everyone fics strike again! Also, we get our first OT3 with 4/Sarah Jane/Harry.

Fourth Doctor (E): Sarah Jane, Leela, Rose

Of course Leela would get more smut. I'm surprised with the lack of Romana though. Both Romanas are gorgeous and 4/Romana is the closest to a canon Doctor/Companion ship we get in Classic Who. Maybe it's a Time Lord Thing.

Okay, on to the Fifth.

Fifth Doctor: Ainley!Master, Tegan, Turlough, Nyssa, Rose

Yes, 5/Tegan is more popular than 5/Turlough right now. I'm fine really. 5/Master being at the top of the list is kind of what I'd expected though.

Fifth Doctor (E): Ainley!Master, Tegan, Turlough, Nyssa, Simm!Master, 6

Unlike most Classic Doctors, 5 is Young and Pretty, so he reminds people of 10 and gets porn with 10's Master. Also, Tegan is still ahead of Turlough.

Shipping wars are mostly bad, especially when people try to claim a moral high ground for their ship. I don't want to get involved in any hostilities just because my ship isn't as popular as another ship.

However, maybe encouraging some friendly competition by saying "more 5/Turlough fic should be written" wouldn't be going too far. If you ship 5/Turlough and write fanfiction, write a 5/Turlough fic because winning is fun.

Anyway, how about the Sixth Doctor?

Sixth Doctor: Peri, Ainley!Master, Rose

Sixth Doctor (E): Peri, Ainley!Master, Mel, 5, Charley, Rose

Our first Big Finish companion! Also, I was so distracted by shipping jealousy with 5 that I forgot to mention the selfcest. I think one person wrote a bunch of 5/6 smut fics.

Seventh Doctor: Ace, Ainley!Master

Ace was 7's definitive companion, so if people want to ship him with someone, I'm guessing she's the obvious choice. I personally see 7 as the one incarnation I just can't pair with anyone, but People Can Do Whatever They Want Forever.

That includes writing smut! The E-Rated Only round is the same two pairings in the same order.

Lastly, we get the Eighth Doctor. He's always interesting in terms of fandom because his televised run was one movie. Anyone who's familiar with him has had to see out audios and novels. The audios and the novels each of their own Definitive Eighth Doctor Companion.

But they somehow all lose to fucking Rose again!

Eighth Doctor: Rose, Charley, Fitz, Grace

The three Not Roses can all be explained. Charley is the Definitive BF Eighth Doctor Companion and the Big Finish audios are the most popular Eighth Doctor stories, especially since they're still ongoing in some form. The EDA novels ended around the time the new series began, so Fitz isn't as well-known as Charley. But, in the book version of the Eighth Doctor's adventures, Fitz is basically 8's Jamie. He's a guy who stays with him forever and is more prominent than the female companions of the era.

As for Grace, she's the only onscreen Eighth Doctor companion and they kiss.

The Eighth Doctor was the first Doctor to really be portrayed romantically. 1 got a one-shot love interest and the first four classic Doctors were allowed to flirt with someone from time to time. The Doctor wasn't a traditional male lead and he didn't have long-term love interests because no one writing him was really into that. It wasn't until the 1980s that Doctor romances were flat out banned. They made JNT nervous.

This led to a period of time where not only did the Doctor not get love interests, but it had to be emphasized that Doctor Who Has Never Fucked Ever. Not even for reproduction. The 20th anniversary came with a Radio Times short story establishing that Susan was adopted. Along with that, when filming The Five Doctors, Carol Ann Ford was told not to call the Doctor "grandfather", because that might make people think the Doctor had sex at some point. Ford laughed at the whole thing and was allowed, for continuity's sake, to call the Doctor "grandfather" anyway.

There's nothing inherently wrong with interpreting the Doctor as aroace, or Not Having Fucked Ever and Susan being adopted. It just shouldn't be something treated as Sacred Lore That the Americans Ruined With Their Stupid Movie. The rule against the Doctor having love interests was made by a producer that the same fans who claim that this rule is sacred usually fucking hate.

Doctor Who fucks however much you want him to.

But, because 8 was allowed to have love interests, 8/Charley, 8/Fitz, and 8/Grace are all varying levels of canon. I haven't listened to much of 8's BF stuff yet, but from what I can tell, 8/Charley was mostly one-sided, but might've not been. 8/Fitz wasn't as directly discussed in-universe and came across as Canon in All But Name.

We got sidetracked. Here's the E-Rated Only thing:

Eighth Doctor (E): Rose, Charley, Fitz, Roberts!Master, Jacobi!Master

Of course there's Master smut. This is an established pattern.

Since we've already gotten sidetracked, I'd also like to say a bit more about Rose.

I think that for fans that got into the show at any time other than right as the new series began, it's hard to see why Rose is not only super popular, but still dominant in fandom, appearing in more Ao3 fics than any incarnation of the Doctor. The thing is, Rose was the first companion for a lot of people and her introduction worked differently than similar first companions.

If you started watching the classic or new series at any point but the very beginning, someone had probably already told you that companions come and go. No individual companion is a vital component of the show. You might get really attached to Sarah Jane, but she leaves and the show continues without her. This will happen to every companion.

The only exceptions to this were people starting at the beginning of a series, before any companions had left yet. This makes Susan/Ian/Barbara as a team similar to Rose as existing before the show could exist without them. But, there's three of them and only one Rose.

There's also the way their introductions are set up. Both An Unearthly Child and Rose (the episode) start with the companions and introduce the Doctor through their eyes. They're normal people in present day London who walk into something strange. But, there's a certain even distribution between characters in An Unearthly Child. The entire show is named for the Doctor, the first episode is named for Susan, but Ian and Barbara are the real main characters.

But, though Doctor Who is still named after the Doctor, the first story is called Rose and is about Rose. To someone unfamiliar with the classic series, the show has established Rose as the main character of Doctor Who, the center of the show's universe. The idea that there could be Doctor Who without Rose doesn't seem to add up.

In Series 2, School Reunion is the point where Rose (and the new audience along with her) learns that the Doctor traveled with humans before her. She's traveled with Jack, so she knows that other companions can happen, but she thought she was the first, the special human the Doctor bonded with. She's special, but only because all of the Doctor's companions are special. She's part of a group of special people.

While the classic series audience would've recognized Sarah Jane and enjoyed seeing her again, the new audience would've learned that the Doctor had companions before Rose at all. You could swap Sarah Jane with a completely original character that the Doctor recognizes as a former companion, and the same point would be made.

So, School Reunion attempted to do some damage control. Rose was leaving at the end of the season and establishing that she wasn't the first companion would make it clear that this would be a normal part of the show. Doctor Who would go on without Rose.

But, the show was incapable of leaving it there. After a Big Dramatic Exit, Rose haunted the show longer than any companion had before, new series companions included. Until Jack returns in Utopia, the Doctor doesn't seem that upset over losing him. The show moved on. But, Series 3 has the Doctor still not over Rose, causing him to be a dick to Martha. Audience members that warmed up to Martha will be mad at the Doctor now and audience members still upset over Rose will turn on Martha because the Doctor does.

Series 4 brings Rose back and gives her a second send-off, once again establishing that the show can't let Rose go. It wasn't until the change of showrunner that Rose was allowed to be just another companion.

This was sort of the same thing that happened when 10 regenerated. The show wouldn't let the characters go, so audiences that'd grown attached refused to let go either, screwing over the next in line. Rose is treated as the Most Important Companion because the show wouldn't let her go, when the show normally lets companions go.

So, that's why Rose is shipped with every Doctor and is inescapable. Once again, I don't dislike Rose. I just find it annoying when she's given special treatment, though from everything I've just said, I know why. I started watching Doctor Who right before the 50th anniversary, almost exactly a decade ago, so when I starting watching the show on Netflix, I saw how many seasons there were and knew that things changed a lot. When my friends talked about the show, it was all 11th Doctor stuff, but I already knew that he was on his way out. I consider 12 to be My Doctor because he was the first Doctor I experienced live, basically. He showed up around the same time I did.

Watching the 1st Doctor's episodes for the first time while overhearing multiple hissy fits over the new Doctor being "too old" was an experience.

Okay, I've rambled this thing to death. Hope we all learned something.

[canonmisogynyvictimstournament]

PROPAGANDA

AMY ROSE (SONIC THE HEDGEHOG)

1.) Amy’s characterisation has experienced several generations of misogyny, right from her genesis: She was designed as a girlfriend, but it eas then decided they didn’t want Sonic to have a girlfriend. First instance she’s a damsel in distress that he resents for being there and crushing on him, and this is echoed in the comics. She is then presented as pathetic, chasing and stalkerish, as well as sidelined in the games in favour of other characters despite being very strong. Her stories are often those with the most emotional weight, but the reading is coloured by other characters underestimating her importance there. She then enters a pushy and blind era where she becomes a mockery of her past self. A universe reset rebranded her as a feminist, but that often comes off as a bit pickme, and they frequently failed to hold her femininity and also combat capabilities in hand at once. She is finally getting a bit more stable characterisation and treated a bit better, but I still don’t trust the writers with her. Ultimately, it often felt like the creators didn’t like her, and only had her there because they were made to; and that sucked as a little girl sonic fan.

2.) She started out as the token Girl One in a 90’s property, and her first appearance was as a damsel in distress, which isn’t great to begin with, and she wasn’t playable for a long-ass time outside of spinoffs. The Sonic Adventure games redesigned her, made her playable, let her fight back against her would-be kidnappers, and gave her a major role in saving the world by letting Shadow talk to someone not game with destroying it. Then from Sonic Heroes to Sonic and the Black Knight, and the anime Sonic X, her character was reduced to ‘hehe funny obsessed fangirl is obsessed’ a lot of the time, losing her compassion and a good deal of her social awareness. In Sonic 06, she literally said that she’d sacrifice the rest of the world for Sonic, which, my girl would NEVER in SA2. The Archie comics weren’t kind to her either, as their explanation for the redesign was that Amy wished to become older, so they aged up her body, BUT NOT HER MIND EW EW EW. I’m sure there are other crimes the Archie comics did to her, but that’s not my knowledge base. THEN the writers tried to backpedal in the early 2010’s, but by attempting to undo all the 'crazy’, they took out Amy’s drive and convictions (Sonic Lost World just letting Amy sit and watch Sonic do all the work my beloathed). The Sonic Boom spinoff series tried to pivot and make their version of her a girlboss, but Rise of Lyric was SO BAD. Sonic Boom: Fire and Ice made an alternate version of her a damsel in distress, again, which while technically true to Amy’s roots, does not fit her Boom characterization AT ALL. The Sonic Boom cartoon was a screwball comedy, and they at least lampshaded a lot of Amy’s previous writing problems, but they didn’t give her much to do either, mainly making her 'the sensible one’ whenever Sonic wasn’t available for deadpan responses. They’ve been doing a bit better lately, with Amy usually involved in world-saving matters, and she was prominently featured in Sonic Frontiers, even if she was trapped in Cyberspace. The IDW comics are also treating her wonderfully, from what I’ve seen.

3.) when she was created as a character, she was made solely to be sonic’s love interest. in sonic adventure, they tried to rewrite her and flesh out her character more by making her realize she’s more than her crush on sonic and she finally realizes she’s strong enough to do things without him. sonic team IMMEDIATELY undid that in sonic heroes which came out soon after. they made her entire character in that game obsessed with sonic and based her entire story around him. she was obsessed with him unhealthily in that game because god forbid team sonic let’s a strong female character exist. many of the sonic games took away her quality of being strong without sonic by writing her to only be obsessed with him and not do anything without him. in many modern games, she’s improved more, but misogyny has really screwed her over as a character.

ABBIE MILLS (SLEEPY HOLLOW) (CW: Racism)

1.) Abbie starts out as one of the two protagonists of the show, only to get almost entirely sidelined as early as season 2, getting less and less screen time and allowed no relationships, either platonic or romantic, while the other lead Ichabod Crane has a seemingly infinite amount of them. It got bad enough that her actor wanted to leave the show, which they did by having her sacrifice her soul in the season 3 finale for the male lead to live, and then they ended the show after season 4 anyway, because guess what, it’s a bad idea to entirely sideline and eventually kill off one of your leads!

2.) She was killed by the narrative to advance her white male co-protagonist’s plotline and I’m still mad about it, Abbie deserved so much better. This is an example of racism in the narrative too and it extended to the production of the show, see news coverage:

3.) Look, I only watched the first season but they killed her off the show SHE was a co lead of!! Misogyny AND racism, all rolled into one. I remember seeing the fan reactions and I was so mad on their behalfs. They wrote her off her own show and from what I recall, gave her less and less screentime leading up to that. Truly, she deserved so much better and I will always be upset by this.

[ctrl-lupin]

OK let me rephrase that

Basically I wanted to know your opinions on the secondary characters that were big focuses from each show

Rebecca from Part 4

Ami From Part 5

And Sherlock Holmes from 6

Does that help clear things up?

Sorry for the time this took! I've had a lot of stuff going on lately.

Rebecca: I think she's a very fun and refreshing character, the fact that she's a thief and goes toe-to-toe with Lupin on some heists is really cool. It's nice to see a different method of thieving too. I like the fact that she's both an ally and an antagonist at the same time; she's friendly but she does pose challenges. Kind of like Fujiko but in a different way. On that topic, it's also refreshing to have another long-term female character other than Fujiko; because Fujiko's been The Woman of the series and this tends to be a restrictive role.

Ami: She deserved so much better from the writers. Her character had a lot of potential, even if she was very steeped in the emo hacker cliché; but that crush on Lupin was just... yikes. That was completely unnecessary and added literally nothing to the plot or to her character. She could have admired him like a big brother, or hell! like a father figure, that would have made a lot of sense with her character arc. Oh well. I guess it's up to fic writers to do her justice.

Sherlock Holmes: Eh. An interesting take on this character but he had way too much screentime. I really didn't like the first arc of Part 6 so I don't really have much to say on it or on Holmes himself.

Bonus that no one asked for:

Sebastian Moran: Do you have any idea how LOUD I yelled when he showed up? Sebastian Moran (BBC Sherlock MorMor fandom version) is the very reason I got into Lupin III in the first place. He's the reason I instantly imprinted on Jigen like a baby duckling. I told my best friend about it and her reaction was "Jigen and Moran in the same episode?? Your house is still standing? You didn't spontaneously combust?" Only good element of Part 6 arc 1 imo (that and Jigen Accidentally Adopts A Middle-Schooler).

[isobelleposts]

What I’ve Been Watching This Year

by Isobelle Cruz [April 13, 2023]

March has passed and I figure it’s too late to follow through with a post on the female directors I love, so instead, here’s a short list of the shows and films I’ve been watching this year in no specific order.

Beef (2023)

Directed by Lee Sung Jin

My most recent and favorite watch…lo and behold, Beef. A show about two extremely vulnerable and flawed people masking themselves through pride and borderline pettiness. Beef has it all from road rage, heist, and arson, to child abduction.

The Netflix Original starring Ali Wong and Steven Yeung features some of the most lonely characters I’ve seen on film. Danny Cho is a struggling self-proclaimed contractor that works every opportunity he’s given to keep him and his brother afloat while also standing by his promise to buy their parents a house in Los Angeles. With all of that weight at hand, Danny resorts to attempts at suicide and at the perfect time, meets Amy Lau—a woman just as lonely, struggling, and desperate at life as Danny.

But I promise you, it is not as touching as I made it out to be.

Danny and Amy take turns attacking each other after a road rage incident—pissing in Amy’s bathroom floor, vandalizing Danny’s truck, breaking into her house, fucking his brother, kidnapping her daughter—it never seems to end. … Until it does, in the middle of nowhere. The final episode of Danny and Amy in the Deserts reminded me of animals in the wild, a representation of what humans are in the grand scheme of it all. Beef is a must-watch for the hot-tempered, prideful Asians out there who are looking to see themselves on screen

Aftersun (2022)

Directed by Charlotte Wells

Aftersun was an experience. It was uneventful yet somehow spoke so much to me about the joys I’ve been holding myself back from and continue to do. I’d say that Aftersun is so well-loved because of how much it’s able to connect with its audience, despite their varying experiences in life.

It reminded me so much of a trip I had gone on with my father when I was about the same age as Sophie. It’s happened, it’s passed, and I can’t say it really made a drastic impact on my life. But it was there. It is now a memory—which is exactly what the film was. Instead of showing a major turning point in the protagonist’s life, it showed a memory, and it was enough for me to love.

Daisy Jones & the Six (2023)

Directed by James Ponsoldt, Nzingha Stewart, and Will Graham

Let me start off by saying how rich the production for Daisy Jones & the Six was, firstly through their music. I still remember when I first got my hands on the book and searched the band on Spotify, knowing very well that no results would come up, but now there they are—-with 3 million monthly listeners and 24 songs released.

Although the production and marketing went beyond my expectations, the writing seemed to lack, unable to show depth and establish the characters’ relationships with each other. The show went straight to the point, as though the writers had been scared of losing the audience’s attention by putting more focus on the little things, which I would doubt. It lacked the craziness that was found in the book. It lacked the drugs, women, fans, and the skyrocketing feel of their career that were always present in Reed’s works.

Nonetheless, these things never dragged down my rating of the show. It was interesting to finally see what Daisy and Billy’s chemistry looked like on screen and hear their lyrics come to life, which were, oh, so difficult to read on paper. Amazon Prime did its job to reach DJATS fans’ expectations and to entertain newcomers to the fictional band. — Let’s just hope Netflix does the same for Evelyn Hugo.

Suzume (2023)

Directed by Makoto Shinkai

My first anime experience in the cinema. Suzume’s soundtrack blasting from the speakers and Makoto Shinkai’s breathtaking art displayed before me brought this urge to jump through the screen. The atmosphere his art carried through the room was something I wish I could do with my own works.

Throughout the whole watch, it didn’t come to me that this was a love story between two people. There was that obvious crush Suzume had on Sōta, but it surprises me to hear a few people refer to this film as romance. It was moreover an emotional adventure, shining light on the lost souls that have made inches of the world alive.

My favorite scene, before Sōta is turned into a keystone, wherein Tokyo is shown in slow-motion with people going through their everyday lives—eating, shopping, and commuting–-while not knowing their world was on the brink of end, made me ponder of the unseen things that make life the way it is. Everything that has brought everyone to where they are.

There had been times when Suzume and Sōta would prepare to lock up a door once again and I’d think to myself, when will this end? It was as though listening to a song that would repeat the same line over and over again, but besides that, the pacing was captivating---had my eyes stuck to the screen the whole time.

Suzume is exactly what you would expect from Makoto Shinkai. Beautiful art, music, and an okay story.

Babylon (2023)

Directed by Damien Chazelle

Ask me if I’m tired of watching films set in Hollywood and I would likely say yes. But that doesn’t stop me from doing just so over and over again. It surprised me to see how negative the reviews on Babylon have been and almost allowed myself to be swayed by them, but thankfully, had chosen otherwise.

Although I do see where some of the negativity comes from.

The film has been branded as “ Chazelle’s attempt to pander to the Academy for another best pic nomination” by audiences, and as yet another film showing off the lavish and wild lives of Hollywood. Inequality, drugs, women, abuse, and everything. What’s new?

Well, I don’t really care about what’s new or what makes Babylon a poorly-made knockoff of Cinema Paradiso or Once Upon a Time in Hollywood. Chazelle was able to keep me entertained and laughing throughout its 3-hour duration, and sometimes it gets really tiring trying to make cinema a technical experience. I can proudly say (shaking as I type this) that I loved Babylon.

[zahri-melitor]

Ok, I have now mopped up every extraneous storyline in my reread and I HAVE to start War Drums and War Games (and then I’ll do Identity Crisis afterwards, because goddamn is 2004 the start of the Grim Times)

Last thing I finished today was Nightwing #91-#95, so you know, I have been having some thoughts about Devin Grayson as a writer.

I’m very fond of Devin Grayson’s run on Gotham Knights, putting aside #16-17 and #20-21, the four issues focused on Dick Grayson only. I…don’t think that’s unusual; I think it shows the issue at hand.

I don’t think she’s a bad comics writer. She has objectively written clever, interesting comics that I have enjoyed reading. Most people would say GK Transference and 24/7 are great comic stories. After some thought, I think the issue for many DC fans is primarily that Dick Grayson is her all time fave but her headcanons about Dick long since departed from what other writers were doing with the character and she’s largely a fan of the secret Dick Grayson who lives in her head. And then she was handed the Dick Grayson book to write. It was a situation doomed to cause issues.

I’m not having a go at anyone for having “secret better version of a character who lives in your head”, we’ve all fallen foul to it on occasion. But the test case for whether letting someone who feels this way about a character write their comics is “are the fandom willing to go along with this”. Sometimes they are (please see Wally West’s backstory and supporting cast reappearing by sheer stubbornness of the fans and a handful of writers). Sometimes you’ve just pissed off your entire fandom while writing a whump storyline because you want to torture your favourite before getting to the catharsis (Devin Grayson).

Heck, if you look at what was the probable pitch for Grayson’s run up to #95, it’s…just a break the cutie whump run. Dick’s life falls apart, orchestrated by one of his nemeses, as his entire rogues gallery get the chance to attack him. We’ve all read this before. It’s the plot of Knightfall. The Maxine Michaels plot is supposed to be a Vicky Vale/Vesper Fairchild style story. We’ve seen these stories work and enjoyed them; the major difference is that they had resolutions. Devin Grayson never got to the redemption/catharsis bit of the story. I don’t know why.

The EXECUTION of the whump run however went far too hard in killing off supporting cast members and became egregious in parts (no really, why are we blowing up Haly’s Circus. And the apartment block. Why) and then, you know, #93-95 happened. But the starting idea wasn’t necessarily bad.

There’s even two issues in Grayson’s run up to #95 that I really like (#76 and #81) and I think that entirely comes down to the fact the storytelling picks up immediately when Devin Grayson is focusing on a character OTHER than Dick (Amy Rohrbach and Cass, respectively).

The issue isn’t so much “Devin Grayson is a bad writer”. The issue is that “Devin Grayson should not have been allowed to be Dick Grayson’s primary writer” and she should instead have been given books about characters she’s less obsessed with and worked out her desires to make her fave suffer by writing more fanfic.

[shadamyheadcanons]

My thoughts on Sonic Frontiers

I really enjoyed it and appreciate everyone not spoiling it for me :) I meant to post about Frontiers months ago, but this took forever for some reason. Naturally, there’ll be spoilers under the cut.

(Are Frontiers details still considered spoilers? Idk. If they are, let me know!)

I like how many callbacks there were to previous characters and events. It made it feel like an actual narrative with greater stakes. There’s actual continuity now!

Tails and Knuckles were handled better than I ever could have anticipated. I haven’t loved them so much in years! I couldn’t ask for more.

Eggman and Sage are standouts. I’m interested to see how they’ll write Sage moving forward. I could see her feeling torn between supporting Sonic or Eggman.

I feel...conflicted about Amy in this game. Her compassion is there, at least, and she's not the bland cheerleader she was in Forces. She wasn’t a jerk like in Free Riders, either. Thing is, though, what I love most about Amy is how fierce she can be. It’s directly tied to her brand of kindness. She needs those strong feelings, both the good and the bad, to be her. And there was barely a glimmer of it in Frontiers. I was so excited when it finally popped up and she argued with Sonic about not doing enough to help the Kokos, but she backed off really quickly. She just got shut down.

I fear that the writers have decided a milder Amy is more “mature” than her fiery, feisty former self. I don’t want them to make her boring because they’re afraid of what she used to be. I’m scared that the Amy I grew to love is gone for good because people think she needs to be “Nice.”

She needs that energy. She needs that spark. She carries around a giant hammer, for Chaos’ sake. You can’t give her a giant hammer and then tell me she doesn’t have guts and a temper.

We already have Cream. We need Amy!

I’m hoping it’s just a side-effect of Frontiers’ somber setting. Ian Flynn *gets* her, so if they keep giving him more influence, then I have hope. And this is still an improvement in some ways.

As a side note, they really toned down her crush, huh? They emphasized how important love is to her (as they should), but none of it really seemed directed specifically at Sonic. Every time she mentioned love, she looked away from him. And if she’d decided to go on a journey to spread love around the world in literally any other game, she’d have invited him...but she didn’t in this one. And he showed no interest in joining her. Idk. I’m not saying she’s over him--I don’t think she is--but I’ve been seeing Sonic x Amy fans going nuts over this game for months now and calling them “canon,” and I don’t know why.

I saw far more chemistry between Sonic and Knuckles, no contest.

This game does a great job making use of the characters’ strengths. I love how Knuckles got to show his expertise with the ruins. I love how Amy was able to point out the freshly-recovered nature of Kronos Island, implying she goes back to the towns they’ve helped in the past and checks up on how they’re doing. In a game where Sonic’s friends can do so little, these details say a lot.

I was disappointed when Sonic’s cyber-corruption was immediately fixed by the cheesy “let’s hold hands” Power of Friendship deus ex machina moment. Cyber-corruption was built up for the entire game as something debilitating that couldn’t be easily fixed. Sonic was straight-up deteriorating, barely able to stand, and the stakes felt extremely high. Making it harder to undo all that--and bringing in his friends to do so and repay everything he’d been doing for them--would be ideal to me. This would have been the perfect place for the new story and playable characters they’ve promised! Give them their own missions! Use the corruption as a reason Sonic has to be sidelined! It’s obvious the devs were feeling the time crunch by that point in the game, so I don’t blame them too much, but it would’ve been seamless.

As it is, though, I am absolutely thrilled that I’ll get to play as Amy again!!! It’s been so long, and some leaks have been hinting at Origins Amy DLC, too!!

Give me the hammer! It’s! Her! Turn!

Finally, I’m really excited to see what they do with the time skip--or at least I’m assuming it’ll be a time skip. They’re all going on journeys and Tails literally said “You won’t even recognize me the next time you see me,” so I’d say it’s pretty cut-and-dried. New powers, designs, etc? Who knows?

[postguiltypleasures]

My Peak TV journey *The Marvelous Mrs Maisel*

Prior to the final I made some predictions about where the show would end up. one was that Esther would grow up to resent her mother like Lorelei resented Emily Gilmore. I was right about that. I also speculated that maybe this was the story of how Midge could make anybody laugh, but could not make it as a comic. I was wrong about Midge’s career.

I liked the flash forwards but some of the choices of people she would be involved with seemed more funny peculiar than funny haha. It implies she was involved with Mike Nichols. In the first season there was an episode where she did not know about his act with Elaine May and almost ended up in a Nichols and May knock off act, making this later implication funnier. The flash forwards made a big deal about her working with Bob Hope which tracks with aspirational dialogue from earlier in the series. While Hope had a long and successful career, (meaning I understand why he was chosen as the symbol of what success in the field looked like), he also fell incredibly out of fashion starting in the late sixties. As a choice, it says Midge never quite seemed “young” in her career. Which, I guess makes sense.

That said I really liked the final season. In earlier posts about the show I acknowledge criticism that the Weisman’s players by goy actors were so much more likable than the Maisels, played by actually Jewish actors. This season seemed to recognize it and subtly correct.

The elder Maisels were suddenly hilarious, if still crass and unkind. The Wiseman’s reliance on their housekeeper Zelda, who got married and retired over the season revealed some very unappealing aspects of their characters.

The show sometimes felt like it took place in 1960 for multiple years. As a series The Marvelous Mrs Maisel didn’t exact love the time period in which it took place, so much as it loves the pop culture from its time. It never made me want to be there, just to keep watching people in their colorful, well tailored clothes. But it was not particularly critical, nor interested in a “this is what led to things being the way they are now” type of rational for its existence. As a choice it’s doesn’t clarify, but doesn’t let you wallow for the good old days either. Sometimes it felt like every year on screen was 1960. This disinterested ambivalence occasionally led to wanting to me I’d want to fact check it, but rarely actually doing it. The one time I did was regarding Clark Gable’s death, which I thought took place a year after the season was set. I was wrong. 

In the final episode there was an establishing shot of the Ansonia indicating that is where Midge live in 2005. Later she makes a comment about Yoko Ono being one of her neighbors. Ono famously lives in the Dakota, several avenues from the Ansonia. I was going list this as another thing that makes me doubt the interest in veracity o the series. Then I found this discussed in this post finale interview with Amy Sherman-Palladino. It’s a fictional building in a fictional timeline. Don’t make a big deal about it. Some how this made define with it.

I want to end this by praising the actors who joined the series late players. 

Some how I forgot that Julie Klausner joined the series late in the fourth season, but she regularly had me giggling over her appearances in the final season.  (Interestingly, Klausner is not a Lenny Bruce fan.)

Alfie Fuller is new to me and she was so great as Dinah. I hope Dinah has as great a management career and I look forward to seeing Fuller in something soon.

Reid Scott is such a charming bully as Gordon Ford, you almost don’t resent his character’s success. (Though I think the no writer on the show rule was a good one) 

I’ve liked Chris Eigeman since those Whit Stillman films and I really liked seeing him run the Village Voice here.

Jason Ralph, (Rachel Brosnahan’s real life husband) had some very funny bits as Mike, especially in relation to Suzie. Seeing him here mostly made me think how I want to see him as a lead again. 

Nina Arianda has intrigued me since I saw her play Stan Laurel’s wife in Stan and Ollie. She still does as Gordon’s wife/Susie’s ex, Hedy. 

[scruffyplayssonic]

Are the ArchieSonic comics actually an 80's/90's syndicated cartoon? Episode 21: Love interest returns. Maybe she's good now?

Welcome back to my look at the ArchieSonic comic series, and how it shared a lot of the same story tropes as a typical ‘80’s or ‘90’s syndicated cartoon! Today it looks like it’s time to talk about Fiona Fox again…

Episode 21: Love interest returns. Maybe she's good now? Hahaha. Poor Tails. 

But no, not that Fiona Fox. 

This Fiona Fox. The real living being who the auto-automaton’s design was based off of. She wasn’t actually introduced until Knuckles #26 - 29, several years after Tails’ encounter with her robotic doppleganger. The story kicked off when a bounty hunter named Nic the Weasel (no, that’s not a typo, Nic is Nack’s sister. Or possibly clone, who knows?) came to Mighty the Armadillo, asking for his help opening a vault.

Mighty initially refused until Nic revealed that she had a collar belonging to his long-lost friend Ray the Flying Squirrel. Together they travelled to the prison camp where Mighty and Ray had first met as kids when they were captured by Robotnik, and it was here that Mighty found out that Nic had a partner who he had also assumed was dead: Fiona Fox.

Through flashback sequences we found out Fiona and Sonic had also been here at the same time as Mighty and Ray, but Sonic had been a trojan horse on a mission to free everyone. He managed to free Mighty and Ray and they attempted to rescue everyone else, but when Ray grabbed a power gem it had warped him into another zone, taking Sonic and Mighty with him. Sonic and Mighty had managed to get back safe and sound, but Ray was nowhere to be seen.

At this point Mighty had gone berserk and started tearing the prison camp apart, while Robotnik had grabbed Fiona and escaped. Fiona was used as a template to design the auto-automaton that would eventually try to murder Tails, and Fiona herself was left to rot in a cell for years.

She came to the conclusion that no one was coming to save her and she’d have to save herself, eventually escaping by digging a tunnel to freedom. She then met Nic and hooked up with her, becoming a thief and treasure hunter. Back in the present day Fiona joined Nic and Mighty as they opened the vault and managed to rescue Ray, who they found still holding onto the power gem that had trapped him between dimensions.

After that Fiona disappeared from the series for a long time, reemerging in Sonic #125 to help out when an alien race named the Xorda threatened to destroy the entire planet via a black hole.

Fiona had become a bitter person after her long imprisonment and feeling that she’d been abandoned for so long, but when Sonic seemingly sacrificed himself to save the planet she came to realise the true hero he was and decided to join the Freedom Fighters. This made things complicated for Tails, who’d developed an instant crush on her auto-automaton way back when and now developed similar feelings for the real Fiona.

She served multiple roles on the team such as medic and tech support, but didn’t feel that she really fit well with them. On one occasion she got into an argument with Rotor about the use of guns as Freedom Fighters. …this was the same Rotor who had once created this little doohickey:

But this is about Fiona, so let’s just move past Rotor’s blatant and poorly-written hypocrisy for now. If you ask me, Fiona never really belonged on the team to begin with. Ian Flynn seemed to agree, because one of the many big changes he made after becoming head writer was to her. The seeds for this were actually planted before Ian’s run though, when Evil Sonic came to Knothole, impersonating Sonic and hitting on pretty much every single woman there.

Amy, Mina, Sally, Bunnie…

Yeah, let’s not talk about what he did to Bunnie. But Fiona was apparently also flirted with, and she dug it. She would later start up a relationship with the real Sonic, much to Tails’ distress.

This would lead to Sonic and Tails becoming more and more distant and occasionally hostile towards each other for awhile. 

Eventually Fiona came to the conclusion that while she’d legitimately tried to turn over a leaf, she was still the same bitter, resentful woman who’d been forgotten in a prison cell for years. Deciding that Sonic was too vanilla for her tastes, she abandoned the Freedom Fighters to hook up with Scourge.

Tails was completely devastated by this, because while on some terms he’d accepted that he could never be with Fiona himself, he just couldn’t cope with the idea of her becoming a villain and riding off into the sunset with Sonic’s dark twin. But when he tried to talk her out of it, he was rather thoroughly humiliated.

It would take Tails a long time to come to grips with what happened,  and Fiona’s rejection of him played a major part in his motivation for fighting Sonic when the Prowers petitioned for the monarchy to be abolished.

Fortunately Sonic and Tails were able to patch up their relationship and move past things. 

As for Fiona, the first thing she did after leaving the Freedom Fighters was give herself a new look.

Maybe she took it personally when Amy said her bow looked stupid. :P She and Scourge worked alongside the Destructix for the creepy Dr. Finitevus for awhile, but when the new incarnation of Enerjak fought against Super Sonic they decided to get off the planet before there was no planet left.

They went back to Scourge’s homeworld where he declared himself King and kicked the butts of anyone who opposed him. Scourge would then rebrand his former friends as the Suppression Squad and had them help him invade Mobius, successfully taking Freedom HQ from the Freedom Fighters.

But when Scourge’s team turned on him Fiona escaped to find help, eventually linking up with the Destructix again. Most of them anyway - Lightning Lynx had by then left the team to rejoin his old clan, who now served the Iron Queen. As Sonic, Tails, Sally and Monkey Khan were trying to sever the Iron Queen’s hold on the four clans, they agreed to briefly team up with Fiona.

…it wasn’t a very friendly team-up. 😛 But it did lead to a genuinely heart-warming moment with Tails thanking Sally for sticking up for him, and her admitting that she was worried she might have overstepped her bounds but she was just so furious with the way he'd hurt her. Sonic, Tails and Khan then all agreed that Sally should punch Fiona again the next time they see her.

After Sonic defeated Lightning Lynx in a trial of combat, he was once again banished from the Raiju clan in shame and the head of the clan, Conquering Storm, agreed to sever ties with the Iron Dominion. With her team restored, Fiona struck a deal with Dr. Finitevus for a super warp ring, which she used to get herself and the Destructix into the interdimensional Zone Jail and break Scourge out.

Unfortunately this was the last time we saw Fiona and Scourge before the reboot, so we never found out what Scourge’s plans were after the breakout, or what Dr. Finitevus was asking of Fiona in return for the warp ring. Hopefully this will one day be answered in Ian Flynn’s planned Lost Hedgehog Tales.

That’s all for today. Tomorrow we’ve got a two-for-one! Episodes 22: explosive case of amnesia, and 23: hero is brainwashed to be evil. See you then!

[fort-cozy-mcblanket]

What would happen if Faisal came back?

Interesting question. Let's revisit the one and only scene in which Faisal is mentioned . . .

I love how Sheldon didn't really like this guy even before Amy says he's her fiancé, and then once she reveals that he just so clearly hates him. Anyway, continuing . . .

It's unclear on whether the place in Riyadh was merely offered or if Amy actually went to stay with Faisal for a season. I personally think it's the former, but judging by Sheldon's face he might be thinking the latter.

So, we can deduce from this that the engagement is somehow wrapped up in her lab funding. I always believed that Amy viewed it as a business arrangement and there were no feelings there on her end. I wish we knew the exact timing of this trip she took to Saudi Arabia, because if it was a long time ago and this has been in place for a while, that would mean Amy was supposedly engaged but also still using the dating website to appease her mother, and then it really would clearly mean nothing. But also maybe it took place after she met Sheldon, during those four months where they only communicated electronically. I would still maintain that it was strictly business for Amy, but perhaps it could have meant more to Faisal?

I imagine that once Amy signed the Relationship Agreement, she likely broke things off with Faisal. It may have actually been a requirement per the Agreement, since Sheldon would not have forgotten this conversation unlike the show writers.

If Faisal was upset by this, he could fly to California and fight for Amy. He could be viewed as a considerable threat to their relationship since he has money, is openly interested in Amy's work, and if she married him wouldn't that make her a princess? And since we know Sheldon is prone to jealousy and possessiveness, there would 100% be a showdown between them.

But the thing is, Amy already chose Sheldon. If she wanted to be with Faisal, she had him and could have done so. They were engaged before Sheldon asked her to be his girlfriend, so she could have just told Sheldon no. But she didn't. She picked Sheldon, and seeing Sheldon fight for her would only strengthen her choice. I don't believe there is anything Faisal could do to sway her, including pulling her lab funding. Amy is brilliant and accomplished and she would get funding elsewhere.

Of course, Faisal could maybe come back later on in her relationship with Sheldon, but I think the results would be more or less the same. The only exception would maybe be if he showed up during their break up, but I still don't think Amy would choose him. And if he showed up now, post-Nobel win, he would be completely inconsequential, except for making Sheldon needlessly riled up.

In any case, if Faisal is truly interested in neurobiology, he is probably aware of Sheldon and Amy's wedding through the press around super asymmetry and their subsequent Nobel nomination and win. I would like to imagine he would be gracious about it and send them his congratulations. Sheldon would still hate him.

[seventeendeer]

if you feel up to infodumping about it, i would love to hear your opinions on the Weird Writing for sonic the hedgehog's female characters. i've always had a massive soft spot for elise she's such a strange person when you look past the Generic Love Interest framing of her story and i really wish she'd gotten her own game

Ahhh thank you for enabling me, I have SO MANY THOUGHTS on this subject!! I've been super fascinated with the weird gender dynamics emerging in the franchise ... nearly since female characters were added at all. I think I've only really been able to put my thoughts into words recently, but it's a subject I've been interested in since I first got into the series as a kid.

(Also, I feel you on the subject of Elise - super interesting character more or less accidentally emerging from a very bland role)

Note: As usual, I’m mostly talking about the mainline games and Sonic X. While Sonic has a lot of spinoffs, I think Sonic X is so close to the spirit of the games that it is not a stretch to count it as an entry in the series’ core installments, particularly the second series/season 3. Especially because it originated in the same era as most of the lore currently defining the games, and there was a lot of migration back and forth between the two continuities regarding both characters and worldbuilding.

Anyway! On the subject of gendered writing in Sonic stories!

IMO, the biggest paradox in the Sonic games' and anime’s approach to female characters is that sexist writing is all over the place ... and yet the female cast is overwhelmingly the most layered and thematically interesting! Which they're then generally tortured and killed for. Whoops.

In order to understand why, I think it's important to remember that at its core, Sonic is very heavily inspired by shonen anime. If anyone's interested, look into the games' weird copycat relationship with Dragonball Z, for one. Sonic games wish they were Dragonball games so bad, it has negatively affected much of their history (Shadow's repeated Vegeta-ification is a good example).

Like shonen anime (it's right there in the name!), Sonic assumes a male player, a male audience. For this reason, you'll have a wealth of "cool" male characters to play as. Cool designs, cool powers, more diverse roles. Playable female characters are extremely limited, with only Amy and Rouge being sincere attempts to diversify the central cast just a tiny bit (Cream and Blaze used to qualify as well, but I'd argue they eventually graduated to the second category I'm about to talk about; more on them later). The main downside of this role is that characters the player is expected to project onto become limited in the kinds of stories and arcs they're 'allowed' by the writers to participate in. They're intentionally kept static so they can neatly slot into multiple narratives without being disruptive. Many of the male characters have vestigial emotional arcs - Tails' insecurities, Knuckles' complicated feelings toward his ancestors, etc. - but they're never allowed to go anywhere, directly influence the narrative or conclude in a meaningful way. They’re here to observe, then save the day, and that’s it. Anything beyond that would complicate continuity between games - or worse, jeopardize Baby Boy’s First Power Fantasy.

On the flipside, many of the story-heavy games employ one-off supporting characters as the emotional core of their respective narratives. And what kinds of characters make great foils to cool, powerful, emotionally repressed dudes primarily existing independently of their own stories? Less action-oriented, highly emotional girls absolutely fucking drowning in that narrative sauce.

Let me be clear: it’s sexist. Defining male characters by their cool powers and ability to save the day, while female characters are defined by their suffering and need for help, is deeply sexist.

Let me be clear, part two: characters who are closely tied to their narratives, who embody the themes of their own stories, who are allowed to struggle, who are allowed to express emotions and for those emotions to directly influence the narrative, are largely much more interesting characters.

Characters who come to some form of resolution are more interesting.

Unfortunately, Sonic games are largely a strange exercise in placing cute, simple cartoon animal characters into weirdly brutal, tonally inconsistent stories that circle themes of sacrifice like sharks smelling blood.

And so the girls die. Or they’re emotionally broken. Or they’re separated from their friends - and thus the spotlight - forever.

A rundown of major female Sonic characters, their narrative purpose, and the price they had to pay for it:

- Tikal: A peace-loving ghost girl serving as a spirit guide in her sole game appearance. Revealed to have been betrayed by her power-hungry family, forcing her to seal her soul away for thousands of years in order to prevent the end of the world. When the threat passed, it seems her spirit did too.

- Maria: A deathly ill 12-year-old who lived in a sterile care facility on a space station, but retained hope that one day she would be well enough to return to Earth. She stood up to armed military forces to save her brother figure/best friend, and got fridged for the trouble.

- Cream: Introduced as a playable character, but largely discarded by the franchise after her sole moment of real character focus in the anime. A character introduced as a pacifist who hates violence, eventually forced to beat a close friend to death in order to protect her other friends.

- Blaze: Also initially a playable character who had one Big Moment(tm), then vanished from the plot after only starring in a single followup game. Once best friends with Silver, she chose to absorb a rampaging god into her soul in order to save him and the rest of the world. Time and space were rewritten, and she resurfaced in a parallel universe where she grew up alone and horribly bullied. Though she and Silver have met again, they never have officially reconnected and don’t remember their past life together.

- Elise: A vessel for a powerful evil who grew up emotionally distant from all other people in order to keep the evil contained. When she finally made a friend, she was forced to rewrite time so they would never meet in an attempt to save the world. There’s a chance she’s faring better in the new timeline, but how would we know? She vanished from the plot as soon as she’d made that sacrifice.

- Cosmo: The last of her kind, save for the small group of villains who murdered the rest of their people. Went through hell in the one season of the anime she was featured in, then promptly died in order to gain revenge on her enemies and save her friends.

- Shade: We don’t know if there were more plans for her character after her debut game, but as it stands, she showed up, was first brainwashed, then betrayed by her own people, and chose to leave behind everything she knew in order to protect the world from her family and former friends.

Note that these are all the major female characters who show up in the games and anime, save for Amy and Rouge. And that’s not even counting the female leads of the storybook spinoff games, Merlina (a hero turned villain who did everything in her power to save her world from future ruin, defeated and left to grieve over her inability to change a thing) and Shahra (another girl who died to save a friend; revived at the end of her story but never seen again), or Molly from the anime who did some kinda sick speedrun strat, showing up in ONE episode where she had her heart broken and committed murder/suicide after she was betrayed by people she trusted.

By contrast, we have exactly one male character who follows the same pattern - Shadow, who went through similar emotional troubles and was intended to die at the end of his debut game. However, due to popular fan demand, he was brought back to life and added to the roster of recurring male characters. He even had much of his depth culled from newer games to match the rest.

Much spin-off media does better in certain ways, but I don’t know ... there’s something about that extremely consistent pattern in the main games and anime. It’s such an interesting paradox, having the female cast be simultaneously the most layered and well-written, but also the ones at highest risk of being emotionally tortured and discarded.

It’s definitely not a pattern unique to Sonic either, but by virtue of being such mindless feel-good stories where a good attitude and good friends can literally work miracles, I think it just stands out all the more. This loyalty to the concept of altruism and respect for soft emotions, paired with insistence on tragedy.

But only if you’re a girl. If you’re a girl, you are at once special and expendable.

You’re the only one who’s allowed to really embody the emotional truth of whatever absurd plotline the writers have cooked up this afternoon, you’re the only one who’s allowed to really express what this story is about at its core, but also you have to die for it. Or be sent away. You can’t be here anymore, at least.

I have no idea who writes these games. I could not tell you if there really is an emotional core, if anyone is actually putting in effort. I don’t know if it matters, either. Death of the author, etc.

What I do know is that there’s a meta-narrative here.

Sonic, Tails, Knuckles, Silver, Omega, Vector, Espio, Charmy, Big, and sometimes even Mighty and Ray, go out on fun adventures to save the day. Amy and Rouge are here for flavor. We’ve decided Shadow can come, too, if he stops talking about his dead family all the time.

Tikal, Maria, Cream, Blaze, Elise, Cosmo and Shade (etc) show up for just a moment in time, go through trauma and heartbreak, and then disappear. Maybe they’ll have an unvoiced cameo later. If they’re lucky. If people like them enough.

There’s no real point to this, aside from explaining why I’m weirdly invested in just ... the concept of female existence in a children’s franchise mostly aimed at boys. Where everything will be okay, except when it won’t. Except when we need that bit of salt in the wound, so the victory will feel important, earned.

The price of getting real for just a moment being narrative death, if not straight up literal death.

Above all, Sonic games are cute. They’re appealing because they’re stupid and wholesome and weird. I love the male characters too, I’m not here for attempts at complexity, I’m here to have fun.

I’ve just also been feeling incredibly tempted as of late to write an ‘escape the narrative’ type deconstruction of these exact tropes, heavily inspired by Sonic and other children’s media in the same genre.

“Boys do stuff but have no feelings, girls have feelings but should endure all manner of suffering in order to protect others” is ... not an irrelevant theme to explore in our current media landscape, if you ask me.

even if I never get around to writing that, at least I made a sick Sonic AMV about all those poor girls going through hell for the sake of The Narrative, I should upload that sometime lol

also hey I haven’t finished Sonic Frontiers yet - sure hope nothing bad happens to our new melancholy girl character closely tied to her debut game’s story and themes ..!