#can we blame her?

[laughhardrunfastbekindsblog]

Same, Omega. Same ❤️

[lov4hgirl]

oh yea, girl failure! jane with that clip PLS her adoration for nymphia is so cute and funny when put in that way 😭😭🤣🤣 me and her are in a club called lewsers4nymphia and she's the president

[poorly-drawn-mdzs]

Council of lovefools.

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[drenched-in-sunlight]

saying this as respectfully as possible but. Do not put fandom content creators on a pedestal. We are also just fans contributing to a community just as you are. We have boundary on our own work and that’s it. What I say is not and should not be considered sth the whole fandom should listen to. I’m just a normal ass person ranting about things on my blog. If it does not have a fandom tag for others to engage in, do not make it out to be me trying to start fights or addressing the whole community. Because it’s not.

I’ve said it before and I will say it again, my art, my lore talk, is biased. I’ve never tried to hide that I view Marika a certain way and will always develop my theory following that base assumption.

Aside from translation stuffs and pointing out in-game items, everything else I say you can look at it, agree or disagree, and move on to form your own opinions. Just because I draw stuffs doesn’t mean you get to saddle me with responsibilities about managing fandom expectations. What the hell? I’m a fan artist, I’m the last person who you should look at for “leaderism” (?) WHAT?

I can and will be a hater in my own space, like I know sometimes other artists will just post their stuffs and not engage too heavily with fandom, and for a while I did try to do that here (because I’m already a dramatic ass on twitter), that’s just not me though.

You will get art and you will get my opinions as well.

[pfhwrittes]

something something kate laswell cupping your chin so she can tilt your head to meet her eyes and going "you gonna be good for Daddy, sweetheart?" something something

[fishfacedterror]

thinking now abt how one of the first things Anya says in the entire game is (paraphrasing) how she doesnt beleive people are their worst actions.

how she says that to Jimmy, of all fucking people.

like, ik in context shes referring to why Curly would have crashed the ship. but like. just thinking on that after the game being completed/watching a play of it gives you. a lot to think on.

[ato-dato]

Spent an hour of my day just sitting together with my sisters and my mum showing each other gomens edits. Both sad ones and thirst traps. Family bonding time.

My mum also has fanart of aziracrow kissing on her phone home screen. And today she said sometimes she just stares at it longingly. Shes in her 3rd rewatch of s2 as well.

[whetstonefires]

The reason I keep banging the Jiang Fengmian drum so hard is not that he did nothing wrong--he's definitely in contention for best parenting in this book but that bar is in the ground--but because most of the takes I see about him are so extremely bad.

If you want to slag him off for trying to make choices that would hurt no one, and winding up properly protecting no one as a result, that's valid! That's an interesting and text-based critique, which opens into his parallels with Lan Xichen!

If you want to blame him for being weirdly over-invested in Wei Wuxian and Jiang Cheng being bffs, that's fair, that definitely contributed to the weirdness between them. If you want to say he was a poor communicator, that he fundamentally misunderstood his son, that he failed to be emotionally available in a way his kids could get much use out of, even that he should have figured out a way to stop Yu Ziyuan from creating such a hostile environment, all of that is fair game!

If you want to tackle how the worst thing he did to his kids was die I am so interested in how Wei Wuxian went on to abandon A-Yuan by going to his death, and how that might be tied to how his primary adult role model tied him to a boat and went off to a fight he knew he was going to lose.

After his parents had already left him like that once before, presumably less intentionally.

But no, instead I keep seeing that Jiang Fengmian didn't care. That he never expressed affection. That he actively participated in Yu Ziyuan's fucky game of forcing proxy conflict onto the boys instead of constantly trying (and failing) to shut it down, or that he ignored her bad behavior because it didn't affect him, or that he fought with her constantly, or that he was too much of an unmanly coward to stand up to her when she wanted something.

All of which are directly in contradiction to every scene he's in, and several of which manage to invert or erase the actual conflicts between him and his wife that were the source of all that tension.

And which are really interesting, because some of the most intractable elements are ideological--Yu Ziyuan is fundamentally a conservative and Jiang Fengmian seems to want to be an egalitarian, which ofc matched poorly with his hereditary authority as patriarch of a large sect.

The fact that the bit where we get to actually see him failing to parent Jiang Cheng consists of him gently and firmly trying to correct Jiang Cheng's ethics when what was actually needed in that moment was reassurance for the well-founded insecurities that were causing him to be a little bitch, only for Yu Ziyuan to charge in and make everything fifty times worse, is so much more interesting than literally any version of this family dynamic I have seen in fic. It's to the point I'm relieved when writers kill Jiang Fengmian off, because it means they probably won't feel the need to character-assassinate him too badly.

The number of people I've seen come right out and say some variation of 'men can't be abused' is killing me here. No, Yu Ziyuan wanting to hurt her husband does not constitute sufficient proof that he abused her first and deserved it! That's not how anything works!

[bietrofastimoff23]

spoilers, kfp4

I can say that Chameleon was not lying when she called herself a big fan of Tai Lung, because he is the only master to whom she allowed to demonstrate his skills and with whom she had a dialogue (she didn't give the others a chance, taking their kung fu even before they completely passed through the portal). She also sounds excited when she's about to apply Tai Lung's signature nerve punch. and this is not to mention the frequent use of his appearance.

She's really a big fan of his.

[mollysunder]

I have a problem with the idea of a Jinx redemption arc. It's not that I have any issue with the fact that Jinx will be viewed as a hero to the people of Zaun. It's pretty obvious Jinx would be admired, she did a thing the people of Zaun wanted en masse for a long time. The thing about Jinx being the savior of Zaun is that it isn't really a redemption arc, because that's still just Jinx being militantly opposed to Piltover, a thing she always has been.

My problem is that the insistence that Jinx NEEDS to have a redemption arc takes away from the larger complexity of Arcane's worldbuilding. What does Jinx have to apologize for in order to be redeemed? Why is there so much emphasis on Jinx's character specifically to rectify her wrongs? And the way the fandom often defines Jinx's wrongdoings centers around a vague discomfort in her acts of violence and general instability.

What does it look like for Jinx to be "good", when the actions of many well-intentioned characters that the audience has an easier time being morally-aligned with either generates very little benefit or actual harm? No one in the cast sans Jinx and Silco have taken the material steps (as controversial as they may be) to deal with the problem that is Piltover, and Piltover has always been THE problem for Zaun.

The concept of a redemption arc for Jinx is so backwards because it asks Jinx as an individual to do "better" when it should be demanded of Piltover instead. How do you live to a standard that makes you morally good when the environment around you necessitates violence as it's own form of capital?

Sidenote: This all leads to the one real worry I have about Jinx and Ekko's inevitable partnership. Ekko is the character the showrunners treat as a guiding light in Zaun, which unfortunately makes Ekko an agent of the showrunners' biases. Case in point, Ekko's friendship with Heimerdinger, the architect of Zaun's despair.

If Jinx and Ekko team up, there's a chance she'd up end up working with Heimerdinger too. And it's like, "C'mon, really????"

[sarnai4]

Hermes: I'm not the one who fought for you.

Odysseus: (gasps)

Hermes: Yes, it was--

Odysseus: Dionysus. WOW. Penelope told me that I used to make good wine, but I didn't know how good.

Hermes (thinking): Warrior of the mind, huh?

[yagirlraine]

I love them so much :>

[everytaylorswiftsongisaboutcats]

[pepa-brainrot]

Revamping her

Originally a bruno love interest, I find it much more interesting to have her as a friend to him. Especially as I personally hc him as Aro/ace

[cogdominium]

saw a post in the corporate clash tag that caused me to black out and make this

[dykedvonte]

I think it’s so ironic that the Pony Express escapes a lot if not all blame in discussion. I can’t even say I am excused from it but it’s just how hard people circle back to the characters alone without considering the environment they were made to be in.

Why would they design a ship where only two of the rooms lock? Not the bathroom? Not the sleeping quarters? We assume that all the companies in the universe are this shallow and careless to their workers but we explicitly know the Pony Express in extra vile. They are fed processed slop pack they can’t even really cook and the ration of those pack is meager at best. They hired and made people with a plethora of conflicting demeanors and beliefs work together on a mission where cohesion is important if not an outright necessity and punish them for not being happy about it. There’s no social protocols, not chain of command other than Captain’s word/choice and the only way to enforce that is with a literal firearm. They don’t allow them to celebrate freely and even took away leisure activities that would make them less stir crazy. They are only allowed a few hours of sleep despite their being no other real responsibilities or work on the ship, no matter the position or its importance. With any crew, with any level of synergy, this was a powder keg waiting for a spark.

I’m not saying characters that made mistakes didn’t make huge ones, but I think part of the horror is that at least for some (this is targeting Jimathan) those mistakes are partly made by a force of the hand. There’s a running theme of lack of choice and being forced into something and the very nature of how The Pony Express expected them to function plays a big part.