#can u tell I had to do research for this. can u tell

[anominous-user]

Double Indemnity, Veritas Ratio and Aventurine

This was originally a part of my compilation post as a short analysis on the Double Indemnity references, linking to this great thread by Manya on Twitter. However, I've recently watched the movie and found that the parallels run much deeper than just the mission name and the light cone itself, plus as the short synopsis I've read online. Since there isn't really an in-depth attempt at an analysis on the film in relation to the way Aventurine and Ratio present themselves throughout Penacony, I thought I'd take a stab at doing just that. I will also be bringing up things from Manya's thread as well as another thread that has some extra points.

Disclaimer that I... don't do analyses very often. Or write, in general — I'm someone who likes to illustrate their thoughts (in the artistic sense) more than write. There's just something about these two that makes me want to rip into them so badly, so here we are. If there's anything you'd like to add or correct me on, feel free to let me know in the replies or reblogs, or asks. This ended up being a rather extensive deep dive into the movie and its influences on the pairing, so please keep that in mind when pressing Read More.

There are two distinct layers on display in Ratio and Aventurine's relationship throughout Penacony, which are references to the two most important relationships in the movie — where they act like they hate/don’t know each other, and where they trust each other.

SPOILER WARNING for the entire movie, by the way. You can watch the film for free here on archive.org, as well as follow along with the screenplay here. I will also be taking dialogue and such from the screenplay, and cite quotes from the original novel in its own dedicated section. SPOILER WARNING for the Cat Among Pigeons Trailblaze mission, as well.

CONTENT WARNING FOR MENTIONS OF SUICIDE. YOU HAVE BEEN WARNED.

To start, Double Indemnity (1944) is a film noir by Billy Wilder (and co-written by Raymond Chandler) based on the novel of the same name by James M. Cain (1927). There are stark differences between the movie adaptation and the original novel which I will get into later on in this post, albeit in a smaller section, as this analysis is mainly focused on the movie adaptation. I will talk about the basics (summaries for the movie and the game, specifically the Penacony mission in tandem with Ratio and Aventurine) before diving into the character and scene parallels, among other things.

—

[THE NAME]

The term "double indemnity" is a clause in which if there’s a case of accidental death of a statistically rare variety, the insurance company has to pay out multiple of the original amount. This excludes deaths by murder, suicide, gross negligence, and natural causes.

The part of the mission in Cat Among Pigeons where Ratio and Aventurine meet with Sunday is named after the movie. And before we get further into things, let's get this part out of the way: The Chinese name used in the mission is the CN title of the movie, so there's no liberties taken with the localization — this makes it clear that it’s a nod to the movie and not localization doing its own thing like with the mission name for Heaven Is A Place On Earth (EN) / This Side of Paradise (人间天堂) (CN).

—

[SUMMARY OF THE 1944 MOVIE]

Here I summarised the important parts that will eventually be relevant in the analysis related to the game.

Insurance salesman Walter Neff, wounded from a gunshot, enters his office and confesses his crime on a dictaphone to his boss Barton Keyes, the claims manager. Much earlier, he had met Phyllis Dietrichson, the wife of Mr. Dietrichson and former nurse. Neff had initially wanted to meet Mr. Dietrichson because of car insurance. Phyllis claims her husband is mean to her and that his life insurance goes to his daughter Lola. With Neff seduced by Phyllis, they eventually brew up a scheme to murder Mr. Dietrichson in such a way that they activate the "double indemnity" clause, and the plan goes off almost perfectly. Initially, the death is labeled a suicide by the president of the company, Norton. 

Keyes finds the whole situation suspicious, and starts to suspect Phyllis may have had an accomplice. The label on the death goes from accidental, to suicide, to then murder. When it’s ruled that the husband had no idea of the accidental policy, the company refuses to pay. Neff befriends Phyllis’ stepdaughter Lola, and after finding out Phyllis may have played a part in the death of her father’s previous wife, Neff begins to fear for Lola and himself, as the life insurance would go all towards her, not Phyllis.

After the plan begins to unravel as a witness is found, it comes out that Lola’s boyfriend Nino Zachette has been visiting Phyllis every night after the murder. Neff goes to confront Phyllis, intending to kill her. Phyllis has her own plans, and ends up shooting him, but is unable to fire any more shots once she realises she did love him. Neff kills her in two shots. Soon after telling Zachette not to go inside the house, Neff drives to his office to record the confession. When Keyes arrives, Neff tells him he will go to Mexico, but he collapses before he could get out of the building.

—

[THE PENACONY MISSION TIMELINE]

I won’t be summarising the entirety of Aventurine and Ratio’s endeavours from the beginning of their relationship to their final conversation in Heaven Is A Place On Earth the same way as I summarised the plot of the movie, so I will instead present a timeline. Bolded parts means they are important and have clear parallels, and texts that are in [brackets] and italics stand for the names of either the light cone, or the mission names.

[Final Victor] Their first meeting. Ratio’s ideals are turned on its head as he finally meets his match.

Several missions happen in-between their first encounter and the Penacony project. They come to grow so close and trusting with each other that they can guess, understand each other’s thoughts, way of thinking and minds even in high stakes missions. Enough to pull off the Prisoner’s Dilemma (Aventurine’s E1) and Stag Hunt Game (Aventurine’s E6) and come out on top.

Aventurine turns towards Ratio for assisting him in the Penacony project. Ratio's involvement in the project is implied to be done without the knowledge of Jade, Topaz, and the IPC in general, as he was only sent to Penacony to represent the Intelligentsia Guild, and the two other Stonehearts never mention Ratio.

Aventurine and Ratio cook up the plan to deceive Sunday before ever setting foot on Penacony. Aventurine does not tell Ratio the entirety of his plan.

Aventurine convinces Topaz and Jade to trust him with their Cornerstones. Aventurine also breaks his own Cornerstone and hides it along with the jade within a bag of gift money.

[The Youth Who Chase Dreams] They enter Penacony in the Reverie Hotel. Aventurine is taken to the side by Sunday and has all his valuables taken, which includes the gift money that contains the broken aventurine stone, the jade, and the case containing the topaz.

Aventurine and Ratio speak in a “private” room about how Aventurine messed up the plan. After faking an argument to the all-seeing eyes of Sunday, Ratio leaves in a huff.

Ratio, wearing his alabaster head, is seen around Golden Hour in the (Dusk) Auction House by March 7th.

[Double Indemnity] Ratio meets up with Sunday and “exposes” Aventurine to him. Sunday buys his “betrayal”, and is now in possession of the topaz and jade. Note that this is in truth Ratio betraying Sunday all along.

Ratio meets up with Aventurine again at the bar. Ratio tells Aventurine Sunday wants to see him again.

They go to Dewlight Pavilion and solve a bunch of puzzles to prove their worth to Sunday.

They meet up with Sunday. Sunday forces Aventurine to tell the truth using his Harmony powers. Ratio cannot watch on. It ends with Aventurine taking the gift money with his Cornerstone.

[Heaven Is A Place On Earth] They are in Golden Hour. Ratio tries to pry Aventurine about his plan, but Aventurine reins him in to stop breaking character. Ratio gives him the Mundanite’s Insight before leaving. This is their final conversation before Aventurine’s grandest death.

Now how exactly does the word “double indemnity” relate to their mission in-game? What is their payout? For the IPC, this would be Penacony itself — Aventurine, as the IPC ambassador, handing in the Jade Cornerstone as well as orchestrating a huge show for everybody to witness his death, means the IPC have a reason to reclaim the former prison frontier. As for Ratio, his payout would be information on Penacony’s Stellaron, although whether or not this was actually something he sought out is debatable. And Aventurine? It’s highly implied that he seeks an audience with Diamond, and breaking the Aventurine Cornerstone is a one way trip to getting into hot water with Diamond. With Aventurine’s self-destructive behaviour, however, it would also make sense to say that death would be his potential payout, had he taken that path in the realm of IX.

Compared to the movie, the timeline happens in reverse and opposite in some aspects. I will get into it later. As for the intended parallels, these are pretty clear and cut:

Veritas Ratio - Walter Neff

Aventurine - Phyllis Dietrichson

Sunday - Mr. Dietrichson

There is one other character who I feel also is represented in Ratio, but I won’t bring them up until later down the line.

For the sake of this analysis, I won’t be exploring Sunday’s parallel to Mr. Dietrichson, as there isn’t much on Dietrichson’s character in the first place in both the movie and the novel. He just kind of exists to be a bastard that is killed off at the halfway point. Plus, the analysis is specifically hyper focused on the other two.

—

[SO, WHAT’S THE PLAN?]

To make things less confusing in the long run whenever I mention the words “scheme” and “plan”, I will be going through the details of Phyllis and Neff’s scheme, and Aventurine and Ratio’s plan respectively. Anything that happens after either pair separate from another isn’t going to be included. Written in a way for the plans to have gone perfectly with no outside problems.

Phyllis and Neff —> Mr. Dietrichson

Goal: Activate the double indemnity clause by killing Mr. Dietrichson and making it look like a freak train accident

Payout: Twice or more of the face value of the life insurance ($100,000)

Main Actor: Walter Neff    |    Accomplice: Phyllis Dietrichson

During the entire time until the payout, Phyllis and Neff have to make sure to any outsiders that they look like complete strangers instead of lovers in an affair.

Step-by-step:

Neff convinces Mr. Dietrichson to sign the policy with the clause without him suspecting foul play, preferably with a third party to act as an alibi. This is done discreetly, making Mr. Dietrichson not read the policy closely and being told to just sign.

Neff and Phyllis talk to each other about small details through the phone (specified to be never at Phyllis’ own house and never when Neff was in his office) and in the marketplace only, to make their meetings look accidental. They shouldn’t be seen nor tracked together, after all.

Phyllis asks Mr. Dietrichson to take the train. She will be the one driving him to the train station.

On the night of the murder, after making sure his alibi is airtight, Neff sneaks into their residence and hides in their car in the second row seating, behind the front row passenger seat. He wears the same colour of clothes as Mr. Dietrichson.

Phyllis and Mr. Dietrichson get inside the car — Phyllis in the driver’s seat and Mr. Dietrichson in the passenger seat. Phyllis drives. On the way to the train station, she makes a detour into an alley. She honks the horn three times.

After the third honk, Neff breaks Mr. Dietrichson’s neck. The body is then hidden in the second row seating under a rug.

They drive to the train station. Phyllis helps Neff, now posing as Mr. Dietrichson, onto the train. The train leaves the station.

Neff makes it to the observation platform of the parlour car and drops onto the train tracks when nobody else is there.

Phyllis is at the dump beside the tracks. She makes the car blink twice as a signal.

The two drag Mr. Dietrichson’s corpse onto the tracks.

They leave.

When Phyllis eventually gets questioned by the insurance company, she pretends she has no idea what they are talking about and eventually storms off.

Phyllis and Neff continue to lay low until the insurance company pays out.

Profit!

Actual Result: The actual murder plan goes almost smoothly, with a bonus of Mr. Dietrichson having broken a leg. But with him not filing a claim for the broken leg, a witness at the observation platform, and Zachette visiting Phyllis every night after the murder, Keyes works out the murder scheme on his own, but pins the blame on Phyllis and Zachette, not Neff.

Now for Aventurine and Ratio. You can skip this section if you understand how deep their act goes, but to those who need a refresher, here’s a thorough explanation:

Aventurine and Ratio —> Sunday

Goal: Collect the aventurine stone without Sunday knowing, ruin the dream (and create the grandest death)

Payout: Penacony for the IPC, information on the Stellaron for Ratio, a meeting with Diamond / death for Aventurine

Main Actor: Aventurine    |    Accomplice: Veritas Ratio

From the moment they step onto Penacony, they are under Sunday’s ever present and watchful eyes. “Privacy” is a foreign word to The Family. They have to act like they don’t like each other’s company the entire time and feed Sunday information through indirect means so that the eventual “betrayal” by Ratio seems truthful to Sunday. Despite what it looks like, they are closer than one would ever think, and Ratio would never sell out a person purely for information.

Step-by-step:

After Sunday takes away the bag of gift money and box, Aventurine and Ratio talk in a room in the Reverie Hotel.

Aventurine establishes the Cornerstones’ importance, and how he lost the gift money and the case containing the Cornerstones to Sunday. Ratio turns to leave, saying “some idiot ruined everything”, meaning the Cornerstones were vital to their plan. (Note that Ratio is not wearing his alabaster head while saying it to said “idiot”.)

Aventurine then proceeds to downplay the importance of the Cornerstones, stating they are “nothing more than a few rocks” and “who cares if they are gone”. This lets Sunday know that something suspicious may be going on for him to act like it’s nothing, and the mention of multiple stones, and leaves him to look up what a Cornerstone is to the Ten Stonehearts of the IPC.

Ratio points out his absurd choice of outfit, mentioning the Attini Peacock and their song.

Ratio implies that without the aventurine stone, he is useless to the IPC. He also establishes that Aventurine is from Sigonia(-IV), and points out the mark on his neck. To Sunday, this means that Aventurine is shackled to the IPC, and how Aventurine may possibly go through extreme lengths to get the stone back, because a death sentence always looms above him.

Aventurine claims Ratio had done his homework on his background, which can be taken that this is their very first time working together. (It isn’t, and it only takes one look to know that Aventurine is an Avgin because of his unique eyes, so this comment does not make sense even in a “sincere” way, a running theme for the interaction.)

Ratio mentions how the true goal is to reclaim Penacony for the IPC, establishing their ulterior motive for attending the banquet.

Ratio asks if Aventurine went to pre-school in Sigonia after saying trust was reliant on cooperation. Aventurine mentions how he didn’t go to school and how he doesn’t have any parents. He even brings up how friends are weapons of the Avgins. This tells Sunday that the Avgins supposedly are good at manipulation and potentially sees Ratio possibly betraying Aventurine due to his carelessness with his “friends”. Sunday would also then research about the Avgins in general (and research about Sigonia-IV comes straight from the Intelligentsia Guild.)

Ratio goes to Dewlight Pavilion in Sunday’s Mansion and exposes a part of Aventurine’s “plan”. When being handed the suitcase, Ratio opens it up due to his apparent high status in the IPC. He tells Sunday that the Cornerstone in the suitcase is a topaz, not an aventurine, and that the real aventurine stone is in the bag of gift money. This is a double betrayal — on Aventurine (who knows) and Sunday (who doesn’t). Note that while Ratio is not officially an IPC member in name — the Intelligentsia Guild (which is run by the IPC head of the Technology Department Yabuli) frequently collaborates with the IPC. Either Aventurine had given him access to the box, or Ratio’s status in general is ambiguous enough for Sunday not to question him further. He then explains parts of Aventurine’s gamble to Sunday in order to sell the betrayal. Note that Ratio does not ever mention Aventurine’s race to Sunday.

Ratio brings Aventurine to Sunday. Aventurine offers help in the investigation of Robin's death, requesting the gift money and the box in return.

Sunday objects to the trade offer. Aventurine then asks for just the bag. A classic car insurance sales tactic. Sunday then interrogates Aventurine, and uses everything Ratio and Aventurine brought up in the Reverie Hotel conversation and their interactions in the Mansion, as well as aspects that Ratio had brought up to Sunday himself.

Aventurine feigns defeat and ignorance enough so that Sunday willingly lets him go with the gift bag. After all is said and done, Aventurine leaves with the gift money, where the Aventurine Cornerstone is stored all along.

Ratio and Aventurine continue to pretend they dislike each other until they go their separate ways for their respective goals and plans. Aventurine would go on to orchestrate his own demise at the hands of Acheron, and Ratio… lurks in the shadows like the owl he is.

Profit!

Actual Result: The plan goes perfectly, even with minor hiccups like Ratio coming close to breaking character several times and Aventurine being sentenced to execution by Sunday.

This is how Sunday uses the information he gathered against Aventurine:

• Sunday going on a tirade about the way Aventurine dresses and how he’s not one to take risks — Ratio’s comment about Aventurine’s outfit being peacock-esque and how he’s “short of a feather or two”. • “Do you own a Cornerstone?” — Ratio talked about the aventurine stone. • “Did you hand over the Cornerstone to The Family when you entered Penacony?” — Aventurine mentioned the box containing the Cornerstones. • “Does the Cornerstone you handed over to The Family belong to you?” — Aventurine specifically pluralized the word Cornerstone and “a bunch of rocks” when talking to Ratio. • “Is your Cornerstone in this room right now?” — The box in the room supposedly contained Aventurine’s own cornerstone, when Aventurine mentioned multiple stones. • “Are you an Avgin from Sigonia?” —Aventurine mentioned that he’s an Avgin, and Ratio brought up Sigonia. • “Do the Avgins have any ability to read, control, and manipulate one’s own or another’s minds?” — Aventurine’s comment on how friends are weapons, as well as Sunday’s own research on the Avgins, leading him to find out about the negative stereotypes associated with them. • “Do you love your family more than yourself?” — His lost parents. “All the Avgins were killed in a massacre. Am I right?” — Based on Sunday’s research into his background. • “Are you your clan’s sole survivor?” — Same as the last point. “Do you hate and wish to destroy this world with your own hands?” — Ratio mentioned the IPC’s goal to regain Penacony, and Aventurine’s whole shtick is “all or nothing”. • “Can you swear that at this very moment, the aventurine stone is safe and sound in this box?” — Repeat.

As seen here, both duos have convoluted plans that involve the deception of one or more parties while also pretending that the relationship between each other isn’t as close as in reality. Unless you knew both of them personally and their histories, there was no way you could tell that they have something else going on. 

On to the next point: Comparing Aventurine and Ratio with Phyllis and Neff.

—

[NEFF & PHYLLIS — RATIO & AVENTURINE]

With the short summaries of the movie and the mission out of the way, let’s look at Phyllis and Neff as characters and how Aventurine and Ratio are similar or opposite to them.

Starting off with Aventurine and Phyllis. Here is where they are the most similar:

Phyllis is blonde and described as a provocative woman. Aventurine is also a blond and eyes Ratio provocatively in the Final Victor light cone.

Phyllis was put under surveillance after Keyes starts figuring out that the so-called accidental death/suicide may have been a murder after all. Similarly, Aventurine was watched by Sunday the entire time in Penacony.

Phyllis never tells Neff how she's seeing another man on the side to possibly kill him too (as well as how she was responsible for the death of her husband‘s previous wife). Aventurine also didn't tell Ratio the entirety of his plan of his own death.

Phyllis puts on a somewhat helpless act at first but is incredibly capable of making things go her way, having everything seemingly wrapped around her finger. Aventurine — even when putting on a facade that masks his true motives — always comes out at the top.

Now the differences between Aventurine and Phyllis:

Phyllis does not care about her family and has no issue with killing her husband, his previous wife, and possibly her daughter Lola. Opposite of that, Aventurine is a family man… with no family left, as well as feeling an insane level of survivor’s guilt.

Really, Phyllis just… does not care at all about anyone but herself and the money. Aventurine, while he uses every trick in the book to get out on top, does care about the way Jade and Topaz had entrusted him with their Cornerstones, in spite of the stones being worth their lives. 

Phyllis also uses other people to her advantage to get what she wants, often behind other people's backs, with the way she treats Neff and Zachette. Aventurine does as well (what with him making deals with the Trailblazer while also making a deal with Black Swan that involves the Trailblazer). The difference here is Phyllis uses her allure deliberately to seduce men while Aventurine simply uses others as pawns while also allowing others to do the same to himself.

Phyllis makes no attempt at compromising the policy when questioned by Norton. Aventurine ends up compromising by only taking the gift money (which is exactly what he needs).

The wig that Barbara Stanwyck (the actress of Phyllis) wore was chosen to make her look as “sleazy” as possible, make her look insincere and a fraud, a manipulator. A sort of cheapness. Aventurine’s flashy peacock-esque outfit can be sort of seen as something similar, except the outfit isn’t cheap.

Moving on to Ratio’s similarities to Neff… There isn’t much to extrapolate here as Ratio is more of a side character in the grand scheme of Penacony, however this is what I’ve figured out.

Neff has dark hair. Ratio has dark purple hair.

Neff almost never refers to Phyllis by her name when speaking with her, only as “baby”. The few times he refers to her as Phyllis or Mrs. Dietrichson is during their first conversations and when he has to act like he doesn’t know her. Ratio never calls Aventurine by his name when he’s around him — only as “gambler”, sometimes “damned” or “dear” (EN-only) gambler. Only in the Aventurine's Keeping Up With Star Rail episode does Ratio repeatedly say his name, and yet he still calls him by monikers like “gambler” or, bafflingly, a “system of chaos devoid of logic”.

Both Neff and Ratio committed two betrayals: Neff on Mr. Dietrichson and Keyes, and Ratio on Sunday and Aventurine. With the former cases it was to reach the end of the trolley line, and with the latter it was on a man who had put his trust in him.

As for the differences…

Neff is described as someone who’s not smart by his peers. Ratio is someone who is repeatedly idolised and put on a pedestal by other people.

Neff is excellent at pretending to not know nor care for Phyllis whenever he speaks about her with Keyes or when he and she are in a place that could land them in hot water (the office, the mansion when there are witnesses). His acting is on the same level as Phyllis. With Ratio it’s… complicated. While he does pull off the hater act well, he straight up isn’t great at pretending not to care about Aventurine’s wellbeing.

Instead of getting his gunshot wound treated in the hospital like a normal person, Neff makes the absolutely brilliant decision of driving to his office and talking to a dictaphone for hours. Needless to say, this is something a medical doctor like Ratio would never do.

Now here's the thing. Though it's very easy to just look at Phyllis and Neff in the movie and go "okay, Aventurine is Phyllis and Ratio is Neff — end of story" and leave it at that, I find that they both take from the two leads in different ways. Let me explain. Beginning with Aventurine and Neff…

Neff is the one who hatches the plan and encourages Phyllis to go through and claim the double indemnity clause in the first place. He is also the key player of his own risky plan, having to fake being the husband to enter the train as well as fake the death. Aventurine puts himself at great risk just by being in Sunday’s presence, and hoping that Sunday wouldn’t figure out that the green stone he had uncovered wasn’t the aventurine stone.

Adding onto the last point, Neff had fantasised about pulling off the perfect murder for a long time — the catalyst was simply him meeting Phyllis. Aventurine presumably sought out Ratio alone for his plan against Sunday.

Neff makes a roulette wheel analogy and talks about a pile of blue and yellow poker chips (the latter in the script only). I don‘t even have to explain why this is relevant here. (Aventurine’s Ultimate features a roulette wheel and the motif is on his belt, thigh strap, and back, too. And of course, Aventurine is all about his chips.)

Neff has certain ways to hide when he’s nervous, which include hiding his hands in his pockets when they were shaking, putting on glasses so people couldn’t see his eyes. Aventurine hides his left hand behind his back when he’s nervous: Future Aventurine says that "they don't know the other hand is below the table, clutching [his] chips for dear life", and in multiple occasions such as the Final Victor LC, his character trailer, and even in his boss form in the overworld you can see that Aventurine hides his left hand behind his back. And he is also seen with his glasses on sometimes.

Neff says a bunch of stuff to make sure that Phyllis acts her part and does not act out of character (i.e. during their interactions at the market), like how Aventurine repeatedly tries to get Ratio back on track from his subpar acting.

Neff is always one step ahead of the game, and the only reason the plan blows up in his face is due to outside forces that he could not have foreseen (a witness, Keyes figuring out the plan, the broken leg). Aventurine meanwhile plays 5D chess and even with the odds against him, he uses everything he can to come out on the top (i. e. getting Acheron to kill him in the dream).

Even after coming home on the night of the murder, Neff still felt that everything could have gone wrong. Aventurine, with his blessed luck, occasionally wavers and fears everything could go wrong whenever he takes a gamble.

Neff was not put under surveillance by Keyes due to him being extensive with his alibi. After witnessing Robin’s death with eyewitnesses at the scene, the Family had accepted Aventurine’s alibi, though he would be under watch from the Bloodhounds according to Ratio.

Neff talks about the entire murder scheme to the dictaphone. Aventurine during Cat Among Pigeons also retells his plan, albeit in a more convoluted manner, what with his future self and all.

Continuing with Ratio and Phyllis, even with their personalities and motivations being quite different, they do have a few commonalities.

Phyllis was a nurse. Ratio is a medical doctor.

Her name is Greek of origin. Veritas Ratio, though his name is Latin, has Greco-Roman influences throughout his entire character.

The very first scene Phyllis appears in has her wearing a bath towel around her torso. Ratio loves to take baths to clear his mind.

Phyllis was instructed by Neff to be at the market every morning at eleven buying things. Ratio is seen in an auction house with his alabaster head on so no one could recognize him.

Phyllis mostly acts as an accomplice to the scheme, being the one to convince her husband to take the train instead. She is also generally seen only when Neff is involved. Ratio plays the same role as well, only really appearing in the story in relation to Aventurine as well as being the accomplice in Aventurine’s own death. Even him standing in the auction house randomly can be explained by the theory that he and Aventurine had attempted to destabilise Penacony’s economy through a pump and dump scheme.

With these pointers out of the way, let’s take a closer look at select scenes from the film and their relation to the mission and the pair. 

—

[THE PHONE CALL — THE REVERIE HOTEL]

Before the murder, there is a scene with a phone call between Phyllis and Neff discussing the plan while Keyes is in the same room as Neff. Neff has to make sure that Keyes doesn’t think of anything of the phone call, so he acts like he’s calling a “Margie”, and says a bunch of stuff that sounds innocent out of context (“Can’t I call you back, ‘Margie’?” “What color did you pick out?” “Navy blue. I like that fine”), but are actually hinting at the real plan all along (the suit that Mr. Dietrichson wears.)

In a roundabout way, the conversation between Ratio and Aventurine in the Reverie Hotel can be seen as the opposite of that scene — with the two talking about their supposed plan out loud on Penacony ground, a place where the Family (and in turn, Sunday) has eyes everywhere. Despite being in a “private” room, they still act like they hate each other while airing out details that really do not make sense to air out if they really did meet the first time in Penacony (which they didn’t — they’ve been on several missions beforehand). It’s almost like they want a secret third person to know what they were doing, instead of trying to be hushed up about it. The TVs in the room that Sunday can look through based on Inherently Unjust Destiny — A Moment Among The Stars, the Bloodhound statue that disappears upon being inspected, the owl clock on the left which side eyes Ratio and Aventurine, all point to that Sunday is watching their every move, listening to every word.

Rewinding back to before the phone call, in one of the encounters at the marketplace where they “accidentally” run into each other, Phyllis talks about how the trip was off. How her husband wouldn’t get on the train, which was vital for their plan, because of a broken leg. All this, while pretending to be strangers by the passersby. You could say that the part where Ratio almost leaves because Aventurine had “ruined the plan” is the opposite of this, as the husband breaking his leg was something they couldn’t account for, while Aventurine “being short of a few feathers” was entirely part of the plan.

—

[QUESTIONING PHYLLIS — THE INTERROGATION]

This section is going to be a little longer as I will cover two scenes in the movie in a more detailed manner — Mr. Dietrichson signing the policy, and Phyllis being questioned — and how they are represented in the Sunday-Aventurine interrogation and the prior conversation between Ratio and Sunday in multitudes of ways.

Going about their plan, Neff has to make sure that Mr. Dietrichson signs the policy with the double indemnity clause without him knowing the details, all the while having Phyllis (and Lola) in the same room. He and Phyllis have to pretend that they don’t know each other, and that this is just the standard accidental insurance process, instead of signing what would be his downfall. To sell it, he gets Mr. Dietrichson to sign two “copies” of the form, except with Mr. Dietrichson’s second signature, he’s duped into signing the accident insurance policy with the respective clause.

You can tie this to how Ratio goes to Sunday in order to “expose” the lie that the suitcase didn’t actually contain the Aventurine Cornerstone, as well as there being more than one Cornerstone involved in the scheme. Ratio must make sure that Sunday truly believes that he dislikes Aventurine’s company, while also making sure that Sunday doesn’t figure out the actual aventurine stone is broken and hidden in the gift bag. The scheme turns out to be successful, as Sunday retrieves the two Cornerstones, but not the aventurine stone, and truly does think that the green stone he has in his possession is the aventurine.

This whole scene with Sunday is also reminiscent of the interrogation scene in the middle of the movie, where Phyllis was questioned by the boss (Norton) who was deducing that Mr. Dietrichson's death was a suicide, not accidental death. Neff, Phyllis, Keyes and Norton were all in the same room, and Neff and Phyllis had to act like they never knew the other. Phyllis acts like she knows nothing about what Norton insinuates about her husband and eventually, Phyllis explodes in anger and storms out the room, even slamming the door. Her act is very believable to any outsider.

Now back to the Ratio and Sunday conversation. One glaring difference between the movie and here is that his acting isn’t great compared to either Phyllis nor Neff. It never was throughout the Penacony mission. He even comes very close to breaking character several times, and is even defending Aventurine in a somewhat aggressive manner during his one-on-one conversation with Sunday, as in he literally tells Sunday to see a shrink. It’s very different from the way he was acting in Herta Space Station — like Ratio cares about Aventurine too much to keep his hands off.

It's also worth pointing out that Neff doesn't speak a word when Phyllis was being interrogated. Similarly, Ratio is silent throughout the entire scene with Sunday and Aventurine, with his only “line” being a “hm”. When Aventurine calls him a wretch to his face, all he does is look to the side. In fact, he can only look at Aventurine when the other isn’t staring back. Almost like him uttering a single word would give them away. Or his acting is terrible when it has to do with Aventurine, as he has no issue doing the same thing in Crown of the Mundane and Divine (Mundane Troubles).

So, Sunday finds out about the Cornerstones and reveals them to Aventurine, and reasons that he cannot give them back to him because Aventurine had lied. Note that in that same scene, Aventurine attempted to use the two murders that had occurred beforehand against Sunday to retrieve his own cornerstone. Similarly, when it was revealed that Mr. Dietrichson did not know about the accident policy and that the so-called “accidental death” was not, in fact, accidental, the insurance company refused to pay out the money.

Unlike the movie, this was all planned, however. The double-crossing by Ratio, the gift money being the only thing required for Aventurine’s real plan. All of it was an act of betrayal against Sunday, in the same manner as the meticulous planning as Mr. Dietrichson’s murder — To sign the policy, get him to take the train, kill him on the way, and to have Neff pose as the husband on the train until the time is right to get off and lay the body on the tracks. A key difference is that they could not have expected their scheme to be busted wide open due to forces outside of their control, while Ratio and Aventurine went straight down the line for the both of them no matter what.

From here on out, we can conclude that the way Ratio and Aventurine present themselves in Penacony to onlookers is in line with Neff and Phyllis.

—

[“GOODBYE, BABY” — FINAL VICTOR]

And now for the (in)famous light cone, Final Victor. The thing that truly kickstarted the Ratio and Aventurine ship in the fanbase, and the partnership between the two in general. It’s a direct reference to the final confrontation between Neff and Phyllis in the movie.

I’ll fire through all the similarities between the two scenes.

During the respective scenes, Aventurine and Phyllis both outsmart their partner one way or the other: Aventurine with his one-sided game of Russian Roulette, and Phyllis hiding her gun underneath the cushions until Neff turned away.

The guns are owned by Phyllis and Aventurine, not Neff and Ratio.

Phyllis couldn’t bring herself to fire any more shots after she realised she truly did love Neff. Ratio could do nothing but watch as Aventurine did what he did — he couldn’t even pull away if the LC animation is anything to go by him struggling as Aventurine firmly keeps the gun to his chest.

Neff says he doesn’t buy (believe) that Phyllis loved him. She then goes “I’m not asking you to buy […]”. The LC description has Aventurine ask Ratio “You don’t believe me?”, while in the LC animation Ratio straight up says “You expect me to believe you?” and Aventurine answering “Why not, doctor/professor?”

The visual composition of the LC and the scene are nearly identical, from the lighting to the posing to the way Aventurine looks at Ratio — Aventurine and Ratio are even wearing different outfits to fit the scene better. The background in the LC is also like the blinders in the movie, just horizontal.

In the shot where Phyllis’ face is more visible, the way she looks at Neff is strikingly like the way provocatively looks at Ratio. Even their eyes have a visible shine — Phyllis’ eyes brightly shining the moment she realised she really fell in love with Neff, and Aventurine having just a little light return to his eyes in that specific moment.

And now the differences!

Neff holds the gun in his right hand. Aventurine makes Ratio hold his gun in his left.

Neff is the one who takes the gun from Phyllis‘ hand. Aventurine is the one who places the gun in Ratio’s hand and fires it.

Three gunshots are fired. In the movie, Phyllis shoots the first shot and Neff the second and third. Aventurine unloads the gun and leaves only one bullet for this game of Russian Roulette. He pulls the trigger three times, but they all turn out to be blanks.

Phyllis does not break her façade of not smiling until the very last moment where she gets shot. Aventurine is smiling the entire time according to the light cone description, whilst in the animation, it’s only when he guides the gun to his chest that he puts it on.

So, you know how Neff meets Phyllis and it all goes off the rails from there. The way Neff goes from a decent guy to willingly involve himself in a murder scheme, having his morals corrupted by Phyllis. His world having been turned upside down the moment he lays eyes on Phyllis in that first meeting. Doesn’t that sound like something that happened with the Final Victor LC? Ratio, a man all about logic and rationality — a scholar with eight PhDs to his name — all of that is flipped on its head the moment Aventurine pulls out his gun in their first meeting and forces Ratio to play a game of Russian roulette with him. Aventurine casually gambles using his own life like it’s nothing and seemingly without fear (barring his hidden left hand). All or nothing — and yet Aventurine comes out alive after three blanks. Poetic, considering there’s a consumable in the game called “All or Nothing” which features a broken chess piece and a poker chip bound together by a tie. The poker chip obviously represents the gambler, but the chess piece specifically stands for Ratio because he plays chess in his character trailer, his Keeping Up With Star Rail episode and his introduction is centred around him playing chess with himself. Plus, the design of the chess piece has golden accents, similar to his own chess set. In the end, Aventurine will always be the final victor.

Furthermore, Neff had deduced that Phyllis wanted to kill her husband and initially wanted no part in it, but in a subsequent visit it was his own idea that they trigger the double indemnity clause for more money. As the movie progresses though, he starts to have his doubts (thanks in part to him befriending Lola) and makes the move to kill Phyllis when everything starts to come to light. It’s strikingly similar to how Ratio initially wanted no part in whatever Aventurine had in mind when they first met, but in the subsequent missions where they were paired up, he willingly goes along with Aventurine's risky plans, and they come to trust each other. Enough so that Aventurine and Ratio can go to Penacony all on their own and put on an act, knowing that nobody in the IPC other than them can enter the Dreamscape. The mutual respect grew over time, instead of burning passionately before quickly fizzling out like in the movie.

Basically, in one scene, three shots (blanks) start a relationship, and in the other, it ends a relationship. In the anan magazine interview with Aventurine, he says himself that “form[ing] an alliance with just one bullet” with Ratio was one of his personal achievements. The moment itself was so impactful for both parties that it was immortalised and turned into a light cone.

—

[THE ENDING — GOLDEN HOUR]

The ending of Double Indemnity that made it into the final cut has Neff continue his confession on the dictaphone until he realised that he wasn’t alone in the room. Keyes had come inside at some point, but none had said a thing, only listening to a dead man speak of his crime. When Neff sees Keyes, they talk for a moment, Neff says he plans on fleeing to Mexico. Keyes does not think he will make it. He tries to leave, only to collapse at the front of the elevator, Keyes following just behind him. Neff attempts to light a cigar but is too weak to do so, so Keyes does it for him.

Parts of the ending can still be attributed to the interrogation scene between Sunday and Aventurine, so I’ll make this quick before moving on to the conversation in Heaven Is A Place On Earth, Ratio and Aventurine’s final conversation together. Once Sunday mentions how quickly Aventurine gave up the suitcase, he inflicts the Harmony’s consecration on him, which forces Aventurine to confess everything that Sunday asks of. In a way, it’s the opposite of what happens in the movie — where Neff willingly tells the truth about the murder to his coworker. Aventurine does not like Sunday, and Neff is close to Keyes. Ratio also does not speak, similarly to how Keyes didn’t speak and stood silently off to the side.

Post-interrogation in Golden Hour, Ratio worriedly prods at Aventurine and asks him about his plan. He then gives him the Mundanite’s Insight with the Doctor’s Advice inside when Aventurine tells him to leave. Throughout Heaven Is A Place On Earth, Aventurine gets weaker and his head starts to buzz, until he falls to the ground before he can hand in the final gems. Similarly, Neff progressively grows weaker as he records his confession. Keyes says he’s going to call a doctor and Neff says he’s planning to go to Mexico. And when Neff collapses near the elevator, they talk one final time and Keyes lights Neff’s cigar as the other was too weak to do so himself.

—

[OPPOSITE TIMELINES AND DEVELOPMENTS]

Remember how I said the way certain events happen in the movie and the game are mostly opposite and reverse of one another? 

The Final Victor LC is the first meeting of Ratio and Aventurine, and Neff killing Phyllis is their final meeting.

Between that first and last meeting between Phyllis and Neff’s whirlwind romance, their relationship becomes strained which ultimately leads to Neff not trusting whatever Phyllis has to say at the end point of the movie. As for Ratio and Aventurine, the exact opposite had happened, to the point where Ratio trusts Aventurine enough to go along with his plans even if they went against his own ideals. The basis of the mission involved Veritas Ratio, whose full name includes the Latin word for “truth”, lying the entire time on Penacony.

Aventurine is sentenced to the gallows by Sunday after his unwilling interrogation. The movie starts and ends with Neff willingly confessing everything to Keyes.

It bears repeating, but I have to make it so clear that the trust between Ratio and Aventurine runs incredibly deep. Being able to predict what your partner says and thinks and plans in a mission as critical as the Penacony project is not something first-time co-workers can pull off flawlessly. All the while having to put on masks that prevent you from speaking sincerely towards one another lest you rat yourselves out. You have no way of contacting outside reinforcements from within Penacony, as the rest of the IPC are barred from entering. To be able to play everybody for fools while said fools believe you yourselves have handed your case on a silver platter requires a lot — trust, knowledge of the other, past experience, and so on. With Phyllis and Neff, the trust they had had been snuffed out when Neff grew closer to Lola and found out what kind of person Phyllis truly was on the inside. Phyllis did not trust nor love Neff enough and was going behind his back to meet with Zachette to possibly take Neff and Lola out. And the whole reason Neff wanted to perpetrate the murder was due to him being initially taken by Phyllis' appearance, which single handedly got the ball rolling on the crime.

Now then, how come trust is one of the defining aspects of Aventurine and Ratio’s relationship, when Phyllis and Neff’s trust eventually lead to both their deaths at the hands of the other? Sure, this can be explained away with the opposite theory, but there’s one other relationship involving Neff which I haven’t brought up in excruciating detail yet. The other side of Ratio and Aventurine’s relationship.

—

[NEFF & KEYES — AVENTURINE & RATIO]

Here is where it gets more interesting — while Phyllis and Neff are at the centre point of the movie, there is another character to whom Neff has a close relationship with — Keyes. It’s also the only relationship with no pretences, at least, until the whole murder thing happened and Neff had to hide his involvement from Keyes. Watching the movie, I couldn't help but feel there was something more to the two than meets the eye. I knew that queer readings of the film existed, but I didn't think too much of them until now. And though Aventurine and Ratio parallel Phyllis and Neff respectively, the fact that they also have traits of their opposite means that it wouldn’t be completely out of the question if parts of their relationship were also influenced by Keyes and Neff on a deeper and personal level. Let me explain.

Keyes and Neff were intimate friends for eleven years and have shown mutual respect and trust towards one another. They understood each other on a level not seen with Phyllis and Neff. Even after hearing Neff confess his crimes through the dictaphone (and eventually standing in the same room while Neff confessed), he still cared for the other man, and stayed with him when Neff collapsed at the front door. The only reason Keyes hadn’t deduced that it was Neff who was behind the murder was because he had his absolute trust in him. Keyes is also Neff’s boss, and they are always seen exchanging playful banter when they are on screen together. Neff even says the words “I love you, too” twice in the movie — first at the beginning and second at the end, as the final line. There’s also the persistent theme of Neff lighting Keyes’ cigarettes (which happens in every scene where they are face-to-face), except in the end where it’s Keyes who lights Neff’s.

Doesn’t that sound familiar? Mutual respect, caring too much about the other person, the immense amount of trust… Ratio says he’s even the manager of the Penacony project (which may or may not be a lie), and despite their banter being laced with them acting as “enemies”, you can tell that in Dewlight Pavilion pre-Sunday confrontation that Aventurine genuinely likes Ratio’s company and believes him to be a reliable person. From the way he acts carefree in his words to the thoughts in his head, as seen in the mission descriptions for Double Indemnity. Their interactions in that specific mission are possibly the closest thing to their normal way of speaking that we get to see on Penacony.

Not to mention, this is the way Neff describes Keyes. He even says (not in the script) “you never fooled me with your song and dance, not for a second.” Apart from the line about the cigar ashes, doesn’t this ring a bell to a certain doctor? “Jerk” with a heart of gold?

After solving the puzzle with the statues, Ratio jokingly offers Aventurine to join the Genius Society. Aventurine then goes "Really? I thought you’ve given up on that already", and then Ratio says it was, in fact, a joke. Solving the puzzle through brute force has Ratio telling Aventurine that the Council of Mundanites (which Ratio himself is a part of) should consider him a member. In the movie, where the scene with the phone call with Neff and Phyllis reiterating details of their plan happens, Keyes actually offered Neff a better job (specifically a desk job, as Keyes’ assistant). The two pairs saw the other as smart, equals, and were invested in each other’s careers one way or another.

Because of all this, the character parallels for this side of the relationship are as follows:

Aventurine - Walter Neff

Veritas Ratio - Barton Keyes

With the way I’ve talked about how Aventurine and Ratio take from both leads in terms, it does fit to say that Aventurine is Neff, and Ratio is Keyes in this layer of their relationship. Since we’re on the topic of Keyes, let me also go through some similarities with him and Ratio specifically.

Keyes says the words “dimwitted amateurs” in his first on-screen conversation with Neff. You can’t have Dr. Ratio without him talking about idiocy in some way.

Keyes almost only appears in the movie in relation to Neff, and barring a single interaction in Neff’s house, is also only seen in the office. Same with Phyllis, Ratio also only ever appears regarding Aventurine.

Keyes genuinely wanted the best for Neff, even offering to celebrate with him when he thought the case truly had been busted wide open by forces when Zachette entered the picture. You could say the same for Ratio, as he hoped that Aventurine wouldn’t dwell on the past according to his response on Aventurine’s Interview, as well as telling him to “stay alive/live on (CN)” and wishing him the best of luck in his Doctor’s Advice note.

Whether or not you believe that there was more going on with Neff and Keyes is up to you, but what matters is that the two were very close. Just like Ratio and Aventurine.

—

[THE ORIGINAL FILM ENDING]

Something that I hadn’t seen brought up is the original ending of Double Indemnity, where Neff is executed in a gas chamber while Keyes watches on, shocked, and afterwards leaves somberly. The ending was taken out because they were worried about the Hays Code, but I felt it was important to bring it up, because in a way, you can kind of see the Sunday interrogation scene as Sunday sending Aventurine to his death in seventeen system hours. And Ratio doesn’t speak at all in that scene, and Keyes doesn’t either according to the script.

Another thing that’s noteworthy is that Wilder himself said “the story was about the two guys” in Conversations with Wilder. The two guys in question are Keyes and Neff.

—

[THE NOVEL]

With the original film ending covered, now it is time to bring up the novel by James M. Cain. I bought the book just to read about the differences between the adaptation and the original source material, and to list a few more similarities and opposites I could gather. For this section alone, due to the changes in the (last) names of certain characters, I will be referring to Walter Huff (Neff in the movie) as Walter, and Mr. Dietrichson as Nirdlinger. The plot is pretty much the same as the movie’s apart from a couple of changes so there isn’t a need to recount everything.

From my two read-throughs of the novel, these are the following passages that stood out to me the most. Starting with Aventurine:

Walter, as a top businessman of the company, knows how to sway a deal and to get what he truly wants with what the other gives him. Aventurine is the same, reliant on his intuition, experience and whatever information he has on the table to claim the win. Him luring out Sparkle in Heaven Is A Place On Earth and his conversation with Acheron in the Nihility is indicative of that.

• "But you sell as many people as I do, you don't go by what they say. You feel it, how the deal is going. And after a while I knew this woman didn't care anything about the Automobile Club. Maybe the husband did, but she didn't. There was something else, and this was nothing but a stall. I figured it would be some kind of a proposition to split the commission, maybe so she could get a ten-spot out of it without the husband knowing. There's plenty of that going on. And I was just wondering what I would say to her." 

Phyllis, like in the movie, had been hiding her true intentions of talking to Walter in their first conversations, always saying things that she didn’t actually mean. In a similar vein, Aventurine consistently says stuff but almost never truly means any of it, which is all part of his façade.

• "And I could feel it again, that she wasn't saying what she meant. It was the same as it was the first afternoon I met her, that there was something else, besides what she was telling me. And I couldn't shake it off, that I had to call it on her."

When discussing the murder plan with Phyllis, Walter makes this comment, kind of like how Aventurine seems to operate in a way where he has a plan, but is ready to improvise and think fast when needed.

• "And then it's one of those things where you've got to watch for your chance, and you can't plan it in advance, and know where you're going to come out to the last decimal point."

Remember the roulette wheel line from the movie? In the novel, the gambling metaphor that Walter makes about the insurance business goes on for two paragraphs, mentioning a gambling wheel, stack of chips, a place with a big casino and the little ivory ball, even about a bet on the table. Walter also talks about how he thinks of tricks at night after being in the business for so long, and how he could game the system. Needless to say, insanely reminiscent of Aventurine.

• "You think I’m nuts? All right, maybe I am. But you spend fifteen years in the business I’m in, and maybe a little better than that, it’s the friend of the widow, the orphan, and the needy in time of trouble? It’s not. It’s the biggest gambling wheel in the world. It don’t look like it, but it is, from the way they figure the percentage on the oo to the look on their face when they cash your chips. You bet that your house will burn down, they bet it won’t, that’s all. What fools you is that you didn’t want your house to burn down when you made the bet, and so you forget it’s a bet. To them, a bet is a bet, and a hedge bet don’t look any different than any other bet. But there comes a time, maybe, when you do want your house to burn down, when the money is worth more than the house. And right there is where the trouble starts." • "Alright, I’m an agent. I’m a croupier in that game. I know all their tricks, I lie awake thinking up tricks, so I’ll be ready for them when they come at me. And then one night I think up a trick, and get to thinking I could crook the wheel myself if I could only put a plant out there to put down my bet." • "I had seen so many houses burned down, so many cars wrecked, so many corpses with blue holes in their temples, so many awful things that people had pulled to crook the wheel, that that stuff didn’t seem real to me anymore. If you don’t understand that, go to Monte Carlo or some other place where there’s a big casino, sit at a table, and watch the face of the man that spins the little ivory ball. After you’ve watched it a while, ask yourself how much he would care if you went out and plugged yourself in the head. His eyes might drop when he heard the shot, but it wouldn’t be from the worry whether you lived or died. It would be to make sure you didn’t leave a bet on the table, that he would have to cash for your estate. No, he wouldn’t care."

Returning home from the murder, Walter attempted to pray, but was unable to do it. Some time passed and after speaking to Phyllis, he prayed. Aventurine presumably hadn’t done the prayer ever since the day of the massacre, and the first time he does it again, he does it with his child self.

• "I went to the dining room and took a drink. I took another drink. I started mumbling to myself, trying to get so I could talk. I had to have something to mumble. I thought of the Lord's Prayer. I mumbled that, a couple of times. I tried to mumble it another time, and couldn't remember how it went." • "That night I did something I hadn’t done in years. I prayed."

Phyllis in the book is much more inclined towards death than her movie version, even thinking of herself as a personification of death. She’s killed ten other people (including infants) prior to the events of the novel. Something to keep in mind as Aventurine had mentioned several times that he attempted to kill himself in the dream, plus his leadup to his “grandest death”. Just like Phyllis, he’s even killed at least a few people before, though the circumstances of that were less on his own volition and more so for the sake of his survival (i.e. the death game in the maze involving the 34 other slaves where he was the winner and another time where he murdered his own master). Instead of Phyllis playing the active role of Death towards everybody else, Aventurine himself dances with Death with every gamble, every time his luck comes into play. Danse Macabre.

• "But there’s something in me, I don’t know what. Maybe I’m crazy. But there’s something in me that loves Death. I think of myself as Death, sometimes." • "Walter, The time has come. For me to meet my bridegroom [Death]. The only one I ever loved."

Moving on to Ratio:

Walter says several times that it’s hard to get along with Keyes, and how he says nice things after getting you all worked up. A hard-headed man to get along with, but damn good at his job. Sound like someone familiar?

• "That would be like Keyes, that even when he wanted to say something nice to you, he had to make you sore first."  • "It makes your head ache to be around him, but he’s the best claim man on the Coast, and he was the one I was afraid of."

Keyes sees Walter as smarter than half the fools in the company. Ratio can only stand the company of Aventurine in regards to the IPC.

• "Walter, I'm not beefing with you. I know you said he ought to be investigated. I've got your memo right here on my desk. That's what I wanted to tell you. If other departments of this company would show half the sense that you show—" • "Oh, he confessed. He's taking a plea tomorrow morning, and that ends it. But my point is, that if you, just by looking at that man, could have your suspicions, why couldn't they—! Oh well, what's the use? I just wanted you to know it."

After going on a rant about the H.S. Nirdlinger case (Phyllis’ husband) and how Norton is doing a horrible job, he ends it by saying that it’s sheer stupidity. “Supreme idiocy”, anybody?

• "You can’t take many body blows like this and last. Holy smoke. Fifty thousand bucks, and all from dumbness. Just sheer, willful, stupidity!"

Phyllis’ former occupation as a nurse is more elaborated on, including her specialization — pulmonary diseases. One of Ratio’s crowning achievements is curing lithogenesis, the “King of Diseases”.

• "She’s one of the best nurses in the city of Los Angeles. […] She’s a nurse, and she specialized in pulmonary diseases. She would know the time of crisis, almost to a minute, as well as any doctor would."

As for the murder scheme, they talk about it a lot more explicitly in the novel. Specifically, Walter mentions how a single person cannot get away with it and that it requires more people to be involved. How everything is known to the party committing the crime, but not the victim. And most importantly: Audacity.

"Say, this is a beauty, if I do say it myself. I didn't spend all this time in the business for nothing, did I? Listen, he knows all about this policy, and yet he don't know a thing about it. He applies for it, in writing, and yet he don't apply for it. He pays me for it with his own check, and yet he don't pay me. He has an accident happen to him and yet he don't have an accident happen to him. He gets on the train, and yet he don't get on it."

"The first is, help. One person can't get away with it, that is unless they're going to admit it and plead the unwritten law or something. It takes more than one. The second is, the time, the place, the way, all known in advance—to us, but not him. The third is, audacity. That's the one that all amateur murderers forget. They know the first two, sometimes, but that third, only a professional knows. There comes a time in any murder when the only thing that can see you through is audacity, and I can't tell you why."

"And if we want to get away with it, we've got to do it the way they do it, […]" "Be bold?" "Be bold. It's the only way."

"I still don't know—what we're going to do." "You'll know. You'll know in plenty of time."

"We were right up with it, the moment of audacity that has to be be part of any successful murder."

It fits the situation that Aventurine and Ratio find themselves in extremely well: For the first point— Aventurine would not be able to get away with simply airing out details by himself, as that would immediately cast suspicion on him. Having another person accompany him who not only isn’t really a part of the IPC in name (as the IPC and The Family have a strenuous relationship) but would probably be able to get closer to Sunday because of that means they can simply bounce off each other without risking as much suspicion with a one-man army. Which is exactly what Ratio and Aventurine do in the conversations they have on Penacony. Secondly — they knew how Sunday operates: as a control freak, he leaves no stone unturned, which is how he became Head of the Oak Family, so their acting required them to give off the impression that a. they hated each other, b. Ratio would go against Aventurine’s wishes and expose him in return for knowledge, c. there were only the two Cornerstones that were hidden. This would give Sunday the illusion of control, and lead to Sunday to lower his guard long enough for Aventurine to take the gift money in the end. The pair knew this in advance, but not Sunday. And thirdly — the plan hinged on a high-level of risk. From breaking the Aventurine Cornerstone, to hoping that Sunday wouldn’t find it in the gift bag, to not telling Ratio what the true plan is (meaning Ratio had to figure it out on his own later on), to Sunday even buying Ratio’s story, it was practically the only way they could go about it. “Charming audacity”, indeed.

An interesting aspect about the novel is that the ending of the novel is divergent from the movie’s final cut and the original ending: Phyllis and Walter commit suicide during a ferry ride to Mexico. The main reason this was changed for the movie was because of the Hays Code, and they wouldn’t allow a double suicide to be screened without reprecussions for criminals. There’s also a bunch of other aspects that differentiate the novel from the movie (no narration-confession as the confession happens in a hospital, less characterization for Keyes and instead a bigger focus on Lola and her boyfriend, the focus on the murderous aspect of Walter and Phyllis’ relationship instead of actual romance, Walter falling in love with Lola (with an unfortunately large age gap attached), etc.)

As for the ending, this wouldn’t even be the first romance media reference related to Aventurine and Ratio where both the leads die, with the other being The Happy Prince and San Junipero (in relation to the EN-only Heaven Is A Place On Earth reference), which I normally would chalk up as a coincidence, though with the opposite line-of-thought I have going on here (and the fact that it’s three out of four media references where the couple die at the end…), I think it’s reasonable to say that Ratio and Aventurine will get that happy ending. Subverting expectations, hopefully.

—

[THE HAYS CODE — LGBT CENSORSHIP IN CHINA]

I’ve brought up the Hays code twice now in the previous two sections, but I haven’t actually explained what exactly it entails.

The Hays Code (also known as the Motion Picture Production Code) is a set of rules and guidelines imposed on all American films from around 1934 to 1968, intended to make films less scandalous, morally acceptable and more “safe” for the general audiences. Some of the “Don’ts” and “Be Carefuls” include but are not limited to…

(Don’t) Pointed profanity

(Don’t) Inference of sex perversion (which includes homosexuality)

(Don’t) Nudity

(Be Careful) Sympathy for criminals

(Be Careful) Use of firearms

(Be Careful) Man and woman in bed together

What does this have to do with a Chinese gacha game released in 2023? If you know a little bit about miHoYo’s past, you would know that pre-censorship laws being upheld to a much stronger and stricter degree, they had no problem showcasing their gay couples in Guns Girl Z (Honkai Gakuen 2/GGZ) and Honkai Impact 3rd, with the main three being Bronya/Seele, Kiana/Mei (admittedly the latter one is a more recent example, from 2023), and Sakura/Kallen. Ever since the Bronya and Seele kiss, censorship in regards to LGBT content ramped up, causing the kiss to be removed on the CN side, and they had to lay low with the way they present two same-sex characters who are meant to be together. They can’t explicitly say that two female or male characters are romantically involved, but they can lace their dynamics with references for those “in the know” — Subtext. Just enough to imply something more but not too much that they get censored to hell and back.

So what I’m getting at is this: The trouble that Double Indemnity had to go through in order to be made while also keeping the dialogue of Phyllis and Neff as flirtatious as they could under the Hays Code among other things is quite similar to the way Ratio and Aventurine are presented as of now. We never see them interact outside of Penacony (at least up until 2.2, when this post was drafted), so we can only infer those interactions specifically until they actually talk without the fear of being found out by Sunday. But, there’s still some small moments scattered here and there, such as when Aventurine goes near Ratio in the Dewlight Pavilion Sandpit, he exclaims that “the view here is breathtaking” (he can only see Ratio’s chest from that distance) and that Ratio could “easily squash [him] with just a pinch”. Ratio then goes “If that is your wish, I will do so without a moment’s hesitation.” Not to mention the (in)famous “Doctor, you’re huge!” quote.

It’s not a coincidence that Ratio and Aventurine have three explicit references to romance media (Double Indemnity, Spellbound, Oscar Wilde’s The Happy Prince), possibly even four if you take the EN-only Heaven Is A Place On Earth as a reference to Black Mirror’s San Junipero. It’s not a coincidence that the storylines or characters of said references parallel the pairing, from surface-level to deep cuts. It’s not a coincidence that the CN voice actors were asked to “tone it down” by the voice director when it came to their chemistry. It’s not a coincidence that Aventurine has only flirted with (three) men throughout Penacony, even referring to a Bloodhound NPC as a “hunk of a man” inside his thoughts, all the while ignoring Himeko and Robin when it came to their looks — women who are known across the cosmos with a myriad of adoring fans. There are so many other so-called “coincidences” related to the two that you could make an iceberg just based on versions 2.0-2.2 as well as content miHoYo themselves have put out on social media. They absolutely knew what they were doing, and were trying to get their point across through subtle means — the extent they went to with the Double Indemnity reference while also keeping it under wraps from a “surface” level point of view is proof of this — the implications are there if you take the time to look for them, and are simply hard to ignore or deny once you do find them.

—

[CONCLUSION]

This was supposed to be short considering the other analyses I’ve seen were also pretty short in comparison, but I couldn’t get the movie out of my head and ended up getting carried away in the brainrot. I hope you could follow along with my line of thinking, even with the absurd length of this post, and the thirty-image limit. I tried to supplement context with some links to videos and wiki pages among other sources wherever I can to get around it.

I will end it with this though — the love in the movie turned out to be fake and a farce, going off track from what was a passionate romance in the beginning because of the murder scheme. Meanwhile, the whole reason why Ratio and Aventurine can pull off whatever they want is because of their immense trust in one another. What was initially shown to be distrust in the Final Victor LC grew into something more, for Ratio, someone who would have never put faith into mere chance and probability before this, put his trust in Aventurine, of all people.

TL;DR — (I get it, it’s over ten thousand words.)

Not only is the relationship between Neff and Phyllis represented in the deception and acting side of Ratio and Aventurine, but the real and trusting side is shown in Neff and Keyes. They have a fascinating, multi-layered dynamic that is extremely fun to pick apart once you realise what’s going on underneath the bickering and “hatred” they display.

Many thanks to Manya again for making the original thread on the movie. I wouldn’t be here comparing the game and movie myself if it weren’t for that.

By the way, I really do believe that Shaoji totally watched this movie at least once and really wanted that Double Indemnity AU for his OCs. I know exactly how it feels.

—

Other points I'd like to mention that didn't fit anywhere else in the main analysis and/or don’t hold much significance, have nothing to do with the Penacony mission, or may even be considered reaching (...if some of the other points weren’t). Just some potentially interesting side bits.

Phyllis honks three times to signal Neff to go for the kill. That, and the three gunshots in the confrontation. Aventurine is all about the number three.

The height difference Aventurine and Ratio have going on is close to Phyllis and Neff’s.

Phyllis had killed her husband’s previous wife and went on to marry Mr. Dietrichson, pretty much taking the wife’s place. Aventurine killed his previous master, and had taken certain attributes from him like his wristwatch and the rings on his hand and the “all or nothing” mantra.

When calling Ratio a wretch (bastard), Aventurine smiles for a moment. This is exclusive to the EN, KR and JP voiceovers, as in CN, he does not smile at all. (Most definitely a quirk from the AI they use for lip syncing, but the smile is something that’s been pointed out quite a few times so I thought I’d mention it here.)

Sunday specifically says in the CN version that he knew of Aventurine's plans the moment Aventurine left the mansion, meaning that he realized he had been played the fool the moment Ratio and Aventurine talked in Golden Hour

In the description for the "All or Nothing" consumable, teenage Aventurine says this specific line: "Temptation is a virtue for mortals, whereas hesitation proves to be a fatal flaw for gamblers." According to Ratio, this is Aventurine's motto - he says as such in Aventurine's Keeping Up With Star Rail episode. Note that in the anan interview he explicitly says he does not have a motto, and yet Ratio in the video says otherwise. They definitely have to know each other for a while for Ratio to even know this.

A big reason why Neff even pulled off the murder scheme in the first place was because he wanted to see if his good friend Keyes could figure it out, the Mundane Troubles Trailblaze Continuance showcases Ratio attempting to teach the Herta Space Station researches a lesson to not trust the Genius society as much as they did.

In Keyes’ first scene he’s exposing a worker for writing a policy on his truck that he claimed had burnt down on its own, when he was the one who burnt it down. Ratio gets into an Ace Attorney-style argument with the Trailblazer in Mundane Troubles.

Neff talks repeatedly about how it won’t be sloppy. Nothing weak. And how it’ll be perfect to Phyllis, and how she’s going to do it and he’s going to help her. Doing it right — “straight down the line”. Beautifully ironic, considering what happens in the movie, and even more ironic as Ratio and Aventurine’s scheme went exactly the way they wanted to in the end. Straight down the line.

[plumbus-central]

i love imagining scenarios where morty and summer meet rick and minnie when they were their age, whether through time travel, parallel universe, age regression, or some other sci fi nonsense.

god bless him mortys trying hard to relate to his teenage grandmother from the late 70s

[faaun]

the forest looks like heaven today i woke up feeling the heaviest weight at the top of my heart

[quaranmine]

Missing 411 guy?

David Paulides, the guy who is the creator of "Missing 411" which is basically a conspiracy about suspicious clusters of people going missing in National Parks in the United States. He is also the bane of my existence for the past year as someone who is researching a story about someone who goes missing in a National Forest.

To start with, if you've ever been even on the fringes of "irl spooky stuff" videos on YouTube, you might have encountered this. There are a lot of youtubers and podcasters who cover this guy's content without understanding What and Who they are giving platform to. Sometimes, people don't even mention him but will relate the cases that he covers in his books or use the same conspiracy points as him. I would not be suprised if you watched a Buzzfeed Unsolved/Watcher video (which are fine btw) and then got recommended something related to Missing 411 in the sidebar since it's a similar genre. It's super popular to the point where its outgrown its creator. I can't stress enough that many of you have probably encountered this content, at least in passing, without knowing what it was.

So to recap, Missing 411 documents cases of real-life people who have disappeared or been found dead in national parks, national forests, etc and claims that these cases are unusual and mysterious. It frequently talks about missing person "clusters" and things like that. There is often an overt, if not outrightly stated, implication that something supernatural, crpytid, or UFO/alien related was involved. For starters, David Paulides has written a ton of books trying to prove the existence of bigfoot. Now, I have no issues with people believing in bigfoot, or cryptids, or aliens, but I do have an issue with people co-opting real life tragedies and twisting information to push this as conspiracy. I simply do not think it is helpful or respectful to talk about missing and dead people (and children!) like this. Also, with the high prices of his books ($100-200) he just reeks of grifter to me.

To me, Missing 411 "criteria" is a stretch at best. You will see cases "mysteriously" connected because both of these people wore red when they went missing. Both these people's bodies were found near water (as if many National Park do not have water features.) Both these people's bodies were found near granite rocks (like, the most common rock type in mountains lol.) All these cases involve the weather turning bad! (um, yeah, that's a big reason why people get in trouble?) He frequently claims that bodies being undressed is highly unusual, without ever acknowledging paradoxical undressing. Or he claims laughably weak connections between people like "these two women who went missing in different years are connected because they both had three letter names that started with A." I haven't personally listened to this talk but there is a data scientist mentioned in his Wikipedia page who examined the case data and found nothing out of the ordinary in them. If you don't want to watch a video (I don't either right now) then he also wrote this article. From a different person, this article from a podcast is also good.

David Paulides does not present Missing 411 cases with accuracy. He has been known to cherry-pick data and purposefully omit data to make them seem more unusual. Many cases he covers are either already solved, or have extensive information available. He does not retract information or admit when he is wrong. Even if he does present a particular case accurately, he has such a bad track record with reliable research that he cannot be trusted as a source. There used to be someone on reddit who would deconstruct cases he covered. In this post they found several instances of cases of Paulides missing sources and coming to incorrect conclusions.

Note there's a few differences in the sources I just linked. The data scientist and podcast skeptic both said they found the data to be accurate, while the redditors have found evidence to the contrary. The data scientist also says he found Paulides' presentation of information respectful, but I personally find all of this highly disrespectful. But despite these differences I think we can all agree....the claims of Missing 411 are pretty ridiculous.

Also, let's talk about David Paulides himself. Before becoming a writer, he was a cop in California. He was a cop who was fired for corruption (well that's hard to do), because he was caught soliciting donations for a fake charity he set up. That's straight from his Wikipedia page. He continues to use his past as a "dectective" to attempt to make his claims sound more reliable. There was also a redditor who pulled up some other career highlights from when he was a cop in the 80s, by looking at court transcripts and news articles. His job used to be entrap gay men by pretending to be gay, getting them to invite him home with them, and then arresting then. He and his unit were also accused of police brutality many times in the 80s, with Paulides testifying in defense of his unit. And he has not changed btw, he's a Qanon stolen election covid denier type of nut right now on his YouTube channel (according to reddit. I am not watching this man's videos.) So yeah, I think his character speaks for itself.

Anyway, I'm tired of hearing about this guy and seeing 411 related content pop up around YouTube, Reddit, Tiktok, etc. Pay attention if you watch things related to "creepy and unexplained real life disappearnaces." I do not think he is a good person, I do not think he can be trusted, and I do not think that his work actually benefits the families of the missing persons in question. These are real people. He turns them into spectacles to push ~unusual~ circumstances and paranormal activity.

[siriuslygay1981]

Top three ways you know I needed to be asleep hours ago! (Read: days)

1. Hallucinating!! So fun, always a pleasure to freak out.

2. Writing/words not making sense when written or said. Lots and lots and lots of grammatical and spelling mistakes. Always nice to decipher what I wrote later in the day.

3. Headache. Ouch go away

[ninjagotohell]

I just read a whole wacky thread of people arguing which parent was bad Garmadon or Misako and I’m no longer scared of the Misako defenders

[no27-autonation-honda]

not to be a colossal fucking cowabummer about everything but it really does suck that like. my really chill and like. supposedly more realistic type of career goal feels about as unattainable as like a kid saying he wants to be a singer or something

[violentdevotion]

I had multiple dreams last night.

I had a bf </3

someone in my family got bit by a zombie </3

some guy made me explain narrative structure to him </3

[definition-of-awkward]

9, 19 and 23 c:

ask game

9: do you have a skincare routine (and how many steps is it)?

I don't have a routine bc I'm not nearly dedicated enough for that, but I do have some stuff I like to stick to. I try to wash my face in the morning and before bed with micellar water. I have a light SPF day cream with vitamin C&E that I try to put on whenever I go out for the day. Sometimes I use a serum eye-roller thingie. And then I just have a few things I tend to put on my face overnight, depending on what feels right and whether I can be bothered - it's either a retinol cream or a strong salicylic acid peeling, or a lighter sal. acid cream with zinc, for acne. I usually stick to micellar water and the eye-roller the best, because they're the fastest to take care of before I have to rush out.

But remember kids, SPF is the most important part of any skincare regimen!

19: the veggie you dislike the most?

I had trouble figuring this one out. Do mushrooms count? If not, I guess pickled peppers?

23: do you wear jewelry?

YES. I rotate two favourite necklaces (pretty minimalistic) and then I love to wear different earrings all the time. I have to be practical, so I stick to smaller stuff, but if there's a good opportunity I love to pull out dangly funky pieces. I also have two rings I wear almost all the time, I'm really attached to them. :>

[stinkbeck]

try to calm down and have a good time but then it’s like shit goes downhill sooo fast if i’m not overthinking everything. like UGH look what my trust has gotten me! god i hate relying on people.

[verytendou]

If u ask a stupid question that makes me have to stay in class longer i unfortunately will have to ask you to get in the hammer car

[mejomonster]

I gotta. Learn how to date again ;-;

[angelyuji]

SOME MOREEE YANDERE PINES TWINS THOUGHTS

stan pines thoughts and professor ford pines??? HOLD ON LET ME COOK

18+!!!!

tw // yandere themes, gaslighting, manipulation, power imbalance, pervy uncle lowkey, also lowkey bimboification, noncon (not explicit)

professor ford pines!!!!!!!! known to be the eccentric professor who goes on tangents about trans-dimensional physics and other science junk, but also superrr lenient grader like no possible way anyone could fail his class. you’re def teacher’s pet type and he’s definitely aiming to make you a TA. always getting you involved in weird experiments, but you’re always down cuz ur there to learn! ford invites you to his house, you guys hang out outside of class and research, you’ve met his brother!! like u knew it was getting weird, but at the same time…. you need a good rec letter. so one day you guys are in his office at his home, grading papers…

“(y/n).” ford calls your name, sternly. the lights were dim and quiet classical music played in the office. you hum and turn to him. before you know it, his chapped lips press against yours. you push him away, scared and surprised.

“professor, what the hell are you doing?” you try back away, but ford grabs your hand.

“i think you are one of the most brilliant minds i know and i want to be with you, (y/n).” ford stands, pulling you into a hug. you push back, stumbling away from him.

“no, i-i never thought that! i thought we were just friends!”

“but, i invited you to my home.” ford’s face saddens, “you met my family…”

“i never… i never realized…” you felt embarrassed for the old professor. you take a step back. you can’t see his face, but you watch his fists clench.

“i suppose that means you’re okay with losing your job, as well as any opportunities in this field.” his voice was low, words drenched in anger.

“no…. no, no, no, professor you can’t do this to me.” your heart feels like it was being ripped out of your chest.

“no, i can’t, but who will you tell? who will believe you? i am a respected scientist in our field, (y/n). think once more on your decision.” ford looks at you, a smug smirk laying on his face. you don’t respond, knowing that you had no other choice. you step back to him and he pulls you into a soft, loving kiss. his 5 o’clock shadow scratches your face. “now, please (y/n), call me ford.”

stan pines who had known your dad when he lived in texas and saw him again in gravity falls. stan pines who gets invited over to meet his friend’s family for dinner and sees you. a cute, little thing in their early 20s. stan’s instantlyyy enamored. you’re so cute and respectful, explaining how you’re living at home while you work and save money for a house, blushing when stan compliments you, serving him food first. you were acting like a perfect homemaker and stan was instantly obsessed. your dad’s gonna tell stan before he leaves that you’re all moving somewhere cheaper:

“yeah, pines, we’re moving some time soon. you know how it is with retirement and the market going down.” your dad sighs, wearily. stan nods, trying to listen to your voice in the house. “can’t move till (y/n) finds a job though. its gonna be tough on them especially with how hard it is to find jobs these days.” stan perks up at his words.

“y’know, (y/n) don’t have to quit…” your dad looks at the older man in confusion. “my grandkids have gone back to california, shermie’s grandkids technically, so my attic is open for them to stay in. they can stay at their job and you guys can move.” stan offers, fighting a giddy smile.

your dad clasps stan’s hands, “stan pines, you are the kindest man i know.”

stan for sure acts like a feeble old man around you to get you to take care of him. like cooking dinner, doing laundry, and more. he conditions you into acting like his stay at home partner. he starts making advances, subtle at first, to see what you would tolerate. soon he’s dictating what you wear and bending you over on the kitchen counter to make sure you stay full :) (dont get me started on somnophilia cuz i have thoughts on those but idk if u guys are ready for the things im gonna say)

here are those thoughts i was talking abt… :))))

[i-cant-sing]

Mmmhhh thinking about Yandere Batfam reacting to a reader who runs a very popular blog where she absolutely bashes Batman and Robins- and the batfam takes your criticism very seriously. Maybe not at first, but then Damian (the easiest to tick) got pissed off when you wrote how "he's just a kid in a cheap Halloween costume" and when Damian gets pissed off, he whines. He whines and whines and whines until Dick and Bruce finally listen to him and do something about it. That's when they find out about the extensive threads about them, criticising meticulously each and every action of theirs, how they're causing more financial harm to Gotham and allowing themselves to be idolised and causing more people to comit crimes just so that they could have their 5 seconds of fame with Batman. And ofc theirs a whole page about the Batsignal.

I mean, Damian and Tim have already found out who runs the page (though they had a little bit of a hard time sniffing u out. You were good at covering your tracks). While Damian and Tim are busy going to "have a talk with you", Bruce is at home reading your entire blog about Batfam and realising how some of your points.... kinda makes sense. So, he buys the app where you write your blogs, then has Damian bring you over to the Wayne offices, where he explains he just wanted to meet the person running the blog that generates the most readers on the app. You, just a 23 year old student who's blogging as a side hustle.

You're obviously stunned because why are you meeting Bruce Wayne and also confused because again, why are you here exactly??? Bruce just says that he likes your insights and would like to know more, and he's happy to pay you by the hour you spend talking to him and also on the blog.

He's very much determined to make Batman and Robins be good in your mind, and not that he cares much about what people think about him, it doesn't hurt to have good PR for heroes, lest people should try revolting against Justice league and only end up hurting themselves. There's only so much he could do to calm his metahuman friends.

You're again- CONFUSED, but you like money. The only thing you tell him is that you get to write whatever you want, complete creative control and that you can write about anyone you wish. Ofc, it doesn't register to Bruce that you could possibly write against his family- against his name.

So in the beginning, things are going great. Reader continues making calculated judgements and comments about Batfam and how they could possibly improve themselves, the batfam takes note and tries to do most of the things. Then you'd write something that could almost be seen as praise for "changing their old ways" and they all feel a little bit proud. They don't realise it but some members of the batfam (like damian and Dick) start craving your approval of their actions.

Perhaps something happens, maybe you don't find it fun to write about the bats anymore, so you shift your mind towards a new topic-

The Wayne's.

You research a bit, finding it a little odd at Bruve Wayne's generosity to be adopting random ass kids, a super duper clean record, no scandals or anything- it just- it doesn't feel right. No one's that clean. They have to be hiding something.

So when u can't find anything against them, you let your imagination go wild and start making conspiracy theories, kinda feel like reader goes in her gossip girl era to stir things up so that someone would come forward with something- anything.

Bruce's eyes almost bulge out as he reads the blog's headline-

"The secrets of Gotham's favourite billionaire playboy!"

Shit- did you figure out he's batman?

Nope. In fact, you covered everything but that. From theories about him adopting troubled kids for PR, to the Wayne family actually being a chauvinist cult, to conspiracies about his ties with the Rothschild, his philanthropic donations being a front for illegal activity, the Wayne Manor holding lavish nsfw parties, and even a classic "they drink virgin maiden blood!"

Bruce stood in your apartment, eyes narrowing at your sleeping form on the couch.

"Bruce? What- how did you get in?" You don't remember unlocking your door.

"What is the meaning of this?" He pulled up your article on his phone.

"Huh?" You took a closer look, rubbing the sleep out of your eyes. "Oh. Yeah, I wrote that."

"Why?"

You shrugged. "I was bored."

"What?" Bruce could feel himself getting angry. How could you be so nonchalant about the lies you wrote?

"You know this isn't true." "I do." "Then why did you write it?" "I told you, I was bored. Besides, you told me I could write about anyone." You get up with a sigh. "I don't get why you're so worried about this. Barely anyone reads this stuff."

Bruce's brows went up. "There's a 1000 plus views on this already!"

"What?" your eyes twinkled. "A thousand already? Its not even been 24 hours since I posted. Wow, people really do enjoy conspiracy-" you shut up when you saw his glare. "Right, sorry."

"Take it down, now." Bruce orders, brow twitching when you just walk past him and into the kitchen, pouring yourself some coffee. "Why?" you asks after taking a sip.

He glares at you. "Because it isnt true-"

"Then give me something that is."

Bruce stared at you. Is this... is this your way of wanting an interview?

You sighed. "Look, just let me interview you family, I promise to only write the truth and only the truth. No conspiracies, I swear."

"Or I could just fire you. Better yet, have you sued for defamation."

You nodded. "You could, but honestly that would only bring more attention to the articles and more conspiracies would arise. Besides, you and I both know you cant stop me from writing even if I'm in jail."

Bruce watched you walk upto him, holding your phone in your hand. "Come on, just one week- one week at your place, I'll even let you read the article before I post it. If you dont like it, I'll delete it."

I mean... it did sound like a pretty good bargain. Besides, at his home, youd be in a more supervised space.

So here you are, standing in the lobby of the Wayne manor as a posh butler leads you to Bruce's office. Of course Alfred will be a part of your articles. He's too fancy to not be.

And so over the course of a week, you dont really find anything particularly intriguing about the family, even after you interviewed each member. You're mentally groaning at the thought of writing yet another boring article... that is until you accidentally discover the batcave (ok not accidentally, u hid a recorder in Bruce's office and u heard the man discussing about it with Dick)

Anyways, it didnt take long for you to discover the cave, and it took you even less for you to write a scandalous article.

"RICH MAN COSPLAYS AND PRACTICES HIS JUJUTSU SKILLS ON THE MENTALLY ILL! SEE PICTURES OF WHERE HE ROLEPLAYS IN MASKS!"

Unfortunately, before you hit "post", your phone is snatched and you're knocked out.

When you come to, Bruce is sitting in front of you looking beyond pissed while you're tied up in your seat.

"We had a deal, Y/n." Bruce gritted out.

"So? Deal was off the moment I found out you were Batman." You shrugged.

"We had a deal-"

"You really expect me to just pretend like I'm blind after I found out who you really are? Do you think anyone would just give up on a scoop this big?" You tilt your head at him.

Bruce narrowed his eyes at you. "Scoop? Thats what this is to you?"

You nodded. "Sure, you're a hero who fights crime and brings "peace" to Gotham, but who knows for sure? After all, thats how you want the world to see you." You lean as far as your restraints allow you. "I dont trust you, Bruce. Not one bit. There's just- this gut feeling about you. Nothing personal, but I dont get good vibes from you."

"Is that so?" Bruce raised his brow before sighing. "I guess there's no reason to let you go then."

"What?"

He nodded to himself. "Yes, if I let you go now, you'll only cause more trouble for me, but also for yourself. If you post content like that, people will target you- yes, I definitely cant let you go. You're an impulsive idiot who'd endanger herself just to not be bored."

Your eyes widen. "You cant kill me."

Bruce scoffed. "Dont be ridiculous, I can, but I wont. I just want to take care of you, protect you from yourself." He stood up. "I did a little bit of research on you too, yknow? You keep your personal life super private, I have to give credit to you, it wasnt easy to find out about your family. But... money makes the mare go."

Your throat dried as you saw a glint in his eyes. He knew... he couldnt-

Bruce's footsteps echoed as he neared you and ruffled your hair. "Poor you... having to deal with a schizoprenic mom." He leaned down to smile gently at you, but you could sense the sinister intent.

"Dont worry, she'll be taken care of at Gotham Asylum while you stay with us."

girl idk where i was going with this, i just needed to get it out of my drafts (i have another long incomplete draft about platonic yandere dick x gymnast reader where he basically is intrigued by this mini tonya harding who lives for her dead beat father's approval who doesnt give a shit about her unless she comes first. so its upto dick to adopt u and make u a part of batfam)

[kurthorton-moving]

okay this morning i have to go to the library and make a cv and print some government documents and be full of anxiety lets go

[semification]

- DIE WITH A SMILE . . . VERITAS RATIO ✧.*

Veritas comes to realize that he loves you, but perhaps he comes to that realization far too late.

content: fem reader, death, penacony quest spoilers, angst with comfort (?), blood & injuries, veritas is a meanie (but he INSTANTLY regrets it!1!), friends to (grins evilly) …lovers

authors note: first fic on this account i hope you guys like it <3 i ran out of motivation while writing this halfway can u tell. anyways go stream die with a smile by bruno mars and lady gaga because i was listening to that song on loop while making this fic and i think its a super fitting song for this hehe

wc: 5.9k (its a quick read i promise)

masterlist

“You’re being ridiculous, Veritas.”

Bickering with Dr. Veritas Ratio was not out of the ordinary. In fact, it was a pastime for the two of you, engaging in various academic debates to see which party presented a better argument. It was seen as a great deal of praise to be able to do such a thing with an esteemed man like Veritas. It made it seem like you two stood on the same ground–the same ground of a man who felt so out of reach.

“Oh, really now? I’m the one being ridiculous? I am ‘ridiculous’ simply because I am looking out for your safety, Y/N?”

This… however, this was not normal. This quarrel felt personal, stemming from your feelings instead of facts and objective data. This felt like an attack on your friendship–but from the amount of vile he’s spitting from his mouth, you wonder if Veritas has ever considered you as a friend in the first place.

The more he speaks, the more you are reminded that you didn’t stand on the same ground as him. You felt terrifyingly inferior, and even though he was right in front of you, you felt like you were miles away from him. 

“No, I’m saying you’re ridiculous for calling me weak and incapable because apparently, I’m not good enough to go on this expedition when it’s my fucking job.”

However, you mostly felt like a fool.

You felt like such a fool for falling in love with a man like him. You fell in love with him because of his neverending thirst for knowledge. You fell in love with him because you were just as much of a bibliophile as he was. You fell in love with him because you wanted to spread your knowledge around the universe as much as he wished to. You fell in love with him because, for a moment, you thought he saw you differently from everyone else, and that he truly enjoyed being in your presence.

You turn away from him, tears forming in your eyes. You stubbornly blink them away, because you think back to what started this argument in the first place.

You had just finished detailing your mission to Veritas, which was your routine every time the Intelligentsia Guild dispatched you on some kind of research expedition. This mission was different, however. You would be gone for three months, longer than usual–and the mission was very combat-oriented and dangerous, which wasn’t like your usual expeditions. Despite the warnings, you still accepted it, thinking of it as something new, but nothing that you couldn’t handle.

Veritas seemed to think otherwise, however, because when you peer over to look at his reaction, he looked very displeased. 

(It wasn’t a very uncommon look to see on his face, but you could tell he seemed more serious–like how the frown lines on his face were deeper than usual.)

You weren’t particularly surprised by the expression on his face. What surprised you the most was the first thing that came out of his mouth after hearing your expedition’s rundown. “Are you sure you’ll be able to go on that mission?”

You look at him incredulously, surprised at the amount of distaste in his voice. His displeasure was directed at… you? “What is that supposed to mean, Veritas?”

“I’m saying that you’re too weak and incapable to go on that expedition, Y/N. I do not know why the Guild would assign you such a difficult mission. They truly are overestimating your power.” The words came out of his mouth so casually, like you had just asked him about the weather. Is this how his students feel when they take his infamous course with a passing rate of a mere three percent? How his students feel whenever they get scolded by him?

You just can’t believe it. He said those words like it were a fact—straight from the myriad of encyclopedias that he’s read. Maybe because it was a fact in his head: he saw you as nothing but “weak” and “incapable”.

A stray tear manages to escape from your eye, and you quickly wipe it away angrily before turning back to Veritas with a sniffle. No. You cannot cry in front of his face. Crying is an expression of weakness–of vulnerability. And what you are trying to prove to Veritas is that you are not “weak”. You are not “incapable” either, and you are going to prove that to him by going on this mission and making him eat his words. 

“I will be leaving in three system hours. Do not bother showing up during my departure.”

You cringe at the way your voice shakes at the end, but you stand firm. Those words were the last thing you said to him before leaving his office with a bitter heart. When you exit his room, you finally let your emotions run free, letting the tears stream down your face without end. You quietly sob as you retreat to your own office, closing the door and letting out a shaky exhale, escaping all the nosy whispers and chatter of the Guild members.

You sob at the heartbreaking realization that just when you think you’ve gotten close to the “untouchable” Veritas Ratio, he pushes you away just like how he does to everyone else… because that’s just simply what you are to him. 

Another person who fades into the background, and nothing more.

Dr. Veritas Ratio is a man who exhibits prestige and greatness like no other. Throughout his academic career, he obtained eight PhDs and graduated with the First Class Honors Degree, which hadn’t been awarded to anyone for two Amber Eras. He was gifted with knowledge, and now he uses that knowledge and spreads it far across the cosmos to “cure idiocy”, treating it like a disease that needs to be treated.

And yet, for once in his life, he refuses to admit it out loud, but he’s acted like the one thing that he completely loathed. The very thing that he was trying to exterminate.

An idiot. He was an idiot, and it was all because he could not word himself correctly when he spoke to you. He has written hundreds of papers, essays, and dissertations, but time and time again, he could not seem to think—to be able to formulate the proper words to say when it came to you.

And now, Veritas has royally messed up, and for once in life, he has no idea what to do.

He was just genuinely concerned for your safety. It was all he thought about once you had finished detailing your expedition to him. He wanted to convince you—to pick the right words to say so he could persuade you not to go, but it seems that his fear of being seen as vulnerable shone through first. It reminded him of the days when you two weren’t close; the days he spoke to you while wearing his alabaster head.

He only wears that head because he “can’t bear to see idiots,” but given how he just called you “weak” and “incapable” in the argument that just transpired, one could almost laugh at the hypocrisy of it all. Veritas may as well talk to himself while wearing the alabaster head.

Because only idiots would address you with those terms. 

You were an enigma to Veritas from the very beginning. People from the Intelligentsia Guild rarely stood out to him, but you were different—sticking out like a sore thumb the moment he laid his eyes on you. 

That’s because your presence utterly enchanted him—you had similar tastes in literary works, you matched his sarcasm and topped it off with even wittier replies, and you also wanted to use your knowledge for other people to learn.

You were not weak and incapable. He saw you as anything but that, in fact. He was at fault for the argument, but he can’t bring himself to say it out loud, for Aeon’s sake.

He knows that he owes you an apology, it’s the least he could do... He just needs to apologize, then convince you to not go on that expedition. You’re scheduled to leave soon—approximately two and a half system hours—he still has time.

And yet, his mind is being stubborn. He knows that he needs to apologize, but he just can’t bring himself to. He can’t remember the last time he’s genuinely apologized to someone—an apology without a trace of sarcasm at that.

“Trouble in paradise, doctor?”

He could recognize the esteemed gambler’s voice from miles away, and it irks him how he always seemed to show up at the worst times. Aventurine’s got a knowing gaze on him—a stare that can pierce through any poker face so he could see exactly what they’re thinking. “I suggest not meddling in any business that doesn’t concern you, gambler.”

Except he’s already got him. “This is about Y/N, isn’t it?”

Hook, line, and sinker.

Aventurine believes that one’s eyes are the windows to the soul–and he doesn’t miss the way Veritas’ eyes soften when he says your name, smiling at the unintentional answer to his question. He definitely doesn’t have the best poker face in town. For such a stoic man, he surely cannot put himself together when it comes to anything that has to do with you.

Aeons. Just what were you doing to him?

There was no use hiding it from him, so he just silently nodded, with Aventurine clicking his tongue. “Rumors fly fast in the guild, especially when Dr. Ratio’s dear friend Y/N was seen walking out of his office crying. I just had to see what this was really about, you know?” 

You were crying when you left?

He doesn’t voice his concern out loud, of course. Instead, Veritas just sighs heavily. “All I wanted to do was convince her to not go on that mission that she’s currently dispatched on. It just seems… far too dangerous.”

Aventurine’s got an idea of what happened next considering how you ran out of this room crying, but he decides to ask anyway. “Oh? And how did that work out for you?”

Veritas refuses to meet his gaze, his heart sinking when he simply thinks about what happened earlier. “…”

“At least humor me, doctor.”

He turns away from Aventurine completely, a deep shade of red coating his cheeks. Was it out of embarrassment? Shame? Whatever it was, he didn’t need him to see it. “…I called her weak and incapable.”

When Aventurine doesn’t say anything for a few seconds, Veritas speaks to fill the silence. “I admit, I did not know what was going through my head when I addressed her with those words.”

The uncomfortable silence drags on for a little longer until it’s interrupted by the piercing sound of Aventurine’s laughter. His laugh makes the red spread across Veritas’ cheeks even more—uncharacteristically so, especially since he’s normally so put together. He doesn’t even have the heart to tell Aventurine to stop laughing, because a small huge part of him feels that he deserves this.

He deserves to sit through this feeling because he knows you faced the same humiliation when he shut you out.

“Hahaha! I can’t—“ Aventurine’s nearly keeling over in laughter, and the gambler swears he could feel tears build up in his eyes. “Oh, please! You have such a way with words, don’t you?”

Aventurine continues, failing to conceal his hysteria. “Weak and incapable? If anything, that’ll only fuel the fire. She’d want to go on that mission just to prove you wrong.”

“I’m well aware. It is exactly what happened after all.” You’re leaving soon. The thought of you leaving makes Veritas’ stomach churn, and he has no idea why. Out of all the many expeditions you’ve been sent on, this is the first time he’s felt this way–been filled with so much dread.

“Well,” Aventurine pretends to think for a moment, putting his hand on his chin. “It won’t hurt to sacrifice a little bit of your already enormous ego to apologize to her, no? There’s enough of your pride to go around.” 

I don’t know if I can bring myself to.

Veritas doesn’t say those words out loud. Instead, he masks his worries with a scoff. Aventurine doesn’t have to know. “Watch your mouth, gambler.”

“Oh my, I really struck a nerve there, did I?”

“Researcher Y/N? I’m sorry sir, she just departed a few minutes ago.”

You left.

The three system hours hadn’t even passed yet—there were still two hours before your scheduled departure—and you left early.

You left, and he didn’t even get the opportunity to apologize. 

The researcher could only watch as the great Veritas Ratio, normally so composed, looks away from him wide-eyed and mouth slightly agape. He’s utterly dumbfounded, a look that is never seen on his face. What is he supposed to do now?

You’re too late.

For the next several weeks, Veritas could only wait anxiously for your return. Worry follows him like a cloud, and even his students pick up on his weird behavior. It’s all so grueling—waiting for you without so much of an idea of how you’re doing or if your expedition is going well. 

While waiting for your return, he plans out his actions for the next time he sees you. He doesn’t want to apologize over text–Veritas sees it as inappropriate and prefers to show his sincerity in person. Face-to-face is how he is going to do it, and he sends you a message in preparation for that. “I’d like for us to talk when you’re back. Please message me immediately upon your arrival.”

…Except an error message stares at him back when he presses the send button. It’s almost mocking him in a sense, like the universe is doing everything in its power to prevent him from atoning for his mistakes. Of course you weren’t going to have signal when you’re so far away from him. Just what was he expecting?

You were scheduled to return after another few weeks, and Veritas could only prepare for the days to pass by excruciatingly slowly. Until then, he thinks over what he’s going to say for his apology. Maybe he could give you something too. He thinks that finding a way to get your favorite flowers is a nice start.

You’re tired.

Exhaustion envelops you like a blanket, and after trying your hardest to resist, you just can’t anymore.

You’re so tired. 

You finally succumb to the fatigue, falling onto the ground as your sword clatters with a thud. You lay there, lying in a pool of your own blood, accepting that this was the cruel fate that the great Aeons above bestowed upon you in the end. You laugh at the absurdity of it all, but it only comes out as a weak cough, which quickly transitions into a fit of hacking up crimson droplets—lighting your throat on fire.

It was a fragmentum monster ambush. The planet you were exploring contained a lot of them–mainly due to the Stellaron corrosion that it was experiencing. After three weeks of exploring, it was supposed to be just another day of collecting data and extracting information for the guild. You’ve done this countless times already–anything out of the ordinary happening was beyond you.

The ambush had occurred when you least expected it–you barely even had the time to draw out your sword. One thing led to another, and at some point, there were just too many of them that leaving the battle unscathed was out of the question. And at the end of it, you were a mess, standing in a field of bodies with blood sticking to your clothes–a mix of the fragmentum and your own. The worst part was that it was mainly your own, with the source coming from a deep gash in your abdomen. You were losing blood at a terrifying rate.

Panic fills your veins once you fully process the gravity of the situation. Heart thumping, you realize that you’re going to die–and you are going to die alone.

What a pitiful end this was.

You’ve sent a distress call to the guild, but you know that your fate has been sealed already. You’ll be long gone before anyone will be here to help you, and they’d just be here to clean up your remains. You hope that the guild would at least grant you a proper funeral.

It’s truly comical how fate works. People your age are usually too busy thinking about marriage, or deciding how many kids they want to have in the near future. And yet, here you are, on the precipice of reaching death’s door, thinking about your funeral. 

Your vision turns blurry, and you sniffle as hot tears begin to roll down your cheeks. Fuck, you don’t want to die. There are far too many things that you haven’t done. And yet, you can’t find the strength to continue on either. You’re just so, so tired.

In the midst of your cries, you softly mumble out a name. A name that you love, hate, and everything in between with a passion.

“…Veritas.”

You initially wanted to go on this mission with the intent of exploring this planet, but after the argument, you know you went mainly because you wanted to prove him wrong.

You wonder if he truly meant those words. Even if he didn’t, maybe he was right, because look at what your determination had cost you–lying in a pool of your own blood, all because you wanted Veritas to see that you weren’t weak and incapable.

Even though you went on this expedition angry at him, (a part of you still is angry) you’ve never wanted to see him so badly in your life. You were going to die with many regrets–perhaps the biggest one was that you never got to tell Veritas how you truly feel about him.

You just want to see him once last time. Is it selfish to ask for one more day with him? One more hour… or to engage in at least one more heated debate. Hell, you’d even take one more minute with him. And in that minute, maybe you’d slap him in the face for what happened. But maybe you’d tell him you love him and kiss him over and over, apologizing for even thinking about slapping his stupidly perfect face. 

Despite how much of an asshole he can be at times, you love Veritas Ratio. You love his snark and sarcasm and everything about him, and you’re going to die without even knowing if he loves you back. This is your biggest regret.

No, you can’t die like this. You need to tell him. You have to.

As darkness starts to cloud your vision, you use all of your remaining strength to pull your phone out from your pocket despite the wound in your abdomen screaming in protest. Your fingers shakily make their way to Veritas’ contact, and with a pained breath, you begin to type.

“Take me to where she sent the distress call, now.”

There was a bunch of commotion in the guild—too much commotion considering how early it was. Veritas could only wonder what all the clamor was about, but he froze once he heard your name leave one of the researcher’s mouths. 

And his biggest nightmare is now a reality once someone finally fills him in on the situation: Your signal had disappeared off the radar, but not after you sent a distress call to the guild. You needed help, yet you were so far from his grasp. “But Doctor, we-“

“I need not repeat myself. Her life is in grave danger, and yet here you are, arguing with me and wasting precious time when this time could be used saving her.” His words surprised both himself and the guild member, who shakily nodded at his request. Veritas was certain that if you were just anybody else, he could have less of a care about your distress signal. But no, this was you—and he needed to make sure that you were okay.

Veritas looked calm and collected on the outside, but on the inside, he was falling apart. Calm yourself, you need to be the strong one in this situation. She’s the one in danger here.

Aeons, all he had to do was convince you to not go on this expedition. Instead, he made everything worse with his poor choice of words, and now he’s paying the price for it. He could only hope that he wasn’t too late.

Wait for me Y/N. Please. That’s all I ask.

In his office, there’s a bouquet of your favorite flowers resting on his desk, and they’ve slowly begun to wither away.

When Veritas finally arrived at where you were last seen on the signal, there were bodies littered everywhere, and he could only hope that none of them were yours. Paired with those bodies was the color red—crimson was scattered all over, and it was practically all he could see. Did you take all of these fragmentum down by yourself?

As Veritas inspected all of the fragmentum bodies, all slain by a single blade, one of the researchers accompanying him pointed out a trail of blood leaving the site. It makes him freeze, because it might be…

“Y/N.”

Shit.

He immediately goes after the trail without an ounce of hesitation. The scene laid before him is something that has only haunted him in his nightmares, yet at this very moment, it lies before him as a terrifying reality. 

His blood runs cold, and for the first time in his life, Veritas Ratio is rendered speechless.

Your limp body lies in front of him, in a pool of so much blood that just seeing it sickens him to his stomach. He can’t feel his own body as he falls to his knees, paying no mind to the other researchers around him. No, right now, it was just you and Veritas. Nobody else.

With trembling hands, he pulls your body close to his own as your blood taints his clothing. Even though he knows you’re too far gone already, he can’t help but try to feel your pulse, because there’s a part of him that just refuses to believe that he’s too late.

There was nothing.

It probably hasn’t been beating for a while, and that thought leaves him utterly empty, with a single stray tear rolling down his cheek.

If he were just a little bit faster, maybe he could’ve saved you. If he could’ve just formulated his words correctly so he could convince you not to go on this expedition. If he could’ve just apologized…

If he could’ve just been… a better friend.

All these could haves, yet Veritas didn’t act on any of them.

Pathetic.

Your phone is beside you, and Veritas gingerly picks it up. The screen was still lit, despite it being shattered to oblivion. It was open to the messaging app—specifically his contact.

It was never sent due to poor signal, but you were messaging him before you died. He was your last thought.

“I’m sorry Veritas. I just don’t want you to think I’m weak and incapable.”

“Still, I want you to remember that”

You were the one apologizing to him, even after everything was said and done. He can’t even fathom that.

And weak and incapable, huh. You were anything but that. If anything, Veritas was the weak and incapable one. He was weak for not being able to swallow his pride even if he was the one in the wrong—and he was incapable of simply apologizing to you.

And the last message… What is it supposed to mean? 

What do you want him to remember?

When Veritas was sent to Penacony and matters with the head of the Oak family, Sunday, had been dealt with, he was finally allowed to leave. It was the first mission the guild had assigned him since you left, and his efforts to prevent Aventurine from going on an all-out suicide mission helped Veritas take his thoughts away from you, even if it was just for a moment.

And yet, you always find your way back to haunt him. Not even the Land of Dreams could prevent that.

Still, he had done his part, sorted out his deals in Penacony as a representative sent by the guild, and it was time to go.

It’s been a few months since your death, and Veritas thinks that living without you is like living without the sun. It’s funny how he’s only realized how much you’ve changed his life only after you’ve gone. You lit up his life, both metaphorically and physically—and now, everything feels so dull, and he constantly longs for your presence in the darkness. 

But now you’re gone, and he feels so terribly lost, even now as he does paperwork in his office. Life became way more monotonous after you had left. The quiet is suffocating, because Veritas can only think about the times that the quiet office was filled with your voice instead. 

Even now, in the rare moments that Veritas picks up a book nowadays, he thinks about how much you would have enjoyed it as well.

Paperwork is one of the few things that he finds solace in anymore, as it helps him drown out his thoughts so they don’t end up drifting back to you.

…You.

His eyes land on your sword before he can even do anything about it, and he swallows thickly. Your blade is displayed on his wall, another way for Veritas to show his honor for you. 

The blade you singlehandedly used to defeat all those monsters, and the blade you’ll never be able to wield again.

He tears his eyes away from it before his thoughts can spiral again. He can feel his vision start to blur, and he blinks the tears away before they escape. He wonders how many tears he’s shed for you since you’ve been gone.

Veritas tries and fails to focus on his paperwork once more until he’s interrupted by a knock at the door.

He thinks a walk will do him good.

He stands up from his desk and slowly walks over to his office door, wondering who it could be. He rarely gets visitors nowadays, unless it’s something that’s of utmost importance. Everyone else is afraid to talk to him, as Veritas became… colder after your death.

If anyone were to ask why—it’s because when you died, a part of Veritas did too.

He turns the door’s handle, only to see…

You.

You were standing right in front of him, in the same outfit that you were in the day you left for your mission. Except this time, you were alive, and Veritas has no idea what to think.

You’re the first one to break the silence, whispering his name. “Veritas?”

Hearing you say his name feels like he can finally breathe again. “Y/N? Is it really you?”

Before you can even answer his question, he engulfs you in a tight hug, breathing in your scent. Veritas held you like his life depended on it—because at this moment, it felt like it did. He says the words that hve been on his mind for the past few months. “I’m sorry, I’m so sorry darling. If only I hadn’t-“

You pull back from the hug, putting your pointer finger against his lips as a signal for him to stop talking. Barely even registering the endearing name that he called you, you smile, cupping his cheeks before sighing tenderly. “I’ve forgiven you a long time ago, Veritas.”

He only hugs you tighter, coming to a revelation that only makes the pain in his heart ever worsen. He saw your lifeless body himself, he paid respects to your body at your funeral… and he laid your favorite flowers on top of your gravesite where your body rested, even though those flowers were supposed to be an apology gift. “You’re… not real.”

“I’m still in Penacony, right? This is all a dream.”

You smile, nodding in conformation. “Nothing truly gets past you, does it? You’re dreaming what you desire the most right now.”

“I promise you that we will meet again, Veritas. it will not be today, but the day will eventually come, and I’ll be waiting for you every step of the way.” You breathe in deeply. “But right now, you need to wake up from this dream, before it's too late.”

He’s not sure if he wants to wake up, though.

“But what if… I just want to stay here with you?”

“We both know it’s not what you really want.” You can see right through him. “If you stay with me in this dream, you’ll be living nothing but a simulated life. I may be here with you, but you’ll never truly fill that hole in your heart, because I am not Y/N. I’m just a creation of your deepest desires, and you know that I’ll never be her. That is not a life worth living.”

“I know she would want you to live your life to the fullest, to truly experience things, to teach your students unforgettable lessons… so they become great people like you.” You pause, looking right into his eyes. They’re filled with pain, sorrow, and the desire to cling on to the past. “And when your time comes eventually, she will be waiting for you. You will apologize once again, because you never got to apologize to her before she died, but she has forgiven you long ago, and it’s all because…”

Despite that, you have to teach him that it’s time to let go. “She wants you to remember that she loves you, Veritas Ratio.”

“Still, I want you to remember that… I love you.”

A tear rolls down his cheek at your words, and then another…. and another. “Even if I don’t know how to apologize?”

You let out a watery laugh, nodding your head. “Even if you don’t know how to apologize.”

“Then… I will do as she asks. It is the least I can do to make up for what I’ve done.” He says, and he takes a deep breath before his next words. “Can I… hug you one last time? Even though you aren’t… actually her.”

“Go ahead, Veritas. But I’m afraid that after this, you have to let go.”

You need to let go.

He nods before wrapping his arms around your figure. It was such a vulnerable act, like a man putting the entirety of his heart and soul out for you to take. He breathes in your scent, wanting to take it in once last time before he has to bid you goodbye. You feel a few of his tears staining your clothing, but you pay it no mind. 

How many tears has he shed for you since you’ve been gone? Not enough. He doesn’t feel that it’ll ever be enough.

When he opens his eyes, you’re slowly fading away from him. There’s a melancholic smile on your face, your eyes meeting his—filled with pain, sorrow, a desire to cling onto the past, and yet… a hint of acceptance.

“Still, I want you to remember that… I love you.”

Yes, he remembers. And he’ll remember your words for the rest of his life, until the moment that he leaves this cosmos on his deathbed. He’s just hoping that you’ll wait long enough for him to say it back.

Before you’re about to fade away completely, you lean in one last time and whisper to him…

“It’s time to wake up, Veritas.”

He wakes up from the dream pool with a gasp. The water splashes around him, and a few stray tears roll down his cheeks. 

The rest of his actual Penacony trip went by surprisingly smoothly, and he doesn’t mention the dream that he had to anyone. It was like a secret shared between you and Veritas–and he was going to treasure that secret forever. 

And now, the Charmony Festival has commenced, and the fireworks have begun. As he watches the sparks explode into thousands of dazzling rays of light above, he pulls out his phone to text you. Almost like one final goodbye, because he knows it’s what you would’ve wanted.

“I love you too, Y/N. I will love you my entire lifetime–past beyond the boundaries of eternity, even after all the stars long die out in the cosmos.

I long for the day that we will meet again… because then, I’ll finally be able to tell you this confession in person. For now, I hope you can continue to find the patience to keep waiting for me. 

…Until the stars align, and we’re able to see each other once again.”

He looks up to the endless bursts of blazing rays lighting up the night, mixed with the eternal shine of the cosmos. It was truly a sight to behold. And for a split second, he could feel someone by his side watching the fireworks with him. It warmed his heart, even if it were just for a moment. 

“Aren’t these fireworks beautiful, Veritas?”

“They will never be as enchanting as you, Y/N.”