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rafescvntyclubgf · 2 months ago

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𝓻𝓪𝓯𝓮𝔂𝓼𝓬𝓾𝓻𝓽𝓪𝓲𝓷𝓫𝓪𝓷𝓰𝓼

𝙽𝚊𝚞𝚐𝚑𝚝𝚢 𝙻𝚒𝚜𝚝 | 𝐊𝐢𝐧𝐤𝐦𝐚𝐬 𝟐𝟎𝟐𝟒 𝐃𝐫𝐚𝐛𝐛𝐥𝐞𝐬

𝔻𝕒𝕪 𝔽𝕠𝕦𝕣: 𝔹𝕖𝕙𝕚𝕟𝕕 𝔹𝕒𝕣𝕤

𝙳𝚎𝚊𝚕𝚎𝚛𝙼𝚘𝚋𝚜𝚝𝚎𝚛!𝚁𝚊𝚏𝚎 × 𝙳𝚎𝚙𝚞𝚝𝚢!𝚁𝚎𝚊𝚍𝚎𝚛

warnings: dark!rafe, swearing, cheating, pet names, degredation, name calling, mentions of murder, guns mentioned, drugs mentioned, biting, jacob’s ladder piercing, public p in v, edging, denial, threats, blackmailing, boot riding, oral sex, fingering, rough oral, hair pulling, ownership kink, icky!rafe

📖 this was a mix of two asks & I did put my own twist on it: #1 anon ask: omg for the holiday slutacular could you do dealer!rafe, forbidden love, biting, hair pulling and maybe a cute little piercing on rafe iykwim, and line 8 xxx #2 request by @nocoolusernamesavailable-blog - Mobster Friends to lovers love triangle / Obedience training with edging, denial and ruined orgasms. Maybe end the session with a ruin or just denial. Or maybe count the edges / Try to stay quiet understand

Masterlist

Reader’s POV:

The door clangs shut behind Shoupe, and with it, a part of you feels lighter.

You watch him through the glass partition as he adjusts his duty belt, his expression stoic. The downtown holiday parade’s underway—Shoupe heading out to oversee his deputies, managing crowd control. His movements are crisp, efficient… Everything about him screams order and discipline. He’s a good man, a good deputy, and a good boyfriend. He’s just good…

“You sure you’ll be okay here?” He asks, his blue eyes softening on yours.

“I’ve got this,” you reply, forcing a smile. “Go save Christmas.”

His lips quirk into a smile before he leans in, pressing a light kiss on your lips, quick, professional, almost impersonal. But that was Shoupe—steady, dependable, never reckless. He was the kind of man you built a life with.

He turns and walks out, and you watch him disappear into the chilly North Carolina night. The sound of the heavy door slams shut behind him. Then, like clockwork, you hear it. A slow, lazy chuckle that raises every hair on your body.

“Still settlin’ for vanilla. Huh, pretty?”

Your heart drops at the sound of his voice. Deep, smooth, and laced with mockery. You didn’t have to look to know who it was. Rafe Cameron. You swallow hard, willing yourself to stay calm.

“You’re not gonna say hi, baby?” His voice was louder now, drawing the attention of the other inmates. “We go way back. Don’t be rude, sweetheart.”

You turn slowly, boots echoing against the concrete floor as you walk toward his cell. You keep your expression neutral, but inside, everything’s unraveling.

Rafe stands at the bars, his big hands casually wrapped around the cold steel. He looks good. Too good. Prison’s sharpened him, but it hasn’t broken him. His caramel-colored hair is cut short; jawline more defined than you’d remembered, his five o'clock shadow gives him a dangerous edge. Rafe’s eyes—those goddamn eyes—they’re the same: fierce, calculating, and maddeningly irresistible.

“You’re not supposed to be talking to me,” you scold, folding your arms across your chest.

“And yet here you are.” Rafe’s lips bend into that lazy, confident smirk that once made you weak.

“I’m just doing my job,” you crack. “You wouldn’t know anything about that.”

“Ouch.” He presses a hand to his heart, feigning hurt. “Still got that fire. I fuckin’ love it.” You roll your eyes, turning to leave. “Wait.” His voice softens, taking on that familiar, enticing tone. “Come on, we can catch up. No harm in talkin’. Yeah? Just two old friends.”

“We were never friends,” you clip back, though the words feel hollow.

He chuckles again, low and rich, the kind of laugh that makes your stomach flip, and it does just that. “That’s not what I remember. We were more than friends, princess. You gotta remember that, no?”

Don’t let him get to you.

“You’ve got nothing to say?” He pushes, eyes narrowing. “Maybe Shoupe knows all about your past. Or maybe he doesn’t.”

And in a moment, everything comes to a screeching halt.

“I wonder what he’d think,” Rafe muses, tongue-in-cheek. “Deputy L/n, the straight-laced officer used to run guns… for me-”

“Stop, Rafe.”

“… Used to party a little too hard. Used to beg me for a taste.”

“That’s enough,” you hiss, stepping closer to the bars.

He leans in, his voice dropping to a whisper. “You think you can outrun who you are? You and me, we’re the same. We always have been.”

You shake your head, but the words cling to you like smoke. No. I’m not that person anymore. “I’ve got a good life now,” you stammer; voice shaky and hoarse. “A good man. A real job. I’m not your girl anymore, Rafe.”

His smile falters for a moment, but it’s back, more dangerous than ever. “Sure, you’ve got the uniform, the badge. But deep down? You miss it. The rush. The freedom-”

“You’re wrong-”

“… me. I know you do,” he smiles, as he finishes his words.

You hate how right he sounds. The weight of the badge on your chest feeling heavier with every second you stand by him.

“I should walk away,” you say, more to yourself than anyone else.

“But you won’t,” he smirks as his eyes lock onto yours, challenging you. “You never could say no to me.”

Your mind tells you to move, turn, and leave, but you don’t. Your feet stayed planted, pulse spiking.

“Come closer,” Rafe whispers.

You step in, hating yourself for it. The space between you is nothing now, just the cold steel bars. Rafe reaches out, his fingers brushing your wrist. The contact’s electric, sending a shiver down your spine. “Stop actin’ so tough, baby-”

“You’re delusional,” you whisper, but the conviction in your voice wavers.

Rafe’s thumb strokes the inside of your wrist, and you feel your resolve crumble to pieces. Rafe always knew how to break me down, piece by piece, until nothing was left but the truth.

“You can lie to yourself all you want,” he says softly. “But you can’t lie to me.”

Before you can stop yourself, you lean in. Rafe’s lips meet yours through the bars, a kiss that’s anything but gentle. It’s raw, consuming, filled with years of anger, longing, and darkness.

Rafe reaches out, cupping your sex in his large hand, before rubbing two long fingers on your clothed clit. “Remember how good I made you feel?” He mumbles, and you do.

“I remember you planting drugs and a gun in my purse, Rafe,” you hiss. “You would have ruined my life.”

“You were keepin’ ‘em safe,” he whispers as he undoes your belt with a single hand, plunging it into your panties the next, making you bite back a gasp. He clicks his tongue, chuckling smugly at the messy lace. “How are you always so wet?”

Your hand draws to him, too, cupping his bulge through his thin cotton uniform, feeling his rock-hard length underneath. “Fuck, Rafe,” you moan, remembering how he filled you just right.

“Try to stay quiet, understand?” He smiles cruelly. “Wouldn’t wanna stop,” he pulls away his fingers, stealing your pleasure with it, denying you only to start again, working harder and faster.

“Come in here. Yeah? I won't bite.”

“No… I can't. I-”

He laughs wickedly, rolling his lust-blown eyes. “Fine… Have it your way.” Resting his big hand on your head Rafe shoves you down to your knees. You grab the iron bars, peeking both ways fast before looking up at him nervously, the angle of the cell concealing you for the moment.

He runs his hands through his messy fringe, pushing bangs out of the way, giving you a better look at his beautiful blue eyes.

You wrap your fingers around his loose cotton pants, pulling them down, then his boxers. Your eyes widen as you take him in your hand, feeling the chill of six metal balls against your palm. You glide your thumb along the underside of his cock, touching the metal bars; one, two, three… You look up at Rafe, and he smirks.

“Don’t get too excited now,” Rafe mocks as his hand moves around, cupping the back of your head. You look at his fat tip, a tear of precum weeping onto the floor below. “Fuck, you look so pretty on your knees, baby.”

He pulls you forward, lips parting as you wrap your mouth around his swollen head, tasting him, tongue toying with the metal with every flick. Sucking him deep into your throat, you hear him moan; the man quickly catches himself, tilting forward, biting down on his muscular forearm to dampen his pleasured sounds.

Rafe thrusts forward, sending his cock deeper into your mouth, making you gag. “Jesus fuck, you got a throat on you, huh?” He lauds as he wraps a hand under your chin, feeling his dick pump in and out as he fucks your face.

You moan around his thickness, feeling pressure between your thighs as Rafe teases you with the toe of his shoe on your clit, urging you to rock against him, making your thighs quake. “You like that don't you?”

“Mpfhh…” You moan with a mouth full of dick.

“Like ridin’ daddy’s boot like a whore? Got this whole department under my thumb… Got their prettiest deputy ruttin’ her shit on my boot, chokin’ on my dick. Fuckkk… M’just show in off now. Ain’t I?” He drawls as tears tumble down your cheeks.

Your hand strokes and rolls his balls—his body tightening in your hand as you deep-throat his cock. “You better swallow it all,” Rafe rasps, with a challenging bite to his voice.

He throws his head back to the ceiling, hips stuttering as he paints your throat with his climax. You stay frozen in place, feeling him throb on your tongue, careful not to get any on your uniform.

“Mmm… Damn, that’s my girl,” Rafe sighs as he rolls his neck, taking and pushing out a deep, satisfied breath. “The fact that Shoupe’s gettin’ this shit’s gonna kill me,” Rafe mumbles darkly as he tugs you to your feet. “Ya know… M’not gonna be in here forever. Let me take care of him for you, angel. Hmm?”

“Rafe…”

He sucks his teeth and smiles. “Then again, what’s the fun in takin’ you away from him if he’s dead? Huh? I’ll think about it, n’get back to you.” He mutters through a breathy laugh.

“Don’t even joke about that shit-”

“Who said I am, princess?” Rafe wraps a hand around his cock, squeezing the base. “Turn around. Let me show you how much I missed you.” You turn around, and Rafe reaches for you, pulling your back into the bars, his big arms reaching around your waist, fighting with your zipper, tugging your uniform off your hips.

He wraps his big fingers around your panties, ripping one side then the next, making your eyes widen in horror at the volume of the tear. “Rafe, please,” you beg for him to stop being so loud, begging at the same time for his cock, a whirlwind of emotions swirling through your mind.

He tosses the panties back to his bed, turning back his attention to you with a toothy smile. “You can't imagine the shit I’m gonna do to those…” He whispers as he presses the tip of his cock against your glossy hole. You reach behind you, grabbing for his hips to coax him forward, but he doesn't budge, running himself through your arousal—teasing you shamelessly.

You can feel your wetness on your thighs, and so can Rafe. He lifts his uniform, taking it between his teeth to get a better look. Your head falls forward in pleasure as he thrusts in suddenly. His hands snake forward, grabbing your hips, pulling you as deep as he possibly can go with the bars in the way, making you let out an airy, soundless cry.

Rafe pulls out nice and slow, letting his piercings drag across your wet walls, making you gasp as you feel the little pops.

He starts to slowly pick up the pace—your pleasure growing with each movement of his toned hips. Your body claps against his, and you should stop, but you just can’t, the plop plop plop of his wet skin against yours, filling the space around you.

Rafe starts pistoning his hips into you, fucking you at a rapid pace, making you cover your mouth with both hands—tears rolling over the tops. “How bad do you wanna come in my cell right now? Got what, an inch or two more cock for that greedy little cunt of yours.” Rafe reaches forward, taking a fistful of your hair, yanking you back to his chest.

Your panting lips find him, Rafe smiling nastily against your mouth before sucking on your tongue. “That’s my girl,” he mumbles as he fucks into you sharp and hard, making your ass ripple with each thrust.

Rafe turns towards your neck, his warm breath fanning against your hot skin. He kisses you messily, gliding his tongue along the column of your neck before biting down.

“Don’t be so rough… There can’t be any marks. Please,” you plead with Rafe, his teeth already driving into your skin; your words just making the man even more determined to do so, nipping down harder, making you grip the steel bars to keep from screaming, a muffled whine coming out nonetheless.

“Baby, you have to be quiet, or they’ll figure out what Kildare’s finest is doin’ on the clock… Fuck, I always knew you were a slut f’me,” Rafe grunts, his hips never faltering, slamming harder into your warm, wet pussy.

“M’gonna cum,” you whimper.

“I know you are,” Rafe smiles, his hand already halfway up your body to cover your mouth before the first utterance even leaves your lips.

You cry out against his big palm, just praying he won’t pull his hand away, but you know Rafe wants to get out of here… He wouldn’t take that risk himself. Vile squelching fills the space around you. You reach down, grabbing the iron bars for support, hands twisting around the metal as your thighs clap against Rafe’s.

Your vision blurs as your body is taken by pleasure; Rafe continues to rail you from behind, pounding you through your orgasm as you cum around his big cock. Rafe groans in pleasure at the feeling—his toned hips snapping back, pushing into you as he cums hard, pressing his lips against you to swallow your moans and mewls. He pulls away, leaving you gasping for air. “You’re gonna help me, princess,” he says, his voice jagged and rushed. “You’re gonna get these charges dropped. And when I’m out?” He smirks. “You’re mine again.”

“Rafe, I can’t,” you sniffle.

“Can’t?” Rafe asks smugly. “But you’ll do it. Because if you don’t…” He trails off, letting the threat hang in the air.

Rafe pulls out nice and slow, making you shudder at the loss of him. You reach down, grabbing your pants fast, tucking your uniform in before anyone can see. You feel the warm sensation of Rafe’s cum rolling wet down your inner thigh, making even more of a mess.

You stumble back, breathing hard; your mind still spinning from your orgasm. You look at Rafe’s body as he pulls up his prison uniform: wet teeth marks at the neckline of his shirt, your arousal pooled around the bottom, his stiff, throbbing dick’s trapped in his pants, sticking out of the top of the elastic band, his swollen head glistening with your shared release. Rafe’s blue eyes glint wildly, staring right through your soul.

Your mind is screaming to run—to get as far away from him as possible. But you know the truth. Rafe Cameron wasn’t someone you run from. He was someone you face or surrendered to.

And right now, looking at the beautiful, wicked man before you, surrender felt inevitable.

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pascaloverx · 1 month ago

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STARVE

Summary: You lost your husband some time ago while he served as a gladiator for Emperors Geta and Caracalla. General Acacius saved you from becoming an object of pleasure for the emperors. Since then, he has taken you as his mistress. In your free time, you became a disciple of Ravi, the healer, dedicating yourself to tending to wounded gladiators. All seemed to be in perfect harmony until Hanno, a gladiator driven by a thirst for vengeance, crossed your path.

Author's Note: And the gods said: Starve will be a multi-chapter fanfiction (I hope readers will follow it all the way through). Without further ado, the characters belong to Ridley Scott's Gladiator II universe, though there will be significant deviations from the film. Historical accuracy regarding life in the Roman Empire may not always be strictly observed, so I hope you can overlook that. Yes, this story revolves around a love triangle, but I will strive to satisfy everyone. This fanfiction will include adult content, violence, and potentially coarse language. Enjoy!

one three

TWO

Days, perhaps more, have passed. You and Hanno have been meeting in secret, seizing moments when there was no sign of General Acacius. All that you were permitted to know was that he was recovering in the company of his beloved wife, Lucilla, who made it clear she wanted no trace of your presence near her husband. The absence of Acacius weighed upon you more than you cared to admit. To be denied access to him felt akin to holding your breath for far too long. Yet, your clandestine encounters with Hanno had proven to be a welcome distraction, enough to keep your mind from lingering too deeply on what you could not change.

"Your gladiator is requesting your care, Y/N. And while we are on the subject, your encounters under the pretext of physical care will soon spark rumors," Ravi remarks as he steps into the chamber where he keeps his healing tools. "General Acacius will be the first to rage if he learns of your escapades. Should Emperors Geta and Caracalla grow suspicious, they may presume you are seeking a new lover. Not to mention the possibility of Macrinus taking offense at your growing closeness with his gladiator." You remain crouched, organizing a collection of herbs, a faint smile tugging at your lips. Hanno needs you—or rather, he has summoned you for yet another session of personal defense training.

"Ravi, believe me, I am well aware of the risks I take in daring to draw close to Hanno. Yet, I choose to take them—something no one of sound mind would do. General Acacius will not always be there to save me in the future. Lucilla has made her stance on my involvement with him abundantly clear. You do not see him here, concerned for me, do you? Precisely for that reason, I must think of the future." You speak as you search for the garment General Acacius once left at your disposal, should you ever need to fight.

"Since you are so determined to take such risks, be cautious. The guards will bring Hanno to be treated, and you will have only that time to practice—whatever it is you two practice," Ravi warns, much as he does each time you and Hanno meet, repeating the same cautions.

"I shall change my attire. If you would, dear friend, make Hanno comfortable until I return," you say, rising and moving toward the exit of the space where you and Ravi have tended to countless gladiators. "If all goes well today, I shall be one step closer to becoming more than a healer or a lover. I shall be the closest thing to a warrior I can aspire to be." Ravi nods, though a hint of worry lingers in his expression. He is the closest thing to an ally you have.

Time rushes by when one is on the brink of doing something forbidden, but you no longer concern yourself with the consequences. You are resolute to take control of your destiny, even if that control is but a sliver. Once dressed, you secure the dagger Acacius once gifted you in a hidden compartment of your attire. It is your small but vital secret, and you are steadily improving in its use.

With purpose in your stride, you make your way swiftly to where Hanno is awaiting you. When you arrive, his eyes brighten at the sight of you. "I see your delay is justified; you look prepared for battle. Let us see if you can land a blow," Hanno says, advancing toward you with a predatory gait meant to intimidate.

You meet his gaze with an unflinching smile. "Save your words for when we’re truly facing off, gladiator," you reply, following him to the familiar training grounds. It is the very arena where countless gladiators sharpen their skills, preparing for the moment they will stand before the emperors in the grand coliseum.

As soon as you step into the center of the training grounds, Hanno strikes without warning. His sword arcs toward you, narrowly missing as you instinctively step back. At the start of this combat practice, both of you wield swords, though your grasp on its use remains novice.

"Have you lost your sanity, Hanno? I wasn’t ready," you exclaim, fixing him with a glare of irritation. He advances on you again, silent and relentless, as if transformed into a stranger intent on attack. His gaze is unwavering, his resolve sharp.

"When you’re defending yourself, no one will wait for you to be ready, nor will they show you mercy. I want you to see me as you would see any foe who dares strike at you," Hanno declares, his sword slashing toward you again. You react, relying on your defensive maneuvers, retreating step by step until a strategy for counterattack begins to form in your mind.

"I’m not so sure; you seem to be enjoying this far too much," you retort, timing your movements before landing your first offensive strike. It catches him off guard, a flicker of surprise flashing across his face. The gap between you narrows, charged with the thrill of the fight and something deeper, more electrifying.

"I am enjoying it just as much as you enjoy patching me up with that brute strength of yours, healer. Now, focus," Hanno says, parrying your blow with unnerving precision. It’s like a dance—each movement perfectly countering the other. You attack; he defends. He strikes; you block. The rhythm between you is almost hypnotic, an eerie harmony born of tension and skill. But then, in a risky maneuver, Hanno manages to disarm you. Your sword flies from your grasp, landing far out of reach. Now standing mere steps apart, your eyes meet, both of you breathing heavily. It feels like the end for you, so why not take a chance?

With a surge of reckless determination, you rush toward him, channeling all your strength into an attempt to topple him. In your mind, it isn’t Hanno you’re facing—it’s an enemy, someone who would do you harm. Your unexpected move catches him off guard, and he falls to the ground. By sheer luck or fate, his sword slips from his grip as well. Now, you find yourself on top of him, both of you unarmed. The air between you is charged, your breaths mingling as silence envelops the space.

"It seems I have bested the great gladiator of Macrinus," you say, pressing your body lightly against his, a triumphant smile on your lips. Hanno smirks, his hands firmly gripping your waist as he swiftly reverses your positions, pinning you beneath him with effortless strength.

"Do not be deceived, healer," he murmurs, his piercing gaze locking with yours. But you are not so easily subdued. With a practiced movement, you draw the hidden dagger from your vestments and press it against his neck, the blade gleaming in the dim light. "Your presumption is touching, gladiator," you retort, your tone both teasing and sharp.

"What will you do next, healer?" Hanno asks, his breath warm against your face. The tension between you ignites instantly, palpable and undeniable. Before you can respond, he pulls your face closer to his, his lips capturing yours with a fervent intensity, as though he means to consume you entirely. At first, you almost resist Hanno’s kiss—it feels forbidden, a boundary you should not cross. Since your husband’s passing, Acacius was the only man you had kissed. Yet, as Hanno’s tongue ventures into your mouth, you find yourself surrendering, the kiss quickly becoming mutual.

In truth, Hanno is devouring you, but you refuse to let him take the upper hand so easily. You tug at his hair with force, pulling him closer, demanding his full attention. The kiss deepens, its intensity increasing to the point of no return. You want him to feel your hunger, to know that you wish to consume him just as much. For all its forbidden allure, you crave this moment—not because of duty or obligation, but because you want it. You want to know what it feels like to kiss someone you shouldn't, to rebel against every expectation tethering you. Your husband was not forced upon you, but your marriage had been a safeguard. Becoming Acacius’ lover served a similar purpose. But with Hanno, nothing feels safe. And perhaps that is why you let this moment unfold. There is no security here, no veil of protection. If you and Hanno are caught, Acacius could kill him, both the Emperor Geta and Emperor Caracalla could execute you, and the repercussions would be endless. Yet, none of that matters as your lips clash with his in this reckless, intoxicating dance of defiance.

The kiss is all-consuming, so intense that, for a moment, it steals your breath. You pause, pulling away to recover the air you desperately need. Yet Hanno seems unsatisfied, his eyes locked on you with an intensity that threatens to unravel your resolve.

His hand cups your face, fingers tracing over every detail as if committing you to memory. When his thumb brushes over your lips, he murmurs softly, "Your lips remind me of hers, my beautiful Arishat." Reality strikes like a sharp blade. He is with you, yet his mind lingers on his late wife. The weight of that truth is unbearable. As he leans forward, seeking your lips once more, you push him away, creating the distance you now desperately need.

"I will not be her replacement," you think, your resolve firm. "Nor Lucilla’s substitute." Avoiding his gaze, your shame and frustration burn within you. Rising quickly, you make your way toward your quarters. You and Ravi must always be prepared to tend to the wounded, so your rooms are close to where the gladiators train and where Ravi keeps his healing tools.

"Healer," Hanno calls out behind you, his voice firm yet laced with something softer. He follows after you, refusing to let the moment end so abruptly.

"Gladiator," you say, turning to face Hanno. Your body nearly collides with his, but you take a step back, halting the chase that had ensued. "Our training is done. I think it would be wise for us to part ways now, so as not to confuse..." You pause, searching for the right word to define what you might be confusing, only for Hanno to step abruptly closer, almost closing the space entirely.

"I am not confused about anything, healer," he says, his tone firm yet sincere. "I was lost momentarily in a memory, but I assure you, I knew exactly who I was kissing." He takes another step forward, his presence overwhelming.

"The act itself is already a problem, gladiator," you reply, struggling to maintain composure under his intense gaze. "We should not have kissed." Before he can respond, both of you hear footsteps approaching. In an instant, Hanno’s hand moves to your waist, pulling you behind him as though to shield you from whatever danger may come. Ravi appears, nearly running toward you, his face etched with worry.

"General Acacius has been seen heading this way," Ravi announces, his voice hurried and panicked. "The guards are murmuring that he’s coming to see you, Y/N. I suggest we get Hanno out of here immediately, and you prepare yourself to receive him."

The mention of Acacius sends a cold dread through you. Him encountering Hanno now would spell disaster. "Tell the guards who brought Hanno to retrieve him from here," you instruct, your voice steady despite the storm brewing inside. "Hanno and I will change out of these combat garments, and I’ll distract Acacius while the guards take Hanno back to his cell. Ravi, I’ll need your speed."

Without hesitation, Ravi nods and rushes off to summon the guards. You, in turn, push Hanno toward a secluded area where he can change out of his training gear. "Change in there and wait for me," you instruct firmly. Noticing the swords in his hands, you swiftly take them from him despite his protests. With no time to spare, you carry the weapons back to your quarters while Hanno remains in the area where you and Ravi usually tend to injured gladiators. In the quiet urgency of your chambers, you hastily change your attire, your mind racing with the precariousness of the situation. Hanno waits silently, the gravity of the moment clear to both of you.

"Do you fear what might happen should General Acacius discover your association with the gladiator who recently sought his life?" Hanno asks as you enter the room where he waits patiently to be taken back to his cell.

"I do not fear for myself," you reply, adjusting your tunic with calm precision. "I fear that if you and he meet, there will be unnecessary bloodshed. As I’ve told you before, if you wish to kill him, do so in a duel—before the people of Rome. Sate the appetite of Emperors Geta and Caracalla as they watch you strike at each other in a frenzied battle for glory in the name of the gods."

Hanno listens intently, his expression thoughtful as he steps closer. Without a word, he helps you smooth the folds of your tunic, his touch deliberate yet gentle. "Will you tell him of our association, then?" he asks, finishing his adjustments and letting his hand linger briefly as it grazes your cheek.

"What is there to tell?" you counter, meeting his gaze with resolve. "Our association is no one’s concern." A smile spreads across Hanno’s face, slow and satisfied, as if your answer pleased him greatly.

Moments later, Ravi appears, his expression tense. "The guards are near," he informs, his tone clipped. His gaze shifts between you and Hanno, briefly noting the closeness between you, though he chooses to remain silent. With a small nod, Ravi turns to Hanno, gesturing for him to follow. Hanno casts you a lingering look before allowing Ravi to lead him toward the guards, leaving you behind with the weight of the encounter still pressing on your chest.

You wait patiently for General Acacius to arrive, though his delay stretches longer than anticipated. The thought suddenly strikes you—he might already be in your quarters, as he has been on previous occasions.

"Would you care to explain," his voice calls out, smooth and laced with quiet reproach, "what reasons led my beloved healer, whom I hold in such high regard, to abandon me to the care of Ravi instead of tending to me herself?" Turning toward the source, you find him stepping into view, pulling back the mantle that had concealed his face and form. His approach is measured, deliberate, and his gaze briefly flickers to the swords you had left behind without considering they might draw his notice.

"You should have sought explanations from your wife, General Acacius," you reply, your tone calm but firm, though the effort to keep it so is greater than it seems. "It was she who instructed me, in the presence of the guards no less, to withdraw from tending to your care." His footsteps pause near the swords, his attention drawn to their gleaming edges. The air between you grows heavier as his eyes shift back to yours, narrowing slightly as he regards you. You remain steadfast, though the distance you keep from him feels tenuous, as if he could close it with the simplest of steps.

"I was not informed of such a decision; I would never have allowed my care to pass from your hands to another's," General Acacius speaks softly, his tone a mixture of calm and yearning as he moves toward you with deliberate caution, yet there is a palpable hunger in his eyes.

"General, whether you authorized it or not is irrelevant," you reply, holding your ground though the weight of his presence begins to press upon you. "Lucilla no longer wishes for us to remain close. Surely, you remember that when all this began, you told me that if your wife were ever to object to our association, even if it was merely for appearances, it would end."

Your words are firm, yet the truth they carry sinks heavily into your own heart. You know now, with certainty, that the chapter of your life entwined with Acacius is nearing its inevitable conclusion.

"Those words were spoken before we became what we are today," Acacius responds, his voice steady yet filled with a quiet intensity. "Surely you know I have no intention of abandoning you." He steps closer, his gaze unwavering, his nearness suffocating in its allure.

"Do not worry for me. Your pity is no longer necessary, Acacius," you say, though the ache in your chest betrays the pain these words bring. Deep down, you have long feared that what he felt for you stemmed from nothing but pity.

"I have never pitied you," he murmurs, his voice low and filled with conviction. "Perhaps I felt empathy for your pain in the beginning, but after that—everything was real. Your presence makes me a better man." His hand reaches up to touch your face, tenderly tracing its contours as if to soften your resolve. He presses a gentle kiss to your cheek, an intimate gesture meant to draw you back to him, to coax you into his embrace once more.

"You owe your loyalty to your wife, not to me," you say, your voice faltering slightly under the weight of his gaze and the warmth of his touch. "We must no longer allow ourselves to feel anything beyond what is proper, Acacius." Even as you speak, your resolve weakens beneath his touch, his words a balm and a temptation all at once. He seems heedless of your protest, intent only on closing the distance between you.

"Lucilla has my loyalty, but you... you have my protection. I will not leave you unguarded," Acacius says, his lips almost brushing against yours, his voice weighted with emotion.

"Then you should know that my loyalty is no longer yours exclusively," you reply, steadying yourself as you deliver the words. You feel the sharp recoil in Acacius as he steps back, his expression hardening, though disbelief flickers in his eyes.

"I am involved with another," you continue, forcing the lie to your lips with a strength you did not know you possessed. "It may mean that I will no longer require your protection in the future." Your words are a dagger you wield with precision, for you know that to continue as his lover would jeopardize his marriage—a risk you cannot allow, no matter the desires that linger within you.

"Who would dare attempt to claim you, knowing that you are mine?" General Acacius demands, his voice edged with irritation that betrays a rare crack in his calm demeanor. His gaze narrows, his presence no less imposing, but the fury brewing beneath his words sends a shiver through you. You realize the fire you have kindled within him may burn brighter than you anticipated.

"Someone who does not fear the wrath of General Acacius," you say, your voice steady despite the undeniable pull of his proximity. You desire him, undeniably so, but you know you must not have him.

"It is clear that our involvement must end—now. Before it concludes in disaster," you declare, watching as Acacius processes your words, his gaze shadowed with an intensity that seems both pained and unyielding.

"Then let it be clear to you," Acacius responds, his tone laced with an unwavering authority, though no threat lies in his words. "Whoever dares to encroach upon what is mine will meet the edge of my sword without delay. Our bond will not be severed while either of us draws breath, Y/N. Keep that in mind." His declaration is resolute, not spoken as a plea but as a statement of his immutable commitment to you. It leaves you breathless, the weight of his words pressing against the fortress of your resolve.

"You cannot protect me forever, Acacius. Just as I cannot heal you forever," you murmur, stepping closer, your desperation palpable as though silently begging him to release you—to let you go before you both reach a precipice from which there is no return.

"Mea domina," he whispers reverently, stepping closer and pulling down the fabric covering your shoulder with deliberate care. His lips press softly against the exposed skin, lingering as if to seal a silent vow. The tenderness in his touch conveys more devotion than desire, a gesture that leaves you caught between longing and regret.

"I would die if necessary, but I will not abandon those I hold in the highest esteem. You and Lucilla are my priorities, and I will relinquish neither of you. If you place so much faith in this new interest of yours, let him come to me bearing a sword, and he shall find his end," he declares, his voice unwavering and resolute, his words resonating like a solemn oath.

Acacius lifts his hand to gently cradle your face, his thumb brushing your cheek as his lips trace a path of soft kisses along your temple, down to the curve of your jaw, and finally your forehead. His lips linger as if memorizing each contour of your face, avoiding your mouth deliberately—a clear boundary, or perhaps his way of expressing silent reproach for the words you have spoken. The kisses feel like a claim, yet also a farewell—his way of both cherishing and punishing, of reminding you of his commitment while withholding the one intimacy he knows you yearn for. The intensity in his gaze as he pulls back speaks volumes, as though he is willing you to see the depths of his resolve. "At times, it feels as though battle is all you truly understand, Acacius," you say, holding his gaze with a penetrating look, as if unraveling the depths of his thoughts.

"I am a man of honor," he replies, his tone firm yet measured. "I will not seek out the man who dares to involve himself with you, but neither will I stand idle should he attempt to take what is rightfully mine." His presence remains close, commanding and resolute, as though he seeks to claim not just the space but the moment itself. With deliberate care, Acacius reaches out, his hand brushing your face in a touch that is at once gentle and laden with unspoken meaning. It lingers, as if he wishes to commit every contour of your features to memory.

Without another word, he steps back, retreating from your chambers with the disciplined stride of a general accustomed to carrying the weight of empires. His departure leaves the room heavy with unresolved tension, the air thick with the echoes of what cannot be spoken. Alone, you are left to ponder the tangled web of emotions and loyalties binding you to both Acacius and Hanno. The weight of your entanglement bears down upon you, as inevitable as the arena’s call to blood and glory.

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astrolovecosmos · 1 year ago

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The 5th House + Romantic Themes/Tropes

Aries in the 5th House: Knight or hero saving their damsel in distress, competitor suitors, "bad boy/bad girl" with "nice guy/girl" dynamics, queen/princess saving the king/prince, a hard to catch chase, red roses and red lipstick, athlete or warrior connected love story, second chance love stories, couple vs. nature or unknown as they pioneer a new frontier, lingerie, things move fast, "no one else like you", fated lovers, lover's quarrels, innocent love, first loves, love at first sight.

Taurus in the 5th House: Worshipping each other's bodies, making love in nature, paradise themes, fancy venues, luxury, secret prince/billionaire stories, Cinderella-like stories, seduction, sensuality, aphrodisiacs, massages, the fastest way to their heart is through the stomach, willpower, ugly duckling themes, silk and cashmere, kisses on the neck, serenading, rose petals on the bed.

Gemini in the 5th House: Friends to lovers, pretend relationship tropes, sexting, online dating stories, pen pal lovers, long distance relationships, romantic academia, coffee dates, study dates, eloquence, unexpected softness, talking dirty, rivalries to lovers, Kama Sutra, twists and turns, love letters, vocalness, teasing, arguments.

Cancer in the 5th House: Old friend or flame love stories - maybe similar to second chances, parent trap themes, moonlight, waterfalls, ocean waves, baths, intimacy in the shower, cuddles, feeling wanted or needed, private or secret lovers, waterbeds, remembering and celebrating important dates like anniversaries and birthdays, sentimental love, nurturing their lover back to health themes, pearls and silver, traditional love themes, Romeo and Juliette, Titanic vibes, homecooked meals or lunches, long hugs.

Leo in the 5th House: Holiday romances or flings, everyone else can see how fated or good they are with someone - but they themselves are oblivious, wine, dance floors, flattery, adoration, gold, luxury, sex on the beach, roleplay, hot-blooded passion, romance that involves royalty, center of attention, turns heads, strip tease, mirror on the ceiling, professing undying love, great adventures, drama galore or a love worthy of the stage.

Virgo in the 5th House: High School sweethearts, devoted lover who does a service or keeps a promise for a dead partner, defending someone's honor or being defended, saving their lover from a bad partner or ex, loyal servant and royalty loves, light tracing, tickling, taking care of someone or nurturing them back to health, sexy outfits, plenty of praise and appreciation, couple's spa day or massage, attentive, caring, the details in love matter.

Libra in the 5th House: Love triangle stories, masquerades, balls, Parisian love stories or themes, opposites attract, wedding related romances (meeting at a wedding or stopping a wedding), lovers against the odds, love potions, star-crossed lovers, matchmaking, sunsets, pastels, clouds, rivals or enemies to lovers but with grace or focus on making peace, sensual moments, biting lips, charm counts for something, perfume, candles, oils, flower petals, champaign, strawberries or cherries, feathers, cliche seduction, inspirational love, love and art, love songs.

Scorpio in the 5th House: Enemies to lovers, dark romances, horror and romance, forbidden love, secret romances, "if I can’t have you, nobody will", vampires, magic or the occult, Phantom of the Opera, passionate kisses and touch, lingerie, naked, bondage, power, vulnerability, jealousy or possessiveness themes, leather, being by or in water, strong taste and fragrances, avenging your hurt or dead lover or being avenged, dark fantasies, secluded romantic places, overcoming fears or challenges together, psychology, villains and heroes, transformative love stories.

Sagittarius in the 5th House: Lovers from very different cultures or backgrounds, eloping, loveable rogue themes, fish out of water stories, deep thoughts and discussions, speed dating, daredevils and calling bluffs, adventure, "I can show you a whole new world", exotic romantic places, escaping with your lover, hotel rooms, casino or game nights, learning together, discovering something new about their lover frequently, lucky to find each other, free-spirited love, surprises and passion.

Capricorn in the 5th: Force proximity stories, love that grows or takes time, time-travel romance, historical romances, secret romances, age gap themes, gothic themes, consistency, lotion and oils, romantic music, power dynamics, fine wine, wealth and luxury, secret prince/billionaire stories, earthy and erotic, punishment and submission themes, respect and grace, powerful libidos, leather, antique or fine jewelry, beautiful crystals or gems, great smiles or teeth, unique bouquets, careful lovers.

Aquarius in the 5th House: Sci-fi romance themes, unconventional dynamics or roles, time-travel romance, beautiful minds and/or beloved geniuses, light touch, substances to enhance experiences or feelings, incense or candles, anything goes, the unexpected, unique gifts or romantic gestures, romance that shows how much their lover knows them, rebel lovers, acceptance, deep talks, mind melds, fetishes, spiritual and/or mental challenges, unique beauty, each partner doing their own thing, their lover being the only one to arouse passion in them or vice versa.

Pisces in the 5th House: Running to catch up to their lover at the airport, amnesia related love stories, hopeless romantic, poetry, daydreaming, soulmates, finding a muse or being one, kissing in the rain, foot massages, love songs, satin sheets, skinny dipping, oysters, champagne, roses, making fantasies come to life, eternal promises and fidelity, loving life and love, overly idealistic love stories, fairytales, healing themes, intuitive lovers or psychic connections.

#5th house #zodiac #astrology #romance #natal chart #aries #taurus #gemini #cancer #leo #virgo #libra #scorpio #sagittarius #capricorn #aquarius #pisces

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kindred-spirit-93 · 6 months ago

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me asf

listen the Chinese were cooking SO HARD with the “red string of fate”

#red string of fate #it is a beautiful concept #now all i can think of is some sort of blacksmith coming between the (ill) fated lovers #yk to cut the string #asdfghjkl #i like to season things with tragedy #can u tell i like to hurt myself #but not in a love triangle sort of way idk i dont like them at all #GUARDIAN ANGEL OH MI GOD #some couple prayed very hard for a child and they were blessed with a healthy lil girl yay #she grows up knowing peace and love from her family #probably affluential idk #anyway #she has a guardain spirit #maybe her parents made a deal with a diety #regardless #she falls in love with someone #i just realised the plot is inconsistent. welp still going #and they meet in secret and its just the fluffiest fluff ever #all the feels #(btw its not a noble x peasant)#i think theres a lot of that kind of 'forbidden' love already #its more once upon a time these two families had a very big argument and have been enemies since #so much so that looking in their general direction is sin bc people historically are silly like that sometimes #fr look up rivalries in pre islamic arabia. shit got wild. there was once a 100 year war started over a camel. ANYWAY #wait this is just romeo and juliet #fuck #*sigh*#guardian angel takes mortal form of village blacksmith and keeps an eye out for our girl (idk if she knows the parents know all do or none)#and one day thanks to guardian angel powers TM he forsees misery and pain if their union is to live on

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back2bluesidex · 1 year ago

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J-Hope Fic Recommendations (18+)

If you are already following me for quite some time then you should know that I am a massive masochist and I like to torture myself by reading and writing angsty stories. So, most of the stories that I recommended are angsty as well (might as well have sad endings). So please carefully read the warnings before proceeding. Have a happy reading.

And please don't expect much from me. There are several other rec lists far better than mine. The only motive I had behind creating this list to promote some of the stories, which I think are very underrated. especially angsty ones. These stories are beautifully written so.. I just wanted to let the authors know how phenomenal of a job they have done (As a writer myself I know how much this actually means). Thanks to these amazing writers and I am grateful that they decided to share their work here with us.

[Minors please stay away from my blog!]

Key: F - Fluff, A- Angst, S- Smut, Y- Yandere, *- Personal Favorite

Oneshots

1. Ash from his fire by @filmcrystal - A, implied S, cheating au

It will break your heart so please proceed with caution.

2. Forbidden Fruit by @deepdarkdelights - A, Y

This one deals with several triggering topics. Hence, read the warnings carefully. But I can say that you will love this twisted mafia Hoseok way too much!

3. Shadows by @borathae - A, exes au

One of the most underrated stories I have ever read! Yeah, it is very angsty and Hoseok is so cruel but... we all are masochist here. lmao!

4. Heaven sent by @aquagustd - A, F, S, f2l au

Sexy soccer player Hoseok is just another name for perfection.

5. Bound by @explicit-tae - S, kinda f2l

Talk abut BDSM! GOOOD Sweet Lord!!!

6. Jigsaw by @sunshinejunghoseokie - A *

I remembered crying after reading this one. So damn underrated that it physically hurts me!!

7. Delta Disorder by @bangtanintotheroom Y, S, Supernatural au

I don't usually read supernatural stuff but this demon Hoseok is way too sexy to skip!

8. Systems of Touch by @yeoldontknow - S, F, tiny A, S2l au

Beautifully written! The author used 100% of their capabilities to write this one. Perfectly drawn Professor Hoseok with a very attractive character of reader. Certainly a treat to read.

9. 2:00 AM by @likeastarstar - A, fuckbuddy Hoseok

Part of a series but can be read as a standalone. and Hoseok is a dick in this.

10. Love Quarrels by @mirahuyooo - A, F, mafia au

A cold yet soft mafia husband Hoseok chases behind his angry wife... could there be anything better than that?

11. The Hook Up ft. JK by @minisugakoobies - S

A little bit of a triangle.. but not love? if that makes sense.

12. Entelechy by @drmflm - suggestive (I believe)

Can't call this one angst and neither is this about Hoseok (he is there, don't worry). This one is more about the reader and her growth and it's beautiful.

13. Orgasms on the verge of a nervous breakdown by @sluttyandere - S, Y *

This is very dark and quite triggering, so please don't read unless you can handle those stuff.

14. For the night by @aseaofyoongi - A, S

I cried. that's all.

15. We Shouldn't by @beahae - S **

Hands down to one of my most favourite Hoseok smuts ever!!! This one has a Jimin follow-up so make sure to read that too.

16. Real or not real by @nmjoo-n - A, S, F **

Again one of the most exquisite Hoseok fics I have ever read!

17. Checkmate by @sunshinejoon - A, S

This was supposed to have a sequel but it is perfect regardless.

18. Do I wanna know - @yoongiphoria - A, f2? ****

Now, MJ knows how much I love this one. I often read this story and I never ever get bored of it! I love this to the core and you should too!

19. Scrap - @silv3rswirls - A, Y, S

Dark and sexy. Read the warnings carefully please.

20. It's a Promise by @sahmfanficbts - S, A, Arranged marriage au

Just read it.

21. Three by @hamsterclaw - S

Again.. VERY UNDERRATED!

22. Wonderwall by @kiara-ish - A with an open ending

Might not be for the faint hearted.

23. Infatuated by @bangtanfancamp - F

If you like high school love au then this one is for you.

24. Constellations of You by @persphonesorchid - S, F, established relationship au

This is so domestic that my heart almost exploded while reading!!

25. Burning flames or paradise by @/yoongiphoria - A, tiny f ****

MJ does magic.... that's all I can say.

26. Alone again by @archivedkookie - A, F

I loooove these kinds of stories. Just the right amount of despair with the right amount of hope... beautiful.

27. Feeling Good by @bonvoyagenoona - A, S

Everything I write about this will fall short.. so I will just shut up and let you enjoy the goodness.

28. Distracted by @dilfhoseokie - S

Ahem..

29. Drink Champaign in my airplane by @/bangtanintotheroom - F, S, F2l

Perfectly embodies a rich hot CEO friend Hoseok... a fun read.

30. Keynote by @missgeniality - S **********

MY MOST FAVORITE HOSEOK ONESHOT TO EXIST IN THE PLANET. yeah.. (this has a follow-up but I like this one better)

Series

The thing is that I don't usually read series. I just don't have that patience. So this list is pretty small and forgive me for that.

1. Transference by @dark-muse-iris - A, S, F, S2l *********************

[Completed]

I wasn't the same after reading this. I can't talk about this trantric therapist Hoseok, 'cause I will never shut up if I start.

2. Kanalia by @xjoonchildx - A, S, f (?) *********************

[Ongoing]

Honestly, who isn't a sucker for Lord Jung? You must be sick if you are not. (On a side note.. Kanalia is keeping me alive from jumping off trains on tough days)

3. Guarded by @/xjoonchildx - A, S, F, S2l

[Completed]

Mafia Hoseok with dogtags. I think that's enough of an introduction.

If you want to read the Hoseok stories I write, you can checkout my Masterlist.

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seratopia · 4 months ago

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vi x reader - get up

→ she/her pronouns!

vi thinks of you during the fight with sevika **note: you both loved eachother, back in the lanes. vi thinks you're dead. the last time she saw you was when you were both 17.

The slightest bit of dread starts to fill Vi's stomach when she sees Sevika's bubbling-hot blade pierce through the rickety pool table. The red from the blade is angry, glowing with melted residue dripping off of it. Vi quickly backs away from the table, throwing up her hands as to guard herself from the violent slashes of the sword.

Sevika slices through the table with ease, chopping up a triangle-shaped opening through the wood. As Sevika emerges from the burning-hot opening, she lazily throws her arm at Vi, sending a streak of hot light through the air.

Vi raises her gloves up, ducking her head down. With a smirk, Sevika mercilessly throws fiery slashes towards Vi, each of them growing larger by the second. Sevika marches straight into Vi, slamming down the scarlet blade down directly onto Vi's mech gloves. The gloves falter under the pressure, sending Vi's skin to bubble and blister from the heat.

Vi shrieks from the searing pain of the burn, just before Sevika pulls the knife away and throws a harsh punch to her face. With her vision slightly delayed from the blow, Vi throws a punch to Sevika. The woman sinks her metal fingers into Vi's arm, activating her blade to pierce straight through the mech glove.

Sparking and sputtering with HexTech electricity, the glove deactivates, thumping to the ground and bringing Vi with it. With Vi's hand still stuck in the heavy glove, Sevika takes the chance to hurl a hard punch to her face. Vi practically stumbles on the tips of her feet, the heaviness of the glove sending her face-first into the other side of the bar.

Sevika's arm conveniently starts to falter from so much heat, the bright purple glow beginning to flicker as she takes a few heavy breaths. Vi slumps to the ground, her face smushed into a mixture of bar floor and her own blood. Her brain is almost cloudy, where she could only hear the sound of her light breathing as she tries to refocus her vision.

There's the faintest flicker of you, a ghost of your glowing-white silhouette as her heavy eyelids begin to fall.

Almost, just almost, does Vi flutter her eyes closed, ready to give up.

"That was a real one." She hears you mutter, with a giggle at the end. Vi lets out a ghost of a chuckle.

A gentle, kind warmth fills her to her toes, drifting in blurred memories of you. Ones that are faded, altered, and distant. She's almost forgotten your face over the years, the sound of your cackle, how your skin feels against hers.

Vi hears the airy chuckle that she used to adore, picturing the way you used to laugh when she'd tease you back in the lanes. Your sweet, sugary voice practically pulls her mind awake, cracking open her eyes just the tiniest bit.

You're sat up top the counter, lightly swinging your legs up and down as you peer down at Vi with a tiny smile. She doesn't see you, but feels you nearby.

"I wish I could be there too, y'know?" You start, pausing your leg-swinging. "I'm sorry, Vi. I know it's hard." You almost whisper.

Vi sighs in response, tempted to twist her neck up in forbidden ways just to catch of glimpse of you. Are you really there? Did you come back from the dead? Did you miss her like she misses you?

You then step down from your seat at the counter, making no sound as you lightly kneel closer to her, placing your hands on the floor. She sees a hint of your hand at most, glowing pure white, unreal. You tenderly swipe away a lock of her pink hair away from her bloodied face, laying your cheek against your knee as you peer down at Vi.

For a moment, she forgets all about Sevika, basking in the warmth of your touch.

"She needs you... We need you. So, how about it, hm?" You say, bending down further so she can hear your quiet voice.

A light ignites in her silver eyes, slowly feeling her strength return to her. With a sigh, Vi squeezes her eyes shut. Despite all the pain, the deep ache in her arms, the gravity pulling her down to the floor, Vi pushes herself up with a groan. She spits out a gummy molar from her mouth, letting thick red blood drip from her nose.

Straining her arms to push herself up, Vi slowly raises her head, her eyes traveling from your knees, all the way up to your face. It doesn't seem real for a moment, seeing your smiling self as clear as day. Vi gazes into your eyes with an awed expression, her brows softened and her lips slightly parted.

You're beautiful, as young as the day she lost you.

With your eyes half-lidded, you slowly press your body forward, taking Vi's chin in your hand and pressing a tender kiss to her lips. Vi savors the feeling of your lips against hers; she forgets to move. Her eyes almost flutter shut again.

The kiss ends as soon as it starts, before you step back up to your full height. Vi peers up at you, and you give her a small nod, gesturing with a flick of your hand.

Her legs shake, her arms twitch, but Vi rises, pulling the heavy weight of the gloves with her. With a roll of her right shoulder, Vi stands back to her full height. She savors your appearance in front of her, wondering how long it'll be before you're gone again. She doesn't want you to go, whether you're real or not.

Giving you one last faithful look, you salute to her a goodbye. She slowly turns back towards Sevika.

Vi drops the broken glove onto the ground with a loud thud. Sevika's face twists into shock when she sees Vi, who spits out onto the floor and returns to her guard position.

"Go get 'em, Vi."

#vi #vi arcane #arcane vi #vi x reader #vi arcane x reader #arcane x reader #vi league of legends #violet arcane #x reader #reader insert #seratopia writes ⋅˚₊‧ ୨୧ ‧₊˚ ⋅#arcane #reader x character #character x reader #league of legends

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thatlittlered · 3 months ago

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rings of power men | tropes

warning(s): light TROP spoilers, gn!reader used throughout

author's note: most of these will be turned into actual fics :)

-.-.-

Elrond + friends to lovers

GIF by @fukutomichi

As kind as summer, as gentle as the soft rays of sun upon your faces whilst you sit in each other's company and he is weaving, unbeknownst to you, tales of your wit and beauty in his mind; poems he would never dare show you. It was love long before either of you knew what to call it.

Gil-galad + opposites attract

GIF by @fukutomichi

Born and raised the son of kings, Gil-galad has known nothing but duty during his lifetime. A King neither ventures, nor tries his hand at passing affections, and yet the curse of a still beating heart inevitably finds him when his lieutenant and trusted friend Círdan is apprenticed by a lovely lowly elf.

Celebrimbor + soulmates

GIF by @dailyflicks

It is instant, absolute. As if the two of you were born a mystical creature, bearing two faces, four arms and four legs, until the Valar separated you and forced you to spend eternity searching for your other half. In the worst of times and the most unlikely of places, the search has come to cease. Alas, so has the time of peace.

Arondir + forbidden love

GIF by @lousolversons

The Silvan elf comes to respect the race of men for what they are during his time in the Southlands and whilst he dare not admit it, it does pertain with knowing you. It is hard to care for the hateful gazes of villagers when your own gaze is so tender under the moonlight, your hands cold and decisive when you touch him here where no one can hear or see. Though he has not tasted mortality, it must taste like you and the urgency you kiss him with, as if in fear the sun might never rise again.

Elendil + forbidden love, age gap

GIF by @frodo-sam

This man was born to be your dutiful protector, loyal like no other and sworn to serve you as his ruler with everything he has. Loyalty and love tend to melt into each other, merge so that it is impossible to tell them apart. It is a tormenting, silent agreement that neither of you may speak on these feelings and yet, it... overwhelms.

Valandil + childhood sweethearts

GIF by @fukutomichi

To know and love Valandil comes as easy as breathing air. You have been doing both for just as long, you think. Childish adoration blossoms in time until your souls are tethered and he will commit his life to earning rank and making it official, from the streets of Númenor to the edge of the world, where he hopes to travel with you.

Isildur + love triangle, second chance

GIF by @vidalharkness

Isildur has always held a deep admiration for you, a childish infatuation even, but your bond with Valandil always comes before all and he happily accepts things as they are for a long time. Friendship is of equal, if not grander, worth and he considers both of you his dear friends above all. Until Valandil is killed, that is. The love each of you have for him and each other perseveres until grief threatens to swallow you whole. On the precipice of desperation, a teary kiss is meant to bring comfort. Yes, of course. That is what this must be.

-.-.-

bonus:

Adar + enemies to lovers

GIF by @anthemias

Sauron saw in you every weakness, every earthly, pathetic desire to be appreciated and loved when everyone and everything has been cruelly ripped from you. To be part of something larger than the pain eating away at your chest until your days in Middle Earth are over and you can find refuge in the arms of those who unlike you, gave their lives for a greater cause. He saw and took full advantage. Adar sees it now too when he looks at you; the agony of knowing you have played into the hands of evil itself just as he has. There is always a sliver of affection in understanding another, is there not?

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literaryvein-reblogs · 16 days ago

Note

can you make a couple reasons on why two characters would be enemies? Tysm!!!

Character vs. Character Conflict

also referred to as person vs. person, man vs. man conflict, or protagonist vs. antagonist

Power struggles - In many instances, conflicts arise due to issues of power. For example, one person or group desires control over another, leading the other to fight back against injustice.

Oppressive authority figures - Often, this is where the man vs man conflict overlaps with man vs society. Here, characters facing oppression from authority figures (such as an authoritarian regime) undertake resistance to achieve liberty.

Revenge - A protagonist feels as if they have been personally wronged by another character and vows revenge, setting up a complication that needs to be resolved when the two finally come face-to-face.

Love triangles - Two characters find themselves in love with the same person, leading to an unwanted rivalry driven by jealousy of one another and the desire to win the heart of the person they both love.

Examples are the best way to get a feel for what all “man vs. man” conflict encompasses, so here’s a short list of ideas:

Two lovers arguing over disagreements

Knights engaging in a dramatic jousting tournament

Two siblings fistfighting over the TV remote

A corporate employee pranking their coworker

A hero finally facing off with the villain in a battle to the death

Two parents battling over custody of their child

A person getting mugged on their walk home from work

Two competitors trying to ruin the other person’s ability to compete

Two shoppers fighting over who gets to buy the last copy of a video game on the shelf

Examples: Man vs. Man Conflict in Literature & Film

The miller's daughter outsmarts Rumpelstiltskin

Cinderella is freed from the household of her evil step-mother

Greek Mythology: Theseus slays the minotaur

Rebecca: (The Second Mrs. de Winter vs. Mrs. Danvers) After a whirlwind romance with an English Aristocrat, a naïve American woman arrives in Cornwall as the new lady of Manderlay, an opulent coastal estate. But no sooner than she drops her bags at the doorstep, she is met by Mrs Danvers, a frosty housekeeper who’s still intensely obsessed with the first Mrs. de Winter, who died on a sailing trip less than a year before. Convinced that her employer’s new wife intends to replace her beloved Rebecca, Mrs Danvers starts a sneaky campaign to undermine the second Mrs. de Winter.

The Great Gatsby: Self-made millionaire Jay Gatsby wants nothing more than to win over his childhood crush, Daisy Buchanan. Standing in the way of Gatsby’s goal is Daisy’s husband, Tom Buchanan, an old-money cad with a mile-wide mean streak.

The Prestige: Christopher Nolan’s The Prestige features two rival magicians in Victorian England, each determined to master a mind-bending illusion: teleporting a person from one side of the stage to the other in an instant. One magician (Borden) is secretly a pair of twins sharing a single identity to protect their trick, while the other (Angiers) clones himself onstage each night and murders his original to keep the performance seamless. The fierce competition pushes them to start cutting moral corners, sacrificing relationships and even their own mental and physical well-being (or replicas thereof) in pursuit of the perfect illusion. The rivalry is used to highlight how ambition, when pushed to the extreme, can corrode even the most gifted and passionate hearts.

Othello. In Shakespeare’s play, Othello is in conflict with his confidant, Iago. Iago believes that Othello is after his wife, a conflict that only deepens when Othello promotes another man over Iago. Slowly, Iago begins to take measures to destroy Othello.

The Old Man and the Sea. In this classic Hemingway tale, the fisherman Santiago is having a streak of bad luck. He is so unlucky that his apprentice, Manolin, is forbidden by his parents to go fishing with Santiago. Although Santiago wants his apprentice to go fishing with him each day, Manolin needs to learn to fish from someone who is more successful.

Robinson Crusoe. When the book’s titular character is marooned on an island after a shipwreck, he encounters the island’s locals, who are cannibals. Crusoe first wants to kill them but decides against it; his reasoning is that the cannibals don’t think that what they’re doing is wrong. In confronting a group of people with wildly different values and views from his own, Crusoe faces the ultimate character vs. character conflict.

Character vs. character conflict - two characters have motivations, desires, needs, or beliefs that place them in opposition with each other.

This type of literary conflict places characters in a situation where these motivations and beliefs are tested.

While the conflict may be resolved with one character defeating another, it can also be resolved through persuasion or conversion.

This is an external conflict (rather than an internal one), meaning that characters face resistance from a force outside themselves.

How to Write a Character vs. Character Conflict

A character vs. character conflict can provide tension in a story. This type of conflict can also be used to highlight or expose certain characters’ strengths, weaknesses, and deeply held beliefs. Use the following tips when creating a character vs. character conflict in your writing:

Decide which two characters will be in conflict. Flesh out their desires, motivations, and the source of their conflict. Think about their lives and their histories. Write a detailed backstory for each character, and include factors like family, what they have lost in life, how they have been hurt, and what their most cherished memories are. This may seem like a lot of detail and it may not even come up in the story itself, but these characters’ full backgrounds will help you create a richer and more realistic conflict.

Next, decide how your plot will lead these two characters into conflict. If your characters don’t know each other yet, create a scene in which they come together. If they already know each other well, think of how your story can bring the topic of their conflict to the forefront. Maybe one is keeping a secret from the other, for example, and the conflict will begin once the secret is revealed.

Make your conflict matter. If your characters are arguing over ice cream flavors, it will be hard for the reader to get invested. Giving the conflict real stakes is what keeps readers interested and also allows you to create greater insight into your characters. You can continually escalate the stakes of the conflict throughout the story to create more tension before your final resolution.

Consider combining your character vs. character conflict with other types of literary conflicts. Other types of external conflict can place your characters in conflict with nature, society, technology, or the supernatural. Perhaps you want to include a subplot in which your characters are in conflict with an external force; alternatively, you can also give your characters an internal conflict, in which they are struggling with their own beliefs or values.

Sources: 1 2 3 4 5 6 7 8 ⚜ More: References ⚜ Writing Resources PDFs

Hope this helps with your writing!

#writing ideas #writing tips #writeblr #character development #literature #writing reference #dark academia #writing prompt #spilled ink #writers on tumblr #creative writing #writing inspiration #writing advice #on writing #character building #writing resources

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apoloadonisandnarcissus · 18 days ago

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Understanding “Wuthering Heights” inspiration in “Nosferatu” (2024)

Did anyone ordered the horror version of “Wuthering Heights”? Because Robert Eggers delivered.

Ellen and Orlok are toxic as hell; this should go without saying. Their whole deal is about pure obsession, persecution, sex and death. It’s a blend of hatred and passion, all consuming and self-destructive, inspired by Catherine and Heathcliff from Emily Brontë’s “Wuthering Heights” as confirmed by Robert Eggers. Orlok both disgusts and attracts Ellen. It’s “unhealthy and parasitic form of love” and there’s a “mutual yearning” between these characters, and a love triangle with Thomas, like Lily-Rose Depp says, as Ellen is in love with them both:

“This demonic, dark fairy tale could be a young woman torn between two men, both representing different parts of what she wants. The desire and disgust serves as a mirror for the shame that we feel, certainly the shame that I’m sure a lot of women felt at the time.”

We are also told Ellen both hates and enjoys her psychosexual connection (dreams, possession, etc.) with Orlok, being riddled with guilt and shame, due to Victorian views of sex (as Lily-Rose Depp explains).

Catherine and Heathcliff from “Wuthering Heights” are one of the darkest pairs in English literature, and even Robert Eggers call them “one of the great demon lover stories of all time”, and how the reader is always wondering about the ambiguity of Heathcliff’s feelings for Catherine, if he loves her or not, if he wants to possess or to destroy her. Robert Eggers also said he returned to “Wuthering Heights” a lot while writing “Nosferatu” script.

“At first it was sweet, I had never known such bliss. Yet it turned to torture, it would kill me. […] He is my shame! He is my melancholy! He took me as his lover then, and now he has come back. He discovered our marriage and has come back!”

“Wuthering Heights” (2011)

How deep does this inspiration runs in the film? Can it help us to understand Ellen and Orlok’s dynamic? And the love triangle with Thomas? And even the ending?

This “ambiguity” also seems to be Eggers’ goal with Ellen and Orlok’s relationship on his adaptation of “Nosferatu”: the dialogue shows the hatred, while the love is represented in the symbolism of the lilacs, and the lust/passion with their body language.

We have some interesting references to Catherine on Ellen’s backstory (when she talks to Von Franz); she liked playing in the woods as a child, and her father called her “his little changeling girl” (as in the European folklore of children kidnapped by fairies or demons and a substitute being left in their place), implying she was mischievous and wild, like Catherine herself. In her teenage years, like Catherine, she develops an intense, passionate and secret relationship with Orlok/Heathcliff. While Catherine and Heathcliff had the moors, Ellen and Orlok had a garden of lilacs (according to the prologue, and since we have no other indication, let’s assume that was their usual “meeting spot”).

In both cases, these relationships are socially inappropriate and sort of forbidden (Heathcliff’s ethnicity and poverty; and Orlok is a undead demon vampire), and they would make Ellen/Catherine into a social pariah, dead to society (in Ellen’s case, literally) should they commit to it. Which is why they don’t, and choose Edgar/Thomas instead.

“Wuthering Heights” (1992)

Ellen’s wild and passionate affair with Orlok came to an end when she met and married Thomas Hutter; like Catherine and Heathcliff when she met Edgar Linton. Both Thomas and Edgar are gentlemen, graceful and well-mannered, embodied with civilized virtues. Catherine loves Edgar because he’s handsome, young, cheerful and rich, and marries him to fulfill societal expectations, but her love for Heathcliff is ever present, haunting and tormenting her.

I’ll add a personal note here: while I loved “Nosferatu”, I think the previous relationship between Ellen and Orlok should have been more fleshed-out on-screen, during the prologue. Because the entire story feels a bit contrived due to that lack of context. We only saw her summoning him and when he revealed himself to her, and the rest of the clues about their shared past are all over the place, and are causing a lot of misunderstanding on the audience. Eggers probably didn’t want to “humanize” his monster too much and keep the horror element, but the message gets a bit “lost on translation”.

Why does Ellen loves Thomas? She says to Von Franz she became “as normal” when she met him, and we have several mentions of how his love saves her. He represents her chance at a normal life (societal expectations), and she sees him as her savior. In a way, Catherine also saw Edgar as her “savior” from a life of poverty, the life she would have had if she married Heathcliff, even though she considers him her soulmate. Ellen’s “epilepsies” stopped when she met Thomas; as Catherine also loses her “wild ways” when she meets Edgar. Nevertheless, Orlok’s memory is always haunting her (like Catherine with Heathcliff), as symbolized by the lilacs on her wedding outfit, her gowns, and even her perfume.

Thomas also shares similar traits with Edgar: kind, polite, loyal and is a good and supportive husband to Ellen/Catherine, even though they don’t fully understand their emotional turmoil/darkness, they stand by them. Both characters have a gentle and nurturing nature, and try to provide Ellen/Catherine with a comfortable and stable life. While Edgar is rich, Thomas is hard-working. They will both be grieving widowers. Like Edgar, Thomas is the antithesis to Orlok/Heathcliff in this story. Edgar is a model of tenderness and constancy, like Thomas himself; while Heathcliff/Orlok are the complete opposite.

“Wuthering Heights” (Minisseries, 2009)

Like Catherine and Edgar, Thomas and Ellen’s love is marked by kindness, and a desire for stability, but is always haunted by Orlok/Heathcliff passionate and destructive love/obsession. In both stories, this leads to tragedy, suffering and emotional pain for the three characters.

In her heart, Catherine wants to be with Heathcliff, but her mind tells her she must marry Edgar. She’s deeply conflicted about the whole ordeal, torn between her love for two men, and her own nature vs. social expectations of her. This is also what we see with Ellen, when she tells Thomas about her dream of marrying Death (Orlok) on their wedding day. And how she has never been so happy in her entire life as in that moment. And the scent of lilacs was strong in the rain, symbolizing her connection with Orlok.

Both Orlok and Heathcliff become obsessed in getting revenge for the way Ellen/Catherine left them, planning their entire existences around the goal of destroying Catherine and Edgar’s families, after he returns to Wuthering Heights. Which is, pretty much, what Orlok does in “Nosferatu”, by targeting Thomas and the Hardings. Heathcliff violent, bitter and vengeful nature is revealed in this plot, and he’s ruthless and merciless.

Which, again, is very similar to Orlok’s actions in Wisburg (even thought they were already a part of the original story, Eggers gave it a new layer of intention). However, and even though he feels deeply betrayed by Ellen, Orlok (like Heathcliff) never targets her, directly, but wants to torment her by destroying her loved ones, as revenge for leaving him and marrying Thomas/Edgar instead. "You are my affliction", says Orlok. Of course, this is taken to an extreme on “Nosferatu” because it’s a horror film.

“You teach me now how cruel you've been - cruel and false. Why did you despise me? Why did you betray your own heart, Cathy? I have not one word of comfort - you deserve this."

Once he returns to Wuthering Heights, Heathcliff visits Catherine and Edgar’s house often, and Catherine herself can’t take her eyes off him; which parallels Ellen’s “hysteric fits” in “Nosferatu”; as Orlok coming between Ellen and Thomas. Like Catherine, Ellen is also distress by these visits (“epilepsies”) but finds it extremely hard to resist engaging with Heathcliff/Orlok: “his pull on me is so terrible, so strong”. Catherine and Heathcliff’s separation did not change their feelings and they yearn for each other even more; in “Nosferatu” this is visible in Ellen and Orlok’s body language.

“You loved me then, what right had you to leave me? What right, answer me, for the poor fancy you felt for Linton? Because misery and degradation, and death, and nothing that God or Satan could inflict would have parted us, you, of your own will, did it. I have not broken your heart, you have broken it; and in breaking it, you have broken mine.”

When Edgar realizes the depth of Heathcliff’s influence on Catherine, he feels threatened, insecure and jealous. We see this on “Nosferatu” when Thomas has sex with Ellen after she tells him “you could never please me as he could”, as he gets insanely jealous of her words. This scene is also a reference to Catherine weaponizing Edgar and Heathcliff jealousy against each other; when she taunts Edgar for being weaker than Heathcliff, and rubs her marital happiness on Heathcliff’s face (we see this when Ellen tells Thomas to let Orlok see their love).

Like Edgar, Thomas also loves Ellen, deeply, but her “divided affections” cause him emotional pain and frustration, especially as Ellen/Catherine is drawn back to Orlok/Heathcliff: “Stop this, Ellen! I love you!” Even when Ellen’s connection with Orlok consumes her, Thomas remains loyal to her, like Edgar with Catherine. In “Nosferatu” we don’t know, but in “Wuthering Heights”, Edgar buries Catherine on the moors, after her death, and then has himself buried next to her, decades later, instead of his family crypt.

“Heathcliff would as soon lift a finger at you as the king would march his army against a colony of mice.”

We also see the rivalry between Thomas and Orlok in “Nosferatu”. Like in the original “Dracula” novel, the Count lures him into a trap by making him travel to his castle, where he steals the silver heart locket Ellen gave him, and bitterly says to Thomas “you are fortunate in your love”. Orlok smelling the strand of Ellen’s hair is also a reference to when Heathcliff does the same to Catherine. And then tries to kill him, but he manages to escape. Like Heathcliff, Orlok also speaks ill of Thomas to Ellen herself, weaponizing his greed, while implying Thomas doesn’t really love her. Heathcliff also says Edgar just performs his duty, while he’s the one who truly loves Catherine.

Heathcliff and Edgar’s fights cause the deterioration of Catherine’s health until she locks herself in her room, spiraling down into delirium and depression, tormented by nightmares and hallucinations. Catherine’s madness appears to be the reference for Ellen’s mental condition in the film. Catherine is also distressed and protests over Edgar’s response to her illness (retreating to society and his library). In “Nosferatu”, we can see this with Ellen’s distress over Thomas leaving her, at the beginning of the film, as he dismisses her prophetic dreams as “fancies”.

“Because I'm weak, my brain got confused, and I screamed unconsciously. Don't say anything; but stay with me. I dread sleeping: my dreams appal me.”

Catherine’s madness is a combination of things we also see in Ellen’s character. At its core is Catherine obsessive, tumultuous and passionate connection with Heathcliff. We see this with Ellen and Orlok, and she calls him “her melancholy” and “her shame”, as they share a deep, sexual and spiritual bond. Like Catherine and Edgar, Ellen’s marriage to Thomas is rooted in security, stability and social respectability, and it should be everything she’s supposed to desire and aspire, but it’s unfulfilling and suppresses her true nature (in Ellen’s case it’s her supernatural abilities, and she also wishes Thomas was more passionate).

This is also align with Lily-Rose Depp words:

“I think in a lot of ways, he's [Orlok] almost a symbol of the things that you don't want or that you shouldn't want, and yet you are so drawn to. I think a lot of what Ellen is going through is an internal battle between all of this darkness that she's always had within her, and then the light that she's trying to cling to. I think he [Orlok], of course, is the manifestation of that, of that darkness. We definitely wanted it to feel like a love-triangle in a lot of ways and it's a love story in the end. I think she really loves Thomas and I think she does though have this twisted yearning for this darker realm, and I think [Orlok] is the embodiment of that.”

Catherine feels trapped by her life choices which are a consequence of Victorian society, which has strict expectations of women regarding marriage, class and behavior. Her all-consuming love for Heathcliff, her unfulfilling but agreeable marriage to Edgar and her identity crisis, create a profound internal conflict that lead her to her tragic decline and premature death, as a consequence of her depression.

Both men suffer deeply with her death; Edgar with calm sadness (which is what we see with Thomas at the end of “Nosferatu”) while Heathcliff is full desolation and anguish, begging for her ghost to haunt him as he begins a path of self-destruction. Catherine’s ghost indeed haunts Heathcliff for eighteen years, and we see a reference to this on “Nosferatu”, too, when Anna Harding tells her husband: “Clara asked me today if Aunty Ellen has become a ghost.”

“It would degrade me to marry Heathcliff now; so he shall never know how I love him: and that, not because he’s handsome, Nelly, but because he’s more myself than I am.”

Like Catherine, Ellen doesn’t reveal the depth of her feelings for Orlok/Heathcliff to him until the bitter end, nor any character in the story, besides Nelly and Von Franz (and even then is very cryptic, which makes the audience think she has none, and that’s why the lilacs are there). But both Orlok and Heathcliff are very much aware of them, as Heathcliff says “you know as well as I do, that for every thought she spends on Linton, she spends a thousand on me!”

Orlok: “Your passion is bound to me.” Ellen: “You cannot love.” Orlok: “I- cannot. Yet, I cannot be sated without you. Remember how once we were? A moment. Remember?” Ellen: “I abhor you.” Orlok: “You are false!” Alexa play “Wuthering Heights” by Kate Bush

Catherine loves Heathcliff because their souls are the same: “He's more myself than I am. Whatever our souls are made of, his and mine are the same.” In “Nosferatu”, this translates in the covenant between Orlok and Ellen: “As our spirits are one, so too shall be our flesh. You are mine.” They also share the same nature; when Ellen says she has felt Orlok crawling like a serpent on her body, he says it’s her own nature, a nature she denies (“you denied yourself”). And while Catherine loves Edgar, she recognizes their spirits are “as different as a moonbeam from lightning, or frost from fire”; which is the same with Thomas and Ellen, as he worries about money and social status, and she doesn’t, he’s more restrained in his affections, while Ellen is more passionate.

This is aligned with Robert Eggers explanation, and so, indeed, the “Wuthering Heights” inspiration is very clear in this story:

“Ellen’s husband loves her, but he can’t understand these ‘hysteric’ and ‘melancholic’ feelings she’s experiencing, and he’s dismissive of her. The only person she really finds a connection with is this monster, and that love triangle is so compelling to me, partially because of how tragic it is.”

Edgar/Thomas represents safety and social stability (society), while Heathcliff/Orlok embodies wild passion and freedom (nature) in Catherine and Ellen’s narratives. In Ellen’s case this is even more evident with the corset symbolism (restrictive and cagey); in every scene she has with Orlok, she never wears a corset, as she’s usually on her nightgown. The only exception is when she wears her wedding dress in their final scene, and even then, she ends up fully naked before him, fully liberated from social restraint, fully embracing her nature (which can also be a reference to Carl Jung’s “assimilation/integration of shadow” theory).

Eggers also makes the distinction between “love” and “passion” in his script; Thomas is “love” while Orlok is “passion”. This has occult meaning, but it can also be a way of showing to the audience this polarization/dichotomy in Ellen’s narrative. Because Ellen equals “love” with “sacred” and “salvation” in the script; while “passion” is “unclean” and “abhorrent”. Which is very much in line with Victorian views of sex (passion) and marriage (love); “passionate sex” is sin and unholy (demonic); while “marriage” is love sanctified by religion (sacred).

Ellen spent the second act of the movie talking about how Thomas love has “saved” her from her connection with Orlok, and on the third act is Thomas himself who wants to embody the “savior” role; as he’s determined to destroy Orlok, and then runs to try and save Ellen. But Ellen begins the third act by saying to Von Franz: “I need no salvation”, and how she has always been true to her own nature, as Von Franz asks her to be true by it now, because only her can redeem them. But Ellen accepting her true nature means accepting Orlok, because they are one spirit, like Catherine and Heathcliff.

“I am Heathcliff! He’s always, always in my mind-not as a pleasure to myself, but as my own being. So don't talk of our separation again - it is impracticable.”

But Catherine wants to “have her cake and eat it too”, by having both Edgar and Heathcliff in her life, until she’s faced with the impossibility of having both, and is forced to choose.

We also see this happening in “Nosferatu”, but, unlike the novel (where it’s Edgar who gives her an ultimatum), here it’s Orlok who forces Ellen/Catherine to choose between him or Thomas/Edgar. It wouldn’t make any sense to be Thomas, let’s be honest. In both cases, this is not really a choice, because Catherine choosing Heathcliff would mean leaving her husband, damaging her reputation beyond repair, and she would be ruined. It would be want we call “social suicide”, nowadays. Ellen choosing Orlok means choosing “dead to society”, too, literally.

“Will you give up Heathcliff hereafter, or will you give up me? It is impossible for you to be my friend and his at the same time; and I absolutely require to know which you choose.”

The hopelessness of Catherine and Heathcliff love (besides all the angst), it’s that they can’t ever be together in life, and yet desire it strongly, which leads them both to their ends, on a path of self-destruction. They eventually blame each other, despise each other, while being drawn and attracted to one another. As Catherine goes deeper into madness, the more consumed and obsessed with Heathcliff and death she becomes, to the point she equals her love for him with death itself.

In “Nosferatu” we see this with Ellen and Orlok, too: “He stalks me in my dreams, all my sleeping thoughts are of him, every night-” and how she refers to Orlok as “death” (as he literally is in this story). Like Catherine and Heathcliff, it’s impossible for Ellen and Orlok to be together in the living world, as they can only be united in spirit/death: “you are not for the living. You are not for human kind”. And like Catherine and Heathcliff, this sets them both on a path of self-destruction, and torment for everyone around them, which only ends with their deaths.

Catherine is unable to choose, which will culminate with her premature death, as she’s tired and feels trapped in this physical world. This is what we see with Ellen in “Nosferatu”, since she saves Thomas’ life (+ everyone else) and dies alongside Orlok, breaking the curse of Nosferatu.

In “Nosferatu” we also have the reference to Catherine’s window, as we always see a window in connection with Ellen and Orlok. Symbolically, windows are a veil between life and death, and barrier to the supernatural. In “Wuthering Heights”, Catherine is often at the window, her ghost makes apparitions at the window, Heathcliff begs her ghost to come through his window. Doors and windows are usually connected with Catherine and Heathcliff’s separation and his inability to reach her. In “Nosferatu”, we also see this: in the prologue, Ellen’s window is wide open (when she meets and develops a relationship with Orlok), then it’s shut (symbolizing their separation) until the third act, when she asks him to come to her (union).

“He [Heathcliff] got on to the bed, and wrenched open the lattice, bursting, as he pulled at it, into an uncontrollable passion of tears. ‘Come in! come in!’ he sobbed. ‘Cathy, do come. Oh, do—once more! Oh! my heart’s darling! hear me, this time, Catherine, at last!’”

But does Ellen “have her cake and eat it too”? We have to look into “Wuthering Heights”, again:

As Catherine faces her imminent death, she and Heathcliff reach the height of their passion for each other, declaring that their souls will never be separated. Death separates them and it is death itself which unites their souls. We see this with Ellen and Orlok’s covenant in “Nosferatu”: “you shall be one with me ever-eternally”.

“I’ll not lie there by myself; they may bury me twelve feet deep, and throw the church down over me, but I won’t rest till you are with me. I never will!”

In death, Catherine realizes it was folly to choose Edgar over Heathcliff, because she has betrayed and killed herself in her process. “Can’t you see!? It doesn’t matter! We should never have married! We are already dead!” Ellen shouts at Thomas, after she accuses Orlok’s passion of turning to torture, “it would kill me”.

After Catherine’s death, Heathcliff is consumed by grief, and says he cannot live with his soul in the grave. When he goes to say goodbye to Catherine on her coffin, he places a lock of his hair in the locket around her neck. In “Nosferatu”, we have a reference to this when Ellen cuts a strand of her hair and places it her silver heart locket and gives it to Thomas at the beginning of the movie, but it’s Orlok who keeps it for himself.

“You said I killed you--haunt me then. The murdered do haunt their murderers. I believe--I know that ghosts have wandered the earth. Be with me always--take any form--drive me mad. Only do not leave me in this abyss, where I cannot find you! Oh, God! It is unutterable! I cannot live without my life! I cannot live without my soul!”

After Catherine’s death, Heathcliff goes deeper into revenge and cruelty, as he terrorizes everyone due to his anger, grief and frustration of being without her, as he becomes a deranged monster (like Orlok himself). For eighteen years, Catherine’s ghost haunts Heathcliff, and this gives him hope of being united with her after his own death, leading to his self-destruction, too. Which, again, we see in “Nosferatu”, as both Ellen and Orlok cause their own self-destruction in the living world. I already made the case about how this was something they both wanted in another post, so I won’t talk about it here, but the “Wuthering Heights” inspiration only strengthens that interpretation.

Now we need to go back to Catherine and Heathcliff’s final encounter. As she’s near death, she admits how much she longs for him, at last, and how them, as lovers, can’t be united in this world, only in death. We see this in “Nosferatu”, when Ellen fulfills her covenant with Orlok, and marries death. Catherine accuses Heathcliff of metaphorically “killing her”, while Orlok literally does in “Nosferatu”, by drinking her blood, and then be killed himself by sunlight.

“I wish I could hold you,’ she continued, bitterly, ‘till we were both dead!”

Heathcliff kisses and embraces Catherine, but can’t bear the agony of looking at her face, knowing she is going to die soon. In “Nosferatu” we also see Orlok looking away from Ellen when the sun is rising, and is reluctant to look at her, as she dies, until she compels him to face her. Is this a reference to “Wuthering Heights”, too? Because she embodies Catherine’s wish next, as they embrace until they are both dead.

“It is hard to forgive, and to look at those eyes, and feel those wasted hands,' he answered. 'Kiss me again; and don't let me see your eyes!”

Decades later, when Edgar dies, Heathcliff has Catherine’s coffin exhumed and asks the sexton to open it, because he wants to see her face. Then, he demanded the side of her coffin to be open, so his own coffin can be joined with hers, and their corpses united in death. Some get necrophilic vibes from this act, which can be also the reference to Ellen and Orlok sex scene (and also Friedrich and Anna’s). As they couldn’t be united in life, Heathcliff wants to be joined with her in death. Which is also what we see in “Nosferatu” with Ellen and Orlok.

This represents the feeling of incompleteness without each other and the desire and thirst to unite, the yearning to transgress the bonds of society and fuse with each other, which will culminate with the union of their corpses. Because Catherine is buried next to her husband, Edgar, after all.

“I was sleeping the last sleep by that sleeper, with my heart stopped and my cheek frozen against hers.”

After his death, Heathcliff is buried as per his wishes, next to Catherine, in the moors of Wuthering Heights. Their spirits are reunited in a realm where there’s no social bonds no class differences, and they can be together, at last. They return to their spiritual Wuthering Heights, where their love was free and possible; and we see Von Franz placing lilac flowers around Ellen and Orlok’s body, symbolizing their return to their lilac garden, as their corpses are united, like Catherine and Heathcliff’s.

“I believe the dead are at peace: but it is not right to speak of them with levity. […] They are afraid of nothing,’ I grumbled, watching their approach through the window. ‘Together, they would brave Satan and all his legions’.”

Afterwards, the people of the region swore they felt and saw Heathcliff and Catherine’s ghosts in the moors, walking together. Their union after death also brought a new era of harmony and peace to Wuthering Heights. “Redemption!” As Von Franz would say.

Interestingly enough, Von Franz also stares out of the window like the narrator in the final chapter of “Wuthering Heights”; “watching their approach through the window”? He’s also the one who brings and places the lilacs around Ellen and Orlok’s bodies, a tribute to their love.

“And so the maiden fair did offer up her love unto the beast, and with him lay in close embrace until first cockcrow, her willing sacrifice thus broke the curse and freed them from the plague of Nosferatu”.

The majority of people are misunderstanding this passage, because not only this is a Solomanari book (belongs to Orlok) but there is no mention of any “town” or the world in general here. This speaks of how the love and the willing sacrifice (death) of a maiden (Ellen) saved her and the beast (Orlok) from the curse of Nosferatu. “Them” is the maiden and the beast, Ellen and Orlok, and how her love for him and her death saved them both from the curse he had upon himself (Nosferatu). English is not even my mother language and even I can understand this.

As a consequence, her death also saved everyone else, including Thomas (because she loves him too). And so, she exchanges one last look of love with him, silently saying goodbye before departing to the spiritual realm alongside Orlok. So, indeed, Ellen “had her cake and eat it too”, at end, like Catherine; she couldn’t decide between the two men she loved, so she died, but was reunited in death with Heathcliff, and their spiritual union brought peace to “Wuthering Heights”, like Ellen and Orlok’s to Wisburg. While Edgar/Thomas had Catherine/Ellen’s love in life, Heathcliff/Orlok has it in death/spiritual world.

#nosferatu 2024 #Robert Eggers #wuthering heights #Count Orlok 2024 #catherine earnshaw #heathcliff #Ellen Hutter 2024 #edgar linton #Thomas Hutter 2024 #lily rose depp #Heathcliff x Catherine #Catherine x Heathcliff #orlok x Ellen #Ellen x Orlok

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brunchable · 5 months ago

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𝐌𝐫. 𝐏𝐫𝐞𝐬𝐢𝐝𝐞𝐧𝐭'𝐬 𝐃𝐚𝐮𝐠𝐡𝐭𝐞𝐫 | 𝐏𝐚𝐫𝐭 𝐎𝐧𝐞: Stucky x F!Reader

Part Two Pairings: Bucky Barnes x f!reader, Steve Rogers x f!reader | Daughter of Thaddeus Ross (Red Hulk) Words: 5.4K Themes: Forbidden Reader, Love Triangle, M for Mature, 18+ , Post-Endgame, AGE GAP (24y/o reader). Summary: Bucky Barnes expected another typical therapy session, but the moment he meets Y/N, a sharp and unflinching therapist who doesn’t back down, everything changes. Used to keeping people at arm’s length, Bucky finds himself intrigued by her resilience and the way she sees right through his walls. A/N: I am also obsessed with Bucky ok? I can't leave him out. I will not use "chapter" for now because IDEK how long this will be. Let me know if you want to be tagged. Ciao.

Bucky entered the therapist’s office, expecting the usual routine with Dr. Raynor. But when he saw a younger woman sitting on the couch, legs crossed, glasses perched on her nose, he froze. She was scribbling in a notebook, completely absorbed in whatever she was writing. His eyes swept over her—pencil skirt, white blouse with the top two buttons undone. Definitely not Raynor.

Raynor was a pain in the ass enough, but now they're throwing this at me? Bucky thought, his jaw tightening as he watched her quietly scribble in her notebook. He wasn’t sure if this was some kind of test or another attempt to “catch him off guard.” His whole life had been one test after another, and this—this felt like just another trick up their sleeve.

Great, he thought bitterly, as if I haven’t been poked and prodded enough. Now I’m supposed to open up to someone who probably just finished med school.

The calm way she sat there, so sure of herself, made him itch with irritation. He couldn’t figure her out, and he hated that. Was she here to push him harder than Raynor? Or was this just another bureaucratic move to switch things up, like changing therapists would suddenly crack him open?

What’s next? A therapy dog? His mind was racing, constantly searching for the next hit, the next blow. He felt like they were always trying to break him down bit by bit, like he was still their weapon.

But this? This is just insulting. He didn’t know what to make of her, or what she could possibly do for him, but his instincts were already screaming to keep his guard up, to watch her carefully. There was always something more to these situations. Always a catch.

"Did they lose my file or something?" Bucky raised an eyebrow, smirking. "You don’t look old enough to be out of med school, let alone help me with… this." His words came out dripping with sarcasm, testing her right from the start.

Y/N didn’t look up immediately, taking her time as she finished writing something in her notebook. When she finally met his gaze, she adjusted her glasses slightly, then pointed to the couch with her eyes.

"I assure you, Sergeant Barnes, you’re in the right place," she said, her voice calm and even. "If you’d like to sit down, we can get started."

Bucky paused, the smirk still playing on his lips. He scanned the room, as if making sure he hadn’t walked into the wrong office, then sauntered toward the couch opposite her. He dropped down, stretching out his legs lazily, crossing his arms over his chest, still eyeing her with playful suspicion.

"Right place, huh? Are you sure about that?" He chuckled. "Didn’t realize they sent kids to do the hard jobs these days."

"Lucky for you, I’m not a kid. But if you’re hoping for someone older, I’m sure you can take it up with the front desk. Or we could just get started, your call."

Bucky’s smirk widened slightly, impressed by the way she shot back at him. He leaned back on the couch, arms crossed. "Alright then, since you’re apparently the expert. What’s the plan here? Gonna wave a magic wand, make all my problems go away?"

Y/N raised an eyebrow, meeting his sarcasm head-on. "No magic wand. Just work. But something tells me you’re not afraid of a little hard work, are you?"

That caught him off guard. He was used to deflecting with humor, but she wasn’t backing down. In fact, she seemed perfectly comfortable in this verbal sparring match.

"Hard work, huh?" He leaned forward slightly, his tone softening but still sarcastic. "And here I thought you were here to hand me a quick fix."

Y/N smiled ever so slightly, just enough to show she wasn’t intimidated. "I don’t do quick fixes. That’s for amateurs."

Bucky stared at her for a moment, genuinely impressed despite himself. He had expected someone more nervous, someone he could easily rattle. But this woman? She wasn’t having any of it.

"Alright, doc," he said, nodding slightly, acknowledging her stance. "You’ve got my attention. What’s next?"

Y/N adjusted her glasses, flipping a page in her notebook. "Next? We talk about your progress. Or, we can sit here in silence while you continue throwing sarcastic remarks at me. I’m good with either option."

"You think I’m just gonna spill my guts? It doesn’t work like that."

"I didn’t expect it to.”

"I’m fine with silence.”

Bucky muttered, his eyes flicking to the window as if contemplating an escape. The last thing he wanted to do was talk about himself. Especially not with someone like her—someone so young and… focused.

Leaning forward slightly, his playful look faded into something darker—a cold, calculating stare. His blue eyes locked onto hers, hard and unblinking, as he gave her the same menacing look that had unnerved countless soldiers and enemies. It was the stare that said he wasn’t someone to mess with.

Most people would have flinched by now, maybe glanced away or shown some kind of discomfort. But Y/N didn’t move. She didn’t flinch. She met his icy stare head-on, calm and unwavering.

Seconds ticked by then into minutes. Bucky’s gaze bore into hers, daring her to crack under the pressure. But she didn’t blink. Didn’t shift in her seat. She held his stare, unshaken.

As Bucky realized she wasn’t going to back down. He clenched his jaw tighter, leaning in even more, his menacing stare intensifying. And still—nothing. Y/N just stared back at him. After what felt like an eternity, Bucky scoffed, the sound low and begrudgingly amused. He leaned back into the couch, letting out a breath.

"Well, I’ll be damned," he muttered, clearly impressed. His smirk returned, but this time, it was less mocking and more intrigued. "You didn’t even blink."

"I’ve seen worse," she shrugged.

"Most people can’t handle the stare," he said, a hint of admiration creeping into his voice. Bucky stared at her for a moment longer, still processing that she hadn’t buckled under his intimidation.

"I’m not most people," Y/N replied, her gaze still locked on his.

"You’re not, huh?” Bucky let out another short scoff, a faint grin tugging at the corner of his mouth.

For a moment, they just stared at each other, the tension between them gradually easing. Bucky leaned forward, rubbing his hands together as if contemplating his next move.

"Alright," he finally muttered, his voice quieter now, the edge of defiance softening. "Let’s get started."

× × × ×

Bucky walked down the street, hands deep in his pockets, his mind still stuck on the therapy session with Y/N. He couldn't shake the image of her holding her ground against his menacing stare. Most people crumbled under that.

He was impressed. Hell, maybe even a little thrown off by it.

He reached a small café, the door chimed as he walked in. He’d been coming here for weeks, liking how quiet it was. Bucky slid into a booth in the corner, the furthest one from the entrance, his usual spot. The place was small, quiet—barely anyone noticed him here. That was what he liked. No eyes following him. No whispers.

As he sat down, he glanced at the menu out of habit, though he already knew what he wanted. He tapped his fingers against the table, feeling the hum of anxiety still coursing through him. His thoughts wandered back to Y/N’s. Her refusal to let him dictate the session. It had been a long time since someone had stood their ground with him.

“Same as usual?” the waitress asked.

He nodded. “Yeah. Same.”

The door chimed again, and out of reflex, Bucky glanced up. His eyes landed on her—Y/N. But she was different now. She was dressed in a casual sweater and jeans, her hair down, and the serious, composed demeanor was nowhere to be found. She looked relaxed. For a moment, Bucky frowned. Was this the same woman from earlier?

She hadn’t noticed him yet, busy ordering her coffee at the counter. As she turned, their eyes met, and for a split second, surprise flickered in her gaze. Then she smiled.

It wasn’t a polite, professional smile like the one she had in the office—it was real, warm. Bucky had to admit, she was even more beautiful when she smiled like that. She made her way over to him, her expression soft and light, a stark contrast to how she’d been before.

“Sergeant Barnes,” she greeted with an amused smile. “Didn’t expect to see you here.”

“Didn’t expect to see you either. You got a twin or something?” Bucky leaned back, trying to hide the fact that her smile had thrown him. He gave her a skeptical look, still trying to wrap his mind around the shift in her demeanor.

Y/N raised an eyebrow, her smile widening. “Nope. Just me.”

He chuckled, shaking his head. “You sure? Because you’re not exactly giving off the same ‘don’t mess with me’ vibe as you did earlier.”

“I save that for the office.” She laughed lightly, the sound catching him off guard again.

Bucky blinked, still half-convinced she had to be a different person. “You’re… different outside of work.”

Y/N smiled again, and Bucky couldn’t help but notice how that smile completely transformed her. The serious, no-nonsense therapist was gone.

“Therapist mode can be intense,” she said, settling into the seat across from him. “Gotta decompress too, you know.”

“Decompress, huh?” Bucky muttered, still eyeing her. “I wasn’t sure you even knew how to.”

“Oh, trust me, I do,” she said with a grin. “You think I’m a robot in the office?”

“Was starting to wonder. . .”

She laughed again, shaking her head as she took a sip of her coffee. “Nope. Just human.”

Bucky stared at her for a moment, taking in how much more approachable she seemed now. The difference between the Y/N sitting across from him now and the one who had held her ground in the office was stark. He hadn’t expected to see her like this—relaxed, smiling, laughing. It was almost disarming.

“You’re hard to figure out,” he said, still trying to process the shift.

She shrugged lightly. “That’s part of the job, isn’t it?”

They sat in a comfortable silence for a while, the sounds of the café filling the space. Bucky glanced at her again, her soft smile lingering in his mind. He wasn’t sure why, but seeing her like this, outside of the serious office atmosphere, made him feel… at ease.

Eventually, Y/N glanced at her watch. “I should get going. Got other plans.”

Bucky nodded. “Yeah, same.”

She stood, grabbing her cup. She paused for a moment, then gave him one last smile—a sweet one, the kind that lit up her whole face, making her seem even more different than the woman who had stared him down earlier.

“See you at the next session?” she asked.

Bucky chuckled, half-joking, "Hm, I don’t know."

Her smile didn’t waver. If anything, it deepened, her eyes holding him with a quiet confidence. "I will see you, Sergeant Barnes," she said, her voice more insistent this time, not leaving room for doubt.

Bucky raised an eyebrow, shaking his head slightly, "What’s the point of asking then?”

As she walked out of the café, Bucky leaned back in his seat, shaking his head with a small smile. She had completely thrown him. Her smile, her relaxed demeanor—it was all so different from what he’d expected. For a moment, he wondered if she really did have a twin. But then again, maybe she was just someone with more layers than he’d first realized.

And he found himself eager to know more.

× × × ×

Steve Rogers wasn’t sure how he had gotten talked into this. Well, actually, he knew exactly how—Sam Wilson had dragged him along to this party, claiming Steve needed to “loosen up” and enjoy life more. But standing in the middle of a loud, flashing room with music pounding in his ears, Steve wondered if he should have pushed harder to stay home.

"Come on, Cap," Sam had said with a mischievous grin as they walked through the entrance earlier. "You’ve been in retirement long enough. Time to see what the world’s been up to while you were busy saving it."

Steve stood near the bar now, trying to blend in, his eyes scanning the room. People were dancing wildly, laughing, and having fun in the swirling haze of strobe lights. It was a far cry from the kinds of parties he had attended back in the 1940s—those had been calm, slow, and filled with small talk and jazz music.

This? This was chaos.

Steve shifted uncomfortably. He had barely touched his drink when Sam elbowed him from the side, laughing. “You look like you’re plotting an escape route. Relax, Cap. Have fun.”

Before Steve could respond, Sam was swept into the crowd by some friends, leaving Steve standing alone by the bar. Even in the anonymity of the darkened room, Steve still attracted attention. His broad shoulders, strong jawline, and quietly confident presence drew glances from several women who were passing by. The strobe lights occasionally highlighted his features, and more than a few curious eyes lingered on him as he stood by the bar.

“Hey there,” she said, leaning in slightly, her voice loud to be heard over the music. “You look like you’re way too good-looking to be standing here alone.”

Steve smiled politely, keeping his distance. “Just here with some friends,” he said, not giving much away.

She stepped a little closer, her eyes lingering on him. “Well, maybe I could keep you company?”

Steve chuckled softly, shaking his head. “Thanks, but I’m good. Just enjoying the night.”

She looked a little surprised but shrugged it off with a casual smile. “Your loss,” she said with a wink, before disappearing back into the crowd.

Steve let out a small breath, his shoulders relaxing as she left. He wasn’t here for that kind of attention, though it seemed inevitable. He glanced around, hoping to spot Sam or Bucky, but before he could move, another woman approached.

He was just about to step away from the bar when another woman, a petite brunette with a mischievous smile, appeared beside him.

“I’ve seen you reject at least ten girls in the last ten minutes,” she said, her voice teasing. “Either you’ve got impossibly high standards or you’re just too shy to admit you’re having fun.”

Steve chuckled, shaking his head. “Neither, really. Just here with some friends. Trying to keep a low profile.”

She raised an eyebrow, clearly unconvinced. “A guy like you, keeping a low profile? Good luck with that.”

Steve smiled, nodding toward the crowd. “Seems like it’s working so far.”

The woman laughed, but before she could say more, the crowd surged again, and someone bumped into Steve, almost spilling his drink.

“Sorry about that,” a voice said, half-shouting over the music.

Steve turned and caught a glimpse of another woman, this one different from the others. She was barely recognizable in the strobe lights, her features blurred by the darkness, but something about the way she carried herself caught his attention. She didn’t linger too long on him, and didn't try too hard. Her smile was brief but real.

“No problem,” Steve replied, raising his voice to be heard over the music.

“Not your scene?” she asked, leaning a little closer to be heard.

“Not exactly,” Steve admitted, putting a finger in to cover one ear.

She laughed lightly, stepping closer, her eyes catching the light for a brief second. “Same. My friend dragged me here. I’m pretty sure she thinks I need to ‘loosen up’.”

“Guess we’re in the same boat,” Steve said, feeling a bit more at ease. She had a warmth in her voice, even amidst the chaos.

Before either of them could say more, a group of partygoers surged by, and one of them grabbed Y/N’s hand, pulling her toward the dance floor. She was caught off guard, stumbling a bit before turning back toward Steve, her hand still caught in the wave.

“Come on!” she shouted over the music, her face lit up with a playful grin.

“No—I don’t think—”

Steve hesitated. He wasn’t much of a dancer—especially not in a place like this—but before he could protest, Y/N grabbed his hand, tugging him into the crowd. The pulsing rhythm of the music pounded in his chest as they were swept into the moving mass of people. The lights flashed wildly, and before Steve knew it, he was dancing, caught up in the infectious energy of the room.

Y/N laughed as they moved, her hand still in his, and Steve found himself smiling despite the overwhelming atmosphere. The strobe lights flickered, casting everything in flashes of light and shadow, and for a moment, it was easy to forget who he was, to forget the weight he usually carried.

Steve didn’t have time to react before he found himself right behind her, the sea of people pushing them closer together. The music pounded through the room, the heavy bass vibrating under their feet. Steve felt her back press against his chest, her body swaying in time with the beat.

The lights flashed, casting her in and out of shadow, but Steve was caught in the moment. She moved to the music effortlessly, her hips swinging in rhythm, her back brushing against him with every movement. He felt the warmth of her body through his shirt, the closeness sparking something inside him he hadn’t expected.

The lyrics of the song echoed through the room: “I, I, I, I just want to watch you when you take it off, take off all your makeup, baby, take it off. . . I just wanna watch you when you take it off, take off all your clothes and watch you take them off.”

Y/N's body moved in perfect sync with the music, and Steve, despite his hesitation, found himself falling into the rhythm. Her hips pressed against him, swaying seductively in time with the beat. He hesitated for a moment before resting his hands lightly on her hips, unsure but drawn in by the intensity of the moment.

The crowd pushed them even closer together, and Steve’s grip on her hips tightened instinctively. She didn’t pull away; instead, she leaned into him, moving her body against his, teasing, playful, completely in tune with the energy of the music. Her head tilted slightly, her hair brushing against his neck, and Steve felt his pulse quicken.

She bit her lower lip, glancing back at him through the lights, a playful spark in her eyes. Steve’s breath caught, his hands sliding up slightly from her waist as their bodies continued to move together. The energy between them was electric, like nothing he’d ever felt before. The music drowned out everything but the pounding of his heart and the feel of her body so close to his.

Suddenly, the crowd pushed them even closer, and in the heat of the moment, Y/N turned her head slightly, her lips brushing against his cheek. It was a brief touch, but it sent a shock through him. His grip tightened on her hips, and before either of them could think, their movements slowed, the tension between them peaking.

“I just can't wait to see it all I'm so turned on”

Y/N turned her head fully, her lips finding his in a fast, unexpected kiss. His lips were unexpectedly soft. They parted-in surprise, she thought and then she slipped her tongue inside. It had been forever since she'd done this, never had she done this, but it came to her like breathing. It was electric, quick, but charged with the energy of the moment.

Steve’s world narrowed to just the two of them—the music, the lights, the crowd—all vanished as her lips met his. He stopped her, just for a moment, then flipped it, deepening the kiss with a flick of his tongue and a firm grip on her hip. Now it was him kissing her, her soft sigh filling the space between them. He responded with heat, his desire matching the unexpected pleasure he found in her.

The kiss only lasted a moment, but it left both of them breathless. Y/N pulled back, her eyes wide with surprise, like she hadn’t expected it either. They were still close, her breath mingling with his as they caught their bearings.

Before either of them could speak, Y/N's friends found her and pulled her with them unaware of Steve, and she was swept away, disappearing into the throng of dancers. Steve stood there, frozen for a second, his heart still racing from the kiss, his hands still tingling from where he’d touched her.

He blinked, trying to steady himself, but she was already gone, lost in the mass of people. The music still pounded around him, the lights still flashed, but all Steve could focus on was the ghost of her lips on his and the wild, unexpected energy of the night.

Steve shook his head, still trying to process what had just happened. The kiss, the way her body had fit so perfectly against his—it was all too new, too different. The way young people dance these days, he thought, he can’t believe he allowed himself to be dragged like that. It was nothing like what he was used to. He exhaled slowly, needing a moment to collect his thoughts. Pushing through the crowd, he scanned the room for Sam. He was going to get an earful for this.

Steve spotted Sam by the bar, laughing with a couple of friends, and beside him was Bucky, nursing a drink and quietly observing the room. Steve made his way over, still feeling the lingering heat of the moment and trying his best to shake it off.

Sam noticed him approaching and immediately grinned, raising his drink in greeting. “There he is! Our man of the hour!” Sam shouted over the music, his voice laced with amusement.

Bucky raised an eyebrow, his expression more reserved but no less curious.

“I don’t know about that,” Steve rolled his eyes, but there was no hiding the slight flush still creeping up his neck.

Sam’s grin widened as he leaned in closer. “Come on, Cap, you’ve got that look on your face. What happened?”

Steve hesitated for a moment, debating whether or not to tell them. But Sam already knew him too well, and Bucky… well, there was no escaping his sharp gaze either.

“Nothing,” Steve said with a shrug, hoping to play it off.

“Uh-huh,” Sam said, narrowing his eyes.

“Nothing, huh?” He took a sip of his drink, but the teasing gleam in his eyes was unmistakable. “Didn’t look like ‘nothing’ when I saw you on the dance floor with… what’s her name?”

Steve’s eyes widened slightly, “You saw that?”

Sam burst out laughing, slapping Steve on the shoulder. “Oh, I saw it. The whole room probably saw it! You were practically glued to her!”

Steve groaned, rubbing his forehead. “It wasn’t like that.”

Sam raised an eyebrow, still grinning. “Oh, really? Because from where I was standing, it looked like you were having a little too much fun.”

Steve shot him a glare, but the way Sam wiggled his eyebrows made it impossible to stay serious.

Bucky, still quiet, finally smirked. “You’re not exactly blending into the background there, punk.”

“It just… happened, alright?” Steve admitted, his voice trailing off as he tried to explain. “We were dancing, and the crowd kept pushing us together. And then…”

“And then you kissed her!” Sam finished for him, laughing again. “Oh man, Cap, I didn’t know you had it in you.”

“I didn’t kiss her! She kissed me! It just happened—like in the heat of the moment.”

“Yeah, because ‘heat of the moment’ sounds nothing like you.” Bucky chuckled, finally downing his alcohol.

Steve shot him a look, “Who's side are you on?”

“The ‘heat of the moment’? You mean to tell me you got caught up in the lights and music and had your little dance-floor moment? That’s priceless!” Sam was practically doubled over with laughter now.

“It wasn’t like that. I didn’t even know her.” Steve couldn’t help but crack a smile despite the teasing.

Sam straightened up, wiping a tear from the corner of his eye. “Doesn’t matter, man. That’s what makes it even better! You don’t know her, and you still ended up in some steamy dance-floor kiss? That’s wild for you.”

Steve groaned again, but the smile tugging at his lips was undeniable.

“Well, I’ll say this,” Sam said, leaning in closer with a sly grin. “You’re full of surprises, Cap. I thought you’d be sitting in a corner all night, but instead, you’re out here stealing kisses in the middle of a crowd.”

“Okay, fine. It was… unexpected. But I wasn’t exactly complaining.”

Sam raised both eyebrows in mock surprise. “Unexpected, huh? Is that what we’re calling it when you’re practically glued to someone in the middle of a party? I mean, the way you two were moving—if I didn’t know any better, I’d think you were auditioning for a music video.”

Steve sighed, but a part of him couldn’t help but feel amused at the whole situation. He never expected to get caught up in something like that.

“I didn’t even get her name,” he said, almost to himself.

Bucky tilted his head. “Classic.”

Sam’s grin softened into a knowing smile. “Well, maybe that’s the universe telling you it’s time to loosen up a little. Enjoy the ride.”

Steve smirked, shaking his head. “Maybe.”

Sam clapped him on the back again. “Look, Cap, you’ve spent your whole life saving the world. You deserve to have moments like that. Maybe even more than most people.”

Steve couldn’t argue with that. The memory of her lips on his, the way their bodies had moved together—it wasn’t something he was likely to forget anytime soon.

Sam raised his glass in a mock toast. “Here’s to Captain America, finally letting loose.”

“I don’t think I’m cut out for this.” Steve chuckled and clinked his glass against Sam and Bucky's.

“You’re doing just fine, Cap,” Sam said with a wink. “Just fine.”

+ + + +

Y/N’s heels clicked against the smooth marble floors of the mansion’s foyer as she unlocked the door and stepped inside. The security system beeped, and she casually entered the code, the familiar beep fading into silence. The house was large, quiet, and pristine—almost too quiet after the chaos of the party.

She kicked off her heels, phone pressed to her ear as she continued her animated conversation with her best friend.

“I’m telling you, it was insane,” Y/N laughed, still buzzing from the energy of the night. “I don’t even know how I ended up on the dance floor, but there I was, dancing like I had no care in the world. And, oh my god, there was this guy...”

She paused, biting her lip at the memory of the mysterious man she’d danced with. The lights had made it impossible to see him clearly, but the way he moved, how his hands had felt on her hips—it sent a thrill through her just thinking about it.

“I didn’t catch his name,” she continued, flopping onto the plush couch in the living room. “But we were so close, and when we kissed... girl, I don’t even know what came over me.”

Her friend gasped on the other end of the line, clearly invested in every word. “Wait, you kissed him? Who are you right now?”

“I don’t know!” Y/N laughed again—almost squealing, “It was one of those wild party moments, you know? The music was loud, people were everywhere, and then—boom—his lips were on mine.”

“Omg, didn’t you get his number?”

“No.” She frowned then she smiled to herself, enjoying the carefree thrill of the memory. “Honestly, I thought I’d regret it, but no. Imagine that? My dad would kill me.”

As she continued recounting the night, a slight rustling from the other side of the room made her pause. Y/N looked up, her heart skipping a beat as she realized she wasn’t alone. In the doorway stood Thaddeus Ross, her father, arms crossed and an eyebrow raised.

He cleared his throat loudly, the sound cutting through the excited chatter still flowing from her phone. Y/N froze for a moment, her eyes widening as she realized she’d been caught mid-party recap in her usually reserved father’s presence.

Her friend’s voice buzzed in her ear, still going on about the party, but Y/N quickly pulled the phone away, muttering, “I’ll call you back,” before hanging up. The excitement drained from her face, replaced by a nervous smile.

“Dad,” Y/N greeted, forcing a casual smile. “Didn’t know you’d be home.”

“Apparently, you didn’t. Sounded like quite the party.” Thaddeus Ross narrowed his eyes slightly, stepping further into the room.

Y/N stood, suddenly aware of how much she’d let herself unwind. She straightened her clothes and tried to appear nonchalant. “It was just a party with some friends. No big deal.”

Thaddeus arched an eyebrow. “Friends?”

“Yeah, friends. You know, just... normal people.” Y/N shrugged, trying to downplay the whole thing.

Thaddeus studied her for a moment, his eyes sharp, as if trying to piece together the details she hadn’t given him.

“I see,” he finally said, his tone unreadable. “It sounded a bit more... involved than your usual nights out.”

Y/N swallowed, brushing off the heat rising in her cheeks. “It was just for fun, Dad. Nothing to worry about.”

He didn’t respond immediately, just gave her a long, assessing look.

“You know how important it is to keep certain parts of your life secure, Y/N,” he said in that familiar, commanding tone of his. “People might take advantage if they know too much about who you really are.”

Y/N gave him a playful smile, trying to brush off his seriousness. “Dad, I’m 24. I should be out there kissing strangers at parties by now, right?”

Thaddeus didn’t smile. He simply sighed, crossing his arms tighter over his chest.

“I wasn’t wearing a neon sign that said ‘Mr. President’s Daughter’ on it. It was just a party. I’m allowed to have fun.” Y/N rolled her eyes, her tone still light but more pointed now.

Thaddeus didn’t seem to be swayed by her attempt to joke. “Having fun is one thing, but keeping yourself safe is another. You may think these parties are harmless, but they aren’t always what they seem.”

“Dad, relax. I know how to keep myself out of trouble. I mean, come on, I live here, don’t I? No one’s getting past your fortress.” Y/N sighed, but her smile remained.

Thaddeus gave her a long, measured look, as if deciding how much more to say. Finally, he relented just slightly, his voice softening. “It’s not just about the security, Y/N. It’s about the people you surround yourself with.”

Y/N softened her tone too, standing up to face him. “I get it, Dad. I know you’re just looking out for me, but I’m not going to live in fear. I can take care of myself.”

Thaddeus didn’t reply right away, his eyes flicking to the security system panel before returning to her. “Just... be careful. Not everyone you meet at those parties will have good intentions.”

“I know, Dad. I promise I’ll be careful.” Y/N nodded, her earlier playfulness giving way to a more serious understanding.

Thaddeus gave a short nod, clearly not fully convinced but unwilling to push the conversation any further tonight. “Good. Just remember what I said.”

He turned and left the room, leaving Y/N standing there with the lingering weight of his words. As the tension dissolved, she let out a small laugh, shaking her head. “I’m 24,” she muttered to herself, smiling at the absurdity of the situation.

“I heard that!” Thaddeus yelled from another area of the house.

“You were supposed to!”

Despite everything, the memory of the night—the music, the dancing, the kiss—still played in her mind, and she couldn’t help but smile.

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