Nico referring to his mom as "Mama" implies he most likely at least used to refer to Hades as "Papa" and i 100% headcanon he still does but mostly in the manner of him having the entire Underworld wrapped around his finger for being the baby of the family
You only really need to understand 5 things to know why Byler is happening:
Mike’s arc in season 3 was about pretending to be someone he’s not in the pursuit of “growing up”. It was about kids playing at relationships. This was the only season with focus on the state of M!leven while dating & not separated and it was treated as an immature joke.
Season 4, instead of proving to us why M!leven are right for each other, quite literally does the opposite and shows us nothing except them having awful communication & not finding emotional safety in each other. There is not a single scene between them which is an exception to this.
Meanwhile, Mike and Will are attached at the hip. We see how they resolve conflict maturely and between themselves. We see a strong emotional connection. We see how Mike feels more comfortable being vulnerable with Will than he is with anyone else, and how Will is always always there for him. We see how…
Will’s painting & monologue (aka his romantic love for Mike) soothed Mike’s insecurities and boosted his confidence. It made him ridiculously happy. And being reminded of this lie about El by Will himself ends up being necessary to encourage Mike to go ahead with his “love monologue”, which winds up indirectly causing a literal apocalypse. You cannot make this shit up lmao.
M!leven is entirely framed through Will’s experience. He’s in every scene except their fight, his pain and misery over them is never not the focus. Literally never. We are not seeing the story of M!leven’s love, we are seeing the story of Will’s heartbreak.
Nothing else matters. Like in the most clinical story writing terms, Mike’s character is not going to find out that the person who made him feel the most loved & understood is in love with him and is the one who actually feels all these things about him that just happen to align with exactly what Mike needs to hear to embody the truest and best version of himself, and instead of realising he loves that character back, goes nah I’m good I’ll end up together forever with the person who whilst dating them I became someone I was not and also had terrible self-esteem—oh and also the relationship is insanely immature. It’s that simple. Whether or not Mike currently believes he loves El or currently wants to remain in a relationship is so so so irrelevant. Storytelling doesn’t care what the character thinks he wants, it cares about what the character needs!
What if you found out that aliens had set foot on earth, multiple times in fact, but instead of establishing first contact or anything they just made ants steal batteries and coke cans for them. You go outside and find one commanding a small army to take down a chihuahua. That’s pikmin.
The golem is too small - but the children who make him, who hand him to their baby siblings to hold who have shaped him with small hands - they make a friend. From the very first children of exile, little ones yearning for their home - they wished for a friend - these small babies - toddlers with halting steps and little tiny children. And so he is shaped to them - to be held.
From all soils but home, he is reshaped - small hands and prayers and hopes - little wishes along with them - from Shiraz to London to Aksum to those that remain in Yerushaláyim - children add buttons, beads, colours and love - the warmth of small hands no matter what happens.
The Golem wishes he was large, that he could protect them - but he can be with them, all the children who are lost to an endless ancient hate - a hand to hold at the end, perhaps a shield from pain.
He lives in a bright place - filled with paints, with colour and toys and he will protect it always and always - though he is very small, he can protect this place now, this little haven and the little ones who pass through the doors.
if it’s gotten to the fucking point that the Ministry of Education has to announce that “the school year is cancelled” for part of Gaza because all its students have been murdered, humanity has failed, failed at everything— flat out, point blank, and unequivocally failed.
So general question - how are folks thinking about day school vs boarding school for the Roy kids?
I think what we know via the show/script/interviews is:
Kendall attended Buckley which is a k-9 school
Per "Prague" Roman attended St. Andrew's, presumably a reference to St. Andrew's-Sewanee School in Tennessee which is a 6-12 middle/high school (where Roman was probably a boarding student given location)
Alan Ruck has stated he thinks Connor was shipped off to boarding school for most of his educational life
Based on this, I think I had assumed Kendall and Shiv had attended day school and lived at home until college, but in reading some old interviews I came across the below video clip where Sarah mentions Shiv (or maybe all of the kids?) might have also attended boarding school for at least some portion of schooling. On a semi-related note, there's also this clip of Annabelle Dexter-Jones mentioning that Naomi attended a mix of boarding and day schools which may be semi-relevant just considering Naomi's in the same wealth bracket as the Roys (although probably not in the same social circles due to old v. new money, politics, and a few other things).
So I guess where I'm coming out on this is...maybe Shiv also attended boarding school? I can't find anything where Jeremy mentions boarding or day school one way or the other but I could see a world where (a) all the kids attended boarding schools or (b) if they didn't all attend boarding school, Kendall is the one Logan is least likely to allow out of his watch if he was already "troubled" in Logan's view but still rotating it all in my brain (and would be happy to chat about/hear others views)...
Clip of Sarah Snook mentioning boarding school below the cut for those interested:
Q: Have you as an actor thought about what Shiv’s childhood was like or maybe even had explicit conversations with Jesse about what did shiv go through in her childhood until we meet her on screen?
A: Yeah. Yeah, I mean, you sort of create a roadmap of imaginative kind of work in what their experiences would have been and what it is like to be shepherded around and farmed off to some – probably in boarding school overseas for a bit, or college overseas at least; or you know, holiday-house to holiday-house which none of them really feel like a home. I love that bit where she’s showing her dad all the houses and homes that they have and he just doesn’t recognize them. The monumental wealth that these people have which leaves them sort of lost and kind of displaced in the world, and especially if they don’t have a home, sort of family strength and foundation to call home.” (x)
got treated like a subhuman by a higher up today at work and still reeling over it. as far as i know i’ve never interacted with the guy before so no clue what that was about but wow
Something really funny that's occurred to me is the way Joe talks about Maccie is like she's some catastrophic event that happened to their family "I can't believe she's been here that long." / "Everything's been different since she was born" / "Everything changed." / "She changed everything."
And it's just rlly funny to me. I want to up the dramaticness of his words at some point. And anyway, he's talking to the Samurai/Ronin for the first time and I'm wondering the impression he's getting lmao
Joe is certainly expressive to me, but only when he's given the chance. And I think w Ronin, he just started letting a lot of stuff out bc thus guy is gonna go on his way anyways.. but then he's like wait!!! Actually let me go?? For a little? (Platonic yearning so bad)
Ronin like 》^. "I suppose.. Alright, curious karate man, I'll accompany you a little longer."
this might sound a bit dumb and out of no where but hmmm. how do i say this... there are a lot of posts and a general consensus about quote unquote media literacy on tumblr and how we feel about it, as well as the things that go hand in hand with all that (discussion of mischaracterisation, symbolism, analysis, etc) and i think people (generally) need to be more open about their thoughts or findings and less i don't know... harsh isn't the word but like, just less assumptive that people are inherently out to be willfully ignorant when it comes to dissecting media thematically or discussing characterisation & the narrative, esp things where the outside factor of the consumer/creator changes things drastically if you do or do not know or experience something (and therefore would have no reason to be like, somehow maliciously interpreting something). i guess?
like i get it and i absolutely understand and also hate when people seem to go out of their way to say all the wrong things and stubbornly cling onto things that are WRONG, and confronting someone's opinion and it being SO wrong that you can comfortably think of a rebuttal is ultimately very satisfying and scratches a certain itch and can lead to a lot of thoughtful discussion despite being essentially a big "get a look at THIS guy". but i do think there is a vast difference between like, a) someone masquerading behind being knowing buzzwords and being able to say the right words in the right order, b) someone who isn't familiar with certain concepts and DOESN'T know the right words to say but is happily open to learning, and c) someone using the guise of talking about "media literacy" to be ignorant, bigoted or willfully misinterpreting something in a biased way who refuses to concede if confronted or goes out of their way to pick arguments. whilst the first two aren't malicious, both could turn out to be, just like the last category tends to be rejects of the first two who dug their heels in about it.
whilst there is a DIFFERENCE if someone was being say bigoted and prejudiced with hateful intent, not being "media literate" is not actually a moral failing as much as it is made out to be in moments of sweeping generalisation, and i think punishing people for not knowing how to hold thoughtful discussion is obviously cruel and dumb and unnecessarily othering. you don't want people to learn things out of a sense of shame or guilt. i know it's not the INTENT, and i don't like, interpret even 99% of discussion about this whole thing that way, but that doesn't change that discussing people very broadly who just Don't Know something is always going to leave the 1% of a LOT of harshness thrown against someone who doesn't deserve that. even if they're the stupidest twitterina known to man or something.
media literacy itself is not inherent and it is HARD, as much as people try to pretend it isn't. personally i am someone who has always and probably always WILL struggle to understand complex themes and often do need someone else to guide me towards thinking a certain way, thinking in these ways don't come naturally to me as much as i try my best to and i often think the "wrong" thing as my natural conclusion. and every Damn time that happens i see someone going "if you didn't realise this you're a fucking idiot" like woah man 😭 calm down. i dunno i feel like people just forget that this stuff is something you have to train like a muscle, esp things like vocabulary or a more complex academic way of speaking, and to some of us that is always going to be inherently inaccessible or it's going to take twice as long for us to grasp, for whatever reason. i just wish people were more fair is all.