#can i get a third time perhaps

[attila-werther]

...sigh yeah okay I'll make pompey equal to caesar in the trikaranos comic. if I must.

[muirneach]

my room is on the second floor and my moms room is on the first but i could faintly hear her exclaiming things the way she does when she watches tennis and i was like well thats weird theres nothing on right now- oh my god shes watching wimbledon final highlights isn’t she. go down there. Yep. known novak loather too so she was hooting and hollering and gloating whenever he lost a point, which as we know was frequent in said match

[britneyshakespeare]

throughout the series of drake and josh it pretty consistently implies that josh nichols is a christian (josh peck is jewish) and in the finale of the series helen (played by yvette nicole brown, not jewish[?]) is portrayed as a practicing jew

[kellystar321]

.

[nostalgia-tblr]

If I could do Fics With A Plot I'd probably attempt An AU Where Lauffey Dies And Odin Goes "Oh Hey, Frost Dudes, I Had Your Heir All Along :D He's Urs Now :D" Except Because This Is A Shit Plan It Does Not Go At All Well. Because it does bother me. Because I worry too much about fictional monarchies having the 'wrong' rules. D:

[endbeginning]

and if i said.... pet.er peve.nsie.....

[unproduciblesmackdown]

*gasp* you're famous!

it's been in the back of my mind like, whoops probably dropping a fair volume of posts into the lackadaisy tag lol but whaddaya gonna do. read my posts boy and i need all the help putting two and two together that i can get lmao, what with grabbing this one thread with both hands and bellpull ringing it....creator trying to see ppl's art and animation responses and now just to get me out of the way it's like, so here's what happened:

[booasaur]

Something really amazing happened in France, and I think it'd help us in the US to learn about it. Forgive the long read, but I think this is genuinely great both because of what happened and how.

So as some of you might have seen, in a decision historians will debate for years (mostly to figure out just WTF he was thinking, even though he is alive right now and can be asked), the French president, Emmanuel Macron, currently in power and THREE YEARS before the scheduled election, seeing the far right rise in popularity decided to dissolve the assembly and hold snap elections.

577 seats were up for grabs. Remember that number. Since half of that is 288.5, 289 seats are needed for a majority.

The first round happened last week and boy, was it bad. The far right made HUGE gains. It won or was in first place in so many races. And Macron's party ended up third!

Overall, this is how things ended up after the first round:

Far right bloc: 33%

Left bloc: 28%

Macron's centrist party: 20%

Conservatives: 7%

The way the French system works is that if a candidate gets over 50% of the vote, they win outright, and some of the far right did manage that. But, many races went to a runoff.

Immediate projections after were that the far right bloc might win anywhere from 240 to 310 seats, a catastrophe.

A shameful swing to the far right leading to the first time they'll be in power since the 1940s? Yes, but maybe not??

This is where things get interesting.

Unusually, a lot of these runoffs are 3-way, instead of a simpler 2-way choice. And in pretty much every case, that helps the far right.

So on June 30th, the night of the first round, this is how things went down:

Immediately, the left parties put out the call: anywhere they were third, they withdrew and their voters would go over to whoever was running against the far right candidate. Their goal: form a "republican front" to block the far right. The far right cannot get 289 seats.

Macron's bloc was not so...motivated. Different people put out different instructions: in some places, if they were third, they should drop out, but only to help the center left, not far left, in other places, see how far you are, only then drop out, that kind of thing.

The conservative party simply said they won't drop out and won't give their voters instruction either way in races they're not involved in.

Late night developments:

More people in Macron's party are now beginning to realize the situation and starting to coalesce around whichever candidate can beat the far right one. Prime Minister Gabriel Attal, from Macron's party, says clearly the priority is to block the far right. BUT, some Macron spokespeople on TV say they'll form a coalition only with the center left and conservatives, splitting the left bloc if needed. Some individual Macronists still saying they won't drop out, even if there's no hope of winning.

Lol.

So, now July 1st:

Only half so far. In one race, where the sister of Marine Le Pen (the far right leader and the face of their movement) was leading, the third place Macronist refused to bow out.

Excellent quote from another Macronist:

Perhaps realizing the same thing, that Macronist in the race against the Le Pen sister now drops out.

In some places, third place Macronists are dropping out DESPITE Macron bewilderingly telling them NOT to?

Halfway through the day:

Of the 311 3-way or 4-way runoffs, the number is down to 135 because of these candidates dropping out: 121 Left, 56 Macronists, 1 conservative.

Oh, there was this, in case people had any doubts about how terrible the far right are:

And to show the selflessness of the left:

July 2:

The deadline to decide if they want to stay in a runoff is today.

A dozen new third place Macronists who said they'd stay in have now dropped out. One got a call from both the PM Attal AND Macron to drop out, signalling the dawning understanding of the importance of this moment.

Even some conservative party members are now backing the left candidate who faces the far right.

A Macronist who had 30.55% of the vote in the first round and came in third to the far right's 33.11% and left's 32.73% and who would have been tempted to stay has dropped out.

The deadline to stay in or not has now passed.

Look at these far right shenanigans!

Macron still being a freaking loser:

July 3rd:

In the end, of the 311 3- or 4-way run offs, only 91 left. Some polls come out that have the far right getting between 190 to 220 seats.

July 4th:

New polls say the balance of the voting itself isn't transferring between the left and center and predictions have risen for the far right, now predicted to get between 210 and 250 seats.

July 5th:

New polls again, left voters now predicted to do better transferring vote to the centrists, decreasing the far right projections again.

However, scandalous reporting emerges: while Attal was trying to fend off the far right, Macron was not only NOT taking the far right seriously, he was undermining efforts to defeat them. His team shrugged off the first round results and celebrated a BIRTHDAY as the results were still coming in?

July 6th:

A few runoffs happened yesterday, nothing much unexpected, some left and center wins.

July 7th:

The day of reckoning. At this point, the expectations are that the far right won't come close to that 289 number but could still easily have the most seats.

GUYS.

It's over and the left are in the lead!

A LOT of cases where a leftist or centrist was 2nd in the first round and now won.

Amazing:

SO many lessons to take from this.

First, you have to vote! You have to. You can't do anything without voting. The freaking French, who'll protest for anything, are showing up to vote. If you're trying to achieve any kind of result and it's not going to happen by January 2025, you have to vote now.

But just as importantly, the left and center (and even conservative) parties made very key decisions. They were all lucky that Attal, who Macron chose, saw the big picture, bigger than indeed Macron could. A stupid selfish centrist leader could have still ruined everything if it were up to him.

TL;DR: After a disastrous first round in the national French elections where the far right was on the cusp of taking power, the left and center formed a strong coalition and through the power of voting and unity, overcame the far right AND their selfish centrist president to win.

[yongseungkim]

.

[lyrefromthesea]

Please can I request pre-relationship hashira x hashira!reader, where they are sparing together and it becomes a bit suggestive 💙💙

Male pillars x reader - Sparing with benefits

pairing: Tengen x reader, Obanai x reader, Rengoku x reader, Sanemi x reader, Giyuu , reader, Gyomei x reader

content warning: suggestiveness

Tengen:

"you could just give up, there's no chance you could win against my flamboyant self!" he taunted, running around the courtyard with you.

you had been fighting for ten minutes and there was still no end in sight. you weren't a bad fighter, you've been promoted as a hashira some time ago, but Tengen was at advantage right now.

he was faster than you. he had been saving himself from your attacks by avoiding them every time. the smirk on his face only spurred you on more, wanting to win this fight and show him that you were a good fighter.

however, when you raised your bamboo sword for an attack and he turned around to dodge it, you felt yourself trip on a root. it had been sticking out of the ground, making you fall over.

surprised by what has happened, Tengen lost his own halt and fell backwards, landing in a sitting position. you felt yourself fall onto him, at least partly.

when you checked your surroundings, you found your head on his lap. your cheek pressed against his groin. meeting his gaze, you could see his cocky smirk.

"it was an accident! i didn't mean to.." you said, wanting to stand up instantly. this would definitely look wrong from an outsider's perspective.

when you tried to stand up, you felt his hand tangle in your hair, pressing your cheek a bit more against his groin, only satisfied when you felt the bulge against your skin.

"just so you know, my wives had always found you cute enough for this.." he teased, his eyes staying on your widened eyes.

you pushed away, running away from his grip and off the training field.

Obanai:

he was proud of you for becoming a hashira. when he took you in as his tsuguko, he wasn't sure if he made the right decision, but he was sure now.

you were able to follow his movements, dodge his attacks and even make some of your own. your elegance captivated him and he found himself admiring your fighting style.

perhaps he had been diving in his thoughts too much, because when his attention was finally back on you, he was already on the ground.

your legs were on either side of him, straddling his body. heterochromic eyes were staring deeply into yours, surprised by the sudden turn of events.

"i win, Obanai." you said, looking down at the man. your hands were resting on his chest, leaning forward slightly.

his heartbeat was increasing under your hands, cheeks flushing. it wasn't the first time he noticed how beautiful you were, but your allure only increased like this.

"you.. you do.." he muttered, not being able to turn his eyes away from you. yet again, neither were you. you leaned down further, remaining with your faces only a few inches apart.

it would've been so easy to kiss him right now. however, feeling your hips rub against his groin, he couldn't stop his body from reacting, his hands gripping your waist.

"[name], g- get down.."

Rengoku:

"flame breathing. third form: blazing universe!" he called out, his bamboo sword coming at you with immense speed. you barely managed to block his attack - meaning you didn't do it.

your body flew a few feet away, landing on the ground. with a quiet grunt, you turned onto your back. "i give up.." you sighed.

however, there was no audible reaction from Rengoku. turning your head towards him, you wanted to know what's wrong, only to see his wide eyes staring.

he shook his head, running towards you and kneeling down. "are.. are you okay?" he asked, seeing you nod. he didn't respond, as if he knew something you didn't.

"just tell me, Rengoku!" you pleaded, feeling yourself enter a state of panic. did you lose a leg? it wasn't like him to behave this way.

he moved his hand closer, placing his hand against the side of your stomach. your eyes widened, looking down at yourself, staring at your torn uniform.

not only the right side of your shirt, but also the entirety of your right pant leg was missing. you instantly sat up, trying to cover up.

"i didn't know, i will-" you tried excusing yourself, but fell silent when he squeezed your waist slightly, attention moving back to him.

"i'll bring you back." he answered, taking off his haori and pulling it over your form. it didn't help covering your leg, but at least your upper body looked a bit more presentable.

he scooped you into his arms, both your legs around his waist. you rested your chin on his shoulder, wishing to disappear. the whole situation was embarrassing, and even worse, you had felt warm when he touched your skin unhindered.

his hand held you up by your thighs, his grip on your right thigh a bit stronger. you could feel his fingers dig into the soft flesh of your leg, glancing up at him.

"you.. you're really soft." he quietly said, not able to hide his red face from you.

perhaps the whole situations had it's advantages.

Sanemi:

"stop running! just admit defeat!" he shouted after you, determined to get this fight over with. the only problem: you were extremely fast. you managed to dodge his attacks every time.

"never!" you answered, seeing him try to attack again. you were ready to dodge his bamboo sword, but were shocked to see him drop it mid-attack.

his hand shot towards you instead, quite literally knocking you down with his harsh hit. your back made contact with the ground, Sanemi tackling you down immediately.

"i win." he said, smirking at your defeated form. you tried freeing yourself, not able to push up with his hand on your neck.

"i didn't give up yet." you huffed out, feeling him squeezing your throat lightly - he was warning you. only that his warning didn't work as intended.

a quiet whimper escaped your lips, your cheeks flushing in embarrassment. he had heard the sound, you knew it.

"oh? didn't know you were into the rough treatment." he smirked - teased. your reaction was immediate, pressing your knee up and right against his crotch.

he groaned, letting go of you. he clearly hadn't expected you to do that, especially not after you pushed him away and freed yourself.

"didn't know you were into that, Shinazugawa."

"you-"

naturally, another fight started right after.

Giyuu:

how did this happen? thirty minutes of fighting just for your bamboo sword to be kicked to the side by him. he had been too fast for you, leaving you unable to react.

your back was pressed against the wall, wide eyes staring into his. he had caged you between the wall and his body, his form towering over you.

ocean eyes were deeply staring into yours, his hand pressing against the wall behind you. he couldn't tear his gaze away from your body, not when you were presented right in front of him.

"you lost." he stated, as if it wasn't obvious to the both of you. his eyes narrowed, his other hand moving towards you.

"if this had been a fight with a demon, you would've died." he said, making you feel like prey under his eyes. he placed his hand on your chin, thumb nearly grazing your lips.

"don't lose focus." he uttered, but his eyes had long broken their contact with yours. he was watching your lips instead, as if he was debating on a kiss.

"i wont." you answered breathlessly, getting his attention back on you. he let go of your chin, stepping away and picking up your sword.

"let's try it out." he taunted, neither of you really focusing on winning or losing now.

Gyomei:

this fight was unfair to begin with. without a doubt, you were one of the strongest swordsman in the corps. you've served as a hashira for three years now, but no one could win against Gyomei.

naturally, you admitted defeat when he threw you over half the lake, immediately asking whether you're fine or not.

your head broke through the water, gasping for air. the water was freezing cold, but you told him you're fine.

he still made the effort to help you out of the water, drenching his own clothes in the freezing liquid.

"are you sure you're okay?" he asked, big tears already rolling down his face again. you avoided your eyes from his form, not trying to appear inappropriate.

"i'm fine." you answered, looking at your own body. both of your clothes were quite see-through, giving you a greedy sight of his muscles and abs.

looking down at yourself, your clothes weren't any better. you thought of yourself as lucky, not wanting to live with the shame of letting him see so much of your body.

"come, it's freezing in here." he told you, pulling you into his arms and out of the water as he made his way out of it.

what you didn't know, was how his fingers could feel everything that you were seeing. your clothes stuck to your skin, not leaving much room for imagination.

he stepped out of the water, but instead of letting you down, his head tilted towards yours, foreheads nearly touching.

his hands squeezed your body, millions of thoughts running through his head. "you're.." he said, but he stopped, not wanting to do something he might regret later.

"you're still wet, we should get some dry clothes.." he told you instead, putting you down again, his hand sliding against your curves for a moment.

you watched him walk forward, your lips parted. was it wrong that you had hoped for him to continue?

[fictionstudent]

How to pull off descriptions

New authors always describe the scene and place every object on the stage before they press the play button of their novels. And I feel that it happens because we live in a world filled with visual media like comics and films, which heavily influence our prose.

In visual media, it’s really easy to set the scene—you just show where every object is, doesn’t matter if they’re a part of the action about to come or not. But prose is quite different from comics and films. You can’t just set the scene and expect the reader to wait for you to start action of the novel. You just begin the scene with action, making sure your reader is glued to the page.

And now that begs the question—if not at the beginning, where do you describe the scene? Am I saying you should not use descriptions and details at all? Hell naw! I’m just saying the way you’re doing it is wrong—there’s a smarter way to pull off descriptions. And I’m here to teach that to you.

***

#01 - What are descriptions?

Let’s start with the basics—what are descriptions? How do you define descriptions? Or details, for that matter? And what do the words include?

Descriptions refer to… descriptions. It’s that part of your prose where you’re not describing something—the appearance of an object, perhaps. Mostly, we mean scene-descriptions when we use the term, but descriptions are more than just scene-descriptions.

Descriptions include appearances of characters too. Let’s call that character-descriptions.

Both scene-descriptions and character-descriptions are forms of descriptions that we regularly use in our prose. We mostly use them at the beginning of the scene—just out of habit.

Authors, especially the newer ones, feel that they need to describe each and every nook and cranny of the place or character so they can be visualized clearly by their readers, right as the authors themselves visualized them. And they do that at the start of the scene because how can you visualize a scene when you don’t know how the scene looks first.

And that’s why your prose is filled with how the clouds look or what lights are on the room before you even start with the dialogues and action. But the first paragraph doesn’t need to be a simple scene-description—it makes your prose formulaic and predictable. And boring. Let me help you with this.

***

#02 - Get in your narrator’s head

The prose may have many MCs, but a piece of prose only has a single narrator. And these days, that’s mostly one of the characters of your story. Who uses third-person omniscient narrator these days anyway? If that’s you, change your habits.

Anyway, know your narrator. Flesh out their character. And then internalize them—their speech and stuff like that. Internalize your narrator to such an extent that you can write prose from their point-of-view.

Now, I don’t mean to say that only your narrator should be at the center of the scene—far from it. What I mean is you should get into your narrator’s head.

You do not describe a scene from the eyes of the author—you—but from the eyes of the narrator. You see from their eyes, and understand what they’re noticing. And then you write that.

Start your scene with what the narrator is looking at.

For example,

The dark clouds had covered the sky that day. The whole classroom was in shades of gray—quite unusual for someone like Sara who was used to the sun. She felt the gloom the day had brought with it—the gloom that no one else in her class knew of.

She never had happy times under the clouds like that. Rain made her sad. Rain made her yearn for something she couldn’t put into words. What was it that she was living for? Money? Happiness?

As she stared at the sky through the window, she was lost in her own quiet little corner. Both money and happiness—and even everything else—were temporary. All of it would leave her one day, then come back, then leave, then come back, like the waves of an ocean far away from any human civilization in sight.

All of it would come and go—like rain, it’d fall on her, like rain, it’d evaporate without proof.

And suddenly, drops of water began hitting the window.

You know it was a cloudy day, where it could rain anytime soon. You know that for other students, it didn’t really matter, but Sara felt really depressed because of the weather that day. You know Sara was at the corner, dealing with her emotions alone.

It’s far better than this,

The dark clouds covered the sky that day. It could rain anytime soon.

From her seat at the corner of the room, Sara stared at the sky that made everything gray that day. She…

The main reason it doesn’t work is that you describe the scene in the first paragraph, but it’s devoid of any emotions. Of any flavor. It’s like a factual weather report of the day. That’s what you don’t want to do—write descriptions in a factual tone.

If you want to pull off the prior one, get to your narrator’s head. See from their eyes, think from their brain. Understand what they’re experiencing, and then write that experience from their POV.

Sara didn’t care what everyone was wearing—they were all probably in their school uniforms, obviously, so I didn’t describe that. Sara didn’t focus on how big the classroom was, or how filled, or what everybody was doing. Sara was just looking at the clouds and the clouds alone, hearing everybody just living their normal days, so I mentioned just those things.

As the author, you need to understand that only you, the author are the know-it-all about the scene, not your narrator. And that you’re different from your narrator.

Write as a narrator, not as an author.

***

#03 - Filler Words

This brings me to filler words. Now, hearing my advice, you might start writing something like this,

Sarah noticed the dark clouds through the window. She saw that they’d saturated the place gray.

Fillers words like “see”, “notice”, “stare”, “hear” should be ignored. But many authors who begin writing from the POV of the characters start using these verbs to describe what the character is experiencing.

But remember, the character is not cognizant of the fact that they’re seeing a dark cloud, just that it’s a dark cloud. You don’t need these filler words—straight up describe what the character is seeing, instead of describing that the character is seeing.

Just write,

There were dark clouds on the other end of the window, which saturated the place gray.

Sarah is still seeing the clouds, yeah. But we’re looking from her eyes, and her eyes ain’t noticing that she’s noticing the clouds.

It’s kinda confusing, but it’s an important mistake to avoid. Filler words can really make your writing sound more amateurish than before and take away the experience of the reader, because the reader wants to see through the narrator’s eyes, not that the narrator is seeing.

***

#04 - Characters

Character-descriptions are a lot harder to pull off than scene-descriptions. Because it’s really confusing to know when to describe them, their clothing, their appearances, and what to tell and what not to.

For characters, you can give a full description of their looks. Keep it concise and clear, so that your readers can get a pretty good idea of the character with so few words that they don’t notice you’ve stopped action for a while.

Or can show your narrator scanning the character, and what they noticed about them.

Both these two tricks only work when a character is shown first time to the readers. After that, you don’t really talk about their clothing or face anymore.

Until there’s something out of the ordinary about your character.

What do I mean by that? See, you’ve described the face and clothes of the character, and the next time they appear, the reader is gonna imagine the character in a similar set of clothes, with the same face and appearance that they had the first time. Therefore, any time other than the first, you don’t go into detail about the character again. But, if something about your character is out of ordinary—there are bruises on their face, scars, or a change in the way they dress—describe it to the reader. That’s because your narrator may notice these little changes.

***

#05 - Clothing

Clothing is a special case. Some new authors describe the clothes of the characters when they’re describing the character every time the reader sees them. So, I wanna help you with this.

Clothing can be a way to show something about your character—a character with a well-ironed business suit is gonna be different from a character with tight jeans and baggy t-shirt. Therefore, only use clothing to tell something unique about the character.

Refrain from describing the clothing of characters that dress like most others. Like, in a school, it’s obvious that all characters are wearing school uniforms. Also, a normal teenage boy may wear t-shirts and denim jeans. If your character is this, no need to describe their clothing—anything the reader would be imagining is fine.

Refrain from describing the clothing of one-dimensional side-characters—there’s a high chance you’ve not really created them well enough that they have clothing that differs from the expectations of the readers. We all know what waiters wear, or what a college guy who was just passing by in the scene would be wearing.

You may describe the clothing of the important character in the story, but only in the first appearance. After that, describe their clothes only if the clothes seem really, really different from the first time. And stop describing their clothes if you’ve set your character well enough in the story that your readers know what to expect from them in normal circumstances—then, describe clothes only when they’re really, really different from their usual forms of clothing.

***

#06 - Conclusion

I think there was so much I had to say in this article, but I didn’t do a good job. However, I said all that I wanted to say. I hope you guys liked the article and it helps you in one way or the other.

And please subscribe if you want more articles like this straight in your inbox!

[marsmaximoff]

🦑 hwang jun-ho; headcanons 〇△□

content warning: gn!reader. fluff. mentions of death, coma and jealousy. pet names. no season 2 spoilers. let me know if i missed anything.

word count: 941

author’s note: well, my man is back, and i had to write some headcanons for him. the OBSESSION that i had back in 2021 needs to be studied, omg. anyway, as always, constructive criticism is welcomed, english is my third language, so i apologize for any mistakes. in case i don’t post anything else this year, happy 2025 everybody!! enjoy! 🩷

divider by @k1ssyoursister

〇 pre-games

best. boyfriend. ever.

that’s it, thank you for coming to my Ted Talk

🙃🙃🙃

his love languages are:

1) quality time

he may be a police detective, but he ALWAYS tries to make time for you 

and see you every day, and if he can’t, he’ll save some minutes to call you

loves to hear about your day

big on communication, that’s key on your relationship 

type of boyfriend that picks you up after work, or anything really

he just wants to see your cute face :3

takes you out on cool dates

to the park, to eat, to cute animal cafés

he’s okay with staying in too, just cuddling, talking, watching something….

and 2) acts of service 

will drive you anywhere you need

you get ‘good morning/night’ texts every single day you’re not together

makes you breakfast 

and has no problem with cooking for you

opens doors for you 

pulls out the chair at the restaurant ☝🏻

he’ll simply do anything you need

loves coming home to you, it doesn't matter how shitty or overwhelming his day was, you just put a smile on his face

his favorite thing to do with you is eating

it may sound boring, but he loves to see you taking care of yourself, well-fed and happy

takes you to meet his family

his mom loves you

even his brother likes you

he’s a tease and enjoys seeing you all flustered

i feel like he’d be the type to have many pics of you on his phone that he goes back to whenever he misses you

you’re probably his wallpaper, perhaps even on his wallet too 🤭

some pet names like: “honey”, “love”, “beautiful”, “cutie”

would never cheat

a guard dog

not super jealous -a bit tho- but won't hesitate to step up if someone acts stupid 

(picture that one scene in season 2 when that man mocked him and didn’t believe he was an actual police detective hehe)

shows you off 🤩

checks you out :p

his hand is on you in some way when you’re out

has good emotional intelligence

big spoon

reminds you to take your make up off before bed if you wear any -he may even do it himself if you're too tired

or to take meds

he is just really caring and supportive

doesn't like seeing you worried or anxious because of his job

absolutely hates to see you suffer

doesn’t mind that you may be struggling financially, it won’t change what he feels

will help you with whatever it is

just don’t hide it, he hates secrets and lies

i hate doing it, but there always has to be some 🚩 

he’s the first one that would do it (lying and hiding stuff) to ensure you’re okay and don’t get worried

on a particularly overwhelming day, he will raise his voice at you

can get really overprotective 

some days you may not hear from him, or at least not much

will sometimes struggle to open up about his issues or what’s upsetting him

△ during the games

after your sudden disappearance, worry and fear ate him up

while checking your house he found a weird card

and once he discovered the exact same one at his brother’s, he knew something was going on

heard gi-hun at the police station rambling about some weird symbols and immediately recognized the design

interrogated him about you, desperate to know about your whereabouts 

as soon as he successfully infiltrated the games, he began your search

almost had a heart attack when he spotted you

had to make the effort of his life to stay calm and not run to you

would somehow manage to get you two alone so he can get you out of there (i wrote about this)

almost gets caught

feels betrayed you didn’t tell him and quite angry you’d risk your own life like this

but mostly relieved you’re okay (and still alive)

watches you like a hawk from the distance, ensuring your safety

constantly around, you continuously sense his presence close by 

□ post-games (you died)

had to see your death and practically went numb

blurry vision, ringing in his ears, shortness of breath, sting in his throat

the worst thing tho, was finding out his brother had been behind everything

how could he have done this to you? you trusted him! 

feels completely disgusted

after his coma, he blames himself for everything

your name was his first word after waking up

dreams about you 

gets you a cenotaph given that your body will forever remain strayed

nevertheless, he still talks to you like you’re there

tells you about his recovery and his progress finding the island

you are his strongest motivation

he’s doing this for you, to provide the love of his life a much deserving peaceful rest

gets you new flowers every few days

he’ll never stop feeling guilty

〇 post-games (you survived)

has nightmares he failed and left you to meet your demise on those cursed games

always there when you have them, and so is his shoulder if you need to cry

reassurance king

hides the identity of his attacker from you

becomes even more overprotective

shared location on at all times

gets paranoid if you don’t text him all day

he swore to never miss a single detail of your possible struggles. not again

you can still tell he holds himself responsible for your time on that island

stays awake at night just watching you sleep safe and sound (will never say it tho)

babies you

bigger spoon

doesn’t let you go out on your own if it’s late, afraid that something may happen and those psychopaths will reach you again

[inbabylontheywept]

Soviet Birds.

The secret facility that I work in has holes in the ceiling. We don't know how to get them fixed.

We tried asking the government to fix it, once. We told them that the holes in the older parts of the facility had gotten large enough to fit birds through, and that birds were getting through, and that, perhaps, a Soviet Spy could fit through as well.

After all, it is well known that Soviet Spies and pigeons are approximately the same diameter.

Our hope was that that this vague and nonsensical threat would put a little fire under Uncle Sam's feet. If the fed couldn't be bothered to give a shit about the giant gaping holes in the roof of our facility, perhaps they could be persuaded to give a shit about... Soviet Spies.

This attempt at manipulation 100% blew up in our faces.

See, the government does not need to be persuaded to give a shit about Soviet Spies. It still wakes up most nights, drenched in cold sweat, terrified and confident that a Soviet Spy is hiding in their nightstand. If it sees a rock on the ground, it flips it over, pistol drawn, ready to shoot the Soviet Spy it fully expects to slither out from underneath. Which is to say: The government is crazy. So when we dropped those two words - inflitration risk - in the repair request, they came in guns-a-blazin'.

Does that mean that they fixed the roof? Of course not. Don't be stupid. No, instead of performing basic maintenance, they installed a state of the art alarm system throughout the facility - lasers, sonar, the works - and told us to always be on the guard. Because of the roof holes.

Then they left.

So now we had an extremely good alarm system... and birds. Which have combined in incredibly obvious and predictable ways to produce an unending fountain of problems.

For Example: About once a month, someone gets called in by the local airforce dispatch because AAAAAAAAAAA a Spy is in the Rad Lab! We're all gonna die! Except every time, it's a bird. And I get why we have to check, but every time, the dispatcher is panicked and the person going out has to be like listen, listen: It's a bird. It's always a bird. It's been a bird every month for the last fifteen years. It will be a bird next month. All this stress? Bad for your heart.

Second Example: Sometimes, birds get in while we're actually working. And when it's in the morning, you know, it's a nuisance, and it stops testing (we are not going to risk irradiating a bird) but it's not an all-hands-on-deck situation because it doesn't take ten hours to get a bird out. But surprisingly often, the bird gets in riiiiight at closing time, and in that situation, everyone goes feral because nobody can leave until the alarm is set, and we cannot set the alarm while the bird is there, because the bird would immediately trigger it and then we'd have to stay another 4 hours to confirm that it was not a Soviet Bird.

So in order to go home, everyone's top priority is Get That Bird. And we have a system for it.

Step 1: The test stands tend to be located in rooms with 30+ foot ceilings. We can't catch birds in places like that - so we have to lure the bird into the relatively low ceilinged (8 feet only) upper offices.

We do this by turning all the lights off in the test rooms, then putting floodlights by the exits. I don't know why this works - some kind of evolutionary brain fragment shared by both Bugs and Birds - but work it does. The birds almost always follow after the lights. From there, it’s just two guys moving the floodlight and a third guy to turn off the lights.

Step 2: Everyone else has been waiting for this step. There is this long stairway up from the basement level into the offices, and in the final stage, the floodlights are brought to the base of the stairwell to bring the bird up. At the top of the steps there will be a group of tennish people, waiting for the signal. The light guys will set up the final transfer, everyone will tense, and then, swish...a bird will flit up the stairs and into the offices.

It's like watching werewolves on a full moon. Before the bird cometh, we are engineers. Nerds. Pale and skinny things, trembling under the fluorescent lights. After the bird, we are beasts. Feral, gnawing things, glowing under the orange sunrise of the 70's halogen floodlights.

And like all beasts, we cannot help but give chase.

Step 3: The were-engineers begin the hunt. The goal at the start is not really to catch the bird - just exhaust it. So the pack simply does not relent. Because the stakes are going home on time, the group is basically given free reign to go anywhere in the building. If someone's door is open, and the bird goes inside, they're going to have to deal with ten sweaty panting maniacs leaping around their office. They don't get to say that they're busy, or remark on how all this movement is a terrible distraction. They are allowed to sit in silence during the chaos, and perhaps thank the war party for chasing the bird while they sat comfortably on their ass. This has been explained several times, and it will continue to be explained until cooperation is achieved.

Anyway.

The chase can go on for quite some time. Sometimes, the bird will get tired and find a crevice to hide in, where it can then be reached through standard cornered-bird catching techniques.

Other times, it will slow down enough that someone can actually yoink it out of the air. But this will go on until someone catches the bird and triggers Step 4.

Step 4: The Finale. This is the get-the-bird-out-of-the-building stage, and it requires someone to adopt a specific role: To Become the Sacrificial Vessel of Bird Removal.

This job is both coveted and feared. It's coveted, because holding a wild bird in one's hands is a precious thing. To feel how small, and fragile, and scared it is, only to free it from the building? That is what it's like to be a benevolent God. But the cost! Oh, the cost. The entire time the Vessel is in motion, the bird will be biting the hell out of their fingers. And I cannot emphasize enough just how painful bird bites are. Their entire face is a set of needle posed pliers, and they know tricks the even the cartels haven't figured out yet. So there's always a little hubbub about who shall be The Vessel while onlookers, stranded outside The Office of Bird Capture, can only look on. Quiet arguments and pleas are heard, little fragments of fear and pride and glory trickling out of room like the silver dust left behind in a bag of well shook quarters. The sound of concensus is silence, and the argument will go on until that's all that's left. And then, from the darkness of the final office, the chosen sacrifice will step forward: Hands gently cupped, tears streaming down their face, fingers trembling from the pain of the ongoing bird chomps.

And this scene is what organizes people. Not leadership, not truly. No one can think and coordinate a crowd while their fingers are being attacked with a combination nutcracker/ear piercer. But the crowd sees the suffering of their annointed, and it is driven to do everything poossible to make the process flow. People instinctively flair out, finding the fastest path outside. Doors are held open. Paths are cleared. Someone, somehow, always knows the way forward and can describe it to the sufferer. Left, left, forward. Corner closet. Yep, there's a hall in there. Forward. Two-hundred more feet man, you're doing great. Just hold it together a little longer. You're killing it.

Then the final door swings open, and the bird flees out into what remains of daylight. And yet, even here, the deed is not yet done. I cannot explain it in words, but the crowd that helped is never content until they can see and speak on the Bird Vessel's wounds. They all have to pull the fingers back and see what was given. Estimate the price: One day to get better - No, three - No, a week! Are you blind? Do you see that blood blister? -Yeah, that's not going away anytime soon - Damn, can you believe how feisty those things are? Like wolves without teeth.

(They cannot help but touch as they go. It has always been this way. Even Thomas was not content until he felt the wounds in Christ's hands.)

Only when the last of the helpers has seen, and commented, and commended, will the engineers scatter. It is their return from the underworld that announces to the sun living surface dwellers that they too can go home. (@somerunner tolja it needed to be a post.)

[katakaluptastrophy]

I think what's so interesting about Gideon as a narrator at the anniversary dinner is the fact that there's clearly tensions that she's just not picking up on because she's only there to eat a dessert.

But these people are all the immensely powerful leaders of the Houses and consider themselves to be in competition for literal godlike powers and the favour of the emperor.

There's so many little snippets that are potentially intriguing: why is Teacher trying to prime the Ninth to consider the Fifth a threat? Why are the Third and the Sixth "sizing each other up like prizefighters"? The Fifth absolutely knew what they were doing when they sat the teen heads of the opposing cults near each other.

Through Gideon's lens, Magnus' speech is a little awkward jokey thing. But...the seneschal of the House that is known to be actively trying to absorb another House is saying it's such a shame they're all so remote from each other and what do they all have in common (and it's so quiet you "could have heard a hair flutter to the floor") - that had to feel a bit different to people who aren't Gideon.

Palamedes' is dissecting the meaning of "Master Warden" and at one point compares it to a prison warden. 'Dulcinea' asking about whether Magnus and Abigail have children is perhaps less small talk and rather more pointedly political. Harrow's apparently stilted conversation with Protesilaus is clearly her actually probing his limitations like he's a bad Chat GPT-run chatbot.

And then 'Dulcinea' tells Gideon she liked the dinner because it was "useful". In her typical "I never lied to you" way, Cyth wasn't lying when she said Abigail had to die because of her hobby - Abigail Pent let loose on the Facility would have risked blowing Cyth's cover sky high. But what does a Canaan House look like where after the dinner party, the Fifth go down to the facility, get a key, and survive to continue their 'the Houses are going to get along or else' agenda? We've seen Fifth House soft power on a smaller scale in HTN: and it looks like inviting a teenager round for coffee, lulling her into a false sense of security with small talk, and then physically preventing her from leaving the room until she does what you want, while smiling the entire time. A series of little coffee chats could probably have led to a lot of cooperation in Canaan House, one way or another.

Gideon jokes about Silas marrying Ianthe because of their similar colour pallete, but it does raise the fact that there seems to be some tension around the Third, its succession, and the *point* of Ianthe. Why is Silas openly saying Ianthe should have died at birth? Combined with Judith's comments in the Cohort Intelligence Files about succession on the Third, it feels like there's something else being said here that Gideon isn't picking up on.

And of course, Harrow wasn't the only one desperate to become a Lyctor because her con was unsustainable. Presumably at some point Corona and Ianthe would be expected to marry, or at least take on more separate roles as Corona prepared to take over the throne and Ianthe was funneled off elsewhere. At some point, their package deal would have become unsustainable and Corona's cover would have been blown. But much as Harrow wants to become a Lyctor so she can reveal the state of the Ninth without repercussions, Ianthe is probably in part motivated to become a Lyctor for the same reason. Because otherwise, what would Ianthe's expected role have been? Amidst the suggestion of anxiety about the Idan succession, the dinner party also presents the fact that the reason Abigail and Magnus' infertility isn't a succession crisis for the ruling family of the Fifth is that Abigail's younger brother dutifully married in his early 20s and had kids. We know there are branch families in Ida - Babs is from one. He may be a prince, but he's not treated well, and you do get the sense that the stakes to stay in power in Ida are high.

We don't learn anything about the political situation in the Houses themselves during HTN or NTN, but in the wake of Canaan House, you have to suspect there are a number of tensions and concerns.

[dianight]

Let's talk about transandrophobia. And by that I mean let me monologue about my findings browsing the tag and checking related blogs.

For context, most of my (second hand) interactions with it are from additions to the posts of transfeminists where random people antagonize them. Also from knowledge about how a certain user who helped popularize the term and gets referenced on posts about it (and other adjacent pawns) just happens to be a piledriver for callouts that just happen to target trans women. So you will excuse me for being biased and not going into this with a naive mindset.

And I will say that I've engaged with this in significantly more good faith than it deserves. My hope was that perhaps most people using the term were doing it out of ignorance and not malicious intent. I haven't really "counted" or done any actual note taking for this, it's more of a general observation that coalesced over a few days after I did all that digging so numbers are rough estimates and not accurate numbers. I checked about 50 pages on both "latest" and "top" on the tag, aswell as checking the recommended blogs.

Ignoring certain users who use the tag to highlight how absurd the mere concept of it is, since it's just mainly one woman having fun(?) cluttering (neutral) the tag and a few others mocking posts about it; we can roughly put the people who talk about transandrophobia in 3 groups. There is potential for overlap and I reiterate, my good faith is going to skew this toward a more positive vision than reality.

The first group are mostly trans men and a few trans women who would define transandrophobia as transphobia targeted at trans men, which is not at all what the term means nor what its history or actual use is. This group was around 30-40% of the posts, but one has to keep in mind that this was from going over the posts with the tag on their blogs. Posts that would talk about their experiences being the targets of transphobia and calling it transandrophobia.

Not to sound condescending, but getting treated differently to your cis peers (before coming out OR even knowing you are trans), pushback against your transition and toward the closet, bureaucratic hurdles and general hostility to being "the other" is not a transmasc exclusive thing and it's in fact "just" transphobia. Even the supposedly unique to trans men experience of having issues with reproductive health... also happens to trans women, it's the general transphobia of medical professionals. It manifests in different ways, that's it.

Most of the transmascs on this group seem to be under the impression that transandrophobia is an analogous term to transmisogyny that simply describes the targeted transphobia to transmascs and transfems respectively. I understand their posts and it was painful to read many of them, but ultimately what they describe is called transphobia. Most of the (few) transfems on this group were making additions in defense/support of trans men on those same previous posts.

That's as good as it gets though. I really hope the 30-40% estimate is real because the alternative is grim, and as a disclaimer I have (over time) blocked a massive amount of those users who go on posts about transmisogyny to start fights. Those hostile users are very likely to use the tag and be part of the second or third groups, which means that accounting for all the people I've blocked the first group percentage is likely to be <30%.

The second group are cryptoterfs. Or alternatively, people with ideas so bioessentialist that they are indistinguishable from cryptoterfs. I have found only two blogs that were openly "gc" and straight up interacting with open terfs, but many of them had their rethoric and semirelated posts all over and sometimes even the recommended blogs would give it away. Possibly 10% of the tag users belong to this group.

The main giveaway beyond the previous ones seems to be a really transphobic view that what trans men experience as transphobia is really just misogyny. So when they experience that misogyny as trans men it's called transandrophobia. Don't ask me what logic this is, but I've seen it repeated on their blogs so whatever is going on in their brains they seem to commonly agree that trans men are "just" experiencing misogyny. The obvious implication always, always being that trans men are women, a very transphobic idea.

There were some users who are part of the previously mentioned overlap. They will have some posts that tangentially allude at that trans men = women idea but never quite reblog or interact or expand those transphobic views. But they would also be part of the third group.

The third group are transmisogynists. No other way to put it. And I don't mean it in the casual way, we are all kind of transmisogynistic due to society and that's it; I mean it in the openly in opposition to transfeminists and actively spreading hateful and harmful rethoric kind of way. More than half the users of the tag are part of this group.

It's a key difference but a very telling one; where the first group talked about their experiences and how they are affected by transphobia (incorrectly labeling it) the third group engages in reactionary behaviors, always blaming/harassing/critizicing transfeminists posts. It's a genuinely weird feeling to see a post you agree with, along the lines of "men benefit from patriachy" and the "critique" from these users being "how dare these [insert misgendering term] insinuate that trans men are oppressing them".

Reading anything in bad faith, calls for "unity" while at the same reblogging from and interacting with known callout spearheads, honestly shocking hostility to trans women all over their posts and a general very open opposition to any transfeminist theory. Like I was genuinely speechless at some of the posts.

Literally calling random trans women transphobic. Screenshots without context to make it seem like the OP is saying the literal opposite of what she was saying. Congratulatory posts about getting people banned. Straight up callouts.

And I was hoping that the first group would be the majority, with a few bad apples and the expected bad actors.

My conclusion is very simple. Stop using the term transandrophobia. It has no good faith uses, what trans men experience is transphobia since misandry is not a real structural force and misogyny is. Most of its users are hostile to and a danger to trans women in this website, and somehow terf rethoric is generally accepted by them.

Transandrophobia doesn't exist.

[rockingbytheseaside]

Hii!! I love your writing sm like you’re literally my go to blog when I get bored and I end up rereading your fics 😋. Not sure if you have rules or anything so idk what I can and can’t request (IF YOU DO AND THIS ISN’T IN LINE WITH IT I’M SO SORRY.. 😭).

Could I request the harbingers crushing on reader? Like I can imagine them being slightly more lenient with reader which confuses most of the soldiers. Again feel free to ignore this 💗‼️‼️

(giggling and kicking my feet rn, this is the type of partially-satirical fluff I headcanon. Hope you like it)

✦ When they secretly have a crush on you

Pierro, Capitano, Dottore, Scaramouche, Pantalone, Childe

✧ The ever-cold and impeccable Pierro – a mystery that even his associates and top harbingers cannot decipher. Not many can be considered as his close confidants, so none is certain of his personal life and preferences. A cold, stern man like The Jester probably doesn’t waste a glance on frivolous affairs or pleasantries. Even if many high-status people tried to approach him - aristocrats, business partners, or noble ladies; his cold gaze shuts off any initiation for close relations. No, he sees their greed for power too clearly to be swayed.

Yet Pierro harbors a deep secret. He does fancy a type… and that type is you.

It’s not simply your physical attributes or style, his ‘type’ is literally everything you embody. The shape of your jawline when you lower your face, the delicate shadow your eyelashes cast on your cheeks, how your chest moves when you take a deep sigh. From the minor and inconsequential attributes, he memorized it to his heart until the only thing his gaze is seeking is you across the room. He was always silently enamored, his eyes watching you with reverence. However, he is a mastermind, first and foremost. Concealing his inner sonnets for his love for you came naturally just as he conceals half of his face with a Khaenri’ahn mask.

You, on the other hand, were oblivious. Nervous, even. Facing off the most powerful man, cursed with immortality just as you all those centuries felt intimidating, especially when you couldn’t grasp why his gaze kept lingering so melancholically.

“It is… good to see you again, Pierro,” – that was your initial words when the two of you spoke formally. In truth, your mind was filled with wistful thoughts: he probably settled down with someone after 500 years of immortality.

In the meantime, Pierro’s mind was at comical odds with his cold exterior as he thought: Hmmm… Yes, I’ve already decided on the name of our potential third child.

But of course, he didn’t say that, even if he looked slightly mesmerized. Instead, he just settled with a polite: “A pleasure, indeed”. It's only a matter of time before he accidentally slips and calls you his spouse in front of people.

✧ Il Capitano was avoiding you like the plague, and you couldn't fathom why. Whenever you crossed paths, his oppressive silence would intimidate you further. He would linger behind you, a looming presence so quiet that at times, you’d forget he was even there. Alas, when you finally muster up the courage to approach him directly, he'd respond with the briefest of words, avoiding any attempts of chatter.

It infuriated you. So much so that you started wondering if perhaps you did something wrong. He sparred with you countless times, the taste of a battlefield is nothing foreign when he trained alongside you. You felt like a stranger. Why he was so eerily silent was beyond your comprehension, and alas, his pitch-black expression did not portray any facial clues on what he was thinking.

The truth of the matter is that Capitano has mastered the art of keeping his head impassively still. With a helmet on his face and lack of visage, no one sees his gaze ogling your form whenever you train. Your movements mesmerize him during battles, your legs swift and your stance is powerful. Of course, he would be silent when he is staring directly at your beauty in action. You rendered him speechless, and now the Harbinger is diverting himself by discreetly peeking at you. Thank the archons for his helmet hiding his gaze.

But the Captain scolds himself. No, he mustn’t! It is improper of him to even lay his eyes upon a being so diligent and strong as you, he must respect-… Nope, his head is automatically turning towards you anyway. Lost in his silent battle of self-reprimand, he didn’t notice you suddenly approaching:

“Captain, we need to talk. What is the reason for your cold shoulder towards me? If I have done something improper you must tell me… You always avoid me, even when we’re supposed to cooperate.”

The same characteristic silence followed him, however, seeing you cornering him so sternly, even the Harbinger had to drop his resolve.

“...You must forgive me. Your beauty had overwhelmed me to such an extent that I felt ashamed to admit how you rendered me speechless to approach you.”

✧ A long time ago, before Il Dottore bore the title of a Harbinger, there was a young boy named Zandik. This little Zandik was trainee Dastur, a prodigy of his field and academic year. But he wasn't the only top student of the Akademiya, in fact, this young man was standing in the shadow of a brilliant senior student whom he always looked up to with innocent wonder – you.

You weren't aware of the younger student with short turquoise hair trailing you. He, however, was aware of you because your portrait often graced the accomplishments of the establishment, thesis research, and any academic honors of the top young researchers. Since you were a senior, Zandik couldn’t share lectures with you, yet it didn’t stall him. Every thesis bearing your name, he read; every book you borrowed from the House of Daena, he memorized meticulously. His revenant studies of everything you did mesmerized his young mind, leading him to linger behind the lecture hall doors, drawn to where you so often spent your time.

It was a harmless habit, the boy believed; surely you never noticed him?

One day, Zandik spotted you chatting with your peers in the hallway. Unfortunately for you, you inadvertently left behind your precious notebook, forgotten in the rush to your next class. The young man didn't have it in himself to run after you and directly return it. Instead, it was his chance to study your secrets. His hands hesitated only briefly before he grasped the notebook, feeling the weight of the handwriting he so admired.

When he first opened the notebook, the first page read in massive writing: “I KNOW YOU'RE STEALING MY NOTES – THIEF.”

That was approximately 400 years ago. So much so that the memories of your student self were long forgotten in your mind. When you later on met the 2nd of the Fatui Harbinger, you expected the Fatuus to coerce you for cooperation. To demand you to leverage your expertise in Khaenri'ahn technology, or perhaps blackmail you into his maddening cause. But none of that transpired.

The grown man, now known as Il Dottore, stood blankly in front of you, eerily placid. His once youthful awe had matured into something far more inscrutable, like a long-buried sincerity breaking through his Doctor’s mask. Without a word, he extended a hand, offering you an old, tattered notebook. It was that same old notebook from your Akademiya days.

“... Huh? Where did you get this?”

“Perhaps a young boy was too excited to pilfer what wasn't his. I apologize for borrowing it. That boy never wanted his idol to think of him as a thief. If it wasn't so arduous to seek you out all those centuries, I would've returned it to you earlier.”

✧ With his face perched on his knuckles, Scaramouche sat down listening to your ramblings. You would think a Harbinger with his temper, would long since exhausted his patience, waving you off to scram from his presence. Yet the moment you start talking, he is obediently listening, like a devoted man waiting for his blessing from the Grand Narukami Shrine

“But I never saw you enjoy any snacks or drinks while you’re out,” – you mused with excitement, launching on a tangent about this mysterious Inazuman beside you. “Oh! How about this, I’ll start guessing your favorite pastime food or beverage and you tell me if I am right or wrong.”

Scaramouche raised an eyebrow, but crossed his arms indifferently - “A futile endeavor but suit yourself anyway.”

Undeterred, you accepted the challenge. You listed each and every single delicacy in Teyvat that you could recall, from Inazuman mochi, dango, and sake to even Mondstadt’s Cold Cut Platter and wine. The Balladeer only scoffed, amused at your silly attempts to deduce him, as if he was some mystery you should decipher.

“Ugh, Okay! My last attempt. Is it… green tea?!”

Scaramouche went silent at the sight of your anticipation - “Hm,”

“No way… did I guess correctly, at last! Are you a herbal tea enthusiast? Oh, I knew it, I knew it!”

You exclaimed with unattained joy, leaving the Balladeer to silently observe your self-proclaimed victory. The truth of the matter is - that wasn't the correct answer. Scaramouche doesn't care for any teas or snacks, not when his artificial palettes found human indulgences to be redundant. Yet, looking at your jubilant face, glowing with delight as if you’d uncovered some profound world secrets, he couldn’t bring himself to confess. How foolish.

“Hah, fine, you got me. You must be thrilled to guess something so mundane.”

“Well, maybe mundane to you, but I was pretty curious what a living puppet would prefer to drink.”

Your sudden words caused Scaramouche to freeze. He never told you he was a puppet by nature, and most people would never guess what he is. Yet here you were, stating it so simply and obviously. Most ridiculously, you didn’t seem crestfallen by the weight of this truth. “You knew…? I'm not sure if I should compliment your keen observation, or if this is another one of your random guesses. What gave it away?”

“I thought it was obvious.” - you eased a sincere smile, your hand reaching to carefully brush a stray hair on his head. “No regular human would have such a perfectly pristine face like yours. Even if they had the most luxurious face-care routine.”

If puppets had blood flow, there would've been a pink hue dusting his cheeks. It seems he was the fool here after all. Ever since that day, he has found the taste of green tea to be rather soothing.

✧ A popular misconception about Pantalone is that he allowed you to walk into his life and pursue him so easily. Trully wrong. In reality, it was this Harbinger who had been pursuing and courting you from the very beginning - like a lovestruck fool, no less.

At first, Pantalone tried to be the charmer. He’d offer you heavy bags of Mora as if it was pocket change and say in his best alluring voice - “Go spoil yourself with something new, dear. I want you to look your best on our next date.”

The issue was you were dense like a rock. Because you blinked at the mora and said simply: “Why? I already have comfortable clothes, I don’t need any right now.”

He wanted to slap himself. Any attempts at spoiling you with riches or gifts were futile, especially when you humbly rejected his monetary help out of casual practicality. You always stated that others in need would require it more. Very well, he won’t sulk just yet. He decided on his next act of refinement. He’d invite you with him to any luxurious events: galas, opera performances, dinner parties; all carefully orchestrated to impress you, showcasing how he can provide you with any wonder from the world, linking his arm elegantly with yours to flaunt how you’re accompanying the 9th of Fatui Harbingers himself.

That didn’t work as well. Whenever a business meeting occurred with vital connections, your gaze bore no interest in the wealth of the higher class, nor did you beat around the bush to dismiss yourself. Instead of marveling at the company of riches and endless champagne flutes, he’d instead find you marveling at the ducks swimming in the pond of a garden – “Look, duckies!”

Pantalone was in visible distress. All this gold that people die for yet you so naively dismissed him. Was he unworthy of your simple love? Was he too pompous for you and forgot his own origins? His self-doubt gnawed at him at night, so much so that his own subordinate would see him pacing in his office with a tremor of restlessness, thinking how he should open this topic with one he so openly treasures.

“My dear, please tell me what your heart seeks,” – he once opened the discussion with you, his hand clasping yours in an act of pleading. “I do not wish you to be uncomfortable with my actions. Just say the word and I will bring you what you want.”

Once more, you blinked at him in that same sweet innocence, but instead, you spoke with a smile: “Oh, you silly, silly man Pantalone. I never wanted your mora or status. I do not wish to be indebted to you, no. I just wish you to be as you are. If you want to take me to a restaurant, take me there, not because it’s a fancy establishment, but because it has your favorite food. Plain and simple.”

The young Harbinger didn’t know it was possible to fall in love even more. It seems he mistook your humble sincerity with naivety, never once pondering that perhaps you didn’t want a partner for the sake of connection or money. That being his true self was something he could even offer you.

In the upcoming days, Pantalone’s subordinate could clearly see was smitten beyond logic or reason. Like a grinning child, resting his chin on his palm when sitting behind a desk, feet almost kicking with excitement. He really was enamored with you from the start.

✧ If there is one thing Tartaglia’s heart relishes, it’s the rush of a challenge. And you, as a whole, challenged this young man on a daily basis. His bubbling persona and eccentricity to rush into action was an antithesis to your blunt calmness and reason. If he is the one launching into battle, you are the one who is yanking him by the collar while maintaining that unimpressed look.

Thus, as a challenge, Childe took it upon himself to make you break that serene attitude from you. At least once, and his heart will soar with victory. Unbeknownst to him, everything he did fumbled.

He started with cheesy attempts to flirt with you, flipping his ginger hair back while leaning on the wall with a captivating smile to make sure your eyes were on his form alone. It might have made you swoon, if he hadn’t miscalculated and leaned against the door instead, stumbling awkwardly when it swung open.

Another attempt was made when he tried to play the savior. The two of you were strolling when a Hydro Hilichurl Rogue stumbled upon your path in the wild, its makeshift scythe warning you two to get away. For the Harbinger, this was an easy opportunity to dispel such a puny target and save you. Except the Hilichurl Rogue kept throwing hydro slimes, which his vision of the same element was useless against. You managed to drag Tartaglia (almost) unscathed.

Everything was going against Tartaglia’s luck and he felt like an utter failure in front of you. He’s the 11th, for crying out loud, he always fairs well when something challenges him. Yet here he is, getting bandaged by you after fumbling countless times in your presence. Your first impression of him must be beyond salvageable at this point.

“If I didn’t know any better, I would’ve thought you’re a problematic teen who gets into trouble all the time. Because you sure act like it,” – you stated to him simply. Securing his cuts and bruises on his shoulder.

“If I confess that such accidents rarely happen, would that change your opinion of me, or is it too late to start from zero? Ouch-” he winced when you tightened the bandages, his bruises not alleviating the sensation. The culpability of it all made him sulk, realizing he was probably putting you into trouble with all his shenanigans. “I’d die for you, you know.”

“That is the dumbest thing I've heard.”

Your words were concrete, his gaze averted with guilt and sorrow. But you continued quaintly.

“Why would anyone say something so senseless? I don’t want you to ‘die’ for me or anyone, even. What about ‘keep living’ for someone? For me… for your family, for yourself. Anyone can blindly plunge themselves to their death, but it takes actual courage and strength to keep living for those you care about. So please, do that for me instead of getting into trouble.”

The once serious expression on Tartaglia's softened with each word you spoke. Now he realizes that perhaps you putting up with his impulsivity stemmed not from frustration, but out of sincere worry. Maybe in his attempt to charm you, you were the one charming him all along. Especially when you sit so close to tend to him, it would feel so natural to wrap his arm around and embrace you.

“You’re right… I suppose it is reckless. Living for yourself seems truly priceless if it means seeing you beside me for another day.”