#campaign arc

[dailyadventureprompts]

Adventure Arc: Toppling the Toymaker

Artsource

Labour disputes in a lumber town lead an avaricious sawmill owner into a head on conflict with a grove of dryads

A dead man dressed like the king of a past era points the party to investigate a derelict playhouse staffed by puppets and hungry spirits.

Hoping only to save people from the horrors of war, a well meaning artificer builds a clockwork army that's poised to go rogue upon it's debut

Buffeted by an unnatural fog, the denizens of a flying city throw an inventors' fair to keep everyone's spirits up.

Unlike a lot of my arc sized adventures which tend to progress in a strictly linear fashion, I decided to try my hand at creating something more nebulous for a more open world style of campaign.

You could start these adventures in any order, and whether your party is your classic bunch of wandering dogooders guarding a caravan, a gaggle of thieves in the province's capital looking to loot a creepy building, or a group of crime solving sleuths,there's a way to get them tangled in this disastrous chain of events.

Endgame: Once the machines start going rogue, it'll be all too easy for the party and their allies to throw blame at the toymaker, imagine this is all part of some plan to conquer the territory while he sits safely in his flying town. To put an end to things, they'll need to improvise a means of returning to Thopperton, possibly having tfight past the legions of clockwork soldiers in the process. Once there, they'll find Gleebringer sealed inside his laboritory by his own creations, possessed by the dryads who cursed him and his industry.

[literarywizard]

Concluding The Second Arc of The Leeching Wastes

And with this final session, the latest arc of The Leeching Wastes has come to an end. I'll be taking a break for a while as one of my players takes over the GM's seat for a while, to run an arc of his own. Which I'll write about instead of this game.

After five sessions, which feels like both more and less time than I expected, we’ve wrapped up the second arc of my The Leeching Wastes campaign. The first arc involved fleeing from a home that was directly in the path of a horrible monster in hope of finding a new, safer place to call home and the second arc has been all about settling into this new home while dealing with some of the…

[thewhalelord]

I like to think Laudna uses minor illusion kinda like keeping a Polaroid in your wallet

Meaning: whenever she’s away from Imogen for a mission or something she’ll minor illusion a little imogen just to see her

She just misses her wife sm guys

[blorbologist]

meet cute! he's in a cell and even after ages in there can't grow a fucking beard <3

also [YOU/DO I] LOOK LIKE [YOU/I] COME FROM MONEY BEING A CALLBACK BETWEEN THEM?!?!?!?! FCUK! ME!

[thelesbianluthor]

I know some people think that Emily's desire to play another character instead of Fig was the reason why she was so all over the place and lost, especially in the first half of JY.

But I honestly feel like her arc was actually incredibly needed and necessary to close her character evolution in a satisfying way. (While still leaving open doors for possible future plots with the Dawn and Sandra Lynn stuff)

Fig has been struggling to find herself since the first moment. She has had to come to terms with being a completely different race than what she thought before and deal with all the consequences of that. She had to grow out of the toxic habits that were born out of her deeply rooted insecurities that finding out about her identity and lineage caused. She had to learn to be kinder to herself. I love sophomore year, it's my favorite season for so many reasons, but I feel like Fig's arc in JY was actually her best one.

Fig being so lonely at the start of the show and her innate devotion made her becoming so focused on holding others' needs over her own an inevitability. She was always aimlessly moving through life, so talented and gifted in many ways but with no real purpose outside of being the protector.

The way JY explored her struggles with introspection and her need to devote herself to others to such an extent that she ignored a curse on herself for far too long was beautiful.

Finding Ankarna, becoming a paladin of dawn and justice and coming to a point where she could let herself choose what felt right instead of what her friends needed was incredible to watch.

I feel like Junior Year gets a lot of criticism because the overall vibe from the IH was lighter and they were having a lot of fun throughout, but the story of the season was actually beautiful to me and the overall character work was so interesting.

[whatisamildopinion]

Kyoto- Phoebe Bridgers

Pro-tip: don't think too long about how Moonshine and Bev have ouroboros arcs with family members and devils and saving the world at great personal cost. Don't think about it too hard. I definitely haven't (lying)

[nuthong]

From spending time with him, I've realized he also likes you.

THAMEPO | EP. 8

[evast]

“Dusk hit on me” world ending words, screaming crying throwing up

[krashlite]

Millie Warm the Kettle,,,

i thought too hard abt bigb's POV and how in both 3L and DL he's caught between two alliances- one with grian and one with ren

something something damned if he does, damned if he doesn't

Edit bc this is getting a bit of traction again! I recently remaaadeee this onneeee if anyone’s curious abt the lil remaster I did,,

[tenderjock]

I’m with you, my love The lights shining through on you Yes, I’m with you, my love It’s the morning and just we two

[nojaloart]

flirting with your situationship’s dead wife is a cool normal healthy coworker thing to do

[delinquentluvr]

and to nobody’s surprise my favorite vox machina member is scanlan

[stardustedknuckles]

It's looking like there's a growing divide between Campaign watchers and Tlovm watchers in terms of like. We're here for the characters. 12-episode seasons aren't. They can't be. I'm already making peace with everything we'll lose in the Mighty Nein show, and I know I will enjoy it for what it is but I also know that almost nothing that made the story so special will translate to the screen, because turning it into a show automatically means (in this day and age) that plot must be the number one priority. They've already come out and told us it's going to be different, the characters we know and love but new stories.

Because that's how this has to work. And I feel bad for campaign one lovers, because while it is certainly the easier of the two to translate to a big, overarching story, even though it's a more "traditional" high fantasy story with easier archetypal characters, the archetypes and the plot aren't what cemented most people's love for the campaign. So much of the love for critical role is stored in the interpersonal dynamics and the payoff that comes from hundreds of hours of tiny interactions that one day become cornerstones of development and even affect or dictate the plot.

There's no room for that. There's no room for Bard's Lament in a story that cannot afford to remove and replace a main character. A lot of tlovm is for people who have been here for all of campaign one. Most of it, however, isn't. It's for a new crowd. While CR may have creative control, you can bet your ass that there were months and years devoted to figuring out how to map a character-focused love of the show into a plot that hits the right beats to be viable in the show market.

And it worked. Tlovm has consistently high viewing numbers, and its popularity has brought and will continue to bring new people into the universe who have never interacted with CR previously. That's not a bad thing - imagine finishing your favorite show and discovering it has another FIVE HUNDRED HOURS of the equivalent of behind the scenes content. That's incredible for these newcomers. But man, it is in many ways a loss for us.

[birdcatt]

played rain world today with a few mods. this is my most recent highlight

[lunarifie]

This came to me while i was brushing my teeth

Og under cut

[okaaki]

every now and then i wonder why and how fearne has a plus five wisdom.

like with our other furry friend caddy, it's his entire thing. he is wisdom personafied. you can definitely understand jester's case, her wit and insight. fcg is similar with his insight on people.

fearne is such a funny case. it's hilarious to imagine she just.. intuitively knows the answer to everything and doesn't do it because it's too much work. she's a lie detector except she doesn't care whether people are lying.