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mostlysignssomeportents · 1 year ago

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It all started with a mouse

For the public domain, time stopped in 1998, when the Sonny Bono Copyright Act froze copyright expirations for 20 years. In 2019, time started again, with a massive crop of works from 1923 returning to the public domain, free for all to use and adapt:

https://web.law.duke.edu/cspd/publicdomainday/2019/

No one is better at conveying the power of the public domain than Jennifer Jenkins and James Boyle, who run the Duke Center for the Study of the Public Domain. For years leading up to 2019, the pair published an annual roundup of what we would have gotten from the public domain in a universe where the 1998 Act never passed. Since 2019, they've switched to celebrating what we're actually getting each year. Last year's was a banger:

https://pluralistic.net/2022/12/20/free-for-2023/#oy-canada

But while there's been moderate excitement at the publicdomainification of "Yes, We Have No Bananas," AA Milne's "Now We Are Six," and Sherlock Holmes, the main event that everyone's anticipated arrives on January 1, 2024, when Mickey Mouse enters the public domain.

The first appearance of Mickey Mouse was in 1928's Steamboat Willie. Disney was critical to the lobbying efforts that extended copyright in 1976 and again in 1998, so much so that the 1998 Act is sometimes called the Mickey Mouse Protection Act. Disney and its allies were so effective at securing these regulatory gifts that many people doubted that this day would ever come. Surely Disney would secure another retrospective copyright term extension before Jan 1, 2024. I had long arguments with comrades about this – people like Project Gutenberg founder Michael S Hart (RIP) were fatalistically certain the public domain would never come back.

But they were wrong. The public outrage over copyright term extensions came too late to stave off the slow-motion arson of the 1976 and 1998 Acts, but it was sufficient to keep a third extension away from the USA. Canada wasn't so lucky: Justin Trudeau let Trump bully him into taking 20 years' worth of works out of Canada's public domain in the revised NAFTA agreement, making swathes of works by living Canadian authors illegal at the stroke of a pen, in a gift to the distant descendants of long-dead foreign authors.

Now, with Mickey's liberation bare days away, there's a mounting sense of excitement and unease. Will Mickey actually be free? The answer is a resounding YES! (albeit with a few caveats). In a prelude to this year's public domain roundup, Jennifer Jenkins has published a full and delightful guide to The Mouse and IP from Jan 1 on:

https://web.law.duke.edu/cspd/mickey/

Disney loves the public domain. Its best-loved works, from The Sorcerer's Apprentice to Sleeping Beauty, Pinnocchio to The Little Mermaid, are gorgeous, thoughtful, and lively reworkings of material from the public domain. Disney loves the public domain – we just wish it would share.

Disney loves copyright's other flexibilities, too, like fair use. Walt told the papers that he took his inspiration for Steamboat Willie from Charlie Chaplin and Douglas Fairbanks, making fair use of their performances to imbue Mickey with his mischief and derring do. Disney loves fair use – we just wish it would share.

Disney loves copyright's limitations. Steamboat Willie was inspired by Buster Keaton's silent film Steamboat Bill (titles aren't copyrightable). Disney loves copyright's limitations – we just wish it would share.

As Jenkins writes, Disney's relationship to copyright is wildly contradictory. It's the poster child for the public domain's power as a source of inspiration for worthy (and profitable) new works. It's also the chief villain in the impoverishment and near-extinction of the public domain. Truly, every pirate wants to be an admiral.

Disney's reliance on – and sabotage of – the public domain is ironic. Jenkins compares it to "an oil company relying on solar power to run its rigs." Come January 1, Disney will have to share.

Now, if you've heard anything about this, you've probably been told that Mickey isn't really entering the public domain. Between trademark claims and later copyrightable elements of Mickey's design, Mickey's status will be too complex to understand. That's totally wrong.

Jenkins illustrates the relationship between these three elements in (what else) a Mickey-shaped Venn diagram. Topline: you can use all the elements of Mickey that are present in Steamboat Willie, along with some elements that were added later, provided that you make it clear that your work isn't affiliated with Disney.

Let's unpack that. The copyrightable status of a character used to be vague and complex, but several high-profile cases have brought clarity to the question. The big one is Les Klinger's case against the Arthur Conan Doyle estate over Sherlock Holmes. That case established that when a character appears in both public domain and copyrighted works, the character is in the public domain, and you are "free to copy story elements from the public domain works":

https://freesherlock.files.wordpress.com/2013/12/klinger-order-on-motion-for-summary-judgment-c.pdf

This case was appealed all the way to the Supreme Court, who declined to hear it. It's settled law.

So, which parts of Mickey aren't going into the public domain? Elements that came later: white gloves, color. But that doesn't mean you can't add different gloves, or different colorways. The idea of a eyes with pupils is not copyrightable – only the specific eyes that Disney added.

Other later elements that don't qualify for copyright: a squeaky mouse voice, being adorable, doing jaunty dances, etc. These are all generic characteristics of cartoon mice, and they're free for you to use. Jenkins is more cautious on whether you can give your Mickey red shorts. She judges that "a single, bright, primary color for an article of clothing does not meet the copyrightability threshold" but without settled law, you might wanna change the colors.

But what about trademark? For years, Disney has included a clip from Steamboat Willie at the start of each of its films. Many observers characterized this as a bid to create a de facto perpetual copyright, by making Steamboat Willie inescapably associated with products from Disney, weaving an impassable web of trademark tripwires around it.

But trademark doesn't prevent you from using Steamboat Willie. It only prevents you from misleading consumers "into thinking your work is produced or sponsored by Disney." Trademarks don't expire so long as they're in use, but uses that don't create confusion are fair game under trademark.

Copyrights and trademarks can overlap. Mickey Mouse is a copyrighted character, but he's also an indicator that a product or service is associated with Disney. While Mickey's copyright expires in a couple weeks, his trademark doesn't. What happens to an out-of-copyright work that is still a trademark?

Luckily for us, this is also a thoroughly settled case. As in, this question was resolved in a unanimous 2000 Supreme Court ruling, Dastar v. Twentieth Century Fox. A live trademark does not extend an expired copyright. As the Supremes said:

[This would] create a species of mutant copyright law that limits the public’s federal right to copy and to use expired copyrights.

This elaborates on the Ninth Circuit's 1996 Maljack Prods v Goodtimes Home Video Corp:

[Trademark][ cannot be used to circumvent copyright law. If material covered by copyright law has passed into the public domain, it cannot then be protected by the Lanham Act without rendering the Copyright Act a nullity.

Despite what you might have heard, there is no ambiguity here. Copyrights can't be extended through trademark. Period. Unanimous Supreme Court Decision. Boom. End of story. Done.

But even so, there are trademark considerations in how you use Steamboat Willie after Jan 1, but these considerations are about protecting the public, not Disney shareholders. Your uses can't be misleading. People who buy or view your Steamboat Willie media or products have to be totally clear that your work comes from you, not Disney.

Avoiding confusion will be very hard for some uses, like plush toys, or short idents at the beginning of feature films. For most uses, though, a prominent disclaimer will suffice. The copyright page for my 2003 debut novel Down and Out in the Magic Kingdom contains this disclaimer:

This novel is a work of fiction, set in an imagined future. All the characters and events portrayed in this book, including the imagined future of the Magic Kingdom, are either fictitious or are used fictitiously. The Walt Disney Company has not authorized or endorsed this novel.

https://us.macmillan.com/books/9781250196385/downandoutinthemagickingdom

Here's the Ninth Circuit again:

When a public domain work is copied, along with its title, there is little likelihood of confusion when even the most minimal steps are taken to distinguish the publisher of the original from that of the copy. The public is receiving just what it believes it is receiving—the work with which the title has become associated. The public is not only unharmed, it is unconfused.

Trademark has many exceptions. The First Amendment protects your right to use trademarks in expressive ways, for example, to recreate famous paintings with Barbie dolls:

https://www.copyright.gov/fair-use/summaries/mattel-walkingmountain-9thcir2003.pdf

And then there's "nominative use": it's not a trademark violation to use a trademark to accurately describe a trademarked thing. "We fix iPhones" is not a trademark violation. Neither is 'Works with HP printers.' This goes double for "expressive" uses of trademarks in new works of art:

https://en.wikipedia.org/wiki/Rogers_v._Grimaldi

What about "dilution"? Trademark protects a small number of superbrands from uses that "impair the distinctiveness or harm the reputation of the famous mark, even when there is no consumer confusion." Jenkins says that the Mickey silhouette and the current Mickey character designs might be entitled to protection from dilution, but Steamboat Willie doesn't make the cut.

Jenkins closes with a celebration of the public domain's ability to inspire new works, like Disney's Three Musketeers, Disney's Christmas Carol, Disney's Beauty and the Beast, Disney's Around the World in 80 Days, Disney's Alice in Wonderland, Disney's Snow White, Disney's Hunchback of Notre Dame, Disney's Sleeping Beauty, Disney's Cinderella, Disney's Little Mermaid, Disney's Pinocchio, Disney's Huck Finn, Disney's Robin Hood, and Disney's Aladdin. These are some of the best-loved films of the past century, and made Disney a leading example of what talented, creative people can do with the public domain.

As of January 1, Disney will start to be an example of what talented, creative people give back to the public domain, joining Dickens, Dumas, Carroll, Verne, de Villeneuve, the Brothers Grimm, Twain, Hugo, Perrault and Collodi.

Public domain day is 17 days away. Creators of all kinds: start your engines!

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/12/15/mouse-liberation-front/#free-mickey

Image: Doo Lee (modified) https://web.law.duke.edu/sites/default/files/images/centers/cspd/pdd2024/mickey/Steamboat-WIllie-Enters-Public-Domain.jpeg

CC BY 4.0 https://creativecommons.org/licenses/by/4.0/deed.en

#pluralistic #copyfight #scotus #mickey mouse #public domain #ip #contract #trademark #tm #jennifer jenkins #copyright #disney #nominative use

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balteredsworld · 7 months ago

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wilson’s hypothesis. gregory house

🥼🩺 | according to wilson, house likes you and you like him. so, house confronts you with wilson’s hyposthesis.

masterlist: greg house n all

warnings/tags! fluff of sorts, angst if you squint, talks of self-sabotage, idiots in love, sherlocked reference!!! (just watched 8x18—house self-sabotages so bad my lord)

author's note: lowkey hate this but it's idk what're we thinking fellow ducklings???

"wilson thinks i like you," house airs.

you throw him a strange glance.

"crazy, right?"

"yeah? and you think i like cameron," you mimic, matching his dismissive detachment to comedic effect.

only, house is serious.

“no, wilson thinks i like you.” house ignores your joke, repeating wilson’s solemn hypothesis.

when you pause to look at his face, your mind goes off into complete nonsense like's just tipped you over and left you with internal bleeding in your brain, upon the realization that he does, in fact, mean those words he's telling you.

"what makes him say that?"

"i'm apparently connecting with you,” house indulges, relaxing into the cold bit of wall behind him. the moonlight hits him in a more subtle way, half hidden in the shadows. the blue of his wrinkled shirt melts into the glow it radiates.

you're not particularly sure what to say. thankfully, he elaborates.

“you share your food with me, i take your food, ergo it means something in wilson's romantic world,” house offers, before quickly dismissing the thought of his supposed feelings for you. "but you know wilson, he's always been a romantic. thinks he can diagnose emotions as easily as diseases."

you consider the argument, "well couldn't that just mean i can't finish my food and you don't wanna get your own?"

he squints at you, as if with drills for eyes. you're playing dumb, unless you really believe that. but you don't.

you clear your throat, "well, do you believe that?"

"well it's either that or i must obviously like you."

you gawk. "well, do you?"

"do i have to spell it out for you?"

"wilson had to," you snark back. "so, do you?"

"no," he says with a flat face.

something in your chest drops, just as your brows shoot up. "no?"

"no," he reaffirms.

you don't know if you manage to catch your frown. house doesn't say anything if you didn't. you're more than a little embarrassed, surely flushed. you're thankful that the two of you are under the dim veil of night.

"well good thing," you grumble.

house looks at you with a curious look, as if he was almost offended you would say that. "good thing?"

“we’re both lonely. lonely means self-sabotage,” you explain, fiddling with one of the main trinkets that line the ledge. you were sure you proving your point, coming up with an off-putting rationale to cover up your embarrassment. "two self-saboteurs, well, that's an equation with proven unresolved issues... so yeah, good thing."

you were internally cringing at the words you were spitting out, but you were trying to play it cool. it's something that's never worked in your favour though when you were near an attractive guy, and you always swore this was to make them repulse the inkling of interest. and you swore off doing this years ago, but the blunt rejection, if you could call it that, sprung the teenager out of you.

then again, house affects you like that. blue eyes and blue shirt and all.

he makes it no secret that he's a ladies' man, often hitching hookers into the hospital despite cuddy's gentle parenting to make him stop. but house does whatever he wants in the hospital, hence all the lawsuits you've had to deal with.

when you look at him again, he's somehow uncharacteristically quiet. you're unsure if his speculative eyes are because of a lightbulb moment, but one thing's for sure: he was thinking.

"you're thinking, aren't you?" you glean in a tilt.

house doesn't say anything, but turns away from you. when he does, you're unsure if you see his lip curl in disappointment—he hides it too well. some part of you hopes, but you know you're not his type. a bit too much like him in the overanalyzing and overthinking.

and maybe you're convincing yourself, but realistically speaking, your happy arrangement of sharing food in the middle of a hospital shift may work for lonely and misery, but not for anything else. two people who like self-sabotage is like a dumpster fire.

you'd rather have house like this, happy and alarmingly blue.

"aaand you've stopped listening. i shall take that as my cue to leave," you announce, hopping off the ledge in the same ginger fashion you had waltzing in.

when you land your feet, house airs his deduction, nodding along as if he was finally making sense of you and wilson’s hypothesis.

“maybe he’s onto something.”

you turn to him with a tinge of a worrisome brow.

“who knows? maybe i’ve been sending subtle signals that even i’m not aware of. so what do you think?” he croons his head, all ominous, arriving to a conclusion. you can practically see the cogs turn in his brain. “you like me.”

"i never said that.”

house looks at you, rising in a smooth motion, as if to showcase his towering height, forcing you to look up at him. sitting down, he's not so large, but now, all you can think is that he's tall.

"you might not, but your body does," he croons, dangerous smirk playing about his face. his eyes probe your face, confidently with a proven theory. "pupils dilated..."

house grabs your wrist, eyes practically lighting up in delight at his impending diagnosis.

"…and pulse elevated. i understand that wilson thinks that love's a mystery to me, but the chemistry's incredibly simple," he says, softening his grip on you.

house doesn't let go, lingering in this proximity, leaning closer like some ghost and spirit you'll always look for. your breath hitches, but house doesn't afford you time to quite think, capturing your lips in a kiss that you reciprocate, clutching onto his arms for balance.

you feel one of his hand snake to the nook of your back, pushing you flush against him. house keeps his other hand cupping your cheek and jaw, large enough to cover that expanse of your face. it's a little dry and rough, but you don't mind, all too preoccupied with his lips.

house makes good work on you. his lips are even better than you'd imagine, but you finally register his words and what you were doing, so you pull away. the furrow of your brows returning, apprehensive about his next words.

you whisper, “i thought you didn't like me.”

"i was lying," he shrugs. "i needed to see if i was right, and i was."

"so you figured me out?"

"you like me,” house concludes, triumphant. “i was right.”

“i thought this was wilson’s hypothesis?” you cock a brow.

“hypothesis,” he nods before flicking your head. “but i can’t give him the credit for my diagnosis.”

you let out an airy laugh, relieved that he didn't make you spell it out for him. "you're an ass, you know?"

his eyes are proudly heralding trumpets. you could practically hear the victory going off them.

"it comes with the sitting arrangement."

#house md #gregory house #gregory house x reader #greg house #greg house x reader #house md x reader #house md fic #gregory house x you #gregory house fic #dr house #hugh laurie #netflix #fluff #slight angst #james wilson #dr wilson #james wilson fic #james wilson x you #james wilson x reader

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hippiegoth97 · 2 months ago

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Random Spencer Reid Thought #2

A/N: Fucking FINALLY got something written for once. Enjoy some crumbs, lovely readers <3

Content Warning 18+ Only, Minors DNI: swearing, smut, virgin!Spencer Reid, fem!reader, no use of Y/N, fingering, groping, unprotected sex, loss of virginity, dirty talk, rough sex, fluff

Some tags: @rafeyscurtainbangs @loserboysandlithium @hotwritergf @bloodibambiidoll

"Are you sure you're ready for this, Spence?" You ask Reid as you're straddling his thighs, the two of you naked in his bed as you have been so many times before. Although, it's different this time, because he's just asked you to take his virginity from him.

"Yes. I'm ready." He replies softly, sitting up against the headboard, his hands resting at your waist. He's brought you here on many occasions, though up until recently the most you'd do is make out until your lips were sore.

He'd met you at a book shop a few months ago, reaching for the same first edition of some dusty old classic. Sherlock Holmes, maybe, or perhaps even Moby Dick. He doesn't quite remember (and his unmatched memory captures everything), as he was far too focused on the gorgeous, soft hand that brushed against his own in grabbing for the book. A shared laugh soon followed, light and airy, like it was the easiest thing in the world. Your beauty enraptured him instantly, and he nearly tripped over himself to give you his number and await your call to plan a date of some sort. It was so unlike him to do so, it made him seriously question his sanity for an hour or two. But after a conversation with you that lasted hours into the night when he returned home that evening, he was pleased to find he'd made a very wise decision.

Fast forward to the last month or so, and things have rapidly progressed from hand-holding and passionate kisses to touching various naked areas with your hands and mouths. You've been patient, guiding Spencer along each stepping stone towards intercourse, encouraging him, exploring him in every way imaginable. Despite your insistence (and multiple comments he receives from certain coworkers of his), he's never exactly found himself to be attractive. Not really.

He's spent most of his life a full step ahead of everyone else in terms of education and career, leaving him considerably younger than most of his peers. That fact alone has made it rather difficult to experience a lot of 'firsts' in regards to intimacy. He's been kissed before you came along, maybe even felt up a little bit, but nothing beyond that. In all honesty, a part of him is glad to have been spared the awkward adolescent groping and vulgar attempts at playing grown-up, because now he's been able to share all of these amatory encounters with you.

"I want this. I want you." Spencer reiterates as you haven't made any next moves yet.

"I want you too, baby. I just have one more question." You say softly, brushing a wispy hair out of his face before cupping his cheek.

"And what's that?" Reid asks, unable to help smiling as you gaze at him adoringly.

"Do you want me to put a condom on you, or are you okay without one?" You ask, the words sounding a bit more clinical than you'd like. But it's a fair question.

"I-I dunno. Should I?" His brow furrows, unsure how to go about this. He's aware you're on the pill, though that statistically isn't 100% effective. And he may be a virgin, but he's aware of the mess sex can make, and it might spare a bit of cleanup afterwards. He's getting stuck on it now, pondering inside his head as you play with the foil wrapper between your fingers.

You giggle at his momentary trance, shaking your head. "It's only if you want to, Spence. It's not exactly a life-altering decision."

"That's not true. You could still end up pregnant." Spencer retorts, about to rattle off statistics at you about just how many children were born to parents who assumed oral contraceptives were enough. You put a finger over his mouth to stop him, and he sighs when he realizes how intense he's getting about this. He gently moves your hand away, speaking again. "I'm sorry, I'm being silly."

"No, you're not. It's sweet that you're so concerned." You reassure him, giving him a soft kiss. He hums into you, allowing your tongue to slip into his mouth for a moment. You pull away shortly after, taking his breath with you. With your lips still brushing against his, you meet his dizzied gaze. "I only ask, because I want your first time to be extra special. And it'll feel so much better if you fuck me without a condom on." You say seductively, making his pupils dilate with lust.

"Actually, studies show that there's little to no difference in sensat-" Reid's gargantuan mind starts up again, leaving you no choice but to cut him off by taking his cock in your grasp. "-fuck." He mutters, losing his train of thought entirely, his eyes flicking down to look at the scene between his legs. His stiff, ample length throbs in your hand, pearly beads of precum dripping down the side as you lazily stroke him.

"Baby, look at me..." You purr, drawing his gaze to you. "I'm gonna ask you again. All I need is a 'yes; or 'no', okay?" You wait for him to give an understanding nod. He does, as well as letting out one of the filthiest little moans you've ever heard. "Do you want to wear a condom?" You ask, letting his dick fall from your hand for a moment. He whines at the loss, the sound sending a flare of arousal between your legs.

"No. I want to feel you. All of you. Please." Spencer begs, and you could just about melt at the pitchy whimper in his voice. You've noticed he grows rather needy in bed, and it doesn't take much to rile him up. The way he takes everything you give him like a precious gift is so goddamn intoxicating.

"So do I, Spence." You say with a smile, one he mirrors. "Is this position okay? We can do it any way you want."

"This is fine, makes me feel close to you." Reid says sweetly, squeezing your hips a little.

"You wanna warm me up a little bit first?" You ask, longing to feel his touch.

"Of course." He nods, leaning in to press his lips to yours. Spencer always starts with a kiss, no matter what it is you end up doing. It's really romantic, and makes your knees weak every time. You let him lead, allowing his tongue to dominate yours in a fervent dance. His hand leaves your waist, trailing along your supple skin, leaving goosebumps in his wake. His long fingers brush past your inner thighs, reaching their intended destination without him having to look. He rubs slow circles on your clit, making you moan against his mouth. It doesn't take long for him to venture further, slipping two fingers inside your drenched cunt.

"Fuck, Spence." You moan aloud, the way his fingertips can reach your g-spot so quickly and easily takes you by surprise every time. You grab hold of his cock again, mainly holding it to keep him ready. Although, the sounds you're making and how wet you are seem to be doing that job just fine. The air of the room heats up, growing thinner as the seconds pass. Unabashed moans escape the two of you as you work each other up, building towards the one thing you've both desired for so long. "I'm ready when you are." You say breathlessly, eager to finally feel Spencer inside of you.

"O-Okay." He stutters, nodding his head enthusiastically. He pulls his fingers out of your cunt, bringing them to his lips. He sucks them clean, moaning at the taste of you. "Mm."

"Dirty boy." You tease, making a deep blush bloom wildly across his cheeks. You start to stroke him again, very slowly. You get up on your knees to position yourself over him.

He watches your every move, unable to say a word. It's finally happening. He's going to have sex. With you. Reid feels like a silly teenager with all these thoughts running through his head, but they all fall away the second you bring the tip of his cock to glide through your folds. You share a moan at the sensation, gazing at one another with parted mouths. Hearts pounding in anticipation, breath stolen from your lungs, arousal leaking from you both and mixing together in the indescribable friction. Spencer could cum just like this if he isn't careful.

"Ready?" You ask one final time, just to be absolutely sure that he wants this.

"Yes." Reid nods, trying to keep himself from squirming. You feel so good, and he's not even inside you yet. He's certain he won't last long, but you've already told him a hundred times that it won't be a problem.

You don't waste anymore time, holding his cock at your entrance and gradually sinking down onto him. "Fuck, Spence. You're so big." You moan as he splits you open. He's a bit larger than you've had before, and it's been quite some time since you've done this, so every inch is deliciously stuffing you full.

Reid, on the other hand, has gone completely mute. His mind has stopped working, and all he can do is grip onto your hips with all the strength he has without hurting you. You're absolute heaven inside, if he believed in such a thing. So hot, and slick, and snug, squeezing around his dick perfectly. He finally understands what all the fuss is about. He could just about cry from happiness in this moment. Once you're fully seated on him, your walls constrict out of reflex, which appears to get Spencer's sex-addled brain working again. "Oh, my...fuck- I, um, wow..." He babbles, unsure what to do with himself. His hands fidget at your sides aimlessly, and his expression twists and bends in all manner of ways as he attempts to get a grip on one singular thought.

"Shh, look at me, Spencer." You coo to him, leading his chin with your finger. He meets your eyes, though his own desperately want to roll back into his fucking skull. "That's it, baby. Just breathe, alright? Nice and slow, 'kay?" You guide him through the initial shock, nodding together slowly as he takes deep breaths. "There you go. I'm gonna start moving now, okay? Don't worry if you cum early, and just tell me if you need me to stop." You say softly, keeping things light and low-pressure. The last thing you need is him worrying about his performance.

"Okay." He breathes, chest shuddering as you start to ride him. You lift yourself up, almost letting him fall out altogether, and come back down at the same pace. You do this a few more times, gradually picking up a bit of speed.

"That feel good, baby?" You ask him, rolling your hips as you set a steady rhythm.

"Yeah, so fucking good." Spencer huffs, feeling close already. But he puts that out of his mind, focusing instead on enjoying this with you. "Do you feel good?" He asks, needing more than your vulgar moans as confirmation.

"So good, Spence. You fill me up so well, I'm so fucking wet for you." You admit these lewd thoughts to him, no stranger to being vocal during intimacy with him. Reid enjoys it immensely, adding words to the actions just makes everything astoundingly better. "Tell me how it feels to fuck me, Spencer." You say through a moan, riding him a little bit faster now.

Spencer groans at your increased speed, doing his best to hold back his orgasm. "I-It's exactly what I'd always hoped it would be." He starts. "I can hardly find the words to describe how much I'm enjoying this right now. You've blown my mind to pieces with this perfect fucking pussy." His grip on your waist grows rougher, taking you by surprise. He's following his instincts, leading you with his hands as you bounce on his cock. His assistance punctuates every landing you make, your noises growing louder as pleasure builds inside you. "I can feel you making a mess all over me, fucking soaked." He says, marveling at the drenched patch on his crotch. Your arousal glistens in the light as it's caught on his coarse hair and pale skin. "It drives me crazy to know you're loving this just as much as I am."

"I am, baby. You're so deep, hitting all the right places inside me." You say, speeding up a bit more. Spencer's hands migrate to your ass, squeezing your flesh roughly as he continues to keep up with you. You're surprised he's lasted this long, oddly proud of him for doing so.

"Fuck, you're incredible." Spencer groans, getting dangerously close to the edge again. He'd tell you to slow down, but everything feels too good to stop. Instead, he tries to drag you down with him, starting with diving face first into your tits. His mouth nips and sucks at your flesh wildly, struggling to land where he wants with your ceaseless bouncing. The noises he makes are borderline animalistic, groaning and grunting against your chest.

"Jesus, Spence!" You can't help letting out a breathless laugh at his urgency, picking up on the fact that his end is closer than your own. "You wanna try to help me out?" You offer, eager to feel him take some of the control. He doesn't say anything, just nods and makes an unintelligible sound at you. He thrusts his hips up, following what his primal urges are telling him to do. It appears to be working, given the shocked gasp that leaves your lungs at his effort. He keeps doing it, his mind turning to mush more and more as he fucks into your cunt to meet you halfway. "Oh my god! Yeah, keep doing that." You pant the words out, clinging to him by the shoulders.

Reid grins against your flesh, still biting and suckling while he pounds into you over and over. He's doing it, he's really doing it. He's keeping control of himself, he's going to make it. "Feel so fuckin' good, gonna make you cum, gonna make you scream, I promise...promise, promise..." Spencer murmurs to you, vowing to not give up, even though his balls are screaming for release right now. He has to get you there, if it's the last thing he'll ever do. "Such a perfect pussy, so good for me, so, so wet, fuck-" He groans when your walls constrict around him a bit, almost making him blow his load entirely.

"Don't stop, baby, you can do it, fuck me, make me cum, please, Spence..." You plead as your orgasm builds near the point of toppling over. His filthy mouth and feral actions have set you on fire from the inside out. You knew sleeping with Spencer would be special, and intense. But this is an entirely new level. His craving of you has blocked out all else, leaving him only with the mission to chase release. His, and your own.

"Oh, god, lay down, lay down, I'm gonna cum, gonna cum..." Spencer babbles, attempting to push you over onto your back. You follow his lead, his cock still sheathed inside you as you let him lead you where he wants. As soon as your body hits the mattress, he proceeds to ram himself into you as hard and as fast as he can.

"Fuck! Spencer!" You cry out as he hits an entirely new angle inside you, your ass resting over his knees as he thrusts forward. His hands grip your hips so hard, sure to leave dark bruises once he's through with you.

"Fuck, fuck, fuck, gonna fill you up, gonna cum deep inside this pussy..." Reid grunts, sweat slicking him down, stomach clenching as he's about lose it.

"Keep going, baby. Don't stop, I'm almost there. Cum for me." You whine as his cock slams into you again and again.

"Fuck!" He nearly shouts when he finally feels it, his balls tightening, bliss washing over him, his hips stuttering as he fills you with thick ropes of white.

All you can do is bear witness as Spencer cums, harder than he ever has in his life. His brows knit together, mouth falling open as he moans so fucking loud. He keeps slamming his cock into you, hoping to pull you down alongside him. Feeling his load spill inside of you, as well as his desperate thrusts sends you tumbling over the edge. "Oh, god! Spencer!" You cry as your orgasm rips through you mercilessly. Your pussy clenches down on Reid's spent length, making him gasp as he keeps thrusting to get you off. You thighs shake violently, stars blurring your vision, hands clawing at the sheets beneath you. It's the most beautiful thing Spencer has ever seen.

You both slowly come down from your high, soaked in sweat and totally spent. Spencer carefully pulls out of you, though you still wince a little. "You okay?" He asks, noting your discomfort.

"Yeah, I'm fine. Just a bit worn out." You laugh lightly, crawling over to the right end of the bed to lie down. Spencer joins you, pulling the covers over you both and taking you into his arms.

"Sorry about that, I don't know what came over me." He says, a little embarrassed for losing control the way he did.

"It's okay, baby. More than okay, actually." You reassure him once again, stroking his damp face with your thumb. "I'm surprised you had it in you." You chuckle, and he does, too.

"So am I. I guess you...bring it out in me." He explains, and you nod in understanding.

"And I take that as a compliment." You say with a sleepy smile. "Did you have enjoy yourself?" You ask.

"Very much. Even more than I thought I would." Spencer says earnestly, making your heart skip a beat.

"Me too, Spence. And I'm so happy you chose me to enjoy this with." You reply, leaning in to give him a tender kiss. This night has been the best one of your lives (so far), and you look forward to sharing many more moments just like this one in the future. Together.

#hippiegoth97 #fanfiction #smut #spencer reid #spencer reid fanfic #spencer reid smut #dr spencer reid #criminal minds #criminal minds smut #criminal minds fluff #criminal minds fic #spencer reid x fem!reader #virgin!spencer reid

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fabled-fiction · 2 years ago

Note

Maybe a Hobie Brown x Mabel-Pines-Type!Reader? Older obviously, with just like, her personality and fashion sense? A Chaotic Sunshine meets Chaotic Rebel type thing.

If not interested, just ignore. But I look forward to whatever you write!

Starstruck (Hobie Brown x Fem!Sunshine!Reader)

Summary: You’re Jess Drew’s gal in the chair (in training), and when you have to make a quick trip the spider society you happen to catch a certain punk’s eye.

Word Count: 2.3k

Warnings: MINOR SPIDERMAN ACROSS THE SPIDERVERSE SPOILERS, use of (Y/N)

A/N: I hope this meets your expectations!! I had alot of fun writing this!

EARTH-1618

KINGS, NEW YORK CITY

Your desk was more glitter than wood at this point.

It was hard to tell where the stickers stopped and where the wood of your desk started.

Especially now, as you squeezed glue on top of whatever artpiece you were currently working on. An array of different paint tubes and what looked like glitter bombs were spread about your work area, dangerously close to what looked like very expensive monitors and pcs. Though it was kind of hard to tell based on all the string worms and star stickers pasted on any surface that wasn’t a screen.

The project, which could only be identified as an oversized button pin upon closer inspection, was coming together nicely. Atleast in your eyes.

It read “BEST SPIDER” with a cute doddle of a spider surrounded by loads of blue, yellow, and red glitter. Currently you were putting your finishing touches on it by attaching color coordinated ribbons to the bottom ruffles.

The craftsmanship alone of it was indeed impressive, you just needed to look past the blinding reflectiveness of it.

It was for your mentor, Spiderwoman.

Who had taken you under her wing for the past two years, “training” you to be the best. Well, best in the sense of “gal in the chair”. At first it didn't make a whole lot of sense to you, but neither did the world you were thrown into. She apparently saw something in you from all the way across the multiverse.

The rest was history.

“(Y-)..(Y/N)...(Y/N)!”

The glue bottle currently in your hands spun in the air, a chaotically beautiful cascade of glue spewing in the air and (thankfully) somehow none of it landed on you. Slowly turning your head, you gave a small wave as you saw said mentor on the screen staring down at you.

“Jess! Hey…did you..did you try calling my watch?”

“What do you think?”

Spinning your chair across the room, you snatched your multiversal watch and flicked the screen on.

You did in fact have about five missed calls from her. You could feel her iced stare from across the room, hell from across dimensions.

“But it was getting in the way of my creative liberties!”

“I don’t care! As the second half of a spider person you need to be available 24/7! Your future spider will need to be able to rely on you.”

Slipping the watch onto your wrist, you shot yourself back over to your desk and smiled widely at her. She knew that whatever scolding she gave you would only have about a few moments effect. Sure the message would stick but she always had that nagging feeling in the back of her mind of how long it truly stuck.

“Well, You have me on the horn now! What's up? Who do I need to aid with my technological wonders? My sleuthing skills? I'm ready to Sherlock it up!”

After a few more long blank faced seconds, Jess reached up to pinch the bridge of her nose.

“We actually need you here. Our resident Spider who usually deals with all of our technological deals is having some connectivity issues.”

Your heart stopped for a moment, but only for a moment before you were shooting out of your seat and whooping. Jumping around your room, you threw your fist in the air before a sudden realization dawned upon you mid air.

It was almost comical how you seemed to pause mid jump.

“Oh my god…I have to change. I can't show up to Spider Society looking like this!”

“(Y/N) there's no time! Grab your bag and get here now.”

Standing in shock, you huffed as you watched your computer screen clip off.

She was crazy if she thought you weren’t at least gonna put on some body glitter.

“Jess said to meet her here…do you think she got lost?”

Hobie shrugged, shoving his hands into his vest pockets. His fingers found themselves fiddling with whatever computer chip or part he had nabbed as he leaned against what could be considered a front desk.

“You know ‘er best. She usually punctual?”

Gwen looked up from her watch with an exasperated look. That told Hobie all he needed to know as he leaned his head back with a sigh.

“Listen! I've never met her in person! She’s one of Jess’s other trainees! I just know she's not a spider, and that despite having worked with Jess for two plus years she's never stepped foot in Spider Society!”

“She’s a chair?”

Pinching her nose, Gwen nodded. “Yea. A pretty good one too. She is a bit…eccentric though. And loud…I think she blew my eardrum out one time. I had tinnitus for like a week...”

“So she’s got some vocals on ‘er aye?”

“Thats all you picked up on? C’mon Hobie help me look for anyone who looks lost we’re supposed to chaperon h-”

Usually the portals that opened here were the usual semi-chaotic reality altering ones. But for some reason the one that just opened in front of them was nothing of the sort. No..this one opened with a loud tear; Everything and everyone in the vicinity was enveloped in a neon pink hue.

It was hard to tell who came stumbling out of the portal, as Hobie feared that if he moved his hand he would temporarily blind himself. But as the portal closed, and everything returned to its normal color palette, he finally dared to move his hand.

Maybe he shouldn’t have moved his hand.

Cause he was only met with a very different, blinding sight.

You had just fully stood from what he could only assume was a clumsy entrance. You wore what could only be described as almost every color of the rainbow but someone you pulled it off. There was absolutely no way you could move silently, as you were adorned in a plethora of kandi bracelets, pastel chains and pins. Your hair was adorned in a multitude of clips that matched the ones on your bag.

Was your smile an accessory too? Hobie was sure it was, cause it was blinding him just as much as the body glitter that was spread over your legs and arms were.

His hand slowly reached up to clutch the chest of his jacket, in hopes that it would remind his heart to beat.

It wasn’t until Gwen had elbowed him in the side (hard enough to bruise might he add) that he remembered to breathe.

“Don’t stare, it's rude.”

He didn’t want to look away.

“Hi! Im Gwen…Stacy! We’ve talked a few times over coms?”

You smiled even wider as you grabbed Gwen’s hand and shook it rather violently (or enthusiastically it could have been confused for either). When she removed her hands from your drip it was left brighter than before for only a moment.

“Hi! Its nice to finally put a non-masked face to the name! Im (Y/N). And you are?”

Your sneakers squeaked as you took a sharp turn to face Hobie fully.

“Im Hobie Brown. Quiet the entrance you made.”

He holds his hand out, and is relieved when you shake it for just as long as you did Gwen’s. He watches as it glowed then returned to its normal saturation.

“Yeaaaa. Apparently my Earth is like WAY brighter than most. I would’ve brought sunglasses if I had known that would happen. Anyways…can you show me to the computer lab..hub…wherever this Spider-Byte normally operates?”

Gwen had taken it upon herself to lead the charge, and include a quick run over tour of whatever facility you all happened to pass on the way to the lab.

Everything was so bright, but what amazed you more were the amount of Spider people that were just casually walking about. Either they were coming back from patrol, returning from break or coming for the first time.

You were sure your neck was gonna hurt or have a permanent crook in it from how much you were whipping your head around and turning to take everything in. You weren’t sure when the next time you would be here would be, so you wanted to take it all in.

“And here is where all the computer magic happens! You uh…know what you’ve gotta do from here right?” Gwen awkwardly raised her hands as if to present the lab.

“Yup! Im TECHNICALLY supposed to monitor your guys software and stuff and blah blah blah but I actually connected with Layla on the way here-who is super sweet by the way-and Im actually just gonna fix Spider-Byte’s connectivity issues here so she can get back to it. Y’know since she’s more knowledgeable with everything here. I would probably just mess something up.”

Despite the fact that you spoke about a mile a minute, and it was obvious Gwen was struggling to keep up, Hobie hung onto every word.

You moved like you had been here before despite this being your first time even stepping foot on the premises. You just moved with this sense of self confidence that had the aura of the room commanded by your presence alone. If you hadn’t told them your Earth just naturally saturated Hobie would have just assumed your essence was just too potent that it leaked off you and onto whatever you touched.

You were leagues above him when it came to the coolness factor.

Watching as you moved around the consoles via spinny chair (when did that get there?), each screen popped up and immediately began to run code. Hobie liked to pride himself on being a tech wiz, but this was levels beyond what he knew how to do. Maybe he could learn a thing or two from you.

But as he watched your hands, he noticed…were you TAKING code off the computers too?

Oh, that just brought a smile to his face.

As Gwen wandered over to the other side of the console to watch the miles of code run across the screen, Hobie took the opportunity to have a moment with you on the opposite side of the room.

Right when you went to shoot across him (and might he add it was almost like you had spider like reflexes with how you moved around on this thing), his hand went to grab the back of your chair.

Pulling the chair back, he watched as you rubber banded back into the seat and stood straight up. He leaned over your shoulder to look at the screen in front of you both. His hand reached over to tap a few keys and pull up the results onto just this screen.

Ignoring how his spider senses were shooting down his spine at an all time high with how close he was to you, he looked at you with a smirk.

“Did you just ‘alf inch some of our code?”

“Im sorry?”

Leaning in closer, he pulled the thumb drive out of only this terminal and held it up. Your cheeks turned a dark red in realization to being caught, and you crossed your arm as you started at him.

“You know wha’ I said”

Turning quickly, you pulled ANOTHER flash drive out from your pocket and stuck it into the port. The downloading resumed, and much to Hobie’s surprise you stood and snatched the thumb drive from him.

“First of all, I am part of the ‘’our’’ and second of all…it's none of your business.”

Suddenly multiple of the screens, well practically all of the screens in the room flashed green. With a pat of his shoulder, you rolled over to every computer and pulled out each flashdrive. Hobie counted…12!

He covered his mouth, trying to keep his cool disposition as he watched you quickly shove each one in your bag. You little grifter you…he would definitely have to find out what Earth you were from…

With the push of a button, you turned to them with a smile as you placed your hands on your hips.

“Alrighty! My work here is done…wait..,”

Turning around, you pressed the enter key on the computer behind you only to whip right back around smile as all the screens returned to normal.

You had been here all but twenty minutes and you managed to do solve all of their problems and then some.

“Now Im done! Gwen, you have my contact coordinate. Call me if you need me at all.”

Your eyes raked over Hobie, and you couldn’t help but feel a flutter in your chest as he watched you carefully. The hair on your arms stood when he had leaned over you earlier. You could tell from his punk aesthetic and impressive hair that he was definitely anarchy incarnate…

He intrigued you. You were sure the data files you had picked up from the archives would barely answer every question you had about him.

You would have to push off your paper mache project for tonight…

“It was nice meeting you Hobie! Hope we can meet again sometime. Im like, basically free all the time…Later!”

Signing off with a peace sign, your neon portal opened again and closed in an instant as you fell into it.

“See what I mean, eccentric.”

“I thought she was pretty cool.”

Walking over to where you just stood, Hobie ran his fingers over where you had last touched hoping to catch some of the light leftover.

It was then he noticed you had left behind one of your thumb drives. It was definitely yours, a bright neon yellow covered in white glitter that fell off as he picked it up. His other hand came down to pick up the tag on the string connected to it.

‘Oops! Guess I left behind this VERY important thumb drive. Mind returning it to me? I like really need it for super duper important chair stuff…Earth 1618, Kings, New York City things y'know.

– (Y/N)’

#hobie x reader #hobie brown x reader #hobie brown #spiderpunk x reader #spider punk #x reader #across the spiderverse #oneshot #spiderman across the spiderverse #spiderman across the spiderverse x reader #marvel x reader

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ultimate-marysue · 6 months ago

Text

I made some sort of alignment classification based on whether they're impulsive or if they plan ahead for the Batfam. Feel free to correct me (politely please, I'll cry) or to add your opinion. I'm not trying to be super canon, just based on their characters' vibes.

Bruce Wayne: 100% planner. This man could be a Bene Gesserit, plans within plans, and they always work even if they shouldn't (because DC can't have him be wrong). It's like a choose your own adventure, you follow the plan and each time something new happens that is sure to chase things up he pulls a subsection specifically for it. Senior Justice League Members just don't question him anymore no matter what. "You had a contingency for getting invaded by mind controlling ballerina spiders? Yeah, sure, tell us all about it".

Barbara Gordon: she plans around her impulses. She is self aware enough at this point to know she's a bit of a hot head. It is what it is, she's called Batman an Emo Boy's idea of Therapy enough times to his face to know she just can't help herself with some stuff. So instead of working against it she plans around it. In the end, it was her plan all along. Canary thinks she could just hold her tongue, but considering the vigilantes Oracle manages, her experience in planning for these situations is invaluable.

Dick Grayson: Impulsive, not because he can't make plans or because he isn't smart. Quite the opposite. He just has that ADHD dog in him. He would be guiding the Titans through a mission and they'd be thinking "Woah, everything is going according to his plan", meanwhile inside his head is Bear Grylls saying "Improvise, Adapt, Overcome". It's not so much that he comes up with plans on the spot but he ends up changing it along the way because he thought of something better for that specific situation. He may use B's protocols for a general structure but then trusts his instinct to come up with something better on the spot.

Cassandra Cain: Neither. She's not one to be coming up with elaborate schemes but, as much as she relies on her instinct, she's able to stop before jumping. She doesn't need to plan, she knows what works. She observes and then takes the best course of action. When Bruce goes on and on about the importance of planning she just answers "Skill issue" and leaves.

Jason Todd: impulsive planner. This is a man that makes plans, okay? He's theatre kid coded, he needs to know his little monologues by heart. The thing is, he's also very emotional and has the impulse control of a toddler in front of the cookie jar. He can't help himself, he has to punch the asshole and make the witty comeback or he will explode. The outlaws have been grilled to death on the importance of following the plan but then watch him like ten minutes later throw it out the window. They find it both endearing and annoying.

Stephanie Brown: Queen of Chaos. She can plan. She's good at it too btw, she just doesn't want to if she can avoid it. She works best when she's improvising and it drives Bruce and Tim up the walls. They just hate to see women winning. She's the best one out of all of them at turning a mistake to her advantage in a matter of seconds. It's quite impressive.

Tim Drake: Chaotic planner. Everyone is so sure Tim is a mini Bruce and to a certain extent, if you squint your eyes, then yes. But Young Just Us know the truth: his plans are extremely effective but only in the most chaotic way possible. There's the Batman plan, and there's the Red Robin plan, which is like the first one but faster and with more fire. He also has to be periodically reminded to take into account his own wellbeing when making his little schemes.

Duke Thomas: plans on the go. I don't know how else to explain it but it's like those sequences in the Sherlock movies (the ones with RDJ) where he's watching his surroundings and opponents almost in slow-mo till he puts together a plan. It's similar to Dick from the outside, but if you pay attention you can see the wheels turning in his head as he goes along. He actually stops and thinks (metaphorically, most of the time his thinking is done while he distracts enemies).

Damian Al Gul Wayne: he's a strategist, not a planner. This is an important distinction because whenever Batman or Red Robin are explaining one of their convoluted plans he feels like he's actively losing braincells. He's closer to Cassandra in the way he prefers a more direct solution. He also gets palpitations anytime Jason or Stephanie just start doing things without thinking. If he knew what Dick's thought process was he would have probably developed an anxiety disorder in his time as Dick's robin. He doesn't understand the need for such high detail planning and hates the idea of making it along the way. No, he just needs to come up with the most efficient strategy and that's all.

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freedomfireflies · 1 year ago

Text

Middle-Class Seats, First-Class Fun pt. 2*

Summary: The sequel to Middle-Class Seats, First-Class Fun

You find yourself sat next to the Harry Styles on a plane.

And what better way to get to know each other than a quick induction into the Mile High Club?

Word Count: 2.1k

(Thank you for letting me spam you guys for one whole year🥹💞 I love you!!!!!)

*Contains Mature and Explicit content! Please only consume what you feel comfortable with!💞 You are so much more important!*

“Hi, Stranger.”

Harry grins as he pulls the small door shut, secluding the two of you in the world’s smallest bathroom. “Hi.”

“Gonna be honest, I didn’t expect you to show,” you admit.

“Oh?” His arms cross as he takes a step closer, effectively closing the only gap between you. “And what about our earlier conversation suggested I wouldn’t?”

“Well, maybe the fact that you’re all talk and no game,” you retort, eyebrow raised as you look up at him. “Or the fact that you don’t seem like the quick-airplane-bathroom-fuck type.”

“I have a song about eating pussy, is that not enough?” he teases, a smirk dancing across his lips. “I feel like that should solidify my case.”

“Yeah, you’d think…but no.” Your eyes trail across his jaw, drawn to the sharp curve, intrigued by the subtle beauty. “Maybe if this were the first-class bathroom. Which would make a lot more sense for you.”

“What’s wrong with coach?”

“Nothing. When you’re poor. Which you’re not.”

“And that has to do with us fucking…how?”

You hesitate, mouth clamping shut. “I…don’t know.”

Nodding with an amused grin, he reaches out to place his hand on the small sink and lean forward, trapping you to the wall. “I think you’re nervous.”

“Well no shit, Sherlock.”

He hums, kind eyes helping to relax you. “Guess we’re both more talk than game.”

And maybe you are. Maybe this is nothing more than you calling his bluff. Or calling your own. Maybe this was you getting swept up in the idea of Harry Styles. The man, the myth, the legend. Maybe you just wanted to prove to yourself that you could.

Either way, despite the nerves, you’re oddly tantalized by the idea. Wanting to seize the moment, the opportunity that most people would kill for.

So, you surge forward, and press your lips to his.

It’s a hesitant kiss. On both ends. The first few seconds a tad awkward as you work to wrap your heads around how you got here. How you really feel about it.

And then…something changes.

He steps closer, straightening up to deepen the kiss, and you nearly wilt when his large hand slips around the back of your neck to keep you against him.

Things suddenly feel effortless. Practiced yet relaxed. Mouths and tongues moving together like they were always meant to. Molding seamlessly until all of your air belongs to him.

His other hand finds a home on your hip, pushing you against the small bathroom wall while his knee takes its place between your thighs.

And when he finally pulls back to rest his forehead against yours, it feels as though everything makes sense.

“We can go back to our seats,” he whispers, giving you an out.

But you don’t want an out.

“No,” you murmur, fingers tangling in the shirt on his chest. “No, you promised to make me scream your name. Can’t pussy out on me now.”

The smirk returns as he brushes his thumb along your cheek. “So I did. But I guess it depends on which name you call me by.”

Your breath hitches.

“You can call me Harry,” he begins softly, dipping back down to ghost his lips across yours, “or you can call me Daddy.”

And discovering that Harry Styles has a Daddy kink makes more sense than it should, and you have to grin as you press your mouth to his.

“Okay, Daddy,” you agree, just to watch him swallow. “Then why don’t you make good on your promise to fuck me?”

You watch the most beautifully dark expression flash across his face before he’s grabbing onto your waist to spin you around.

Your cheek is pressed to the wall while those large hands that have been taunting you for the past half hour begin to tease you again. Crawling up the inside of your thigh until he can grab onto the waistband of your jeans and yank the material down your legs.

“Just so you know,” he grunts in between the rustling of his belt, “I’m normally pro-foreplay. But I figure we don’t exactly have the time right now.”

“I know,” you agree. “It’s fine.”

He reaches around your hip to slide his palm down your cunt, and you sigh when you feel him cup you in his hand.

“What’s this?” he hums, rather sadistically as his nose brushes against your cheek. “Guess I didn’t need to work you up, anyhow. Seems you’re already dripping for me.”

Your lashes flutter as he kneads your pussy for a moment before he lets go to take hold of his cock.

“So, what’s it gonna be, angel?” he whispers, dragging the tip through your throbbing folds just to make you whimper. “You gonna be loud for me? Or are you gonna be quiet?”

More of a rhetorical question, you figure, because the answer is given to him when he pushes in, and you moan fervently.

He chuckles from behind you before it melts into some sort of delicious grunt. “That’s it. So fucking tight, darling. Take it, just like that.”

He pulls out, giving you only a second of reprieve before pushing back in. Stretching you a little more as he drives himself deeper into your cunt.

Your lip flies between your teeth as you swallow a string of curses and whines, desperate to feel him in every way possible.

“You all right?” he calls, and you feel his fingers gently squeezing your hip for reassurance.

It makes you smile. “Yeah,” you say back, nails scratching down the wall. “Go. Keep going.”

He obliges, working himself in at a quicker pace, and you see him watching out of your peripheral.

He seems mesmerized by the way his cock disappears into you. Addicted to the sounds now beginning to echo around the small space. Mixing in beautifully with his soft pants and your anguished whimpers.

“S’a good girl,” he murmurs beneath his breath, almost as if it wasn’t meant for you. “Fucking taking me so well, look at you. Pretty pussy just stretching for me. Likes having Daddy’s cock, doesn’t she?”

And maybe you shouldn’t be surprised by the filth coming from his mouth, but you are, and it makes you clench until you’re both gasping.

“Shit, angel,” he groans, burying himself a little deeper as you keen. “Like it when I talk to you like that, hm? Not so vanilla now, yeah?”

You want to thank your lucky stars for that damn book that led you both to this moment, nodding quickly as you squirm back against him. “Yes, Daddy—”

He pushes in to the hilt, overcome by the pleasure your words provide. His chest presses to your back, and instantly, you reach over your shoulder to grab onto his curls. Needing to hold him in some way.

“Fuck,” you sigh, vision hazy as your body works to accommodate him. “Okay go. Go, Harry, go.”

He smiles at the use of his name, and it does something strange to the butterflies already fluttering in your stomach.

“Okay,” he agrees, pulling back and readjusting his grip on your waist to keep you steady. “Be good, yeah?”

The faster pace begins. Hard thrusts that nearly knock the wind from your lungs as your body shakes with each snap of his hips into yours.

It’s oddly satiating. Perfectly full and teasingly relentless. Quick fucks aren’t normally your forte, but this? With Harry? In the world’s tiniest bathroom?

Euphoria.

“Fucking squeezing me, darling, shit,” he exhales, gripping you tight in his hand. “Pretty little pussy looks so good clenching around my cock. Like it, angel, don’t you? Like letting me fuck your sweet cunt the way you’ve been needing?”

And you don’t know how he knows you’ve been so desperate, but he does, and it makes you mewl as you drag your nails down his scalp.

“Oh, I know,” he coos but it’s dark. “Can just tell. So fucking cock drunk. Desperate for anything I’ll give you. Even let a stranger fuck you, hm? Let me take care of you the way you deserve?”

“Yes,” you breathe, mindlessly reaching back for his other hand. Once you find it, you intertwine his fingers with yours and drag his palm up toward your neck. Placing it against your throat until he seems to get the hint.

He says nothing, simply squeezes you in his grip. Until the corners of your vision get fuzzy, and the small bathroom gets smaller.

“That’s it,” he hums, almost as if luring you into the darkness. “Let go for me, baby girl. Just like that. Daddy’s got you.”

Everything is heightened. Every sense, every second. You can feel his facial hair rubbing against your cheek. Can feel the calloused tips of his fingers cementing to your exposed skin. Can taste the drink he had on your tongue.

There’s a knock on the door. A hard tap, and Harry’s pace doesn’t falter for even a moment as he calls, “Fucking occupied,” before slamming back into you.

The noise you make is loud enough to be heard by whoever was on the other side. Perhaps his intention, and it makes your pussy clench once more at the thought.

“Bet you’d look fucking perfect on your knees,” he continues, unrelenting. “With my cock down your throat. Fucking drooling for me. And you’d take me, wouldn’t you? Take my cock like a good girl. Make me proud.”

The suggestion is exciting. The image in your head of you looking up at the glorious stranger from your place on the floor. Getting to feel him on your tongue. Down your throat. Anywhere he’ll have you.

You bet he likes to see his cum painted across a partner’s skin. Likes to run his fingers through it. His tongue. Collect it and taste it before spitting it into their mouths.

Your entire body shudders from the mental picture and even if Harry doesn’t know what garnered this response, he seems pleased with it. Tugging on you tighter until you’re practically sitting on him.

You’re running out of time. Running out of willpower, and he releases your throat to find your clit. The first time he’s truly touched it, and the sensation that follows nearly kills you.

You hadn’t anticipated being so sensitive, but you are, and it’s apparent to you both from the way you jolt when he pinches you.

“Oh?” He’s chuckling again, entertained by your reaction. “S’that all it takes then? Poor little cunt just needs some extra attention?”

He presses into you and begins to rub small, hard circles along the delicate nerves. Ignoring your cries and pleas for more.

Instead, his foot kicks your legs further apart, and his mouth attaches to your neck. Nipping just below your ear as he whispers, “Bet you taste fucking divine, hm? Bet I could write a whole song about the way this pussy tastes.”

He lets go just to bring his hand to his mouth. Sucking on the soaked digits and groaning in your ear.

A shiver rolls down your spine before he drags his saliva coated fingers back to your clit. “So fucking sweet, angel. But you already knew that, didn’t you? S’why you were teasing me all fucking day. Cause you knew I’d get addicted to you.”

You’re so close to release, you can see it. Can actually see the blinding stars barreling toward you like meteors.

“And what if I am, huh?” He goes faster. Gets sloppier. Needing to get you both there. “What if I’m fucking addicted to you now? What if I can’t go without the taste of you?”

“Have it,” you sough, rolling your hips back against his cock. “Have me, Harry, please—”

“I will,” he growls, and you feel his cock twitch the closer he gets. “Fucking will, angel. Need you to come for me, yeah? Come for Daddy. Let me feel you around me, darling. Right fucking now—”

Everything is a blur. Maybe he comes first, maybe you do. It all melds together until it’s one, long string of orgasms and pleasure.

He doesn’t let you go for quite some time. Pushing you to the very brink, making sure it goes as far as it can. Even after you’ve come down and are squirming away from the ministrations to your clit.

The sadistic need to make sure you’re ruined is evident, and he only stops when you begin to collapse in his hold.

“Okay, easy, angel, easy,” he whispers, grasping onto your hips to keep you upright. “You’re all right, yeah? You okay?”

You nod weakly as you catch your breath, and he takes this as a good sign. Allowing you to stand on your own when you’re ready.

But he doesn’t go far. He bends down and pulls your jeans back up. Makes sure you’re all right.

You notice he purposefully leaves the mess between your thighs, and when you shoot him a questioning eyebrow, his only response is, “For later.”

Which you don’t mind at all.

I KNOW, I KNOW IT'S BEEN FOREVER!!!! I'M SO SORRY BUT THANK YOU FOR STICKING WITH ME AND BEING SO NICE, ILY ALL 😭💞💞💞

Previous Part:

~ Middle-Class Seats, First-Class Fun

~ Other Harry Blurbs

~ Full Masterlist

Taglist: @walkingintheheartbreaksatellite @keepdrivingkisses @swiftmendeshoran @tiredinwinter @straightontilmornin @justlemmeadoreyou @harrysdaydreams @tiaamberxx @peterparker1sgf @myfavfanficsever @littlenatilda @vamprry @fdl305 @tchalametishot @ssaama @indierockgirrl @likeapplejuicenpeach @vane28282

I'm also tagging you guys from the first part just in case, but if you've already moved on, I can absolutely understand 😭💞: @blackbookwhore @nellylayhoohoo @22fallenangel22 @watercolorskyy @ilovedilfs32 @nicodoesntexist @lelenikki @happypoptart

#harry #harry styles #harry edward styles #harry styles imagine #harry styles blurb #harry styles fanfiction #harry styles fan #harry styles smut #harry styles x you #harry styles x reader #smut #harry styles one shot

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lisbeth-kk · 2 months ago

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Sherlock fandom.

I was determined to write the fluffiest flash fiction ever after the devastating events of late, but my muse decided that you'll need tissues instead. Apologies, but I think it'll have a cathartic effect.

Let Me Comfort You

John’s ascending steps speak volumes to Sherlock. They are heavier than normal. Something must have happened at work. His watch tells him that John is ninety-five minutes early. He never leaves before his shift is over, unless Sherlock texts or shows up with a case.

The moment John appears in the doorway, Sherlock knows. A patient has died, and not an old one. Melissa, six years old, leukaemia. They had hoped she would make it through the year.

One last Christmas.

He’s in front of John before he collapses in Sherlock’s arms. John sobs like his heart is breaking, and Sherlock guesses that it literally is. The girl had been so brave, according to John. He had encountered her when her parents took her to A&E before they knew about her condition. A broken wrist and a cut over her eyebrow, which John mended easily.

Melissa had asked for him when she came back for her treatment. John represented safety, and he was allowed to visit her by the haematologist-oncologist.

“I’m sorry, John,” Sherlock murmurs and kisses his temple. “It went faster than expected?”

“Yeah,” John says, his voice is rough. “Infection.”

Sherlock tightens his grip and strokes John’s back.

“What can I do?” he asks, hoping there is something that can ease John’s despair.

“You’re doing it, Sherlock,” John replies and buries his face in the crook of Sherlock’s neck.

It’s a bit uncomfortable, since John’s face is damp with flowing tears, but Sherlock couldn’t care less. He’s determined to endure whatever John needs him to. His throat thickens and he has to clench his jaw to keep from crying too. He needs to be strong, just as John has been for Sherlock so many times. It is his turn now.

“Bath?” he suggests.

“Christ, that would be wonderful,” John sighs.

Relieved, Sherlock steers John to sit in his chair, while he sorts out the bath.

***

Sherlock fills the tub, adds vetiver-scented soap, and finds four jar candles. He places two of them at the far end of the tub and the other two on the sink. The flames flicker a bit when he whirls around to gather soft towels, their pyjamas bottoms, t-shirts, and clean pants. Before he returns to the sitting room, he turns off the light, so that the candles are the only light source in the bathroom.

John is resting his head on the back of his chair, his eyes closed, but he isn’t sleeping. Sherlock strokes his hair and beckons him to come with him. John walks like a zombie, and even lets Sherlock undress him. Sherlock’s heart clenches. John’s clearly out of sorts when he’s this pliant.

John makes no effort to get into the tub, and Sherlock strips quickly, seats himself and reaches for John to help him in. The deep sigh John releases when he’s enveloped in Sherlock’s arms, makes Sherlock almost euphoric with relief.

“This is just what I needed, Sherlock,” John murmurs after a few minutes of tranquil silence. “You’re lovely.”

Sherlock feels his cheeks flush, and not from the hot water. John’s praise always does that.

He starts humming and isn’t paying much mind to what tune exactly.

“Bach’s Lullaby,” John murmurs. “Are you going to sing me to sleep, love?”

“I wasn’t aware actually,” Sherlock responds quietly. “Would you want me to sing to you?”

“Always,” John assures him.

He turns his head and kisses Sherlock’s cheek.

“I love you,” Sherlock says softly and bends down to catch John’s lips.

“Me too, sweetheart. So much,” John whispers.

He starts to tremble and hides his face in Sherlock’s neck again.

“Shh, my heart. I’ve got you,” Sherlock soothes.

He rarely uses endearments, John’s name is enough, but this occasion clearly calls for it. John holds on to him for dear life, and Sherlock starts humming again. This relaxes John considerably, and Sherlock asks if John has any song requests.

“You don’t have to,” he mumbles.

“Let me comfort you, John. Please.”

When John stays silent, Sherlock starts to sing. He knows it’s one of John’s favourites. One that’s soothed him on more than one occasion.

When you're weary Feeling small When tears are in your eyes I will dry them all

-------------------------------------------------------------------

@flashfictionfridayofficial @totallysilvergirl @keirgreeneyes @calaisreno @helloliriels

@raina-at @meetinginsamarra @safedistancefrombeingsmart @gregorovitch-adler @topsyturvy-turtely

@jolieblack @peanitbear @phoenix27884 @bs2sjh @brandiwein1982

@meandhisjohn @a-victorian-girl @221beloved @ninasnakie @shy-bi-letsfuckingdie

@7-percent @lhrinchelsea @missdeliadilisblog @salmonsown @oetkb12

@jawnscoffee @gay-ass-bitch @acumberlockedgirl @willamholmeswatson @whatnext2020

@mydogwatson @redmondcollege @thegildedbee @elizabethhood @xmengal03

@ilovegayangels @riversong912 @givemesherbet-blog-blog @couldbecannibal @2old2b-fangirl

@dw91165

(Tell me if you want to be tagged or removed from the list)

#flash fiction friday #sherlock fandom #sherlock #john watson #johnlock #bbc sherlock #sherlock fanfic #FFF278 #singing in the candelight

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murd3rouscrow · 7 months ago

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Wooo, it's been a while, hasn't it?

Anyways, Dancing Men part 3

did i get emotional this episode? maybe i did, but we'll get to that. Instead, let's talk about how absolutely intense this episode was, like every second.

Sherlock getting a bit jealous of John's new bestie, Ian meant so much more after the ending.

and let's talk about that ending... Hearing Sherlock absolutely snap when John got hurt, him crawling over to Abe, wanting nothing more than to kill Abe. Sherlock finally calling John his best friend, quietly singing 'baby come back' into Abe's ear, mentally torturing him.

One of those moments that i really appreciate that sherlock and co is a podcast. I don't think that could've given the same effect if it was visual.

I'll probably make another post going over sherlock's actions here and what it probably means for the future of the story...

#sherlock and co #sherlock & co #sherlock holmes #john watson #mariana ametxazurra #the dancing men #seriously though #joel really outdid himself with this one #every episode is my new favourite

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heroesriseandfall · 2 months ago

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Introduction to Batman: A Lonely Place of Dying, April 1990

Introduction by Dennis O'Neil for Batman: A Lonely Place of Dying (1990 collected edition)

Transcription below the cut/readmore.

INTRODUCTION by DENNIS O'NEIL

Robin was gone. We needed a new Boy Wonder. There had been two previous Robins. The original first appeared less than a year after a new costumed hero called Batman made his debut in DETECTIVE COMICS #27, to instant success. Some time within the next eleven months, his creators, artist Bob Kane and his writer-collaborator Bill Finger, decided to give their dark, obsessed hero a kind of surrogate son, Robin, who was hailed on the cover of DETECTIVE #36 as “the sensational character-find of 1940—Robin, The Boy Wonder.” Over the next 40 years, Batman’s fortunes varied: always, however, Robin was at Batman’s side.

He served a couple of functions. If Batman were real (and it may shock some of our more avid readers to learn he isn’t), and if he were the grim, obsessed loner he is often portrayed as, Robin, with some help from Batman's faithful butler Alfred, would keep him sane; a man whose every waking hour is focused on the grimmest aspects of society, who is unable to release the effects of seeing his parents murdered, whose life is an amalgam of sudden violence and lonely vigilance, would soon skew into a nasty insanity if he did not have someone to care for, someone to maintain a link with common humanity. But Batman is, of course, not real. (My apologies to avid readers.) He isn’t exactly a fictional character—more on that shortly—but he does not and could not exist as a living, breathing human being. That doesn’t make Robin any less useful: he serves the same functions in the Batman stories as Watson served in the Sherlock Holmes canon and the gravedigger serves in Hamlet: like Holmes’s faithful doctor, Robin is a sounding board, a person with whom the hero can have dialogues and thus let the reader know how brilliantly he’s handling matters and like the gravedigger, he occasionally provides a bright note in an otherwise relentlessly morose narrative.

Which is why I was a trifle uneasy when we—the editorial staff of DC Comics—decided to let our audience decide whether he would live or die. It came to be known in our offices as the “telephone stunt.” We had a character, Robin, the readers didn’t seem terribly fond of. This wasn’t the original Robin, the “character-find of 1940”; that Robin was Dick Grayson and he had graduated from sidekick to bona fide hero who fronted a group of evil-fighting adolescents, The Teen Titans. In 1983, it was decreed that Robin should grow up and assume a crime-fighting identity of his own—become his own man, as befitted the leader of the mighty Titans. He left Batman’s world to assume the name, costume, and persona of Nightwing. Gerry Conway and Don Newton replaced him with a second Robin, Jason Todd, whose biography was virtually identical to that of Dick Grayson. Why not? Gerry and Don were not trying to innovate, they were simply filling a void. The assignment they were given was simple: Provide another Robin. Quickly and with as little fuss as possible.

In 1986, Max Allan Collins inherited the Batman writing assignment and told his editor he had an idea for an improved Jason Todd. Make him a street kid, Collins said. Make his parents criminals. Have him and Batman on opposite sides at first. Sounded fine to the editor and, since DC was in the middle of a vast, company-wide overhaul of storylines anyway, Collins was told to go ahead. I was the editor; I did the telling. And I’d do it again, today. Collins’s Robin was dramatic, did have story potential. But readers didn’t take to him. I don't know now, and will probably never know why. Jason was accepted as long as he was a Dick Grayson clone, but when he acquired a distinct and, Collins and I still believe, more interesting backstory, their affection cooled. Maybe we—me and the writers who followed Collins—should have worked harder at making Jason likeable. Or maybe, I guessed, on some subconscious level our most loyal readers felt Jason was a usurper. For whatever reason, Jason was not the favorite Dick had been. He wasn’t hated, exactly, but he wasn’t loved, either. Should we write him out of the continuity? It didn’t seem like a bad idea, and when we thought of the experiment that became the telephone stunt, Jason seemed the perfect subject for it. The mechanics were pretty simple: we put Jason in an explosion and gave the readers two telephone numbers they could call, the first to vote that Jason would survive the blast, the second to vote that he wouldn't.

It was successful—oh my, yes. We expected to generate some interest, but not the amount or intensity we got. As soon as the final vote was tallied—5271 for Jasons survival, a deciding 5343 against—the calls began. For most of three days, I talked to journalists, disc jockeys, television reporters. We got a lot of compliments. They ranged from a critic’s liking our stunt to the participatory drama of avant garde theater to the brilliant comedy team of Penn and Teller expressing mock envy that we beat them to “the kill-your-partner-900-number scam.” But then came the backlash, ugly and, to me at least, totally unexpected: one reporter claimed that the whole event had been rigged—that, in fact, we had decided on Jason’s demise ahead of time and staged an elaborate charade; a teary grandmother said that her grandchildren loved Jason and now we’d killed him; several colleagues accused us of turning our magazines into a “Roman circus.” Cynical was a word used. And exploitive. Sleazy. Dishonorable. Wait a minute, I wanted to reply. Jason Todd is just a phantom, a figment of several imaginations. No real kid died. No real anything died. It’s all just stories—

I would have been wrong. Batman, and Superman, and Wonder Woman and their supporting casts are quite a bit more than “just stories” if, by “stories,” we mean ephemeral amusements. They’ve been in continuous magazine publication for a half-century, and they’ve been in movies, and television shows, and in novels, and on cereal boxes and T-shirts and underwear and candy bars and yo-yos and games—thousands of ventures. For fifty years. Fifty years! Although the circulation of our magazines is relatively modest, these characters have been so enduring, so pervasive, they have permeated our collective consciousness. Everybody recognizes them. They are our post-industrial folklore and, as such, they mean much more to people than a few minutes’ idle amusement. They’re part of the psychic family. The public and apparently callous slaying of one of their number was, to some, a vicious attack on the special part of their souls that needs awe, magic, heroism.

We had promised to abide by the telephone poll, and we would. But within a few days, it became apparent that we’d have to begin growing another Robin. We had forgotten that Batman exists outside the pages of our comics, is not the exclusive property of DC’s editorial staff; because he is both popular and imperishable, hundreds of others have some legitimate interest in him (not the least of whom are the readers who, for one reason or another, had missed the voting.) Our medium may have kept him alive, but others have added immeasurably to his success. When we began hearing from them, the consensus was that a Batman without a Robin wasn't quite a Batman. I wasn’t surprised. Nor did I disagree, particularly. So our problem became: how to create Robin III without generating the hostility that plagued poor Jason. Dick Grayson was the answer. If, as we thought, readers felt Jason had somehow usurped Dick’s place, then we should link the new Robin to Dick—give Robin III his predecessor’s stamp of approval. One writer had done almost all of the Dick Grayson material DC had published for a decade: Marv Wolfman, co-creator (with George Pérez) of the New Teen Titans. That made Mary the first, and really only, choice to undertake the task of giving Batman a new helper. And if we were using Marv, why not have some of the story happen in the pages of THE NEW TITANS, which he was already writing, and thus be able to take advantage of the very considerable talents of Marv's collaborator on the Titans, George Pérez? George volunteered to co-plot the story with Mary and do layouts on the TITANS episodes, and editor Mike Carlin enlisted Tom Grummett and Bob McLeod to complete George's graphics work. I asked the regular BATMAN artists, Jim Aparo and Mike DeCarlo, to handle the BATMAN issues. Finally, we chose a name for Robin III—Tim Drake—and, after a couple of editorial conferences, six gifted gentlemen retired to do what they do best.

The result seemed worthy of being collected between one set of covers, to be read as a graphic novel. We decided to do that and you’re holding the result. I hope you enjoy it. But please don’t think it’s the end of the Robin III saga. Dick Grayson’s lasted 50 years, after all, and Tim Drake does have his blessing.

Dennis O’Neil

April 1990

#scanned so you can read & interpret for yourself (sorry for the page quality this book is 30+ years old now...still a great intro though)#tim drake #dick grayson #jason todd #batman #robin #batfam #i particularly like the part abt the heroes being psychic family/post-industrial folklore. agree. tho the jason stuff is a little agonizing #'i dunno why he was so unlikeable' meanwhile jim starlin interviews are like 'I wrote him unlikeable on purpose so they'd let me kill him'#not that jim starlin is the only reason some readers hated jason but it's like. c'mon...having writers who hate robin is certainly a factor #bonds: I knew it was you #batman: a lonely place of dying #dc comics #dennis o'neil #heroesriseandfall

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friday411 · 24 days ago

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There once was a writer named Friday Who discovered she'd something to say There's one little trick though Just in a limerick (D'oh!) So that's what she writes to this day...

-=<+>=-

Friday's 🔍 Top 10 25 26 Sherlockian Limericks!

-=<+>=-

There once was a genius from London Whose cranium was really uncommon. When he learned something new For each factoid and clue He deleted an old, then moved on…

-=<+>=-

"Elementary my dear Watson" Is not in a story – not one "My dear Watson", yes "Elementary" much less But all in one go? It's not done!

-=< ⬇️ ⬇️ ⬇️ >=-

The police asked "Holmes, what should we do? He said "Look to the dog for your clue." "But he didn't do squat." "That's the curious part." And with that, Sherlock stumped the whole crew.

Bobby: Is there any other point to which you would wish to draw my attention? Holmes: To the curious incident of the dog in the night-time. Bobby: The dog did nothing in the night-time. Holmes: That was the curious incident.

-=<+>=-

At crime scenes, Holmes' in his element. Police he finds an impediment. He's far more effective Than their "great" detectives. So he's earned the right to be arrogant.

-=<+>=-

To Holmes, every case was solvable "Once you reject the impossible Sometimes - strange as it seems Logic dictates that means You must accept the improbable."

"When you have eliminated the impossible, whatever remains, however improbable, must be the truth." - SH

-=<+>=-

Holmes' methods are tested and true Wringing the facts out of each clue. "Don't jump to conclusions, They're often illusions." The truth will be known when he's through.

-=<+>=-

"Lestrade – why do you come to me last? I'd've gotten here sooner if you'd asked. Now the trail has gone cold." (He continued to scold.) "Compared to me, your men are outclassed." -=+=- "You don't understand my position Calling you up is an admission We've failed at our jobs!" (He practically sobs) "Crime-stopping is our only mission…"

-=<+>=-

Mrs Hudson, the Baker Street saint Is a model of poise and restraint Two-twenty-one B Is a horror to see So she often has cause for complaint!

-=<+>=-

The truth be told, poor Mrs Hudson Found herself endlessly cussin' It's not that her tenants were late with their rent, it's The shooting of walls and destruction.

-=<+>=-

The Hound of the Baskervilles

Why send Henry and I to the hall If you think he's in danger at all? We need you now Holmes, There are too many unknowns. You might Sir Henry's death then forestal! -=+=- Why Watson you are the only man Who I can trust to follow my plan. Keep our client alive For me till I arrive. If any can save him then you can! -=+=- The Baskerville curse is a hellhound And a terrible devil unbound But both dog and master Will suffer disaster One was shot on the moor, and one drowned.

-=<+>=-

Sir Arthur at Sherlock was peeved A plot to kill Holmes he conceived But then resurrected His brilliant detective Since too many fans were aggrieved!

-=<+>=-

"Holmes! Where have you been all this time? Were you just out fighting crime? I thought you were dead Though you'd only fled So why did you leave me behind?" -=+=- "Watson, I must apologize! I only left you to disguise I was tracking the men Who would kill you and then Made every one meet their demise."

-=<+>=-

“You know,” said Holmes, “I have a brother.” “But surely there can’t be another?” “I assure you there is, If you give him a quiz You’ll quickly find out that he’s smarter.”

-=<+>=-

The Irregulars don't get their due (Despite all the spying they do) Holmes' little laddies Track down the baddies And are loyal to him through and through.

-=<+>=-

The Solitary Cyclist

"My dear Watson, you've wasted your time. You've missed your opportunity prime. You don't know how to spy You weren't close to the guy. We must nab him, or there'll be a crime. -=+=- "Holmes, did I really do that bad? What strategy should I have had?" "Though you didn't need grub, You'd go down to the pub And bought all the secrets they had." -=+=- (Holmes goes down to the pub and comes back bloody) "Oh Holmes, what kind of fight did you start? Those cuts on your knuckles must smart." "They're proof of outfoxing Our foe with my boxing. The other man went home in a cart!" -=<+>=-

Irene Adler is ever so fetching To a man they all say she's bewitching Wit like a razor Nothing can faze her So pity the poor prince that she's ditching!

-=<+>=-

For Holmes there was one woman only But not for matrimony holy Irene, nee Adler, Dueled him with valor So is Holmes in love? Not remotely!

-=<+>=-

"Holmes how can you risk psychosis? The risks you run are enormous! Morphine and cocaine Will both rot your brain. The damage that's done is atrocious!" -=+=- "Dear Watson, have you not noticed? My eyes are bright and in focus My cravings' been erased Because I have a case. You've made the wrong diagnosis!"

-=<+>=-

Eventually there comes a time When retirement sounds so sublime There are many unknowns – Crime goes on without Holmes But – can Holmes go on without crime?

-=<🔎>=-

Read them all on Archive of Our Own...

#Sherlock Holmes #Limericks #Sir Arthur Conan Doyle #Friday411 #Thanks for reading & reblogging!#Top 10 #I hope you like them!

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calaisreno · 8 months ago

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Loyal, So Quickly

Greg and Mycroft have another chat. See An Arrangement.

560 words / Prompt: Intimidate

Mycroft Holmes doesn’t do things like other people, Greg realises. Where another man would text or call, ask to meet for coffee, Holmes kidnaps people.

Not exactly kidnapping, but it’s a bit intimidating to be followed by a black car, invited in by a beautiful woman who does not smile. Maybe that’s a condition of working for the man: no smiling allowed.

“I assume you’ve met my brother’s flatmate,” Mycroft begins without preamble.

“John Watson,” Greg replies. “Yeah, I’ve met him.”

“What do you think of him?”

“Seems like a good bloke. I mean, I think he’s trustworthy.”

“What makes you say that?”

“I can see he has a steadying effect on your brother. He keeps Sherlock’s attitude in check at a crime scene.”

Holmes seems to be making a mental note of this. “How much does Watson know about my brother’s habit?”

“When he found out about the drugs, I could see he was surprised. It didn’t take the world’s only consulting detective to see that he won’t tolerate that. Now that he’s aware, he’ll have an eye out for it. A doctor’s eye. Sherlock’s not going to jeopardise their relationship, though.”

“And what relationship is that?” The grey eyes narrow.

“Your brother doesn’t have friends, Mr Holmes. Even me—he doesn’t consider me a friend. I’m just DI Lestrade, the person who supplies cases and needs Sherlock Holmes to solve them for me. We don’t hang out, have a pint and discuss the footy. We’re colleagues, I suppose.”

“You’re suggesting that he considers Doctor Watson… a friend?”

“I don’t know. Never seen him with a friend, so I’m not sure what that would look like.”

“And what about Watson?”

Greg remembers after the cabbie was shot, talking with Sherlock, who was wound up, talking a mile a minute, describing a man with a strong moral principle, a crack shot, a fighter. He’d noticed Watson standing behind the tape, waiting for Sherlock, looking innocuous. And he’d realised. Sherlock himself hadn’t realised until a moment later, when he begged Lestrade ignore me.

He felt a bit proud, seeing something Sherlock hadn’t seen. So he watched, and saw more. Sherlock, walking towards Watson, Watson looking at him. They exchanged a smile and a few words, and he knew.

He didn’t know Watson well yet, but he’d worked with Sherlock for a few years, and had never seen him look at another person like that. Admiration. Longing.

And then there’s the unsolved murder of Jeff Hope. Well, that bullet anyway. The man died of an aneurysm, but technically it could be murder, if the gunshot was what set things off. Not that he’s going to share his suspicions about that with the elder Holmes. No point setting up Watson for another interview. Though he’s sure that if anyone can stand up to Mycroft Holmes, it’s John Watson.

The look on Watson’s face.

I think he would kill for Sherlock. I think he would die for him.

“He’s a loyal one. You can trust him. He won’t leave.”

Holmes is quiet for a long moment. Then he nods. “I hope you’re right. I think he could be the making of my brother. Or he could make him much worse. Either way, I will be watching.”

His smile reminds Greg that he’s not the only one likely to be followed by a black sedan.

I'm posting my #mayprompts2024 here on AO3 and in this collection. Please add yours!

#mayprompts2024 #bbc sherlock #mycroft holmes #greg lestrade

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green-keys-3 · 6 months ago

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So I just watched the Sherlock pilot again after a few years, and it's given me some thoughts. First of all, Sherlock is really really extra. Also, he doesn't come across as cold and unfeeling as he thinks. He really tries to appear cool, and to impress John. He makes a few guesses instead of deductions to this effect.

Also from the Angelo's scene, Sherlock is clearly into men and not opposed to dating men, in this example men being John, and turns John down because he doesn't want to date, not because John is a man or because he isn't into him. He reads the room and thinks John is flirting with him, or at least into him, John says it's not the case. However when he says "unattached, like me, good" seriously John why would you say that to your platonic flatmate, and why say it like that? That's at least a little bit gay. And then there's the "it's all fine" and asking specifically bf when Sherlock says women are not really his area. The whole conversation reads like John is into Sherlock and has an avoidant attachment style or something when he turns him down. It also reads like internalised homophobia a little bit on John's part.

It was interesting to go back to the episode again after some time. They really click from the beginning and seem to understand one another really fast.

Also worth mentioning about John is he refuses to be paid to deliver info about Sherlock to someone, while he barely knows Sherlock anyway, and above all, he flat out shoots a man dead that he perceives as a threat to Sherlock (rightly so I'd say, but still), while he still barely knows Sherlock! If anything that can't be called normal platonic flatmate stuff. That's some kind of soulmate shit, at least.

And while I know the showrunners didn't intend it to come out like this, it's definitely there in the text, there's not even a need to look very deeply in it. It's barely subtext at this point, and it's only the pilot. I can't fault all of us for getting so caught up in Johnlock, but I have had time to emotionally distanced myself from it now.

#bbc Sherlock #Johnlock #Sherlock Holmes #John Watson #tjlc #rewatching #years later #review #my opinion

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garkgatiss · 8 months ago

Text

{{esquivalience}}, The Auteur, and Doctor Who the TV Show

alright so this novella.

First, its provenance: I was googling the Twist at the End song last week because it's catchy as hell. I ended up on the Tardis wiki and realized that there was a song by the exact same name that appeared in a licensed DWU novella that was published April 9th. As in, last month. Which is weird. It's hard to say how weird, but given the timing, it either has to be a) pure coincidence (lol), b) someone who worked on the show abusing their advance knowledge of plot details for personal gain, or c) intentional coordination between showrunner and novella-writer, a la Joe Lidster writing John Watson’s blog for BBC Sherlock.

The likelihood of (a) is decreasing by the week. I feel like I have to entertain the idea of (b) happening, but it's hard to square why a DWU-writing supernerd who is also involved somehow with the production of the show would risk a lifetime of blackballing from DW for a bit of cheap promotion for their extended-universe tie-in novella. I am so sorry to be saying this, but I think (c) might actually have legs.

The novella's title is {{esquivalience}}, which is a fake word invented in real life by editors of the New Oxford American Dictionary. The invented word means "deliberate shirking of one's official duties", and it was added to the dictionary to protect the copyright of the electronic version. In S9, Face the Raven showed us a “trap street", i.e. a fake street drawn on a map by a mapmaker to identify any copyright infringement of said map -- a dictionary entry for a word made up by the dictionary editors operates similarly as a copy-trap. The definition is apt for a copy-trap as well, because anyone illicitly copying a dictionary is themselves shirking a job they ought to be doing themselves... it's clever, it's very fun, we're off to a great start.

THE STORY:

The unnamed protagonist applies for a custodial job at this library that serves basically as a databank for the history of everything in the universe. If a book about something is thrown away, that something ceases to have ever existed. Exhibit A: Protagonist works in the Dead & Dying Language Department. They throw away The Book of Belgian Dutch, and a) a couple coworkers with Belgian Dutch heritage either disappear or get completely different names/family trees, and also b) everyone quickly forgets that Belgian Dutch was ever a thing to begin with.

The librarians cover for this accidental deletion of reality by copying/fudging a new book on "Belgian Gerench", their name for what they replace Belgian Dutch with. They try to catch most of the people who were deleted, bring them back, and fit them into that new language/culture/ethnicity bucket they just made up.

(The narration explains that because both Belgian and Dutch still exist separately as concepts, there aren't too many knock-on effects in terms of loanwords in other languages that needed to be modified/recovered. It also explains that time-traveling back to make an exact copy of The Book of Belgian Dutch wouldn't work because of the universe's copyright laws or something.)

Protag then comes after the head of their department, the Head Dictionary Contributor, or Head DC. They find him in a hidden room called the Internal Reference Room. Instead of languages, the books here hold the life stories of every employee, which auto-update as the person lives their life, but can also be edited or destroyed to alter that person's reality. Protag sits down with the Head DC's lifebook and starts adding and erasing things.

It turns out that Head DC knows how wrong editing these books can go from personal experience. Years ago, wanting to leave his mark on the universe, the Head DC chose to add his own copy-trap into The Book of Dutch -- the fake word "esquivalience". This action seemingly created the concept of cutting corners at your job, leading to the insufficient vetting of Protag for this job and therefore their subsequent hiring, which results in Head DC's eventual death.

Head DC pleads with Protag for his life, but Protag is undeterred. They finally tear out the final page in Head DC's book, which kills him. Protag then writes themselves in as Head DC. Settling into their new role, they turn their attention to The Book of English (8th to 25th Century). They first look up the dictionary entry for “esquivalience”, which says it came to English from Dutch, and then flips to the entries for “ravel" and “unravel”, described as contranyms from Dutch roots, both “meaning variably to tangle or to fray”.

This is the central story of the novella. There is also a Prelude and Postlude that describe the lives of two young men, first in a reality in which they never meet, and then in a reality in which they do meet and fall in love (their meeting is enabled by one of them skivving off work in time to make it to see the movie where they first meet -- esquivalience!)

Just before the Postlude, there is also printed the lyrics to a song (see below), and an excerpt from The Book of English, this volume covering the 4th to 5th billionth centuries of history. This excerpt again gives the definition of “unravel”, but refers the reader to an appendix for the full list of definition, and notes they are “largely in usage as reference to Unravel, The” and “N.B. to be used with extreme care and caution”.

NOVELLA-SHOW CONNECTIONS:

Mavity [Wild Blue Yonder]: Mavity happened all the way back in Wild Blue Yonder, so it's not necessarily surprising to see it in a novella published in April 9, 2024, but there's a whole scene establishing that the M has seemingly replaced the G in all Romance languages, while Domhantarraingt in Irish-Gaelic is unaffected.

Rope [The Church on Ruby Road]: We're all learning the vocabulary of rope now! The Unravel is what the novella calls the meta-historical revisions caused by making edits to the books. There are also rope/weaving metaphors everywhere. Again, the rope themes of the TV show predate the April 9 novella just far enough that in theory it would have been possible for the novella to have taken inspiration from the 2023 Christmas Special. Except. The wiki page for The Unravel credits ownership of the concept to Jamie H. Cowan, the author of the novella. Not just that, but The Unravel was used – with credit to Jamie – in a DWU short story collection published December 26, 2023 – the day after The Church on Ruby Road aired.

Dot and Bubble [Dot and Bubble] : At this point, “Dot and Bubble” is a contextless episode title to me, first announced on March 31. In the novella, we get this:

The Twist At The End [The Devil’s Chord] : Just before the novella's Postlude, there are the lyrics to a song called “The Twist At The End”. Just listed there, no context, like an azlyrics.com entry. They are not the same lyrics as the song in The Devil's Chord, but then, meta-historical revision would kind of be the point, wouldn't it? There's just this sentence to connect it to anything happening in the narration: "Somewhere, in the far distance, as ______ continued to erase, an old 1960s Earth tune began to play."

EDITED TO ADD: @corallapis has pointed out to me that not only did the existence of the song "Twist at the End" by John Smith and the Common Men leak, but the novella's author tweeted about it in December 2023.

The Chumerian languages of the planet B’llauit, for instance, needed much consideration. Particularly Krulvan. There was still a great deal of work to be done in compiling the post-technoweb aspects of Krulvan. Like how most emotional words and phrases contracted more and more, until finally, they were little more than abbreviations. The old dot-and-bubble effect.

A parent’s love was no longer expressed post-technoweb as “Kal-at lur amoi”, but instead as merely “KLA”. Which needed to be carefully distinguished in the relevant encyclopedia from another abbreviated Krulvan phrase “Kal’ati Lepr’en Acrumpsal” – which was something rather equivalent to the expletives of other languages like “D’Arvit”, or “Bleno”.

It's only a brief mention in the book, so it's possible in theory that it was added after the episode titles were released, or even after the novella’s publication (Amazon allows post-publication changes up to 10% of the text, and it’s not possible to track those changes). I’ve included the second paragraph because it’s interesting that the example they’ve given is the word for a parent’s love, which we can see as a running theme in this season of DW (though Moffat has said before that the only thing he writes about is a parent’s love, so who knows).

Not the strongest evidence of two-way coordination, but we may learn more when the episode airs.

Dutch [Space Babies, Boom]: Yeah, as in, the Dutch language. The words “spoor” & “smelt” both get a "oo, good word!" callout, spoor in Space Babies and smelt in Boom. These words both have Dutch roots. Splice, the daughter's name in Boom, is not only from a Dutch root, but also means the joining two pieces of rope. I read this novella just before Boom dropped on Disney+, so I can personally confirm that this is not a post-hoc addition to the novella. It hardly could have been anyway, this element is much more integral to the novella’s narrative than any of the other pieces.

The Auteur

This is where this all becomes relevant to the “Doctor Who is a TV Show” theory.

While the Protag is shredding the Head DC’s book, the Head DC is in the room, and what follows is an extremely meta narrative-aware pre-death monologue from the Head DC. He's pleading with Protag to stop changing things in his book, but he also refers to an "It" whose power surpasses them both.

He held eye contact with them as they looked up, “You didn’t pick up Belgian Dutch by chance. It’s how it plays. In weaving coincidences.”

“Just stop reading. Stop changing things. Stop, and we can be spared. Be free! If you keep going, then it will get what it wants. It is a happening [sic]. Out there, and in here in the basement. Everywhere. It will win if you keep going.”

“One day, you’ll make the same mistakes. Goddamn, you will. Because it’s all already written. It has already written it all. The paths, the choices. Rewrites, erasures, and even the contradictions. If you don't just... stop... it will... Unravel us all."

The "It" in question is presumably the author. Like an author writing a story, "It" plays by weaving coincidences, "It" gets what it wants when we keep reading, "It" has already written everything.

The Head DC mentions a special disposal chute, which had recently appeared as if by magic, which enabled Protag’s destruction of Belgian Dutch. Head DC’s references to this “It” suggest that his decision to create a word meaning cutting corners caused his eventual death, not by inventing the concept of cutting corners, but by creating a set-up that the Auteur, a godlike being that cares only for the rules of narrative, was compelled to write a satisfying follow-through for. The Auteur changed reality in order to weave a narratively-satisfying coincidence.

The Auteur is a character from the DW-spinoff series Faction Paradox. The creator of the Faction Paradox universe describes it as “on the surface an SF universe, but it works on the same principles as traditional folklore.”

I am but a humble Moffat scholar, so explaining the character of The Auteur is immediately getting into lore that I cannot even begin to decipher.

But it seems plausible that in the show we’re dealing with a godlike being, someone along the lines of Maestro or the Toymaker, but instead of caring only for the rules of play, cares only for the rules of narrative.

And this being, The Auteur, is altering reality and creating the narratively-satisfying coincidences in 14’s and 15’s timelines, possibly starting all the way back with the coincidence of 14 regenerating as David Tennant and immediately bumping into Donna Noble.

And it seems plausible that this season was created in cooperation with these DWU authors to whom concepts like The Auteur and The Unravel are licenced, and the novella is a tie-in text full of references to the current season to lead savvy superfans on a merry chase that foreshadows the season’s big bad.

Because I... don't really have another explanation for the existence of this novella at this point.

#doctor who #esquivalience #what to even tag this #dust off the old clown costume

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