#cäsar pinnau

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Hamburg-Süd Headquarters (1959-64) in Hamburg, Germany, by Cäsar Pinnau

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hamburg süd // hamburg altstadt

architect: cäsar pinnau

completion: 1964

[ein-bleistift-und-radiergummi]

Cäsar Pinnau, Wohnzimmer mit Bibliothek, Studienarbeit, um 1930. Hamburgisches Architekturarchiv

(Source: altonaermuseum.de)

[bosch]

Hamburg-Süd-Gebäude by architect Cäsar Pinnau, built 1959-64 | #hamburgsüd #hamburgsud #cäsarpinnau #respectthearchitect #hamburgarchitecture #welovehh https://instagr.am/p/CYmcsS-svya/

[marthaohara]

Meet The Greatest Interior Design At Brenners Park Hotel & Spa

Meet The Greatest Interior Design At Brenners Park Hotel & Spa – Today, Best Design Projects invites you to peek inside and meet the greatest interior design project that Brenners Park Hotel & Spa represents. It is a wonderful inspiration for your own home renovation or for your next project.

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Founded on 21 October 1872, Brenners Park has stood for the lavish grand hotel concept and total commitment to its guests for 140 years. Today, it is a beautiful, urban oasis set amidst enchanting parkland. A harmonic combination of elegance, tradition and innovative future concepts are the hallmarks of this grand hotel on the Lichtentaler Allee.

“Urban life in the countryside” is the promise of picturesque Baden-Baden with its unique, complex and highly appealing surroundings recalling an eye-catching aura, enhanced by the Black Forest town. Baden-Baden cemented its reputation as a cultural centre back in the 19th century. Today this tradition is as strong as ever with Germany’s largest concert hall, the Iffezheim racecourse and the Belle Époque style casino together with the town’s symbiosis of health offers, its closeness to nature and its programme of internationally renowned cultural events.

Read also: Allow Yourself A Wonderful Retreat At Lion Sands Game Reserve

Brenners Spa is the centrepiece of Brenners Park-Hotel & Spa where the hotel’s guiding principle of “Lifestyle. At one with nature” is demonstrated in the most impressive of ways. Brenners Beauty Spa featuring the product lines: Futuresse, Sisley, Niance, Anika Organic Luxury and its own care line “Brenners Park-Hotel – Spirit of Jaipur” offers beauty and physio spa services à la carte. In the Spa Suite, the spa within a spa, hotel guests are able to relax in an exclusive environment. Brenners Medical Care is on hand as your competent partner for health and well-being.

In 1975 it was built the Roman style swimming pool with an open design onto the hotel gardens, being one of the most striking indoor bathing facilities among Europe’s elite hotels.

Cäsar Pinnau reverted to stylistic elements from classical antiquity. After an extensive renovation work in 2012, the facility now once again shines with new splendour. The opening of the Villa Stéphanie beginning of 2015 marks the completion of the most comprehensive renovation project of the past 20 years. Featuring a design that has been perfected in terms of space and content, the hotel’s successful concept of proactive health management will continue to be rigorously pursued in this new facility. Combined too with a new, holistic health concept it results in the beauty and medical services being harmonised in their own very special way. With over 5,000 sq m of space, the Villa Stéphanie houses 15 elegant rooms and suites and a newly designed, state-of-the-art spa with connecting medical care.

You can enjoy a classic cuisine with Mediterranean accents in the light and airy Wintergarten under the responsibility of Executive Chef Rudolf Pellkofer. The Brenners collection of restaurants also includes Rive Gauche and Brenners Park Restaurant.

Read also: HOW TO DECORATE LIKE A PRO WITH BEST DESIGN PROJECTS

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from Meet The Greatest Interior Design At Brenners Park Hotel & Spa

[trax-matthies]

Rekonstruktion von Stil- und Bauelementen

für die vom renommierten Architekten Cäsar F. Pinnau (*9. August 1906 in Hamburg; † 29. November 1988) entworfen und gebaute Villa an der Elbchaussee in Hamburg.

Für  dieses in ��neoklassizistischen Stil gebaute Einfamilienhaus, das 1999 unter Denkmalschutz gestellt wurde, wurden vorbildgerechte Säulen, Balustraden und Architrave Wiederhergestellt und von uns geliefert.

www.stilelemente.de

http://de.wikipedia.org/wiki/C%C3%A4sar_Pinnau

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Office Building (1979-81) in Münster, Germany, by Cäsar Pinnau

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Office Building (1979-81) in Münster, Germany, by Cäsar Pinnau. Photo from April 2024.

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Binding Brewery (1962-88) in Frankfurt/Main, Germany, by Cäsar Pinnau

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The dubious relationship between some (st)architects and authoritarian or even dictatorial regimes has a long history and surely requires significant moral flexibility. The latter clearly also characterized German architect Cäsar Pinnau (1906-88) whose flexibility extended well beyond his morals and to his conception of architecture: as a servile contractor Pinnau contributed to Hitler’s Reichskanzlei, Speer’s plans for Berlin but also designed buildings and interiors for postwar magnates like Onassis or the Oetker family. In this capacity he oscillated between traditionalisms, glass-and-steel modernism, the neoclassicism he personally preferred and a country style, always depending on the taste and requirements of his clients.

Against this backdrop and Pinnau’s charged biography it is, from a scientific point of view, regrettable that it took until 2015 for a critical evaluation of his life and work and a monograph to mature. With „Zwischen Avantgarde und Salon. Cäsar Pinnau 1906–1988“, published by Dölling und Galitz in 2015, Ulrich Höhns provides a comprehensive revision of the architect’s life and work including a complete work catalogue. The latter, just like the insightful texts by the author, is organized along the different chapters of Pinnau’s life, starting with his training at Staatsschule für angewandte Kunst in Munich and his long-term employment in the office of Fritz August Breuhaus from 1930 to 1937. In 1937 Pinnau became member of the NSDAP and gained the attention of Albert Speer. In the following years up until Germany’s defeat in 1945 Pinnau received numerous government commissions with an emphasis on interior design, a period which Höhns very lucidly examines by equally addressing Pinnau’s designs and his personal shortcomings, e.g. the negation of the connex between architecture and politics.

After the war his career took off and despite his leanings toward historical styles Pinnau realized remarkable modern buildings and even ships and yachts. All of these designs are included in the present volume which allows for an all-encompassing critical evaluation of an architect whose biography is exemplary for many architects of his generation.

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Administration of Dr. Oetker (1960-61) in Berlin, Germany, by Cäsar Pinnau

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Hamburg-Süd Headquarters (1959-64) in Hamburg, Germany, by Cäsar Pinnau

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Power and architecture have forever been intertwined, no matter if it’s in Ancient Greece, Renaissance Italy or Nazi Germany. Rulers and captains of industry alike always appreciated the representative function of architecture that beyond scale also serves as an indicator of a certain mindset. The German architect Cäsar Pinnau (1906-88) throughout his career served both a regime and business leaders: for the Nazis he designed interiors and buildings along the planned North-South axis in what would have been Germania, for the captains of the German Wirtschaftswunder he designed houses, factories, office buildings and even ships and yachts. Assuming a position of total indifference regarding politics or ideology he carried on undauntedly after 1945 and, in contrast to other architects of his generation, also didn’t change over to the camp of modernism (although he designed modern buildings as well). With „Cäsar Pinnau - Zum Werk eines umstrittenen Architekten“, published by Dölling und Galitz in 2016, a critical but also candid look has been taken at the work and personality of Pinnau. Published alongside an exhibition at Altonaer Museum it provides a career-spanning overview of the architect’s work from his early days in the studio of Breuhaus de Groot over his work during the Third Reich up until his very late works. The book locates Pinnau and his oeuvre in the respective times, sheds light on his contemporaries and networks and also doesn’t omit his status as persona non grata in Hamburg’s architects’ circles after 1945. That he was nonetheless able to work successfully is largely thanks to his ability to tailor to the tastes of the successful and wealthy: with his preference for Classicism he appealed to many of them, designed country houses and interiors in traditional styles but when required also designed glass and steel buildings. The book is eye-opening in its fresh and unbiased analysis of the architect, his work and his self-proclaimed indifference to politics and ideology. It doesn’t give a final verdict but provides a wealth of material evidence to make up one’s own mind about Pinnau and his manifold entanglements.

[dashalbrundezimmer]

hamburg süd // hamburg mitte

architect: cäsar pinnau

completion: 1964

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hamburg süd building // hamburg

architect: cäsar pinnau

completion: 1964