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lettuce-tv · 5 years ago

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Psychic: *reads my mind*

My mind: it all started when grian touched my redstone, he played himself like-like-like a xylophone set on automatic, doc-monster is a savage, with technical skills, and crazy vocal acrobatics I'm a legend of the NHO, with etho beef and double-o, doc-m-c is comin' for you seven fold, we got ren-dog and all the firemen to dose the flames that you shoot at this leviathan, iskall can try again YO you think I'm in hindin' I'm just bindin' my time, putting pen to paper, comin' up with rhymes, (YU) gotta star studded crew, got together just to Crush You, once we start somethin' ya know, we gonna see it through, I'm not the soldier who brings the fight at first, like, yall had to insight so now I gotta indite, you're guilty, of gettin' murdered with words, yall are out gunned! Go home nerds! (woohoo!) Hermitgang hermitgang hermitgang hermitgang hermitgang hermitgang hermitgang hermitgang hermitgang hermitgang hermitgang hermitgang hermitgang hermitgang hermitgang hermitgang if ya think you to stop the symmetry, that's false, g-team is dialin' for help but I'm ignoring their calls and when their bodies resolve you know that false is on a killin' spree, try to stop my PVP and perish painfully! (Uh-hu!) I'm the queen of hearts heads and body parts, diamond armour cant compare to, my martial arts, I'll send a poison dart to make you breathe you final breath! G-team's name'll be the only thing left! Caffeinated, animated, redstone innivovater, my behavior's crazy, cant face me, impulse is never lazy, tango why would betray me? Now my scope is aiming, better run from cover from all the ghastballs that I be tamin' without a sound without no hesitation I'm amazing, better watch you're step or the g-team'll end up blazing, who the better team? There is no controversy, but before its said and done yall be BEGGIN us for mercy! (All right!) Hermitgang hermitgang hermitgang hermitgang hermitgang hermitgang hermitgang hermitgang hermitgang hermitgang hermitgang hermitgang hermitgang hermitgang hermitgang hermitgang X gon give it to ya, I'm gon give it to ya, X gon give it to ya, Whaaat lyrical boxin' droppin' blows on all my foes in the g-team their looking unclean needing some sunscreen, burnt by words to hurt this herd or nerds, it absurd how my rhymes got them injured danger danger, I got lazers to cut em up like razors it flexin' season and I got flavor, the weak defenses like trenches and fences that these dunceheads are presentin'. . . Hermitgang hermitgang hermitgang hermitgang hermitgang hermitgang hermitgang hermitgang hermitgang hermitgang hermitgang hermitgang hermitgang hermitgang hermitgang hermitgang BRAH now I'm back got some things I wanna. Say. What's the letter that starts the alphabet? AYE ladies get in the diggitybeontheway, Cleo dont know who the freakin' with, all the signs say to notify her next of kin, this diggity dog be droppin bonds, nuthin but hits! Spit that rhyme again, (skkrt!!) cus the message is, I can mumble rap and still be the best there is-

Psychic: what the fuck

#long post #im so sorry.#hermitcraft #hermitcraft prank war #talking lettuce

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citizenoftmrrwlnd · 7 months ago

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self care for : arctic fox hybrid c!etho (hermitcraft) without specifics

x | x | x x | - | x x | x | x

#💫selfcare #💫for you #💫blue line | queue!#c!etho kin #c!ethokin #ethokin #etho kin #hermit kin #hermitkin #hermitcraftkin #hermitcraft kin #hermitcraft etho kin #mcytkin #mcyt kin #kin request #kin care #fictionkin #kin stuff #cw mcyt

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thisdaynews · 4 years ago

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(OPINION) Lekki Toll Plaza: CNN faces test of integrity.

New Post has been published on https://thebiafrastar.com/opinion-lekki-toll-plaza-cnn-faces-test-of-integrity/

(OPINION) Lekki Toll Plaza: CNN faces test of integrity.

The morning after the night when dissidents at Lekki cost door were probably slaughtered by the Nigerian Army, the BBC News hour program talked with Governor Babajide Sanwo-Olu around 6am on whether he welcomed the military and who provided orders that unarmed dissenters be shot. The lead representative affirmed that he welcomed the military yet that they should show up later than the opportunity they came. Did he request the shooting of dissenters? “I am not the C-in-C,” he stated, adding that the military doesn’t take orders from him. He was then inquired as to whether he knew who the individuals that did the shooting were and he answered, “from the recordings I’ve seen, it was the military”.

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Later at a press preparation, clearly subsequent to having some intel, the lead representative declared that there were no fatalities. Note additionally that the military had just tweeted “counterfeit news” prior in the day when the web-based media was inundated with recordings of officers in a shielded tank, shooting irregularly toward a path and scores of recordings of bodies with body parts littering the ground had been spread as casualties of Lekki slaughter.

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A specific DJ Switch has delivered a few recordings, one LIVE, in which she guarantees that the military were murdering nonconformists and that many individuals had kicked the bucket and they were attempting to eliminate a shot from one individual’s leg. She was handing-off these occasions, however not demonstrating a solitary film of the main recordings – of dead bodies, the warriors taking shots at individuals, of blood stain on the floor, of the cycle/method when the projectile was taken out, when fighters were conveying the bodies, and when DJ Switch and her kin were conveying bodies and unloading them before the troopers (as she guaranteed). Or maybe, she was expressing the account she needed to drive despite the fact that that was not what was occurring. At that point her subsequent video indicated her conversing with a companion and, out of nowhere, she began running and requesting that nonexistent individuals twist down and hold their banners. His companion at that point said “daaaamn” after which he covered his face as though he had quite recently seen something horrifying. That, presumably, was simple acting and an awful one at that. DJ Switch gave a feeling that the military or police were all the while shooting dissidents at Lekki even in the first part of the day. At that point she said “they shot throughout the night”. At that point she did another video where she was sorry for not being on the web for quite a while. She at that point continued to think back about the critical night and, by then, she began to address the issue of numbers. It was then the loss of life of more than 80 unexpectedly decreased to 12. She additionally asserted that the DJ Switch account which posted more than 80 passings was a phony record and not hers. Truly? I am certain that if the advanced impression and enrolled subtleties of that record were looked, they will show that it’s her record.

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However, away from that, she began to portray her trial and how the police terminated teargas and depicted it like “Cotonou pepper”. Somebody who has recently been damaged and seen a savagery a couple of days sooner poking fun at pepper? Non-verbal communication specialists have broke down that her conduct isn’t comparable with that of a casualty of injury and her depiction of how she conveyed and saved bodies at the feet of officers makes no sense. It is battle or flight. Officers starting to shoot and you taking bodies to them appear to be a dramatization taken excessively far; it is profoundly impossible.

Presently we should go to current realities. Till today, there are no family members who have approached that their relatives are absent. A lady in London asserted her child was executed at the Lekki Toll Plaza, yet it worked out that she was lying. He passed on in a cruiser mishap. Likewise pictures that were promoted as survivors of the Lekki slaughter ended up being pictures of individuals who had passed on in discrete conditions – one from a bicycle mishap and the other a cut injury casualty. Those found in the clinics who got harmed from Lekki were because of charge, and the wounds went from broken bones, cuts, wounds and cut injuries. No record of death because of discharge wounds from the military’s weapons, however the web-based media was inundated with individuals in clinic, who guaranteed that they were shot by officers at the cost square.

In actuality, there was tumult in close by Ajah-Badore where posses were battling. Some cops and numerous honest residents kicked the bucket. To exacerbate the situation, on account of the lie by DJ Switch about a slaughter, a ton of irate nonconformists emerged from their homes and in their offer to fight back by murdering cops or consuming police headquarters, numerous individuals got shot by cops and a ton of lives were lost.

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DJ Switch, who was apparently disobedient according to death, presently out of nowhere vanished, instead of carry her proof to the commission of enquiry to support this examination. Presently she’s attempting to look for refuge under the pretense of running for her life, however when she was gone up against with shots by the military, she didn’t flee? Isn’t that a signal to show that this lady is a rebel or an obsessive liar? She was most likely attempting to drift or maybe there is a more evil point into this.

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With respect to disgraceful way some media houses covered this story, NBC needs to watch out for such media houses, who have an obligation to show that they are deserving of their licenses. Huge numbers of them demonstrated unconfirmed web-based media recordings as “live”, in this way deceptive the crowd. One paper composed a piece named “Sanwo-Olu at long last concedes welcoming the military”. At no time did Governor Sanwo-Olu deny welcoming the military. He said the military doesn’t take orders from him. It was his meeting with Becky Anderson on CNN (days subsequent to talking with the BBC where he affirmed that he looked for military assistance, following the turmoil that had held onto numerous pieces of the express) that individuals saw and chose the lead representative “at last conceded”. I guess this is the very report that the military read for them to have said they were upset the lead representative denied welcoming them.

CNN, amateurishly, did a bundle in which it connected online media recordings to what in particular might have been an instructive bit of reporting. A satellite picture indicated the military leaving their base in two get vans. It demonstrated them fire into the sky, yet unfortunately the unsubstantiated online media recordings joined to that bundle demolished it. It smells of bias constantly. CNN is urgent to show that the Nigerian government slaughtered youngsters and, tragically, they ignored their ethos. There was a picture of an elderly person in local clothing shrouded in blood. That man must have a relative some place. Did the troopers remove his body? In the event that he is dead, who right? He should have companions or relatives.

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One significant inquiry to pose is the reason the satellite picture which demonstrated the military drive to the cost door couldn’t show the military getting bodies or dropping them some place. There should be a picture demonstrating individuals on the floor, dead because of a slaughter. A few spectators have said that the national government ought not have defied CNN. I oppose this idea. What Nigeria has done through the Minister of Information and Culture, Lai Mohammed, is inside its privileges. CNN has an obligation to examine its reports completely and present such reports with statistical data points, not simple onlooker accounts and dicey online media recordings that have bombed the basic trial of uprightness. CNN must prove its cases, not rehashing the offense.

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hermitcraftkinfessions · 1 year ago

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Okay so. big long story about my time as (c!)Etho here

I've known that I'm an Etho fictionkin for ages, like 4-5 years or something, but I've never known.. where I'm from, I guess? I have a ton of memories of crazy adventuring in a sort of RPG like world. at first, I went, "oh, am I from Hermitcraft?" because it was really the only server that i knew Etho was actively on.

later, when the whole modded series kinda blew up or whatever, I realized that it was MUCH closer to my memories than Hermitcraft had ever been. still, it didn't feel quite right. Something was kinda off.

YESTERDAY, I watched Etho's Hermitcraft vault hunter episode and it all just clicked almost all at once. It felt like finding a hidden part of me, I guess!! It's just so crazy to me how kin stuff goes

TL;DR: I finally figured out my source, or at least what my source stemmed from or something, and it's just so! aaaaaaaa!

Oh! congratulations on finding where your source/some of your source stems from! proud of you!!

-Mod Hels

#kinfession #mcyt kin #mcytkin #hermitcraft kin #hermitcraftkin #etho kin #ethoslab kin #mod hels

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shanky316-blog · 6 years ago

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thesinglesjukebox · 5 years ago

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KESHA FT. BIG FREEDIA - RAISING HELL

[6.38]

Kesha with Big Freedia Energy

Leah Isobel: Kesha has been saddled with one of the heaviest narratives of 2010s pop music, which combines uneasily with her career-long interest in more grounded country and rock signifiers. Now when she works with those impulses, as she did on Rainbow, the effect is one of refutation; Animal becomes an outlier that she made against her will, one that doesn't represent the Real Kesha. To work her way back to the party music that made her reputation, she has to adapt it to the new narrative frame that surrounds everything she does. If she's having fun, she's having fun in spite of what she experienced; partying is no longer an end into itself, but an escape from something else. Hence, "Raising Hell" deploys one of the hackiest pop tropes - gospel choirs used as a shortcut for sincere emotion - married to a pretty decent Big Freedia drop. It's not awful, but I miss the actual, honest-to-god trashiness that she made her stock in trade. In 2019, I guess I'm the only one. [6]

Thomas Inskeep: Finally, an uptempo Kesha record that a) isn't touched by the evil Dr. Luke, and b) doesn't sound like the result of a three-day vodka-and-Red Bull bender, and c) is actually fun. I'm not a fan of the EDM horns in the chorus, but apart from those, this works. I'm a bigger fan of Big Freedia in theory than practice, and accordingly prefer her in small doses; she's quite effective here as a kind of DJ Khaled-esque hype-person. And Kesha sounds free and happy, which makes me happy. [7]

Kayla Beardslee: I'm glad Kesha got her balls back and all, but I'm not enthused that that means a return to honking 2012 pop-drops. I will admit, though -- the combined Kesha/Freedia "drop it down low" hook grows on me with every listen. The rest of the song is fine: it invites singing along and is fun in a hedonistic Ke$ha way, but it's also very, very noisy (lots of erratic shouts and claps in the background that, to me, lean more messy than energetic). My favorite part is the final chorus ("Can I get an amen"), which is a pleasantly melodic contrast to the rest of the track, a close second being the thrilling "aaugh!" Kesha does right before the second chorus. [6]

Alex Clifton: High Road appears to take the party-all-day spirit from Kesha's earlier work but mixed with the rawer, more down-to-earth material from Rainbow. In theory this is a dream come true, and there's so much about "Raising Hell" that makes it a joy to experience. The post-chorus is godawful, though. Tonally it doesn't fit and stalls the song from its natural flow. I'm also longing for the day that Big Freedia gets the feature she deserves: her appearance is mostly limited to drop-it-drop-it-drop-it-drop-it which is delivered well but also literally one-note. Kesha's trying to have it all ways she can--country and gospel and dance and bounce--which, as someone who likes a good genreproof song, I really respect. Unfortunately the whole package doesn't come together as fully as it could. [6]

Stephen Eisermann: "The best possible Andy Grammer single" is not what Kesha and Big Freedia should be collaborating on. This is a waste of time and talent and no amount of conviction from either participant can convince me otherwise. [4]

Alfred Soto: This sounds sacrilegious: instead of defiling a religion, it defiles my idea of Kesha. After proving herself up to thumbing her nose at any genre she experimented with, she acquiesces to gospel cliches. She's earned the right to want salvation in them, lord knows, but she needn't sound as if Julia Michaels was her pastor. [4]

Josh Buck: How do you have a hook like "I don't wanna go to heaven without raising hell" and video centered around prosperity gospel preachers and NOT make it a country song?? At this point, Kesha has proven that she can tackle a variety of genres, but this bounce effort just feels scattered instead of celebratory. I realize this a loaded statement and not at all meant to be a defense or endorsement of the man, but judging by Kim Petras' endless recent string of bangers, Dr. Luke may have been an irreplaceable ingredient in Kesha's more crowd pleasing, debauched pop efforts. In recent years, she's sound much stronger on her Struts and Eagles of Death Metal rock cuts, and i'd love to see her spend more time in that arena. This one reminds me a bit of the final album by The Donnas in terms of we-might-be-too-old-for-this vibes. [3]

Katherine St Asaph: The narrative, inevitable and damning, around Kesha was that in severing her ties to Dr. Luke, she lost her source of a signature sound. Rainbow, with its grabs at musical styles and Kesha's required-for-optics but personality-dampening show of penitence, didn't do much to dislodge it. Which is why "Raising Hell" is such a triumph: it's evidence that she was the source of her signature sound. The song feels massive; if sound alone determines a hit, this would be No. 1 everywhere. The hook is recognizably hers: a melody that's kin to "We R Who We R" and also to hymns. The drops r what they r; the interpolations are canny and nostalgia: an interlude of "My Neck, My Back" filtered through "Hollaback Girl," an interlude of preaching filtered through Prince. Freedia is incapable of sounding like she's phoning it in even when she is (I'm sure she'll do a lot of that in the next few years), and unlike Iggy Pop or the Eagles of Death Metal, she's an actually exciting guest pick, rather than one mostly exciting on paper to boomers. And throughout, Kesha recaptures the anarchic glee that made her career. [8]

Jonathan Bogart: Maybe it was my naïveté in 2010 that made her sound so recklessly out of step with the rest of pop; but her post-Luke music, however much better it has been for her soul, still sounds faintly like capitulation. The secular-gospel structure and chantalong melody followed by jump around breakdowns sound like every pseudo-celebration on the market: the saving grace is Freedia's booming authoritativeness (surely the angel Gabriel, when he tells the roll up yonder to drop it down low, sounds like her) and Kesha's impish use of language, dancing on the borders between sacrilege and piety, hooks it up to the great stream of American song, where there is no Sunday morning without a Saturday night. [8]

Kylo Nocom: Of all things, this reminds me of Vacation Bible School theme songs and the "Cheerleader" remix. I have scored this accordingly. [7]

Michael Hong: The bombast of early 2010s Ke$ha meets the soulful Kesha of Rainbow racing down that same road to self-empowerment. Ke$ha's talk-singing, a choir that makes a line like "bitch, I'm blessed" all the more enjoyable, drops mixed with the gospel influences, and Big Freedia's bounce make for a hell of a maximalist fantasy. [7]

Jackie Powell: When "Raising Hell" begins, it fools the listener. When the piano chords and Kesha's introductory vocalization grace my ears during the song's first five seconds, I'm convinced that a power ballad or at best a mid-tempo track is in store. But Kesha quickly changes direction. An explosion of camp from collaborator Big Freedia, a blaring saxophone in the chorus, the return of talk-singing in the verses and an epic build in the pre-chorus: it sounds very familiar. That's what Kesha wants. She wants us to feel like we are once again at a 21-century hoedown. (But without Pitbull this time.) On this track, Kesha proves that both she and her fans can be "animals" while simultaneously being people with "fantastic souls", which might have been something missing from the pre-Rainbow eras. Here, however, Kesha desires fun and a rebellion that are a rejection of evil behavior and suffocating authority figures. She's not just sticking it to the man without a purpose. That's the difference between Kesha of 2019 and Ke$ha of 2009. "Kesha got her balls back and they're bigger than ever," she said in the album trailer for High Road. But I don't agree with that. She's had them since her inception. Her evolution has been honest, which is something that not all artists can say. [7]

Isabel Cole: MY! GIRL! Having proven herself an actual musician to every idiot man in the country, Kesha (perhaps sick of being so serious) gleefully returns to her favorite stomping ground of, well, glee. Raising Hell makes text what has always been the implicit mission of the Kesha project: a commitment to the fundamental sacredness of joy. It's hard to imagine a more succinct encapsulation of her ethos than "I'm all fucked up in my Sunday best / no walk of shame cuz I love this dress": it's not that she takes no pleasure in the transgression of elevating ass-shaking to the level of the divine, but it's a gentle mischief born of the deep belief in the holiness of enjoying our corporeal gifts while we still can. Feeling good is a form of worship, and a killer beat is no less legitimate an access point than a hymn. When she combines markers of religiosity with artifacts of base delights (my favorite is "Solo cup full of holy spirits," although I also adore the the vulgarity of "bounce it up and down where the good Lord split it"), the point is not to revel in contradiction but to toast to the fact that there is no contradiction; and when she opens her scope in the coda, dedicating her preaching or perhaps this round of shots to the misfits of creation, there's a (frankly Piscean) generosity to it. Also, (1) it slaps (2) biiiiiiiiiiiiiitch I'm blessed (3) her voice sounds just wonderful, as dextrous with an implicit smirk as ever and with a thrilling power on the places she gets to soar; I love the bit of grit we get in the chorus, like she's singing this after a night out (4) it FUCKING slaps (5) "I'm still here still, still bringing it to ya": ten years since TiK ToK this month, and the party still don't start till she walks in. [10]

[Read, comment and vote on The Singles Jukebox]

#Kesha #Big Freedia #pop #music #music review #writing

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