#but. 36 people is 36 people

[luigra]

Dark times are upon me I can feel it. Imagining a R3SPAWN animatic to Cult of Dionysus. Evil things happening

[captainofthetidesbreath]

"Ah. Your distraction worked. Could have set it when we were farther away." / "Désolé. I didn't say it was a good plan."

[periwinkla]

Pokeattorney AU x 15th anniversary skit because I take great personal enjoyment in making fun of Edgeworth

...just as much as Phoenix does. The video in question :

_ pokeattorney AU tag

Btw just for the record whenever I mention the unnecessary feelings bit keep in mind that I didn't bat an eye when I first saw it, but in restrospect it's hilarious and now I just really like to make fun of him for it. Unconfortable Miles hides and/or says things in the most convoluted way possible adding in further embarassment upon himself. And I like to make fun of him for it <3

[secondbeatsongs]

I know most of the fandom is enthralled by how the relationship between Andrey and Goncharov develops (and I am too! it's a beautiful film, with a compelling power dynamic!), but I really think we need to talk more about Ice Pick Joe.

and more specifically, we've gotta talk about his ice pick, and how he uses it.

it's implied that he's killed a lot of people with that ice pick, but only one of those deaths is shown in the film. it's a hard scene to watch, and some people might want to skip over it, but I think the brutality is part of the point. there's a reason that it's played out with such excruciating detail.

see, ice picks are used as weapons all the time in movies, usually with a stab to the throat or ear, leading to a quick but bloody death. but in Goncharov, the scene is played out slowly, with Joe tying Amarro to a chair before almost carefully putting the pick through his eye socket.

sound familiar to anyone? it should. for a lot of reasons.

Amarro Fiamberti was the name of the first psychiatrist to ever perform a transorbital lobotomy. it was only due to his research that Walter Freeman was able to come up with his own lobotomy technique: one involving an ice pick.

Walter Freeman died in 1972, just months before Goncharov went into production.

and then there's the fact that Joe's ice pick is stolen (where did you steal it from, Joe? from whose operating table?) and the implications that he has his own struggles with mental health (the mention of his sister's murder, the humor he uses as a coping mechanism, the camera angles that give a sense of unreality to any scenes that are from his perspective).

I don't think any of that is an accident or a coincidence.

in my opinion, Ice Pick Joe's story is a tale of revenge - not against someone who wronged him, but against a medical procedure that wronged thousands of people.

and murderer though he may be, he's still my favorite character.

[chocodile]

Seventh and final batch of Art Fight 2024 attacks!

Vi' for Likesakiii

Kara for @canvas-of-ghost

Rabies for @opossumvalleywv

Pond for rayinkarnation

Athena Yearwood for MP3-jaxson

Molly for @popgunarcade

[thegaycondor]

ok finishing the shades of magic trilogy and the one thing i have to say about all the fan art i have seen so far is that holland doesn't look nearly tired enough. the man needs to look like he is a moment away from flinging himself into the sea. he needs to look like he's 5 minutes away from his next smoke break.

this is holland to me.

[bakuhatsufallinlove]

Who Wants To Talk About Japanese Orthography In Manga???

Me, it's me, I do, and I have been chomping at the bit to get the chance to.

Orthography refers to the conventions of written language to represent sounds. That may bring to mind the idea of rigid grammar rules or spelling standardization, but in a linguistic sense, orthography simply describes observable trends across language use. This isn't about authority--I am not going to talk about what schools teach or say people should write one way or another. This is about examining how real people use written language creatively to convey different things in popular media.

This is a huge topic, so I'm only going to use examples from MHA to highlight Horikoshi's style.

First, let's get a run-down of the main parts of written Japanese and how they tend to be used.

We've got kanji and kana; kanji are logograms, while kana are syllabaries. Kana refers to both hiragana and katakana collectively, but we will delineate the two from here on.

The Wikipedia page for kanji, describing this more succinctly than I'm about to.

For clarity, I'm gonna color-code each one.

Let's take a quick look at all three in action.

Chapter 65

By virtue of being the syllabary that grammar particles are written in, hiragana can get away with a lot that kanji and katakana can't.

You can write simple sentences in hiragana alone, like so:

The sentence is perfectly comprehensible like this, but it reads as casual or perhaps a bit immature, like the person is either leaving out kanji for speed or simplicity (like online) or they aren't confident using kanji. Although, the word hito (person) is extremely common and its kanji is simple, so this would probably look more natural:

But there are also kanji for the word kawaii, so you could also write it this way:

On the other hand, writing the whole thing in katakana looks weird as fuck:

bECAuSE iT kINDA reADS LIKE THis, or maybe L I K E T H I S

It seems almost alien, overemphasizing the phonetic sound of the words, implying there's something notable or unusual about them.

But what if you write it like this?

Both ways use katakana to put flavor on a specific word. The first puts it on person, which could be used in a situation where someone hasn't been named yet, but the speaker tonally emphasizes your knowledge of them--like "oh, you know who."

The second emphasizes cute, which could read as sexually suggestive, teasing/joking, or even a threatening tone, depending on the context. "Real cute, ain't they?"

Basically, the connecting grammar bits need to be in hiragana, but nouns, verbs, and adjectives can typically be written in any of the three systems. That introduces choice into the matter, and these choices may have some cultural connotations.

This is a subtlety in written Japanese that manga loves to take advantage of. Orthography contributes a lot to characterization and tone, so individual creators develop little quirks as part of their own writing style.

Now let's finally take a gander at some of Horikoshi's!

Kanji instead of hiragana for semantic emphasis

Chapter 48

Best Jeanist could have used only hiragana for the word "good" (いい, ii), which is a very common way to write it. But he's not just commenting that they are nice kids, he's talking about them as "goodie two-shoes" and even puts brackets around the idea. The kanji emphasizes the cultural idea of a Good Child™, a well-behaved, morally upright, obedient young person.

Kanji instead of hiragana denoting a serious or severe tone

Chapter 36

Katsuki's "you" pronoun omae being written with kanji comes across as markedly serious, especially compared to how his dialogue is normally written. This is actually the only time Katsuki says omae and it is written with kanji--all the rest are in hiragana, which tends to read as more casual.

Hiragana instead of kanji denoting a gentle tone or youthful/childlike language

Chapters 129 and 183

Katsuki and his omae show us how kanji use can be seen as more mature and serious; Eri's dialogue does the opposite of this by using hiragana when it could use kanji, emphasizing her youth and innocence.

Katakana instead of hiragana or kanji for emphasis or slang

Chapters 209, 207, and 2

As I detailed above, one of katakana's most common uses is similar to italics or all-caps.

But you also tend to see slang written with it, and depending on the slang, the word being in katakana can immediately clarify it from other, perhaps more standard meanings. In Jirou's case, her personal pronoun uchi can mean a couple other things, so it being written in katakana clarifies her usage. It could arguably also imply she is taking a bit of an argumentative tone--Katsuki's slang is typically written in katakana for both of these reasons!

Katakana denoting regional dialect/accent, nonstandard pronunciation/muddled speech, or confused articulation

Chapters 102, 208, 394, and 2

Ochako gets flustered and defaults to her regional Kansai dialect. Instead of "chigau wa" (Tokyo dialect), she says "chau wa" repeatedly.

Katsuki and Toga both drop the w- sound from a word. Katsuki says "ore a" instead of "ore wa," while Toga says the word "kawaiku" as "ka'aiku" and "kawaii" as "ka'aii." Notice how the katakana which represents the vocal omission/hiccup is actually smaller than the others? That's also a little stylistic detail for communicating this kind of nonstandard speech.

Izuku repeats All Might's words, chikara wo, in a confused daze because he isn't following All Might's point. By removing the kanji especially, this kind of katakana emphasizes him sounding the words out without recognizing the underlying meaning.

Basically, Japanese has some excellent ~vibes-based~ orthography because of how the language is structured!

Of course, you find this kind of thing in English as well--especially in the age of the internet, where people note that "how dare u" reads as tonally distinct from "how dare you." As you develop language fluency, you tend to pick up these things subconsciously more than anything, but it's one of my favorite things to analyze and compare.

These are just a few examples and my own interpretations of them. I'm sure there are many more uses and flavor-nuance I'm not picking up on. Since any given choice can be read a few different ways, context is very important. My examples aren't definitive proof of anything, but it can be fun to keep these kinds of details in mind while reading.

Shueisha and Shonen Jump surely have in-house standards for text, and mangaka must operate within that range. That said, I have indeed seen every one of these examples in other manga as well.

And on the independent side of things, doujinshi and online manga are basically the wild frickin' west--I have seen tons of totally crazy, highly creative ways to take advantage of the unique flexibility found in Japanese, but that's a post for another day.

I will probably write more about this kind of thing in the future when I can pinpoint some more observations, but I hope you all enjoyed the ride. <3

[masonjarsmoments]

Grigor we know what you did there 🩷💜💙

[zishuge]

The Spirealm 致命游戏 (2024) | Ep. 36

[t-u-i-t-c]

Episode 3 │ Episode 36

[leftshiftwashere]

hey guys I keep forgetting that maybe I should do something besides reblog anyway I forgot which ones I showed before if I did......my bad I doubt I showed Inspector though so theres this guy I love him and I love writing him

Friendship..

and these from....... something with 42. #1 turret hater goes to this guy

anndddddd most unlikely duo goes tooo Inspector and 42

[ratwithhands]

I made another concept in the span of 5 minutes while on the bus.

Anyways Oracle AU Submas (Oraclemas?).

Ingo and Emmet have the ability to divine the future, with one issue. Ingo can see the timeline of fate, Emmet can see the events to unfold, and neither can see what the other does. Ingo doesn't know whether what is to come is good or bad, and Emmet can only see events out of order.

They are able to bypass this by holding hands and using full concentration (aka co-divination) to see the full future, however they usually just use their individual visions and piece them together. Co-divination is reserved for either actual fortune-telling services or to investigate a vision either one feels may be concerning.

anyways other fun notes:

Ingo's ability to know when things happen but not what they are make him patient and paranoid. There have been instances where he predicts an event and prepares for danger, then when it actually arrives it turns out to be something perfectly fine (eg. a surprise birthday party)

Emmet's knowledge of future events stresses him out, he gets wrinkles and creases much faster than Ingo, and essentially ages earlier

The twins often used these abilities to aid them in battle growing up, which later led to them pursuing the skill further until they developed their own sense for battle

Besides working as Subway Bosses, they sometimes operate as fortune tellers for those who request their help

They have seen a whole scope of different events, good and bad, and are generally used to talking about any kind of scenario. Some people interpret their lack of reactions to mean that they don't care about the future, but that is not the case

There are anomalies in their visions, certain periods or events don't make any sense to them and they can't make them out clearly

Anyways this is just a little shitpost concept but I mean hey you guys can let me know what you think. Hope you guys enjoy the art and see you later.

also bonus doodle (this is not how it happens but still):

(Emmet sometimes curses his bloodline for having this ability)

[thatonebipotato]

Polites: Greet the world with open arms 🥰

Circe: Maybe one act of kindness leads to kinder souls down the road :)<3

Odysseus: lmao anyway, I am the monster [kills a bunch of sirens and like 36 men]

Odysseus: rawr rawr rawr :3

[ffroppydisk]

I wonder how Kevin grieved Riko.

Because he did. He must have. They had grown up together and yes, he might hate him for all he's done to him (and Jean, and then Andrew, and Neil, and...) but he was his brother.

Don't you think that at least in the first years, things were at least slightly better?

Do you think Kevin has happy or happier memories from his childhood or is it all bad?

Do you think Kevin and Riko have had inside jokes at some point? Do you think that not too long after Riko's death, Kevin realised that the other half of those inside jokes is gone and there's no one else left to laugh at it but him? Because he can't explain the joke to anyone, they wouldn't understand. Perhaps Jean would or could, but Kevin is not selfish and he will not share inside jokes he and Riko had and that Jean had been left out from. It's unfair. So even those bits of nice memories get stained. Tainted forever.

Do you think Kevin ever subconsciously seems out Riko for something they used to do together and was theirs, only to realise again that he's not there? And not in a way that can be changed, you know. And not always in a negative way, for Kevin's fear for the king had infiltrated so deeply into his heart and head it sometimes felt like nothing but reassurance that Riko was not there anymore. But still. He had been his partner, for better and for worse, for a decade. A child born the same year they were partnered up would be in middle school, would be having thoughts, would be the same age they were when they partnered up.

Do you think Kevin ever cries about it? With Bee, or in his room, or Wymack, or in the lockers after night practice when Neil can't see him.

Do you think Kevin ever let himself feel the grief without feeling guilty about being relieved?

Do you think Kevin ever grieved Riko even before he was dead, grieving the Riko he had been when they were kids?

I don't know, I just think Kevin's grief is so, so, so deeply intricate.

[steel--fairy]

..............apparently oras character docs have wallace as 36 years old

and flannery as 24, winona as 16 and roxanne as 14

ignoring all that thanks 👍

[rateatinginsulation]

Slowly but surely catching up with malevolent