#but you still need a good % with her

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[marciaillust]

I added some colours to her :)

[poorly-drawn-mdzs]

Bonus 13: Beware the Grapes of Wrath.

[First] Prev <–-> Next

[choccy-milky]

finally drew clora and seb's kids!!🙌🙌

Celeste Sallow: OK THIS IS THE NAME IM SUPER PROUD OF BAHAHA because not only does the name celeste relate to the stars (in typical ravenclaw fashion...clora picked the name) but celeste sallow is also an alliteration. BUT, its an alliteration that begins with a C, which means clora gets to match with celeste in the form of both of their names starting with a C, whereas sebastian gets to match with celeste because both of their names are an alliteration/they're alliteration allies🥹ITS THE BEST OF BOTH WORLDS!🥳

Lewis Sallow: as for lewis, if you've read my fic then you know that seb has a vendetta against names that start with an L bahaha, but 'lewis' was actually HIS idea. when celeste was born, seb wanted to find a muggle story to read to her, since clora's favourite story is ALSO a muggle one (sherlock), and he wanted to stick with tradition. so he ended up finding alice in wonderland, which he loved because of how adventurous and clever alice was and of how much she reminded him of clora and celeste (both personality and looks wise). it became his favourite for those reasons, to the point that when they had lewis, sebastian overcame his L-name hatred by naming their son after lewis carroll.

Houses: celeste could have been sorted into either gryffindor or slytherin, but ultimately ends up in slytherin because she wants to be like seb. kinda like how clora also probably could have been in gryffindor, tbh. as for lewis.....him being 10000% in ravenclaw doesnt need any explanation BAHA, just look at him.

Appearance: since clora has a tiny bit of veela blood in her, thats obvs passed down to their kids, too, and so they mostly take after her as a result of it. but there's still little bits of seb that shine through in each of the kids: for lewis its his brown curly hair, and for celeste its her complexion/freckles. and the fact that celeste looks so similar to clora only doubles up sebastian's stress/protective instincts when he watches her BAHAH. he's ofc still proud that she takes after him so closely, but seb also cant deny that he wishes it had been their SON that had taken after him instead, to keep her out of danger.

Celeste & Lewis: for celeste and lewis’ relationship, celeste is a super proud big sister, and treats lewis kinda like how seb treats clora. if there's anything that needs to be done, she offers to do it for him. and although she doesn’t have the patience to read stories herself, she loves playing outside and having lewis read to her in the background, and loves to act out/use his stories to fuel her imagination. and lewis makes sure to pick stories that he KNOWS she’ll like (which mostly involve heroic and daring feats of adventurers or pirates. he's tried to read more classic fairytales and romances to her a few times, but celeste always gets bored). she loves to draw though, so sometimes when lewis reads books that have no pictures, she'll draw them herself.

Celeste & Seb/Clora: celeste is a daddy's girl LOL and always tries to impress seb with the stuff she does, especially after hearing how HE was at her age, and so its half to impress and half because shes competitive that she wants to do the same/be just as good. and seb always gets a kick out of hearing her feats in the crossed wands club, or in defense against the dark arts class, and he also goads her on, telling her she'll have to do better than that if she wants to be as good as HE was. and whenever celeste gets detention, clora always stresses and asks why, whereas seb just tries to keep the smirk off his face. as for celeste and clora, clora also reads to celeste, and bakes and cooks with her, which is something celeste actually likes doing. not only because it keeps her busy and she likes to help and get messy in general, but also because she likes the fact that it results in good food afterwards LOL, and constantly asks when things can be taken out of the oven. also, for as tomboy-y as celeste is, she honestly doesn't mind/likes the clothing that clora puts her in and likes when clora dresses her up, bc it makes her look like one of the princesses from the storybooks, and it just amuses her more than anything else. once she enters hogwarts, though, its mostly trousers. but she still DOES like the occasional girly clothing.

Lewis & Seb/Clora: lewis is a momma's boy LOL and unlike celeste, doesnt care about duelling or of proving himself or anything like that, and is only concerned with stories and his future studies. so ofc clora had to show him sherlock, which he naturally loved. it even inspired lewis to want to write his own stories, so that he could challenge his own skill and see if he could, but also because he wants his mom to read them, and likes the idea of writing his own sherlock-esque story with equations and mysteries to be solved that he can offer her. lewis also wants to write a book for celeste as well, bc although he wont admit it, he basically wants to write a story tailor-made for her and her interests. one that he thinks will have everything she’d love in it. and part of it is genuinely because he WANTS to do it for her, but the other part of it is also for his ego, and to see if he CAN write a compelling story, and write something that would actually get THE hyperactive celeste to sit down and read it in its entirety (not to mention of her own volition). as for with seb, lewis looks up to him more than anyone else, due to how well-rounded he is and how hes so good at practical stuff AND studying, and he kinda sees seb as a main character/protagonist from one of his books, and uses sebastian as inspiration for his own stories. if hes stuck on what he thinks the dashing main character should do next, he'll ask his dad what HE would do, which results in seb getting very weird questions that he nonetheless is always happy to answer. also, when lewis is older and finally learns the full story of what happened with clora and seb and ranrok and rookwood, he writes their story in novel form, except he just changes their names/some of the details, and it becomes a best seller LOL. and i didnt know where to put this, but the four of them all read a story before bed every night, with lewis in the middle and seb and clora on either side of him. though celeste stands at the foot of the bed, basically doing a charade/mime show of what theyre reading, and putting on a little play to go along with it BAHHA.

OK thats all i can think of for now ive yapped enough😩 if youve read all of this ur a real one.... ive also considered giving them a 3rd (and last) child, which would be a boy that looks exactly like seb, and seb would just be praying like please.....let this son take after me🧎‍♂️🙏 BAHHA

[lightnersdream]

i've been thinking about exactly why people portraying one of the other crew members successfully killing Jimmy as a "for what you did to Anya" kind of thing rubs me the wrong way a bit and it's because like..... this is just another form of taking agency away from Anya, in a way. it's kind of framing her as some meek, shivery woman-thing who's entirely at the mercy of the men around her, either to hurt her or save her.

(i understand these are mostly for wish fulfillment on the audience's behalf because everyone would like to see Jimmy pay for his crimes. whether or not this is the intention of the person writing it isn't really relevant, characterization happens with or without intent. i feel like it misses the point by portraying it as an 'ideal ending'.)

because... Anya is a capable person. she takes things into her own hands when she can. it was partially(?) her idea to get into the cargo,

(before he interrupts her.. remember when she interrupted Curly in the dead pixel segment?)

it was her idea to get the code scanner from the cockpit,

it was her idea to get the medication from behind the foam.

(the chance to do these things herself is not given to her.)

she'd been keeping Curly alive for months in a critical state somehow, her psych evaluations at the start are only so useless because Jimmy refuses to take it/her seriously and Curly is obviously biased when he puts it into his own hands. he's known him a long time, like he said. "I'll just put good for that one."

there's not a lot of material to work with because of how the game is framed, but it's there. we are working with two very biased perspectives and neither one lends Anya what she deserves

there's significant changes in how she speaks post- and pre- crash, and depending on who she happens to be talking to. i recommend re-reading her dialogue, because the difference is drastic

she acts the way she does around Jimmy because he has tangibly done horrible things to her, is actively hostile, and physically could not escape him by any means. she can't take away Curly's agency herself, in my eyes. you have to remember that Especially in the post-crash segments of the game, it's entirely from Jimmy's POV, and he obviously does not (and has never) thought very highly of her or treated her with a shred of respect

i've seen a general idea that she can't bear to hurt other people for any reason, but that doesn't really track to me. this is the real point of the post by the way

it seems based on the parts where she says she struggles to give Curly medication. "It just hurts him so much, I can't stand the noise." "It makes me nauseous."

it's not really the same thing as, say, hurting someone in self defense

this sounds like she did want the gun itself. this never felt worded like someone who would refuse to, at very least, threaten Jimmy with a gun, with violence. if she had been given the agency to make that decision on her own. she wasn't though

she still tries to reclaim some of it even as she's denied it

by the end she's still trying to keep that gun out of his hands

i think some people overly soften her, for similar reasons the game itself is trying to comment on. she's not a tender victim who couldn't cause pain to another out of the softness of her soul, she's a person who's had every last bit of agency ripped from her repeatedly until she couldn't take it anymore. that's the point. that's why framing her that way, "needing" someone to save her, is odd to me

she didn't need Curly to save her, she needed him to take responsibility

she didn't want to escalate things, but she's not an idiot. self defense was absolutely on her mind

but who knows im just saying shit *smiles serenely*

[auspicioustidings]

ZOO KEEPER 141

Big cat bastard Ghost who absolutely tricks you into the enclosure by telling you the lions were in the back and then delights as you absolutely freak out thinking you are going to die.

Gaz at all times has a little trail of penguins behind him those little bastards adore this man and in fact nip at you whenever you get near him (he makes a point to always get near you because he finds angry penguins attacking you very funny).

Soap has not once told you the truth about how dangerous the insects, arachnids, or snakes he has made you hold for photos are. He does enjoy watching when you later read the little plaques and go a funny shade of green at how close you came to a very grusome demise.

Price is frequently making national news because he is teaching the gorilla's sign language (and telling them your name is good girl so that they sign it at you whenever you walk past that enclosure).

You reckon you could get them all back given how much your wolves seem to like you, but it's sort of weird that the four most playful and safe ones are never about at the same time as the 141 :')

[wistfulwatcher]

in a n o t h e r life

[eastgaysian]

idont care if your durge was having crazy eroguro sex with gorty can you get them to put some pants on and tell me about their sibling relationship with orin. please.

[faeriekit]

The Foster Mother

Now on ao3 and VHS release

There was, supposedly, someone waiting for him in the green sitting room.

“…Why?” Tim asked. Most of the usual suspects had already come by to give their “condolences”—former Drakes Industries investors, curious about the newly orphaned heir; fellow socialites, once again flocking in to give and receive sympathies for their “close friends, the Drakes”; gawkers come to see what they could scavenge off of a dead family’s home, never mind that their child was alive.

“She claims to know you, Master Tim,” Alfred offered, kettle in his hand. He spent a moment deciding between different two canisters of tea; a sign of possibly difficult future conversation. “Her interest in your father's estate seemed quite…minimal.”

…Alright.

Tim was still in his formalwear. Dissolving Drake Industries would take at least another year, and plenty of future hours cementing the future home of certain resources in their dissolution, but the outfit probably was more appropriate for whatever oncoming conversation that was about to ensue than his planned change into Dick’s old hoodie and board shorts.

Okay. Tim steeled himself. The self-determination…mostly worked. Whatever. He trudged up into the green sitting room from the kitchen with his usual introduction ready on his tongue.

And then Tim walked into the room.

And then Jazzy was there.

*

Tim had been three, and Miss Jasmine had been his had been his third nanny. He’d outgrown the wetnurse early on, and his second nanny had been dismissed, so although Miss Jasmine was the third nanny, she was first nanny Tim could consciously remember.

She’d had red hair. She’d been very gentle with him.

She got him up in the morning and put him to bed at night; for the first time, there had been someone who sat with him until he was asleep, reading all sorts of books his parents had left to engage him with as an early genius. Then, when those were over and done as promised to his parents, they got unauthorized books from the library: silly books with made-up words, dinosaur books, books about teddy bears and adventures around the world.

Tim hadn’t been allowed to travel the world. Tim hadn’t been allowed a teddy bear. His parents had thought it would encourage undue attachment.

(It had been the same reason he’d never been given a pacifier.)

Miss Jazz had given him a knitted bunny. She’d said her dad had made it especially for him.

The toy’s name was Bunny and Tim remembered him being very soft.

She didn’t smile all the time, but smiles were rewards that were easy to earn. He finished his meal and she smiled. He finished an educational puzzle and she smiled. He was quiet all through her phone call and she smiled, and answered all his questions once she was done.

Jazzy had been the first person in his life who was there all the time. She’d kissed his forehead after the bath and kissed his scraped knees; she’d carried him in his arms when he was tired and sometimes even when he wasn’t. His parents had wanted him to be independent, proactive, and not clingy, but Jazzy had been someone who he could run to from his bed when he’d had nightmares and someone he could cuddle on her lap with when he’d cried.

She was gone when he was seven. He didn’t remember why. His parents had probably never told him, but still; he'd assumed he'd have found out why eventually.

Jazzy looked the same right now as she looked in Tim’s memories, although she was likely no longer a college student at a nannying gig. Her red hair was pulled into a high bun, her dress modest and conservative from her neck to her ankles. There was a backpack beside her foot. She was sitting, one leg crossed over the other, on the high-backed loveseat in the green sitting room.

She looked up when he came in.

Tim. Stopped in his tracks.

It didn’t matter. Jazzy—Miss Jasmine stood up as soon as she saw him, eyes alight with worry. Foggy memories were swimming to the forefront of Tim’s brain. He couldn’t move.

“Tim?” Ja—Miss Jasmine asked, teal eyes raking over his frame. Tim froze where he was. He didn’t move, wide-eyed and terrified for no reason at all when Miss Jasmine got closer to him, at a distance that was more appropriate for a conversation.

She stood there. Watching him. It felt like his mother had just come home from her trips with Dad, and a ghost of old terror wafted through him as he waited for her to decide he’d done something wrong. Her voice got softer. Her eyes got softer. Why was Tim feeling so wrong-footed?? It was only a former staff person!

“Tim?” her voice was so gentle. “I don’t know if you remember me. I’m—“

“M’s Jazz,” Tim croaked. Which. Wasn’t the level of formality he’d been going for, but better than Jazzy. He wasn’t a toddler anymore.

Miss Jasmine was so tall—honestly, was she taller than Bruce? She’d seemed insurmountable as a child; he hadn’t expected her height to truly be so statuesque as an adult.

(Or. Well. Almost an adult.)

She didn’t quite kneel down, but she did stoop lower, as if Tim was small and he needed to be on equal footing in order to have a serious conversation.

He could see all her freckles. Tim swallowed. It was too familiar. Everything about her was too familiar.

“You’re so big now,” Jazzy whispered, looking at his hair, his suit, his polished shoes. He didn’t feel it. “Oh, you’ve grown up so well.”

Thanks, Tim almost said. Something stopped him—something thick in his throat, to impassable to break through.

“I—“ he tried. He coughed. “Why…you… You’re here?”

Jazzy threw him an incredulous look, and then an incredibly wry one. “Well,” she drawled a little too primly, in the way that Alfred occasionally made obvious statements, “I’d think it obvious that when one’s parents have passed away, that those who care about you might come to check and see if you’re alright.”

Which. That didn’t make sense. Jazzy hadn’t come back for any other reason; she hadn’t come back for his mother’s funeral, nor when his father was injured publicly by a villain. Why start now?

“And,” Jazz added, seeing his visual confusion and distrust, “Your parents can’t exactly threaten me with a kidnapping charge for visiting you when they’re dead.” Pause. “Which I am sorry about. My condolences.”

Which. Whiplash. What a statement.

“Uh,” said Tim, who was rapidly losing control over the situation.

Jazzy stood again, and went back to her seat; she didn’t set herself down, though, as she only stooped to grab her backpack. “I am sorry for being unable to visit, although I really wanted to; you were at a very vulnerable age and had already moved into a class a year above you, and your parents should have been less hasty about replacing your main caretaker. The assassination attempts were unwarranted, but they did drive the point home that attempting contact was perhaps discouraged.”

“What,” said Tim. “Assassin what.”

“They were ninjas,” Jazzy offered, as if that was an answer. “Except the last one, which was a former marine. The point is that I do care about you, and wanted to ask if you had any idea where you’re going now that your parents are no longer…available guardians.”

Tim’s mouth opened. It closed.

Jazzy waited patiently.

“…How have you been?” Tim tried, resorting to a part of the script they hadn’t gone through yet.

Jazzy’s laugh was tired, but no less real. It was nothing like listening to his parents titter politely; he didn’t think Jazzy would even know how to fake a laugh. “Well, my brother told me that my former bosses had died, which was somewhat stressful. Otherwise, I’m pretty happy: I live with my brother and worked with him for the last few years. I was going to pursue medicine, but…well. The assassination attempts made it hard to interview for scholarships. I suppose that I could return to that now,” Jazzy mused, attention now elsewhere. She pulled the backpack off the floor and up into her grip. She opened it, and flipped through its contents. “How are you doing? I know that Wayne Manor fosters, but your parents were always rather…hands off. I thought the difference in levels of attention might be overwhelming.”

It was. Tim should be surprised how clearly she sees through him—

—But Jazzy used to watch him stim for almost a full hour after school, twisting Bunny’s arms back and forth until he could calm down. Seeing other people all day had been too much for him. Coming home from his parents’ parties had been similarly stressful.

She’d never been mad at him for it. She held him while he talked and stimmed and talked and talked and talked, and brushed his hair sometimes, or if it was very late and he was very young, helped him brush his teeth through all the medieval execution facts he could name.

“It is a lot to get used to,” Tim agreed quietly. He didn’t want to be ungrateful. He didn’t want to let on anyone about his plan to leave.

He had an out. The papers had already been filed; there was an actor waiting to play his uncle for a custody battle, ready for the fight.

Tim was ready to up and go. It was no hardship to leave all the good things here; anything beat making Bruce stick his fingers into Tim any deeper than they already were, compromising the dynamic they’d already established.

It was for the best.

“I can imagine,” Jazzy sympathized easily. “And I wanted to offer—well. I know there’s probably a lot of choices available to you, but my brother and I recently moved back to Gotham proper for the time being. He’s teaching astronomy courses at the university and I’m filing paperwork for Arkham patients. It’s not so privileged a home, but it’s quieter, and more central in town.”

…Tim’s heart skipped.

He. He couldn’t stop staring. Jazzy stared back at him, quiet and sure. Sure of what, Tim had no idea, but…

Why? Why would she want Tim? There was no way she would be able to get to his trust fund without his help, and he for sure knew better than to enable her ability to leech from him. The last time she’d known him, Tim had been a snot-nosed kid who cried all the time and couldn’t be normal for twenty consecutive minutes. His parents couldn’t even stand to be on the same hemisphere as him as a child. What appeal did this have for her?? What could having a teenager with severe baggage living in her house do for her?

And it’s not like there was any chance she knew he was Robin!

“Oh,” Jazzy suddenly interrupted. “I brought these for you, by the way. Your parents had tossed them out at various points; I’ve washed them since, of course.”

She handed him the backpack by the handle.

…Tim peeked inside.

On top was Bunny, still a washed-out faded sort of pink. He looked as fresh as he had the day when Tim’s parents had ”cleaned out” Tim’s nursery—in other words, a faded, a little gray, and slightly discolored from an old spaghetti stain. His button eyes were big and blue.

And beneath him were books that hadn’t passed his father’s muster as appropriately masculine reading material: The Velveteen Rabbit, with the cover a little scarred from a fierce attack of wet wipes. There’s A Monster at the End of This Book, with a goofy-looking Muppet on the cover, gold spine beat up beyond belief. Art Tim’s teacher at the time must have laminated and sent home; Tim’s dorky, crayon cat proved he would never make it as an artist, but attached to it was a photograph of a grinning boy with a bowl cut and a missing tooth.

Tim stared. There’d been purple marker on his hands and face. His grin looked…really bad, actually, like as if he was baring his teeth because he didn’t know how to smile. There was no formal grace there. Nothing to show the neighbors, nothing worth framing to put into the line of sight of the investors in the office.

Jazzy had kept it and brought it home with her. Jazzy had fished it out of the trash, and brought it with her to give back to him in Gotham.

It was crinkled like it’d been folded, over and over again. Further down in the bag was a crumpled certificate dedicated to “Timmy Drake, for: knowing a lot about octopi”, and a baby blanket Tim didn’t even remember. It had rocket ships on it. It looked as if someone had cut into it with scissors, although it had been obviously and brightly mended with red embroidery floss later on.

Jazzy had only been his nanny until Tim was seven. She had simply been gone one night, and Mom and Dad had been home for ten nights after without help before giving in and hiring Mrs. McIlvane and Mrs. Edith. Ms. Edith had never been so…permissive…with Tim as Jazzy had been.

Tim swallowed. He carefully put everything back into the backpack, unsure if he even wanted to keep it or not. It wasn’t like he could leave it here; he’d be gone, ideally, before the week was out. There was no point in taking it with him if he only planned to live with a stranger until he was eighteen.

“J…” Tim tried. He cut himself off before he could get too informal without prompting. “Miss Jasmine—“

“Just Jazz,” Jazzy corrected politely.

“—Why are you here?” Tim asked, ignoring how she’d technically already answered. He didn’t believe her. “What made my parents fire you?”

Jazzy’s expression turned…soft. Tim couldn’t look at her. Something horrible was welling with it, and he didn’t know how to cope.

“I’m here because I care about you,” Jazz repeated, and knelt beside him. She looked up into his face, and took his hand. Tim didn’t know why. He was practically an adult—he didn’t need this!

“And I was fired because your Mother overheard you calling me ‘Mommy’ on accident when you were tired. I suppose she was insulted, although I’d never know why; it’s not like she was ever home to bond with you in the first place.”

Tim’s throat closed. He missed his mom. He missed waiting up for his parents’ flight home, seeing their headlights outside the window, and knowing they’d bring home gifts from overseas. He missed using Mom’s perfume, and knowing he’d used more of the bottle sitting on her dressed than she ever had, but that it still smelled like her. He missed hearing his Dad telling all sorts of adventure stories and promises through the phone to be home for the holidays, even if Tim knew there was every chance he’d find some other way to spend the time back in Gotham.

And there was some small child in him who missed Jazzy, who hugged him and walked him to the library and made him soup from a can instead of fancy dinners and, who’d never needed to be waited for in the first place.

Tim looked at Jazzy’s round, freckled face.

He swallowed.

Tim moved out before the end of the week, as expected.

[canisalbus]

Fanart of Ludovica and her unnamed girlfriend! I based her girlfriend off a Gordon Setter, one of my favourite dog breeds!

Also, cowboy Vasco and Ludovica

.

[conundrumoftime]

One of the fun things about shipping Haladriel and about Galadriel's story in Rings of Power, for me, is that we know exactly where this is going to end up. And I wanted to babble for a bit about where that place is because I have seen so many people view it as "she is retired to some woods to be a passive wife-and-mother who can do magic but in a mystical New Age-y way", and: no! No.

So a quick overview of where she will end up by LOTR:

Very much not removed from the war against Sauron.

She is constantly mind-battling against Sauron: One of the lines that inspired McKay and Payne's whole show was her talking about this: "I say to you, Frodo, that even as I speak to you, I perceive the Dark Lord and know his mind, or all of his mind that concerns the Elves. And he gropes ever to see me and my thought." In one of the versions of the Annatar story in Unfinished Tales, Sauron immediately realises she will be his 'chief adversary', and has apparently not changed that assessment 3500 years later.

She co-ordinates joint efforts against Sauron: The White Council that Elrond talks about in LOTR, the combined force of Ring-bearers, wizards and elf-lords that first drives Sauron out of Dol Guldur - she's not just on that, she founded it.

She gets Gandalf back after Moria and the Balrog: Galadriel learns what's happened to Gandalf from the Fellowship when they arrive in Lothlórien. The the Fellowship are sad; the elves of Lothlórien mourn; Celeborn loses it a bit and says Gandalf 'fell into folly'; but Galadriel sends Gwaihir the eagle to get him, returns him to health, updates him on the situation with Boromir, gives him some messages to take to the others, and sends him back on his way.

She is possibly in Lothlórien because of its position of strategic importance: from Unfinished Tales here, she 'saw that Lórien would be a stronghold and point of power to prevent the Shadow from crossing the Anduin in the war that must inevitably come' and that's why she and Celeborn go there. (There are other versions as with almost everything else in Tolkien, but this is one of them.) She's not there to hide away from Events.

2. Calmer than in TROP, but not all-wise and all-sweet and still pretty scary.

She is still tempted by power and world domination: "I do not deny that my heart has greatly desired to ask what you offer [...] In place of the Dark Lord you will set up a Queen. And I shall not be dark, but beautiful and terrible as the morning and the night!"

And, she doesn't just turn down the One Ring because it's abstractly eeeevil. She turns it down because she knows what she, specifically, would do with it. Sam sees a vision of the Shire, and tells her "I wish you'd take his Ring. You'd put things to rights. You'd stop them digging up the Gaffer and turning him adrift. You'd make some folk pay for their dirty work," to which she says that yes, she would: "That is how it would begin. But it would not stop with that, alas! We will not speak more of it."

And saying she wants to rule the world here is not me joking about! This is Tolkien describing that moment in LOTR:

It was not until two long ages more had passed, when at last all that she had desired in her youth came to her hand, the Ring of Power and the dominion of Middle-earth of which she had dreamed, that her wisdom was full-grown and she rejected it

People are scared of her: The only scary moment we directly see is the Ring temptation, but she does other unsettling things. When she meets the Fellowship she tests them by reading their minds and offering something they really want to see if it would make them "turn aside from the road and leave the Quest and the war against Sauron to others." (She offers Sam a garden; the One Ring later on tempts him with the same thing.) Even the hobbits are a bit disturbed by this and Boromir, who's already said he doesn't want to go into Lothlórien because people who do that never leave again, absolutely does not trust her.

Éomer, a few chapters later:

'Then there is a Lady in the Golden Wood, as old tales tell!' he said. 'Few escape her nets, they say. These are strange days! But if you have her favour, then you are also net-weavers and sorcerers, maybe.'

She's scary! She's ancient and powerful and people are scared of her.

3. Married, but not in the character-limiting way the nerdbros want it to be and would have you believe it is.

I am not telling anyone they should ship Galadriel/Celeborn or even find it interesting just because I do, but, the angry nerdbros fancasting Celeborn as Henry Cavill and talking about how he'll come back to tame her and tidy her neatly out of the narrative are writing their own little AU headcanons because that is not what's in the text.

She's the more powerful one. Partly because she's one of the 'High Elves' - she's Noldor and has lived in Valinor seen the light of the Trees - which for various reasons about the way Tolkien's elves work just makes her more powerful, partly because she has a Ring of Power and Celeborn doesn't. It's her Mirror; she's the one reading people's minds; she's the one locked in endless mental battles with Sauron; she's the one the Rohirrim (whose lands border Lothlorien's) tell each other scary stories about. Celeborn at no point ever seems to have an issue with this, and calls her his 'treasure'.

They work together. Even in a big-action-sequences sense: after Sauron's defeat, Celeborn 'led the host of Lorien over Anduin in many boats' to Dol Guldur, where Galadriel 'threw down its walls and laid bare its pits'. But the rest of the time, too: she says of him that 'together through ages of the world we have fought the long defeat'.

You really get the sense that they have been married for a loooooong time. An actual sequence of events in LOTR, somewhat condensed:

The Fellowship reveal there's a Balrog in Moria;

Celeborn goes "!!!!", complains about dwarves waking it up and says he'd never have let Gimli into Lothlorien if he'd known that;

Galadriel smacks Celeborn down for being rude to their guest;

Celeborn apologises to Gimli;

Galadriel tells the Fellowship that Celeborn is accounted the wisest of elves;

Boromir says something about "old wives' tales";

Celeborn, whose wife is one of the oldest beings in Middle-earth, tells Boromir not to be so dismissive because "old wives keep in memory word of things that once were needful for the wise to know";

Galadriel hands Celeborn a drink.

Whatever is going on here is clearly something that works for them, is what I'm saying! And you don't have to find their marriage interesting just because I do, of course; but what it's not is some trad fantasy of domestic subservient-wife anything.

So where her TROP story ends up is ultimately with LOTR Galadriel: powerful, important, tempted to rule the world, a bit calmer than in TROP, a bit happier than in TROP, co-ordinating big strategic efforts in the war, married to someone who's got her back and adores her and they fall out a bit sometimes but generally work pretty well together, and still having Sauron constantly trying to get into her head. I am fine with this! I am more than fine with this.

[iced-souls]

Uhm, possible spoilers i think for Marble Sky [made by @somerandomdudelmao in which you should go and check out if you haven’t read rn cause they be very cool very cool and very cool]

but—OMG I LOVE THIS BIRB AUUUHGHGHHGUGHUHURHUEHGI—

IN WHICH THEY ARE PERFECTLY FINE AND WE SEE SO SO MUCH OF THEM NYYYGUUH—

Guys guys guys — please trust meee she is A-OK and she is gonna be a teacher to Oscar as they make a pacifist alien befriending club

I am not in denial i have no clue what you’re talking about—

I ain’t got a clue what these so called ‘jars’ even look like yet but i sketched a thing out immediately and then at that point my intrigueness started to fade, and then the ref came out and for some reason that boosted my interest even further. But i know what a bird’s brain looks like now so thats something.

I just think she seems very cool

I may have also did some other doodles a week or 2 ago that i didn’t post cause the social of anxiety was kickin in high those days but I’ll put them under the cut if thou wishes to see

That is all ok buh byyeeee go see marble skiessssss

[feels-for-the-fictional]

You can't tell me our main man Jim, Jim Kirk, James Kirk, James T Kirk, James Tiberius Kirk, CAPTAIN stack of books on legs James Respectful and Sensitive Tiberius Kirk does not know about Vulcan hand touching and their significance.

This man. JAMES KIRK. Looked at Spock, clearly vulcan spock, hands firmly planted behind his back Spock. LOOKED him up and down, and despite absolutely knowing it would not be considered impolite if he didnt offer a hand shake, looked at Spock, tall drink of water Spock, Vulcan sensitive hands used as terms of affection Spock, and was like hmmmm absolutely will make this Vulcan shake my hand. AND SPOCK gave like 1 second of thought before he was like yes absolutely here is my hand to hold for you and you only. I AM DECEASED

[navree]

Incorrect, the fact that Biden has dropped out and a candidate with history of supporting medicare for all and being more receptive to a ceasefire in the I/P conflict has made me go from "I cannot morally support the Democratic nominee" to "I am voting for the Democratic nominee despite the fact she isn't perfect in every respect." I'm really happy this played out. The Dems for the most part abandoned the old Obama platform and it feels like its possible an actual progressive agenda could come to pass in my lifetime.

Kamala 2024!

If you weren't going to vote Democratic in this election before Biden dropped out you're a dorkass loser who does not care about any of the issues you're yammering about here and also a fundamentally bad person, and I hope you get run over by a bus.

But you got one thing right in all of this gibberish, Kamala 2024.

[u3pxx]

i adore your fem harry. i do have one question. she do got a beer gut right

of course, why would i take that away from her!!!!!! (and hehe thank you im so glad u do <3)

[fumifooms]

What if we were both magic prodigies and it otherized us in different ways and we devoted ourselves to protecting a family member who has general other goals & priorities. What if we both did self-sacrifical devotion in opposite ways.

What if we were dark mirrors of each other and where I've grown overcontrolling you've grown complacent. What if, bought as a servant into a pretty loving home, ownership and control is what love looks like to me, and to you neglected and lonely growing up, love is gratefully taking any scraps of it you’re lent.

By belonging to someone, even if she comes back injured or fails at finding Delgal, she feels like she belongs and is cherished, by owning someone he feels safe in them not leaving him.

She’s what’s tethering him do you see… And he’s the only thing giving her direction and purpose in her state. She needs a compass and he needs a support.

They’re both so out of it 😭 It’s the weirdly intense and unearned mutual trust and reliance on each other?? They’re each other’s weird little comfort codependent teddy bear. Or at least they were headed towards that before SHE DIED THEN HE DIED THEN THEY BOTH FORGOT ABOUT EACH OTHER AND NEVER MET EVER AGAIN. Though she’s also the guard attack hound keeping him safe… And vice versa he heals her and can rewrite her very being with just one wave of his hand. They’re both so so mentally and physically vulnerable both but they cling onto each other. They can’t perceive things accurately but despite it all someway somehow they stumble into something closer to resembling companionship just before they both die. Falin is just that kind and Thistle is just that lonely. Overworked. We both haven’t lived for ourselves in a very long time, haven’t we.

They both have a similar devotion to the people they love but again the difference is that Thistle starts overtsepping while Falin is self-effacing. The other difference between them is that people care about Falin <3 People have given up on Thistle long ago, and he has given people reasons to, while people refuse to give up on Falin. Yaad has a mini arc about it dw about it it’s ok he’s not all alone in the end 😭😭 He reached out for Marcille’s hand but they already all wanted to help him, they just had to be given the chance to, Yaad just had to be given the chance to, it’s okay I’m okay

Hey what if we learned to get in touch with our own identity and the world around us and living in the present again through being in the worst codependent situationship ever.

Falin and Thistle sitting in a tree, sucking on flowers together because they’re h-u-n-g-r-y 💕💕💕

I bet he’s only ever thought of flowers as useless ornaments. Weak weeds. But she shows him they’re tasty and useful and good and pretty in their own right too and deserve existing without proving their worth and waaa <33 Thistles…... Did you know thistles taste sweet if you remove the thorns and eat them?

"Even as a chimera, her kind nature remains" you can’t suppress her in the way that matters. You can’t soothe him in the way that matters. It’s doomed. You’re doomed. It’s all doomed. Save me.