#but you really explained this so well!!

[wolfwarrior142]

Aaravos with his first child: *loves her so deeply, profoundly devastated for a century after she's unfairly killed, causes chaos for centuries after*

Aaravos with his second child: Fuck this little freak lol

[livecrow]

Gundog!Soap's errand gets derailed when he catches your scent.

A retriever "retrieves" a plump bird.

Shifter/Hybrid Dark!Soap x fat reader

(cw: kidnapping)

Soap’s popping down to the shops.

He just needs to pick up an ingredient for dinner last minute. Ghost isn’t home yet, so he’s off the lead. Unsupervised. Normally, they’d get the messages together, but he only needs one thing. He could manage it. It wouldn’t be more than a wink.

But as he mills about, he can’t help feeling off.

Like he really is a dumb dog wandering around without his owner, his lead might as well be dragging on the floor behind him, collecting lint and stray bread ties—

It’s turning into one of those days where he feels far more mutt than man. 

Without Ghost’s firm hand grounding him, the place is a cacophony of input. Too many smells, too many sounds, too many colors, too much movement—all melding together into a murky emulsion of stimulus under the glaring LEDs. 

He squints down the vast row of isles for longer than he’ll admit.

Eeigit.

He should have written a note.

Thought he could have remembered one bleedy thing. Ye dinnae need a list for one thing—

Feeling frustrated and dafty, he resigns himself to traipsing down each aisle and hoping something jogs his memory. Pride wouldn’t let him call up Lt. He’d never hear the end of it. He’s a birddog for chrissake, proper braw at findin’ things—when he knows what he’s fuckin’ looking for. 

Least he can skip the sundries. He knows that much. Soap’s more than happy to avoid the detergent aisle. Stuff is bowfin. Stings his nose, makes his heid ache.

Lot of good his heid was anyway, feeling fuzzy, like it was packed with cotton. Might as well be. Nothin’ else between his ears. Certainly not the one fuckin' thing he pulled on his gutties and left the house for—

He let's loose an irritated huff and it's probably a bit too close to a growl than is wise.

Soap's trying to make good time, but he's a solid four isles in and hasn't had any luck. Eventually, he finds himself staring down a sea of tins. Fruit and veg, beans, and the sort. His eyes scanned the labels, but even readin' was a real Herculean task when he's feeling so out of sorts.

The canine part of him can't be convinced deciphering rows of little lines and squiggles is a proper use of his time. Especially when he could be usin' his nose instead.

Some wee bairn has starts greetin’ a few aise down.

—Green beans, peas, sliced carrots, corn, diced potatoes. Nae, that wasn't it—

....who in their right mind buys tinned tatties?

A passing trolley is making an awful racket. Discordant shrill squeaks and clunks of a stuck wheel scraped against his ear drums.

—It’s definitely not the asparagus—shites mingin’, and that’s fresh. Wouldnae faff about with a recipe that called for that. Cannae think how foul tinned would be… 

Soap sighs in exasperation. As he goes to abandon this aisle, he steps back to turn and bumps into something.

Soft. Soft, soft, softness presses into his hip—

The kind of softness that cradles, that molds around him. Softer than any of his toys. Soft an’ cozy as his own bed, maybe—nae, softer. His bed didn't have the same give, the same wobble. It was a softness that sent a literal shiver up his spine, saliva pooling in his mouth. That smell—

Not something, someone then.

An incidental collision, a bird had been trying to slip by him just as he stepped backwards.

The touch was there and gone in a second but he was mournful for its absence. The scent lingered at least, soothed the whine that crawled into his throat. There was no artifice to it, no acrid chemical edges that came with any fragrance found in a bottle.

You had actually managed to catch him off guard. The shiver that rattled through him began with a slight jolt of surprise at the two of your union. He must have been more out of it than he thought, he hadn't even noticed anyone else in the aisle. He'll never get used to being startled, but he wouldn’t hold that against you.

“Oh, sorry,” you muttered apologetically as you stepped back, embarrassment coloring your face. The contact clearly ruffled your feathers a bit.

Soap’s mouth shuts with an audible click, he hadn’t realized his lips were parted. He hurriedly swallows a completely unadvisable pant in your direction.

“Nae bother, hen,” he blinks. Finally finding his human voice, responding like he's supposed to when he's out and about on two legs. It’s a little breathier, a beat later than he should have responded, lower too. There's a rasp there that chafes the very air. 

...Maybe his head wasn't packed with cotton.

Maybe it was your soft, downy feathers that was muddling him up, making itself a sweet little nest in his cranium—

The bird sends him a polite, restrained smile as it scurries off.

His world narrowed, like he was watching through a spyglass. Or was it a scope? Regardless, everything else but you dissolved into blur, even his peripheral was swallowed up. Framed you in a vignette. Every tiny aspect of the minute interaction seared painlessly into his mind.

A pretty, fat partridge.

Wandering too close.

Game like that, ambling by all round and plump, right under his snout? Feathers close enough they almost tickle his nose—

It's instinct, ya ken?

Mind, for a dog that retrieves quarry, it’s in his nature. Cannae help it anymore than the shade of his coat. So, is it the dog's fault then, when he lunges? Snatches the bird up, into his warm mouth? Firm and soft all at once. The delicate control from a pup that can cradle a raw egg without fracturing the shell. When he brings it back to his master, tail waggin’ as he’s done a hundred other times?

Nae. Noone’d blame him.

He can already practically feel the pantomime thumping of your frantic heartbeat in his mouth—echoing his own excited pulse. 

Soap’s keen eyes never left his prey, even as your back was foolishly to him. His hind paws were already ahead of his brain, he followed, trailing at a distance. Stalking.

Thing should know better, he might have been a wolf. You’d have waddled straight into it's gaping maw, mistake the canines for stalactites and his tongue for a cozy spot to lay your little head.

But no, he’s no wolf. He’s safe. Won't take a bite out of you. He's a good boy— 

Good dog.

Bird dog. A Gordon Setter, Si says.

A jack of all trades, proficient at tracking, pointing, and retrieving. A soft-mouth breed. That’s very important. Most dogs cannae do what he can. Pick up a bird without pricking it. Ghost has been working with him, trainin’ him up. Helping him be more patient, learn new tricks.

Your scent—it was so hard to describe, but he luxuriated in it, nose twitching. It was warm, but not torrid. Sweet, but not cloying. Rich, but not heavy—

Familiar, somehow. Like a childhood lovey. Cheek-worn and supple as a lamb's ear. 

He’s struck by a piercing déjà vu.

It should have confounded Soap—but it didn’t. It just was. The strange mix of familiarity and unfamiliarity that shouldn’t normally coexist. He didn’t know you, nae. But it felt like he should. Maybe he’d seen you in a dream? Some sticky remnant from a past life? Nothing else could explain the strength of the reaction that gripped him by the scruff. Commanded him to “fetch”.

...He’s doin’ so well. Being so, so careful—game’s normally still, after all. Not wriggling about anymore. Is much more effort to control his grip on a bird thas tryin' to fly away.

Thing squealing like a squeaky-toy doesn’t help, zaps somethin' in his brain, even though he’s hardly pressing. Ghost will look at you an’ see there’s no teeth marks on you. He’s being good. Knows better. Not even a tiny nibble. 

Soap's so pleased.

Only wish he'd had his tail out, so he could articulate his excitement properly.

He’ll take you home and keep you. Rest a heavy paw on you when he wants you to stay put. Carry you round the house with him. Share his food with you. Show you his other toys. Only roughhouse gently, like he would a puppy. Bat you around a bit. Paw at you real gentle like. This soft, living squeaky-toy that he can nap with. Even let you nest in his own bed, tucked under his chin. He’d only ever mouth at you gently, you'd learn you wouldn’t have to fear his teeth. He’d rasp his tongue over you, help you preen yer pretty feathers.

He ached to sigh happily against you, rut his face against you. Wanted all the rest of his sighs to be against you, pressed into your skin. Nose at your crown, in your soft neck, on your squishy belly. He’s curious where on you that scent would be the strongest.

Ghost will be so proud when he sees, when he proudly lays you at his boots—

You'll like his owner. He'll pet you real nice. Ghost always knows the right spot, even before you do. Thoughtful.

So thoughtful that he won't even mind that he'll have to sort something else out for dinner.

[front-facing-pokemon]

[poorly-drawn-mdzs]

Alas, this beautiful dream could not last.

[ganondoodle]

wont have time to work on anything for a few days probably, so uh, since i love reading comments/tags of people sharing their experiences- as part of the preparation for the totk rant script i got another question to ask :3

if you dont like tears of the kingdom, was there a moment that "broke" you, as in, the moment you knew this game is worse than you thought/hoped, and if so what was it?

personally, while i was suspicious after seeing its last trailer, i told myself its just me again and i kept up my hopes for a long time into my playthrough- its hard to point to a specific point since it was a growing feeling of something being off, things didnt make sense and i ever so more wondered how they would pull this all together (they didnt)- i do think the moment i stopped being in denial about it was when i found the shrine of life, the beginning of botw, and found .. nothing, a dingy cave practically licked clean of any traces of the shiekah tech like it never existed, instead of the medical bed a pathetic puddle of water that healed you, no one caring at all, like it actually never happened- i felt like the game pointed and laughed at me for caring about botw, pretty sure i was struggeling to keep it together on stream bc it forced me to realize this game truly is everything i hoped it wouldnt be, even if that sounds a little weird, at that time zelda and especially botw was so much more important to me, a passion for the franchise this game really did end up killing.

[prismatiger]

Tell me your opinions on the stuff. Any stuff.

Grins. Smiles, even

I'm using you as an excuse to infodump my theory about the Island because I've had no in to do that, and my theory is pure opinion. Anyways:

THE ISLAND IS STUCK IN THE FUCKING FUTURE

(SCARE CHORD)

Hi so you might ask me. What the fuck do you mean by that. Well. Let's start with what we know about the Island, the King, and Wish Craft. (long ass post under cut. sorry)

The Island was redacted from the perception of outside world, via Wish Craft.

Wish Craft has the power to enable Time Craft. We see this primarily through Siffrin's timeloops, but also through the King's powers.

One of the King's powers is to show the saviors a "vision of the future."

...And this same attack is deflected back at the King by Mirabelle in ACT 5, in which the King is able to see the Island before being frozen in time.

...So. The King's "vision of the future." We're never told explicitly what this vision is. All we know is that it's apparently powerful enough to wipe the party in one hit, hearing it from a distance hurts your head, and that whatever Siffrin (and Loop) saw, they don't seem to actually be able to describe it. Even the King himself doesn't know what his vision entails.

We don't know whether the party all sees the same thing when struck by the vision, and Adrienne's answer to the question about it in the Reddit AMA is. vague? It's not a "no," and the specific wording makes me think the answer might be yes. But that's me reading into it.

Now. What do we know about the Island's redaction? The Island was affected by the wish recently, as in "like a decade ago" recently. We know that nobody in Vaugarde or the rest of the world is capable of thinking about the Island, anything closely tied to the Island's culture, or people on the Island for very long. When they do recall these things, they slip right out of reach. Particularly, the consequence for trying to think about the Island (or, more specifically, break the wish that forces the Island out of perception) is significant pain, localized in the head.

And that said pain is enough to become lethal, if pressed hard enough.

From here forward I'm running with the assumption that the King's "vision of the future" is not personalized to any individual, and is unchanging throughout the course of the whole story. Now. Remember the end of ACT 5, where the King gets hit with the deflected "vision of the future", and instead of dying, he recalls the Island and gets frozen in time? Very odd, yeah? Why wouldn't the King just die like everyone else does? He even does take 9999 damage when trying to say its name, like Siffrin does, and like the party does when they're hit by the attack.

Well. We know that he has a "true wish" that the ability to freeze Vaugarde in time grants. I don't think it's at all a stretch to guess that the King's "true wish" is to be able to remember the Island. My personal guess is that the King (and Siffrin) brought this "true wish" into effect via the "SAY ITS NAME" sequence- he even tries three times, a significant number in wishing.

The King (and Siffrin's) wish breaks, because it can't be fulfilled in this moment without breaking the wish to prevent the Island from being thought about. However. Consider the conditions at the end of ACT 5- the King sees the vision of the future reflected back to him, and what he sees is the Island. He remembers the Island, fulfilling his own wish, and is frozen in time. I consider this a compromise between his wish and the one binding the Island- the King gets to remember the Island, but nobody alive is able to think about it, because he's frozen in time; it's like the Universe is correcting itself (I WILL GET BACK TO THIS). The wish of all of Vaugarde to defeat the King is fulfilled, since he is no longer a threat, and Siffrin's wish wraps itself up soon after.

MY POINT BEING. The King's attack is a vision of the future. This "future" is of the Island, in some uncorrupted state. The saviors see it when he attacks them, and he sees it when it is deflected back to him.

The logical next question is "okay, so the Island exists in the future, but how do you know time shenanigans are even related to the Island?"

Recall a very odd series of interactions throughout the game, in which you try to interact with a piece of equipment that you already own.

The game rewinds slightly, before the item disappears, as the Universe corrects itself.

This is awfully similar to two particular events: looping back without seeing the death screen, and talking to the Daydreaming One about her sister. The latter is more interesting to me for the purposes of this theory.

In both instances, something is misaligned within the Universe (an item existing in two places, someone remembering something they're not supposed to) and it is corrected through some sort of rewind. Also compare the dialogue above to when you try to give Mirabelle the Stylish Bow when you already own it.

The world glitches, but Siffrin defuses the situation before the Universe has to intervene. Omitted from the screenshot is the fact that Mirabelle's portraits switch to happy from "catastrophically anxious" with no transition after Siffrin shows her where the bow is. Important to note is that when Mirabelle tries to recall receiving the bow, her head hurts, much like how trying to break the Island wish causes a headache.

The Universe leads you away from perception, and you can only follow.

My theory that I keep circling around is that through Wish Craft, the Island has been displaced temporally. The denizens of the Island, as well as the Island itself, still exist, but they are in the future. The Island is still loaded into the world, like how equipment is before you try to interact with it, and the Island cannot leave this quantum state, because it never actually went anywhere. The magnitude of the redaction event is so severe with the Island, because it is so much larger as an entity than a sword or a bow. There are of course things I don't really have pieced together, like why somebody would wish the Island into the future, how far into the future it is, or why equipment behaves this way. But it's the only Island theory I've seen that I have some level of confidence in, so I might as well lay out my cards for it.

[clumsypuppy]

whatever. go my scarab

ive been watching scruffys pikmin 4 playthrough (go check it out!!!!)

[scribefindegil]

As much as I adore conlangs, I really like how the Imperial Radch books handle language. The book is entirely in English but you're constantly aware that you're reading a "translation," both of the Radchaai language Breq speaks as default, and also the various other languages she encounters. We don't hear the words but we hear her fretting about terms of address (the beloathed gendering on Nilt) and concepts that do or don't translate (Awn switching out of Radchaai when she needs a language where "citizen," "civilized," and "Radchaai person" aren't all the same word) and noting people's registers and accents. The snatches of lyrics we hear don't scan or rhyme--even, and this is what sells it to me, the real-world songs with English lyrics, which get the same "literal translation" style as everything else--because we aren't hearing the actual words, we're hearing Breq's understanding of what they mean. I think it's a cool way to acknowledge linguistic complexity and some of the difficulties of multilingual/multicultural communication, which of course becomes a larger theme when we get to the plot with the Presgar Translators.

[shepscapades]

to the anon that sent me an ask a couple of hours ago about mumbo: what a wonderful question ily. taps my forehead and points at you. very cool. very good Eye

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[doveywovy]

canon au where izunas burial stone is one he personally pre-engraved. madara just has to put red ink on the half with tobirama's name...

[katabay]

PAGLUIB

way back in like. march?? I took a stab at writing some kind of kabitserye type of story but it was a mess: it kept veering off into murder mystery drama territory because I was reading a lot of murder mystery novels around then and it Wasn't Good because I hadn't tried writing mysteries, let alone murder mysteries, before lmao

I did write a handful of short mystery stories since then, so next year I might take a stab at this idea again now that I'm no longer jumping head first into a genre pool I don't know how to swim in :)

[coldflasher]

okay but re. that post about elseworlds!barry realizing that oliver woke up in bed with iris... if we coldflashed this, i feel that crossover event would have gone VERY differently because you're not telling me that leonard snart wouldn't have realized there was something wrong the second he woke up in bed with oliver queen

like picture this: you're leonard snart. you have years of trauma, hypervigilance, and experience surviving dangerous men (and, ultimately, being one). and you fall asleep next to barry, the man you love---who, don't get me wrong, IS dangerous, but is in most situations seemingly unaware of it; who appears nonthreatening and harmless unless riled, who, most of the time, just seems like a sweet and normal guy---and you wake up next to... something else. something that looks like barry, and sounds like barry... if you aren't paying attention.

this is a thing that walks without making a sound, like it has years of experience sneaking around and moves that way by default (like len does); it turns into a statue at the slightest sound and doesn't even seem to breathe. barry is always crackling with frenetic, fidgety energy, even when he sleeps; he has nightmares and thrashes until the covers are bunched up around him, but this thing slept stiff as a board, flat on its back without moving a muscle and barely wrinkled the sheets. this thing is wary, and quiet, and it moves like a killer, with a killer's instincts. and it's looking around their bedroom like it's never seen this room in its life

and len would KNOW.

[stagefoureddiediaz]

Something something about renting and leases and being single v home ownership and endgame relationships and that owning only goes well if it’s as a couple.

Buck - renting his loft and is about to be subletting Eddie’s house

Bathena own their home (well the land at the moment but the previous house was owned and the new one will be)

Henren own their home

Madney we’re both renting but moved into a owned home when they came back together (I guess technically we don’t know if Chim owned or rented his apartment but the fact the buckleys provided the down payment on the new house implies he was renting)

And then we have Eddie - who owned the house into Paso when he was married to Shannon but is renting a house in LA but who is now seemingly buying a house in El Paso while subletting his LA rental house. And that’s kind of wild - because he will be both owning and technically renting at the same time.

But he’s buying a fixer upper and it’s being heavily implied by the subtext of the show and the interviews that fixing it up is not going to go well - that it’s going to cause problems - because he’s trying to do it alone rather than in an endgame relationship.

And it’s something to do with trying to recreate some version his life in El Paso - what he had with Shannon there because her ghost is still haunting the narrative (I will laugh if they go down the road of having Eddie’s house be haunted but Eddie won’t contemplate that because he doesn’t believe) all while technically still being tied to LA - representing his singleness.

And I think that is very interesting

[ritzcuit]

i love shiba so desperately i LOVE the contradiction between him caring abt chihiro vs him helping chihiro in such gruesome shameless violence like. its gonna break you. but ill be there. catching you after every battle and taking you home once youre done. bc. i love you and i want you to be safe... but im going to help you get into these horrible dangerous situations in the first place...how can you say you love someone and want them to be safe if you keep letting them down such a horrible path??

esp contrasting it with like, samura, who was "sending a message that shiba cant keep chihiro safe"... samura who doesnt want these kids to follow in their bloody footsteps and tries to keep his own daughter away from it... but shiba is like.well. but i cant stop him. and samura is like Ok But I Can.

....and then shiba sets him on the violent path againLIKE DUDEEE 😭😭 but seriously how do you bear looking a grieving desperate child in the eye and holding the one thing he has of his fathers' out of reach, like, no you cant be trusted with this, im taking it away... maybe a good parent could do it... well. samura did it.

but shiba isnt. a parent. and he wasnt meant to be in this position. he was supposed to be the silly family friend who shows up and brings chihiro gifts... he cant discipline this kid. it was never meant to be like that. like even all his pleas to fall back in battle, and try to reconvene, theyre ignored... if he asks chihiro to take it easy and not get into fights bc he is Very Injured, its ignored... so like. what can shiba do? but helplessly follow along and try to make things one percent less wretched than theyre going to be...

[emero0]

I know reki’s not the healthiest emotionally but i keep thinking of positive mentalities he gave me like>>

“Do it because its fun!”

“Its not about winning—Its about seeing if its possible and testing your limits”

(paraphrasing ofc but like the 2nd beef with adam 90% sure he says something along these lines and im like>> pop off king you dropped this 👑)