#but you made a lot of good points

[fadewalking]

I, personally, have decided not to play the game for these reasons:

1. JKR has said on multiple occasions that she believes anyone who engages with the HP franchise supports her transphobia, going so far as to say that anyone who interacts with the IP but says they don’t support her is simply lying about their feelings towards trans people out of fear

2. Continuing to support HP, regardless of whether Rowling receives money from the particular content, means that Rowling stays relevant and keeps her platform. She is using that platform to spread violent hate. There has been a marked increase in violence against trans people due to her rhetoric.

3. The game, due to the HP world itself, leans very heavily into antisemitism. The goblins are antisemitic caricatures (portraying Jews as hook-nosed goblins obsessed with money has a long, bloody history) who are said to sacrifice wizard children (blood libel - the false claim that Jewish people were stealing Christian children to sacrifice - also has a long, bloody history). Antisemitism is on the rise, and these fictional narratives contribute to it.

4. The game itself isn’t particularly good. The reviews that have come out say the game is littered with glitches and bugs, the combat is lackluster, and a number of other complaints that other games have been absolutely skewered over. Including the lack of any real depth to the plot. For some reason, the fact that it’s a Harry Potter game is earning it high ratings despite the many technical issues.

At the end of the day, you make your own choices. If the social issues don’t compel you, I’d say the fact that I’ve yet to hear one person praise the game as a game reason enough to save a buck.

This made me get up from my bed so i can reply better on my pc, so congrats. Thanks for being civil. I'm gonna try to comment on all of your points except for the antisemitism, and that's because I am not Jewish, and also I lack the context/historical perspective to feel confident in yay-ing or nay-ing that part, since i have seen a lot of goblin discourse over the years and i'm not sure what's true and what's not. So my comment on that is to agree that antisemitism is on the rise, and discussions about ANY media that may portray it should absolutely be seriously entertained by people who know what they are talking about in that regard (i don't). I've seen a lot of people be very dismissive about even the idea that the game is antisemitic, and i definitely don't think denying it is doing anyone any favors, but i would like to hear the perspective of many different jewish people before forming my own opinion on it. If it's anything like the variety of opinions in the trans community, then there should be many different takes. As it stands rn, I really only have an opinion coming from the LGBT side of things, as I am a trans person. I appreciate that your conclusion ultimately is that people need to make their own choices, which I respect, but I'm gonna take this as an opportunity to also talk about the portion of people that feel that playing the game = supporting JKR, because that's where it seems the majority of controversy lies.

JKR sucks, hopefully any reasonable person can agree to that. but tbh i couldn't care less what she believes. It's just not the case that playing the game = support of her and her ideas. And those who insist that it does are doing way more harm than good. A large majority of people play the game because they know it's going to be popular and/or because they loved HP as a child. And like, that's it. That's their only reason. For them it's really not that deep. A lot of them don't even understand the complexity of the issue in the first place. Demonizing people who choose to play is not making a positive impact that would warrant dying on this hill. And make no mistake, we are dying on it. This is a losing battle. The game is already shaping up to be one of the most popular games (in sales) that we've seen in a long time and it's not even officially out yet.

What is impactful is alienating allies and fellow LGBT+ people who just want to enjoy a popular video game revolving around their favorite childhood IP. We can see the harm being done just by looking at the comments on anyone's content who is committed to playing the game. It is full of people who will easily lump in anyone who dislikes JKR as "haters" and reduce/dismiss the issue that is clearly there with her as a person, and with the game itself. Not to mention it's provoking insecure edgelords to dig their heels in and support her way harder than they ever would have otherwise just because they know it will upset people.

Which brings me to your #2, because I would argue that the idea of cancelling anyone and everyone who plays the game is doing a lot of heavy lifting in the keeping JKR relevant department because of the aforementioned edgelords, and those who don't understand why everyone's upset to begin with. And to be totally clear, im not saying that boycotting the game is pointless or inherently harmful. If you don't feel comfortable playing the game, and you want to talk about why and encourage others to also not play it. I think it's great that we're even having a discussion, as a culture, about ethical consumerism, because it's worth having. It's when we start telling people that playing the wizard game is peak transphobia that it becomes not only unproductive but harmful. When we do that, it shuts down conversation, it puts people on the defensive immediately and instead of changing minds and making a positive statement with the boycott, we're just driving people to sympathize with her. There has been a marked increase in violence against trans people (at least verbally) due to us telling people that we hate them first if they play the game.

As for the #4, I've heard the performance issues for sure. I hate to say it because i don't think we should normalize games not working properly on launch, but this is a pretty common issue for basically every triple A game that's come out in the past couple of years. On all other fronts aside from performance though, I've only heard positive things, so ig make of that what u will, idk.

These social issues are important to me, but I think we need to look at the bigger picture here because attempting to force people into performative support of trans people is just not the way to go about this.

[poorly-drawn-mdzs]

Heh...Literally nothing personal, kid.

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[meamiiikiii]

silly comic based on a time i struggled to read live on stream :thumbsup:

context clip compilation below ASDASDFASA

(cw for brief mention of hospitals/strokes)

[valtsv]

i love revenge tragedies so so much because they have so much potential to explore such a nuanced and complex topic and give it the consideration and care it deserves. revenge and revenger characters are such powerful narrative tools, both of catharsis and self reflection. a good revenge tragedy will not tell you that "revenge is bad, seeking revenge makes you just as bad as the people you're seeking vengeance against, and nonviolence and forgiveness are the only paths to building a better world". a good revenge tragedy will present you with a really difficult and complicated situation, even something absolutely unforgivable, and ask you to consider questions like "will this really help anyone?" "am i doing the right thing, or am i just doing what feels good?" "how far can you go before your quest for self-empowerment and personal satisfaction becomes perpetrating the same violence that you claim to be fighting against?" "what else could i do to help build a better future for myself and others, to ensure that the cycle of violence doesn't continue after justice is served?" "what went wrong here? how did something that seemed so right go so wrong?" and "what would i do in this situation?"

sayings like "those who live by the sword will die by the sword" and "those who fight monsters should take care they don't become monsters themselves" often get oversimplified, misinterpreted, and used to criticize people from feeling justifiably angry at their mistreatment and oppression, and discourage them from seeking the restitution they're owed. but when used correctly, a good revenge tragedy will employ these ideas as tools of teaching and learning, of questioning and discussion, of analysis and communication, and as a reminder to think critically and to think for yourself, not as a moral lesson. and those stories are so incredibly and important and valuable to me, and i believe that they have a very necessary place in the world.

[turtleblogatlast]

Something I’ve been thinking about lately is that small moment in “Air Turtle” where immediately after the Daves lose yet another game, Leo says how sorry he is and how he’s doing his best as the mascot. This moment is so short but it’s honestly jam-packed with a whole heap of characterization.

His need to apologize for things clearly not his fault - especially when it feels like he messes up the job he was given despite doing the best he can (the phrase “it’s not about you” takes a new meaning when this is one of the lessons to be learned from that - that he is not always solely responsible for things going wrong), his need to save face and make a connection with an older adult man in his life (something he consistently does throughout the series - he’s got a few daddy issues, always collecting potential father figures, it’s no wonder he jumps at the bit to keep rapport), and the way he sounds and looks and the words he chooses really pushes how he is just a kid (“Mr. the Dunk, I’m so sorry”).

Like I know it’s a one off moment that doesn’t truly mean much, but when put against the rest of the series it works really well with the rest of Leo’s established character and helps in solidifying later concepts as well.

[seldomsee]

ok not to be a hater but

They replaced this really cool moment where Khun recognizes Bam through his vocal tic of calling everyone Mr. or Ms. with this generic line

for no reason that I can comprehend

[joshuamj]

Linktober Day 8. Tunic

[pnfc]

i haint watched the dang chibisode and idk if ill actually watch it with sound on sdfjk but i have a hurt feeling about them casually imbuing perry with speech for a one off gag because the idea that he needs to talk to communicate is fake. we had 4 seasons of wacky magic hijinks cartoon where perry never needed verbal speech to communicate. they couldve done this gag at any point in the show but they didn't, and the fact that they didn't felt significant. perry's muteness is such a core part of his character, to me, to the way i conceive of him/write him. i don't wanna overreact to a goofy little side cartoon (even tho i'm doing it anyway) but it's still the characters, and it still upsets me! ok that's it i've said my piece

[puppyeared]

i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you

[lloydfrontera]

my biggest gripe with the manhwa rn is that they made javier more of an asshole than he is in the novel and then took away most of the scenes where we see him being kind and soft with others.

javier can be an ass, he is a brat and he's especially annoying when he's with lloyd, but above anything else he is kind and loyal and selfless and good. i cannot emphasize enough how good javier is. he's the kind of person who cannot see someone in trouble or danger and do nothing about it. he's the kind of person who would sacrifice his life for total strangers and no hope of any reward. he's the kind of person who can't even enjoy a lavish party without feeling guilty because he'd much rather help people in need with that money.

he's so fucking good, lloyd is a little annoyed by it because he keeps getting dragged into life-threatening situations because javier just won't stop helping people they don't even know. mind you, lloyd is also endeared by this and would not want him to change but god can it be frustrating in his endeavor to keep them both alive.

there's this particular scene that i just. i'm so sad it was cut. where javier is helping around the refugee camp, going without sleeping and eating so he can focus on helping as many people as possible and then he spots a little kid that got lost on his way back. so he decides to help him.

and he's so gentle with this kid.

Javier walked over to the kid and called him. The flustered boy looked up. Javier strove to put on a warm smile on his face. "Are you lost?" “...” The boy nodded, his eyes all wet. Javier carefully stroked the boy's head. "I think I can help you with that. Why don't you let me help find your tent?" suggested Javier. “...” The boy nodded again. "But why didn't you eat the food? It's going to get cold. Are you not hungry?" "I am… hungry," the boy finally said. But what he said next caught Javier by surprise. "But I won't eat it," said the boy. "Why not?" "My mother is hungrier." "Is that so?" "Yes." “...” Javier wondered why this kid came out to take the food when he had a mother. There must be a reason, he thought to himself. He held out his hand. "I will hold the tray for you." "..." "I won't spill it. I promise." "Okay..." Javier took the tray and wrapped the boy’s hand with his own.

like. god. javier is not a naturally warm person. he's very reserved and stoic and sometimes outright cold, but he still tries so hard with this kid. because he knows what it's like to be him. he knows what it's like to be a child and be scared and hungry and without a home. and he remembers how much it meant for a kind adult to reach out a hand to him and help. and he wants to be that to others too.

everything he does, he does because he genuinely believes it's the right thing to do and therefore his obligation. and even when it doesn't come naturally to him, like being warm and gentle to a child, he still tries his best to do so.

and like that wasn't enough, when they finally find the kid's mom, javier finds out she's blind. recently blinded actually. that she used all her strength to get her child to safety and now she has to depend on him to take care of them because she can't do it anymore. her blouse is smudged with porridge.

so javier kneels down and explains who he is, why he's there and that he wants to help. he lifts up a spoonful of food and slowly and carefully starts to feed her himself. she's a complete stranger and javier doesn't hesitate one second to do this for her.

this is who javier is!! this is who he is at his core!! he's kind and he's selfless and he's above all else good!!

if your audience can't imagine javier comforting a child, then you failed your audience. you missed the point of his character.

[somegrumpynerd]

@pigeonstab Oh this is fun to explore you're right

I tend to hc they don't know the story but they've picked up bits and pieces. Nightmare does not want to share, he'll avoid all attempts by others to ask about his past or what happened and he thinks he's done a fairly good job keeping them in the dark.

The problem is his boys are all Sanses. Classic Sans does not get his information by asking, he loves to read between the lines and make safe assumptions, and all his boys have a little bit of that still in them. So any time he's mentioned something off-hand or shown a bias towards one thing or another, they've been filing it away.

They don't know about his childhood (much) or what happened between him and Dream that caused all this, but they know he has a dubious past with mortals in some form and they assume it's to do with how he looks and that he feeds off negativity. They know he gets unnerved by large crowds and the sounds of apples crunching. They know he can't stand to see someone left alone in miserable circumstances.

But, alternatively, it would be really funny if he told them a fake story and they'd all been working off that the whole time

[alongtidesoflight]

so here's my honest thoughts on dragon age: the veilguard, after ~40 hours of playing. i finished the main quest after having finished all companion quests and major faction quests. just to clear up what content i saw, i played as an elven transmasc rook who is a member of the lords of fortune. he romanced lucanis (although after finishing the game i'm now leaning towards taash). i don't know what's happening in playthroughs that have a different race, gender identity, romance or faction going on.

full spoilers ahead, i mean it. don't read further if you want to avoid them. i don't want complaining about it in my asks.

oh and also, if you're worried because of a few negative reviews online i can comfort you by saying don't give a fuck about a certain big name youtuber who is very much tied to bethesda franchises giving this a negative review. i'll explain why.

i'm starting off with the things i liked

the game looks really pretty. i was worried it wouldn't feel like thedas anymore (with them trying to "focus on northern thedas only" i thought they'd make a clear cut in environmental design. they do and they don't. it's complicated. i'll elaborate on it when talking about the negative stuff). anyway it does. minrathous feels like kirkwall. treviso enchanted me like the winter palace did. the hossberg wetlands reminded me of the hinterlands and a couple other inquisition maps. arlathan looked like... arlathan. the crossroads were different, but familiar. overall i like the way it looks and feels. it's thedas, with a twist. it's a good one, and gives everything a solid but unique feel.

combat is top tier. if you're a hardcore dragon age player you WILL miss the tactical aspect of it for a bit, but i promise you, once you're used to the way the combat works, you will be lapping that shit up. and once you get to ability combos you'll mourn the control you used to have over your companions in battle a bit less

the MAIN quest and its story. i expected worse, way worse. and for a while the game even had me tricked (harr harr you'll get it in a second) it is Really That Much Worse. but holy shit was it good. i walked away satisfied ngl.

your choices have SOLID weight. there's consequences, good AND bad. i got minrathous blighted, ruled over by venatori, and the leader of the shadow dragons ultimately died because of my decisions. i made those at the beginning and throughout the game. he died at the end. DAVRIN died because i didn't expect what i was saying to have that much weight. i thought i was in the clear. he had hero status. well turns out, your choices can still get your companions killed even if you do everything right. i fucking love him. he shouldn't have made that sacrifice just because i told him to do everything it takes once.

the inquisitor, morrigan and dorian being there, surprisingly. there's also negatives to this though, see below.

speaking of companions dying and the inquisitor playing a bigger role: the final quest feels like me2's suicide mission. i was blown away by it and the fact that i got to see the results of all my efforts playing out in front of me.

bioware are NOT trying to redeem solas. they love him as a character yes, but i wasn't forced to see any good in him. he betrays you. he fucked my rook over twice. he fucked him over right back, for good this time (the veil wasn't torn down, i anchored it by binding him to it, he's doomed to uphold it). but solas really lives up to his name as the trickster elven god. rip to all the people who grew really attached to him over the years.

varric died. if you like him that's probably as hard reading it as it was watching it. varric died and the game lies about it until the very end. when the realisation hits, it hurts. but in the very best way.

the amount of care they put into gender expression and trans identities this time around. (i'll add onto this with negative points as well too).

rook feels very much ingrained in the world of thedas. he doesn't ask questions that expose the player to lore through dialogue as if he's stepped foot into thedas for the first time. those conversations feel very solid and good. i hope other faction players got as much joy out of this as i did.

and the things i didn't like and boy there's a lot unfortunately

the music. let's just get that out of the way holy shit. it doesn't feel like it belongs in this universe. it gets so incredibly sci-fi-y at times you'd think it's taken straight from mass effect andromeda. there's not a single song unique to veilguard that i really enjoyed. it broke my immersion, real bad. hearing a busker play the tavern songs from inquisition on a lute right after i killed some venatori with wobbly bass songs playing in the background is just odd. weird tonal shift. don't like it. it's made for people who like flashy light-weight cinema.

tevinter nights is required reading. the podcasts are required listening exercises. the game is so fast paced, especially at the start, that there's no time to introduce you to characters and how much weight their names carry in-game. i would not have known who half these people are if i hadn't skimmed over tevinter nights. i'd care even less about them than i already did. there is no time to get properly attached to them. people will act as if you're talking to a legend personified and you'll be thinking man goddamn which chapter of tevinter night were they in again and what did they do???

there's a weird mismatch with the animations. you'll have beautifully fluid ones, like emmrich casting spells. and then you'll have rook's face animating in the most unnatural manner that's sorta reminiscent of mass effect andromeda's "my face is tired" addison, when their emotions SHOULD be landing with the player rn instead.

i'm not vibing with the art style. sometimes it works. most of the time it doesn't. at points i felt like i was watching tangled.

that also brings me to some of the dialogue. same issue. i am watching frozen. i am watching tangled. someone on the writer's team really likes the adorkable trope. bellara is its victim.

for all the talk about identity, bioware sure doesn't like theirs. the grey warden armor got a redesign again and it just makes them look like a generic army. i hate it lol

in general, i don't like the armor design. the wardrobe/appearances system is fine, but it's just not helping if all the armors are just... kinda bland or downight bad looking? and don't get me started on the lords of fortune armor. that is orientalism personified.

the world states should have been carried over, full stop. i know they said they didn't because they want to separate what happens in the north from what happens in the south, which... i could have lived with that. but the inquisitor sends you letters that keep you up to date on... the south of thedas. you learn that there's a blight again, that people are standing strong but it's difficult, denerim's fallen, the rulers are taking care of it, orlais is fighting and they're successful for a while, etc etc. what's good bioware. i thought we don't care about the south this time around. why are you feeding me so much boring generic information. if you're not gonna show any of it and just write letters, then carrying the world state over should not have been an issue. i have a game dev background. those few lines of code would not have broken your budget or pushed your engine's limits. fuck right off.

this gripe of mine carries over to all the cameos. as a lord of fortune you have to deal with isabela a lot. it's fun. i missed her. you get to go drinking with her and taash and bellara! also my hawke romanced her. she's not mentioned once. they had the opportunity to put a sentence or two about her in there with not a lot of effort, trust me.

when varric dies, all she has is a single line about it. for gold, for fortune, for varric. she only says it if you interact with her on your way to the final push. that's not mandatory.

morrigan is there. kieran isn't. the old god soul that mythal and then solas absorbed? who cares at this point, the gods are dead now and solas is locked away for eternity. i suppose? why is morrigan there. she feels unneeded. i wish they'd just left her down south, at least that way i wouldn't have had to witness her god awful redesign.

dorian at least feels as if he belongs in this story. the shadow dragons are a crucial part to protecting minrathous. he's also weirdly underutilised. isabela and morrigan had more lines than him in my playthrough.

on the topic of romance: bro that was underwhelming. no, genuinely. you know when romance picked up a bit? after the point of no return. i heard maybe two lines of companion banter about it before that. maybe i missed something which i honestly doubt, but romance did not play much of a role in lucanis's storyline. i saved his grandmother as he wished me to (and if you read tevinter nights you know she was rather abusive and their relationship not the healthiest) and told him to focus on his family. a reunified family my rook wasn't even introduced to as a partner at the end of all that.

really, do not buy this game if you're only in it for the romances. others might be better, lucanis's basically gave me nothing. except for an outing (the second coffee date i had with him, it was getting repetitive) all of it played out once i committed to the final quest. the sex scene was a fade to black. annoyingly right after davrin died. if you're looking for well paced and good spice, pick up something else. the sweet talk and the final goodbye were nice though.

for all the good the ever-presence of gender identity does, it is brought up in such a disruptive manner too. it doesn't even play out naturally if you CHOOSE the lines that are meant to be said. hearing the words trans and non-binary in this setting doesn't feel right, and i'm saying this as a trans guy. i think it could have been handled more gracefully. the amount of times my rook went "i'm a MAN" as if he's about to start drumming on his chest and roaring any second now got super nerve-grating. "i'm so glad you're into me... the me who is trans. remember?" just. tell me one trans person who'd talk like that to a person they've grown close with and are trying to romance. this game doesn't handle sexuality well, so all this hey my body might not look like the way you're expecting it to look talk amounts to nothing anyway. i feel about this the way i feel about krem: this is partial exposition to trans experiences... packaged up for cis consumption. the ONLY exception to that is interacting with taash. holy shit was all of that heartwarming and bro did it feel good and natural to talk to them about theirs and rook's gender.

rivain and nevarra are new locations added by veilguard. they're also incredibly underwhelming, small and constricted maps. rivain is a coastline with a few ruins. the hall of valor is a partial ruin nestled into a cave on a beach, with a fighting pit. isabela is there in her skimpy outfit commentating your pit fights. that's it. i'm sorry if you were looking for a bustling pirate cove or whatever. you're not gonna get it. the nevarran crypts btw are a long ass dungeon crawl. that's it.

speaking of maps. i thought people were being dramatic when they said you're gonna be fighting the same enemies on them again and again. i thought they were figure of speeching it. they're not. you WILL fight the same amount of enemies. in the same spot. every time you reload the map. best to stay on a map and clear out the enemies and do as much questing on that map as you can before leaving, because you WILL have to do it all over again once you return.

the three choices i made for my inquisitor didn't matter lol she didn't have to face solas and therefore couldn't stop him at any cost as she had sworn (maybe because my rook tricked solas into binding himself to the veil, there was also an option to fight him. would she have stepped in? who knows). blackwall wasn't mentioned. and either her using a small amount of her forces in the final fight was the reason the civilians of minrathous fared so well..... or it just didn't matter. ultimately i think she had very little impact on anything

[what-is-it-to-be-pk-esque]

Ok I know I'm heavily biased here but like I kinda love that Astarion's romance is one of the few in this type of video game where you basically end up canonically unmarried and childfree in his "good" ending? Just travelling the world??

Like it's honestly the millennial dream lmfaoo cannot believe i chose what would undoubtedly be my favorite option, first try

[beaulesbian]

very cute that zoro was the one who was supposed to come and help usopp with this video, right? too bad he got lost on the way, but it's the thought that counts 😌

smth smth first mate being there for his friends

[howtodisappearcompletelyand]

20/10 stars little guy

[deoidesign]

Joked about Adam being divorced one too many times that now I'm getting anti-divorce ads

Adam think of the children... Please...