#but you have to watch season 1 to really understand some characters which is a bit of a chore on first watch

[hansoeii]

Hullo! I’ve been watching a bunch of your Timelapses and I was wondering how do you always come up with the colours for your pieces? They’re always so cohesive and pleasing to look at (I almost exclusively work in greyscale so if I’m using colour it’s always a lucky guess and it never looks quite right)

Hey there!

I have to be honest that most of the time I don't actually know what I'm doing and that I have no idea how most of my pieces are gonna turn out. My work process is usually based on "Fuck around and find out", haha. I'm happy to know that it apparently doesn't come across that way, though.

A lot of it comes very naturally to me simply because I've been drawing non-stop for so long, but I can give you some small tips that really help me:

1. Have as many references as possible!

Here's what my reference sheet looked like for the Jayvik piece:

It helped me a lot to understand the overall color scheme I wanted to convey. Lots of very cold tones, pinks and very light blues and greens. These colours sorround Jayce and Viktor throughout all of season 2 and I wanted to keep them, especially since in my piece they are lying in the glowing hexcore.

Don't shy away from using references, get as many as you possibly can! Look at other poeple's art too and try to understand how they work with colours.

2. Work with complementary colours!

Since I paint a lot of romantic illustrations I want them to look pleasing and comforting, which I can accomplish by using complementary colours! You see this a lot with couples that are blue and red coded, for example. And I wanted to do the same thing in the Jayvik piece! For that I used the highlights in their hair!

Viktor's highlights are a soft pink hue.

While Jayce's are a soft blue hue.

The colour wheel works perfect for figuring out if two colors compliment each other because they are literally right across from one another!

3. It doesn't have to be true to life.

Pretty self-explanatory, but I thought I'd add it in here anyways. It's important to understand how colour and light works, but you don't always have to follow the rules. Does the rim light look cool but it makes zero sense? Who cares! Keep the cool rim light! Just have fun and fuck around.

4. A little trick to make your life easier!

I'm not excatly the best at colour theory, I still struggle with it quite a bit, but here's a little trick I like to use from time to time:

If you want all your colours to look coherent, take one specific color as your flat colour. Choose a hue that you would like your piece to have. Like this:

Now you choose whatever colours your characters have and paint them in. For example, here are the skin colours I chose for Jayce and Viktor:

Looks off, right? These colours don't fit the overall piece at all. So what do we do?

Turn down the opacity! It's that easy, wahoo!

I went from 100 Opacity to 72 for this specific illustration. And look at that!

It's so much nicer already! Now you know what colours to use as your actual flats! Just repeat this with every other part of your illustration and you'll have a great starting point. :)

I really hope this was helpful! I'm not an actual teacher and I don't have a proper illustration degree, so some things might not be completely accurate, but I thought I'd try my hand at this anyways!

[dullahandyke]

and like sidenote if i can make a post with a target audience of zero. i feel like fhsy was to d20 what aa3 was to ace attorney but aa3 pulled it off better for reasons i cannot explain

[bpdpenguin]

goth ham!!! so fucking true <3

[artist-ellen]

Young Rhaenyra

It's happening! At least a year after Season 1 is relevant I'm finally starting the House of the Dragon series. Like before I'm probably going to just do the ladies, men's fashion in the show has it's weird moments but it isn't my field of interest/expertise so I'll burn out pretty fast if I have to draw that many pants.

We're starting from the beginning with Rhaenyra's yellow dress. The idea of the dress is fine... but the choice of fabric and finishings really undercut her status and character. Supposedly there was a fabric shortage when the show was starting which affected the costuming decisions but I am going to have opinions on how the final product looks. It's understandable for example if a student ran into technical difficulties, but it doesn't mean a lower quality end result wouldn't affect their grade. Anyway there are a LOT of costumes in the series that bewilder me. Especially with the amount of costumes that resemble Spirit Halloween purchases, the fabric often looks too thin or cheap, the appliqués are sometimes painful... and the world-building through clothing makes no sense (watch Sumalee Eaton on clock app for a professional's review with more detail).

Speaking of world building one of the reasons I put this design challenge off for so long was that in my first ASOIAF redesigns I referenced clothing and fashion across different time periods. So when HotD is set ~200 years before ASOIAF... the answer of when/what to base things off of gets real complicated. While keeping up with the reactions to HotD as it aired I came across Sumalee Eaton’s review of the costumes and they recommended that the show lean into its Byzantine inspiration. Every once in the a while the show will have a costume that references a sort of kokoshnik or mantle...but then sabotages itself with either unlined fabric or some haute couture thing.

This is getting too ramble-y, sorry. This is her yellow dress if it leaned into Byzantine fashion, if it reveled in the wealth of the Targaryens with gems and jewelry that are worn with their everyday wear. It's casual, the shape feels appropriately young and unserious but royal all the same. (And before anyone worries this is not an April fools joke, I really am doing a Season 1 redesign series)

I am the artist! Do not post without permission & credit! Thank you! Come visit me over on: instagram, tiktok or check out my coloring book available now \ („• ֊ •„) /

https://linktr.ee/ellen.artistic

[dreadfuldevotee]

I'd like to discuss the elephant in the room. Why did we get zero Loumand sex scenes? We got hints and implications, but season 1 was pretty explicit. Do we think that that's a creative choice or something else is happening?

I'm glad I ended up ruminating on this for about a week because episode 7 & 8 really solidified my opinion on it.

I do wanna start by saying that it's very clear to me that there was supposed to be more explicit scenes between them. There has been some thoughts tossed around that censorship happened with the 9 pm timeslot (as opposed to the 10 pm timeslot of S1). I believed this hearing Assad and Jacob talk about the BDSM dynamic between Louis and Armand, but what really sold me on this was Production Designer Mara LePere-Schloop talking about the bedroom set and more specifically about their beautifully carved custom headboard. (If you're a production nerd like me or just want to know more about the design philosophy of IWTV I recommend giving the entire thing a listen!).

I think there are several reasons I think as to why they decided to leave any more explicit scenes on the cutting room floor but above them all is: you cannot separate Armand's sexuality from his abuse. I am really against pulling a "well if you read the books" card but reading just the first couple chapters of "The Vampire Armand" makes me understand so much about not only Armand as a character, but the care being taken to his adaptation. It's clear to me that alongside Rolin & Co.'s commitment to not watering him down to a one-dimensional villain they are also trying to not fall into Anne Rice's tendency to romanticize his trauma.

Sex and sexuality is not the same pillar of Louis and Armand's relationship it was in Louis and Lestat's and so I don't believe their story suffers from the lack of on-screen sex. But I also firmly believe that maybe we don't need to be slutting out the character who we literally just watched talk about how he doesn't remember his life before being sex trafficked. And even when he was "freed" he was still being repeatedly assaulted at the hands of, and under the eye Marius de Romanus. Like it is extremely important to remember that Armand's craving for dominion in his relationships is a manifestation of trauma that deserves the same level of care and depth given to every other trauma portrayed in this show.

I think people have gotten too comfortable calling IWTV a romance when it has always been Gothic Horror. Romance and sex are pivotal to the story but I have found the demands for sex scenes this season a bit absurd and also? unfounded? Loustat share more kisses on screen but there are two sex scenes and both are very plot relevant. I truly figured we were all in agreement that the eroticism of this show is found in the various displays of power, and the dynamics it creates and not the actual clapping of ass-cheeks...which also wasn't happening in S1 either. S2 does not suffer because of the lack of sex-scenes, but the likelihood if it suffering trying to make one work is

[grace-williams-xo]

RAMBLING THOUGHTS AFTER FINISHING PART TWO. GONNA ADDRESS MY P1 THOUGHTS FIRST. SPOILER WARNING.

1 & 2: I think Debling could’ve worked in the second half, and I’m kinda sad Cressida didn’t get a happy ending. The Creloise fell of a CLIFF after ep 5 but I think it could still be saved

5: no cishet man has ever loved his wife more than Anthony Bridgerton I’m gonna be ill

6 & 12: kanthony’s absence was felt BAD in the finale, I think their reactions to LW were sorely needed. Also Jonny and Simone have both said they’ll be at every sibling’s wedding and stick around for years but they missed Francesca’s??? Also felt their absence too much then. They’re both booked and busy I think we’ll continue to only get a couple episodes a season from them

8: Francesca did get to thrive happy in pt 2 my baby I love her

9: I think they managed to disconnect the mondrich plot even further like 😭 once again, I don’t mind them their plot just feels very empty

10: Pen and Delacroix CONTINUE to be my fave duo I love them so freaking much and they can never get rid of it

13: Portia’s growth this season continued to be 10/10 I loved her and Penelope’s relationship it really showed what it’s like to be closely related to people you oppose and the process of needing to forgive and understand them for your own peace of mind

14: that was not how I was expecting Colin to find out about Whistledown

15: Marcus felt a little rushed in part two but I think I need to watch the whole season together to fully decide

17: this was indeed the longest 27 days of my life I got Covid day after it dropped lmfao

MY ~NEW~ THOUGHTS:

We finally got character development from Cressida and if they write her out I’ll be inconsolable (as will Jessica Madsen)

I hope they paid Golda Rosheuvel good for her feet exposure. Worth more than titties in this economy

I feel the need to tell everyone that £5000 in 1815 is in the realm of £500,000 today and we cannot brush over the fact Penelope has made herself the equivalent of a literal millionaire

Anthony has two moods ‘I’m obsessed with my wife’ ‘I want to win this game’ like it is comical how drastically different his facial expression is in the game of charades compared to pretty much every other scene

Anthony saying the marriage is perfect and not hard work and Kate being like BOY I will humble you,,,, doing the lord’s work I love her so much

At some points I felt like Francesca was fighting Anthony for ‘Violet’s least favourite child’ award lmao

John saying he’s off to look at the wainscotting was unfairly funny

Cressida in the red dress is even better than I imagined fuck even if she’s not gay then I am

Peneloise back together the universe is healing I love my babies all we need now is creloise lovers and peneloise friendship simultaneously I don’t like it being one or the other sue me

However much Brimsley is getting paid isn’t enough,,,, Hugh Sachs the man that you are

I adored Penelope’s wedding dress so much and as bitter as I am still about no kanthony wedding in s2, it felt kind of right somehow for Polin to be the first wedding we properly see in this show

Most of the costumes and makeup feel like they got worse,,,,, big ‘I hired a 14 year old’ energy. I don’t need historical accuracy but I would like a modicum of care and the costume/hair/makeup dept looking at a single historical reference from before 1850,,,, please

We all got the bi Benedict we’ve been asking for and I appreciate it, and recognise that he needed Tilley to explore that, but I still would’ve preferred if they first main queer experience was not a threesome

If they go straight into benophie in s4 (which idk, I’m so torn bc I feel like F, E and B all could work well next season) then I also feel like bi Benedict was just them throwing a bone for 5 mins but meant nothing

The CONTENTIOUS Michaela Stirling,,,,, I was undecided until I saw it but that was the definition of gay panic from Francesca and it worked so well I am so excited.

As your resident peerage expert, it is much easier for women to inherit titles in Scotland than England so I wonder (not that anyone on this show knows anything) if that was a reason they chose Francesca to be sapphic [general peerage info and female inheritance info if you care]

On the above, if they can canonically end racism with one marriage then they can end homophobia with one marriage as well

We all know Eloise was the easy and obvious choice to be the queer love story but part of me does kind of like them not taking the easy route, and them going something more unexpected, but that doesn’t mean I don’t want Creloise/Sapphic El like they had eight children let’s be honest

Finch’s sneeze and Phillips’s “now Varely! The bugs!” were unfairly funny

Everything Lady Danbury said to Penelope about suspecting her and what not felt very in character and you can fight with the wall idc

Did they tell us the name of Polin’s baby boy???

Hyacinth saying she thinks of Gregory as the family pet,,,,, girl you an icon walking amongst mere mortals

Predictions I got right:

Anthony didn’t kill Colin, but “are you gonna duel your own brother” lmao I was on the right track

I knew Polin would win the Featherington baby race and I love that for them (but why were Prudence and Phillipa pregnant most of the season, barely showing, Kate was showing almost immediately, and then in the epilogue the sisters all had baby’s similar-ish ages???? Give the writers room a calendar please)

I SAID FROM DAY DOT THAT THE FURNITURE THEY BROKE FROM SEX WAS A CHAISE I CANT FIND THE POST BUT I KNEW IT I FUCKING KNEW IT WHERE DO I COLLECT MY PRIZE SOME OF YOUR GUESSES WERE TRULY FUCKING COOKED

Okay that was too long if you made it this far I’ll make you cookie ily

[twopercentboy]

no, y'know what? as much as Josh's conversation with Buck in e6 was important, and he made some good points, I take strong issue with the qualifiers of "pre-Glee" and "post-Glee" world. that is the most insane thing to use as an indicator of queer acceptance, and at it's core, it's Ryan Murphy giving himself way too much credit.

and even if we look at it from outside the meta and from a character perspective, it's stupid! like, sure, I can understand that Josh was probably going for a more light hearted thing to use as an indicator, but Glee is so irrelevant in this scenario, especially when you consider that we're talking about Tommy in this specific context.

we know that right before season 1 takes place Tommy was only just starting to accept himself. we know right before season 1 he just ended his years long relationship with Abby. we also know that the seasons take place roughly at the time of premiere, so season 1 is set in 2018. that is already 3 years "post Glee"—even more if we go from initial release date—so this qualifier is already incredibly irrelevant to Tommy's story and the point Josh was trying to make. Not only that, but we know Tommy is around Abby's age! Meaning he was never part of the target audience for Glee and neither were his peers. Glee did absolutely jack shit for his journey to self or peer acceptance.

you know what is relevant to Tommy's journey? The repeal of Don't Ask, Don't Tell. Y'know what probably actually helped kick him into self acceptance? The nationwide legalization of gay marriage that happened less than 3 years before season 1.

the issue I have is we know, we know, that Tommy is around Abby's age, meaning he was born in the mid to late 70s and he grew up watching the AIDS epidemic happen. he grew up during that time in our history, when we were ostracized and dying by the hundreds. to boil down the lives and experiences of queer elders, which is what Tommy would be were he real, into "pre-Glee" and "post-Glee" is just so,,, disgusting to me. there's a dozen other notable events and indicators of our acceptance, and to choose Glee of all things is not only a slap in the face, but so fucking egotistical of Ryan Murphy.

I understand that Glee was a phenomenon and that it did help queer acceptance to a certain degree, but using it in this context, where it's so wholly irrelevant to the characters involved and feels like it was only used to stroke the ego of Ryan Murphy? I don't know! I just think they should've used something else, something more relevant, like, oh I don't know, the Obama administration legalizing gay marriage! they could've easily used "pre-obama" and "post-obama" and it would've suited the situation better, and actually been relevant to all characters involved!

I just really have a bone to pick with so many things in that episode in regards to 911's queer characters, but I think this is the one that really pisses me off.

[hellofeanor]

I know some people are upset about this, but

Adar had a complete and narratively satisfactory character arc and here's why.

(I'm saying "narratively satisfactory" because it satisfies his purpose in the narrative even if we think he deserved better.)

The two main problems I had with Adar's arc throughout most of S2 were as follows: his decisions to release Halbrand and then rabidly charge into Eregion after Sauron make no sense, and his character was inconsistent with what was established in S1. I complained about both of these things at length with people who were willing to listen, and some people who just smiled and nodded. But certain things in ep 6 made me start to rethink, one line in episode 7 really stood out, and the events of ep 8 put everything into perspective. So let's explore.

In 6, we have the scene of Adar and Galadriel speaking about Sauron. The major theme here is that he worms his way inside people's minds, insidiously exerting his will over them. Both characters at this point acknowledge this as fact. And in light of this revelation, Adar's "decision" to free Halbrand starts to make a little more sense. All it took was that one interaction for Sauron to get back inside Adar's mind and start influencing him again. There's no reason for Adar to do any of what he does in S2 unless he's under Sauron's control. Galadriel even says it herself: this is what Sauron wants. But Adar's mind and judgment are too clouded to see.

In 7, there's one critical line. "You think it was only you who put yourself in my power?" It's Annatar speaking to Celebrimbor, but he might as well be speaking to anybody here. It's pretty telling that this line shows up in most of the character-specific teasers, including Adar's.

Which brings us to 8, where everything comes together. Adar has Nenya, which has been shown to have healing powers, and a lot of people theorized that this might lead to him reverting back to an elven form. Which is exactly what happened. But the ring didn't only heal him physically.

Previously, we've seen Galadriel gain clarity of mind through Nenya: she better understands Sauron's ploy, and her part in it, and how she fell right into his trap. The exact same thing happens with Adar. When we first see him, crouching next to a rock, hiding his face, he's not just hiding his elven transformation. He looks like he's genuinely crushed. Not by seeing himself as an elf, but from the sudden ring-given clarity and the realization that he's been used by Sauron all along. His motivation and personality do a complete 180 here, and this isn't a plot hole or a contrivance. It's meant to show that the ring healed his mind as well as his body, shaking off Sauron's influence, and he's suddenly, for the first time all season, back to where he was at the end of S1. He's himself again. The searing desire to kill Sauron is gone, and he just wants to return to Mordor and build a home for his children.

He may have taken the ring because he thought it would help him kill Sauron, but in the end, it just helps him come to his senses.

Unfortunately for him, his actions can't be undone, and by sending the uruk to war, he's put them, as Annatar says 'under my control'. The minute Annatar asks Glûg what his name is, and Glûg falters in killing him, it's over. Sauron has control of the uruk again. He's wormed his way in. How do we know this for sure?

Adar's children wouldn't have set up that elaborate ruse to assassinate him. If this were all their doing, they would have just stabbed him and been done with it. The foreshadowing all season hints that Glûg may disagree with Adar's orders, but probably would never have done anything about it without a strong push from Sauron. The scheme was all Sauron and Sauron's control. Sauron orchestrates Adar's death in the exact same way Adar killed Sauron in ep 1, specifically out of spite. Sauron even appears to watch Adar's final moments: he wants Adar to know.

Is it a shitty way to die? Yes.

Is it a shitty plot twist undeserved out of nowhere? No, because the entire season has been setting us up for this moment. Hell, even some pieces in S1 have been setting us up for this moment. Halbrand could have killed Adar way back when, but at some point must have decided that Adar was more useful alive for a while longer, and a more elaborate form of revenge was in order. Sauron gains control of Adar and uses him as a puppet warlord against the elves while at the same time setting Adar up for the ultimate betrayal at the hands of his own children once he's no longer useful.

I actually love this. It's a horrible way to go, and I'm sad to see the end of this character, but it's a complete arc for him and makes sense within the narrative. It doesn't feel cheap or undeserved or at all surprising to me. It's sad, but satisfying.

RIP Adar, you will be missed. But at least you died... uh... feeling betrayed by your own kind as a result of your own actions that you realized too late were orchestrated by the guy you hate most. And if that isn't top tier tragedy, I don't know what is.

[welcometothejianghu]

Welcome to another round of W2 Tells You What You Should See, where W2 (me) tries to sell you (you) on something you should be watching. Today's choice: 少年歌行/The Blood of Youth

The Blood of Youth is a 2022 live-action adaptation of the tale of a deposed, disabled, and incredibly cunty prince who's on his way back to settle the score with his asshole father, and the rag-tag band of weirdos he accumulates along the way, including Spear Girl, Bad Monk, and Fire Puppy (pictured above).

I hope you like shounen anime, because this is the most shounen anime something is allowed to be without actually being based on something running weekly in Shounen Jump. What if Nirvana in Fire were also Naruto? It would be the Blood of Youth.

This show is an underrated gem of action-packed fun that not nearly enough people in English-speaking fandom have seen. In an attempt to correct that -- and ahead of an announced second season and prequel in progress -- I'm here with five reasons you should try it out.

1. Zero thoughts head empty

You do not have to pay an enormous amount of attention to this show to understand what's going on. The show itself does not always know what's going on. It got distracted by a shiny object over there, and now we're all gearing up to go punch the shiny object. We'll get back to the main plot when we're done with the punching.

It has a million billion plot threads going on at any given moment. Bad guys roll in from sects you've never heard of before, using superpowers with stupid names, only to get kicked into next week. There's approximately eleventy thousand characters -- so many, in fact, that I ran into problems several times while making this rec post, because there aren't readily available photos of everyone I want to talk about. Just look at the DramaWiki cast list. See how it goes on for like fifty screens? That's a little what the show feels like.

Except I'm not saying that like it's a bad thing, because the show knows it's doing this, and it acts accordingly. It telegraphs pretty well who's important and who isn't (and then it goes out of its way to color-code the latter, which is handy). What you're left with is absolutely a manga-style plot, complete with training arcs and semi-relevant sidequests, all working up to the final boss match.

It is an extremely self-aware show. On multiple occasions, something would happen, I would crack a joke about it, and then a beat later the show itself would make the exact same joke. I wouldn't call it an outright comedy, but it's still very funny, and on purpose. It has no illusions about being some kind of profound, meaningful epic. Mostly it's just here for a good time.

Yet this lightheartedness is what makes the powerful emotional parts really powerful by contrast. The show is not stupid; it's just goofing around most of the time. When it knuckles down, it can be devastating. And you know what? It does wind up being profound and meaningful about some stuff. How about that.

So yeah, if you're up for something that bops merrily right along and only occasionally rips your heart out, here you go!

2. Putting the poly in polycule

Bisexuals, rejoice! It's representin' time!

Here you go, I made a relationship chart of about 40% of the show's potential and canonical ships. I could have included so many more, but I only had so much space on the image, so I had to leave out some amazing ones, like the sword hedgehog who's real into this one cougar who could easily wipe the floor with him, or the rich nerd who thinks he has a chance with the aforementioned hot butch, or the fancy MILF who cheated on the emperor with a dreamy jianghu man and is trying not to cheat on him again with a different, slightly less dreamy jianghu man. See? There's just so much.

I would also say these are not exclusive ships. They are extremely inclusive ships. I am a fan of most (though admittedly not all) of the pairings listed here, and in fact of many of the three-and-more-somes indicated by these lines. They're such a cuddle puddle of shared intense feelings that it's hard to imagine anyone getting more than mildly jealous. Moreover, the potential for romance does not get in the way of hetero friendships; a boy and a girl who are each dating other people can go do adventures together, and (mostly) nobody gets weird about it, which is nice. If anything, what makes the overall dynamic so polycule-like is how equally friends and love interests get treated, meaning that it's not difficult to see a lot of crossover potential between those two categories.

If you're like me, you're hesitant about canonical romance, especially when it's straight, mostly because so many straight love stories wind up being tiresome, gross, and/or skull-poundingly boring. You will then be pleasantly surprised by how the canon pairings with members of the main cast are not like this at all!

Xiao Se and Sikong Qianluo are the main textual romance, and golly gee, they're just cute as heck. As the chart above indicates, I like interpreting them as two Kinsey 6's who have found their single exceptions, Mulder-and-Scully-style. Maybe one of the best things about their relationship is that it gets sidelined all the time for the plot. They're not so busy being in love that they forget to get shit done. Then they get a bit of downtime and get to go on a date, and you're like, aww, those sweet gay disaster babies are gonna do a little bit of heterosexuality. Just precious.

Tang Lian and Fairy Rui are right up there with the cuteness. She's a sex-positive dancing beauty who wants to ride that pretty boy like she stole him, and he's a shy sword boy so tightly bottled up that he'll explode if he sees a bare ankle. Avoiding spoilers, I will simply say that this is a pairing of two relatively soft people, until a bad thing happens to one of them and the other hardens up about it. If that's your jam, they're here for you.

Lei Wujie and Ye Ruoye are probably the most magical and the most practical of the bunch. They have a beautiful, super-dreamy, really horny sword-dance meet-cute, complete with its own pop song ... and then that's it, they're basically just together. She likes him, he likes her, good for them. In-laws aside, it's a refreshingly low-drama situation. Besides, I always love it when the hypercompetent woman gets the sweet, devoted himbo who'd do anything for her. Ruoye's had a hard life, and she deserves someone who can dick her down good at night and make her a nourishing breakfast the next morning.

And then there is, of course, The Ship:

Xiao Se and Wuxin are canonical, textual soulmates. The show treats their dynamic as more important than any other. It's so important, in fact, that the show has to sideline Wuxin for huge parts of the drama, lest everything get too damn gay. They each get a boyfriend catch on the other. They both do fairly reckless things when the other is in trouble. They are the secret hidden happy ending to the series. They share the kind of ride-or-die relationship built on mutually being the hugest bitches in any given room. Whether or not you think this is romance, it is extremely romantic, and the series agrees as much as it can, all things considered.

And if none of those flavors of love float your boat? Well, have you considered ... eunuchs?

3. She likes e4e

So I'm on record as being real into eunuch characters, right? Well, if you're with me on that, you are in for a treat here, because these are some absolutely buck-wild eunuchs.

There's five main ones, and I can't even begin to scratch the surface of what's going there. Like, really, I don't even think I understood all of what was happening with them. They're kind of the bad guys, but then they're kind of the good guys, but then some of them are the bad guys, but then they're just working for the bad guys, but then they screw over the bad guys, and ... it's just a lot, okay? It's a lot, and it's all happening with this bunch of catty bitches.

Also, you would not believe the difficult time I had finding any images for this section. I guess for some reason, fandom isn't way into a bunch of canonically dickless color-coordinated middle-aged men in weird hats? Whatever, man, they are missing out. If, however, you have the good sense to be into the intense and complicated (semi-romantic??) relationships among colleagues who also professionally just happen to be missing their external genitalia, buddy, strap in (and maybe strap on, depending).

Don't let me oversell how much these guys are in the show. They're not. They're vaguely important at points throughout, and they become incredibly important near the end, but they're hardly main characters. They're mostly back at the palace, doing their various schemes and looking absolutely fantastic.

So if they're such a minor part of the story, why do they get their own selling point? Well, I think their presence is a good example of two specific things about the show:

Specific thing the first: It's so queer -- not gay, but queer. Thinking back to my last selling point, you will notice how many of those straight pairings may look normie on the outside, but once you get down to it are not playing by cishet rules. (For instance, I've seen a lot of people read Tang Lian's resistance to sexual advances as asexuality, which, sure!) Likewise, there are lots of incredibly important, intimate relationships that don't conform to standard romantic pair dynamics. Add to that a lot of bodies with unusual characteristics and conditions, and you've got the makings of plenty of delightful non-normative love stories.

Specific thing the second: There are so many things going on with so many side characters that there's a kink here for everyone. Don't care for eunuchs? How about slinky villains with mind-control powers? Devoted servants who would do anything for their masters? Former bad guys who owe life-debts to the good guys who saved them? Bonded pairs traipsing around the jianghu together? Sons nursing legitimate grudges against the men who killed their fathers? Alcoholic widowers with incredibly slutty necklines? Mysterious cross-dressers with unconvincing moustaches? Vengeful brides? Martial siblings? Murderous royals? Guilt-ridden half-siblings? Boring star-crossed lovers? All these and more! It's a smorgasbord of rarepair fuel!

Also, I just love these toxic drama queens. It's like if RuPaul's Drag Race had the authority to have you executed.

4. The most intriguing outfits I've ever seen in anything (and yes, I'm including Winter Begonia)

Time for a fashion show!

The asymmetrical fits, the detailed embroidery on everything, the brilliant colors -- everybody just looks so good. And yet everything still looks ... eh, I don't know if "practical" is the word I want, but at least wearable. Nobody's dragging ten-foot trains of fabric behind them or wrapped in eighty floofy layers of gauze (except Rui, but she's special). Their outfits are strange and elaborate, but they don't defy physics.

What's truly stunning is how often they get new outfits. Xiao Se alone changes clothes about once every other episode, and more if he's getting a flashback. He is the fashion plate of the whole series, and every look he serves is pitch-perfect.

They're not outright color-coded, but the main characters do have certain colors associated with them -- which is extra-fun when you watch those colors bleeding into their friends' clothes as their relationships get stronger. I also think -- and I'm willing to be proven wrong on this point, but I think I'm right -- that they recycle some characters' outfits into parts of other characters' outfits. On more than one occasion, I'd swear that Lei Wujie shows up wearing the left half of something Xiao Se was wearing a few episodes back (tailored to fit him, of course, because that dumb ponytail boy is tall).

Where I think the costume design gets massive points, though, is that the costumes are themselves adaptations.

Before the live-action series, there was a 2018 3D animated donghua. I have never watched the latter, but apparently the drama is intensely faithful to the animated visuals, to the point where some fights are shot-for-shot remakes.

Of course, you can do a lot more with unreal clothing and bodies in animation -- and you can show a lot more skin, at least according to Chinese content laws. The live-action costumers chose to preserve about as many of the appearance beats from the donghua as they could manage, while still accepting the limitations of real-life bodies and materials. You can see some side-by-side comparisons here. The live-action outfits manage to be instantly recognizable without being slavishly devoted recreating to their inspirations.

So if you're sick and tired of dreary, ill-lit shows with bland palettes, this vibrant, colorful drama may be just the thing for you. It's a rainbow from start to finish.

5. Actually a good central plot?

Despite all the wacky delightful shounen nonsense that this show has -- and it has a lot -- the core of the whole narrative, which is Xiao Se's story, is surprisingly great and cohesive.

The short version is this: Xiao Se used to be Xiao Chuhe, sixth prince and somewhat heir apparent. Then he and his jerk-ass dad had a falling-out that resulted in the prince's having his martial arts abilities all but taken from him. He's been living the life of a very well-dressed innkeeper for several years, trying to avoid all of that palace garbage. But now his jerk-ass dad is dying, which means that a lot of horrible decisions are finally having unfortunate consequences for everyone, and Xiao Se's got to get back in there to make sure everything does not go to shit and land someone terrible on the throne -- even if it has to mean taking it himself.

His central conflict is between what he used to be and what he's become. Does he miss being Xiao Chuhe, high-ranked martial artist and future emperor? Or is he happier being Xiao Se, long-suffering nobody who can barely run a business, much less hold his own in a fight? What would he be willing to do to get back what he's lost? What are his obligations to himself versus his obligations to everyone else? How much is he responsible for his father's bullshit? And why has he wound up having to babysit this stupid Fire Puppy?

It's okay, they're best friends now. Lei Wujie decided.

No spoilers, but I liked Xiao Se's ending a lot. I feel it's very true to the character and shows a real understanding of who he is and what he values. And really, at the end of the day, sometimes all you need for a happy ending is your girlfriend, your girlfriend's girlfriend, your girlfriend's girlfriend's boyfriend who's also your boyfriend, your other boyfriend, his girlfriend, and your long-distance for-real soulmate.

Feel like giving the youths a try?

You can find them on YouTube or on Viki. But be absolutely sure that no matter where you watch it, you make sure to go watch the epilogue as well. (And if you get real into the story, well, here's a link to information about all the other adaptations.)

You are also welcome for how I did not spend this post going off for five hundred years on how much I love Wuxin and his funky relationship to Buddhism. I figured that's way too niche of a selling point for most people, and might indeed have even been counterproductive. But know that I could have.

Also, I'm very happy about the announcement of a second season, because that's going to mean Liu Xueyi has to shave his head again, and he looks unbearably good with a shaved head.

Oh yeah, did I forget to mention the whole motorcycle photoshoot?

In case you hadn't noticed, the whole cast is stupidly hot. Hachi machi.

[burr-ell]

What do you mean by 'trying to mighty nein-ify vm instead of having actual character moments'? Not intending to be hostile or aggressive, I just saw those tags and got curious.

That's okay! Mighty Nein-ification is a bit of a misnomer (especially because it's unnecessarily hostile to the Nein). The problem isn't so much making Vox Machina like the Mighty Nein (all indications are that VM was just as rough around the edges as the Nein were when they were starting out), it's that I think they retreated to old shorthands they were familiar with that work well with the Nein and don't work with VM in the time they had.

So when we first meet Vox Machina in the stream, they're already established and respected adventurers at level 9 sent on a quest by a member of the Council of Tal'dorei. They've already killed Brimscythe and the Dread Emperor and saved the Sovereign and his family; while we see their scrappier beginnings in the Origins comics, it's purely backstory in the campaign. With the Nein it's the opposite, where we actually follow them through their low-level adventures as they get to know each other, watching them argue and mistrust each other and slowly build up both their friendships and their clout within the political factions of Wildemount. We watch them go from a gang of slapdicks who no one likes or respects and are constantly fighting to a strong and cohesive team of movers and shakers.

Here's the problem: the cast is now producing an animated adaptation of Vox Machina's campaign, which is almost universally agreed to really pick up around episode 24, the beginning of the Briarwood arc. Between the slower-paced first 20 episodes and the red dragonborn in the room, the Briarwood arc makes the most sense as the starter story. We can't just jump right into that without taking some time to establish VM as a party, right? That's what the opening two-parter of season 1 is for: they need to establish who Vox Machina are as individuals and a party so we have a baseline understanding of them before following them through an iconic storyline. There are different ways they could do this!

And the way they chose to do it was "gang of slapdicks who no one likes or respects and are constantly fighting".

This would have been fine if they weren't starting with the Briarwood arc and leading into the Conclave arcs, which both require VM to have some rapport with each other and the Tal'Dorei Council to work. Instead VM are still on thin ice with the council and honestly don't give anyone a reason not to think of them that way even before everything goes wrong at the feast. (Like, I don't think Scanlan's antics in 1x03 are funny; I think they make him look like a dumbass and they make VM look like dumbasses by association.) Allura and Kima barely tolerate them and Allura is reluctant to speak in their defense when the Sovereign puts them under arrest. I can understand that they thought this kind of conflict would be more interesting, but this is the lead-in to the Briarwood arc. There's PLENTY of conflict here to be interesting! Why not try to build up Vox Machina as a competent party with friendly allies who struggle with but still overcome a difficult challenge, maybe straight-up open on them killing Brimscythe and then lead into a truncated Kraghammer arc?

Because this doesn't just make for a lackluster opening two-parter. Emon being so hostile to the party means they have very little investment in or connection to the city, and as a result, when the Conclave attacks, it lacks emotional weight. Keyleth has a line in season 2 about their home being destroyed that falls flat because Emon wasn't their home; they were kicked out of every tavern and multiple people pointed out how bad their reputation was. The lack of friendship with Kima and Allura makes their meeting in Season 2 Episode 5 very jarring, because they greet each other like old friends when they're not. (I think Seasons 2 and 3 did a good job developing Allura and Kima's friendship with VM, but this is work that should have had its foundation laid sooner.) When Keyleth asks the question of "why are we even together", it's never really answered in the emotional sense in which it's asked. Why are they together? Because at the eleventh hour they finally started acting competent, I guess. Don't get too attached to the idea of that theme, because it's not gonna come up again all season.

You see what I'm saying here? They didn't go for what would most efficiently tell the story in a way that made sense; they went for tropes—archetypal stories of scrappy underdogs pulling together for a common goal. And while it seems like a quick fix that solves the problem of distilling the first twelve levels of Vox Machina's campaign into a 12-episode season, in the long term it undercuts what the show intends to do later because the groundwork they laid was too focused on using familiar adventure story imagery to try to push audience reaction buttons. That's a problem that has hung over this show for three seasons now, and I think the metapigeons have come home to roost.

[headless609]

Cartman Angst

Ah Cartman, the bigoted, racist, sexist, overweight, bully, bullied, and a victim. Cartman is my favorite character and it’s not just because he is hilarious. If you watch the show and really looks into it, you can see why Cartman acts the way he does. Let’s start with the obvious. Cartman is fat. We see the show make fun and jab at his weight sense season 1. We see side characters such as Liane and his eye doctor to the main characters aka Kyle, Stan and Kenny making fun of his weight. Especially Kyle. I don’t think people realize how fucking mean Kyle was to Cartman (and Cartman hadn’t even done anything evil yet btw). Kyle is always and stills calls Cartman ‘fatsss.’ Speaking of the earlier seasons, remember Cartman’s eye doctor? Y’know, the one who had no chill and continuously bullied Cartman by calling him porky and just being devious? Yeah him.

Next I want to talk about Cartman’s home life. And it’s bad, like it’s as bad as Kenny. Not only is Cartman quite poor but his dad is gone and his mom is a prostitute. Not only does Cartman not get scolded by his mom but his mom brings in men that are there for sex. Sound bad? Yeah, you can imagine a guy finding Cartman’s room. And you might think, ‘Dude, you’re reading into this way too seriously.’  

We see that Cartman has been assaulted by his cousin and his Uncle, Jessie. We see this in Le Petite Tourette’s and in Fun with Veal. And this is just two of the many other occasions. 

Everyone knows the episode Scott Tenorman Must Die, where Cartman snapped and went batshit crazy. But most people don’t remember the banned episode where we see Scott again. Where we learn a dark truth. Cartman and Scott were step-brothers, Cartman had killed his own father, the father he had cried himself to sleep wishing he’d come back. And when we see him admit that he’s crying because of him being half ginger to his friends, all I can think is , ‘ Really? After all the tears that your pillow soaks?’ But then you think, would you tell some kids that have always bullied you because of your weight and you thought only hung out with you cause you bully people with them why you’re actually sad? HELL NO! Cartman may be crazy and a sociopath but he ain’t stupid. The reason he is able to stay with the gang is that they think he is cool (which they don’t) heck the only reason why they became a friend group was because Cartman bullied Pip! And with all that piled up, Cartman becomes insecure about himself and to make him feel better lashes out an everyone else, believing he is a victim in every scenario and everyone deserves to pay. 

And that is the debrief of the monster, Eric Cartman. The most hated South Park child in the show. 

There is so much I want to say about Cartman, and I tried to fit it in one Notes page. And I hate it whenever one says they hate Cartman because he is a nazi and all that shit. I understand, but please peel his onion skin and you’ll understand why Cartman is such a good character. This one is the longest one yet so thanks for those who were able to read the entire thing. 🥲

[iridiss]

I think because Aphmau is a self-insert character, it’s hard to pinpoint exactly what her personality is, because her personality is just…Jess’s personality. If a little different. Which makes it hard for me to get into Aphmau’s head, to see exactly how she works, what makes her tick—it doesn’t come naturally to me at all, and I wouldn’t be surprised if I wasn’t alone in that regard

Now that I’m finally working on my MCD rewrite, I really want to make sure I get Aphmau’s personality right, especially since she’s literally the protagonist character and likely the most common POV I’ll be using. I want to find a way to copy how watching her POV in-game felt, and make it so that it feels the same when I’m writing the fic. Lately, it hasn’t been feeling the same at all, and that’s mostly intentional, since I want her to evolve into the “unintentionally badass” woman that she is in the canon series. I want her to start off as kind of bright-eyed and naive, similar to Mystreet!Aphmau, as a newcomer to the world whose never seen a lick of war and violence in her life. Mainly because I know she’s going to be exposed to all of that later and fundamentally changed by it. But as I’m studying canon MCD Aphmau and trying to break down everything she does, how she thinks, the choices she makes and the patterns therein that define her, what choices she doesn’t make and what that says about her as a person… I think I have already strayed too far from the original in places.

Additionally, though Aphmau was still significantly emotionally affected by every little heinous thing that happened to her and her people, throughout season 1 she didn’t experience any sudden shift in who she was as a person. I’ve yet to finish rewatching season 2, so I could be wrong, but to me, it more seems like she held herself together and stayed largely the same person. But she was being slowly chipped away emotionally by everything that got added to the pile. From Brendan getting shot to Aaron’s death, it’s like there’s a million different little nicks and cuts in her mental health and psyche that have simply built up over time. Some of those scars are larger than others, like the 15 year timeskip and losing Aaron/Garroth/Laurance, but they all weigh on her psyche and make her progressively more anxious, more careful, more…traumatized? She’s traumatized and she’s not. I’d like to at least headcanon her as traumatized, probably severely by season 3. I’d like to think she’s a woman with the whole entire world on her shoulders and a million ghosts haunting her wherever she goes, and all of this leads to a great deal of stress and anxiety in her day-to-day life that she’s just kinda… Living With. She muscles through it. She keeps going. There are even moments I’m noticing in canon where she doesn’t allow herself to fully dwell on her grief and stress, saying it’s “selfish” to let them consume her, and then moving on to check on literally everyone else in the village and make sure they’re okay first.

Aphmau is a character that’s hard to understand in the broad strokes, like how you can see Laurance’s broad strokes of “Casanova” and “fiercely loyal” and “in love with Aphmau” and make a pretty easy surface mold of what he’s like. It’s like every other character has at least one or two giant, broad strokes of paint on the wall that distinguish them as unique.

Garroth is a gentleman, Kiki loves her animals and can be stubbornly gullible. Donna is sassy, Dale is an alcoholic, Katelyn is fierce, Travis is playful and flirtatious, Aaron is brooding and guarded, Logan has a stick up his ass, so on and so forth. But they all have really easy to find smaller pieces that you can find and study as well. MCD!Katelyn is much more calm and reserved and proper than her Mystreet counterpart, and on occasion waxes philosophical and drinks tea. Kiki has always wanted to be a mother. Brendan is a horse girl. Garroth is terrible at being ~romantically forward~ like Laurance is, and instead he gets flustered and stuttery and shy and struggles to talk about his feelings with others. Laurance is gentle and caring and will tenderly take care of you and nurse you back to health with a mature, gentle warmth that puts his cocky Casanova personality aside, still flirting and teasing every now and then, but only for the purpose of cracking a joke that would make you smile. And then he reminds you right after how fondly he loves you and how he will never, not ever, leave your side.

Laurance grew up not knowing how to talk to girls, and Sasha was the only female friend he could actually speak to and connect with. Garroth checks on Aphmau in the mornings, asking how she slept and reporting back to her on all the duties she has to tend to for the day. Dale is a brilliant accountant, and that’s his calling in life. Zoey used to regularly prepare tea for Aphmau at night to help her sleep. Logan helped Zoey raise Levin and Malachi during the 15 year timeskip and “secretly” very much loves children. You can find all the little kernels of character and personality and heart in all of them.

But for MCD!Aphmau, it’s like she has one single broad stroke. “Helps others, kind, caring.” And everything else is invisible to me. Mystreet!Aphmau might have a second broad stroke, of “silly and childish and whimsical,” a stroke that MCD!Aphmau has much less of. It’s still there, she still teases and cracks dumb jokes on occasion, but it’s dwarfed in comparison by MCD’s more serious, mature tone and the sheer emotional weight of everything she keeps going through. It’s hard to be silly and have stupid fun when you’re fighting for your life, so in a way, MCD!Aphmau had to grow up in a way that Mystreet!Aphmau never had to. Mystreet!Aphmau’s worst problem (before emerald secret) is “oh no! which cute boy am I gonna date?! Gene is so mean to me in highschool!! Gawd, I wish my mom would let me bring boys home without making it weird, jeez.” She gets to keep her innocence. She doesn’t have to grow up and face the brutality of killers and monsters and the cruelty of the gods, and even after When Angels Fall, I don’t see her heavily maturing and growing as serious as MCD!Aphmau already is on main.

So if MCD!Aphmau has one single broad stroke that, for a protagonist, is actually vague as hell to work with, then maybe she’s a character who is revealed by all the little things that slip through the cracks. Maybe I can paint a picture of what she’s truly, really like (not what I want her to be like) by looking at all the little things, and then working inwards from there,,,

I know she’s at the very least a good person. A very good person. Better than canon Garroth, who has far too many asshole tendencies for my liking after the whole Incel Hell Irene Dimension fiasco (also why the FUCK is he racist—) Better than canon Laurance, better than most people honestly. Which is kind of the point, as an Irene. She’s supposed to be inherently a good, pure-hearted soul, whose destiny and sole calling in life is to help everyone around her. She seems to display a great fear and distress over violence and war. She’s always anxious and freaking the fuck out when she’s in combat (during S1), and building up to the Phoenix War, she was absolutely mortified by the idea of going to war, and yet that distress NEVER boiled over into cowardice. She always chose what was right and stuck to it, stubbornly. Even when faced with the worst of dilemmas, she refuses to succumb to her fear and run away, or pick the easy (and scummy) way out. She cares a great deal about the greater good, even if it comes at a devastating cost to achieve, and by god, she’ll achieve it. When presented with the option of fight or flight, she NEVER picks flight. So she’s brave? Has a strong natural sense of justice? Would she ever make cruel sacrifices, if it was for a greater good? I think I at least know that if I presented her with the option of “kill Garroth and Laurance, or save the entire world,” she would refuse the dilemma entirely and go to EXTREME lengths to forge a third option where she gets to keep the world AND her boys, and everyone comes out unharmed. (And in my mind, this is what distinguishes her from the old Irene…)

She is a herald for peace, above anything else. When Scaleswind destroyed her home as an act of violent rage, she didn’t seek revenge or even allow herself to feel vitriol or resentment for the man that attacked her people. Instead, she (cautiously and hesitantly) accepted his pleas for forgiveness if it meant she could have peace for Phoenix Drop. She held him accountable for his crimes, yes, but she forgave him, trusted him with the Phoenix Drop Alliance, and even trusted him with her people. All the while reiterating to him that she is an agent working for peace, and he needs to get on her level if he wants her forgiveness. She even offers care and aid to all of the rotten O’khasis knights that still swear their fealty to Zane. She brings them to court for their crimes, but she also offers them her care and a place to stay if they need it. She believes in justice, but not cruel retribution. The moral high ground isn’t a weapon she uses to bludgeon others with. She draws her strength by pulling others up with her. Even putting her trust in those unworthy of it at times, but that then inspires them to make better choices and pledge themselves to her cause. Even if you were a horrible, terrible person, she refuses to be downright cruel. It’s very rare to see her anger get the best of her (not that I don’t doubt that has happened at least once or twice in the series, I’m just saying it’s not her go-to choice when resolving any conflict). She will always give people the benefit of the doubt.

I know she struggles with sleeping problems, mainly due to her stress. She did for most of the latter quarter of S1 and when I skipped ahead and watched a few snippets of S2, she was STILL bringing up how poorly she slept last night, so like. You could make a case that she has insomnia. She could have insomnia. And PTSD but that’s a given

She finds babies absolutely adorable and has strong maternal instincts. (a connection between this and her great care for Phoenix Drop as a whole could possibly be strung… I don’t think “maternal instincts” is at all why she helps PD though. I think she just does that…because…you should. Because it’s the right thing to do. Obviously. If given the choice to be kind and help someone, she will always pick that choice, because,,,she just does)

you could make an argument that she has dyslexia. if you made a drinking game out of every time she flubbed reading the lines on the screen you would keel over and die by episode 15 I think.

you could make an argument that she needs glasses because Jess wears glasses for the first little while of S1 before she seems to have switched to contacts for the rest of the aphverse

She loves animals and has more animals than she has children

She seems very slow to develop romantic feelings for anyone. I think she only really started to develop little bits of romantic feelings for Garroth come late S1, and for Laurance probably like. around episode 95ish if you’re pushing it early, but honestly she probably only developed feelings for him after the entirety of season 1. after Laurance and her had already become very close and intimate on a platonic level. And any of his flirtatious advances prior to that she CONSISTENTLY responded to with flat out rejection, disgust, exasperation and annoyance with zero romance in sight. meanwhile she’s been very affectionate with Zoey from the beginning and is much more sweet and domestic with her than any of the boys, so like. I can definitely see where all the aroace spectrum aphmau headcanons in the fandom are coming from now and I wouldn’t be surprised if she was some form of demiromantic as well, but that’s straying out of canon aphmau territory and into headcanon land

Her worst fear, confirmed by Malachi, is seeing the entire village be burned to the ground with everyone she loves inside. Seeing Garroth and Laurance and every single villager murdered before she can do anything to stop it. She’s scared of losing them (and wow guess exactly what ends up happening… Garroth gets lost in the Irene dimension…Laurance becomes a cold and cruel shadow knight and she loses him to the nether… Aaron dies and becomes the shadow lord… girlie can just not win. and I’d like to explore more of the deep emotional impact that could’ve had on her—your worst fear is losing everyone you loved, seeing them get torn out of your hands brutally and violently, and..that happens. that happens to her anyway. to all of her boys, individually. there’s no way that’s not traumatic and emotional as hell for her) maybe you could even play into the idea that she has abandonment issues…

Every now and then she shows a few signs of toxic positivity and emotional repression. “Smile and be happy, focus on the work that’s important right now instead of completely and utterly crumbling under the weight of my grief and trauma” type shit. I feel like I can’t help but notice a running pattern that she keeps being presented with dialogue options that are emotionally vulnerable and intimate in some way, usually ones that progress her relationships with others (both romantically and platonically) and express a great deal of care or feeling…and then there’s the exposition dump dialogue option that continues her constant search for information that furthers the plot, and she often chooses that instead. Like for example, in one dialogue option with Aaron, she doesn’t say, “I really care about you, please, can’t you trust me?” Instead, she chooses to say, “What will you do?” Which is much more business talk as opposed to spilling her heart out to people. She seems to apologize for herself whenever she expresses a heightened amount of emotion, especially if it’s sadness or grief or anger, and again, I’d like to point to her taking 90+ fucking episodes to allow herself to feel any sort of intimacy with Laurance, the very man who has been constantly showering her with affection, and not just the dumb flirty stuff!! But like deep, sincere proclamations of “you matter to me,” and “I’ll never leave your side” and “you are my world, aphmau”!!! Bro I would have MELTED into his arms 70 fucking episodes ago if I met a man that talked to me like he does!! But she doesn’t!! SHE KEEPS HIM AT ARMS LENGTH!! THATS NOT NORMAL!!! Especially when EVERY OTHER character in the cast keeps falling in love at first sight. (so intimacy issues? trust issues? probably not trust issues. fear? too much on her mind? demiromantic ?? or probably a mix of all of the above + a dash of headcanon for the sexuality part)

And it’s so fascinating to see what she could say, but doesn’t. And sometimes you’ll even see her hesitate over the other, more intimate dialogue options, and then decide otherwise. It’s utterly fascinating to think that a character hugely defined by her heart might struggle with vulnerability.

She also hesitates over funny options a lot but decides against them because the serious, emotionally mature options are more appropriate and polite for the situation at hand lol. Laurance is a frequent exception to this rule, she will tease him no matter how serious their conversation is lmao (Laurance brings out her more forgotten whimsical side…?)

So on and so forth while I continue my binge rewatch of the entire series and collect more. So far, she seems to be overall: Kind. Gentle. Soft, warm, friendly, forgiving, understanding, merciful, patient. Playful and whimsical, though that’s become more forgotten with time and hardship. Serious, very emotionally mature, very much a source of wisdom among her peers. Inherently strong sense of justice, will always fight for the right thing. Brave and persistent. Refuses to ever back down from a challenge. Probably at least a little emotionally avoidant and I would not be surprised if she struggled with a particularly harsh inner critic. Optimistic. Never lets go of her heart, led by her heart much more than her brain, though that isn’t to say she isn’t smart, she’s not an idiot. Loves animals. Natural leader. Maternal. Insomniac. Probably neurodivergent, possibly aroace, possibly dyslexic, most likely needs glasses. Traumatized, very much so. Very stressed and anxious (please god someone give her a break). Carries the weight of the world on her shoulders but refuses to let herself crumble, even if she is exhausted and worn down and at her limit. you also cannot look at Zoey and Aphmau’s daily interactions and tell me there isn’t at least a little bit of sapphicism going on there. they love each other so much <3 and if not, she is a single mother going through literal actual hell and hanging on by a string but through the force of necessity and probably at least a little bit of toxic positivity and emotional avoidance she will persevere whether she wants to or not

and I will continue to learn more as we go along 👍

[scoupsahoy]

i wanna talk about The Ship War going on right now in the 911 fandom (largely on tiktok and twitter) and i'm not a bnf especially in this fandom (and i wouldn't want to be) but i'm kind of hoping people on both sides are willing to read this post anyway because i cannot be the only one completely turned off by it

i finished writing this so i wanna clarify: this is officially aimed at buddie shippers (i am one of you) because i genuinely want to have meaningful discussion and also i'm not exactly defending tommy here. but! i think if bucktommy shippers were interested in reading, there is stuff in here for you too

i have to split this up into sections which is annoying but i won't be able to make any sense without sections so. sorry

1. pre-tommy buddie shipping

so like a lot of people i knew about 911 and buddie entirely through tumblr osmosis, and there was a general attitude of confidence: buddie WILL become canon. if it doesn't... something something. i don't really know the season 6 finale was hard for a lot of you. and after watching, i do really understand why. but.

from an outside perspective, this fandom attitude was nothing like i'd ever really experienced before. i stopped watching supernatural around season 11, several years before gaycas, when confirmed bisexual dean was genuinely outside the realm of possibility.

i was a tjlc believer. i was an episode 4 conspiracist. i have been delusional about gays on my television screen before. so i was really apprehensive at the way buddie fans were moving. not only was buddie GOING to happen, but if it didn't it would be a failure of the network and the showrunners and the actors and it could have been the greatest love story ever told and shipping was not ENOUGH. it had to be canon in order to matter. shipping anything else was fruitless and offensive. this was what i was seeing. and i was like. well there's no way that's going to happen

and then season 7 started airing and there was this reignited hope

and then 7x4 aired.

2. the birth of bucktommy

so i started watching 911 after 7x4 aired. a lot of people did. i'll be honest i did genuinely think that eddie was out and gay and i was like "oh shit is it finally happening??" and then i realized it was some other guy and spend like 4 straight days tumblr deepdiving into it

like i said i was almost exclusively following buddie shippers so my consensus was like. buck and tommy are cute but it's obviously (TO ME) a steppingstone for buddie. after watching the entire show i do still feel that way.

here's the thing though: shipping isn't about what is going to be canon. i'm a marvel fan. my first fandom was fucking icarly, okay, my track record of shipping non-canon couples that actually end up together starts and ends with nbc sitcoms and even then barely. shipping to me is about character analysis and smooshing barbie dolls together with my friends. shipping to me is putting some guy in a blender and another guy performing frankenstein experiments on them

it doesn't matter to me actually that a ship isn't going to end up together, even if i like them. i'm not saying some bucktommy fans don't overstep certain boundaries (that i'll get into) but a FAIR BIT of them know this. a fair bit of them were buddie shippers and a fair bit of them still are. and there's a reason theyre put off

3. social media discourse

the first real piece of morality discourse came from tiktok. i won't namedrop this creator but if you're on tiktok you know who i'm talking about.

this person started the tiktok talking about something that i genuinely do agree with: fans who love tommy but hated all of buck's ex girlfriends should probably perform some self-reflection on the very real misogyny problem in 911 fandom and fandom in general. this i am 1000% behind. a call-in of sorts: hey guys! check yourselves! it is really easy to fall into misogyny especially with gay shipping. though i will argue that buddie shippers could stand to do the same thing (looking at you, people who write fanfic where ana flores is ableist for no reason)

they went on, however, to say that bucktommy shippers Must only like bucktommy because they are a gay ship, And Also Therefore, these people Must Be gay fetishists, as the only reason you would like bucktommy over buddie is because you just want to see men make out with each other. You People don't like gay shipping in the Correct way that i do, you like to gay ship in a nasty fetish way (only slightly exaggerating). you saw that buck and tommy kissed online and you watched the entire show just to watch men make out with each other which is Bad And Wrong.

aside from the fact that this person also literally started watching the show after 7x4 aired (and like i said so did a lot of people. one would think this is a morally neutral thing to do), this struck a nerve with me. this take (which was repeated ad nauseam by everyone in their circle) is just plainly irresponsible.

it is inappropriate to suggest that someone is like. morally reprehensible for *checking my notes* shipping a canon television couple. is tim minear a gay fetishist for writing the bucktommy kiss? is the average viewer a gay fetishist for going "oh i didn't see that coming! they seem like a nice couple"? is my mom a gay fetishist? are you calling my mom a gay fetishist??

this is an argument that i've seen happen in a billion different ways over the past decade and a half of being in fandom spaces by the way. are women allowed to read gay fanfiction? what about gay porn? what if they get off to it? are they allowed to write it themselves? what if they're not straight? what if they're not women? was casey mcquiston fetishizing gay men when they wrote red white and royal blue? is the romance genre allowed to exist with gay men and straight women in it? do you have to check everyone's gender or sexual identity at the login page for ao3 and tumblr dot com to determine if it is morally okay for them to participate in fandom at all?

and then there was the comparisons between bucktommy and buddie fic stat breakdowns: bucktommy's are writing more smut And That's Bad and buddie fans are writing stories with plot And That's Good.

it. is. irresponsible. it is oversimplifying. it is judgmental and above all else it is irrelevant. people could like bucktommy because they think they're hot or because they think theyre interesting or because buck realized he was bisexual or because they think tommy has potential as a character. it is a ship. creating a dichotomy where one ship is the morally good thing to ship and one ship is the morally bad thing to ship is irresponsible and not in the spirit of fandom.

morality and purity conversations in fandom are like. an entirely different can of worms to talk about and this is going to be long enough already. but bucktommy shippers shot back with the same energy:

if you don't like bucktommy then you are homophobic because tommy is gay

i did see quite a bit of this argument because a number of people that id been following did get into bucktommy and i do still follow and like these people

i covered most of my feelings about this type of argument above but to reiterate: it is possible to like different ships without making it a morality competition. it's disingenuous and annoying.

especially that brief stint where people were saying that the bucktommy shipname was a slur against gay men. you can just not like it. you can just not like it and have it end there. it's an ugly shipname but you don't have to make it a moral issue.

especially because then buddie shippers pulled out the trump card:

4. the tommy problem

because these people just watched the entire show in like four weeks (again, neutral statement, i did the same fucking thing) they remember tommy from hen and chimney begins. and. okay

i'm not about to be taken out of context here. i watched bp's video when it came out, i think what was said was wrong, i'm not about to say that being racist was like. cool or excusable 20 years ago. i think there is a discussion to be had here about this though. there's a reason i'm typing this out carefully:

i want to say firstly that there IS a conversation to be had about the social landscape in 2005 and especially pre-obama america for the purposes of a bunch of 20 years olds who were not alive or fully conscious yet. people told casually racist jokes (casual in that they are told casually without intent for violence, not that they are not violent. all racism is violence) and there were fewer social ramifications for those racist jokes in 2005. that does not make them Magically Not Racist. they were. it was not okay. it was, however, Extremely Common. does that make it okay? no.

i'm saying that largely because it seems to ME that tim or whoever wrote that particular episode wrote that joke to paint a picture of where the characters are in the story. chimney is not under bobby. he is not being treated with respect. he is 15 years in the past (from when the episode aired. whatever) it is different. it wasn't supposed to matter who said it

(it did matter and it does matter that it's tommy who said it by the way. because that's like. the universe of the show)

(though my theory - and i'm just being stupid for a sec indulge me it's 3am - is that tim and ryan both LOVE writing in guys named tommy. seriously i've been rewatching glee and when i watched 911 i noticed this too that there are so many characters that we never even meet named tommy. abby's ex for one. my theory is that tim wanted to bring in some guy named tommy for buck's awakening and he realized he already had one. lol.)

SECONDLY. sorry that was longwinded. secondly, i am a person who believes that people are capable of change. 20 years is a long time to grow. even as an adult. again, this does not excuse racism, but it is important anyway.

this is all theoretical but i want you to walk with me: it is possible for a 20-30 year old closeted gay white man with a homophobic captain pre-obama to pick up and not experience consequences for inappropriate comments and casual racism and even be seeking out a parent-like validation from someone who encourages it AND THEN, after 20 years wherein he realizes he's gay, comes out of the closet, i believe it is POSSIBLE for him to unpack his internalized racism, apologize, and grow as a person

obviously these are fictional characters but it is important to my fucking philosophy of life that people are capable of change and having empathy or understanding that in fictional characters is so fucking baseline.

it is important that we as a society can agree that someone's behavior, ideology, and/or biases can change. that like. that just HAS to be possible.

caveat #1 that does not mean that any people of color who are fans of the show have to like tommy or even forgive him (or even like. hen and chim lmao it's kind of clear to me that at least hen doesn't) and i am not going to tell them to

caveat #2 i also understand that there is no explicit acknowledgment of this on screen (i think this is because tim forgot which i find funny but like i said. it still matters that it's tommy regardless of intent) and because of that there technically is nothing To forgive

ALL OF THAT TAKEN INTO ACCOUNT.

even if we are assuming that tommy has learned nothing and has not changed at all. the leap from "tommy is/was racist" to "shipping bucktommy or finding tommy interesting Makes You Racist" is heinous to me.

sometimes people like characters who are shitty people. some of you like tony stark. sorry

it's ridiculous to me because there are plenty of other reasons to dislike bucktommy that doesn't like. vilify random people on the internet. he's not even framed as a particularly good boyfriend! we don't even know if they're boyfriends, for one thing!

i've been complaining about buddie shippers for this entire time but i literally am one of you and that's what pisses me off. you threw the first blow in the morality competition and you are bigger - and you KNOW you are bigger because you are proud of the fact - and you are winning.

you are right about a lot of it: tommy isn't a good guy. there is an active racism problem in this fandom. there is a misogyny problem in this fandom. but by and large buddie shippers have been in the game longer and have much larger followings and there is nasty shit i'm seeing which brings me to

5. social media discourse 2 electric boogaloo: twitter edition

twitter is a cesspool in the best of times but i have seen some shit in the past two weeks that makes me never want to write fanfiction for this fandom or even interact with most of the fans ever again. and i'm serious

there is a big buddie fanfic writer who is like. beloved. if you read buddie fanfiction you've read their work for sure. they started writing bucktommy and buddietommy fics around april. and people are being so nasty about them on twitter it is actually fucking embarrassing.

AND LIKE. god. fandom etiquette is so simple.

when i first started reading buddie fanfic the first thing i noticed was how many fics are locked. and i was like "i wonder why that is"

just look at these tweets. i have kept the author's handle here uncensored but please be normal do not bother this person. i'm sure their ao3 comments are hell enough already

what the fuck is your people's problem i'm serious

i'm like actually appalled. this is embarrassing. this isn't even the most embarrassing thing i've seen buddie stans do recently and it is NOT uncommon. it is not small accounts. you guys are the majority. these tweets have hundreds of likes.

i don't give a shit what this person was writing. i actually don't care. their fics are locked. they write for free.

to take someone's fic outside ao3 is considered bad fandom etiquette. to talk about an author where they don't have an account is generally considered bad fandom etiquette. to complain about fanfiction openly is bad fandom etiquette. i don't care if this is y'all's first fandom. in what world are you going to take to twitter and openly complain about someone writing fanfiction for a ship you don't like.

if i were them i would delete all of the buddie fics or never write buddie again i'm so serious. this is so ridiculous.

and this is sort of the nail in the coffin for me, seeing this tweet the other day:

this tweet has over a thousand likes

this is a larger fandom issue as of recent with the use of like. mental health terms as insults but it actually fucking disgusts me!

i looked at mark's twitter. it's pretty clear to me that he's a troll/having fun/provoking people on purpose but on TOP of that his tweets get at most 35 likes. i checked and this tweet got 21 likes. and over a thousand likes calling him schizophrenic. 24 replies doubling down. 25 retweets. 47 quote tweets. 62 bookmarks. over a thousand likes.

and buddie shippers are the good guys

it is ridiculous to me that as a fandom buddie shippers have created a space where it is impossible to have a meaningful discussion about fandom misogyny, racism, of homophobia because everyone who disagrees with you is morally opposed to you, and yet it is this side of the fandom with enough traction and support to openly bully and mock these people that you have decided are morally reprehensible.

6. in conclusion i'm sorry i know no one read this

fandom in general post-covid has become less of a community based in sharing creativity and the love of something (and i know this intimately as a kpop stan lol). online spaces in general have become something i don't recognize or want to participate in. which sucks. i've been here for a long time.

i know there's not really any way for that group of like 5 or so tiktokers that complain about tommy ad nauseam to see this or even take it seriously. i know there's not any way for those people on twitter to magically understand fandom etiquette or just block the people they don't want to see.

everyone would be happier if they just. blocked and moved on. i know i would. and i have! in a lot of cases. there's a reason i blocked out the names on those tweets (note: i blocked mark's twitter handle. the person who screenshotted it so he wouldn't be notified and then called them schizophrenic did not. because they do not care) because it's not about THEM it's about the whole fucking thing.

and a lot of these people want to be mad. it's why they're so hung up on tommy. like i'm sorry if any bucktommy fan is still reading this but GOD TOMMY HAS BEEN ON SCREEN FOR LIKE TEN MINUTES TOTAL IN THE ENTIRE SHOW. HE DOESN'T EVEN MATTER. JUST ADMIT THIS IS ABOUT A SHIP WAR. IT ISN'T ABOUT HOW GOOD OF A PERSON YOU ARE OR ANYONE IS. IT'S JUST A SHIP WAR. and they want to be miserable. they want to sit in their little echochamber of morally upright big name fans and they want to provoke bucktommy fans into saying something shitty and they love it because they don't really fucking care about the show.

you know how i know? because tommy is the least important part of chimney begins. that is in the best 3 episodes of this entire television show and none of y'all have anything to say about it. because you're just as obsessed with tommy as they are.

[plantsjustwannahavefun]

I keep seeing so many people here getting angry that this season is "vilifying Ed", and it's depressingly fascinating to see how others can watch the same show and somehow see something completely different. Is it simply the lack of media literacy? Is it the inability to appreciate and enjoy complex, nuanced, morally grey characters without willfully blocking out anything even slightly unpalatable about them to the point where the character they think they love isn't really that character anymore?

Because, uh... Season 1 already "vilified" Ed plenty. Except "vilify" is the wrong word, of course. It wasn't in any way malicious or mean-spirited, quite the contrary, it was often played as comedic (until the end of episode 10 when it was anything but) - Ed was always meant to be a sympathetic character, he's a protagonist after all, and the show's portrayal of him is very compassionate. It merely refused to sugarcoat or shy away from his darker side. He's literally history's most famous pirate, you don't become one by being nice and treating everyone gently. He ambushed and strangled his own father to death when he was like 9 years old (100% deserved and justifiable ofc, but it still bears saying it out loud like this just to comprehend how unhinged this actually was). He loves torturing and maiming people for fun, and sometimes even animals (that scene with forcing a turtle to fight a crab). He didn't give a fuck about his crew members dying to satisfy his whim to meet Stede. He entirely failed in his role as a captain in ep 4. He effectively played a double agent with Izzy and Stede for a while before changing his mind. He attempted to murder Lucius. And while you could try to argue his punishment of Izzy was at least to some degree deserved, not only cutting Izzy's toe off but forcing him to eat went beyond punishment, it was sadistic torture.

So, yeah, please just read all that and take it in. And then remember once again that Ed is also a traumatised, lonely, depressed, sensitive, creative, curious, deeply passionate person yearning for true love and for something different in life... just like Stede. He loves music and can play the piano. He wrote a very vulnerable song and sand his heart out. He likes his tea with seven sugars. He enjoys fashion and dressing up. He has such a limitless sense of wonder for the world. He went on a trek with Stede just to make him happy, even though he hated nature and was in a shit mood that day. He wants to host a talent show. He wants to become free. He's clever and funny and fascinating. I love Ed.

Yes, it's possible to reconcile those two sides of him and accept both sides as the "real" Ed. You have to reconcile the two sides if you want to enjoy him as a character, because if you don't, you're going to either detest him to the core (which would make enjoying the show practically impossible since he's sort of a main character...), or you'll only be able to enjoy a diminished, crippled, cardboard cutout version of his character, which would be such a pity and a massive disservice to the creators of this show who worked hard to create interesting, multidimensional characters.

Not to mention you'd be missing one of the core messages of the show - the idea that people still deserve love and can be loved even if they're imperfect, or not necessarily good people. Because love is a human condition. It's not a sole dominion of "good" people. "Bad" people can fall in love too - even if, just like them, that love isn't exactly "nice" or "pure", and neither are the relationships that stem from it. They can be messy and exasperating. But "bad" people can also grow and change because of it. That's what OFMD is ultimately about - growth and change, learning to accept yourself but also become better. That can't happen if the character is already 100% perfect the way they are.Ed is far from that. So is Izzy. They can both become better, and they both still deserve compassion and understanding, because that's the environment people need to become better.

So, if you're mad that at the start of S2 the crew are sympathetic to Izzy's suffering and want to help him instead of kicking him when he's down, and what Ed did to him is being acknowledged as cruel and wrong... congratulations, you have completely missed what OFMD is all about.

[sketch-twentytwo]

This is coming of the heels of the FOP:NW season 1 finale, and I guess I was just disappointed in the ending.

The season has been building up Dev and Hazel's relationship (friendship you heathens!) and showing Dev's struggle to mature and really understand what he thinks is missing in his life (parental love from his father) but his heel turn kind of comes out of nowhere.

I don't think it should've been on Hazel to "save him" but they barely have a conversation the whole second half of the episode. I thought she could've given him some tough love, a speech about real friendship, or something.

Instead Peri tells him he cares about him (which is nice) and he basically forfeits and succumbs to being fairy/friendless and most likely being reset to square one (that is unless his sunglasses blocked out the magical, memory erasing flash).

I just think it could've been one of those finales where Hazel fights Dev with the power of friendship while still extending a hand. The guy is a selfish jerk and all, but he's also a ten year old nepo baby who doesn't know any better. Maybe we'll get some more dev-elopment if we get a season two, but he just felt more fleshed out and complex than the rest of Hazel's friends who get to keep their memories for some reason.

Oh yeah. That. For all the flack Timmy Turner got for almost revealing his fairies and the threat of them getting taken away from him over and over, Hazel just wishes her buddies can remember. At that point why not use the next rule-free wish to wish that she'll be able to remember her godparents FOREVER? IDK, it just sort of feels like some of the stakes of the show have evaporated.

I think it would've worked well if they'd just kept it with Hazel and Dev being the only god-kids in the show who have knowledge/memorize of fairies. Now it feels like there's too many people. But, we'll see what happens I guess.

Fairly Odd Parents: A New Wish has it's Pros and Cons, in my opinion. The character writing is FANTASTIC when it's good, but the plot lines aren't always compelling to me. I want to see more of it because I think it can and will be improved/built upon, but for now, it's a nice show I'd probably watch once and not again.

[miimo96]

Thoughts on My Adventures with Superman S2 episode 5

I love how Wholesome this Clark is, at 1st it looked like he wasn't really into attending the contest, but as soon as he heard that it was going to be Donating money to the children's hospital, he immediately made up his mind, Showing us once again Why this Show is Amazing, Because they Know how to HANDLE Superman

Aaaaahhh!! We're Finally being introduced to Kara, Omg She looks Soooo good I can't wait to see how they handle her and her relationship with Clark, maybe we might actually get see the "Sibling" Dynamic I talked about not to long ago ^^; (also is it me or does kara look kinda familiar, I don't know she just looks someone I've seen before I just can't put my finger on it, hmmmmm 🤔 eh it's probably nothing )

Annnd just like that Love at 1st sight, in all seriousnes I really love Jimmy's character and how he's handled throughout this show, It's clear that he does feel Guilty for What happened last episode, after all He was the one who gave Lex the "motivation" to do what he is doing So I understand that he does feel responsible in someway, plus he did bring Clark to Expo in the 1st place which led to Superman being framed when the Villains attacked, but C'mon, you Didn't know that would happen or that Lex would be there, or that you guy's would have a TED TALK discussing the "Dangers" of Superman, You have No reason to feel guilty or have any obligation to Fix this because it wasn't your Fault, just sit down and talk to your boy and for crying out loud Omg 😫

Also Clark using his X-ray vision to immediately see who was running is extremely funny to me for some reason idk why lol 😅

Ok 2 things, 1 Lois throughout this episode was really infuriating to me, Lois's ego was really shining here I mean she really feels that there's Nothing Specail about her, and that it would be completely unlikely for a guy like Superman to ever be interested in a person like her, because "who would ever be interested in the reporter right" even though they made entire episode last season focusing on the LOL/ League of Lois Lanes and how Lois lane is DESTINED to be with Superman in every reality, so it really Grinds my gears when she starts getting jealous when she sees Superman acting single around other contestants/girls, and wants act all salty and question if they're even "right" for each other and that maybe he should be with someone who is more Special than her when in reality that's exactly WHY he fell for you in the 1st place, because you are Different and because you Makes him feel Normal, also you're the 1 that Told him to "act" single in the 1st place like Wtf!? Also I find it hilarious that Clark immediately waves as they're talking about who could Superman's identity be, like it's LITERALLY right in front of them 😂

Judging by this scene it feels like she's never been on Earth before whatsoever, from her being to foriegn to stuff like what Ice cream and hot dogs are, to earlier with her wanting to immediately square up with a Truck, It's pretty clear that THIS Is her 1st time being on earth, leaving the question Now to where has she been all this time, and who is her father? Because as far as I'm aware I thought only her and Kal were last 2 kryptonians that made it off Krypton, So who could her "father" be? Well there's only 1 option, but I'll save that for a later scene ;)

So as I was watching this I kept wondering on who the heck the other contestants were, as far as my knowledge of comic books go it's Not really that good, since I mainly grew up with cartoons and only read a few comics from time to time and Superman was the 1 thing that I Never really kept up with all that time, So forgive me I don't really know who most of the people are on here other than Hank Hanshaw AKA Cyborg Superman, if y'all happen to know feel free to lemme know in the comments or just Ask me in the submissions Thx ^^;

Also can Clark Not come up with a good excuse to change into Superman, I mean how hard is it to say "I'm going to the bathroom, I'll be right back" also saying you're going somewhere and then immediately having Superman show up is completely Sus as hell, how has no one else figured out Who the heck he really is yet ?😅

Ah the Jealous girlfriend face 🤣🤣 also the scene here with Hank talking about just how dangerous Superman is and how he is literally a weapon waiting to go off just shows how much Lex is affecting people and how he already has people thinking he's right; This is stuff that will Definitely be brought up in season 3, I can already see the "Earth is for Earthlings" Hashtags 😅also I don't know about you but to me there's definitely something suspicious about Silver from the way she's acting, idk but to me I'm thinking that maybe Silver may not be as sweet as we think she is, hmmmm 🧐

I love the callback from Last episode with her saying "everything" when Jimmy asks what she wanted to see, just like how he did when Clark asked him the same question, also between this and the Jimmy from the Supergirl TV show on CW, Jimmy really has a knack for pulling Strong powerful women, Nice ^_^

I Really love how Devoted kara already is to Jimmy, the fact that she immediately was ready to go and completely DESTROY Whoever hurt Jimmy tells you just how much she Already cares about him just from being on this planet for like idk 3 hours maybe, bro really knows how to pull the Baddies, Ngl I ship them ^^

She's LITERALLY the embodiment of this

Bruh Kara is really talking crazy here, to me this Not how kryptonians Speak, as far as I'm aware kryptonians are usually intelligent chill people with only a few of them being like soldiers, they're Not effing Conquerors, tbh this Version of them sounds more like Sayains than anything, Damn they're really going in on the whole Anime theme this season huh, which leads me to my Next topic; I think I Know who Kara's father supposedly is, here me out but what if it's Freaking ZOD, think about it, what if before she left krypton Zod kidnapped her as a baby and raised her to make her Think that she was his own, hence why she has this mindset and Why she's talking like this; after all Besides Kal only Zod and her would be last 2 kryptonians, So it's possible he could've raised her and molded her into the warrior/ conquer she is today Similar to him, and if you still don't believe me, then take a Good look at what She says here Next

Ladies and Gentlemen, I rest my effing Case ^^ also OMG WTF IT WAS HER THE ENTIRE F#%KING TIME!? 🤯

Ok 3 things: 1 she beat the Absolute Shit out of him my god she showed No mercy even to her Own cousin Wow, 2 the Animation for this fight scene in this episode was Wild omg I loved every minute of it, They have Not missed a Beat this season when it's come down to the Animation whatsoever, and finally 3 Her design for this Suit looks Just effing incredible, Omfg I love the Red and black color scheme they got going on here and the Symbol, aside from Bulky ass Shoulder pads, everything just looks So effing CLEAN, Man I can't wait to see the Fanart from this Suit; Also it's clear that Brainiac is controlling her somehow judging by how she keeps hesitating and the way her eyes go completely blank after She receives her orders, So there may be hope for her Just yet, but in the end I know that even IF she turns good, Earth is going to be Completely against her and Superman by the end of this Season, So yeah...

Wow it looks like we Gotten yet another New superpower for this man, Ngl, I'm not a fan at all, the last one we got from him was his Bio electric aura which at 1st I wasn't a fan of but once I thought about It some more and did a bit more research on it, It really started to grow on me, Since it's how he's able to Defy the impossible, THIS however I am just Not feeling it, this does make any sense for him to have and Never even once in my life have I ever seen this man Shoot effing energy from his Mouth, like what is even the Point of this power and what is it used for like Bruh, Sry but this is Definitely ain't for me, and is Not going to grow on me anytime soon ^^;

No Please Not the Injustice FINISHER, Omg DON'T DO HIM LIKE THAT!! 😱😱😱

Wow this episode was just Balls to the Walls insane, between this and the Reveal that Brainiac was the one She was referring to as "father" i have No idea what else to expect from this Season, and this is Just making me completely unsure about what's gonna happen next for the future of this show, Omg this Series is so good, Can't wait for the next one #SupermanSaturdays