#but yeah i also thought that when I've been playing

[deathbxnny]

Helloo!! Arcane is ending soon, so I was wondering if I could request the Arcane cast reacting to a reader who suspiciously seems to know everything that’s gonna happen in the plot? They always appear where the action is, and they warn about dangers before they happen, trying to ”subtly” change the outcomes of horrible events. Tragedies are a core element of the story, so I feel that the narrative would create another disaster if one event got prevented, but the thought of these characters being safe and happy after all they’ve been through would be so healing :3 It’s up to you which way you want to take it 🐁💖 I’m fine with both platonic and romantic, but I’d love to see Vi, Jinx and Caitlyn if that’s ok :)

I love love love your writing, reading your HC’s before bed has become an important part of my day and it’s always a joy to see your work pop up in the tags <3 Thank you for letting us read your creations 💖 I can’t wait to read the second part of your Caitlyn fic!!

The Timekeeper. | Vi, Caitlyn, Jinx x Gn!Reader

I absolutely LOVE this idea, Anon, and I appreciate your request so much!! Also, thank you for your kind words. It really means the world to me reading something so sweet!<33

Content: Angst, can be read as either platonic or romantic tbh, time traveling, fluff, bitter sweet, cursing, spoilers for season 2?, sfw

Reader has no set pronouns.

((Not proofread))

You were always a mysterious figure to them. One that appeared at the right time in the right place whenever they needed you the most.

You never revealed a thing about yourself. You never even told them your name. But one thing they did know was that you had always looked out for them, like a guardian angel in a way.

And on one fateful day, after another evaded tragedy, they finally caught up to you just before you could leave again.

》VI

"Who the hell are you?" She asked completely out of breath after having practically chased you down through the dense crowd of the undercity. She had seen you so many times before. So, so many times. And every time she did, you were somehow able to save her from certain death by subtly showing her the right way to survive.

It took her a while to piece together that you must've known the outcome of every situation she had ever been in beforehand. That was the only logical answer to the many questions around your existence she could come up with, but it wasn't enough to satiate her desperate curiosity. There were times she had chosen against your signs, and the consequences ended up being almost grave. So whoever you were, you must've had otherworldly knowledge about everything and everyone.

Because whilst she didn't know a thing about you, you certainly knew everything about her.

Raising your hooded head, you idly played with the pocket watch in your hand, piercing eyes meeting her own. "Does that matter?" You ask, and truthfully, it shouldn't. Who cared about your identity when she knew she could trust you? But that wasn't enough. "Yeah, it does to me. Now tell me who you are already. I... I've been seeing you everywhere for years now. You have always been there and I..." She trailed off, suddenly losing her confidence.

She had thought of this moment for years now, imagined exactly what she would say to you. And yet, ultimately, she found herself speechless in your presence that seemed to drown out everyone else around you two. "I see... but my apologies, we were not supposed to meet yet." You said calmly, seemingly undisturbed by her appearance. "Time and fate... they both are so tightly intertwined and yet also so far apart from each other... how odd that the timeline changed so suddenly again, no?" Your words made zero sense in her mind, but that just added to your mystery.

"What-" "-Are you happy with the way your life is going?" You ask, and that made the woman pause in thought. The answer was positive, of course, but only because you had a strong hand in it once she accepted your help. She thought of Powder back home, who was probably happily tinkering away with the young girl Isha they recently took in, and that made her finally nod. "Yes. All thanks to you." "Not at all. It was you who chose your fate. I only showed you the alternative paths."

You two stood there in silence for a moment before she shoved her hands into her pockets and looked over to a nearby bar she liked to frequent in-between missions. "Let's go grab a drink and talk. It's on me." Deciding to accept this new path the timelines had given you, you accept her invitation with a smile.

》JINX

"You're terrible at your job." "Am I? I like to pride myself in my good work ethic, actually." Jinx was idly swinging her gun back and forth on her index finger whilst she rested up in the ceiling above you, clearly having followed you around secretly. But she knew that you already knew that from the start.

Scoffing at your words, she jumped down and landed in front of your indifferent figure as she pointed the gun right at you. "Pah! You're a funny one... so what are you? A time traveler?" "Ah, I like the title Timekeeper more." You were aggravating but at the same time a familiar face she had grown to appreciate deeply. You were the reason she was doing well in life now, even if she ignored you for a very, very long time. She thought she knew better despite all the odds pointing against her, especially you. Ultimately, she learned her lesson when she finally just listened to you.

"Ugh... whatever. Can't ya at least tell me your name?" "No." "Man, you're such a pain in the butt!" "Likewise." Rolling her eyes, she lowered her gun and lazily leaned against a wall, arms crossed tightly as she observed the crowds passing by from outside the abandoned building you were in. An admittedly comfortable silence fell between you two, one that relaxed her shoulders and made her sigh in defeat after a while. Your presence was always so comforting.

"So, you let me catch up to you this time. Finally tired of the cat and mouse game we've been playing?" You lowered your head at her question, a sly smile on your face that made her narrow her eyes in interest. "Perhaps. Or maybe I just wanted to ask you how you're doing?" What an odd question, considering the context of your meet-up. And yet, it was somehow fitting coming from you specifically. Wasn't your whole mysterious mission revolving around her well-being anyway?

"Shouldn't you know the answer to that, oh so esteemed 'Timekeeper'?" You found no offense in the mockery of your title. Just pure amusement. "I'm afraid that mind reading was not in the initial job listing." Jinx took a moment to think about your question carefully then, deciding to indulge you despite her better judgment. Things were good now, after all. She, Isha, and Vi were together again as a family, including Vander, even if they had yet to find a way to turn him back properly. But everything was happy otherwise... because you made sure that the end to her story wouldn't be a painfully tragic one.

"... I'm fine. Everything's fine." She muttered, and your smile widened at that answer. "So... I'm not terrible at my job, after all?" Pressing a playful hand to her chin, Jinx acted as though she was in deep thought. "Hmmm... I guess I'll need more convincing than all of this to decide." "Of course... then how about we start with running away before the Enforcers show up to raid this place in approximately... 2 minutes?"

Jinx rolled her eyes again with a grin but agreed to follow you, very much glad to have learned her lesson at your side throughout the years.

》CAITLYN

She was ignorant towards your judgment from the start, especially as she was able to analyze very quickly that you weren't all you claimed you were. You were too smart, too fast, too aware of everything. It was clear that you already knew how her life story especially would come to an end. But that didn't mean that she'd always listen to you.

Caitlyn believed to know better, even going as far as to protest against your word, which she had learned to be fate itself. And sometimes she'd nearly get away with her life, and on others, you'd be the one to show up just in time to save her. It was embarrassing and at times even near humiliating, but you never judged her, just silently left every time she attempted to confront you.

And this time she had finally succeeded.

Now dressed in a formal uniform, she watched your still form stare out of a window in her estate, as though you weren't practically trespassing. But Caitlyn was used to that. "It's going to rain soon. I wonder if the construction workers will get done with the restoration on time today before the first drops fall." The navy haired woman came to stand next to you, ears finely tuned to your calming voice she had heard in her dreams and mind for so many years. It felt surreal to stand next to you at last.

"You already know the answer... but I think Mother will send out guards soon to retrieve them." Her mother, who had only narrowly escaped her death, if it wasn't for you. She had only gotten a little injured from falling debris, but that was all that happened. All of the councilors and people in the building had survived the Jinx attack. No grave injuries. All because you prevented it by throwing Jinx slightly off balance enough to make her shot not as precise.

"... Thank you." "For what?" The right answer would be absolutely everything, but she refrained, noting that you didn't seem keen on praise. You saw it as your job. As your duty to her for a reason unknown. "For saving my mother." That should do.

You nodded at her words in acknowledgment as your eyes spied Ambessa retreating with her troops in defeat. They were practicing chased away by the council since their help was unwelcome. Served them right for meddling with the business of other nations. You had exposed their ulterior motives in secret, and that's all it took for the tide to turn against them. "Just my duty." "I knew you'd say that... but I want to reward you for all you've done. If it wasn't for you... then I... I don't want to know what I would have become."

You glanced at her with an unreadable look in your eye, and that reconfirmed her suspicions regarding how deep she would have fallen otherwise. It's best not to think of it.

Humming to yourself in thought, you gave her a small smile. "Very well, if you insist... you can treat me to some fine tea and cookies." Caitlyn weakly mirrored your grin, relief filling her senses at you accepting her offer. She was worried you wouldn't. "Of course. Follow me." Linking your arms together carefully, you made your way through the dim halls.

A chuckle left your lips when it indeed began to rain.

[fuctacles]

<< eight | 😺 | ten >>

a little poll while you're here

It's pure torture, sitting in a salon chair. Eddie briefly wonders how women can endure all this treatment and how many of them experience their first homoerotic thoughts under a hairdresser's touch.

The only time anyone is this hands-on with him is during sex, and even then it wildly depends on the partner. His body can't comprehend that it's not a bedroom setting, despite the intimacy of drawn curtains and soft music, and that it is not the time to pop a boner. 

Thankfully, Stephanie swiftly distracts him with questions about his interests, which always works on his nerdy brain. The fact that she's no longer massaging shampoo into his scalp also helps.

"I'm going to cut about this much, okay?" she asks after a moment of brushing and D&D talk, holding up the ends of his hair so he can see. 

"Sure. There's so much of it you can cut more," he jokes but Stephanie cocks her head, pursing her mouth.

Gods he wishes she'd stop making her lips look so kissable. 

"Don't you want to grow them out even more? I think it would look good."

She could also stop praising his hair and overall look.

"You think I could pull off ass-long elvish hair?" he smiles at her mirror reflection. 

"Hm..." She looks at him completely seriously, plays with the hair around his face, and traces the line of his cheeks with the tips of her nails. Whatever vision of him Steph is conjuring in her mind, she seems to like it. "I think yes. Absolutely," she decides, but Eddie doesn't remember what he has just asked.

"Only the ends, then?" she asks, backing away so he can release the breath he's been holding.

"Yeah. Just the ends." He tries to nod, but she swiftly taps her comb on the top of his head. 

"Don't move your head unless I say so," she scolds him with a played-up frown.

"Yes ma'am," he's quick to agree. It's her kingdom and all that. Also, she's maneuvering sharp objects around his head. 

"Good boy," Stephanie smiles again and one of these sharp object might as well have just pierced his heart. 

He knows he won't leave this ordeal unscathed. 

"Could you dye just a streak of my hair? Some weird color, like red?"

Eddie can see her little smile in the mirror. It's a knowing smirk like she was anticipating that question, and this hint of condescension makes her look hot as Hell. 

"If you want red-red and not ginger-red, then I'd have to order the dye," she says, thoughtfully combing through his hair. Stephanie works fast, though, so he's pretty sure she should be done soon. There's another snip of her scissors before she straightens up to look at him properly. 

"As you can imagine, there aren't many adventurous metalheads in Hawkins to work on."

"I'll let you know that during longer breaks there are at least four."

Stephanie laughs.

"Your bandmates, right? But are they all as willing to experiment with their hair?" She raises her eyebrow, and she's suddenly up in his face. The counter behind her creaks under her weight and Eddie wonders how nice it would be to feel it on his lap.

"Well... Gareth's been growing it out," he offers. 

"If he has anything in mind, let me know," she smiles. "I should probably look more into what's new and hip among kids anyway."

"If you weren't holding scissors, I'd pinch you," Eddie scoffs. "New and hip among kids," he repeats under his breath. 

Stephanie rolls her eyes. 

"There's a big difference in hairstyles between Hawkins and Indianapolis though, you can't deny that." She straightens up again to wet her comb in the sink. "Close your eyes."

He does as he's told. 

"Would you want to be—" his breath catches embarrassingly when her damp fingers touch his chin to angle his head where she wants it. "—a hairdresser in a city like that?" he asks.

She hums in affirmation as she combs through his fringe. A stray droplet falls on his nose and she swipes it away with her finger. Eddie wants to lick it clean.

"I've been saving for a second salon, actually. The prices in the city are crazy though."

"Really?" Eddie raises his eyebrows since it's all he can do right now, considering there's a snip of scissors way too close to his eye. He thinks about having Stephanie up in Indianapolis with him. In the same city, that is, close enough to drop for a friendly visit. He could show her all his favorite places, too. 

She hums.

"Do you cut your fringe yourself?" she asks suddenly. 

Eddie sighs. 

"Does it show?"

"Not really," she chuckles. "You did a good job, honestly. It's slightly choppy, but it suits you, so I'm just gonna even it out and leave it like that."

"Oh. Thank you."

She hums again, snipping some hair by his left temple. 

"If I didn't like working with hair, staying here would be torture," she picks up their previous topic. "I got this place shortly before Robin had to move, and I felt stuck in Hawkins without her. But I'm making good money here so I figured I could save enough for a place over there." She combs his fringe again, snips once, and then he can hear a clank when she puts her tools away. 

"How much more do you need?" Eddie asks and then jumps when she touches his face again, dusting stray hair from his cheeks. 

"A bit," she says, but it sounds like more than that. "I was going to sell this place to add to it, but then Robin was talking about opening a chain, so now I'm training Joyce to take over here. Don't tell her though." She bops his nose suddenly, making him squeak. "It's kind of a surprise and I need time to figure it out. You can open your eyes."

Eddie blinks his eyes open and smiles as soon as he can see Stephanie again. But she moves aside, to reveal the mirror behind her. 

"I know it's not much, but is that okay?"

There's indeed not much of a difference, other than his hair being an inch or two shorter and his fringe laying a bit better against his skin. 

"Yes, I'm never cutting it by myself," he says, lightly brushing the hair framing his face with his fingers.

"I can totally do it for you whenever you visit," she agrees easily. "Now, do you want some color in your hair anyway? Because I could bleach that streak you want dyed later, but we would have to deal with the roots when you come back."

Eddie hums thoughtfully. 

"How light can you go? Can you give me like, a white Bride of Frankenstein streak?" 

Stephanie snorts at that. 

"I'm afraid not." She purses her lips, gently rubbing a lock of his damp hair between her fingers. "At least not with what I have on hand. Your hair isn't that thick but it's dark enough to be a challenge for bleaching. I may be good, but I'm not good enough to promise it wouldn't burn to a crisp." She smiles apologetically. 

"I'll wait for the red dye, then." Eddie shrugs. "No problem." 

"Okay. I'll grab the conditioner then, and we should be done soon." Stephanie pats his shoulder and he briefly considers asking her for something outlandish just to keep her working with his hair. 

my boyos:

@wheneverfeasible @steddieinthesun @hattsy-likes-pretty-stuff @bumblebeecuttlefishes @phantomcat94

@tartarusknight  @tinyplanet95 @steddiefication @estrellami-1 @disrespectedgoatman

@madigoround @tartarusknight @blasvemous @cryptid-system

[ponyextulparlog]

//OKAY OKAY guess who played How Fish Is Made (and the dlc). yeah that's right. this may be one of the funkiest ways i've seen someone advertise their game not gonna lie. anywayss about my thoughts on it;; I love how it gives more context to Jimmy/Curly's weird relationship they have going on. esp the scene with the isopod and in the dlc where Curly actually makes an appearance. "I ate his tongue and we've been coworkers ever since!" Jimmy acts exactly like a parasite. He latches onto people and takes what he can get, even if it ruins them in the end, just to benefit himself. But a parasite can't do that without a host, because it's the only method it can keep itself alive. it's a disgustingly co-dependent relationship, one can't be without the other. It also clarifies even further to us when Curly in the dlc mentions being the one that brought him in, which implies he directly influenced in Jimmy being hired by the company. "Quick buck, just a few trips" (to keep it short). these two are destroying each other and despite so they are inseparable. in a bad bad way. hell i dare even go as far as saying the DLC is in Jimmy's pov considering we are an amalgamate mass that keeps consuming. it's never enough. I also think that the big fish before the endings of the first game also may be a metaphor to Swansea?? i picked up on the way it speaks and they definitely sound similar. I'm not sure about the others but if yall have any ideas on it do tell. this may be a stretch of mine but the Do fish feel pain? in the musical sequence may also be on par with the I hope this hurts in MW. And the raw meat twitching this is definitely about Curly. okay now for theory timeee back to the isopod thing. Jimmy manipulated Curly to bring him closer, so after being fucked in life (probably by his own choices) he could continue his parasitic cycle. as host, Curly fails to notice this until he is unable to take it any longer. He victimized himself to appear small and break down Curly's walls. Earn his sympathy so he could attack, appear as friendly as possible- at first, at least. and it worked WAY TOO WELL. Curly's a good man, everyone's dependable guy. of course he'd help him. it was way too easy of an opportunity to miss and Jimmy knew. ANYWAYS i could say more but i shall spare yall of my incessant yapping. just know that i WILL make fanart about this (how the fuck do you draw an isopod??)

[butterflydm]

some thoughts on spirits (DAV)

I feel like the game has done a good job making Rook feel like someone with natural leadership abilities. And while I do love the companions in the previous games, I feel like DAV's companions are my favorites (at least currently; entirely possible that a replay of the older games would make me feel different!).

I also really like the different dynamics between Rook and their companions. Just... idk good vibes.

Also, here is Rook being very relatable for me:

I am just really loving all the characters so much -- Lucanis stole my heart as my favorite (he's my 'personal demon' now in the character screen lol) but I'm very attached to all of my companions. I love how the game has made it easier to know when they have something new to say, and I like that they distinguish between 'conversations' and 'outings' in the companion quest section. I've really been enjoying getting to know them and I feel like this game has done a really good job appropriately gating dialogues and areas.

It feels like they found a good compromise between 'open world' and 'mission-based game'. Each of the areas feels really big but it's also gated in natural ways that get unlocked as the story goes on, so you can't bum-rush the Crossroads and do literally everything the first time you're there, for example. In DAI, I would sometimes have to impose my own pacing to make sure that things flowed well for me, and I haven't needed to do that with DAV.

One thing that leaving the Fereldan/Orlais area did is really let us get to know a lot of mages who don't have the same sense of shame and self-hate that mages are taught in the Chantry of southern Thedas (or the even more extreme way they are treated by the Qunari!). We got hints of this approach in earlier games, but getting to dive more in-depth into several cultures who do not have the same "let's toss all the mages into prison" approach to magic that southern Thedas has has been very illuminating! Obviously we've always had exceptions like the Dalish clans, but they were very much depicted as deliberately on the outskirts of society, and going against the Chantry-defined norm.

And to contrast, in DAV, I recently had a long conversation with Emmrich on the potential merits of lichdom! Basically an unthinkable conversation in either Ferelden or Orlais. Nevarra doesn't burn their dead and they don't have such a deep fear of the dead, demons, or magic itself. And it really just to illustrate how much the oppression of mages that was so much at display in the Circles is just... nonexistent in places like Nevarra. The oppression is cultural and it's religious -- it's not actually something that's necessary to 'keep magic in check'. (which, yeah, is obvious from the outside, but always nice to have reinforcement from the actual games!)

I'm also watching a let's play of DAI on the side and the person just got to Solas and Cole's personal quests and, yeah, they resonant so hard after the additional Solas revelations in DAV. And it really does feel so much like DAV is in a strong conversation with DAI (as makes sense). Solas and Varric are talking about Cole but Solas is also talking about himself.

Varric: "A spirit who is strangely like a person!"

Varric: "He came into this world to be a person. Let him be one."

Solas: "We cannot change our nature by wishing it." Varric: "You think?"

Solas: "You would alter the essence of what he is." Varric: "He did that to himself when he left the Fade."

[if Cole is made more spirit]

Varric: "...could have been a person." Solas: "Would that have made him happier?"

Is Solas's endgame becoming a spirit again? Or has he experienced and changed too much? (would it make him happier? is that a desirable goal?) Is it all a matter of perspective? Cole approves of the Inquisitor's choice whether they make him more of a spirit or more human. I feel like Solas would lose a lot of himself if he became a spirit again, but maybe that's a matter of perspective too.

And then Solas's DAI quest is all about dealing with the damage of a Wisdom Spirit being corrupted against its purpose -- the same kind of Spirit that Solas once was. Wisdom vs Pride (but once you're a person and not a spirit, you can be filled with both at the same time).

DAV is really making me want to do another run of DAI, and take Solas literally everywhere, lol. But the conversation about spirits in the 'real' world didn't start there either -- it started back in DAO, with Wynne. It continued in DA2, with Anders. Both DAO and DA2 are more 'standard' than what we get in DAI with Cole, in the sense that they were possessing a body (though with permission) but it's still part of the same conversation.

But the conversation really did explode into something bigger in DAI, with Cole as a spirit who was with us without possessing a body, and with learning that being briefly possessed can reverse Tranquility (via Cassandra's quest). And now, with what had been confirmed in DAV, we know that a spirit that takes mortal form can, over the generations, become mortal, as that's what the ancient elves did, so Cole could have kids who were fully mortal, maybe. And Cole did it without using lyrium (and thus taking something from the Titans to fuel himself) -- at least as far as I understand.

I am also finding myself very curious about where humans come from -- we know that the ancient elves were once spirits; we know that the dwarves are fragments of the Titans. Where did humans come from? Evolution? Or is there a magical answer for them too? Is the Maker a spirit and/or Titan who created humans specifically?

(I think it's implied that Qunari were genetically/magically engineered in some way, and possibly crossbred with dragons somehow?? iirc DAI correctly)

I'm really looking forward to removing my filters on DA-related stuff and reading other people's thoughts. I've covered my eyes and clicked on posts a couple of times so far and have been rewarded by mostly getting fanart and not spoilers, lol. Mostly.

I genuinely have zero critiques of the game so far, if anyone was wondering if I was just holding some back or whatever. I like the quality of life changes they made to a lot of little things like companion banter; I never had an issue with the art style*; and I'm enjoying the story and characters as they unfold.

(*I know that was a big thing with a lot of people but, confession time: I genuinely can barely tell a difference between DAI and DAV's 'art style'. You can change Qunari hairstyles separate from horns now in the character creator? People walk less awkwardly than in DAI? The menus are purple instead of green? idk, maybe my brain just doesn't register whatever it is that makes DAV so different, art-wise?)

I also love that I can literally just throw myself at boxes to break them open to get materials. It's so satisfying. I have a griffon that I can pet. idk, I guess I'm just a simple girl with simple desires. ¯\_(ツ)_/¯

Looking forward to playing more this weekend!

Current progress note: a Dalish clan (at least one) has been kidnapped for potential blood sacrifices, so trying to rescue them is my next main quest. I'm about eighty hours into the game.

[gardenwalrus]

Thelma Pickles, John Lennon’s first girlfriend at Liverpool College of Art, on her relationship with John 

My first impression of John was that he was a smartarse. I was 16; a friend introduced us at Liverpool College of Art when we were waiting to register. There was a radio host at the time called Wilfred Pickles whose catchphrase was "Give them the money, Mabel!". When John heard my name he asked "Any relation to Wilfred?", which I was sick of hearing. Then a girl breezed in and said, "Hey John, I hear your mother's dead", and I felt absolutely sick. He didn't flinch, he simply replied, "Yeah". "It was a policeman that knocked her down, wasn't it?" Again he didn't react, he just said, "That's right, yeah." His mother had been killed two months earlier. I was stunned by his detachment, and impressed that he was brave enough to not break down or show any emotion. Of course, it was all a front. When we were alone together he was really soft, thoughtful and generous-spirited. Clearly his mother's death had disturbed him. We both felt that we'd been dealt a raw deal in our family circumstances, which drew us together. During the first week of college we had a pivotal conversation. I'd assumed that he lived with his dad but he told me, "My dad pissed off when I was a baby." Mine had too – I wasn't a baby, I was 10. It had such a profound effect on me that I would never discuss it with anyone. Nowadays one-parent families are common but then it was something shameful. After that it was like we were two against the world.

I went to his house soon after. It seemed really posh to me, brought up in a council house. We were alone, he showed me round and we had a bit of a kiss and a cuddle in his bedroom. Paul and George came round and we all had beans on toast, then they played their guitars in the kitchen. I had to leave early because Mimi wouldn't allow girls in the house. She was very strict. She wouldn't let him wear drainpipe trousers so he used to put other trousers over the top and remove them after he left the house. We used to take afternoons off to go to a picture-house called the Palais de Luxe where he liked to see horror films. I remember we went to see Elvis in Jailhouse Rock at the Odeon. He didn't take his glasses. We were holding hands and he kept yanking my hand saying, "What's happening now Thel?" John was enormous fun to be with, always witty, even if it was a cruel wit. Any minor frailty in somebody he'd detect with a laser-like homing device. We all thought it was hilarious but it wasn't funny to the recipients. Apart from the first instance, where he mocked my name, I never experienced it until I ended our relationship. We were close until around Easter of the following year, 1959. At an art school dance he took me to a darkened classroom. We went thinking we'd have it to ourselves but it was evident from the din that we weren't alone. I wasn't going to have an intimate soirée with other people present. I refused to stay, and he yanked me back and whacked me one. He had aggressive traits, mainly verbal, but never in private had he ever been aggressive - quite the opposite. Once he'd hit me that was it for me, I wouldn't speak to him. That one violent incident put paid to any closeness we had. I took care to not bump into him for a while. I didn't miss drinking at Ye Cracke with him but I missed the closeness we had. Still, we were friendly enough by the end of the next term. Because he did no work, he was on the brink of failure, so I loaned him some of my work, which I never got back. I've never wondered what might have been. It sounds disingenuous, but I wouldn't like to have been married to John – that would be quite a gargantuan task! He would've been 70 next year and I just cannot imagine a 70-year-old John Lennon. I'd be fearful that the fire would've gone out.

- Interview within Imogen Carter, ‘John Lennon, the boy we knew’, The Guardian (Dec 2009)

Thelma also briefly dated Paul McCartney and later married Mike McCartney’s bandmate, Roger McGough, in 1970.

Thelma also gives more detail of her relationship with John in Ray Coleman's 1984 John Lennon biography. Just to note, she mentions towards the end of the section that their romantic relationship just petered out, and John was never physically violent with her - it's likely the case that by the 2009 Guardian interview above, she would've felt more free to speak about John hitting her as the reason for the relationship's end, rather than this being two contrasting stories.

A year younger than John, Thelma was to figure in one of his most torrid teenage affairs before he met Cynthia.  Their friendship blossomed in a spectacular conversation one day as they walked after college to the bus terminus in Castle Street. In no hurry to get home, they sat on the steps of the Queen Victoria monument for a talk.  ‘I knew his mother had been killed and asked if his father was alive,’ says Thelma. ‘Again, he said in this very impassive and objective way: “No, he pissed off and left me when I was a baby.” I suddenly felt very nervous and strange. My father had left me when I was ten. Because of that, I had a huge chip on my shoulder. In those days, you never admitted you came from a broken home. You could never discuss it with anybody and people like me, who kept the shame of it secret, developed terrific anxieties. It was such a relief to me when he said that. For the first time, I could say to someone: “Well, so did mine.”’ 

At first Thelma registered that he didn’t care about his fatherless childhood. ‘As I got to know him, he obviously cared. But what I realised quickly was that he and I had an aggression towards life that stemmed entirely from our messy home lives.’ Their friendship developed, not as a cosy love match but as teenage kids with chips on their shoulders. ‘It was more a case of him carrying my things to the bus stop for me, or going to the cinema together, before we became physically involved.’ John, when she knew him, would have laughed at people who were seen arm in arm.’ It wasn't love's young dream. We had a strong affinity through our backgrounds and we resented the strictures that were placed upon us. We were fighting against the rules of the day. If you were a girl of sixteen like me, you had to wear your beret to school, be home at a certain time, and you couldn't wear make-up. A bloke like John would have trouble wearing skin-tight trousers and generally pleasing himself, especially with his strict aunt. We were always being told what we couldn’t do. He and I had a rebellious streak, so it was awful. We couldn't wait to grow up and tell everyone to get lost. Mimi hated his tight trousers and my mother hated my black stockings. It was a horrible time to be young!’ Lennon's language was ripe and fruity for the 1950s, and so was his wounding tongue. In Ye Cracke, one night after college, John rounded on Thelma in front of several students, and was crushingly rude to her. She forgets exactly what he said, but remembers her blistering attack on him: ‘Don't blame me,’ said Thelma, ‘just because your mother's dead.’ It was something of a turning point. John went quiet, but now he had respect for the girl who would return his own viciousness with a sentence that was equally offensive. ‘Most people stopped short,' says Thelma. ‘They were probably frightened of him, and on occasions there were certainly fights. But with me, he met someone with almost the same background and edge. We got on well, but I wasn't taking any of his verbal cruelty.’

When they were together, though, the affinity was special, with a particular emphasis on sick humour. Thelma says categorically that John and she laughed at afflicted or elderly people ‘as something to mock, a joke’. It was not anything deeply psychological like fear of them, or sympathy, she says. ‘Not to be charitable to ourselves, we both actually disliked these people rather than sympathised,’ says Thelma. ‘Maybe it was related to being artistic and liking things to be aesthetic all the time. But it just wasn't sympathy. I really admired his directness, his ability to verbalise all the things I felt amusing.’ He developed an instinctive ability to mock the weak, for whom he had no patience.  He developed an instinctive ability to mock the weak, for whom he had no patience. In the early 1950s, Britain had National Service conscription for men aged eighteen and over who were medically fit. John seized on this as his way of ridiculing many people who were physically afflicted. ‘Ah, you're just trying to get out of the army,’ he jeered at men in wheelchairs being guided down Liverpool's fashionable Bold Street, or ‘How did you lose your legs? Chasing the wife?’ He ran up behind frail old women and made them jump with fright, screaming 'Boo' into their ears. ‘Anyone limping, or crippled or hunchbacked, or deformed in any way, John laughed and ran up to them to make horrible faces. I laughed with him while feeling awful about it,’ says Thelma. ‘If a doddery old person had nearly fallen over because John had screamed at her, we'd be laughing. We knew it shouldn't be done. I was a good audience, but he didn't do it just for my benefit.’ When a gang of art college students went to the cinema, John would shout out, to their horror, ‘Bring on the dancing cripples.’ says Thelma. ‘Perhaps we just hadn’t grown out of it. He would pull the most grotesque faces and try to imitate his victims.’ 

Often, when he was with her, he would pass Thelma his latest drawings of grotesquely afflicted children with misshapen limbs. The satirical Daily Howl that he had ghoulishly passed around at Quarry Bank School was taken several stages beyond the gentle, prodding humour he doled out against his former school teachers. ‘He was merciless,’ says Thelma Pickles. ‘He had no remorse or sadness for these people. He just thought it was funny.’ He told her he felt bitter about people who had an easy life. ‘I found him magnetic,’ says Thelma, ‘because he mirrored so much of what was inside me, but I was never bold enough to voice.’  Thel, as John called her, became well aware of John's short-sightedness on their regular trips to the cinema. They would ‘sag off’ college in the afternoons to go to the Odeon in London Road or the Palais de Luxe, to see films like Elvis Presley in Jailhouse Rock and King Creole. ‘He’d never pay,’ says Thelma. ‘He never had any money.’ Whether he had his horn-rimmed spectacles with him or not, John would not wear them in the cinema. He told her he didn’t like them for the same reason that he hated deformity in people: wearing specs was a sign of weakness. Just as he did not want to see crutches or wheelchairs without laughing, John wouldn't want to be laughed at. So he very rarely wore his specs, even though the black horn-rimmed style was a copy of his beloved Buddy Holly.  ‘So in the cinema we sat near the front and it would be: “What’s happening now, Thel?” “Who’s that, Thel?” He couldn’t follow the film but he wouldn’t put his specs on, even if he had them.’

[...] It was not a big step from cinema visits and mutual mocking of people for John and Thelma to go beyond the drinking sessions in Ye Cracke. ‘It wasn't love’s young dream, but I had no other boyfriends while I was going out with John and as far as I knew he was seeing nobody except me.’  On the nights that John's Aunt Mimi was due to go out for the evening to play bridge, Thelma and John met on a seat in a brick-built shelter on the golf course opposite the house in Menlove Avenue. When the coast was clear and they saw Mimi leaving, they would go into the house. ‘He certainly didn’t have a romantic attitude to sex,’ says Thelma. ‘He used to say that sex was equivalent to a five-mile run, which I’d never heard before. He had a very disparaging attitude to girls who wanted to be involved with him but wouldn’t have sex with him. ‘“They’re edge-of-the-bed virgins,” he said.  ‘I said: “What does that mean?” ‘He said: “They get you to the edge of the bed and they’ll not complete the act.” ‘He hated that. So if you weren’t going to go to bed with him, you had to make damned sure you weren’t going to go to the edge of the bed either. If you did, he’d get very angry. ‘If you were prepared to go to his bedroom, which was above the front porch, and start embarking on necking and holding hands, and you weren’t prepared to sleep with him, then he didn’t want to know you. You didn’t do it. It wasn’t worth losing his friendship. So if you said, “No”, then that was OK. He’d then play his guitar or an Everly Brothers record. Or we’d got to the pictures. He would try to persuade you to sleep with him, though.  ‘He was no different from any young bloke except that if you led him on and gave the impression you would embark on any kind of sexual activity and then didn’t, he'd be very abusive. It was entirely lust. 

[...] Thelma was John’s girlfriend for six months. ‘It just petered out,’ she says. ‘I certainly didn’t end it. He didn’t either. We still stayed part of the same crowd of students. When we were no longer close, he was more vicious to me in company than before. I was equally offensive back. That way you got John’s respect. Her memory of her former boyfriend is of a teenager ‘very warm and thoughtful inside. Part of him was gentle and caring. He was softer and gentler when we were alone than when we were in a crowd. He was never physically violent with me - just verbally aggressive, and he knew how to hurt. There was a fight with him involved once, in the canteen, but he’d been drinking. He wasn’t one to pick a fight. He often enraged someone with his tongue and he’d been on the edge of it, but he loathed physical violence really. He’d be scared. John avoided real trouble.’

- Within Ray Coleman, John Winston Lennon: 1940-66 vol.1 (1984)

[cannibalsrider]

Darling, I

pairing: post ts!kuroo x Artist! gf

wc: I think like 1.2k

a/n:really enjoyed writing this after struggling alot these last two weeks mentally but I hope you guys enjoy this and let me know if you wanna know more about these two for future posts ^_^ also this grammar wise is gonna be so bad because I've been awake since 10pm and its now 1:38 pm and running on fumes

“Yn” Tetsuro called from the doorway just loud enough over the sound of her music playing in the background as she worked on a new piece for the JVA “Huh what’s up” Yn responded not moving from her spot at her desk the drawing tablet flipped on as the only source of light in the room since the sun had already gone down for the night “you should finish up for the night it’s getting late isn’t it?” He asked her, knowing she had been working on the new holiday promotional merchandise for the JVA and had been working on god knows how many things besides that project he had commissioned. 

She nodded checking the time realizing it was already eleven pm “Jeez it’s already this late” she mumbled rolling her stiff neck whenever she got focused on her deadlines and Producing quality work for it she was like a train that never seemed to stop hell even faster than the bullet train sometimes depending how big the art piece is “how far have you gotten?” Tetsuro asked leaning against the doorframe it wasn't enough to completely see her drawing tablet with how she was sitting.

 "I've got the base of it done I think it should be done by later tomorrow if I work all day on it so it can be on time for the deadline" she answered sliding over slightly as she motioned for him to come closer so he could get a better look “it looks amazing Yn I love how you did it and everything just looks so well done” he praised with that smile he always loved her art ever since primary school he always liked to see the things he drew and to read her manga panels in the school paper even when she gave up on drawing for years because she thought it was the right thing to stop because all her friends thought it was weird she put so much time into it until she got back into it for a contest that she entered with a girl who she shared the panels with.

“I'm serious Yn it's already so amazing” he added earning a sheepish smile from his girlfriend “i mean id hope so since it will gonna be shown to a crap ton of teens and others around the country” she responded looking up at him from the corner of her eye before looking back down at the tablet on her table after a moment of watching it deciding to click the save button before shutting down her PC setup in her office “alright let's get to bed its late isn't it” she told him sarcastically as she stood up from her desk chair shooing him out so she could go wash her face before they head to bed 

“Yeah you've been held up in here all day” he quipped back following right behind her already in his pajamas for the night “that's what you say every time” she hummed standing in the doorway of their shared bathroom the faucet running 

“Do you ever wonder what it would be like if we didn't have our careers?” Tetsuro asked watching her almost as if he was watching a painting he must have found breathtaking he liked to say she reminded him of a Renaissance painting sometimes especially when she was doing mundane tasks or working on things “i like to think i would still be in the art type of job but instead i would have pursued being a mangaka y’know?” she answered clicking open her face wash and putting some on her hand as she spoke 

“Or maybe a teacher and I would have gone back to work at Nekoma” she added knowing that ever since she was young it was three things when it came to her art, history, and music she always thought it would be one of those places catching her eye in life.

 never once did she think it would be graphic design though for most of her commissions besides when the JVA commissions her work “what about you?” she asked continuing on with her skincare as he deliberated beside her “probably still doing volleyball maybe or coaching” he answerd she knew in some ways he still wanted to play and go professional like alot of his friends did but he grew to love his job and the life he built but anything would be amazing as long as they were together thats what he always said when one of them felt real discouraged with something they had been trying to pursue in or on a specific project.

“Bet you’d be going pro or something if you kept with it” she said drying her face off from the extra water on her cheeks after a moment setting down the towel as she watched him back for a moment like it was a staring contest or something “eh who knows maybe” he hummed turing on his heel so he could go back into their bedroom “shut off the lights in there” he called out as a reminder knowing she had a habit of forgetting to turn them off at night 

With a small click shutting off the overhead light in the bathroom she followed the hall back to their room knowing he was probably already in bed since it was a long day for them both but its not like long days would truly matter they would always still be by each others side no matter what and know stress was okay and that the other could help to try and lessen that burden 

As she slid in beside him for the night it was like clockwork for her body the tense muscles and aches she had from the day just seemed to melt away beside him because she knew it was safe she knew that she would be safe with him just like she always was ever since junior high

“What would you thin about getting married one of these days yn?” tetsuro asked his chin resting on the top of her head as he held her close she must have seemed so confused with the little huh she made “id do it” she mumbled out as a response before adding “i mean id do anything with you tetsu your like my other half at this point” she added snuggling into him closer she wasnt wrong he really was like her other half the yang to her yin and the sun to her moon 

She knew if he was to ask her it would be an immediate yes it always would be because god would she be a dumbass to say no to the rooster head he was as sweet to her as a bag of sweets he reminded her of home an at this point he was home to her he always had been 

She would always feel at home listening to his heartbeat knowing he was gonna be okay and that nothing bad was gonna happen to him with how bad her anxiety got for no reason sometimes it was always comforting when she would get him all to herself for a bit even if it was just for the night.

[sockatoothewafflebird]

‼️🚨‼️🚨‼️🚨‼️

arcane season 2 ending spoilers!!! scroll past if you wanna save yourself! seriously it's so much better if you watch it completely blind.

here we go!!! turn back now!!!

so. oh my god. that was the most beautiful thing i've ever seen.

my first reaction:

i think it's safe to say arcane is my favorite show ever. my favorite piece of media ever.

let's start with the very few flaws:

pacing was way too fast, but i think it's just because episodes were a lot shorter and we only got two seasons instead of the original five. it wouldve been better as five seasons. but oh my god it's still hella good

i think a couple issues aren't handled as well as they should've been, although it's not my place to speak on it. i'll probably talk about it later but for now i'll just say they could have handled jinx better.

i wish we could have seen their graves. the graves of isha and jinx and vi's parents, the graves of everyone she lost. i think it would have been a nice touch, and it would've made me start bawling so hard my head hurt. which is a good thing when it comes to arcane. this one's just a personal gripe though.

now with, um, everything else:

so uh caitvi lets GO? lets fucking go caitvi. also i did not think i'd like timebomb this much! it was so fucking cute! but then um yeah haha that happened

JAYVE AND VIKTOR ARE IN LOVE AND THEYRE COSMIC BEINGS DRIFTING THROUGH SPACE TOGETHER. OH MY GOD THAT SCENE EWS AMAZING. my jaw dropped in the viktor and jayce scene in ep9 and it did mot close until i said "no please no you can't do this to me". so yeah. the lost beautiful piece of animation i've ever fucking seen hands down.

i don't think anything can ever top this. you know when you read a fic so good you're like "no other fic will ever bring me this much joy?" yeah i'm that but with pieces of media in general.... like. arcane is the best thing to ever come on a screen, period. i'm not joking here this is objectively one of if not THE BEST PIECE OF CINEMA EVER. maybe i'm biased and arcane haters dont come after me but this show is so so special to me. i'll never forget it. i'll be on my deathbed as an old lady and someone will play Enemy by Imagine Dragons and i'll come back to life to rewatch arcane.

that's all for now. i'll articulate my thoughts better tomorrow but um yeah i guess it's over. holy shit. it's over.

[nibwhipdragon]

I love how Paleo Pines just has "carnivore kibble" and it's never explained where it comes from and all the herbivores and carnivores just get along lol

Well carnivore kibble comes from the store where food is magically generated. Of course

[skeletalheartattack]

...am I just losing my mind or did yer icon become evil? I don't remember that BeAst behind Boe

yuuuump always been behind me

[utilitycaster]

Sort of a distant tangent off my post about Ashton, but I'm growing more and more suspicious of the fandom claim that there's no time for small RP moments in Campaign 3. I do think that it's been challenging to get deeper party bonding or serious conversations that aren't about the big philosophical questions they're facing, since those do take much more time; but then I think about Calamity, or Candela Obscura. I can genuinely give you at least a couple paragraphs about pretty much every relationship in the two Circles, or in the Ring of Brass. I can also point to no shortage of small moments between characters in the Mighty Nein Aeor or Vox Machina Vecna endgame episodes, which were all extremely plot-heavy and fast-paced, and D20 consistently nails character relationships in a fraction of the time.

I think it really does come down to, as Brennan Lee Mulligan always says, the character creation phase. Laying down a solid groundwork in which everyone has a detailed, rich backstory and sense of personality and relationship history (in the case of characters who knew each other prior to the start of the series) is absolutely crucial, and even in the case of characters who don't know each other before going in, a good amount of time spent in character creation ensures that it's easier for them to develop those interpersonal relationships on the fly. I know in actual play there's some degree of finding the character as you play, but there are games for which there is a very short runway, and I don't think it ever hurts to do more extensive character prep than the bare minimum. And if there are gaps, I think it also helps to go back and fill those in mid-way, away from the table - Travis clarifying Chetney's backstory being a great example that allowed the history of Chetney and Deanna to feel realized and full, despite only a few episodes.

I'll also be blunt: most of the time when people complain that there aren't moments because the plot keeps moving...they're mad about shipping. Which has always rung hollow to me. It was a common complaint in C2, that no time was taken for character relationships, despite them taking an entire half of an episode for the Beauyasha date and despite no shortage of moments for all three of the other couples (and plenty of platonic moments between friends). The issue was never a lack of time; it was that the characters they wanted to talk to each other didn't actually have the relationship in canon that the fans had dreamed up, and so, when the chips were down, they went to other people.

It takes two seconds to say something like "I hold their hand", even in the middle of plot-heavy adventuring. If someone doesn't say it, it's rarely the GM rushing them; it's the player either choosing not to do so, or not remembering to do so, and either of those is quite revealing regarding how the player feels about that relationship and where it stands in their priorities.

[oifaaa]

hello! if it's alright to ask and know, what are the anti-semitic ties that the court of owls has? i'm not informed about this and i need help being educated and informed

Ho boy am I definitely not the right person to answer this question considering I'm not Jewish but the good news is there's a post I can link by a Jewish person which does explain the anti semitic aspects of the court of owls which you can read here

[that-spider-fan-over-there]

I've been thinking about Ochako's role in the story, and thinking about how underdeveloped she was compared to Izuku, Shoto or Katsuki's, which got me thinking about it and since the manga's in its final arc and there's nothing to lose, why the heck not.

If Izuku is set up as someone born with "nothing", Shoto as born with "everything" and Katsuki as someone who was born loved, why not set Ochako as someone who wanted to give back love? It'd be a nice four-way connection/foil, considering she should've been set up as one of the main players of BNHA.

Ochako foiling Shoto alongside Izuku and Katsuki as born and raised in a loving environment, and how they've responded in comparison to his broken family unit - since she's the poorest classmates with humble beginnings and he's the son of a top 10 hero;

Ochako foiling Izuku alongside Shoto and Katsuki as born with something he "lacks" in comparison - which is both opportunity his Quirkless background wouldn't give and his shattered sense of self worth, compared to her who would be okay with being anything else but decided to be a hero for the money she could provide for her family;

Ochako foiling Katsuki alongside Izuku and Shoto as someone who started off as a hero who wants to help others in contrast to his motivation to be a hero who never loses a battle, with her sharing that same competitive streak and fighting edge while ultimately focusing on helping others before her. (Which is something Izuku does fill in the story but it could've worked imo)

This is partly because I want to imagine if she was part of the Endeavor Internship Arc, she'd benefit from forming a deep bond with the main deuteragonists on some level, if only to take her out of the preconceived notion she's there to be Izuku's love interest first and foremost- removing that aspect or using that expectation she's there to revolve around him to make her "one of the boys", give her the rotating spotlight a bit more.

But also it'd be a nice setup as as she could compare her background to Shoto and reflect on how she perceived the ideal hero vs. how flawed they can actually be, and her reason to be there could've been she's looking for a way to be strong in a way that can properly help others after Sir Nighteye's death. Imagine the bond they'd have if they were allowed to interact with each other the same way they do with Izuku and Tenya.

The less wealthy classmate with a loving and supportive family and the most wealthy and well-known classmate with a broken and dysfunctional family, two of Izuku's closer friends being inspired by him and trying to break away from the labels others pushed on them and be their own people? One with envy for a villain who reminds her of feelings she wanted to bottle up and the other whose villain's anger mirrored his former to his consumed his family for years? And yet both coming out of their experiences wanting to extend their hands to Himiko and Touya, to start anew and ease that pain?

And with the Paranormal Liberation Front Arc, you could still split her up but using that as a build up, with her and Shoto following Izuku and Katsuki, but she sees people in need of saving and decides to help others instead; make her confrontation with Himiko happen before Dabi's Dance; then let her join the battlefield shakened after spotting Gigantomachia from a distance. (Would it be cluttered? A little, but that arc was already somewhat cluttered, coming from someone who loves that arc A Lot.)

And to avoid her from being too OP, one could make her try to fight but still thinking of Himiko's tears while using her grappling hooks or Zero Gravity on debris to stop Gigantomachia- it could've foreshadow the conflicting emotions she feels are allowing her to surpass her own limits there and come back full force during her fight with Himiko later on, similar to Katsuki with his Cluster technique or Shoto developing Phosphor.

And imagine her worldview shattering even more from finding out a hero would fall so deep into obsession into being the greatest, he lost sight it what it means to be a hero and it created his own villain. Wouldn't that push her even further to try and be a hero the others can rely on, and later, the one Himiko needed? After all, if Ochako and Himiko already parallel, let's use the love thematics; they both love passionately, and unlike Himiko, Ochako didn't give up on a better world for everyone- she just realized what everyone entails.

Just thoughts from someone who'd love to see Ochako breaking out of that label of "love interest"- love and passion are a defining part of her, but her crush shouldn't be her defined role, the story itself has realized that. But it could've realized a lot sooner. It probably wouldn't have removed the fandom's perception of her, but it would've helped her in the long run, especially when the merch set her up as even more of an protagonist, and to an extent it feels like the fans want to believe she was planned to be like that when we know Horikoshi was playing around with her character until he finally settled on what to do with Himiko and wrote Ochako around it.

[minhmynchi]

y'know whats funny. i think the isat fixation is finally taking a backseat in my mind lol

i think it has been for a while but yeah now i just have ocs and games on my mind all the time lol

also im still kinda stuck on my fic.... like no motivation to write very much and not many ideas either oops

can't help it tho!! on top of me thinking about literally everything else i am also still working every day and trying to keep up doodling every now and then (ocs <3 i love my ocs)

i won't drop aoyany dw. it will be completed. the question of when is something i don't have an answer to tho 🥲 but i won't leave loop and sif suffering like that dwdw. they deserve better so i will give them that Eventually.

[rawliverandgoronspice]

Even 6 years after botw, and 3 months after totk's release, I have to admit: They're good games, though lacking in story, but they're honestly not good "Legend of Zelda games." Totk being less so than botw. It's not about the shrines, puzzles or temples, or lack of them; the games are just kinda missing that LoZ feeling. I think an anon had a good take: LoZ refers to Zelda's story from a historians perspective, but is actually the story of Link and his adventure for us players. Botw is missing that, and in totk that's completely gone, with everything focusing on Zelda.

Hey, thank you!

I think I try to stray away from what makes a good Zelda game (or a Zelda game altogether) because I think that there is nothing more Zelda-core than fighting about what makes the essence of Zelda, and everybody being convinced they're extremely right about it (not excluding myself AT ALL btw, it's just... for some reason it's impossible to talk about Zelda and what you care about in the series without taking it to weird absolutes and being semi-toxic about it, which ??? it's so strange that it's a nearly-universal thing, why is it such a thing) and it's ultimately very personal. Obviously they kind of lost me with TotK in terms of player values, but I completely relate to seeing this thing you love drifting away from you.

I think what I miss the most is the bittersweetness, this idea that for any act of bravery to become a legend, you have to part with something meaningful and let it rest behind. At the heart of every single one of your adventures, there is this sacrifice that you have to make: be it a relationship, a sense of innocence, a person, an entire world... I often hear that Zelda only cares for happy endings, and I don't think it's that true? Like of course things are good by the end, the baddie is dead or sealed away, you are triumphant, the world is no longer in disarray... But there's always a cost.

I think it's really the heart of why I failed to connect with TotK's themes at the end of the day, if I try to de-intellectualize and take it in a more emotional way (and then of course it resonates with all of the reasons why I'm bothered with depicting any kingdom as worth preserving as is, without questioning anything about it)

[after-nine-at-the-oasis]

By the way I haven't seen the final episode but I watched episodes 1-4 of young royals and lost my mind and then today I watched episode 5 and I am unwell thank you

[astrxealis]

hi pokemon fans. pokemon was kinda my childhood but i never dedicated much of my time to it because of my various other interests but i want to get into it more now (better late than never) !! how do i. get more into it