#but why doesnt this have more notes

[xxplastic-cubexx]

your movie charles art gives me cuteness aggression

obsessed with getting these asks back to back and yet they both hold some truth i think ...... thank you very much everyone ....

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[mohntilyet]

Wait is the middle picture from those three sketches that one scene from the wigmaker job?

yes! it's this specific passage where lucanis is just seething with rage and trying to keep a lid on it, and illario's a stablising, comforting presence. BROTHERS!!!!! <3 though i chose to draw his hand on his shoulder rather than his arm i guess. artistic liberty!

[moeblob]

Shockingly I named some OCs recently and fleshed out the deity lore a bit for my "guess i'll marry the demon lord?" plot.

Solei has existed since near the start but Mehra and Valdas are new to the concept and all three? Petty. They're technically the Trio of Peace cause that's kinda their goal and duty to their world but really, Trio of Pettiness is suitable as well.

[meamiki]

[reverse entry AU]

so glad the work week is over!

no more meetings!

what do you mean its only tuesday.

[antennatoheaven]

my favourite type of ace attorney fic is the kinds where regardless of what is going on in the actual plot edgeworth is frequently plagued by his gay thoughts

[simcardiac-arrested]

never volunteer for anything university related man. also go listen to this

[dreamsy990]

ody practice animation

the lines and sketch as a bonus if u want

[alagaesia-headcanons]

It's incredibly amusing to consider the things that Murtagh technically would not know about because he fucked off at the end of the war. (i suspect the new book fudges a lot of this, but im not talking about that.) And the "Brom is Eragon's dad" situation is by far the funniest.

Because Eragon drops that bombshell in the middle of the final confrontation and Does Not Elaborate, including when he talks to Murtagh right before he leaves. He has literally no idea how Brom fits into the backstory of his parents. Technically, he still shouldn't even know that Selena ever betrayed Morzan and helped the Varden! He just has to deal with the knowledge that Brom fucked his mom ~at some point~ and he has no clue what was going on with that. And combined with the details Murtagh does know about the three of them, it's even funnier, like Brom had hang ups about BOTH his parents??? I just know it convinces him that all of them were insane. He has the very tip of the iceberg and everything beneath seems Messy, he's not even sure he wants the rest of the story.

Also he wouldn't actually know how the hell Eragon killed Galbatorix. Eragon doesn't explain that either and Murtagh wouldn't have a different way to know. The spell wasn't spoken, and assuming Murtagh was conscious enough to process all the shit going down, Eragon only says "I made you understand" which is incredibly vague on its own. From Murtagh's perspective, Eragon cast some kinda spell on Galbatorix that apparently sucked so bad that he blew himself up. And he just has no idea what it actually did

King of "I don't know what the fuck is going on so I'll just roll with it I guess"

[xxplastic-cubexx]

i’m so glad you brought up that bit in excalibur where magneto’s ideal prison is him getting to be a husband and father again, because it’s so relevant to the idea that the house of m reality isn’t actually everyone’s ideal life, but just wanda’s idea of what everyone’s ideal life would be. all the time i see x-fans condemn magneto for house of m because his ideal world is him becoming exactly like his oppressors, but house of m isn’t actually the life magnus wants! any time magnus gets to become a political leader, he hates it. he hated ruling genosha. he hated ruling krakoa. deep down, he doesn’t want to be superior. he just wants to live in peace with the family he lost.

also, shoutout to magda and anya, who never get to be anything other than magneto’s women in refrigerators. i wish they got to be more important than that. i love it every time we see them in comics, but it’s so rare. and shoutout to magda in particular since she’s been almost completely erased from the narrative by the maximoff retcon. really hope we get a reveal that natalya maximoff was magda all along when we inevitably make wanda and pietro magneto’s mutant children again.

i honestly didnt know excalibur was a predecessor to HoM when i heard about both runs so when i saw that set of panels for the first time it really had me reconsider HoM and the 'ideal reality' bit, im surprised i dont see it mentioned more often

i really wish there were more appearances of mags, magda, and anya; if there are stories focused on them i barely see them talked about... ive heard magda is mags' best-written partner from some but i also very rarely see stories that feature her directly named, so i never get to see her beyond the few fleeting instances i just so happen to catch her. id very much like to see more of her and mags' domestic life....

i think if we find out that natalya was magda all along i'll howl: this family really Can get more complicated contrary to popular belief 💀

[every-sanji]

[always-a-joyful-note]

The thing about That Scene in ep 7 is that they didn't NEED to make Ling Miaomiao cry for him. We know why she isn't afraid, why she needs him alive. And we know to an extent that she does care about him even if he drives her insane with his, well, insane personality. But she cried for him, didn't invalidate his fear, and just accepted him. If I were Mu Sheng, I would have fallen instantly and been unable to cope with that feeling of being accepted and just died right there on the spot, thank you

[entriprises]

taking my own idea out of dilly's comments and turning it into a post. we should do roster blind dates. im setting up my muse with your muse like we are two jewish moms playing matchmaker with our kids and no they dont know who the other is beforehand and now they have to sit and have dinner and get through it. who wants one. i will write so many of these

[fishyfishyfishtimes]

You know, speaking of my billfish video… I’m not sure if this could count as a “pattern” quite yet, but I happened to notice that whenever my video doesn’t do as well it’s one where there is not immediately a fish on screen the moment the video begins. On one hand, it’s understandable, an image of a fish catches the eye much better than a black screen or just like a picture of an ocean and therefore you immediately go “oh that’s a fish! I love fish!”, but in the other hand, awww man. I don’t want to begin every video with a fish right in your face to get you to watch it, like jingling keys in the face of a toddler. I don’t want to do clickbait thumbnails with the perfect eye-catching composition and colour optimisation and whatever the hell else, I just want to share fish videos and I wish that people who like fish would see my fish videos because fish are nice and they deserve lots of love and I know people who have seen my videos have gained lots of happiness from them

Or, you know, maybe people just don’t like billfish or lampreys or lungfish very much! People love sturgeons and pikes and that’s simply fact. Or maybe it’s all entirely random and chance. Many things can contribute.

[skitskatdacat63]

"To dream the impossible dream, that is my quest." - Prince Fernando of Asturias

+ Seb not getting what he ordered

+ the usual

Hello yes, look! It's baby Renault Fernando, isn't he so cute??? Who wouldn't want to force him into an arranged marriage, like cmon man be real. Here is the progress as usual, as well as his suit without the design, cause I'm pretty proud of it just blank even!

Okay so this is pure Fernando, innocent Fernando, before he had his apirations ripped way from him. Well not fully ripped away tbf, because that's the crux of his character: is it more humiliating to never succeed or to only succeed because someone handed it to you with concessions? I guess that's up for him to decide though ;;;

The thing I love about this drawing and young Fernando in general is how much easier it is to see his and Seb's similarities. Look how similar they look! Seb is just a bit more evil.

I think that's a big part as to why his feelings about Seb are so complicated. He both loves and hates how similar they are. From an egotistical point, he can appreciate and respect the familiar traits in Seb, the hunger, the exuberance, the pride, the ego. But also we hate seeing our own traits in other people, it's almost like turning a mirror on your worst traits and suddenly being able to see yourself from a new perspective. The biggest point here though is that Fernando turns that resentment onto Seb, as a way to clamp down on self hatred.

He becomes more bitter and resentful as he grows older, and loses a lot of his whimsy and joy. So it hurts him to see Seb, who in addition to getting everything he's ever wanted, also retain his whimsy. He, wrongly, just sees it as something that had to happen in order for him to grow up fully. It's more of a survival tactic, it started becoming unbefitting for him to have that level of unfounded confidence. That's the main reason he sees Seb as childish, immature and undeserving. He hasn't fully grown out of his capacity for whimsy and joy, and thus is below Fernando.

Well that was depressing oops! As the chibi art represents, this is probably a painting Seb got sent in the early days of planning their marriage. This is the Fernando who is still prideful, the Fernando who is still confident, the Fernando Seb vaguely remembers meeting his youth. Seeing this definitely pushes him even further towards the marriage(though tbf it's not like he even has a choice either.) Though when the time to actually start courting comes around, Fernando looks very uh different. This is both a joke about how different Fernando was in his first renault stint vs his second. But also I think he does show up very moody and disheveled, as a sort of last chance way to try and turn everyone on Seb's side, including Seb, off from the marriage. However, it's pretty much a done deal by that point.

Seb is uh, definitely confused, but I think he would be drawn to Fernando regardless. Actually, this might make Fernando even more appealing. Seb gets to push him all the time, try to break down his walls and get a glimpse at the real Fernando, if even just for a moment. Seb wishes he had more that just a blurry, vague recollection of Fernando at his peak confidence. Fernando definitely grows into something resembling his past self, after recovering from all the hurt, but there's just something about youthful exuberance that can't really be fully replicated.

Okay so about the quote. I went with Don Quixote this time instead of the typical Napoleon, because I thought it'd be funny. Fernando picks up the book at some point during his youth, and it inspires him a lot. He doesn't really see the satire in it, and comes to really admire Don Quixote's mentality, he's like "wow he never gives up! That's so admirable!" It definitely helps him through dark times to aspire to never give up no matter what. Though later Seb definitely rags on him for not knowing it was satire, and Fernando is like "wh-what do you mean satire?" But he's mentally strong enough atp for it to not cause his whole worldview collapse. About the quote specifically, there's definitely some part of him, even when young, that knows his aspirations are borderline impossible. I wonder if that part of him feels weirdly safe and comforted about the marriage. Yes, it's not ideal, but it's safe and secure. He gets what he wants, and there's no chance of anyone taking it away from him, no matter what.

I think his title would be Prince of Asturias? It was either that or duke, and I think prince fits him bettee(Machiavelli reference?) That title is currently the title for the heir to the Spanish throne. In this time period, it's also commonly used for the heir, but for Fernando it's a bit unsure. Like in real life, he's not directly the offspring, but he's still the most obvious choice for heir. But there's still enough room for Seb and his house to try to vie for the throne themselves, so it makes it all complicated.

[angy-grrr]

I don’t get why ppl keep saying bkdk is dead or Horikoshi broke off bkdk. If that were true, this extra would look very different as you pointed out multiple times. The extra was still heavily focused on them and I hate how ppl are letting one no dictate the entire relationship. Izuku asks him to be a special lecturer too. I think the no just needs more clarification but other than that it is mostly fine. If a ship were to be shut down by the creator, it would look very different. Same logic for if a ship were to be canon, it would look different than what we got in the end for izu///ocha. This extra was bad in different ways from ships. It was just a whole lot of nothing that doesn’t meaningfully add anything to the story but I guess we shouldn’t be surprised since it is an extra. It is still an ambiguous ending that can be pretty fixable by one shots by Horikoshi in the future or even better by fanfiction lol. Except for the Toga part. That is just inexcusable

himiko-chan :(

and yeah! like even tho 431 is terrible not only for pairs but also for the whole story, it only confirmed Katsuki feels something really strong for deku and he doesnt notice bc he doesnt consider himself to be that great; they keep talking, and they keep being in each other's lives with no problem -they also imply they will work on communicating their feelings, as the special lecture is about this topic and deku also thinks katsuki doesnt see himself in a high regard. This is actually something that could be used in the future, as their relationship and arc isnt completely finished -in the way that they arent at a point of no miscommunication, no yearning, etc. They still need something to work with in regards to themselves and each other in the process. When it comes to midoriya and uraraka, idk what exactly could develop from what 431 tell us -seems to be mostly about paying attention to the ppl in your life instead of just letting life happen I guess? But idk what conversation or arc they could have together that wasn't resolved already, it was a really weird choice to focus on them as if there needs to be more explored -which is why choosing to not make them talk to each other nor think of the other in these years is potentially interesting, like the only way they could actually need to talk things up or have a separated special moment is if they just stop being friends and want to talk more from now on. Like, if they kept their friendship these years and were part of the other's life, there wouldnt be a moment like this at all.

I think it hurt mostly ochako -and deku if we interpret it as "deku just wants to be teacher, he is super happy about it, and loveeees so much his ex bestie after 8 years of no contact and never thinking about her"-, more than the bkdk relationship.

It would be interesting to see those one shots, if he does them -I know he said he wanted to do more things and little drawings and content for it, but idk if he will do something elaborate or just one page of something silly. I think he still has to opportunity of working with the material and make something at least not this bad -or completely ignore 431 and just continue with their adventures like 430 implies lol If he wants to double down with the "romance" I have no idea how he could do it with what he has tbh, unless he just ignores the plot and their personalities.