#but when they can't say the same about me its an entirely different story

[lilly-of-the-vale]

Mini vent under the cut

Living under a culture that screeches about family values and religion is an absolute fucking nightmare for those of us who are the image of everything said culture is against.

[stellamarielu]

blurred lines II

joel miller x female reader

read part one here

summary: after the little stunt you pulled last night, joel can't bring himself to be in the same room as you. he's canceling his weekly plans to join your dad for sunday night football, and you're fed up with the awkward tension which leads you marching right over to his place determined to fix the problem.

content: nswf, 18+, dbf!joel, age gap, a sprinkle of angst, pet names [duh its joel], lots of praise, fingering, penetration, riding that man like a mechanical bull, unprotected sex, joel finishing in reader without explicit permission, basically just smut with very little plot let's go!

author's note: i need joel miller circa 2003 like i need air in my lungs, so of course i had to write a part 2 for this one

“What're you doin' here?”

Joel hadn’t expected to see you standing directly in front of him holding a Tupperware bowl when he opened his front door.

“Brought you some Chili.” You were stating nonchalantly as if he should’ve been expecting your company.

He had flaked on your dad tonight. Of course he had. 

After what happened last night, you didn’t expect him to show his face at your house like he normally did every Sunday, but it didn’t stop his excuse of feeling “under the weather” from pissing you off.

You made things complicated when you decided to call him last night. Why couldn’t you have kept it together and just called an uber instead?

You spent the entire day feeling guilty and embarrassed and even though you tried to blame your inappropriate advances on the alcohol you’d consumed, you knew it wasn’t the real reason you crossed a line in the backseat of his truck.

After he got out of coming over for the game, you watched the empty seat on your couch that he usually occupied and let the guilt eat you alive. Him and your dad should have been drinking beers and yelling at TV together, but instead your dad just sat in silence.

You couldn’t handle it— you needed to talk to Joel. You weren’t sure what you would even say to him, but before you knew it, you were packaging up leftovers and telling your dad you were taking dinner to Joel and Sarah during halftime.

“Is Sarah home?”

You were asking and looking over Joel’s shoulder, the leftovers still warm in your hands.

“No-“ 

He’d hardly responded when you pushed past him and into the familiar territory of his living room, cutting straight to the chase.

“Why didn’t you come over tonight?” 

“I think we both know the answer to that.” His voice was laced with annoyance at your question.

He was standing a few feet away, still by the front door. Watching as you angrily stormed into his house, setting the Tupperware down on the coffee table.

“Okay, but you didn’t have to lie to my dad.” 

You were coming in hot. You needed this to be over so you could stop feeling so embarrassed and remorseful about the whole thing. 

“Oh, your right, I should’ve just told him I almost fucked his daughter so it’d be kinda weird for me to come over.” Joel was scoffing as he leaned against a nearby wall, folding his arms over his chest. Your skin was burning at his words.

“Look I’m sorry for making things weird, but can we just move on? I don’t want to be the reason you don’t come around anymore. You’re like my dad’s only friend.”

“Then why’d you do it?” His voice was rough, almost like he was angry with you, but his eyes told a different story. They were gentle— carefully watching your expression as you wracked your brain for an answer. 

“Because…” You were trying to avoid his eyes but it was nearly impossible given the way he was staring so intently at you from across the room.

You started out so firm but now you were crumbling. His tender gaze picking away at you, wildling you down into a pile of nerves. 

“I don’t know Joel, let’s just drop it. I’ll keep to myself from now on and we can just pretend like nothing happened. Just please don’t let this effect your friendship with my dad.”

Joel chuckled at your words, an amused smile forming on his lips— Like this is something that could be easily forgotten. 

“Why’d you ask me to pick you up.” The smile disappeared from his face as quickly as it had formed. His demeanor was serious again as he revisited the objective of the conversation. The memory of you touching yourself in his car standing between you like an undeniable presence the room.

“What do you mean? I was out drinking and needed a ride.” You were trying to keep it together but there was a hint of hesitation in your words. 

“Yeah, but anyone could’ve given you a ride. Why’d you call me at 2am.” 

His eyes were locked on yours, heavy and sincere. 

“What do you want me to say Joel?"

here you go.

"Do you just want me to keep embarrassing myself? I didn’t want anyone else to pick me up. I wanted it to be you. I wanted an excuse to see you.” You were huffing out the words in a quiet voice, too mortified to speak above a whisper. 

“Thought that was pretty obvious when I had my hand between my legs in the backseat of your truck.” 

Your words were left ringing in the silent room as Joel just stared, his expression stuck in concentration. 

“Happy now?” You were deadpanning with a wave of your hands. Why wasn't he saying anything? You couldn’t read his expression and it was infuriating. 

“Very.” 

One word was all he said as he pushed himself off the wall, his arms still loosely crossed over his chest. He was taking small steps in your direction and your entire body froze. 

“I’ve been tryin’ to convince myself all day that you were just drunk last night. That the only reason you did such a filthy fuckin’ thing was because you were horny off one too many vodka sodas.”

His eyes didn’t leave yours as he spoke, his body now within reach. 

“I needed to tell myself it wasn’t because you like me.” His eyes were glued to you.

“Needed to convince myself that ya weren’t bein’ all sweet touchin' yourself like that because ya wanted me to fuck you.”

He was taking another step, the gap between you dwindling down with every word he spoke.

“Because if that was the case, if ya did do it on purpose...” He paused, letting his eyes rake down your body. Taking his time before he continued, his stare lingering on your lips.

“Do ya know how hard it was for me to keep my fuckin’ hands to myself?” He was so close, you could see his chest rising and falling with each shallow breath he took.

His stare was dense and all you could think about was how you’d never been this close to him before.

“Joel…” You meant to whisper his name as a warning but instead it came out as a pathetic whimper; only encouraging another inevitable step over the blurred line of your relationship. 

He was leaning in, and you weren’t stopping him.

“This is such a bad fuckin’ idea.” He avoided your lips and ducked his head into your neck, his whisper landing right below your ear and you could feel his breath on your skin. 

“I don’t care.” The words were a rushed hum as your fingers found the nape of his neck. You suddenly felt desperate to have his lips on you. 

“Please.”

That word had Joel spiraling. God, hearing you beg for him like that, he needed to hear it again. Wanted to hear it fall from your lips over and over again while he had you sitting on his cock.

“You said you think about me when you touch yourself.” Joel’s voice was a hum against your skin as his lips finally connected with your neck. He was placing a long drawn-out kiss right beneath your jaw before pulling away just enough for more words to make their way from his mouth.  

“Tell me what you think about.” His breathless whisper on your body made you dizzy, sending your fingertips clutching into this hair- desperate to find something to tether you back to earth. 

“I think about the way it’d feel- when you touch me.” Another pitiful whine. 

“Touch you where?” His words were barely audible as he continued placing gentle kisses down the side of your neck. 

“Joel…”

“C’mon sweetheart, you were so brave tellin’ me what ya wanted last night. Don’t get all shy on me now.” His voice was low and rough- intoxicating. 

“Think about your fingers in me. How they’re so much bigger than mine. How good they’d feel filling me up.” 

You were reaching for one of his hands as you spoke, holding it in front of you and tracing his palm before you pressed your hands together, his was so big and rough compared to yours. 

Then he was intertwining your fingers together and using the hold to pull you into him, your bodies flushed together. A groan left his mouth sending a sweet vibration into your skin.

“There she is.” He was murmuring into the crook of your neck, his hands finding your waist and gripping tight, pulling your hips closer. He absorbed your frame in his own, the muscle of his body solid and sturdy against yours. 

Joel felt like he was dreaming.

After he got home from dropping you off last night, he barely made it to his room before he was yanking down his jeans and wrapping his hand around his dick. The images of your fingers pushed deep inside of you were pulled from his memory, making him finish in record time. He thought about you all night. He couldn’t even sleep as visions of you filled his mind; you curling your fingers into his hair with his head between your legs, you on your knees for him, you with your head buried into his pillow and your perfect ass pushed back while he railed into you from behind. He thought about nearly every sexual scenario possible and now you were here, your soft body like putty in his hands.

“Let’s see then.” His voice was low as he kissed your neck one last time, pulling away just enough to look you in the eyes. 

“See if I can make ya come on my fingers yeah?” 

There was a soft smile on his lips conflicting with his sinful heavy-lidded stare. His hands were unruly as he explored your figure, dipping beneath the material of your shirt to feel the warmth of your skin on his fingertips.

“Wanted to see it last night, could barely hold myself back from pushin’ your pretty little hand out of my way so I could be the one makin’ ya feel good.”

One of his hands remained on the skin just above the waistband of your jeans while the other trailed up your body until it was on your face.

Joel’s hand was carefully caressing your cheek, rubbing his thumb back and forth over your skin. The act was reminiscent of the way he was rubbing your thigh not even 24 hours ago, and the recollection had you clenching your thighs together. You let your mind wonder back to the dirty things Joel said to you last night; the way he watched with a predatory glare as you fingered yourself in front of him. You were lost in the echo of it all until Joel caught you off guard, crashing his lips into yours. 

His kiss was heavy. The weight of unspoken feelings and undeniable tension fueling the way his lips molded into yours. Your shared desire was finally being dealt with and the relief was almost palpable in the liberation of his mouth on yours.

Your lips were tangled in a messy embrace as Joel ushered you backwards until you felt the back of your legs hit the couch.

His lips were following as you flopped down on the cushions, his body leaning forward between your legs. The kiss didn’t lose any momentum as his hands pulled at your jeans. You were arching off the couch assisting Joel as he slid the denim down your legs, breaking the kiss to watch you kick them off your body completely. 

He had been aching to see you like this again. Legs spread and chest heaving. Only this time he didn’t have to hold back. He could touch you; see what you looked like with his fingers knuckles deep in your sweet little cunt.

At that reminder Joel was reaching a hand down to feel you through your panties, his fingertips tracing the outline of your swollen lips, already wet beneath your underwear. 

“Fuck sweetheart you’re soaked.” 

The hot sticky evidence of your arousal was seeping through the cotton material, causing Joel to let out an animalistic groan. He hadn’t even touched you yet and he was losing all sense of control. 

He continued running his fingers over the ruined material, circling your clit over the clothing.

You were already writhing under his touch, which you normally would’ve considered pathetic, but not now. Not when you had been waiting for this exact moment. Now that it was really unfolding, you were proud of yourself for not taking his hand in your own and shoving his fingers where you really needed them.

He kept circling slowly and intricately, still leaning over you— his face inches from yours.

“That feel good?” His voice was a sweet murmur as you moaned in response. 

He was pleased by your answer, pushing your panties to the side and dipping a single finger into your entrance. His digit was gently pressing into you as he watched your face contort in pleasure.

Letting you bathe in satisfaction for only a second, he was retreating. Pulling his thick finger from your core before pushing it back between your wet folds, only this time adding a second along with it.

You were immediately reaching for his forearm, grabbing it instinctively, looking for something to hold onto while you went braindead with pleasure. You were biting down on your lip as he leisurely pumped his fingers in and out of you, scared of the obscene noises you would make if you didn’t.

“Let me hear ya baby.” Joel was smiling down at you with a devious grin. He could see the way you were suppressing your moans. He wanted to hear you; wanted to know how good he was making you feel, wanted to hear the pretty sounds you made when you came around his fingers.  

You let your mouth fall open. The whimper that fell out upon hearing his words prompted Joel to push his fingers further into you, curling when he felt the spongey warmth of your walls tightening. 

He could tell by the moan rolling off your tongue that he had found a favorable spot deep in your core. He kept his fingers bending in the perfect position as he peered down at you. 

The sight beneath him had his hips bucking into nothing. You with your head thrown back on his couch; eyes shut, brows furrowed and jaw slack. After last night he thought he’d never see something so glorious again, but now you were proving him wrong. You looked so beautiful like this— all fucked-out with his hand between your legs. 

The deliberate curl of his fingers with each plunge was sending you reeling as you let profanities bubble up in your throat. Just as you felt yourself teetering on the brink of release Joel added the pressure of his thumb on your clit.

“You gonna come already?” His words were sprinkled with amusement as he felt you clenching around his fingers. 

“Joel…” His name was a moan on your lips, and you were digging your fingers into his forearm, desperate to hold yourself steady as your body tensed.

“Fuck- you’re gonna come.” He was grunting as his fingers kept their pace. You were mewling out his name and nodding your head in desperation as you felt the coil inside you pulling tighter, ready to snap.

“Let me have it baby.” Joel was nearly begging you to let go. His tone as he growled out the words pushed you right over the edge, sending you into an abyss of pleasure. 

Your body was trembling as you whined out Joel’s name. He could feel your pussy squeezing his fingers as he continued to push them into you gently, relishing in the feeling of your warm embrace. 

“There ya go.” His grunts and groans were replaced with a calm voice as he worked you through your orgasm. 

“Good job sweetheart.”

His praises only added to the sensory overload running rampant through your body. 

“So beautiful baby.”

You were finally opening your eyes, looking up at him with a lust clouded gaze.

He couldn’t stop himself from kissing you again, only this time deeper. It was laced with passion and had you pulling him down onto the couch next to you.

Your mind and body were still buzzing from your climax, making it easier to gain dominance over him. You were pushing Joel back against the pillows and climbing onto his lap, straddling his waist. Your kiss had become sloppy and hungry as your lips worked in tandem to relieve the thick tension. 

“Off.” You were mumbling against his mouth and fumbling with the button of his jeans.

He got your message loud and clear as his own hands flew to the waistband of his pants. He was lifting his hips off the couch to free his body of the jeans but in doing so he was thrusting up into you, his erection grinding into your unclothed core. You were bringing your hands to his chest to stabilize yourself as he pushed his pants and underwear to the floor. 

You couldn’t stop your eyes from wandering down to his member now on full display. He was big. You knew he would be, but this, this was more than you'd imagined. 

In awe you brought a hand between you, encasing him gently with your touch and ever so slowly letting your fingers follow up and down his length.

You looked to his face to see his eyes fluttering closed in pure delight from finally feeling some sort of relief. The pressure that had been building inside him since he watched you finger fuck yourself last night was slowly dissipating with every pump of your hand around his cock.

You stroked him a few times, your touch soft and cautious; driving Joel insane. He was groaning with every flick of your wrist.

“Need to be inside ya.” A longing yet primal gaze took over his expression as he muttered the words; confessing his need to feel you, all of you.

They were the magic words, the ones that had you lifting your hips and guiding the head of his cock to your slicked entrance. You lingered there, with his tip filling you just enough, soaking in the final tension filled moments before you both completely gave in to your mutual desire.

Your eyes were locked on his, the two of you exchanging one last look of approval before you were sinking further onto him. 

You both let out hums of relief as you felt him stretching you inch by inch.

You were moving slowly, letting yourself adjust to his size as you relaxed onto him. His fingers were gripping onto your hips, holding you steady but careful not to guide you further. He wanted to let you set the pace. 

You sunk down until you were met the base of his cock rubbing against your clit. You were sat completely on him, taking a moment to savor the way he felt pushing deep inside of you. 

“That’s it baby.” He was whispering another praise as his hands traced up your body, taking your shirt with them and tossing it to the floor. Then his touch was on your face, holding your jaw in his fingertips and bringing your gaze down to meet his. 

“That okay? Feel good?” His questions were genuine, but they were spiked with such a immoral tone you might’ve thought he was mocking you. 

“So good.” Your voice was breathless as you affirmed him.

You decisively rocked your hips over his and an unconscious moan slipped from your lips at feeling him move inside you.

He brought his hands back to your hips as you started to move. Gripping onto your skin and guiding your body onto his as you began to bounce up and down on his cock.

“Oh honey- fuck.” He was moaning out as you picked up your pace, relentlessly taking him as deep as you could with every rebound. 

“That’s its baby.” His words were tumbling out of his mouth with every movement of your hips. You were riding him with such precision his mind was going numb, rendering him uncapable of piecing together coherent sentences.

Your palms were flat against his chest and your head thrown back in pleasure as he rubbed against you at just the right angle. You were using him to your full advantage as you shamelessly fucked yourself on his cock.

“Take what ya need baby.” He was encouraging your lewd movements, the sounds leaving his mouth were borderline pathetic as he tried to keep himself together long enough to feel you coming around him.  

He was letting his hands wander further, gripping the flesh of your ass with his palms and using the hold to pull you harder into him with each thrust. 

The desperation in his grasp had you seeing stars. You were bracing yourself on the rigid surface of his chest as you felt the familiar crawl of a second release sneaking up on you.

“Joel I’m gonna…” Your announcement was cut short by a surprised whine as Joel moved his hips along with yours, pushing himself even deeper into you. The way he was stretching, filling and holding onto you had your body straining and your vision blurring.

“Let me have it sweetheart.” 

The carnal grunt off Joel’s tongue as he coaxed you into another orgasm brought you to your finish. You were clutching at his chest, your body melting into his. The pleasure surging through your body caused you to lose all balance, making you slump forward until your forehead found his.

Joel reached for you, placing a hand carefully at the nape of your neck, holding you against him. 

“God you’re fuckin’ perfect.” Another groan was leaving his throat as he pushed his lips onto yours. You were still coming down from your high, pussy squeezing and clasping around him as he muffled your moans with his mouth. 

“So perfect baby.” He was mumbling as he used both of his hands to hold you firm, slowly bringing his hips up to meet yours. His pace was unhurried as he took pleasure in the way you fluttered around him. Then he got caught up in the moment, his tempo quickening. He was thrusting into you persistently, mercilessly rutting as breathless whimpers fell from his tongue. He was holding you still with his fingers curling into your hips as he drove into you— hard and fast.

He was groaning and greedily fucking up into you as his hips began to stutter. With a low guttural sound his movements ceased and you were met with the warmth of his release spreading into you.

He was frozen in place for a few seconds, catching his breath and gathering a sense of composure. You could feel him throbbing in you as his hands kept their hold on your hips. 

“That was so fuckin’ stupid.” He was muttering under his breath, and you immediately felt insecure. He was still inside you and he was already regretting hooking up with you?

“We don’t have to do it again Joel, it was just-“ You were beginning to defend yourself before Joel cut you off. 

”No sweetheart, comin’ in ya.” Joel looked at you with a sympathetic grin on his face.

“I can’t be doin’ that.” He was shaking his head at the poor decision of burying his spend deep inside you. 

“I’m on birth control, it’s okay.” You felt relieved to know his shame wasn’t about having sex with you, but rather his panic of potentially knocking you up. Understandable. 

“Don’t care it’s not smart.” He was reaffirming and leaning up to place a kiss on your forehead; a simple gesture but it had butterflies swarming your stomach.

“How ya gonna explain to your dad why it took so long to drop off leftovers?” Joel was releasing his clutch on your hips and letting his hands rest lightly on your thighs as he spoke. 

“Oh my god, please don’t talk about my dad right now.”

You were mortified. You couldn’t think about your dad. Not while you were straddling his best friend’s lap who’s come was fighting not to leak out between you. 

“Looks like I’m really gonna need to move out soon.” You were groaning and bringing your fingers to your temples, hiding your face in your hands. 

“Oh, without a doubt.” Joel was laughing at your predicament, but he’d be damned if he couldn’t keep having you like this. Now that he’d gotten a taste, he wouldn’t be letting you out of his sight any time soon.

my masterlist

[maxwellatoms]

In one of your last answers, you said “series reboots are usually pretty gross and sad”, and I was wondering if you could expand on that? Assuming “reboot” covers any kind of continuation of a currently cancelled or finished show (and maybe that’s the wrong assumption!), from the outside looking in it feels like a pretty mixed bag. On one hand, if I love XYZ Show, it’s cool that I get more stories with these characters and another chance to support XYZ Show and its creators. On the other, it definitely feels like a lot of ideas can only get funding if they’re tied to something already, meaning creatives are having to now tie whatever cool idea they have to some reboot/relaunch/retread, which can feel pretty disheartening if you don’t want to do a reboot/relaunch/retread. Is that a similar feeling from your side of the industry?

Thank you so much for all your answers and insight!

Usually reboots and spin-offs are just cash grabs. It happens a lot in animation. In fact, I would argue that the entire industry is just one big cash grab now. In the 80s, everyone complained that cartoons were just half-hour commercials for toys. And they were right. And we're right back there, but now that you can't legally push toys all day, it's just general "IP". Mugs, posters, more spinoffs, whatever.

I was offered three show running gigs over the pandemic. All reboots that I would consider unwise to pursue because they were "of a different time" and didn't (in my opinion) have anything more to say. Two of them were properties created by notorious sex pests, so there's also that. The animation industry loves to prop up its sex pests.

I turned all of them down, partially because I didn't respect the original creators but also because none of them had anything going for them except just being "more of the same".

I don't think any of those projects survived the intervening years, so in retrospect I maybe should've taken the job. I'd probably feel a bit gross, but at least I'd have floors in my house.

The entertainment industry is in a bad spot. The whole thing. I've had I don't know how many pitch meetings in the last few years, and they all start the same way:

"Hey! Before we start, we just want to let you know that we're not actively producing anything right now. We think maybe soon, but we won't be picking anything up today..."

And then later:

"The little we are doing is IP, so if you have a new take on our IP or a new IP you're connected to that you can bring in, that'd be great."

I always wanted to make original stuff. There came a time when I'd had my fill of Billy & Mandy and wanted to do something else new and original. That never manifested, and I was constantly being offered IP to produce. I turned too many of those down, maybe, before deciding that it was probably better that I run the IPs that mean something to me rather than having some hack do it.

But now those jobs have all gone to celebrities and fallen live-action writers, who are also slowly being eaten by the system. WB was hot for Scooby stuff a few years back, so I pitched some ideas. A few of them were turned down for being "off-brand" in a variety of ways. WB has now made (I think) all of those off-brand shows (or something close) with celebrity show runners.

I was going through a whole Midlife Impostor Syndrome thing recently where I was wondering if maybe I don't just suck. Like, it's weird that for a couple of decades I'd have people calling me trying to get me to run shows, and now nobody will call me back about the possibility of a design job.

Talking to some friends and realizing that they were in a similar situation helped me feel like I wasn't alone. That was nice. Talking to some of the most talented colleagues in my industry made me made me realize that those people weren't getting jobs either. That was unnerving. Talking to complete strangers in other parts of the entertainment industry now has me thinking that the whole house of cards is coming down. That's real concerning, yo.

It's hard not to think it's purposeful, when deranged billionaires own the entirety of our media and want to shape a society where they can't be criticized. We're letting wealthy tech bros firebomb the very heart of our culture, and it's weird that no one is talking about it. Because (for now) we still have that capability.

[buttdumplin]

kyle who very early on realizes that you can't fall asleep to silence, putting the pieces together that first time you walked him through your setup on a late night call. he doesn't mention anything, lets you play it off as this ritual you've put in place, picking a movie to put on every night for weeks on end. he says nothing, only keeps track of how often you change movies, unsurprised that it was an early marvel film that kept you the longest. he hasn't spent the night yet and he knows the exact volume and brightness settings you pick for bedtime. he just waits and listens, matching your pace.

and after months of bedtime calls and snuck-in goodnight messages, kyle is rewarded with a gift, one he recognizes in its entirety. you ask him what you should put on.

a couple of weeks prior, you mentioned the light coming from the tv starting to keep you up, so the timing is perfect

what about a bedtime story?

your knee jerk reaction is to laugh, less at the suggestion and more at the words. that's such a silly thing isn't it? it's something a kid does, something a kid needs. and you don't.

you like my voice, you fall asleep on calls with me all the time

you can't even try to deny that, you know you've both kept score and it doesn't add up in your favor. okay, fine, you'll bite. but what if he doesn't have something to read from? what would it even be about?

do you trust me?

you do. you do.

you're nervous that first night, going through all of the motions of settling while on the phone with him. part of you worries that he'll realize that this is silly and he'll back out. which would be fine, you tell yourself. if it doesn't work, it doesn't work. the remaining part of you is scared it will.

the only light left in the room is the glow from your phone when he starts. his tone is low and deep, a slow steadiness you hear most often when you're in his arms. you don't focus on the words, just the sound of his voice, closing your eyes because when you do, you can almost feel the warmth of his body next to yours. slowly, you relax, softening into the bedding, pillows cocooning you all around. you remember hearing a smile in his voice as your breathing evens out.

the next morning comes in a flash and you find yourself in the exact same position you fell asleep in. you scramble to turn your phone, afraid he's disappeared. but there's a text already waiting for you.

sleep well?

he'd be entirely too proud of himself if he could see the smile on your face, but you can't bring yourself to lowball him. better than you can last remember, you tell him.

good. i have another picked out for tonight

a single night is all it takes for kyle to become your nightly ritual.

as your nightly calls grow longer, you're no longer sure quite when they end. fuck, you can't even keep track of the narrative. he could be telling you the same story over and over and you wouldn't even know. you fall asleep too fast to catch any of the details. and still he calls, every night he can

he even records himself for the nights he can't call, sending you a different story every time he has to leave. that way you both know he's still with you, and he knows you're sleeping well.

[txttletale]

but.... that same breadth exists for nearly all music genres! and people say they dont like country, classical, metal, kpop, jazz all the time without anyone accusing them of holding discriminatory views against the people who make those kinds of music

the post that kicked this off emphasized that rap and hip/hop are some of the most popular genres in the united states! most people DO listen to this music. why does it matter that some alt girls on the world's least important social blogging platform dont? it just feels very consumption as identity, consumption as politics in a way i thought you're normally opposed to. listening to rap music will not cure white people of their racism. not being particular interested in mainstream rap/hip hop as genre is not some moral transgression and neither is not seeking out the perfect microgenre that would interest you

now if you take the opportunity while saying you dont like rap to denigrate it for not being art, make it out to seem unusually misogynistic, or otherwise smear it with racial stereotypes thats another story.

sure, like i litcherally said in my post, i don't think it reflects on you in any particular way to not listen to rap, but there's a pretty big difference between not listening to rap and saying you don't like rap. like idk, i don't watch brazilian cinema. and i don't think that (unless i went around claiming i was some kind of cinema expert) anyone would think i have some duty to go and watch a bunch of classic brazilian films and deep dive into that space to understand it. but i also don't go around confidently saying i don't like brazilian cinema when i haven't done that digging innit and if i did i think it would be fair for people to sideye me about it!

obviously there are like, historically contingent factors with jazz and rap in particular, where these are historically Black cultural products that are devalued because of that, that make that kind of statement come with even more baggage -- but i do in fact think that that kind of uninformed blanket dismissal towards any entire artform is narrow-minded in general, like when people say they "don't like video games" i roll my eyes a little, because what common elements between, idk, gone home, call of duty: ghosts, tetris, and horse master: the game of horse mastery can there possibly be to justify such a uniformly negative opinion?

& it's the same thing here, i just think that there is a big difference between simply not listening to rap music and going around saying you Dislike an entire art form like it's a monolith. like ultimately its just the extreme variety and breadth of rap that makes me feel like, yknow, again--that, 'smearing it with racial stereotypes' is the only way to come up with a confident blanket dislike of what is, i can't stress enough, essentially an entire artistic medium.

[etherealily]

​🇹​​🇭​​🇪​ ​🇱​​🇮​​🇳​​🇪​ // 𝘢𝘭𝘦𝘹𝘦𝘪 𝘷𝘳𝘰𝘯𝘴𝘬𝘺

Alexei Vronsky + fem!reader ➵➵➵➵ ( [consider reading my other vronsky fics] )

Warnings : Cuss words.

You do NOT have permission to repost and/or translate any of my fics.

'Cross that line for me, sweetheart?'

Desc. : You are not a temptress, but he is tempted.

══════════════════ ⋆🍷⋆ ══════════════════

It was curious, to say the least, how land was divided. The conch next to you was half your property and half the Vronsky estate's property. It had remained that way for ages.

The waves lapped up the sand, like a heart reaching desperately for its other half as you sat watching the entire ordeal.

The Line - one drawn up every morning and marked by tiny flags as placeholders - had always pissed you off. Intrigued you. What would happen if you were to... just a finger? The hem of your dress. Would you immediately be shot at by concealed snipers? Perhaps you'd have to be tried in court.

You had never really noticed much about this Vronsky character before. Another handsome, manipulative bastard. Nothing much.

In turn, he'd also never noticed you. A face. One of many. Beautiful, of course, he was not blind, but never seen as worthy of his efforts. You were not rebellious. You were not adorably innocent. He could not entice you. He could not corrupt you.

In theory, your paths were never to cross. Different lives, same circles.

The key word : theory.

Because there are moments in life when you know that nothing will ever be the same again, when you know that your proverbial pathway is forever skewed and rerouted. These may appear to you embossed in calamities such as loss and grief, or these may be whispered in your ear by silent smiles, lovestruck looks across a ballroom, or the simple offer of champagne.

Or, in the case of you and Alexei Vronsky, all of the above.

And this was one of those torturous, life-altering moments.

"-And that's when I said, it was just a bloody goat !"

Booming, drunken laughter ensued from your left - the other side of the Line. Fuck. Keep drawing, shut up, keep drawing, shut up.

Your pencil made unintelligible sounds as it scratched out a somewhat passable depiction of the moonlit waves. The screams and guffaws grew louder, but the issue was that if you moved, he'd assume you did it because you were on his side. You were not, but it would look highly suspicious if you fled.

No. They'd quietened down. Meaning either they left - highly unlikely - or, they'd noticed you.

"Oi!"

Don't respond, don't respond.

"You! Pretty girl!"

Drunk men are terrifying. How could such kind words be said in a way that made your skin crawl?

"Mate, maybe she's a mute. Or deaf. Or both."

"I know for a fact she's not. She's got quite a mouth on her, as I can remember from last year- HEY! LADY WITH THE SKETCHBOOK!"

And that was Alexei Vronsky. His story with the goat had ended, apparently. Ugh.

You turned. "Uh, hello."

"ARE YOU A MUTE?" his companion yelled.

"Are you daft? She just answered! How could she be mute?"

Drunk men are also idiotic.

"WHY DON'T YOU COME ON OVER HERE, WE'LL GIVE YOU SOMETHING TO DRAW?"

Bellowing laughter followed.

For fuck's sake.

"I'm alright, THANKS!"

"OI, C'MON! WE DON'T BITE!"

From what you'd heard, he does.

"IS IT 'CAUSE OF THAT LINE?"

"Good night, Count Vronsky.", you called back, as you gathered up your things and stood, dusting the sand off your dress.

"HOLD ON! WAIT!"

"Let'r go, mate, c'mon, we've got a party to get back to."

"I WAS JUST BEING NEIGHBOURLY, YOU BITCH!"

FUCKING HELL.

"What did you just call me?!", you yelled, turning. He looked back at you in a swaying, inebriated haze, trying to focus those glaciers he called eyes on yours in the darkness.

"A witch. You've cast a spell on me, bewitched me, so to speak. You're magic."

Ugh. "Whatever."

"Just come over here, or I'll have to come there, and you wouldn't like that.", he slurred, his friends chortling and egging him on.

Buggering Christ.

"You can't. See?", you replied defiantly, pointing deliberately at the faint white outline of the line they renewed every morning with chalk powder. "That would be trespassing."

"I'm Alexei Vronsky."

What was that supposed to mean?

"So? It's still trespassing. My family's had it in for you for a long time - we'll take you to court."

"Then you come here.", he shrugged, taking an unstable stumble closer. "Cross that line for me, sweetheart? Yeah?"

"You're a creep. And you're drunk."

"You're a beauty. And you're technically trespassing, so I need to punish you."

"HOW am I-"

"Your pencil." Fuck. How is it he's sober enough to notice that, but not sober enough to know that his buddy said 'the coat storage' not 'the goat story'?

"It blew in the wind."

"Yes. To my estate."

"You can keep it."

"Are you sure? Isn't this your, uh, fabulous pencil from Paris you were talking of?"

"No." Yes.

"No?", he frowned, picking it up. NO! Not in his grimy, disgustingly delicate fingers. "Seems pretty French to me."

"Are you actually inebriated or do you simply enjoy pretending to be so that you can get away with things?"

He stopped swaying, pointing the pencil in your direction as he placed the other hand behind his back. "You're sharp."

"So you're sober?"

Drunk Vronsky could have been molded. Sober Vronsky was a cunt.

"More or less. My friends feel left out because they are unable to hold their liquor as well as I can, so I act for them.", he explained, with a small look behind him, at his comrades trying to jump over the waves as they came.

"You should be in theatre, then."

"Adding performer to my resume is just a smidge too over-accomplished.", he retorted, an amused glint in his eye.

Ugh.

"So you're going to hold on to my pencil, then, I'm guessing."

"What? No, I know how much this means to you."

Trap. You'd bet your entire estate it was a trap.

"I will give it back.", he continued as he paced, his hand still placed behind his back as though he were planning war strategies. "On one condition."

See? Trap.

"Dinner. With me. Tomorrow."

Did he think this was a smart way to secure an evening with a woman?

"I won't be here tomorrow." Bold-faced lie, and he could tell.

"Then tonight. Right now." You couldn't think of anything you were doing.

"And I'll get my pencil back."

"Yes."

"That can't be it. There's a catch."

"You are... remarkable. Yes. There is.", he whispered, softly, as though impressed that you caught on. "Champagne. I wish to see you drunk. Drunk, in denial and... ruined."

Lot of darkness for someone who'd just been talking about a goat.

"In denial?"

"Nothing. Just... join me for dinner and drink a little, and I promise you shall have your pencil back."

"I do not drink."

"Then I do not return fancy French pencils."

"I can always purchase another."

"You do not have sentimentality, then?"

"No." Yes.

"I see. Then you may be on your way."

"I don't have to go anywhere. I have every right to be here! This is still my side of The Line."

"Suit yourself, darling."

The silence that followed was torturous and unbearable. "I do not like steak."

"Then you shall have no steak."

══════════════════ ⋆🍷⋆ ══════════════════

His eyes focused on you from across the table, his spoon paused midway above his plate. Eyes like the ocean in a storm. Terrifying but alluring.

"Enjoying your not-steak?"

You hid a smile. "Yes, I am."

He nodded, bringing his spoon up to his lips as he watched you do the same.

"You've left your friends out there?"

"They know not to cross The Line. They will be alright."

"Why is it you wanted to have dinner with me? To trap me into trespassing?"

"I've wanted to speak with you since I first saw you." Lie.

"And I you." Lie.

"What was it you wished to say?"

"Simply a greeting. You?"

"The same."

He set down his spoon, scrunching up his napkin as he stood up and walked the short distance across the table to you, resting his hands on the back of your chair. "You promised you'd drink."

"I did?"

"You did.", he whispers, accepting the newly-uncorked bottle the servant handed him, and pouring it into the glass next to your plate, smoothly. "And you're a good girl who keeps promises, yes?"

You'd heard he loved using such degrading language, but this was the first time you'd seen it firsthand.

"What gave you that idea?"

"I just figured you were of proper breeding and were raised right."

Good answer.

"Well, the words 'I promise' never left my mouth."

"Well-bred women do not look for loopholes. And they most certainly do not argue."

Lord knows where he'd worked up the audacity to brush some hair off your shoulder, but perhaps he was born with it imbibed in his blood.

He narrowed his eyes at your unchanging expression. "Drink."

"I am not done with my food."

He breathes out loudly, taking your plate and thrusting it into the hands of the nearest servant. "Yes, you are."

"I still have dessert."

"No, you don't. Drink."

"This is not champagne. You said champagne."

"And you said you'd drink. We both have uttered falsities. Drink."

"I fear you may be trying to-"

"Poison you? I am not. I would not like to see you die."

Was that supposed to be some form of assurance? Romantic? Caring? That did not have the intended effect.

"Drink, lovely."

It irked you how invested he was to see you drunk.

You wrapped your fingers around the glass, bringing it to your lips. Tilting it upwards, you let the liquor cascade down your throat, and echoes of your sputtering filled the room - it burned.

He laughed heartily, shaking his head as he stroked your shoulder from behind you. "Do you know what that was?"

"No. But I do know I will not take another sip."

"It was vodka, my dear, and in a few moments, you will want more. Trust me."

"I'm not taking another sip of that ghastly liquid!"

"Not even for me? Not even if I begged?"

"You think your begging has any effect on me?"

"Doesn't it? I'm known to be quite persuasive, and- besides, aren't you supposed to be the empathetic one in the family?"

"And where did you hear that?"

"Just about everywhere, really.", he huffed, resting his elbow on the table as he knelt down by your side. "'The youngest is the nicest one. She cares the most. Empathetic.' Surely you are not telling me those are lies?"

"Not lies, but exaggerations, perhaps."

"I am quite literally on my knees, and you should realize how rare that is. Drink more or I will have to force you."

You frowned at him.

"I will do it. Force you. Don't think that because I have let you in my house so courteously that I will continue to be a gentleman with you."

"How could you be? You're nothing but a cad.", you scoffed, as you took another stingingly painful gulp.

He watched the glass, your tongue, your throat, almost mesmerized as he replied. "A cad?", he questioned softly, amused but still fascinated by your every movement.

"A cad.", you nodded, trying not to show how much you were gasping for breath. It hurt, satisfyingly.

"That's a first. No one has ever said 'oh, Alexei Vronsky, that cad'.", he murmured against his palm as he observed you meticulously.

"Then they have met a different person."

"You say this out of personal experience, do you?"

"I've met him. The Alexei Vronsky. He only thinks of one thing."

A lilt of his lips. "And that is?"

"Himself."

He concealed a grin.

"Or perhaps...", he mused, fingertips on the back of your neck as though he were playing your skin as one would a piano. "He is one who shows different versions of himself to different people."

"So he is deceitful."

"I'd say careful."

"Would you, now?"

"I think we put up far too many false pretences anyway. No point in fighting it - it is necessary, to be part of society."

"And what false pretences am I putting up, in your expert opinion?"

He smiled, one too pure to match the description you had so harshly delivered a moment before, but you knew more than most that it was a ruse. "Drink more."

"You're an incredibly demanding man, aren't you? Dine with me. Drink more. Not a single please, nor thank you.", you retorted, as though that could take away from the fact that you obeyed.

"When you are incredibly in demand, you learn to be incredibly demanding."

If ever a smoother talker existed, you'd wager he'd simply be Alexei Vronsky in disguise.

"So tell me, then. Are you a gentleman, a cad, or an opportunist, Count Vronsky?"

You had to steer the conversation back to him, because whatever this vilely beguiling liquor was, it was shooting through your veins at a rate too fast to risk talking about yourself, lest any family secrets spilled out.

"I am whatever you want me to be. And you? Are the rumours true? Are you a virgin, a temptress, or a genius?"

"I am whatever I want to be. For tonight."

"Come morning?", he murmured against your neck as he slipped a finger under a loose strand of hair, and twirled it with such dedication you would think that were his only purpose in life.

"A memory."

"Well, we can't have that.", he pouted, as he stood up, gently taking the glass away from you and finishing the last of it. "What does it take for a memory to stay in the present?"

"Vronsky-"

"A dance, perhaps, as they say you enjoy?"

If you weren't unsure of the functionality of your motor skills in your drunken haze, you'd have punched him right then and there.

"The rumours aren't true, you know?"

"What rumours?", he asked, feigning obliviousness.

He'd just spoken of them, but you were quite sure if you reminded him, he'd attribute it to the vodka. Tell you you were 'surely imagining things, dear one'.

"The ones that led you to come and have a go at me."

"Those? Oh, I didn't believe them for a second.", he grinned, his eyes examining the filthiest, most remote parts of your soul - ones that even you had never been privy to.

A moment washed over the both of you, tauntingly. You looked for any secrets in his eyes, and he looked for any in yours, albeit, more calmly than you.

"Come.", he mumbled, finally, offering his hand for you to get up out of his disgustingly well-crafted chair. "Let's get you back on your side of The Line."

══════════════════ ⋆🍷⋆ ══════════════════

"There. Oh, and here. I am of proper manners.", he added after you'd leapt over The Line, handing your pencil back over to you.

It felt oddly anticlimactic after the events of the evening.

His icy blue eyes - striking, so striking that they pierced you - fell onto your lips for just a moment before landing on the pencil in your hand. "You don't want it back."

"What? Of course I do."

He had you. He was onto you.

"Let me rephrase. You don't need it back."

"Sentimentality. Of course I do."

"You really don't want it to stay in my possession, instead?"

"No."

"Liar.", he smirked, his lips curving deliciously, and you just about lost it. "You know I'll take very good care of it, no? Like I took care of you, tonight. No complaints, yes?"

"Besides the aggressive persuasion to drink a fiery liquid that most probably burnt my throat off, no."

"You exaggerate. Tell me tonight was just another of your dull nights. Tell me I haven't been a source of reprieve from your tedious, mundane days of fakeness and gossip."

You scoffed, refusing to dignify that with a reply, although you already knew that any response- or lack thereof - would be all too telling.

"You cannot, can you?"

There was nothing you hated more than when men were right.

Especially men who were as captivating as Vronsky. It was unnecessary and dangerous.

He beamed, clearly so fucking proud of himself, as he looked out at the waves. "It is a lovely dress you are wearing."

No, it wasn't. It was the most commonplace of dresses one could wear. But he'd say it anyway. Because that was his play.

"Thank you."

"It is disgusting, though."

"In what way? A disgusting display of my wealth, or disgustingly lovely?"

He knelt down next to you from the other side, on the sand. "It is disgusting that such beauty and purity like yours can exist and people continue to slander its name."

Had you been a lesser woman, you'd have fallen for it.

It seemed, however, that he knew you wouldn't. It was confusing, to say the least, whether he was being genuine or being genuinely fake.

"It is how I live."

If you'd read him right, he should say something along the lines of...

"It shouldn't be."

There.

"However... the dress in itself is not disgusting?"

"No, it is spectacular- although, I must say, the woman wearing it is far more ravishing."

Games get boring when they are predictable.

"So. What is it you normally do after parties, since you cannot get drunk? Unless blackmailing women to dine with you and drink your vodka is your usual pastime."

He snickered, although a slight maliciousness infiltrated his gaze for a moment. "It isn't so much a pastime as... an unfortunately common occurence. Perhaps that's why you've got an opinion of me as a - how'd you put it?"

"A cad."

"Ah, yes, a cad. I wonder if your opinion has changed."

That was not hope in his eyes, no. That was a challenge. 'Go ahead, say no. If you dare.', his look said.

"I wonder that, too. Perhaps it will if you keep your promise."

"Promise?", he repeated, raising a brow. He knew. He knew all too well what you were saying.

"False pretences.", you reminded, watching him as he watched the waves distort the light of the moon. "You said you would tell me what false pretences you think I put up."

He was far too close. The incredibly fragile, entirely imaginary Line wouldn't be able to stop him from reaching over and touching your shoulder once more.

"I think... do you want to know what I think?"

"I might."

"I think that you're lying when you brush off the rumours."

"You think I am a slut? A temptress?" Now, suddenly, the monotonous nature of everyday seemed far more interesting than the thousandth iteration of the same conversation.

"No, I think you brushing them off is the lie. They affect you far too much." Alright. That was... progress.

"Do they, now?"

"Very much. And there is one more, as well, although I doubt you will like to hear it. You crave to prove them right."

Congratulations, Alexei Vronsky, you've caught my attention.

"That is an extremely, extremely bold suggestion."

"Yet you are not denying it."

"I do not wish to have my virtue questioned, Vronsky, and us having dinner does not change that."

"But it pokes at it, does it not? A slight scratch, an itch, asking if that is what you really want. It blurred the lines, did it not?"

Shut up, shut up, shut up.

"You're an incredibly delusional man, Count Vronsky."

"A delusional cad."

"Precisely."

You didn't miss the amusement in his tone, the laughter, the way he knew how perfectly right he was.

"Well, this delusional cad did not lie, earlier. You truly have bewitched me, my dear, and I do not think I shall ever turn you down."

He stood up, dusting the sand off his gloves and pants. You stood up too, not out of respect, but out of the desire to relish his face once more.

"Turn me down?"

"When you inevitably ask for me when your marriage is dry, lifeless and torturous."

Good lord. How long had he been- how far ahead was he thinking?

"I will be right here. On this side."

"Why are you so adamant that my marriage will be-"

"Because I'm the one you need. You've broken quite literally every rule tonight. Crossed the line, fraternized with the enemy, drank unfamiliar alcohol that could so easily have been poisoned or used against you."

"How does that make you the one I-"

"I'm taking you out of your comfort zone. Freeing you. What more would one want from a lover?"

So casual with that word. Lover. As though that was all you two had been, since the beginning.

"Have I mentioned that you're-"

"Delusional? Yes, you have. But you have also yet to mean it."

Who the hell allowed this man to be so confident?

His thumb rubbed against your cheek in pure tenderness that you are well-prepared for - you've learnt over the years he's unpredictable, and since his mercurial nature was the only predictable thing about him, it was easy for you to guess his next move.

Or at least, figure out that it would be the exact opposite of the tone of his words.

"I can help you, you see?", he said, words so faint they were almost whisked away in the sea breeze. "Honest."

"Was that the point of tonight?"

"No, the point of tonight was to get you so utterly inebriated that you would tell me your family's secrets, and hence, your own."

That was the only thing that had come out of his mouth all night that you could guarantee was the truth.

"And since that did not happen, you are doing this?"

"No, I couldn't let that happen. Unwrapping you, figuring you out, it is far too intriguing a task to complete with a glass of vodka and enticing words. I want to spend years, decades, the rest of my life, performing this task, revealing you slowly and addictively, until I have lost myself or driven myself crazy trying to reach the core of your soul."

The silence kissed you two over and over until you couldn't take it anymore. "You are terrifyingly good at this."

He almost looked like he was about to say 'at what', but it seemed his mood had turned too serious to coax a half-hearted insult out of you.

"And you are terrifying. You are like the eye of a storm, intricately, almost... sinisterly drawing me closer."

"I'm not sure what you want me to-"

His lips devoured your words, and you could not help but think that this night had progressed far too rapidly to your liking. He was a stranger, a random man who you shared nothing but a flimsy little line with, but here you were, letting him kiss you, letting him ruin you, letting him convince you with his words that this was a good idea.

"Come on, darling.", he murmured against your lips, his eyes still half-lidded in a triumphant haze. "Cross the line. I promise, I'll take care of you."

You surrendered, and all you could do was hope that his beauty was simply angelic in nature, and was not designed for the sole purpose of ruining you and every iota of self-respect you had.

Hard to tell, but perhaps he had meant it that way.

[endearing-dalliance]

Just like Piltover, Arcane's beauty hides its fundamental problems. Its ableist, antisemetic, acephobic, classist, and worst of all, it doesn't initially seem that way.

Firstly, I want to say that this post and my problem with all of this is due to the real-life references, biases, and viewpoints of the team people who created the show, made the design decisions, wrote the scripts, and continue to defend what many have pointed out are genuine problems in their stories and characters. This nothing to do with the VAs, individual animators, supporting crew, or even the characters themselves. I'm genuinely heartbroken for all those people who proudly worked on the show, did their parts beautifully, supported the viewers, and are met with a fanbase disappointed, hurt, and angry about something completely out of their control.

I wrote up a different post about Piltover vs Zaun in the original lore and how that version is such a different situation than we we got.

Despite everything they did to make the Arcane undercity/Zaun this horrible place, they keep referencing the positives of LoL Zaun (an equal and respected society) and attributing them to Arcane Zaun. All of this is straight from the AoA:

"When you look closely, Piltover and Zaun are not entirely dissimilar" (y'all literally designed them as polar opposites)

Zaun is a refuge for outcasts who don't have a home, and there is the thrilling sense that anything is possible. So pretty much the exact opposite of what Vi was trying to show Cait?

In Piltover everything is heavily regulated; Zaun is wild and more pure meritocracy. "its is not completely lawless, though there are some issues with the mob." That's certainly one way to put it.

Zaunites "make magic out of nothing. nothing is precious, everything can be recycled and be reworked to make it better" I'm sure it has absolutely nothing to do with the fact that people can't afford to replace things when they break. Nope. Completely plausible reasoning. No real life parallel at all.

One example of innovation is a jeweler from Zaun who makes unique gothic work. Not only did they never showed us this side of the undercity, I maintain NOBODY in Piltover is putting on a gas mask to go jewelry shopping in a slum.

"Even though they were oppressed, they can innovate in ways Topside can't. Like well let's take this freedom we have because they don't care about us, and use it to find beauty and innovation. That's where Ekko's little conclave came in." Did they forget the literal orphans he rescued from those "shady streets"? What were they free from, their parents? Cause Piltover's enforcers seem to kill a lot of those despite "not caring". This is straight from Ekko's LoL lore where he spent his days being a kid running around with the Lost Children and inventing for fun. Arcane Ekko got Misfit Toys as an intro song. The Firelights were called a gang. These are not happy, healthy kids enjoying their world. They're vigilantes taking care of other kids who have nobody else.

"Ekko emerged as one of the unlikely heroes of the show, rising to meet tough, sometimes heartwrenching challenges, and becoming a charismatic and beloved leader" His LoL lore is that of a self-educated genius described as "The Hero of Zaun's Youth". Beloved pretty firmly established already. Also charismatic...are we really not past the point where its not supposed to be a shock that a black guy can be articulate?

Sevika's arm is specifically described as "flamboyant", which was the same word used to describe Piltover's augments

This gave me the vibe that they were trying to glorify or romanticize Zaunites' suffering and environment, but on further reflection I think that's giving them way too much credit. Christian's reply below makes it pretty clear he doesn't understand his own story, and Alex's indicates they weren't even trying to tell it and are surprised by this interpretation. Because to them, the Zaunites were the bad guys all along.

(Cool cool name one team member who has personal experience with living in under an oppressive ruling class that is either ignores their suffering or actively worsens it. I'll wait.)

Also, I think its very telling that a cocreator admits to having difficulty distinguishing between a group of systemically abused people fighting for their right to live on their own terms and people breaking the law because want power and influence and money. I don't think Peaky Blinders and the French and American Revolution (among others) are really compatible stories.

"It was an impossible pipe dream if you ask me." Well then. All the nations that successfully rose up and freed themselves from their oppressive overlords were just flukes I guess. Also I'm not sure how they managed to figure out the alien invasion lack of relatability and not realize that's basically what they ended up with. Also, the fact that they keep framing it as a civil war rather than a revolutionary one is mindbogglingly out of touch.

So they were trying to comment on the two party system, but also the point wasn't to comment on the real world. They wanted to show the widening wealth gap in a "fun way", but also that's not what they were shooting for. Over and over we've heard about how the show is about duality, the struggle of Jinx and Vi and the struggle of the two cities. If they didn't want to comment on the real world, didn't know enough about politics to even realize what they were doing or what message they sent, DON'T MAKE A $250 MILLION STORY ABOUT IT. Thanks to their contributions, we now have a story about two girls brutally traumatized by their environment enveloped in a pro-oppressor, forgive your abusers theme. Well I aint forgiving any of this.

I get the idea of "show, not tell", but some things do need to be explicitly told. Oppression is objectively wrong no matter who the oppressed are should not be left up to interpretation. Its not the viewers' job to piece together that Zaun's problems are ultimately caused by Piltover, especially since what they are shown is that death of a child makes the world a better place. Not once in 18 episodes do they ever explicitly condemn Piltover. Not once did they validate Zaun's right to independence. We got "forgiveness" (forgiving your abusers? great message) and "finding your way back to each other" (which none of the duos actually did. They're all "dead"). And my personal favorite, the important lesson that asexual people do not have happy, healthy, nonplatonic relationships, so TAKE THAT JAYVIK SHIPPERS.

Since they ended Arcane with a reference to a Japanese proverb, in the spirit of duality I'm ending with a quote by someone who actually has personal experience on the subject:

“If you are neutral in situations of injustice, you have chosen the side of the oppressor."- Desmond Tutu

[honeyflashbang]

My theory on Sampo's true identity...

(Minor Spoilers for 2.4) (also, I’m no expert in… anything, really, but these are just my ramblings).

So, this has probably been mentioned before, but I have a teeny-tiny theory about Sampo’s true identity, and it relates to Finnish mythology.

So, “Sampo” in and of itself doesn’t have a set meaning, but it has its roots in Finnish mythology, particularly the “Kalevala” which is a 19th-century compilation of epic poetry. In it, a blacksmith god by the name of Seppo Ilmari(nen) forges the mythical device known as “The Sampo”. It’s never quite explained what The Sampo really is; some versions depict it as a mill, others as a cornucopia from which bountiful creations flow from, and some even have it as being a world tree/world pillar, so what The Sampo really is, isn’t entirely known. But, what is known, is that it brought riches and good fortune to its holder (again, the same as the cornucopia from Greek mythology).

But why am I mentioning all of this? Why bring up the Kalevala? It could be that Hoyo just chose the name “Sampo” for some flavour—befitting of a character who magics up relics from seemingly thin air and is trying to create riches—and yeah, it’s a possibility…

Until I saw these two screenshots from the 2.4 story:

You know what this means, right? 

Kalevala is a real planet in Hoyo’s Star Rail universe, and I find it awfully coincidental that they would use this name for a planet and not have it related to a certain blue haired conman, especially since The Sampo is such a pivotal element in the plot of the Kalevala—there is no way this is a coincidence (I refuse to believe it).

This leads me to believe that Kalevala is Sampo’s real home world, and is where he originates from.

Now, this is all well and good, knowing where “The Sampo” hails from, but I want to focus on its creator—Seppo Ilmari(nen)—and his parallels to a certain blue haired conman. For one, Ilmari(nen)’s name is quite interesting as the ‘Ilma’ part is Finnish for ‘air’ or ‘weather’, and as we know, Sampo’s element is that of ‘wind’ (And also the fact that Ilmari(nen) is credited as “Godlike smith-hero and creator of the sky”. I could go into a whole spiel about Ilmari(nen) and Qlipoth swinging their giant hammers in tandem together for all eternity (Go Sampard! Geppie is Qlipoth's true heir, you can't convince me otherwise!), but that’s for another conspiracy theory lol).

So, ‘Ilma’ means ‘air’, and Sampo wields ‘wind’.

Cool.

If the parallels ended there, I’d just say I was being crazy… but there’s more.

Sampo’s 4th (and arguably best) eidolon is called “The Deeper the Love, the Stronger the Hate”. Two out of his six eidolons refer to 'love', whilst the other 4 are to do with wealth and riches. The wealth and richest aspect leans towards The Sampo of mythology, whilst the ‘love’ aspect, well…

According to the story, Seppo Ilmari(nen) is the unluckiest bastard alive when it comes to love. Like, seriously. His whole storyline is that he can’t find a woman. For one, Seppo Ilmari(nen) is double crossed by his so called buddy, Väinämöinen, into creating The Sampo for the evil witch Louhi of Pohjola in exchange for her daughter’s hand in marriage (which, Ilmari didn’t even want in the beginning), but when the poor guy actually sees the daughter and falls in love with her (and subsequently creates the Sampo—after failing miserably a number of times, mind you—he creates a crossbow, a boat, a cow(wtf?) and a plough, all which are somehow either evil or flawed), she ups and just leaves him hanging! (in the original runes, however, he is successful in gaining a wife, as his ‘unlucky in love’ spiel was later added by Lönnrot in compiling the Kalevala).

As with any mythology and re-telling of it, there’s so many different versions of the same event. In “The Maiden of the North”, a 1898 opera written by Oskar Merikanto, both Ilmarinen and Väinämöinen compete for the chance to marry Louhi’s daughter, who is then mentioned as being “Ilmari(nen)’s first wife” and who later dies to Kullervo’s curse (apparently she was a bit of a bitch to Kullervo by taunting and tormenting the poor boy—who was a child slave mind you!). Distraught, Ilmari(nen) forges himself a wife of gold and silver, but he finds her to be too cold and callous—he forges her out of love but only finds hate—so he tries to gift her to Väinämöinen (who doesn’t want her either, lol), and suggests he cast her back into the furnace and to “forge from her a thousand trinkets”.

Here’s the accompanying poem:

Never, youths, however wretched,

Nor in future, upgrown heroes,

Whether you have large possessions,

Or are poor in your possessions,

In the course of all your lifetime,

While the golden moon is shining,

May you woo a golden woman,

Or distress yourselves for silver,

For the gleam of gold is freezing,

Only frost is breathed by silver.

It is apparently your standard Aesop’s fable of “money can’t buy happiness”, which is something else I see in our dear old Sampo Koski. During our time in Belobog, we see how different he acts with the Underworld and Overworlders. To the poor, he actually seems approachable (albeit a bit of a nuisance), going so far as to help the Underworlders (an example being the questline “Survival Wisdom” in which he and Peak set up a business together renting out his tools to help the miners make a decent wage to support their families). In contrast, we actively see Sampo being very hostile towards the Overworlders, scamming them and putting the nobles in their place or setting them up to be caught by the Silvermane Guards (an example being during the museum questline where you discover his identity as “Mr Cold Feet”. Sampo clearly states to who he thinks is his mark that ‘we are not friends’ in a very hostile manner, something which we’ve not seen from Sampo before as he is usually quite amicable). 

For all Sampo’s showboating and flashing his money around, he helps where it counts. He wants to make money, sure, but not at the detriment of the people who need it the most, only to those with excess.

Anyway, back to him being unlucky in love…

In another rune entitled “Kosinta”, Ilmari(nen) goes on a journey to compete for Hiisi’s daughter, and wins by completing various feats, one of them being “ploughing a field full of snakes”:

And as we know, Sampo is very heavy on the snake motifs (the head of the snake on his shoulders, the spine wrapped around him, the daggers are its fangs…etc.)

So that’s another interesting link between Seppo Ilmari(nen) and Sampo Koski.

So, why have I gone on this long winded tangent about Seppo Ilmari(nen) when I’m supposed to be talking about Sampo Koski?

Well, that’s because I think Sampo Koski’s real name is (or a variant of) Ilmarinen.

In the Hoyo universe, I believe Ilmarinen came from the planet Kalevala and ‘created’ the persona of Sampo Koski, much like how in the Kalevala, Seppo Ilmari(nen) forged The Sampo.

As I’ve listed above, there’s so many links between the two:

“Air” as a name and “Wind” as an element.

Seppo Ilmari(nen) ploughed a field of snakes to win Hiisi’s daughter’s hand in marriage, whilst Sampo Koski relies heavily on snake motifs for his attire.

Sampo’s two eidolon names that relate to love (which are completely different from the other 4 eidolon names), whilst Seppo Ilmari(nen) is known to be unlucky in love.

I’m pretty damn sure Sampo creates his own bombs and tinkers with the old relics to bring them back to life, whereas Seppo Ilmari(nen) is a smith who created the dome of the sky! They’re both artificers!

And now the revelation that a planet by the name of “Kalevala” exists is no mere coincidence.

So, either Sampo is Ilmari(nen) - or! - Sampo is a puppet (like Herta) created by someone called Ilmari(nen). 

(I would love if his 5* version is him with this name).

Right, I’m finished rambling. Gonna go huff some copium...

[yazthebookish]

Maybe I'll spoil you guys and talk about Gwynriel and ACOTAR5 and anything related to it overall. I recently finished my HOFAS reread and have some fresh thoughts. I'll let my thoughts guide me and some of these points I've already addressed in my insta stories yesterday. I just rather share a lengthy post here since I'll only tag under #gwynriel.

I often see arguments about how Gwyn and Azriel can't move the plot forward because the series is centered on the Archeron sisters.

First, that's not true because Sarah is following what she called "a traditional romance route". She's following the same patterns of Nalini Singh, Kresley Cole, and Lisa Kleypas where they publish multiple books in the same series following different couples.

This is fitting for a series like ACOTAR because it's romance-centered. And Sarah have already said that each couple is getting one book and there will likely be more books beyond ACOTAR6.

Saying that doesn't dismiss the importance of the sisters to the story, Feyre already has a trilogy centered on her. The spin-off just follows different characters including the sisters.

I won't try hard to convince people on this because I've already posted almost everything Sarah said about the spin-off series and what's it's about. So if the next book is not centered on an Archeron sister, that's for Sarah to bamboozle the fandom with.

One thing that stuck out to me is when I compared the ending of ACOSF with the scene of Bryce giving Nesta Gwydion and seeming like she left Nesta with a new quest.

First, this is what the text says, and this is Chapter 80, the very last chapter in ACOSF:

Succeeding in the Blood Rite didn't mean the training stopped. No, after she and her friends told Cassian and Azriel most of the details of their ordeal, the two commanders had compiled a long list of mistakes that the three of them had made that needed to be corrected, and the others wanted to learn from them, too. So they would keep training, until they were all well and truly Valkyries. Gwyn, despite the Rite, had returned to living in the library.

1. The Valkyries are not yet a unit.

2. SJM only and specifically highlighted that Gwyn, despite the Rite, returned to living in the library. It was like "hey, remember all the talk Gwyn did about wanting to leave the library after two years? Yeah that's on hold a bit but keep that in mind". She didnt even add Emerie or the other priestesses to that sentence.

With Nesta being left with Gwydion to find out why the 8-pointed star was tattooed on her, I don't think the next book will start with "hey Elain take this sword and deal with it". Who are Nesta's main companions now? Gwyn and Emerie.

I'll be back to the Valkyries but let's just talk about Azriel for a bit.

It is so painfully obvious to me that Azriel is being handed the Illyrian plot on a golden platter. How big or small of a plot it is depends on SJM, but it's important based on the fact that she fleshed out the Illyrian's origins and tied them to the crossover AND making Truth-teller the knife of Enalius.

That is a big deal for an Illyrian like Azriel.

And I quote my friend Lacie on this, it is very poetic for Azriel to be the owner of the knife that originally belonged to the person who freed his own people from the Daglan's clutches, perhaps because he saw his people are more than just slaves to the Daglan—how powerful would it be for Azriel, who loathes his own people, to parallel Enalius.

And for years some people were against Azriel dealing with this plot because he shouldn't make peace with his "abusers", its true his own family and some Illyrians failed him but he is condemning an entire population. Good people like Emerie and Balthazar. Even Rhys's mother, who had valid reasons to hate her people especially as a female, still made sure to make Rhysand connect with his Illyrian heritage and he even goes on to say that his mother didn't forget what they did to her but still loved her people.

If both Cassian and Rhysand (and by extension the author) continue to flag Azriel's hatred of the Illyrians as an issue—then it is a damn big issue for it to be addressed repeatedly.

Okay so to address my final point about Gwyn and Azriel and how they can move the plot forward.

Now I didn't detail out much about what the next book will deal with because that's another post (and I already have a post on that).

All of our theories and predictions are based on information that is available to us. Saying Azriel and Gwyn cannot move the plot forward does not make any sense because the central plot is tied to multiple characters, Archeron or not.

If SJM wants to make a character move the next book's plot forward, she can do it because she's in control of the story. She's in control of the narrative. She's in control of the characters.

The characters are puppets and this is an unfinished story. If some characters would add more value and make for a more interesting story before the others, she can decide on that. If she wants to make Eris the protagonist of the next book, she can easily do that whether the fandom wants it or not.

Let me give you an example of minor characters that pushed the plot forward and became main characters: Yrene Towers and the Hind. These kind of arguments could've been used for them in HOEAB or HOSAB and Pre-TOD. Before HOSAB/HOFAS and TOD, could we have predicted that they would have played a crucial role before those books? Not likely because they had minimal appearances and were not part of the main cast. This is what I'm talking about.

You can't know how a character will contribute to a story until you see how it all unfolds. We can make guesses on the information we have which is why I believe three characters are likely to join the main cast: Gwyn, Emerie, and Eris.

Why is it so easy to accept that Emerie might be sharing a book with an original character like Mor but it's hard to comprehend the fact that Gwyn could also share a book with Azriel? Because Emerie showed up in ACOFAS? To me that's not really a strong argument based on Sarah's writing and what we have in the books, she doesn't really pick based on who showed up the earliest. Here's a good example: Hypaxia, who showed up earlier, didn't even get her own chapters but the Hind did.

And there's one argument I recall about how I need to rely on Nesta to have a plot focused on Gwyn or the Valkyries in the next book. Nesta's arc is clearly not over based on HOFAS, but does that mean she's getting a POV? Not necessarily. I don't think she is. Gwyn is the perfect candidate for us to see what's going on with Nesta post-HOFAS and how they all deal with the Valkyries and whatever Sarah will set up with them.

There is this whole Valkyrie/Illyrian conflict that could be triggered as a result of the Blood Rite, with Ramiel definitely being an important location to explore in the next book, we also have the Pegasi and the Prison and the implications of the crossover. It makes sense to have an Illyrian and a Valkyrie POV to deal with some plots in the next book.

"Gwyn contributes to nothing" we can't know until the book is out. How sure are we that maybe SJM won't connect her to the crossover by making her mysterious father a Worldwalker? Or Prince of Hel? Or an Asteri? Maybe I'm right maybe I'm wrong.

"But Koschei! And the Human Queens!" Koschei will always be a background player pulling on the strings until the final book as it's obvious he is the big bad in the series, unless someone even worse is revealed. But no one is dismissing Koschei or the Human Queens messing around.

Literally what's the point of the story or the fun elements of surprises or plot twists if you need Sarah to list down everything that the next books will deal with. That's not how a story develops to me. I don't need to know everything in advance to just know how it will go. That's like knowing spoilers early on and checking off with each book what happened and what didn't happen. I feel like it's close to how a lot of readers were disappointed with not having enough ACOTAR in HOFAS, because Sarah implied half of the book would be set in Prythian. So by the time the book came out and it wasn't that, people were vocal about it.

In my opinion, SJM set a good foundation for Gwyn's arc to build up on in ACOSF and her arc is not over. We won't get mentions of her still carrying the guilt of her sister's death or not leaving the library after she said she's sick of being there for two years without us seeing resolution for that. She wouldn't be in Azriel's bonus chapter if she is not involved with him.

To conclude, my reread still affirms to me that the next book with an Azriel/Gwyn book. Azriel is clearly being set in the forefront.

[power-handmaiden]

Day 64: Pounded In The Butt By My Irrational Bigoted Fear Of Humans Who Were Born As Unicorns Using A Human Restroom

While I had conflicting feelings on "Angry Man Pounded By The Fear Of His Latent Gayness Over A Dinosaur Transitioning Into A Unicorn" in light of how the conversation on trans rights and visibility has evolved, I feel like this tingler, published only 11 months later, holds up incredibly well. It tackles gender in a similar way to robot fiction, in the way that the protagonist feels insecurity over his humanity when someone he would not traditionally recognize as a human is able to inhabit human spaces.

One aspect that I appreciate a lot is that the story makes it very clear that the character that the protagonist initially directs his species transphobia towards does not pass as a human at all; the bigoted protagonist and the waitress who is dismissive of his bigotry both refer to the character as a unicorn based on appearance. A major point in this tingler is that the man deserves dignity whether or not he "looks" like he should be in a human space. A lot of transphobes love to make arguments that operate in this heightened reality. It's not hard to imagine one saying, "what, should we accept it if someone identifies as a unicorn?" I mean, the furry panic is basically that, using some on-its-face absurd otherkin caricature as a proxy for trans people. This tingler meets them in their invented space where they think their argument is the most ironclad and says, yes, that would be fine actually, even if we did all live in your thought experiment and even took it a step further by introducing other sapient species with clear physical differences. People of different species peeing in the same room is not going to break the fabric of society.

(Side note not entirely related, people who care about such things are also just.... really bad at telling who "belongs", which is addressed in the story somewhat but I just like to mention whenever I have the chance that it includes false positives on their Wrong Sex Detector too. I use the bathroom that corresponds to my birth certificate and I've been stared at, yelled at, one time someone just watched me piss?? So much for bathrooms being a harrassment free space.)

I also love that nothing sexual takes place in the bathroom. The protagonist recovering from his bigotry fucks a sentient restroom sign right in the middle of the diner. Absolute madman, I can't help but respect it.

[raven-at-the-writing-desk]

I don't know if this has already been asked, but what did you think of the Halloween event? Is it too early to ask? How did it compare with the other events?

Aaaaah, thank you for asking!! I was actually in the middle of writing my own "these are my thoughts" post even if no one specifically asked 😂 but I'm glad I can just reply to this ask with what I was cooking up~

***Warning: SPOILERS AHEAD!!*** ***Please also note: these are just my OWN thoughts and opinions! In sharing them, I do not mean to disparage those who think differently than me; I only mean to contribute to the discussion.***

I'll be quick and rip off the band-aid now: I liked this event about as much as I did Stage in Playful Land, maybe a little better than Playful Land if I think about it. If you know anything about my thoughts on the previous Halloween event, well... Let's just say it's a mixed bag. Neither of them comes close to toppling the peak that was Glorious Masquerade. (Fandom consensus seems to be quite positive though, with many liking Nightmare more than, if not the same as, GloMasq while Playful Land is still considered the weakest of the bunch.) Playful Land and Lost in the Book with Nightmare Before Christmas both suffer from general pacing issues. The former had an intriguing premise and setting but also many plot holes, a lack of active involvement from the SSR squad, and a resolution that was way too convenient. The latter, Nightmare, was very boring throughout because the majority of the event was centered on party preparations. I enjoyed everyone's bickering and the SSR squad's role in the event, but I wanted more than just that. It's basically like Terror is Trending, but if it had the Nightmare Before Christmas characters also featured. However, Nightmare did have a really interesting ending that played with amnesia and time paradox tropes. It's just that the road to get there wasn't anything special. I'll now get into all of this in detail, but it's quite long. Ready for a read? Then let's go ^^

My Extended Ramblings:

The initial aesthetic is strong. VERY strong, especially to me, a girlie that loves Nightmare Before Christmas and formal wear😭 BY GOD DOES EVERYONE LOOK SHARP AND DRESSED TO KILL IN THOSE NIGHTMARE SUITS... The devs totally popped off with the fits. I also loved how all the characters' coloring shifted once they entered the book; there's notable hatch marks on their shadows and even their skin and hair adopt bleaker saturations. These are SO much better outfits than the GloMaq and Playful Land ones, I'M SORRY BUT THAT'S JUST THE TRUTH. The other events tended to have chunky silhouettes and/or overly embellished elements to their designs that didn't sit quite right with me. NIGHTMARE SUITS HOWEVER ARE PERFECT AS THEY ARE...

... That being said, I think this event's premise was not great. I know everyone's mileage with this will vary greatly, but personally I don't like Lost in the Book events. I don't enjoy having Disney properties so blatantly shoved at my face; I'd prefer it to just be a distant part of the lore and history of the Twst world. The other issue with the event being so closely tied to its Disney film is that the story becomes so predictable. You can't really explore beyond the bonds of what the film has already set up, so you're trapped with whatever status quo Disney has mandated is "okay". (For example, in Nightmare, it has to be set BEFORE the events of the actual film in order to keep things "the same" when the film events actually play out.) Lost in the Books rely on individual nostalgia to some extent to get you invested in what it's trying to sell. This was particularly evident in this event, which featured several characters from the film and made Jack a very big fixture in the story. I for one was not sold on it despite my own fond feelings for Nightmare Before Christmas. I needed it to prove its own merits to me, and I'm not entirely sure if it was successful on that front.

I have made it no secret that I don't like most Twst events in general. Too often does it feel like pointless meandering and sightseeing without anything of real substance happening (though I do enjoy meeting new characters and learning new lore). That's also the case with Nightmare; the scale of the conflict isn't anything spectacular--but that's fine, it can still work as is, even if I don't personally find it interesting. I was still plenty entertained by all the bickering between the boys and between them and the residents of Halloween Town. The highlights for me definitely have to be Jade being a little shit to everyone, Jamil being tormented with bugs, Sebek's big speech in the climax, and Leona just beefing with EVERYONE in sight (particularly Malleus). The comedy and character interactions helped the middle part of the event not feel dull. I do feel like them having to switch groups around halfway through was short of a shoehorned way to prolong the middle of the event though 💦

One thing I noticed like, right away as I was playing this event was how disjointed it felt. And for the life of me, I could not pinpoint why… until I went back and compared the number of chapters per part. This is how the parts break down:

Part 1 - 13 chapters

Part 2 - 22 chapters

Part 3 - 20 chapters

Part 4 - 13 chapters

Part 5 - 16 chapters

For comparison, Glomasq:

Part 1 - 15 chapters

Part 2 - 18 chapters

Part 3 - 17 chapters

Part 4 - 19 chapters

Part 5 - 18 chapters

And Playful Land:

Part 1 - 16 chapters

Part 2 - 21 chapters

Part 3 - 11 chapters

Part 4 - 16 chapters

Part 5 - 18 chapters

Generally, Part 1 is dedicated to setting up the scenario and reason for travel. Parts 2 and 3 are meant for exploring the new location, with a big reveal dropping towards the end of 3 that kicks the conflict into high-gear. Part 4 is for combat, and then Part 5 is the continuation of the combat (with a focus on confronting the Big Bad), climax, and resolution. … Did you notice it? GloMasq (the only event of the three I consider overall excellent) is pretty evenly spaced out. Playful Land meanwhile has a weirdly short 11 chapters in Part 3 but had the extremely long 21 chapters in Part 2 beforehand. The discrepancy is made even worse in Nightmare, with Parts 1 and 4 being woefully short and Parts 2 and 3 being 20+ chapters each. It has the (likely unintended) effect of making the conflict resolution feel really rushed.

Alright, I think I've held off for long enough. Let's talk about the elephant in the room, our new addition to the Halloweenies, Mister Skully J. Graves himself. Right from the get-go, he had a mysterious air about him, especially since he's the first ever character to meet his twisted inspiration. Like I said in my first impressions post, I'm really into his design, but his personality shocked me. I expect some whimsy, but not a guy that flat-out kisses everyone he meets and calls total strangers "lovely dears". At the same time, he has the spirit of "sad wet cat" energy, and his expressions can whiplash between that and being absolutely deranged, which I found kinda charming. I get the feeling that he charmed a LOT of fans, as I saw many gushing about his otome-esque behavior and loving how he always calls attention to Yuu and Yuu's opinions. Unfortunately, Skully has what I lovingly dub "Ashengrotto Syndrome" due to my own experiences with Azul. That is to say, I started off liking both Azul and Skully, but after a certain point (book 3 for Azul, part 2 for Skully) they both took a nosedive right into my dislike zone. This is something I vaguely alluded to in my halfway through the event impressions post. I'm under the impression that this is a surprising opinion, so I'll try to do my best to explain why Skully lost his appeal to me. So the initial deterrent was his defensive and controlling behavior surrounding Halloween. He also gets so nasty and speaks down to others who don't see his perspective, which I don't find cute at all. I've mentioned before that I hate it when characters act elitist/gate-keepy and refuse to accept other opinions or change, and Skully fits that bill to a T. Sure, he might have his reasons, but I still find the result of his reasons distasteful. It's fine if he wants to respect the past or celebrate Halloween the way he's been taught, but it's another thing entirely to force those views on others. I've been on the receiving end of this kind of attitude and it was very unpleasant; I would not wish that upon anyone. (To make a long story short, I had invited a friend from outside my culture for a holiday meal so neither of us would be alone that year. That friend then complained that I was eating "non-traditional" food for the holiday.) Really rubbed me the wrong way when Skully started to tell others about HIS Halloween while being totally against everyone else's suggestions. Some of the others (like Jamil) even made an effort to try and include him anyway after his outbursts, and Skully was still unable to accept this lying down.

The hand-kissing thing was... charming at first, because I thought it was just his way of greeting people. But the more Skully did it, the less charming it seemed to me because of how everyone reacts to it. The others are CLEARLY uncomfortable with it, but he disrespects their boundaries by continuing to do so. To me, that seems very invasive and rude. Skully especially kisses Yuu a lot, and whether or not you like it will be up to individual preference--but personally, as someone who doesn't like strangers touching me intimately, I'm not into it.

During the Halloween planning, I noticed Skully speaking to Yuu directly quite often, which is different than the previous Halloween events. I started to feel a little uneasy about this, and for the longest time I could not tell you why. Then I realized. I don't think I can explain it any better than how I did in a previous post, so I'll copy and paste from there:

Another thing that really bothered me was that Skully keeps asking Yuu for their opinion. It SEEMS polite to consider them, but his intentions are way less selfless than they appear. Skully is often asking Yuu for their thoughts AFTER some other character has disagreed with him. So he is literally only consulting Yuu because he wants someone on HIS side. If you ever pick the dialogue option where you disagree with him, Skully insists there must be a misunderstanding and he will explain it to you no matter how long it takes. Don’t you see??? He doesn’t want to know what Yuu truly thinks; he wants validation in his own way of thinking. That’s NOT actually being considerate. The same shit happens when Skully tries to kiss Grim again. Grim dodges but Skully sneaks behind him and kisses him anyway because I guess that’s what gentlemen do according to him. Bro has demonstrated time and time again he does not value consent nor what others’ thoughts are on anything that differs from his own thoughts.

Skully lets his true colors show around the end of the third part. There, he feeds Jack Skellington a sleeping poison, turns Grim into a pumpkin, then takes Jack, Grim, AND Yuu as his hostages while claiming he'll reign over Halloween. Okay, that sounds great on paper, right? But there's so many practical problems with this.

Firstly, HOW does Skully plan to achieve this??? He's not that powerful since he's a first year; how does he intend to stand up to the NRC students? We even know at this point that he can't use his UM that much. Skully has shown he is impulsive and doesn't think ahead too, because he just assumes that Grim figured him out after walking in on the scene of the crime instead of lying/deceiving him about who poisoned Jack. He could have easily blamed someone else or claimed he walked in and found Jack like this already, but he didn't. It comes off as very near-sighted and not well planned out on Skully's part (which may very well be intentional; I don't think he was written to be a large threat.) I know this event's plot isn't meant to be as serious as prior iterations of Halloween events, but it sure doesn't help build tension for the finale.

We find out later in the event that Skully isn't mistreating his captives; he's keeping them in the bathtub Lock, Shock, and Barrel ride around in, feeding Grim and Yuu snacks, and asking them to please keep quiet. He also rambles on a lot about how he admires Yuu and how he wants to grant them a perfect Halloween, etc. That's... wholesome for a kidnapper, I guess??? But what I don't appreciate is (again) how he keeps shoving his ideas onto me and acting like he knows what's best for everyone. He’s not respecting my autonomy or right to think how I want. Skully is literally made of the most negative traits of Idia and Malleus while having none of the danger level of either one/j 😭 This makes me continue to not take him seriously and think that Skully could easily be beaten up--which does, in fact, end up being the case.

The ones who truly shine in this event are Sebek, Jamil, and Leona. The implementation of the SSR squad in Nightmare is much better than Playful Land. In Playful, it felt like Kalim, Ace, and Ortho hardly did anything unique to save the day; instead, it was a convenient phone call that rescued them from demise. The most I can say is Kalim was open-minded and tried to welcome Fellow and hear him out. Most of the other things could have been fulfilled by any other character, which didn't make the SSRs feel as integral as they were in GloMasq (with Azul's UM being needed, Malleus being the one Rollo has beef with, and Idia understanding the feeling of losing a younger brother and mourning). In Nightmare, each of the SSRs is similarly given a chance to shine with their special skills and UMs.

Beginning with Sebek! He leads a lot of the planning and serves as the one to draw up plans, which earns him praise from everyone, including his seniors. It's excellent set-up for him to later confront Skully about the idea of being recognized and acknowledged by one's idols (which I will discuss later in this post). Sebek is also the first to confront Skully on Spiral Hill after Skully has kidnapped Grim, Yuu, and Jack. In an act of desperation, Skully starts firing off magic and making really deranged expressions; Sebek unleashes his own UM, Living Bolt. This results in a strong flash of light in their location. The impact destroys Skully's shades and causes him to break down--he wore them as part of his ensemble, trying so hard to emulate his Halloween idol, Jack. Skully manages to pumpkin Sebek in the midst of his fit, and Sebek insists that Malleus--his own idol--will surely rescue him. NEXT UP IS L*ONA OTL WHO HAS MADE ME SO ILL THE ENTIRE MONTH OF OCTOBER, HURK 🤢 who heard the shouting. He rescues Sebek (he’s de-pumpkin’d) and Skully isn’t able to touch him because King’s Roar is just too OP 😭 (I’m sort of confused about how tf Leona’s UM works though?????? He seems to be sanding Skully’s MAGIC, which shouldn’t even be tangible???) I’m confused. dbsvsjsnskwk And he tells Skully to get back up do he can keep beating him back down????? BRUTAL. Leona’s been pretty useful up until this point too, taking charge in leading the group, strategizing, sussing Skully out, and thinking long and hard about what his true identity is. Bro’s really working those fat brain cells of his, huh…

I think this is the first of the Halloween events (that introduce new characters) where the new guy’s explicitly said to be in danger of OB. Not sure why that is, it’s just interesting to note???

SkULLy RUNS FOR IT and bumps into Lock, Shock, and Barrel, who proceed to subdue him. Surprise, turns out that Jamil had gotten to them first and Snake Whispered the trio. The kids call Jamil MASTER and -SAMA… My guy, you are so repressed 💀 (I recall it being said in book 4 that using his UM on multiple people can result in rapid blog accumulation so UHHHH I guess I’ll overlook this for now or assume 3 people isn’t an issue????) Earlier in the event, Jamil was like the only person to approach Skully to try and include him in the planning. Must be used to this being a big brother + always dealing with his dorm.

I’m not sure if it’s just me but??? It feels like they overlooked how some of the SSR trio’s UMs worked just to have it fit in the context of the climax they wrote. For Jamil’s, maybe you can excuse the fact that he’s controlling 3 kids by saying it’s easier for him to manipulate young minds. BUT THERE’S NO EXCUSING HOW LEONA CAN SAND MAGIC 😭 At least say he has strong defensive magic that Skully cannot break through????

It’s times like these that make me really question whether or not Yuu is actually important for helping these people learn to get along, because they seemed to have resolved the issue just fine without any kind of intervention from Yuu. Yeah, they bickered and picked on each other too, but they still fixed things on their own (albeit on their own, but it comes together in the end anyway) while Yuu is kidnapped and completely out of the picture.

Vcdnsksksksn The moment that follows is kinda funny and wholesome… Well, for the SSR trio, not for Skully. They all sort of rub it in Skully’s face that he lost and then praise each other but in a back-handed way??? Like they call each other nasty and shit at planning, etc. Leona says Jamil bullied Skully so much that the poor thing started crying, then Jamil accuses Leona of threatening Skully a ton… then they gang up on Sebek (wow, they’re both awful and I love that for them).

Seeing this camaraderie makes Skully throw ANOTHER fit because he’s jealous that Sebek gets all this praise and attention. Meanwhile, Skully is all alone, always alone. Though it’s not explicitly stated, it’s implied Skully is deeply insecure about being by himself, as his classmates at school don’t understand him and rejected him + his interests. He extols a lonely and desolate version of Halloween too, something that reflects his own soul... clinging to the only solace he has in this world, the one constant. A holiday that he cherishes so very much--to the point where his own UM is linked back to it. The big dilemma he goes through this event seems to be a mix of having his own views being questioned as well as having his impression of his Halloween idol challenged. This makes Sebek a good foil character for him, similar to how Kalim was for Fellow and Idia for Rollo in the previous Halloween events. Skully even calls out Sebek explicitly, saying that he has all of the things he has never had. He'll never be disappointed by his idol Malleus (sadhbaslidbas this is ironic, considering the events of book 7), he has senpai who praise him, he has Zero for a friend, etc. Life’s soooo unfair, Skully claims. And like??? I was so shocked to see Sebek acting mature about the whole thing??????? He refutes Skully's claims and tells him straight up that to believe in someone isn't to force your own views onto them so your idol stays how you pictures them in your head. It's a mistake to think of one's idol as perfect--not even Malleus is perfect. Even so, Sebek explains that agreeing with someone and loving/respecting them are very different things... so he will accept Malleus's flaws and love him nevertheless. Even if he disagrees with Malleus, even if they have to part ways, Sebek will accept it. That's really surprising coming from him, seeing as how Sebek acts absolutely SURE of Malleus's absolute goodness in the main story... Now I'm wondering if this event must take place after book 7??? Because that's when Sebek has his own views on Malleus totally shaken. Still, I'm so proud of Sebek for dropping this hard truth on Skully--it's definitely something Skully needed to hear and be reminded of to be pulled back to reality. He also just outright calls Skully put for all his cowardly moves, including going after those who cannot fight back 💀 Very Ace of him to do…

Speaking of Skully, what really put the final nail in his coffin and sent him to the Shadow Realm (my dislike tier lol) was all the tantrums he threw this event. I understand being upset and frustrated. Really, I do. I understand being envious of others, of feeling like you've got no one by your side. But is it REALLY necessary to react like that…? And so frequently… He just shouts “shut up” over and over again… OTL I don't know, it feels like I could sympathize with him more if they properly explained why it is Skully is so into Halloween (besides his hometown being the same) and why he holds the past in such high regard. The most we get is it's just something his hometown is into and when he left for school, none of his peers really accepted that. Is the implication that Skully retreated further into his hyperfixation to cope with his loneliness????? If so, I'm not sure if this was properly conveyed so now Skully is left acting like a big baby and overreacting to everyone trying to get him to calm down. The worst of it is when he claims he’s the one who TRULY loves Halloween and everyone else is fake. That sounds like something straight out of an angry elitist otaku’s vent post. Other characters acted similar to this when on the brink of OB (which Skully was) but never so childishly. This might just be a me thing though, I don't really care for overly emotional characters; they're usually not my cup of tea.

I'm not sure how I feel about everyone forgiving Skully and partying with him at the end for the Halloween celebration. On one hand, yeah, forgiving him makes sense because it's not like he was plotting anything crazily world shattering like Rollo or a participating in a large-scale crime ring like Fellow. Skully didn't really harm anyone (though he did try to shatter someone he pumpkin’d), at least not on a large scale like Rollo and Fellow did. On the other hand, I think it was a little bit too overdone with how sappy it was??? Like why did Jack say he was PROUD of Skully for being so passionate that he went to these extremes for Halloween? Why did Jack give Skully a HEAD PAT after the shenanigans he pulled?? I felt that saying he's forgiven and inviting him to join the festivities anyway would be sufficient. And again, I detest how Skully disregarded everyone’s consent and kissed them (Yuu and the SSR trio) as an apology even when they (SSR trio) already made it clear they didn’t want to be kissed. That just felt super gross to me, not funny or cute 😔

One of the big highlights of this event was, of course, the Twst cover of This is Halloween. Everything about it is just so... *chef's kiss* from the strong vocal performance to the perfect selection of characters to recreate each scene. It's a shame that we can't access the song outside of this event, but I know that I'll be playing it on an endless loop off of Youtube 😂

For all of the issues I had with the story up until this point, I'll be the first to say that the ending was genuinely sweet. Skully actually expresses gratitude towards everyone (a first, lmao) and calls us his friends, the best thing that has ever happened to him, etc. He wants to meet with everyone and celebrate Halloween with them again. BUT. I don't like that he singled out Yuu specifically as someone he really likes. I get the same feelings from him as I do with Malleus... Like, there's a weird over-familiarity and attachment he has with Yuu despite Yuu not doing or saying much to bond with him. His reaction seems unwarranted to me, with a lot of the appeal of his friendship coming from how much the player projects onto him. (And to be clear, I say this ONLY for myself, as Yuu is meant to be a character for self-inserting; in the case where I put myself in Yuu's shoes, I would be uncomfortable with how Skully is acting toward me.)

Now we get to the ending that seems to have emotionally broken the fandom.

I said earlier in this post that I don't like Lost in the Book events, and another reason for that is because there's amnesia involved at the end. I feel like an event isn't worth it if the memories get wiped anyway because then it's like the events never happened at all. However, Nightmare actually played with this trope and did something really cool with it. Even though those who leave the book have their memories erased, they're still left with some residual feelings that can propel people to act. In the Stitch event, this resulted in the boys wanted to vacation to the beach. In Nightmare, Skully--who was transported within the book from his original time HUNDREDS OF YEARS AGO--was so touched by the connections he made in the book that he essentially becomes a changed man. He graduates from NRC and travels the world to spread the joy of Halloween, thus being responsible for why it's such a big holiday in modern Twisted Wonderland, the era which our main cast is from.

No one remembers the book's events, but Skully is so thoroughly motivated by his lost memories... He somehow recreates the Nightmare Suit, BUT DROPS THE SHADES (a symbol of him trying to emulate Jack) BECAUSE HE HAS NOW BECOME HIS OWN PERSON. He shares a jubilant version of Halloween because that's the version he cherished celebrating with his idol and first real friends. History doesn't remember him, but his legacy is still going strong. LIKE THE GAO POSE... DID IT ORIGINATE FROM HIM???? ? ? ? ??????? ?? AND NOW I'M THINKING ABOUT ALL THE FUN THE GHOSTS AND STUDENTS HAD IN THE FIRST EVER HALLOWEEN EVENT... BECAUSE OF HIM SPREADING THE HOLIDAY AROUND

The NRC students don't remember him either, but they must somewhere in the deepest recesses of their hearts... CUZ THEY ALL STILL MAKE COMMENTS ABOUT HIM, LIKE LEONA SAYING BRO LOOKS LIKE A PATHETIC LITTLE MEOWMEOW (exaggeration). There's also the implication that Skully's spirit is still around, since the characters remark feeling a strange cooling sensation on the back of their hands. We never SEE him, but we sense that there's something there. In the end, they promise that they'll make the best Halloween ever in honor of his legacy and we get sequel bait.

Twst REALLY had to go and drop that ending on us and then peace out, huh 🤡 It's hard to put my feelings about this ending into words, but I think I would personally describe it as very bittersweet yet romantic. Not lovey-dovey romantic, but like... it portrays a hopeful future even though it's sad too. Like, it's tragic that the NRC students and Skully will never be able to celebrate together again. But isn't it cool that even though they were born in totally different eras, fate still allowed them to meet and completely change the course of history? And even if they forget about their encounter, that meeting still impacts them to this very day. It changed the world and their lives forever. Reaching for that thing you're missins and forgetting, without really know what it is... Something lingering there, without a form... There's something so dream-like about the concept, I have to commend the Twst devs for coming up with it. In that sense, I'm quite satisfied with the conclusion despite the bumps in the road I ran into on the way.

IN CONCLUSION. Yeah, I thought this event was another mixed bag. The pacing was bad and nothing that interesting happened since the story was mainly about preparing for Halloween. I'm not a fan of Skully. However, what I can say is that Nightmare had a good showcase of Sebek, Jamil, and Leona's strong suits and actually allowed them to resolve the crisis. The ending is also much stronger than Playful Land's and poses many interesting questions about Skully and his impact on history.

[bobabisch]

I often hear the argument that Luffy is dumb, and I can't help but be ticked off every time I hear someone say it, because Luffy isn't dumb, he's simply carefree. And I mean that in the literal sense of the word. Luffy truly does not have a care in the world. Luffy chooses not to complicate things. He does things for the simple fact of wanting to and he purposely refuses to learn about people, situations, and the nuances involved with both because the nuance just pollutes the true nature of the subjects. Luffy doesn't choose to do these things out of ignorance or selfishness, but because in the grand scheme of things, all the information that he chooses to ignore is wholly unimportant both by Luffy's own standards and to the development of the story as well. What Luffy deems unimportant does not matter at all to how things play out in the anime.

Luffy, at his core, is an incredible judge of character. Luffy's relationship with Tama is a perfect example of this. By all accounts Luffy's first impression of Tama should have been negative. She came off as a little bit mean and stand-offish. However, Luffy in his natural Luffy-fashion is unbothered. He didn't need Tama to tell him or show him explicitly the kind of person she was to understand her as a person. Despite the fact that she was a little girl, Luffy treated her with basic respect right off the bat. Luffy didn't see her as child, but rather as the self-sufficient human she was. Of course his fondness for her was only furthered by the food that Tama gave him. Luffy didn't need to know anything more about Tama after he heard that she had given him her last shares of food. He didn't need to hear Tama's sad story to understand her. She treated him with kindness, like she would a friend, even though they had just met. Luffy would go to the ends of the earth for her over that simple fact. He had no desire to learn of Wano's history to better understand how Tama got to this point in her life. All he needed to do and all thay he wanted to do was return a kindness. And that he did.

The same can be said for the part Luffy plays in Nami's story. When Nami 'betrayed' Luffy, he'd simply brushed it off. Once again, Luffy knew who Nami was without having to ask and without her having to show him explicitly. Luffy saw her 'betrayal' yet did not take it at face value. Luffy refuses to leave her behind because everything Nami had said/done in that situation muddled Luffy's inherent and instinctive understanding of her character. This next bit is ironic to say because Luffy often makes decisions with his stomach rather than his head, but its clear that Luffy would rather trust his gut feeling than try to understand Nami's actions which appeared entirely contradictory to Luffy's perception of her personality/character.

This theme rings true throughout the whole anime. This happens when Luffy chooses to trust Law on Punk Hazard over Law's rather dubious choices without needing or wanting an explanation from him. This happens when he rescues Zoro at the very beginning of the anime and he simply trusts this well-known pirate hunter not to cut him down right of the post. I beg of you all, please do not dilute Luffy's complex character design down to something so trivial as him simply "being stupid".

Sorry for the tangent, I have just always felt people who say this about Luffy sell him and his whole character design short. There is so much more that I could say about this too. I could go into detail about the ways in which Luffy is as smart as the rest of the crew (in different ways than them obviously), but that would call for several more paragraphs, so I'll just cut it here I think.

Anyways tell me what y'all think, I'm curious.

[andhumanslovedstories]

I've been thinking the kind of writing I do and the kind of reactions it gets. Some authors get goofy comics of their works. Me? I just got a comment on my Captain America: Winter Soldier fic that I helped the reader understand 9/11. I am, by the way, delighted by that.

I struggle to describe my own writing style. It's wordy, I know that, and favors a LOT of detail, to its benefit and detriment. I'm indulging this tendency for my current fic because it's fanfic and I am having a lot of fun seeing what details I write that I end up elaborating on, but my number one style goal this year is to work on brevity and a snappier pace. My style is so introspective; characters spend a lot of time reflecting on themselves. I put a lot of work into making my characters complex, even at times contradictory because I think that's true to human nature. And by god, do I think about a story's themes. Do other writers think about themes this much? Sometimes I'm like, hey brain, I'm actually good on themes. Would love to get some plot.

Not to entice all the sapiosexuals out there, but I take a very cerebral approach writing. (This does not btw mean that the fic itself will be particularly intelligent.) I'm not saying this is a good or bad way--it's one way to write. My writing can feel very cold to me. Very same-y as well. That's why writing SQQ pov is so fun, it's such a radically different voice than my usual.

The fic I'm writing now was supposed to be a lighthearted fic that was an excuse for me to practice writing a sex scene. Almost 80k words in, it's so super not that. I just can't resist the thrall of complication. Although you know, as I'm writing this, I'm not exactly sure what an "intellectual approach" to writing even means to me. I use big words? I overuse semi-colons?

Maybe it's the way that I'm so language-forward in my writing. Like, what I love doing is crafting a sentence. Someone described literature to me as writing where the main draw is the author's technical accomplishment in executing their style. I definitely favor authorial voice, to the point where the stories I write that I like least feel like balsa wood gilded over. It looks nice, but you quickly realize it's weak as hell.

There's works that clearly value style over plotting, and vice versa. You need both when you write--all plot with no style reads like a synopsis of itself and all style with no plot is imagery in pursuit of nothing. Both very boring in their own way. It's interesting how totally which one weighs more affects every part of the story. Mrs. Dalloway is not a fast-paced page turner, and a thriller doesn't halt itself so we can read really beautiful, pointless paragraphs about how the color of the sky evokes memories of a long ago time when you were so different.

Maybe what I mean is that my stories tend to evolve out of the ideas that I'm exploring. In the fic I'm writing now, I had this core conceit of misunderstanding: people failing to interpret something without knowing they're doing so. In a way, the entire story is about the hard work of moving from misunderstanding to understanding. Getting information, interpreting it, having that interpretation challenged, exploring what that challenge provokes, moving either closer or further from "the truth". Shen Qingqiu misunderstands basically everything, and basically everyone misunderstands Shen Qingqiu. What situations can I make that center on misunderstandings? I also think a lot about the concept of fault--how have people failed in the past, how are they failing in the present, and how do you make up from what you have done wrong? Do you get to just move forward? Are you always at mercy of whatever you did in the past?

So a lot of the plot of the story stems out of ways that I can bring those ideas to the forefront. When I get stuck, I think of different ways these concepts can manifest. Ming Fan's getting a whole plotline because of this. I like my writing, I do, but I’ve really been thinking about the way I write affects what I write. And then in turn the reactions I get to my writing. And then I wrote this whole post because ao3 was down and I couldn’t post my chapter. And now here we are.

Also general DVD commentary on OOC fic--I hit such a roadblock because we're very close to the point of the story where Big Things are going to happen, and I could not decide on exactly how those things should occur. I had about three ideas that I was excited about. None of them were compatible with the others and each would have very different emotional implications. It's hard to write when you're essentially juggling three different drafts. The only way I got myself to commit to one was promising myself that I could always write AUs of my own fic. I honestly doubt I'll get around to doing that, but who knows. Maybe someday there will be a fic of (spoiler warnings ig for things that aren't going to happen) this fic's version of sqq and lbh in the endless abyss together.

Also you would not imagine the amount of thought I've given which conversation should happen before the abyss and where each character relationship needs to be. I have dithered like crazy. And there's so many relationships I'm working with. I'm keeping track of Shen Qingqiu's relationship with: Luo Binghe, Liu Qingge, Yue Qingyuan, Mu Qingfang, Ming Fan, Shen Jiu, Qing Jing Peak as a whole, a couple of OCs, the System, and his concept of self. Mu Qingfang has not been on screen for a minute but it's not because he doesn't haunt my plot outline. Sorry, bud, everyone else just keeps getting more pressing stuff.

[sorcave]

After spending some time thinking about Peter Pettigrew, I’ve realized there’s a huge disconnect between how he’s portrayed in canon and how the fandom—especially within Marauders fanon—handles him. Let me preface this by saying, I get it. The Marauders era is filled with beloved, tragic characters like Sirius, Remus, and James, who are all charismatic in their own ways. It’s easy to frame Peter as the villain, the weak link in the group, because, well, he is the one who betrays them. But I can’t help feeling like fanon’s interpretation of him has become deeply flawed and even unfair in its simplification of his character.

Peter Pettigrew, as written in the books, is actually a much more complex figure than the rat-betrayer caricature that fanon often makes him out to be. He’s not some mustache-twirling villain, nor is he just a pathetic hanger-on who was lucky to be in the Marauders’ circle. If you really pay attention to the way his character is written, he’s someone who’s constantly underestimated by the people around him, including the very friends he ends up betraying. He’s not powerful in the traditional sense, but his cunning is what allows him to survive the chaos of two wizarding wars. He’s not a mastermind, sure, but he’s resourceful in a way that deserves more recognition than he gets. Canonically, it’s clear that he isn’t just bumbling around until he stumbles into Voldemort’s arms—he’s making calculated choices, and we need to give those choices the weight they deserve.

This brings me to why I think fanon’s insistence on reducing Peter to a one-dimensional villain is so misguided. There's this huge trend in Marauders fandom where Peter is either villainized beyond recognition or, worse, completely written out of the story. He’s often replaced in fanon with a random “better” Marauder, or he’s ignored entirely, as if his betrayal somehow disqualifies him from being part of the story. And here’s the thing: canon compliance isn’t a crime! In fact, canon gives us a far more interesting story. The tragedy of Peter’s betrayal is that he was their friend—he shared their dorm, their secrets, and their history. His actions were not driven by some inherent evil but by fear, survival instincts, and yes, cowardice. It’s a much richer narrative than reducing him to a monster.

In the fandom, there’s often this hyperfocus on moral purity when it comes to the Marauders, especially when it comes to ships and rewriting dynamics. Peter, however, disrupts that neat narrative, so fanon tries to erase him to preserve the integrity of the fan-created relationships. But that oversimplifies everything. Why should we villainize people for sticking to canon when canon is, arguably, what makes the Marauders’ story so compelling in the first place? The fall of the Marauders—this group of young, talented, promising boys—hinges on Peter’s betrayal. You can't just ignore that without losing a fundamental piece of what makes their story so tragic. He’s not a random character you can swap out. He’s the pivot point.

Peter’s character also raises some interesting discussions about how we view heroism and villainy in fandom spaces. For instance, we’re often quick to forgive other characters—Sirius, for all his bravado, is reckless and cruel to people like Snape, but we don’t hold it against him in the same way. We empathize with his trauma, his tragic backstory. So why is it that Peter, who is also a product of his circumstances, is written off? He wasn’t born evil; he was shaped by the same war that shaped all of them, but his path led him to make different choices. There’s something so fascinating about exploring how someone who was once a friend could betray everything. It’s a conversation about human flaws, not just villainy.

And yes, in a world full of Marauders fan content, it’s fine to like your AUs or write your fix-its. But let’s not pretend that sticking to canon, and appreciating Peter for the complex character he is, is somehow less valid. The fandom would benefit from looking at Peter as more than just “the betrayer” and instead as someone who, like everyone else in the story, is a deeply flawed person whose mistakes have devastating consequences. That makes the story richer, more painful, and ultimately, more meaningful.

forgive me for the ramble but Im going insane with my term paper and my thesis, unfortunately I've been diving too deep into the marauders again

[reginalucernis]

Well, since I am now a bachelor myself, I have brought you a different kind of Bachelor (and his beautiful companion)

To be honest, this time I don't know what to write about - it would be possible to joke for the hundredth time that while the entire town is waiting for a Bachelor route from Ice-Pick Lodge, I managed to graduate from middle school and high school and finished my own bachelor route, but these are really boring jokes. It's especially funny that when the Kickstarter fundraising was announced, I was still thinking "oh yes, the developers will collect all the sum and they will surely release three main scenarios, and they could add extra Inquisitor and Commander routs, oh that would be great", heh, what a holy naivety))

I'm not in the mood to write a detailed review of the Pathologic either, so I'll be brief: the first part (rus. Mor. Utopia) is one of my favorite games, so atmospheric, multifaced (well, like PoLyHeDrAl, like a pun, omg lol it's so funny... is it?) and memorable that, having plunged into its world once, you come back to her over and over again for years and forgive all the flaws, whether it's graphics that is weak even for the year of release (by the way, 2005, the game is almost 20 years old) or questionable gameplay. There is no surprise that this particular game is considered the magnum opus of Ice-Pick Lodge. It's just a pity that I'm one of those people who loves complex scientific and philosophical works, but does not understand them at all and therefore has to constantly look for explanations from other people (and here I can say hello to TESler Channel)))...

Unfortunately, I can't say the same about the (non-) remake. It seems that the graphics have been tightened up, and the gameplay has been diversified, and the characters have tried to make them more lively, but it's still like something is missing, I don't know what. Maybe I'm just too critical, it's hard to judge here.

As far as I know, the favorite character of most fans is Haruspex, and I can understand why. Actually I like all the playable characters as well as all the NPCs, and there is no one among them who would only cause disgust - that's it, the skill of writing characters in the original game as it is. And yet, as I think, the closest to me and the most interesting, in general, the most elaborated character seems to be Bachelor, and with him his companions, especially Eva. Although she does not have any special story, there is still something charming about this lady of the demimonde) Maybe it's just Baby-Duck-Syndrome that affects me, or maybe it's just the (near) scientific and rational approach of this scenario, idk

P.S. Btw despite the undeniable advantages of Pathologic, as an artist, even a self-proclaimed one, another game of Ice-Pick Lodge, Turgor (Tension), is much closer to me - who knows, maybe someday I'll draw something based on it (it would be great actually)

[airybcby]

happy spotify wrapped! my top song is rumah ke rumah by hindia, but the song is in indonesian, and i dont know if you understand it :')

basically, this song tells about ex-lovers. tells stories about love journeys with various people, both stories that turn out beautifully and those that end badly.

however, the purpose of this song is not directed at the ex-lovers. its directed to the only true love that the writer has, who always supports them, and becomes their last destination to end up when walking from house to house looking for true love.

i just ended up yapping uh oh, but again, happy spotify wrapped ^^

i love a good yap session so don’t worry! thank you for explaining it to me!!

if your top song was rumah ke rumah by hindia i’d pair you with…

isagi yoichi

જ⁀♡⊹｡° back to you

♡ a/n — for my spotify wrapped event ♡

♡ content — isagi yoichi x gn! reader, gn! reader, confused isagi, childhood friends, reader is isagi's one constant

♡ synopsis — isagi yoichi can't seem to understand how to make someone love him truly...but you always have.

The knock on your door wasn’t surprising—Isagi had always come to you when his world felt just a little too heavy to hold on his own.

You’d known since your junior high years, through victories and defeats, through fleeting romances and the messy aftermaths they often left behind.

He’d call them “learning experiences,” but you could see the way they chipped away at him, little by little, as he searched for something he couldn’t quite put into words.

Tonight was no different.

“I’m sorry for dropping by like this,” he said as you let him in, his voice quieter than usual.

“You don’t have to apologize,” you replied, stepping aside to let him into the warmth of your living room. “You know you’re always welcome here.”

He smiled at that, but it didn’t quite reach his eyes. You didn’t push him to talk, knowing that he would open up when he was ready. Instead, you busied yourself making hot chocolate like you usually did for him, giving him the space he needed to gather his thoughts.

When you returned, he was sitting on the couch, his head resting against the backrest as he stared at the ceiling. The look on his face was distant, as if he was somewhere else entirely.

“Bad night?” you asked gently, setting the silly bear mug you had specifically for him down in front of him.

He let out a soft chuckle, shaking his head. “Bad month, maybe. I don’t know.”

You sat down beside him, waiting patiently as he traced the rim of the cup with his finger.

“I keep thinking about,” he started, his voice barely above a whisper. “you know, all the times I thought, ‘This is it. This is the connection I’ve been searching for.’ But it never works. It never feels... right.”

You didn’t say anything, letting him get the words out.

“I’m starting to think it’s me,” he admitted, his gaze dropping to the sweet liquid in his hands. “Like maybe I’m just not capable of... whatever it is people are supposed to feel when they find someone who makes them happy.”

Your chest ached at his words, but you kept your expression calm. “I don’t think that’s true,” you said softly.

“Then why does it always end the same way?” he asked, his voice tinged with frustration. “Why does it feel like I’m just wandering from one place to the next, trying to find something I can’t even define?”

You hesitated, the words on the tip of your tongue. You’d been there through it all, a quiet constant in his life, offering support without asking for anything in return. You’d watched him chase people who weren't right for him, always hoping he’d find what he was looking for, even as it broke your heart to know it wasn’t with you.

“Maybe,” you began cautiously, the words thick on your tongue. “you’ve been looking in the wrong places.”

He looked at you then, his brow furrowed in confusion.

“What if what you’re looking for isn’t out there?” you continued, your voice steady even as your heart raced.

His eyes widened slightly, and for a moment, neither of you said anything. The silence was heavy, but not uncomfortable. It was the kind of silence that carried years of unspoken words, finally brought to the surface.

“I’ve always been here, Yoichi,” you said, your voice barely above a whisper. “And I always will be.”

The weight of your words hung in the air, and you could see the shift in his expression as they sank in. It wasn’t immediate—Isagi had always been someone who needed time to process things—but there was something in the way he looked at you now that felt... different.

“Why didn’t you say anything before?” he asked, his voice soft, almost hesitant.

“Because you had to figure it out on your own.” you laughed at him. "I wasn't going to be pity date, ichi..." the nickname slipping past your lips in a familiar tone.

He let out a shaky breath, running a hand through his hair as a small, almost disbelieving smile tugged at his lips. “You’ve always been here,” he repeated, as if saying it out loud would make it feel more real.

You nodded, a quiet affirmation.

For the first time, he reached for your hand, his touch tentative but firm. And in that moment, you could see it—the realization, the understanding that he didn’t need to keep wandering.

Because his journey, no matter what, had always led him back to you.

i tried my best to fit what you explained to me, but i also threw in my own elements.

i hope you like it!

likes, comments, and reblogs are appreciated!