#but when she is offering her compassion to people

[captain-kit-adventuress]

Ok, even if Snow is young, that doesn't mean the Prince can't be an adult and it could still be innocent. Like, "true love" can mean a lot of things.

This is a girl who's stepmum threatened to kill her because she thought a literal child was prettier than her, and she is That Kind Of Person that it mattered and she needed her fucking gone. I don't think there's a lot of parental love in that house, is all I'm saying.

But then, she's pseudo-adopted by this motley gang of seven dudes who basically take care of her in secret (at great risk to their own safety, I might add) because it's the right thing to do, and suddenly, Snow has a chance to blossom a bit. And, yeah, they've got to work the mines every day and don't really have much in the way of childcare, but do you think Queen I Will Kill A Bitch If They're Prettier Than I cares that her tax policies are fucking punitive to the peasantry?

And this child, this actual, human child, is so love-starved, that when an old lady shows up and starts offering her pretty presents for free, she mistakes it for the affection she never got at home. She has absolutely no frame of reference for what normal relationships look like at any level, so, yeah, if a stranger gives her lots of pretty things with no strings attached, she's seven and doesn't know better, of course she's going to take them. And better yet, some of the gifts are apples, which are her favourite. She doesn't know how the old lady knows, and she doesn't really care, but she's not going to turn down her favourite fruit.

So when the Prince discovers her in the tiny child coffin in the forest, his first thought should be, "Oh. Oh, no. Something totally fucked up has happened here," because it's a child in a glass coffin looking for all the world like she's supposed to be idolised and he's heard the nasty rumours from the neighbouring kingdom about the Queen, who has a reputation as the jealous, malicious sort and whose husband and stepchild both mysteriously die under suspicious circumstances not so long after she takes the throne.

And he wants to weep for Snow, because he realises all the rumours were true. That the Queen (who he met once absolutely, in his mind, is capable of this) really did banish this child for being too pretty and then tried to kill her besides and for all he knows, totally succeeded. This tiny little girl who deserved nothing but love and affection now lies dead because of the monstrous selfishness of the Queen, her own stepmother. And the thing is, the Prince has compassion. That's why he's Prince Charming, because he genuinely cares about his people and wants to be a good king when the time comes and it makes him furious that such an injustice could happen to a child. He loves her without even knowing her because he's just that compassionate, and he opens the coffin, and maybe strokes her little cheek and smoothes her hair, even though it doesn't really need it. He is determined to bring her back, to have his alchemists work their magic, to see if there isn't something they can do for this little girl, even if it's to keep her as an example, somehow, to give her the funeral she always should have had.

Maybe he wants to "keep" her in the same way the dwarves did, as an adopted daughter, who finally gets all of the love and affection and parental care that she always should have had. So he orders his retinue to help bring the coffin back. But the forest is growing dark, there are lots of rocks and roots, and, you know, maybe someone trips. Bearing pall is not easy, and that coffin always looked heavy as hell. Being glass and marble, the foundation cracks and the glass top shatters as it slides off, and Snow hits the ground as one by one, the burliest men of the retinue lose their grip on it.

An unnatural silence falls among them, and while they don't really fear retribution from the Prince, they'd also never seen him so angry as when he'd found the coffin. He didn't say much, but that was a clue all the same. Now? Now that little Snow White is lying on the ground, dirty and rumpled and somehow looking even smaller than she did on that grand bier, now the retinue gets nervous. The Prince rushes to her without addressing them, cradles Snow as tenderly in his arms as any father would, smoothes her hair again, and gently kisses her forehead. But instead of a furious tirade or more deathly silence, there is...a miracle. A few sputtered coughs, the soft bounce of an apple piece as it hits the forest floor, and Snow is as alive as any of them. The Prince laughs, laughs as they haven't heard him laugh in years, laughs and cries and dances with this little one who has been saved from the curse by her true love. She's a bit confused, but she's also seven and she's had a pretty weird life up until this point. She rolls with it.

And the Prince takes her back to his castle, to what will become her beloved home, and makes a formal and official adoption of Snow White. He declares the evil Queen forfeited any parental rights to the girl when she, you know, tried to repeatedly murder her, and yeah, sure, he can still have the epic fight with the Queen and whatnot, but if that's not love, too, then I don't know what is.

So Snow grows up loved and happy and learning to rule how a proper queen should, and not being so torn by jealousy and cruelty that she can no longer access her humanity.

While I also really enjoy the idea of them being 7 together, I just couldn't help but wonder if there are enough people on this site who are convinced that a kiss from an adult to a little girl couldn't be innocent in any way, and that's why he had to be a child also. True love doesn't have to just be romantic love, it can come in any form.

You know the Grimm version of Snow White makes more sense than most versions if only because in that version Snow White was like 7 years old.

[ennn]

Someone asked me why Agatha kills witches and I was like, for power I guess. I'm not sure if you've talked about it before, but if not then I would love to hear your thoughts!

I'm sure there's more nuance to it, but personally I do think Agatha enjoys killing and acquiring more and more power. I also don't necessarily believe that she traded witches' bodies for Nicky's life (so that he could live longer), but I could be convinced lol.

Would love to hear what you think!

Why does Agatha keep killing witches?

I did see quite a few people confused about why witch-murder seems to be Agatha's most favourite hobby ever by her actions in episode 9, even with Nicky around.

Let's consider her conversation with Nicky in episode 9:

"Why do we kill witches?" "To survive." "Could we not stay with the witches and survive with them?" "No." "Why?" "Because then they will try to kill us."

While Agatha's obviously not going to unload trauma on her kid, I do think she is trying to be as honest as she can in this moment—and at the heart of it Agatha truly believes that other witches will fear or hate them and kill them.

This paranoia I think is a major push factor that lets Agatha rationalise her killings.

The power Agatha that gets from killing is the pull factor. Both are happening at once, I think, reinforcing the other. Power keeps them safe but it also fuels Agatha's ambition. She wants to be a powerful witch. Power siphoning also happens to feel really good.

And I think the crux of this is Agatha's childhood and trauma at 18 years old, where her coven including her own mother tried to execute her—her rule-breaking apparently warranting a painful death sentence.

Let's sit with this for a bit: Agatha's coven, her people, the closest circle of witches she presumably grew up around for 18 years believed she was irredeemably evil and deserved to die.

And perhaps more importantly, for all her cunning, Agatha did not see this deep betrayal by her coven coming. She survived only because of a fluke, an ability she didn't know she had.

To Agatha, this was a mistake she'd never want to make again.

Besides, why would other witches or covens not jump to, or reach that same conclusion if they knew about what Agatha's been accused of or done?

Would strangers offer Agatha more compassion than her own mother? They might, but why risk it? She's even more condemned now given that she murdered her own coven.

The entirely rational approach would be to strike first and take their power. Any guilt or discomfort is the price of survival.

This explains why Agatha still kills witches even when Nicky is around. It's not so much the power rush that's driving her, it's her fear that harm will befall her and Nicky.

I really don't think Agatha was killing witches to buy Nicky more time. If that was an arrangement Rio would have said as much: Rio seems very clear about her deals. Here, she offers time but asks nothing in return.

The tragedy of the story is that Rio doesn't mention exactly how much time—it's possible she doesn't know—and there's nothing that Agatha can do.

I also don't think Rio really cares about getting more bodies. It's not like Rio has a corpse quota to hit. People die and kill each other all the time. I think she enjoys Agatha's kills but in the way someone enjoys an artist's work.

If there had been a deal to trade murders for Nicky's life, I suspect practically nothing would have stopped Agatha from keeping him alive.

[the-force-awakens]

the sequel trilogy is always going to be important to me, and will remain in my mind the best, because of the themes it holds, and the heart it has. it really embodies the moment in rotj, when luke throws away his lightsaber in the face of unimaginable evil, refusing to sink to that level, imo. because every character is so angry, so hurt and so traumatized, and they have every right to be! but it's not enough, and burning yourself out to fight isn't enough either, you have to work towards something - something kind, something good, and you have to want to live for it - that you SHOULD live for it, because otherwise why are you fighting? That you have the power to make what you've been through, matter. It says that you can act on the best information you have, and still fail and still hurt the people you love the most, and you'll have to carry that for the rest of your life, but it's okay because you can do better. you just have to allow yourself the grace of forgiving yourself so you can move forward. it says failure happens to us all, but there's always tomorrow, and you can try again. that you're strong, not weak, for offering your heart to people, for seeing the best in them, but it also reminds you that if they won't change themselves, you have to accept it and take care of yourself, and choose the people that will choose you. It says that trust is what holds us together, and if you can't forge trust with each other, then things will fall apart, no matter how good intentioned you may be, and that you can't lose sight of the people around you no matter how hyperfixated on a goal you may be, because that has its own cost too. And most of all, it says that you're not alone - that there are others who care. It says that you're not that different from the person who made all the wrong choices, and it forces you to confront and accept that you, too, could make all the wrong choices. and it says that you ultimately have the choice to choose your family and what you stand for — for good or for bad.

it's a story about belonging and forgiveness and kindness and how the sun will rise and they will try again the next day, and that's why it's my favorite story in the whole world: because it's kind.

[izzyspussy]

why are they laughing at him as he gets straight up killed??? he doesn't deserve this! he's a sweet kid at heart! he literally just needs one (1) real friend!!

[pagesinmylife]

Things people don’t talk about enough from the Hunger Games:

Many of Katniss’ strongest allies are women that are over looked by others (Madge, Rue, Mags, Wiress)

While Katniss has a strained relationship with her mother, her mother is never demonized. Katniss recognizes the trauma her mother went through and was willing to try to improve their relationship in CF

The rebellion didn’t start with the berries. The rebellion started when Katniss showed compassion towards a dying, black girl that the world had already written off as unimportant

One of the beauty trends in the capitol that Katniss finds odd is the shaving of body hair. When her leg hair grows back in CF, she expresses comfort in it.

Katniss’ character arc throughout the series is her understanding of who the enemy is. It isn’t the rich people in district 12, or the other tributes, or the other districts, or the people in the capitol. It’s the government and it’s Snow.

Katniss never wanted another hunger games with the kids of the capitol. In that meeting she recognizes Coin’s commitment to perpetuating the cycle of violence. She votes in favor of it to cover her plans of killing Coin.

The violence in the books is SUPPOSED to feel random and unfair. Prim being reaped was supposed to be against all odds because in the real world, violence is indiscriminate.

Gale is a victim too and was not solely responsible for the death of Prim. He spent the first two books feeling helpless as he watched people he loved be put in danger and suffer. Coin offered him a way to regain control. At the end of the day, Gale is only 18 and doesn’t realize the depth of the games being played.

Katniss is great with kids and actually enjoys being around them. She says the only reason she doesn’t want them is because she can’t imagine them being put in the hunger games. Her having children in the epilogue is a sign of her healing and finally feeling safe

[queenofwands89]

The Storm Within Tyler Owens x fem!reader

Summary: What dramatic turn of events unfolds when Y/N storms off after an argument with Tyler, only to face the fury of a tornado that strikes their town and leaves Y/N injured?

Warnings: Tornado (duh lol), angst, arguing, mention of injuries, description of injuries, sad.

Notes: I wrote this because I am a whore for Tyler, and I love angst and pain. Enjoy byeeee

You feel the tension build in the air long before Tyler raises his voice. It's the kind of unease that clings to the back of your mind, an ineffable sense that something is about to go terribly wrong. You stand in the spacious, cluttered garage that serves as the command center for Tyler's storm-chasing crew. The storm models flashing on the multiple screens show bleak promises of another monstrous storm front moving across Oklahoma.

It starts as a simple disagreement. Tyler is passionate—almost recklessly so—about chasing a particular storm cell that evening. You object, voicing your concerns about the jeopardy it poses not only to Tyler but also to the entire crew.

"You never listen, Tyler!" Your voice quavers, your frustration edging too close to the surface. Your heart hammers in your chest. "You treat this like it's some adventure, but it’s dangerous!"

Tyler rakes his fingers through his hair, his expression a mix of determination and exasperation. "It's because it is dangerous," he shoots back. "But we do this because it saves lives, Y/N. If we can predict these storms better, we can give people the time they need to get to safety."

"And what about us? What about the people who love you? Are we just collateral damage in your crusade?"

Boone, who has been editing footage on his laptop nearby, looks up, his usually cheerful face clouded with concern. Lilly and Dexter exchange worried glances, while Dani silently tinkers with a drone, her stoic demeanor betrayed by the slightest furrow of her brow.

"I can’t sit by and do nothing while you risk everything, Tyler!" Your eyes well up with tears that you fiercely try to blink away. "One day, you might not come back."

Tyler sighs heavily. He takes a step towards you, but you instinctively recoil, the hurt in your eyes deepening the chasm between you. "Y/N, you know I love you, but this—this is what I do. It’s who I am."

"Well, I can't do this right now," you say, your voice cracking. "I need to clear my head."

Without another word, you grab your coat and storm out of the garage, slamming the door behind you. The echo of the slam lingers, punctuating the silence that envelops the room.

Tyler turns back to his crew, realizing that the argument has sapped the collective energy and morale. Boone breaks the silence with his usual attempt at lightening the mood.

"She'll cool off, man. Just give her some time," he offers, though his eyes betray the uncertainty he feels.

Lilly nods, her calm demeanor trying to instill a sense of reassurance. "Tyler, she just needs space. She loves you; that much is clear. Just let her process this."

Dexter, wiser and ever the emotional compass, adds softly, "Sometimes the best way to show love is to step back and let them come to terms with their fears on their own."

Tyler nods, although doubt gnaws at him. There is a sort of irony in chasing something as unpredictable as a tornado and yet being completely at a loss when it comes to matters of the heart.

You storm off down the gravel road, away from the storm-chasing headquarters. The expanses of Oklahoma stretch around you, vast and indifferent. You walk quickly, your thoughts a tumultuous whirl that rivals the storm brewing on the horizon.

Before long, a low rumble of thunder echoes in the distance. Your instincts tell you to seek shelter, but you are too consumed by your emotions to heed the warnings. Your phone buzzes, probably Jake checking in with you, but you ignore it.

As minutes turn to an hour, the sky darkens ominously, the oppressive weight of the storm hanging palpably in the air. You look up just as the first sharp gust of wind howls past you, sending a chill down your spine.

Your phone rings again. This time, you pick it up. It is Tyler.

"Y/N, you need to get back here. Now! There's an strom projected to hit our area. It's not safe out there!"

Before you can respond, the roar of the wind drowns out his voice. In the distance, a wall of debris begins to rise—terrifying in its beauty and formidable in its power. You feel a jolt of fear as you realize the windstorm is bearing down on you.

Panic-stricken, you try to find cover, but there is nowhere to go. The winds intensify, whipping your hair across your face and pulling at your clothes. In a desperate attempt to hold onto something, anything, you grab onto a nearby fence post as the monstrous tornado descends upon the town.

Back at the garage, the team is glued to their screens, tracking the terrifying path of the cyclone. Tyler's eyes are wide with dread, his breaths coming in ragged gasps.

"We need to go find her!" he shouts, his voice breaking with worry as he lunges toward the door.

Dexter and Boone spring into action, their grips tight on his arms, holding him back with all their strength. "Tyler, we will find her," Dexter insists, his voice steady yet intense. "But rushing headfirst into this will only get us all killed. We need a plan."

Tyler struggles against their hold, desperation etched into every line of his face. "You don't understand! She’s out there, and every second counts!"

Lilly's eyes mirror his fear but she nods in agreement with Dexter. "He's right, Tyler. We have to be smart about this."

Dani is already at the armored storm-chasing vehicle, her fingers flying over the controls as she starts the engine. "Let's go," she commands, her voice a beacon of resolve amidst the chaos.

The ride out is like plunging into a nightmare. The town around them is unrecognizable—a hellscape of uprooted trees, shattered windows, and debris swirling in the violent wind. The roar of the storm is deafening, a monstrous wall of sound that seems intent on swallowing them whole.

Every turn is fraught with danger, every street a potential deathtrap. The armored vehicle groans under the force of the gale, but it presses onward, cutting a determined path through the destruction.

Tyler's eyes scan the devastation, his heart pounding, every fiber of his being focused on one thing: finding you. The storm's fury lashes at them, but their resolve is unbreakable. They are driven by a singular, desperate hope—to bring you back alive.

As the harrowing storm begins to relent, the world around you is a landscape of devastation. The monstrous tornado has passed, leaving behind a chaotic aftermath. The team ventures deeper into the wreckage, eyes scanning anxiously for any sign of you.

Then they see you. Crumpled on the ground, clutching a fence post as though it’s the only thing tethering you to life, you lie unconscious, battered by the storm’s fury. Debris is scattered all around, a haunting testament to the storm's wrath. Tyler's heart wrenches at the sight.

Without a second thought, he leaps out of the vehicle, ignoring the stinging wind and flying debris that tug at his clothes and batter his body. "No, no, no," he mutters under his breath, sprinting towards you with a singular focus.

"Y/N!" he cries out, his voice breaking as he nears you. The sound barely cuts through the howl of the wind. He kneels beside you, wrapping his arms around your frail form, shielding you from the remnants of the storm. "Please, Y/N. Wake up."

Boone, sitting in the driver’s seat, immediately jumps out of the vehicle as well. He turns to Lilly and Dexter, his expression serious and determined. "Lilly, grab the emergency blankets. Dexter, I need you to help get Y/N into the truck, now!"

Boone rushes over to Tyler, his mouth set in a grim line. "Tyler, move aside. We need to get her stabilized." He swiftly yet carefully checks your pulse and breathing. "She's still with us. We have to move quickly."

“Be careful!” Tyler shouts over the wind to the crew, his voice tinged with panic. “She’s hurt!”

They work with meticulous care, gently extricating you from the wreckage. Tyler's hands shake as he helps lift you, his mind a whirlwind of desperate prayers and fear.

Dani, standing nearby, fights back tears, her voice breaking as she says, "Hang in there, Y/N. We’re not losing you."

They rush you back to the relative safety of the vehicle, urgency in every step. The vehicle starts moving, navigating through the storm’s terrible wake with a singular mission: to get you to medical attention.

Tyler sits beside you, cradling your hand in his, his eyes never leaving your face. “Hang in there, Y/N,” he whispers, as though sheer willpower could keep you tethered to life. “We’re almost there. You’re going to be okay. I promise.”

The crew speeds through the chaotic aftermath, dodging fallen branches and uprooted signs. Dexter keeps a vigilant eye on the road, never slowing down. Lilly's hands shake as she dabs at your wounds with a cloth from the medical kit, trying to do whatever she can to help.

All the while, Tyler stays with you, his heart breaking and yet holding onto hope, as the vehicle barrels towards the hospital, each mile bringing you closer to safety. Tyler holds you tightly, his voice trembling and tears mingling with the rain on his cheeks as he whispers, "I'm so sorry. I love you. Please, hold on. Just hold on a little longer, baby."

[alostcuttlefish]

I think what I love about the Murderbot Diaries

(aside from, you know Murderbot who I love and cherish)

It that it’s a very grim-dark distopian corporate hellscape setting, told through the perspective of someone who has seen some of the worst that world has to offer, who’s existence is part of the worst that world has to offer, and yet-

And yet it’s so full of hope.

Everywhere you look, there’s underground shipping routes to get refugees out from contract labour, there’s universities forging documents to get abandoned colonies out from corporate ownership, there’s people buying a secunit so the company don’t realise it’s hacked itself and has free will. A Tlacy employee smuggles out copies of the files to give them back to their owners, a human officer on HaveRatton station opens the security barrier to let Ayda Mensah escape. There’s a planet that took the promise of somewhere safe to live, of food and medical care, and kept that promise for generations.

And for all it can’t even see the hope yet, can’t even really believe it might be there yet (because trauma will fuck you up), Secunit keeps being that hope for other people.

Not just the lives it saves, not just all the times it shows up out of nowhere like a social anxious guardian angel with energy weapons in it’s arms and several lifetimes worth of soap operas in it’s storage.

When it talks to Dr Volescu all the way up the side of the crater, to keep him moving. When it sticks with the scientists on RaviHyral. When Tapan sneaks onto it’s sleeping mat, because she’s scared, and it ups it’s body temperature to keep her warm. When it keeps Amena safe from a predatory partner, when it tells her to go rest. When it hacks the Comfort Unit’s governor module. When it-version-2.0 gives Three the codes to hack itself.

Imagine being on RaviHyral. Imagine meeting a security consultant who you shouldn’t be able to afford, who goes above and beyond and doesn’t even check the payment card at the end, who tells you that sometimes people do things to you that you can’t do anything about, that all you can do is learn to live with them, who’s clearly been through some shit but came out of it with so much compassion. Imagine the hope in that.

[lixzey]

mine, forever mine.

one two

Timothée couldn't help but smile as he watched his girlfriend, Y/N, sleep peacefully. She had looked so tired that he hadn't had the heart to wake her up, even though they had planned to go stargazing tonight.

He sat beside her, taking in her beauty and breathing in the smell of her. Timothée's heart thundered in his chest as he watched her sleep, her gentle breaths like a soothing melody to his ears. In the darkness of the night, he couldn't help but feel a sense of awe and admiration for the woman who lay beside him. She was like a delicate flower, beautiful yet strong, fragile yet resilient. As he traced his fingers over her skin, he wondered how he had been lucky enough to find her in the chaos of their world. Her laughter was contagious, and her smile could brighten up even the darkest of days. She had this way of making him feel like he was the only person in the world, and he loved her for that.

Timothée remembered how they met; fate had intervened in the most unexpected way, and he was grateful for that every single day. She was his best friend, his confidante, and his lover, all rolled into one. He couldn't imagine his life without her. When they first met five years ago, Timothée thought that she was way out of his league. Saoirse had convinced him to go out with one of her friends for lunch, and it was love at first sight. Timothée remembered that day vividly. He had been so nervous; his palms were sweating, but he was determined to make a good impression. He had put on his best outfit and made sure he was impeccably groomed. When she arrived, it was like the sun had suddenly come out and lit up the entire room. She was so beautiful and graceful, like an angel that fell from heaven, and he could hardly take his eyes off of her. Somehow, she had been able to see past his awkwardness and insecurity and accept him, no questions asked. She had quickly put him at ease with her warm personality and friendly smile.

It was like a spark of electricity that lit up his world, and he never looked back. He had never felt so alive before, and he knew that he was meant to spend his life with her. From their very first date, Timothée and Y/n had created the type of bond that most people spend their entire lives searching for. It was clear that they had a connection that would never be broken, no matter the circumstance.

Timothée admired how Y/n seemed to find happiness in the simplest things, always appreciating the beauty and little wonders that life offered. Y/n didn't deserve to get all of this hate, she was the purest soul. She taught him to slow down and accept life's imperfections, something he had struggled with in the past. Every time he looked at her, he thought the same thing: how lucky he was to have her in his life. For as long as he had known her, she was soft yet resilient. She had compassion and creativity.

Timothée was beyond grateful to Saoirse for setting them up in the most unexpected way. He couldn’t imagine his life without her. Y/n completed him in ways he never knew were possible. She knew his deepest fears and his darkest secrets, and yet she loved him unconditionally. She was his rock, his safe haven, and his home.

There were so many times that Timothée was certain she was going to walk out of his life. His career always got in the way of their time for each other. He always asked himself why she was still with him after all of the shit he'd put her through, like that one time when Y/n told him she was going to make dinner for him and completely forgot. But despite his shortcomings, Y/n stayed. She loved him because of who he was, and she assured him she was not going anywhere. Timothée was sure that his woman must have the patience of a saint, because sometimes it terrified him.

Timothée wanted to show her off and brag to the world about her. He wanted to tie the knot with her and spend the rest of his life with her. But his management stood in the way of that. He imagined them sitting on the porch of a cozy house, holding hands as they watched the sun set over the horizon while their children ran around, chasing each other through the yard. He couldn't imagine anyone else he'd spend the rest of his life with.

Suddenly, he had an idea.

I'm going to show her off, whether they like it or not.

Sighing, he leaned in to kiss her forehead. “Thank you for loving me, mon amour. I'm going to make it up to you. I love you.”

“Where are you taking me, baby?“ You asked as you fidgeted with the cloth that covered your eyes. “Is the blindfold really necessary?” 

Timothée chuckled. “Be patient, mon amour. We're almost there; just hang in here tight."

“Can you give me a clue where you're taking me? Come on, babyyy!” You whined, your nose scrunching in annoyance, making your boyfriend laugh.

You huffed, crossing your arms over your chest. “Fine, laugh.”

It's been a week since the article blew up. You didn't give it any more attention; instead, you focused on your boyfriend, giving him all the love he deserves. You spent the week cooking for him, which he highly appreciated after a long day of working on the go.

Now, your boyfriend is taking you somewhere blindfolded. You had no idea where he was taking you, but knowing your boyfriend, it was another one of his surprises.

Suddenly, the car stopped abruptly. You heard your boyfriend get out of the driver's seat before opening the door on the passenger side.

"You ready, mon amour?"

“I can't see a thing; I'm absolutely ready.” You rolled your eyes at him—not that he could see it, though.

“There's my sarcastic girl.” Timothée chuckled, taking your hand in his and leading you out of the car.

Timothée slowly led you from behind, telling you when to turn and when to walk straight. After what felt like hours, Timothée finally instructed you to stop. You felt the soft grass beneath your feet and heard the faint background hum of a crowd of people. Finally, someone removed the blindfold, and you blink several times, trying to adjust to the sudden brightness. When your eyes finally adjusted, your breath caught in your throat.

The entire gazebo was lit up with twinkling lights, like thousands of stars had been scattered across the ground. Rose petals decorated the entire path leading to the middle. Timothée's family stood beside yours with huge grins plastered on their faces. Both yours and Timothée's friends were also there, smiling brightly. Bystanders stood around with cameras everywhere, trying to capture the moment. Suddenly, your eyes widened when your eyes landed on a familiar brunette; Kylie Jenner was smiling at you from the sidelines, giving you a thumbs up and silently urging you to go to your boyfriend.

You slowly walked towards your boyfriend, tears shining in your eyes as you realized what was happening. Timothée grabbed your hands, and life began to blur out around you as he began to speak.

“The very first time I laid eyes on you, I knew you were the one. You looked like an angel that fell from heaven, and I could hardly take his eyes off of you. You have this way of making me feel like I'm the only guy in the world. How have I been so lucky to find you amidst the chaos of the world? Your smile could brighten up even the darkest of days. You were like a spark of electricity that lit up my world. You taught me to slow down and accept life's imperfections. I can't imagine a life without you, mon amour. You are my rock, my safe haven, and my home.” His voice was shaky, but his words were clear and true.

Timothée fell on a bent knee, a beautiful diamond ring in his hand. His eyes were full of love and admiration. “So what do you say, my beautiful angel? Will you marry me? ” 

Tears welled up in your eyes as you gazed into Timothée's green eyes. “Yes,“ you whispered, your voice barely audible over the noise of the crowd around you.

“Yes, I will marry you!” You threw your arms around him, feeling his warmth and the beat of his heart against your chest. The crowd erupted into cheers and applause, and you felt as if you were floating on cloud nine. You leaned in close to Timothée and whispered, “I love you, Timothée Chalamet,” and you meant it with all your heart and more.

Timothée slipped the ring onto your finger, and the two of you shared a kiss that felt like forever.

You couldn't believe that you were engaged to the man of your dreams, the man who had swept you off your feet and made her believe in true love. You looked around at the smiling faces surrounding the two of you, feeling overwhelmed with happiness and gratitude.

“I hope you get used to my fans looking at you, mon amour.” Timothée chuckled, wrapping his arms around your waist. “I want to take you around the world. They don't have to understand. I'm going to rub it in their face that I put a ring on your hand.”

You giggled, kissing his nose. “That'll take a bit of getting used to.”

“I'm going to show you off, whether they like it or not.”

“You're the one.” You whispered, before capturing his lips in yours. “Mine, forever mine.”

You couldn't wait to spend the rest of your life with him, the man you love, your soon-to-be husband.

Your fiancé, your future, your Timothée, yours. 

@helens3amstuff @gatoenlaciudad @thebetawolfgirl @lovemelikecrazyiloveyoucrazy @tchalamss @tchalamss @ashlynnmalfoy @crazycat-ladys-blog @michakune @mxltifxnd0m @spencerr3idd @dangelnleif @sthkate @ferrjulie @imnotoverlyobsessive @mel-vaz @elsagreeer @lovely-maryj @meowmeowmau @bobthe-turmpetman29 @saintcosette @this-is-me-lolol

[hedgehog-moss]

Pampérigouste escaped today and I almost didn't make a post about it because it's just more of the same isn't it? do people who read this blog really want to hear about yet another Pampe escape? Then I thought, that's like asking if people who read detective novels really want to hear about yet another mysterious murder. Probably yes. Also Pampe would have been offended to have such a successful escape go unreported.

I would like to say that my new fence is still fully Pampe-proof. She has not escaped a single time through breaking or outsmarting the fence, so now she does it by outsmarting me. Which doesn't happen all that often, because we are intellectual equals. But I let my guard down this morning—I'd just peeled some greenhouse carrots to make purée and I went into the pasture to distribute the peelings even though it was raining (see how I got punished for my selflessness?), and I left the gate open because I was right in front of it, obstructing it with my body.

Pampe dropped her carrot peelings and acted like she couldn't find them even though they were right under her feet, so I took pity on her and crouched down to gather them and offer them to her again (see how I'm getting punished for my compassion??) and she took advantage of this diversion. In the span of 0.2 seconds she slithered around me and she was out. It was a little bit beautiful. I don't know if you remember this photo of Pampe & Pyrgus, but it's a perfect illustration of what happened:

I sighed and ignored her and finished distributing the peelings to the other animals, and then went to the barn to get muesli to lure my nuisance back to her pasture. After escaping she initially ran towards the woods, but since I ignored her the whole time, she emerged from the woods when I returned, like, wait, did you notice I escaped? Behind your back, just earlier? Did you notice how I won and you lost?

It shouldn't have been difficult to get her back into the pasture with the help of her favourite snack; unfortunately Pampoldine is still a big baby who was distraught that her mum had left her behind yet again (she should be used to it, honestly, it's been like this since she was an infant), she started making these little panicky noises that Pampe has never paid any attention to—

—so when I propped the gate open with a branch to get Pampe back inside, Poldine hurried out instead. I wasn't expecting this, I thought it was clear that I had the situation under control and her mum would be back in 5 seconds. You could have just waited 5 seconds, Poldine.

Pampelune had no interest in escaping, but she's the matriarch and where her herd goes, she goes, so once the other two were out she barrelled past me as well. I opened the gate to bring 1 llama in and instead 2 llamas went out. Pirlouit besides me was like

For some reason the llamas galloped towards the road, instead of just hanging out in the woods where there's stuff to eat. Maybe because Pampe hadn't gone out in a long time and she wanted to be admired for her feat. Her wish was granted—2 cars stopped to say hi as I was miserably trotting after my llamas on the road in the rain. One of them was the post office lady who once herded my animals out of a pasture with her car, and she was like hop in, it'll be like old times!!!

The two people who stopped their car were enchanted with the encounter and they both told me that they missed the days when Pampe Sightings on this road were a regular thing. No one sides with my fence in the Pampe v. Fence conflict. I love the post office lady though, she had a Niagara song playing in her car when I got in and a minute later I muttered "I'll sell her to the butcher" and she started singing "Pampe ♪ Je vais devoir te vendre au boucher ♫" to the tune of that song. It fit the tune really well, too.

After we managed to get the llamas off the main road and back in the woods, she was like, godspeed, I wish I could continue chasing them with you but I have to go make lunch for my kids. I told her that now that the llamas were no longer on the road I'd just let them roam, they'll come home before night, no way I'm going to chase after them in the woods in this dog weather. So I went home and grumpily resumed peeling carrots and potatoes for my mash.

I sat in front of the window to do it so I could keep an eye on Pirlouit, who was wandering around the pasture like a cursed soul, drenched with rain, lonely and llamaforsaken. Sometimes he brayed to try and guide his friends back home, wherever they were, but he never brayed while I was filming. His braying is a poignant display of emotion and is not for public consumption.

I figured, if the llamas come back Pirou will spot them and perk up his immense ears, and I'll know to go out and open the gate. Instead at some point I looked up from my potatoes and saw my donkey finally at peace, grazing rather than pacing restlessly, and I went to look outside and his friends were back! And so was his appetite.

I had new peelings + some muesli to offer, but of course Pampe could tell this offering was a crude and blatant trap and refused to fall for it. Meanwhile her innocent daughter was like yay, snacks :) and followed me in the pasture, a llama entirely devoid of wiles.

After I got Poldine back inside I went like WELL since NOBODY else wants that delicious MUESLI I guess these deserving chickens can have it—and Pampe was here in the blink of an eye to shoo the hens away from her muesli.

She was grudgingly smiling about it, too. Like, point for you.

I love this pic where my chicken looks like she's herding the animals back in their pasture all by herself.

Everyone is home! Pampe and Pandolf are walking away in search of new adventures, Poldine follows her mum because of her abandonment issues, and Pirlouit is also following everyone very closely, like, I'm not getting left behind again.

I finally managed to cook my mashed carrots & potatoes (+ herbs from the greenhouse) and it's so nice to make food with nothing but ingredients you grew yourself! (To be completely honest I only managed to grow 3 carrots in the past few months but that's because I neglected them in pursuit of more flashy summer vegetables)

I also had an apple-plum compote for dessert made with my own fruit <3 Okay, the cheese course in between was store-bought. One of my friends really wants me to get goats and be self-sufficient in cheese and when I told her I would be constantly chasing my goats over hill and dale because they have a reputation to be insufferable escape artists she was like, what difference will it make to your life...

[vasilissadragomir]

people often use snow’s experiences with lucy gray as an explanation for how he engages with katniss, but i think that the true story of his downfall lies not in how lucy gray and katniss are similar, but rather in how they are different.

snow knew that it was never him that made the games what they are. it was lucy gray, with her scrappy, passionate artistry, that put on the show that kept people watching. more importantly, it was lucy gray that put on the show that kept HIM watching. all he ever did was give her the stage.

ergo, snow recognizes that the person with the power to usurp him is his natural counterpart, someone like lucy gray, who possessed both the charisma and humanity that he sorely lacks. however, in his mind, those traits are not real; they’re performed in order to obtain power. how could he know better, when he’s never experienced them himself, and the only person he ever truly believed possessed them betrayed him?

so snow keeps his eye out for performers, people with gravitas who could capture the heart of the nation, and squashes their spark as soon as he can. people like haymitch. people like finnick.

and that’s where snow goes wrong. he doesn’t see katniss’ similarities to lucy gray from the start, because while they both demonstrate astonishing, intriguing bravery at their reapings, their actions and motivations are completely different. lucy gray is motivated to perform by anger for herself, and katniss is motivated to sacrifice herself by fear for her sister.

but then katniss starts to put on a show for the audience, kissing peeta and being willing to die with the berries at the end of the 74th games. snow starts to see an entirely different side of katniss that resembles lucy gray to a concerning degree. he sees how, with peeta at her side, she could beguile the nation the same way lucy gray had. and, even worse, she was using the poor, helpless boy who had the misfortune of falling in love with her to survive. the moment katniss started performing, he finally sees lucy gray within her. but it’s already too late.

by catching fire, katniss is the spark fanning the flames of the resistance, but snow fails to understand why. as far as he’s concerned, katniss’ star power comes from her connection to peeta. he tries to weaponize their “love” for his own gain, but it doesn’t work, not because people don’t believe that she loves peeta, but because, for the first time, a victor offers their winnings to the family of a fallen tribute.

snow is caught in a catch 22 of seneca crane’s making—if he kills katniss, she becomes a martyr. but if he lets her live, she’ll be a revolutionary icon. either way, she’s the spark. so he has no choice but to allow the spark to flicker, just for a little while. enter the 75th games. snow knows he needs katniss to die a tragic death in the games. more specifically, he needs it to be a brutal death at the hands of a tribute, not the gamemakers, because he understands that as long as the districts see the capitol as the one who ended the life of katniss everdeen, she’ll still be a martyr.

but snow still doesn’t get it. in the quarter quell, the prey does not become predator. katniss’ allies protect her, ensuring she survives until district 13 rescues her. why would they protect this girl, assuming such a steep personal risk? why would they put everything on the line for a revolution they personally stand to benefit little from? he doesn’t know. but he does know that lucy gray katniss is at the center of it all, so he tries to eliminate what makes her look best: peeta.

and that is snow’s fatal mistake. what he, coin, and everyone but haymitch fail to understand is that it was never peeta that made katniss look good—it was katniss, who befriended and put faith in rue. katniss, who recruited mags, wiress, and beetee as allies. she is the source of revolutionary inspiration. it isn’t her charisma or even her compassion, and it certainly isn’t how well she performed those virtues.

katniss becomes the mockingjay because of her solidarity.

lucy gray was charismatic, like peeta, and compassionate, like both peeta and katniss, but she did not demonstrate solidarity. she was never truly “district” in the way katniss is. she showed kindness to jessup, not because he was from 12, but because he showed kindness to her. lucy gray left behind everything and everyone she loved when she left coriolanus, because she was first and foremost a survivor.

katniss was a survivor her whole life, but she survives exclusively to ensure the people she loves are protected. she always does what she can for people more vulnerable than herself. lucy gray couldn’t have sparked a revolution on her own because she lacked the solidarity that makes a hope for a better future authentic to others. katniss is the human manifestation of solidarity, and to a people divided by a common enemy, that’s the most inspiring thing a person can be.

only in the end, when katniss shoots coin, does snow realize none of it was a performance. choking on the blood of his countless adversaries, snow’s final moments are consumed by what he got wrong. what made lucy gray and katniss different ends his reign, but ironically, the final nail in his coffin is an act that both lucy gray and katniss share in their last moments with snow. they both prove, unequivocally, that he is not the center of their worlds like they are his. lucy gray put her own survival before her love for him, and katniss puts the future of her nation before her hate for him. in the end, he simply doesn’t matter. and that’s greater justice than could have ever been achieved if katniss had fired her arrow into his heart.

the greatest enemy to coriolanus snow could only be the person who reignited the embers of a dying revolutionary fire, who demonstrated to a broken people that while one spark alone might not be enough, thousands of sparks uniting in solidarity is an unbeatable force.

and really, he should have known better. after all, even when snow lands on top, fire melts snow.

[quillyfied]

There being two movies now in the Benoit Blanc world, and both movies sharing some recognizable tropes and archetypes to build its flavor, there’s a specific type of character that I’m struck by, particularly as a white woman, in both Knives Out and Glass Onion:

The Sympathetic White Woman.

In KO it’s Meg. In GO it’s Whiskey. They both bond with the (WOC, very important to emphasize) protagonist by being less crappy to her than the rest of the cast, and both signal to the audience that they’re trustworthy as far as the protagonist goes. They tell the protagonist that they’re on her side. They try to be supportive. They’re sympathetic to the audience.

Then comes the moment when the Sympathetic White Woman’s security is threatened.

(Brief added interruption to just say: please dig through the notes and replies on this baby for some additional excellent thoughts from other people, including the very important distinction that Marta is a white Latina and not a woman of color (my mistake thank you for the corrections), and more thoughts on Whiskey’s actual/additional betrayal moments!)

For Meg, it’s her mom telling her she has to drop out of school if they don’t get the inheritance money. For Whiskey, it’s Duke dying. In both cases, the protagonist reaches out—Marta tells Meg she won’t let that happen, she’ll support Meg with whatever money she needs; Helen tries to soothe a hysteric Whiskey by telling her she doesn’t need Duke and he deserved what he got (not realizing Duke is dead, of course). It’s a slightly different moment in each movie, but the basic framework is the same: the woman of color protagonist reaches back to the Sympathetic White Woman, and notably, reaches DOWN, offering the support the Sympathetic White Woman offered earlier.

Only…the Sympathetic White Woman was never intending to be the one the protagonist had to reach down to. So she snaps. Meg tells her family about Marta’s mother and they use it to threaten her. Whiskey latches onto the belief that Helen killed Duke and tries to kill her with a spear gun in what she thinks is self-defense. The Sympathetic White Woman Heel-Turn.

Meg and Whiskey both also sort of try to make amends after their Heel-Turn moments, but…the trust is already broken. The protagonist knows better now. The Sympathetic White Woman is not to be trusted.

Why this sticks out to me personally is the very obvious callout that feminists of color have been making about white feminists for literal decades: that white feminism lacks any true support or compassion for non-white people, that it’s empty promises of support and when the chips are down, white feminism upholds whiteness over feminism in an act to protect itself. And whiteness…is a damn difficult thing to even see when you’re white and raised in an overwhelmingly white community, let alone begin to pick apart and unlearn. It’s reactionary, how Meg and Whiskey turn on Marta and Helen to protect themselves.

It would make Meg incredibly vulnerable to support Marta fully, the way she promised to back when she thought she had the resources for it, but Marta is that vulnerable every day just existing as a Latina woman in America. Whiskey’s Heel-Turn moment is a little more immediate trauma based, but when looking for someone to blame, she doesn’t hesitate to blame Andi (Helen), scrapping together the few pieces of information she has—Andi hates all of the Disruptors, Andi got screwed over by them, Andi fought with Duke just minutes before he died, Andi was in their shared room tearing it apart when Whiskey came in distraught. She’s looking for an outlet. There’s Helen red-handed and in view. Boom. Whiskey grabs the spear gun instead of talking it out with the person she admitted just hours ago to feeling sympathy for.

Growing up white and steeped in whiteness causes defensive reactions when that whiteness is brought up, or, god forbid, challenged. It’s a knee-jerk thing for people who haven’t begun to deconstruct it for themselves; even for people who have, to see just how far and deep in American society that reaches is troubling. Humbling. Enraging. The Sympathetic White Woman archetype is, to me, a warning to not let whiteness overrule sense and morals. To be smart about it. And, crucially, to check myself for condescension, especially when interacting with non-white folks in any capacity.

(Also why the presence of Benoit Blanc is so important. He is also sympathetic, he also offers his own support, but crucially, he just uses his whiteness to clear a path for the WOC protagonist to take her place and do what she needs to do. He doesn’t speak over her, he doesn’t turn on her, he just listens, and presents the truth for her to do with it what she will. Or, in one case, hands her highly volatile crystal hydrogen for when she’s really ready to tear the Murderer’s crap down.)

[fiber-optic-alligator]

I would LOVE to see a TFA!Megatron x human reader of some kind. I love him so much, such an intimidating and scary but fun version of him 🤭 I want it to be in the First Contact AU still, but why not sorta spice things up and make it have soulmates in it? Wouldn't it be cool to have a giant alien warlord from space destroying cities to find their soulmate? 😳🫣 lol if this idea sucks de bout it, but I'm excited to see your works that's transformers g/t related!

- ᘛ⁐̤ᕐᐷ

THANK YOU FOR THE REQUEST CHAMELANON! PLEASE ENJOY!!! God I love TFA Megs so much. He's so hot AUGH!

Be Careful What You Wish For

Pairing: TFA Megatron x Human Reader (Soulmate Au)

Word Count: 2961

Summary: Soulmates exist, and you have one. Proof exists in the form of soulmarks: a red thread-like tattoo imprinted on a person's arm. Only when one meets their soulmate and touches them will the soulmark disappear. Unfortunately, you have yet meet yours. After many lonely days wishing you would be reunited with your Other Half, a chaotic encounter with the leader of the Decepticons has you realizing one thing. And it is that soulmates persevere across time...and space.

Soulmates are real.

  Since you were a young child, this is what you have been told. Soulmates are real, and every person has one. The special red thread that connects two people twines between the left hand’s fingers, up the arm, snaking under the clavicle and ending directly over the heart. Bright like the blood running through your veins, it is your life force, your compass leading you to your Other Half, with your hand outstretched to touch theirs…and only then will the red thread disappear.

  You’ve spent hours staring at that red line, tracing the pattern it makes on your flesh. It’s been a constant presence throughout your life…and it has never gone away. No matter who you’ve met, who you have fallen in love with, who you have fallen out of love with, it is all the same. The thread remains, and you continue to carry a lonely heart within you.

  “Give it time,” your loved ones tell you. “You’ll find them. It won’t happen in a heartbeat. You need to be patient.”

  Yes, you know. Patience, after all, is a virtue. Plenty go about their lives and never even see their thread go away. An existence without your soulmate can be a perfectly happy one. But you want to know who your Other Half is. You want to be one of the lucky few who can be counted as soulfully complete.

  Sitting in a coffee shop with a hot chocolate cupped between your hands, you find yourself once again observing your thread. The morning is cold; you can feel the wind trying to bite you through the shop’s large glass window. People bundled in their coats, scarves, and gloves hurry by, heads down and minds focused on whatever tasks they have at hand. Looking out, you observe them with a blank stare, not really observing them at all.

  “Anything I can get you right now?” The older woman who owns the shop comes up to you, offering a plate of freshly baked cookies. “Chocolate chip? They’re right out of the oven!”

  You offer her a thin smile and shake your head no. She understands; she’s seen you forlornly watching couples pass by. Sighing, she sets down the plate. “You know,” she says. “I didn’t meet my soulmate until I was in my early 40’s.”

  You raise an eyebrow. She sees your surprise and chuckles. “I know, right? A little late to be meeting my Other Half. But hey, it happened. And now look at me! I’m living a good life, running a successful business, and I got to see my thread go away. Those are all things I never thought I’d get to experience. All I had to do was wait a little!”

  You cringe. Yes, waiting. It seems all you’ve been doing is waiting, waiting, waiting, all for a soulmate who might never come. You and your damn waiting.

  She notices your mood go sour and sighs again. “Listen, all I’m trying to say is that you shouldn’t lose hope. You’ll meet your soulmate. I know you’ve probably heard this before, but…you need to give the world time to sort things into order. That’s all you really can do when you're dealing with the threads of fate.”

  You mumble a quiet “Thank you” and try to look appreciative, when you feel anything such. She says no more, but leaves you a cookie before heading off to tend to the other customers. You watch her go, then lift up your left hand. Your thread is vibrantly bright, showing no signs of fading any time soon.

  Yeah, you think sadly while you bite into the cookie. No hope lost whatsoever.

  You are walking out of the shop when it happens. The door’s little chimes clink together as you swing it open and bid the owner farewell. And then, a pain unlike any other hits you with the force of a freight train. It tackles you and makes you stagger, knees buckling and bringing you to the ground in a matter of seconds. Your heart starts slamming against your ribcage so hard you think a bone might crack. Pushing your hand against your chest, you pant and watch your vision swim as you attempt to get to your feet, yet fail and fall down once more.

  Multiple people help you up, each one asking if you are alright. You hold out a shaking hand as if to assure them, but no sound comes out of your mouth when you try to speak.

  Someone says, “Call an ambulance!” You want to tell them you are fine; unfortunately, you can’t seem to form any coherent words. All that rises up from your throat is a thin, wispy whimper.

  The chaos continues when out of nowhere, an explosion erupts further down the street. People scream and scramble back. The people holding you let go, and you nearly topple right over again. Shouts of panic and confusion fill the air, confirming that no one has a clue as to what is going on.

  Two dark shapes scream through the sky. You look up just in time to see a fighter jet fly past with a bomber plane following behind. For a moment, you think this is some sort of military aerial show-why such a thing would be happening in the middle of winter, you don’t know-but it’s the only conclusive argument you can decide on what you are seeing.

  But then the two planes start descending. They roar over the crowded street, then begin morphing and shaping themselves into creatures completely different from the disguises they previously sported. You recognize them: they are Cybertronians. Robots from outer space who have become borderline celebrities in Detroit since arriving here months earlier. These two, however, aren’t members of the heroic Autobots who help protect the city. They are Decepticons. The villains, the destroyers. The bad ones.

  The smaller of the two stretches his arms over his head. He laughs maniacally as he watches people run. “Look at them, Lugnut! They’re scurrying away like little ants!”

  The other Deception growls and pays no mind to his partner. “Silence, Blitzwing. Lord Megatron has a mission for us to complete. We must distract the humans while he finds the one he is looking for.”

  Blitzwing’s face swivels and changes into an icy blue expression. He surveys the humans around him with an air of disgust. “I don’t understand why Lord Megatron cares to capture one of these creatures. They are far too weak to be kept as pets.”

  “It is not my place to question him, nor is it yours. We are here to do as we are told and give our lord the time he needs to complete his mission.” Lugnut grabs a car and throws it into the air. It crashes down with a heavy slam, windows shattering, metal crumpling, alarm screeching out the vehicle’s pain. You watch in horror, unable to fathom that you have a front row seat to this show of destruction Detroit is about to face.

  Yeah, no, you think. I’m not sticking around. These Decepticons obviously have no regard for human lives. If you remain here, there is a high chance you will end up dead. You need to run, now.

  “You're not going anywhere, little one.”

  The voice is deep, and it pulses through your mind like a gong. You clutch your head and bite back a shout of pain. A strange feeling builds up in your chest. It makes your heart beat faster, and your thread begins to burn with an uncomfortable warmth you have never felt before.

  A third vehicle appears from the sky: a strange helicopter with two blades and a massive cannon mounted beneath its cockpit. Your hair whips back when it lands. The Cybertronian’s body condenses and rises, metal folding over metal, creating a gigantic figure with narrowed red eyes that immediately land on you the moment they open. Your jaw drops; this is easily the biggest mech you have ever seen. And you recognize him. Megatron, the feared leader of the Decepticon forces, and the worst bot you could run into right now.

    Lugnut drops to his knees and bows. “I serve you, Lord Megatron!”

  Megatron does not acknowledge him. He remains focused on you. You are finding it hard to breathe.

  Blitzwing walks over to the taller mech. “My lord, the Autobots will be arriving soon. What should we do?”

  “Continue destroying what you can.” Megatron’s voice is a deep rumble of thunder. You feel the wind get knocked out of you when you hear it. His voice. His voice. Why are you so focused on his voice?

  Your thread is beginning to burn. You slap your hand over your left arm and squeeze, hissing through your teeth. Megatron notices; he looks intrigued.

  “Have you found what you are looking for, master?” Lugnut asks.

  “Indeed I have,” Megatron replies. “And I don’t intend to let it escape me. Resume your orders. Keep the Autobots back for as long as you can. Once I have what we came here for, I will sound the retreat.”

  Blitzwing and Lugnut do not question him any further. You, on the other hand, are questioning everything. Why is this robot having such an effect on you? Why can you hear his voice in your head? And why, why is your soulmark on fire?!

  He’s here for me. There’s no solid confirmation that has been given to you about this, but you know deep down it is true.

  He’s looking right at me.

  Shit. Fuck.

  Your legs want to move. But your brain forbids it and forces you to remain put, even as other people go running by you, their screams mingling as one high-pitched wail while Blitzwing and Lugnut destroy anything they can get their hands on.

  Megatron remains still. He tilts his head with the air of a curious predator who is searching out the weak spots of his prey. You cannot drop eye contact with him. Something about his piercing gaze has you rooted to the spot in which you stand.

  Only when he begins lumbering towards you do you snap out of it and run with the rest.

  Everything is a blur for you. You nearly get shoved to the ground multiple times by the panicked masses who are fleeing. It feels like Detroit is crashing down. Police drones are flying in to fight back against the Decepticons, but you don’t think for a second they’ll do any damage against them. After all, they hardly ever do.

  “Don’t run from me, little one.”

  There is pain. So much pain. It is too much for you to handle. It causes you to collapse, clutching your head and writhing in agony.

  “You are so much more fascinating than the rest of your pathetic kind.”

  The ground trembles. Each step signals the robot drawing closer and closer.

  “Why can I feel what you feel? Why does my spark tremble with your fear? I don’t understand it. I need to understand it. So stop running, and come here.”

  You need to keep going. Grunting, you struggle to your feet and stumble forward in a haphazard fashion. You don’t even bother looking back to see if the robot is close. You just need to run. You need to hide.

  Your miracle appears in the form of a parking garage. Squirming under the partially closed grated gate, you find that it is abandoned; no one is in here with you, and the cars are all empty, abandoned by their owners. You retreat into a corner dark and covered with shadows. It should provide you with the necessary cover you need in order to hide.

  You remain in there for what feels like hours.  It goes awfully quiet outside. Any remaining civilians are long gone. Somewhere close, you think you hear the sound of mechs duking it out. Your breathing echoes off of the parking garage’s walls, giving you a further sensation of complete unease. Perhaps hiding in here wasn’t the best choice. Maybe you should have continued running with other people to a safer spot. Allowing others to be in your presence would endanger them…but now you are alone, completely defenseless to those who wish you harm. The robot who is currently stalking you can kill you without even thinking about it. By hoping to protect the city, you may have ensured your own doom.

  You hear stomping outside. Too loud to be human, too heavy to be an Autobot. Your heart tugs eagerly on its strings in an attempt to break free. It’s a mutual sensation of utter fear and strange wanting.

  “Where are you?”

  You see the massive head of the mech appear right underneath the gate. A shriek nearly escapes you, and you have to slap your hands over your mouth to quell it. A single roving red eye searches the garage, unblinking.

  “I am not known for my patience, human. If you do not show yourself, I cannot guarantee things will end up well for you.”

  The eye settles on you. It narrows and a low growl emits from the robot’s intake. “There you are.”

  You have no chance to react before Megatron’s hand smashes through the gate. You scream when his fingers curl around you. Tightly pressed against his palm, you struggle and kick your feet while Megatron slowly draws you out into the open.

  “Let me go!” you shriek. “Stop! Please!”

  Megatron growls again and gives you a warning squeeze. “Fighting me will get you nowhere. Cease this at once, or suffer the consequences.”

  Well, that’s threatening. You immediately go limp and snap your mouth shut. Megatron snorts, satisfied. He brings you closer to his face, studying you. You shrink back, flush with panic and terror.

  “What is your name, human?” he rumbles.

  You stutter out a barely coherent reply. “Y-Y-Y/N.”

  “Y/N.” He repeats it to himself. “Y/N…a fitting name. Tell me, have we ever met before?”

  “I…I d-don’t believe so?” you say.

  “Hm.” He regards you, turning his hand left and right so he can examine you from all angles. “How very interesting.”

  “W-What’s interesting?”

  “Your mark.” He pushes his thumb under your left forearm. “It’s gone.”

  You follow his gaze. Indeed, where your thread should have been-the thread that has been with you for your entire life, a presence in which you believed would never leave you-there is only bare skin. There isn’t a speck of red to be seen. The burning that accompanied it before is gone too, and now there is a sort of settlement weighing on your chest. It is an instinctive rush of fulfillment, like this was meant to happen.

  You feel faint. Nothing makes sense anymore when you look back at the robot. “You…You're my soulmate?” you squeak.

  “Soulmate.” Megatron stretches the word out into a slow drawl. “So that’s what your species calls it. Yes, you can say that. My kind has a similar phenomenon that affects us.” He opens his mouth and breathes in deeply. “You smell of fear. I can see in your eyes that you know me. So this city is aware of who I am, hm?”

  You don’t dare answer. You're way too terrified of how close his massive teeth are to you. You don’t want to think about what might happen if you find yourself between them.

  “There is no need to be afraid of me. Our sparks are linked. I would be killing a piece of myself if I were to eliminate you.” He sighs. “As disappointed as I am to discover that my sparkmate is a human, I can learn to work with it. I wish to know more about you, Y/N. I will know why fate tied us.”

  “I need to know more.”

  “What makes you so different?”

  “Foolish little thing, you cannot get away from me.”

  “I will get to the bottom of this.”

  His thoughts are loud and overwhelming. You shake your head and feel tears gather in your eyes. “Please…It’s too much. Your thoughts-”

  “Ah. Is that primitive brain of your overloading? I can hear it. Don’t think your thoughts aren’t in my head as well.” He rises to his full height. “I am sure we will both learn to get used to it. If not, I will have Shockwave create something that will bar my thoughts from entering your mind.”

  “Wait! Wait!” You look down. The ground is far away from you. Everything sways queasily when Megatron begins to walk. “No! Put me down!”

  “If you vomit on me, I will not hesitate to drop you,” the Decepticon says gratingly.

  “Y-You can’t take me with you!” you yell at him. “I can’t be your soulmate! There has to be a mistake!”

  “The spark doesn’t lie. Your mark is gone, and I can feel the completion you bring me. There is no question that you are my Other Half. What I want to know is why.” He shakes his head angrily. “It is a burden to have such a weak creature by my side. But I will learn to understand. Perhaps you can show me the few strengths humans possess. Do you think you can convince me to spare your race, little one?”

  He’s taking you. He’s not letting you go. You feel faint with horror at the realization that you aren’t getting out of this. Whether you believe it or not, this alien robot is your soulmate.

  You’ve gotten exactly what you wanted. But this isn’t how you thought meeting your Other Half would go.

  You hear one last thought from Megatron echo ominously in your mind. It sends shivers down your spine. “You are mine now.”

  After that, you pass out.

[hoodiedmenace]

Reasons Why Charles Smith and Arthur Morgan are Gay (an almost essay)

Reason 1: from a game play standpoint, you only get a few optional missions. Those missions are helping Mary when she asks (who is Arthur's like, old girlfriend/ex/situationship/it's complicated) and CHARLES when he asks Arthur to help with the local Native American tribe

Reason 2: Charles is super introverted, and doesn't talk to other gang members much at all. However, when Charles goes bison hunting, despite it being a sacred thing that he holds really close, he invites Arthur along

Reason 3: John, Arthur's sort of brother, gets SHOT and MAULED BY WOLVES and Arthur makes fun of him and doesn't treat it seriously. But when Charles burns his hand, Arthur is super doting on him

Reason 4: Arthur doesn't hug people very often, and when he does its always because another person initiates it. He doesn't go in for the hug himself. EXCEPT. With CHARLES. And they hug not once but twice. Once when Arthur finds out that Charles isn't dead, and again when Charles leaves the gang

Reason 4.5: when they hug the last time, you can see them hold hands for about two seconds once the hug has finished, as if they don't want to let go yet. (Which they probably don't because Charles knows that this is probably the last time that he'll see Arthur)

Reason 5: when Mary (again, Arthur's weird ex girlfriend/it's complicated) asks Arthur to run away from the gang and live with her, he says he can't because the gang is his family and he has to stay loyal to Dutch (who is Arthur's father figure/leader of the gang) but when Charles says he's staying to help the Native Americans, Arthur is immediately like "Okay I'll stay too" ............ yeah okay buddy those are totally straight tendencies

Reason 6: Charles is one of the few people that actually shows compassion, care, and offers Arthur a sort of solution when he tells Charles that he's dying. He also says "Oh Arthur" and it's the most devastating thing ever

Reason 7: Charles doesn't make fun of Arthur like. Ever. everyone else calls him stupid and not worth much else than basically a work horse. There are two times when Charles does say it but the first time is when Arthur makes a joke and he goes "you simple minded fool" but like. In a silly way. And the other time Arthur is being Problematic and Charles goes "I know you're not as tough and dense as all that"

Reason 8: Charles goes back for Arthur, finds his body, and buries him. And his grave isn't just the regular tombstone that anyone else's is. It's hand carved wood, on a mountain overlooking the morning sun because "That's what he would have wanted". And there's also flowers purposefully grown there as well

Reason 9: Arthur isn't often given a choice in who he gets to take on missions but when he does, it's always Charles.

Reason 10: Arthur is weirdly submissive towards Charles? Not in a sexual way, but he won't take orders from anyone else besides Dutch and Hosea, and then also Charles.

Reason 11: At the beginning Arthur doesn't just ride anyone's horse, he rides CHARLES'S horse. And also when he dies, Taima takes him to his final resting place

[shelfperson]

while i see where some if it comes from, i feel like way more people took “as a former sex slave, armand is disgusted by teenage daniel’s sexual behavior” from the torture scene and not “daniel has been prostituting himself for drugs presumably for years, and armand both relates to and is repulsed by daniel as a form of projection” and i think that’s extremely fascinating.

like it’s a very consistent vampire trait that they only really get up in arms about social issues that affected them in their mortal life, and even then only when it would directly affect them now. i.e, claudia and louis being aware of and condemning racism but not really caring about european nazism despite very real parallels.

and there is. a big difference. between the ultimately consensual gross misogyny of the paper bag incident and armand being sold to a brothel as a child, then kept as a rich man’s catamite experiencing regular sexual assult.

AND armand is a man who does not experience that kind of day-to-day indignity. those are completely separate circumstances and armand doesn’t give any reaction to the memory aside from what it means for daniel. in fact, that remark has very little to do with how armand feels and everything to do with daniel’s lifelong feelings of guilt for constantly being a fucking asshole.

and the vampire armand, specifically, is not a creature prone to sympathizing with people who share his struggles anyway. especially not strangers he doesn’t know. look at the way he treats claudia, specifically. she’s in a spot similar to him, both growing up and now. constantly robbed of agency, both infantilized and adultified depending on what’s convenient, and in the books of course they’re both child vampires. and he doesn’t offer her any compassion whatsoever because he’s the type of person to take his suffering out on others and reenact his trauma with himself in marius’s place.

like mr. i-constantly-mind-control-my-lover, duchess of unsafe bdsm practices, is not offended by daniel’s understanding (or lack thereof) of power dynamics or safe and respectful sex. he’s throwing the boy across the kitchen because he doesn’t understand what makes danny special when, despite all similarities, he himself is not.

edit: i went into a whole rant in the reblogs about the importance of sexuality and sexual autonomy and sexual perversion as a theme in this show if any one interested

[literatureloverx]

Mdni, ideal type! fem!reader x Dazai Osamu, VERY LONG AND DETAILED, platonic relationships such as: Odasaku, Atsushi, Kunikida, Chuuya and Sigma are briefly mentioned, Yandere behaviour, unhealthy behaviour, psychological disorders and suicide/double suicide mentioned.

DAZAI’S MASTERLIST => HERE

I enjoyed writing for Dazai very much, he has a big place in my heart.🩵 I received a request regarding PM!Dazai’s ideal type as well, I’ll post it in a few days.🩵

Dazai’s ideal type

Dazai is a complex and enigmatic figure, who can be described as a romantic—though not in the conventional sense of actively seeking love and connection.

Instead, he romanticizes the idea of meaningful connections. What does this mean?

Dazai is known to suffer from depression and harbors a deep desire to end his life.

However, he doesn’t wish to do so alone. He fantasizes about dying with a “beautiful woman” in a double suicide, which is inherently romantic.

This desire echoes tragic love stories like Romeo and Juliet or Cleopatra and Mark Antony, where love and death are intertwined.

This suggests that Dazai may deeply fantasize about love and being loved—perhaps even yearning for someone who loves him so much that she would sacrifice her life for him.

But why would someone wish for a double suicide in the first place?

Dazai sees no purpose in life, a perspective not commonly shared by others.

This makes it likely that his ideal partner would be someone who not only values life but is also grateful for what she has—because Dazai is only truly comfortable when he is surrounded by such people as Atsushi, Kunikida, Chuuya (debatable), and even Sigma.

He needs to learn this perspective to find his own meaning in life.

She would possess a sweet, positive spirit but would still be able to fully grasp Dazai’s bleak outlook, his feelings, and his philosophy—or the lack thereof.

Dazai might be drawn to a partner who is calm, patient, and nurturing.

Given his often childish behavior, it’s possible that he never had the chance to experience love in a normal, healthy way during his childhood.

We know little about his upbringing, but it’s clear he lacks any emotional connection or attachment to his parents.

Dazai is deeply wounded, depressed, and feels empty—though the reasons remain unclear.

The only person Dazai has truly loved, and who loved him in return, seems to be Odasaku.

So what makes Odasaku so special? What traits does he possess that Dazai might seek in a partner?

Odasaku was always calm and patient with him, seeing through Dazai’s lifeless eyes and empty heart.

He recognized Dazai's pain, suggesting that “someone needs to rip that pain out of this child’s chest.”

What if Dazai's ideal partner is someone who embodies these comforting and meaningful qualities, loving him unconditionally?

I believe this to be the ultimate solution to many aspects that trouble Dazai.

Teenage Dazai, in particular, strikes me as more of a “puppy” than the “cat” he becomes as an adult—craving affection and warmth.

He needed someone who cared for him, and that someone was Odasaku. His partner should be able to do the same.

Dazai might love a calm partner who can handle his antics but also sees through them without violating his comfort zone or coping mechanisms.

She would understand his inner darkness but wouldn’t fear it—instead, she would embrace it with a loving demeanor.

She would be confident, but in a strangely shy and quiet way.

She would be someone who is at peace with herself, someone who is inspirational to others.

She would accept him as he is and believe in him, helping him to become the best version of himself.

This is why Dazai is so fond of Atsushi.

Atsushi is empathetic, having suffered himself, and he embraces Dazai with unconditional love.

If Dazai were to meet a woman who could offer the same understanding and compassion, it’s hard to see why he wouldn’t be saved.

Dazai feels responsible for Atsushi, and it gives his life a certain meaning he doesn’t truly grasp yet.

If he felt the same responsibility for someone much closer to his heart—his lover—it would have a profoundly positive effect on him.

Regarding physical traits, Dazai doesn’t seem overly concerned with them.

However, he has expressed a preference for “beautiful” women, as seen in his desire to commit double suicide with one.

While physical beauty might not be his top priority, he likely appreciates aesthetically pleasing women.

Dazai claims to like all women, but I can imagine him being drawn to a feminine, quiet, and insightful young woman.

This woman would possess an innate ability to sense others’ emotions and motivations, her sensitive and calm nature allowing her to do so effortlessly.

She would be observant, with her beauty often leading others, including Dazai, to underestimate her at first.

And yet, it would be as if she could read his mind and heart—something deeply uncomfortable for someone as guarded and inflexible with his own vulnerability as Dazai.

Interestingly, some of these traits might also make her an ideal partner for Fyodor.

However, while Dazai and Fyodor are alike in some aspects, they differ in others.

Fyodor’s ideal type might align with Dazai’s, but with less submissiveness and more approachability.

Does it ring? The drama that might approach?

Let me summarize: In terms of personality, Dazai has a soft spot for empathetic and loving people.

Therefore, he would undoubtedly adore a darling who is very empathetic, sensitive, and kind.

I don’t see him having a specific preference for body type—short, tall, curvy, or skinny; it doesn’t matter to him.

He will always find a way to appreciate your body in every sense, as this is simply part of who Dazai is. You shouldn’t be surprised by that.

I can see Dazai taking a liking to long hair (similar to Fyodor), as it emphasizes femininity.

He might particularly favor wavy or curly hair because it gives a more approachable, sweet, and innocent appearance compared to straight or short hair.

This style implies youth and an ethereal quality, which aligns perfectly with Dazai’s romanticism.

Skin color, as well as hair and eye color, wouldn’t matter to him at all.

In his mind, he would view you, his love, as aesthetically ethereal and one of a kind.

Your features would be etched into the canvas of his mind's eye, surrounded by fitting backgrounds and colors.

With you, he would find solace, love, and acceptance, as well as the meaning in life he has been desperately searching for.

You don’t need to match his intellect or mastermind abilities; he cherishes those around him who don’t possess these qualities, and he doesn’t look down on them.

What he needs is someone empathetic enough (like Oda [ in his case platonically]) to love him unconditionally and sincerely, without judging him—someone who would guide him to the light without expecting anything unnatural or selfish in return.

However, his darling would need to be mentally strong and willing to share his burdens.

This is difficult to do and would only work with true, pure love, which is why Dazai needs someone who loves him unconditionally.

I don’t see Dazai manipulating his darling because he doesn’t manipulate or control the people he cherishes. Instead, he trusts them.

This would be the case with his darling as well. He would trust her, and this trust would be a choice that greatly benefits his well-being.

You would need to bring brightness to his life—love, warmth, connection, and compassion—balancing out his dark inner world.

He would be astonished when he realizes how deeply you love him without being manipulated, how pure your feelings are, and how you seem to see his soul and accept him as he is (much like Fyodor).

Your dedication to helping him improve, because you see the light and potential in him, would touch him deeply.

To you, he is human, and you wish to help him see that too. He loves you for it, so, so much.

Once Dazai recognizes this, he would never, ever let you go.

He might fear losing you or worry that you deserve better, but he would be too selfish to let you be with anyone else.

This would make him fiercely protective of you, even as he tries to maintain his enigmatic self, playing it off with his usual clinginess.

But of course, you would see right through this and reassure him that you’ll always be there for him, protecting him from anyone and anything else, even from himself.

In return, he would protect you, love you, and obsess over you—affectionately.🩵

TO MY OTHER WORKS => HERE

[sourcherryandsprinkles]

Aemond x Baratheon daughter!reader. They are planning teh wedding and reader hears that there will be a bedding ceremony on the night of their marriage. She talks to the queen about it but she can’t do shit. She gets anxious and Aemond notices it so he ask why and she tells him that she’s uncomfortable about the bedding ceremony so Aemond personally asks Viserys to not have one

Warnings: arranged marriage, mention of bedding ceremony

my taglists are here + you can send requests here at any time

—

When the prince Aemond set foot in Storm's End and offered to take one of Lord Borros Baratheon’s daughters in a marriage pact in exchange for swords and banners alongside the Greens, you didn’t know a bedding ceremony would be part of the pact. You had been flattered when the prince chose you over your sisters. The idea of being ‘sold’ to another Lord in marriage always made you uneasy, but the prince was tall, handsome, and kind to you. 

Moons later, as you were discussing the preparations of your and Aemond’s wedding, you found yourself wishing he had taken one of your four sisters.  

‘’A bedding ceremony?!’’ you repeated, feeling your stomach churn at the thought of having intercourse with spectators watching. 

You tried to not think too much about it, telling yourself that if you closed your eyes during it, it would pass fast. But come the week of the wedding, it was all you could think about. 

Shortly after your arrival in King’s Landing, you requested to speak to the Queen. Mayhaps she could do something about it?

‘’It’s about the bedding ceremony. I do not wish to do…that, your Grace.’’

If you had voiced your complaint to your father, you doubted he would have cared. A bedding ceremony was not embarrassing for the man. Quite the contrary, he was praised during the act. But the Queen was a woman. You hoped she would understand you, or at least have some compassion. 

The Queen sighed as she sat on the camel-back couch before you, knowing the mortifying experience that is the bedding ceremony. Especially for a woman. ‘’Unfortunately, it is a Westerosi wedding tradition. I’m afraid I cannot do anything about it, sweetie.’’ 

‘’A perverted tradition...’’ you whispered, not thinking she would hear you.

‘’I agree,’’ she said softly, her eyes filled with empathy. ‘’Unfortunately, we must submit to men's perversion.’’ Her words hung heavy in the air, a bitter truth that neither of you could escape.

A public defloration was something that — some — people enjoyed. Including your father. Lord Borros needed proof that the marriage had been consummated before sending his men to the Greens. He didn’t want to give them his men and get tricked in return. 

The evidence of the growing affection between you and Aemond wasn’t sufficient.  

Speaking of Aemond, he came knocking on your door after his afternoon duties. 

‘’Come in.’’ 

Usually, seeing him put a smile on your face, but today, you didn’t bother to open the door. You stayed sitting by the large window giving on the gardens, your eyes casted on your lap as you fidgeted with a thread from your dress. 

Stepping inside, Aemond frowned, seeing you sitting by yourself. ‘’I apologize for not coming to greet you sooner. I was held back,’’ he explained briefly, not wanting to bore you with the details of his duties.

‘’All is good, my Prince,’’ you said flatly.  

Aemond walked over to you, suspecting by your tone that something was upsetting you. He sat beside you and gently, he covered your hands with his, stopping your anxious play with the thread. ‘’What is it that is upsetting you, my love? Is it the wedding?’’ he asked, noticing the tension that seemed to wrap around you like a suffocating cloak. 

You shook your head. The wedding itself was a moment you were looking forward to — truly. It was the hours that followed that made your anxiety spike to unbearable levels. 

All these pairs of eyes on your naked body, observing — and judging. It made you sick. 

‘’It’s about the bedding ceremony. I…I’m already scared of the bedding itself,’’ you confess, your voice small and insecure. ‘’I do not want to make my first time a spectacle.’’ 

Aemond nodded, understanding. ‘’I’m not comfortable about this either. But it is part of my duty as husband.’’ 

‘’I spoke to your mother about it. Her Grace said there is no possibility of getting out of it…’’ A single tear slipped down your face, the sight pinching at Aemond’s heart. 

‘’Have you spoken to your father? Mayhaps he—’’ 

‘’My father requests it.’’ 

Aemond brought your hands to his lips, kissing them. ‘’I’ll speak to mine. Not to compare, but he holds more power than yours.’’

—

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