#but when she because part of the independence crew and got a new design she lost them

[beakerhoneydew]

Just realized none of the independence crew wears glasses. I should curse one of them with an astigmatism. For equality

[hms-no-fun]

What was it like going from writing Homestuck characters throughout Godfeels to your original characters? Was it intimidating after so much time spent with just the Homestuck cast? I believe Lenore was the first to appear in a minor role at first, but then you have the Moon war crew, the Halo's AI and Epigone all take center stage as villains (especially those last two), but I guess you could also argue June's headmates were kind of OCs? How was it writing them in the beginning compared to now?

honestly, i never found it particularly intimidating. when i started Godfeels, i never planned to write beyond John and Jade and Terezi because they were the only characters whose voices i had a handle on. as the series continued and became more of a full-cast affair, that was the most intimidating part. learning how to write a convincing Dirk or Jane or Roxy or even Rose. the key i think is that Homestuck characters are a collection of traits which express personality in a few key ways. this is true of all fiction but it's an explicit narrative mechanism in Homestuck proper. i used to talk a fair bit about narrative building blocks, the ways Homestuck is perfectly designed to train you in the act of remixing characters. like, if i said "Jade Lalonde" to you, you'd probably have a pretty clear idea of what that character looks like despite the fact that this character does not exist in Homestuck. this is the nature of HS's hyperflexible mythology. the hardest part was just learning how these characters speak and why, which required a lot of revisiting the original comic and a multitude of drafts, and i still don't think i really got them down until well into GF3.1. the intimidation mostly vanished once i felt like i could set these characters up in a room and let them play off each other without me having to pause every few minutes to question their authenticity.

honestly, bringing OCs into Godfeels felt pretty natural. i understood the existing cast and the world they existed well enough that it was easy to invent interesting oppositions. of course it helps that, going into 3.1, i knew we were always heading towards The Land of Many Unique New Guys. i wanted to do new things with the existing cast and break from the established patterns of the series, and that meant blowing shit up and changing the status quo. most of the fiction i've written in my life has been original, so really, once i gave myself permission to do so, inventing new guys was practically second nature. frankly, this setting (particularly with the EWL) is a guy factory, because it takes HS's hyperflexible mythology as a foundation and then metaphysically incorporates the existence of MSPFAs and fan sessions to expand the possibilities. Homestuck characters are equations whose variables are remarkably elastic, so it's quite natural to shuffle the old variables around and swap some out with new ones. i think it's fun trying to find a type of guy that we've never seen in Homestuck but that still feels like a Homestuck character. the OCs i've brought into the fold in GF3 aren't independent creations that i shoehorned into this universe-- they were designed for and with this universe.

and then yeah, i mean, going back to GF2 even before Risk and Dare entered the scene, June herself is functionally an OC because she's a fusion of June and Vriska. that's the entire conflict of the story, is that suddenly John's become June and she's a Vriska now. i used to joke that she was my self-insert until a handful of haters decided to canonize it and use that as an excuse to write Godfeels off entirely (which is probably for the best tbh). really, i just wanted to relitigate the Vriscourse through the lens of a human character, explore the appeal of having a Vriska-like grip on your own agency and the ways that might turn out to be destructive. the hard part was finding a realistic middle ground between John and Vriska. by the time we got to 3.1 and the plural arc really kicked off, doing the headmates almost came as a relief. i'm having a lot of fun writing Dare because they're kind of the first time in this story i've actually been able to write a straightforwardly John character. it all feels fairly natural since, like i said, the entire process is supported by Homestuck itself.

when it comes to the Upsilon kids, i was inspired by the Omega kids of HS2/HSBC fame. i originally planned GF3 to be a mirror of the post-canon project, and that meant responding to their OCs with my own. but i didn't want that response to be linear! i didn't want them to feel like Another Group Of Homestuck Kids, nor an obvious direct response to the Omegas. GF3 is about escaping your normal and learning to live among new people, so i was very deliberate in keeping the direct-relations to a minimum. i'm sick of everything being about the characters we already know. it makes sense for HS2/HSBC to have the Omegas be the descendants of the main cast, so i figured i'd let them have that. the closest direct response is Edie, who felt necessary not just for the existence of Yiffy, but also because of Kitty from Kittyquest and the various other alternate interpretations of Jade's daughter that followed. i like the idea of "Jade's daughter" being a uniquely responsive variable, someone who is paracanonically defined by the absence of singularity. then came Dana, modeled after Dirk precisely because of his antagonistic role in GF2. they're both parts of an ongoing conversation with Homestuck-- OCs yes, but not entirely original either. Lenore happened as a result of my involvement with Vast Error, which is actually a huge inspiration for GF3 in general for how it takes Homestuck's template and changes many of the rules without feeling fundamentally unstuck from that context. that their version of Sburb is called The Game and operates on an entire different yet somewhat familiar logic is what gave me the idea to explore the Universe Engine as a system of infinite variables that the EWL must directly respond to. it can be anything. it can have anyone. and because Repiton is existentially cut off from Homestuck, i liked the idea of Lenore being this lone escapee from VE's continuity who's totally unable to go back or learn anything about her home that she didn't already knew before she left. last to the party was Alphi, who needed to be a combo breaker. six-armed muppet dressed like a prep! just an entire alien. she's by far been the most difficult character to figure out, but doing so was part of what gave me confidence in the Upsilons conceptually. these four characters should not get along. they are diametrically opposed in many respects, in stark opposition to the other kid groups who typically enter the story already friendly.

so you can see, then, how the act of writing the Upsilons is also an act of commenting upon the Betas/Alphas/Omegas. i want to see what it takes to make four people who hate each other fall in love with each other. i want to see what rhymes and what opposes. the fundamental challenge hasn't changed-- it's the characterization. once i've found their voices, the rest follows on naturally. everything new in this story is built from the bones of what came before. that's the entire project, top to bottom. yes we're in a completely new setting with a bunch of new characters after obliterating the previous status quo, but it IS still Homestuck. the hardest part of selling all these new guys was simply developing the circumstances which allowed them to emerge. in my own head i've always seen the gargantuan wordcount of Chapter 8 as the necessary cost of fulfilling that ambition. hopefully now, with 3.2 A1 and B1 finally in the can, you can see for yourself how despite all that's changed, Godfeels is still having the same fundamental conversation today that it was in 2019. albeit with a few new arguments :)

[lazyvase]

Those Other Three

Melissa "Missy" Salvo

Spontaneous (Combustion)

At a very young age, Missy proved herself to be a master of starting fires and explosions. Through her continued practice and study, she developed advanced technical skill and signature design philosophies. To call her creations "IEDs" would a be a disservice to her craft.

She would be diagnosed with pyromania, and committed to a psychiatric prison. The year spent in there is largely unrecorded.

Seeing potential in her abilities, Gabriel took Missy out and enrolled her at Stuart Gibbs Academy with a full scholarship. Wanting to take full advantage of a new chance, Missy decided to quell her fire-starting habits. Or tried to at least. Old habits die hard. Fortunately, her talents were much more (relatively) appreciated. She got high grades and accolades in her classes. She was even given permission to design her own unique weaponry.

However, socially she was still struggling. She was once again the loner. That is until she met her soon to be bestie, Pierce.

She joined The M Crew because Mary was one of the few people who didn't see her as a liability.

Tom Tabby

Outlaws and Paws

Orphan, street rat, and cat burglar, Tom Tabby grew up on the streets of Neo San Antonio. Born without a name, he had to name himself. To survive he and his younger sister, Jan Visible (she also had to name herself), had to scavenge and steal. They learned quick and became master thieves. Soon, they started stealing for the highest bidder.

Of course, everyone gets caught eventually. He and his sister were arrested for stealing, and were being prepared for prison. "Fortunately" for them, Gabriel saw promise in their skillsets. He had them both freed and enrolled to Stuart Gibbs Academy on a full scholarship.

Both he and his sister were on edge when they first arrived. They were very prickly and reclusive. However, Tom began to warm up to his new peers, realizing that Stuart Gibbs Academy was a (relatively) better circumstance compared to how he used to live.

He became a lot more comfortable when he met his soon-to-be BFF, Caleb. Caleb started hanging out with Tom because he had a crush on Jan. However, soon the two had tons of fun testing Caleb's gadgets.

The two were a dynamic duo before The M Crew. And once they both joined independently, their bond only grew. Tom joined because Mary is also suspicious of Gabriel.

Caleb Cable

Tech and Nervous Wreck

The son of a mechanic and junkyard owner, Caleb had no shortage of access to tools. Day by day he would tinker and experiment with the parts around him. Inspired by great scientists of his time, such as Dr. Terra Bartlett, he planned to become a genius inventor himself. He easily proved himself to be top of his class.

However, it wasn't enough. College is expensive. It looked like a dead end for his dreams. That is, until a very generous offer to Stuart Gibbs Academy came to him. His father forbade him from going, warning Caleb that an offer from Gabriel is not to be trusted. But Caleb knew this was his only chance. He ran away from home and accepted Gabriel's offer.

Caleb hasn't gotten a good night's sleep since.

Caleb soon found himself over his head with the dangerous lessons of the academy. He needed help from some with survival instincts. He found the perfect help in Jan and especially Tom.

The two became a dynamic duo before The M Crew. And once they both joined independently, their bond only grew. Caleb joined because Mary inspired him. If someone as... complicated as Mary could believe in herself, well maybe so could he.

Currently, he and The Mary Crew are on the hunt for Mary and Pierce's mother.

[thefirstknife]

Spire of the Watcher lore reveals!

Okay, so, I've done the dungeon and I've been in the game for 11 hours doing multiple clears and I am ECSTATIC because my obsession with stuff I thought were possibly throwaway things from years ago were actually foreshadowing!

I am talking about the stuff I noted first as an overall possibility at the end of this post from last year, and more concretely in this post from August. In short, the weblore Legacy pt 1 and 2 (specifically 2) is very important as it follows Ana's journey to the edge of the system where she discovers a Bray space station orbiting Uranus, where Braytech was preparing an exodus mission. The goal of the exodus mission was to establish a colony in the Andromeda galaxy (M31).

ECHO-1 and ECHO-2 were stocked with Exo unit crews. As you know, their task was to establish and oversee embryonic development at Colony M31, Site-A and Site-B.

The dungeon confirmed that! The dungeon also explores a really unique collaborative effort between Braytech and Ishtar Collective who were working on Mars together to explore exodus options for missions. Ishtar installed a special submind in the facility which they classified as an "Augurmind" and called it Soteria.

The Augurmind was designed with the use of Vex technology to use data to predict which places would be good for colonisation efforts of the exodus missions. As a side note, augurs were special "prophets" in Ancient Rome that interpreted the future by observing the flight of birds. Cool! As a second side note, "Soteria" was an Ancient Greek goddess of safety, salvation and protection from harm. From that word comes "soteriology" which is the study of religious concepts of salvation. Also cool! The Vex used the same word for their programs, back in Splicer, probably a nod to Soteria's predictive abilities of Vex origin.

The lore from dungeon items mentions the ECHO project, which was the name of the Braytech exodus project ships. Due to Clovis' interferences and overall just Clovis behaviour and his desire to have control over Soteria, Maya eventually pulled Ishtar from the project and resigned, but not before Soteria made the attempt to launch one of the ECHO ships with pods to protect humanity. At that point, Soteria had already detected strange anomalies, cancelled the flight to Andromeda and had to alter many of her data. During a test flight, Soteria changed commands.

(rest below because lore is not yet on Ishtar and there's a lot of long screenshots with text)

From Long Arm scout rifle:

AI-S is soteria. [H] is humanity. CBI is Clovis Bray I. Clovis got pissy about Soteria ignoring his direct command to return and Soteria said the following:

"Twilight" refers to the Twilight Exigent moral structure where the Warmind assumes that all humans are dead without his intervention and will prioritise saving the human species over individual humans. Rasputin used this structure during the Collapse. Soteria noted that she designated a new route for ECHO's escape; use ANY available "strongholds" on the way to a destination in Andromeda. One of the strongholds, Nefele, is Neptune.

After Clovis interfered with this, Maya resigned. Clovis partitioned Soteria, aka split her into smaller pieces and effectively put her in a prison where she could no longer act alone. However, the partitioning was not instant. In Into The Sunset sparrow from the dungeon, she says so herself and uses the little remaining time she has to designate one part of herself to tether onto the ECHO ship she tried to save:

This now independent part of her split off from the rest and was able to be freed of the prison Clovis wanted to put on her. This fragment of her is weak, but it can go forward and drive the people to a nearest possible location; Neptune.

She notes that the ship crashed "through azure clouds." A part of the ECHO fleet is the exodus ship that originated Neomuna! I was on the right track with that back when I first talked about Legacy and Braytech colony ships and here in this post where I made the connection that Rasputin and Braytech have to be involved with Neomuna and that ships mentioned in Legacy (ECHO project) were possibly the ones that made Neomuna. Also a good predictive analysis in this post, where we both noted the possibility that the colony ship that made Neomuna was originally planned to go elsewhere but had to land on Neptune.

So, Neomuna was seeded by Soteria, a submind whose only purpose was to predict a safe spot for humanity to continue existing after she detected an anomaly approaching and endangering humanity's existence. From Terminus Horizon machine gun lore:

Maya asked for details, but Soteria could not understand the data, only that the anomaly appeared to be mobile and dangerous. Soteria changed all predictions, cancelled the previously established route to Andromeda, removed most of the habitable worlds from the list and noted that the hazard of travel is 87-100% mortality rate. In other words, Soteria saw the Black Fleet. Soteria also sent this data to Rasputin:

And Rasputin immediately started preparing for the Collapse. "Egyptian" is a code for a security protocol. During the Collapse, the security check was "SECURE ISIS" which falls under "Egyptian." It's a nice tie-in to the beginning; Soteria's discovery led to Rasputin's activation to prepare for the Collapse. He used Soteria's data to do so!

It's a really cool connection, one that I've considered before, but couldn't really prove much besides just speculating. But Legacy weblore was HUGE and it was never fully resolved and I'm glad they tied that to this. It definitely makes sense, since I've made the connection already, and other people have also considered the overall possibility.

Braytech is definitely involved in Neomuna's creation! Neomuna being based on nanotechnology is not a coincidence, as they were probably packing SIVA and had a thousand years to develop that technology to the level they have without the Collapse. Interestingly enough, Clovis specifically wanted Soteria to piss off because ECHO had Exos on board and he didn't want them to be wasted on a "rogue" AI's whims, especially AI directed by Maya Sundaresh. I wonder if there were any Exos left on the specific ship picked by Soteria that crashed on Neptune. Would be immensely cool if there were highly advanced Exos there.

I feel like mentioning this is meant as a hint to expect Exos or some form of Exo technology on Neomuna. Perhaps far more advanced and possibly the origins of Cloudstrider augmentation; advanced nanotechnology and advanced exo tech would certainly do it. Maybe!

Another really cool detail from the lore is this poem that Soteria wrote and dedicated to Rasputin, from Liminal Vigil sidearm:

I love these nerd AI.

There's other lore from the dungeon, especially the stuff about the fireteam that Ana works with after we secure the site to get more information from the Spire. They're a really cool trio geared in Tex Mechanica armour that's loot we can get. One of them is particularly interesting; Moss-2 is a Warlock with a unique ability to connect to his Ghost (No Name) via an implant which allows his Ghost to literally control his body and abilities in a fight. From the helmet:

From the class item:

Unbelieveably cool.

And to end this with more info on Soteria herself, after we raided the Spire and freed it from the Vex, what's left of Soteria fled and integrated herself into the new exotic bow! She is in the bow!

Unfortunately, she is not exactly talkative, but her prediction engines still work, which is incorporated into how the exotic itself works (I haven't gotten it yet though):

Soteria deserves this and more for being made by the original girlboss Maya Sundaresh, defying Clovis, originating the data that prepared Rasputin for the fight of his life in the Collapse and saving humanity!

[aggravateddurian]

Freerunners!! for wip game

Thanks for the ask!

Freerunners is an original speculative fiction universe devised and written by me!

Freerunners is set in our future (approx. 2470), in a galaxy where humanity fell into a dark cyberpunk age, but managed to pull itself out with the unlocking of a future among the stars. It shares a timeline with my other original speculative fiction universe, Subsurf.

The story blends elements of cyberpunk (notably: cyberware, evil corporations ruining peoples' lives, vexes: a technology similar to braindances, but more inspired by BTLs from Shadowrun, and the whole high tech, low life feel of the universe), moderately hard science fiction like The Expanse and makes concessions towards unrealistic tech like jump drives for the sake of the story.

Full detes below the cut:

The story itself follows the crew of the Independent Contractor high-endurance courier ship 'IC Isthmus' as a simple cargo mission to deliver a replacement rocket engine to a Capellan intelligence officer (Moses Marcellus Booker, who I have always imagined as being played by Idris Elba, so screw you CDPR I thought of it first!) drags them into a complicated series of interweaving and competing interests and designs between the galactic powers.

The crew of the Isthmus comes from a variety of backgrounds. Some have clear inspirations, others are completely original creations.

Captain Connor 'Truck' Pearce - a war veteran and the captain of the Isthmus. Fiercely protective of his crew, and dealing with PTSD after losing his arm during the war. He's a native of the United Arcturian Colonies.

Zoe Alvarado - a former scrapyard techie from the ass-end of the resort planet Paraiso, who learned to fly from her grandma before being recruited by Truck. Chief inspirations: Avril 'Scrap Queen' Mead (Ace Combat 7) and Judy Alvarez (Cyberpunk 2077). Citizen of Paraiso, a free planet under Arcturian protection.

Jaidyn Armas - a webcrawler (net specialist, think netrunner or decker) from Paraiso's largest city, New Emerald. She worked as a net technician in New Emerald's biggest brothel for a while. She joined Truck's crew when Truck and Zoe helped her escape a deadly situation. Jaidyn and Zoe are in a relationship. Chief Inspirations: Valerie Ocampo-Gonzalez (Cyberpunk 2077 OC). Citizen of Paraiso.

Noah 'Chief' Rodriguez - a loadmaster, and a former Warrant Officer in the United Republic Space Force. He was Truck's first crewmate, having joined him after working a stint with Truck for Transstellar Spaceways. Noah is in a relationship with Cory Morgan, another crewman. Citizen of the United Republic of Earth Colonies.

Cory Morgan - a space nomad. He's a webcrawler, or at least, has the cyberware to be a webcrawler, but his true speciality is in astrogation. When he's not keeping the FTL computer running, he's arguing with Jaidyn about nerd shit. Citizen of the Commonwealth of Capella.

Isiah Larson - a former Capellan Navy medic who joined the crew on Terra Nova. Larson is a snarky, quippy man, who uses humour to put people at ease, a talent he picked up during the Capellan war with the Star Rakers, a large nation of pirate space nomads.

Slate - Slate is... Slate. She's a 6'7" beast, equipped with state of the art combat cyberware and has been bioengineered for peak physical performance. She is known for her husky, monotone voice, and her freakish combat performance. Only Truck could accidentally recruit a supersoldier. There's one problem, she can't explain how she got the way she was, or even who she is, because her memories are sealed behind some kind of neural lock technology. Isiah believes that she might be a corporate weapons experiment, given much of her cyberware is produced by Kagiyama-Soryu.

Chapter 1 'Disengage' is finished, but is stuck in editing hell. Chapter 2 'Replacement Parts' is about 10% finished. I'll be posting these soon.

All things Freerunners can be found on by sideblog @durianwritesoriginalfic, or by following the original setting: freerunners tag.

[ah-ga-seven]

Till The End of Summer - Chapter 14 (The Finale)

>> series masterlist <<

Pairing: Choi Yeonjun x Reader

In a Nutshell: College!AU, Rich Kids, Friends to Lovers, Fuckboy athlete Yeonjun, Overprotective Best friend Soobin, contains all of TXT and other Idol cameos, Omnipresent perspective.

Synopsis: You and Yeonjun are caught up in a cat and mouse game because of unspoken feelings and endless pining for each others’ attention. With the summer break approaching and lots of college parties, will you finally get a chance to explore your feelings for each other; even though the world and Yeonjun’s reputation makes things complicated?

Word count: 12,3K

Idol Cameos: NCT Johnny, ITZY Ryujin, ATEEZ Wooyoung, Stray Kids Hyunjin, Enhyphen Sunghoon, Heesung and Jay.

Genre:  Fluff, SMUT, angst if you squint.

Warnings: explicit mature content, I put a bolded warning sign at the start and end of it so you can skip through if you want.

Month 1.

Yeonjun went back home to save the reputation of Choi Enterprises by dealing with Lita’s attempt to overthrow him and his mother.  

Apparently, she did a lot more than the things she was locked up for initially. 

Lita and her husband bribed members of the board, making promises they obviously couldn’t keep. “When we have the company, the world is yours” but those days never came. and the board members that were bribed were fired effective immediately.

Each and every one of them got disposed of, with their assets included like they were last weeks’ trash. And if that wasn’t enough, Lita’s unjustified psychosis stemmed from the fact that she used to sleep with Yeonjun’s father. Lita felt like she was entitled to the Choi’s fortunes because according to her; the only woman Daniel Choi ever loved, was her.  

The revelation had Yeonjun sick to his stomach as he sat next to his mother in court. Lita looked at him with pleading eyes, claiming to really love him as her own son before the judge announced her 15-year prison sentence for fraud, spying, embezzlement, and attempted murder.

Somehow Yeonjun felt nothing as he looked at her. He really didn’t. If anything, he was glad to close this chapter of his life for good, and look ahead of the road to recovering his soul.

You, on the other hand, were completely overwhelmed with your new surroundings. You threw yourself into your work to forget about your heartache and didn’t dare to talk to Yeonjun in case it’d open up your wounds again. It would cause for you to lose focus, and you simply couldn’t afford that distraction right now.

Month 2

The first month passed without any contact between the two of you, but that changed when you wished him a happy birthday. His heart thumped in his chest on his way to his 6th therapy session as he looked at your message. 

He was even more surprised to see that you sent him a cute card with a Polaroid picture of the two of you; all happy and smiley in the park.  

It was reassuring to him that you were still thinking of him, and that you hadn’t completely forgotten about him or moved on so easily, because lord knows he hadn’t.

When you asked him about Lita’s trial a few days after his birthday, you two started to slowly talk again from time to time. You’d check up on each other and made small talk, but it was nothing like it used to be.  

There was no depth, and the core of your conversations always had to do with how both of your studies were going, if you were taking care of yourselves or if you’ve had dinner already.  

You both figured it was for the better this way, otherwise your break up would have been for nothing if you didn’t use this time apart from each other to heal, especially since you promised to be better individually so you could be even better together.

If that was still what both of you wanted upon your return of course.

He missed you so much, and he was finding it incredibly hard not to check your socials at least once a day, especially when he realized how male-dominated your studies were at Brown.

Your Instagram feed and stories indicated that you were having the time of your life when you could. You were happy despite the crazy hours you spent in a lab with your research team. A team that quickly became your new group of friends at the University.  

There were 2 other guys and one other girl in your team. The girl’s name was Giselle, you seemed to be the closest to her out of all of them. One of the guys was named Chanhee who was quite obviously gay, therefore not a threat. But the second guy, Hwang Hyunjin… let's just say that Yeonjun wasn't a fan.

Month 3

Your almost daily texts and calls with your friends back home started to shift to communication on a weekly basis.  

It was hard to keep up with your friends back home while having to entertain a new friend group here, all while you spent hours upon hours in the lab, working on a possible treatment for neurological disorders.  

You knew that whatever you were getting yourself into with this exchange was going to be hard, but you didn’t imagine it to be this hard and frankly, you were feeling incredibly homesick by now.

You missed Soobin, the boys, Mia…Yeonjun. And one time when you came home at 10 PM after a long day that started at 8 AM; you broke down on the phone when Soobin called to check in on you.

He was so shocked at your tears that he was ready to jump on a plane, but you stopped him from doing so. Knowing that you needed to push through and confide in the friends you made, whom you’ve started to hang out with a lot more, especially with Hyunjin.  

He reminded you a lot of Soobin, the way he was gentle yet in for dumb shit matched well with your own personality, and hanging out with him felt liberating. He introduced you to his friends and spent time with you and your lab partner and roommate Giselle whenever he could, which made your time at Brown a lot more bearable than you had anticipated.

Yeonjun was slowly starting to enjoy life again. He caught up with his studies, kept going to therapy, had regular calls with his mother, and spent time with his friends whenever he could. He started to pick up his neglected hobby of dancing again, finding comfort in the art form with Wooyoung and his crew.

Month 4

Yeonjun’s mother sold Choi Enterprises. She was completely done with the company as it wasn’t hers to begin with. The stock prices had risen for the first time since Daniel’s death paired with the whole Lita ordeal, so she took the chance to get rid of her past with a simple transaction.

She consulted Yeonjun about selling the company and the house he grew up in, for which he agreed, glad that they could finally close that dark chapter of their lives while getting a fresh start with new surroundings.  

With all of this newly acquired money, she opened a new headquarters of her own luxury fashion brand, closer to Yeonjun; only an hour away to be exact.  

She was determined to be a better mother and get to know her son, and the only way to do so was by actually trying. He was happier now that the burden of having to take over Choi Enterprises one day fell off of his shoulders.  

For the first time in a long time, he held the reigns to his own future again and his mother assured him that she’d support whatever he wanted to do in life both mentally and financially.

From there on out things started to look up for them.  

They went on café dates every Sunday, and sometimes he’d visit her for an entire weekend where they would bond by cooking or shopping together. 

During one visit, Yeonjun helped her pick some pieces for Fashion week, which made her pleasantly surprised by Yeonjun’s out of the box and daring passion for fashion. She suggested he’d take a minor in fashion design next to his regular Business studies and after giving it a good thought, he did, enjoying it a little more than he thought he would.

Month 5

You were doing better too. The hard part of your research was over with, and you had a well-deserved break which you spent with Giselle, Chanhee, and Hyunjin. You decided on having a mini-vacation and go sightseeing, rent an Airbnb somewhere in the state, and just chill.

Everything was fine until the last night of your trip, where you got shitfaced drunk and ended up sleeping with Hyunjin.  

You were single, so there was no reason to feel guilty, especially since the last time you even talked to Yeonjun was over a month ago, yet you still did.  

Of course, you had to talk to Mia about it, who only told you to remember that when you’d return in a month; you’d probably never see Hyunjin again, and that was enough for you to start distancing yourself from him.

The guy obviously had feelings for you, and you felt bad for friend-zoning him after being intimate with him, but the fact of the matter was that you just didn’t feel the same way about him. None of it would matter in a few weeks anyway, because you’d be heading back home, to your friends...and to Yeonjun.

Month 6  

Brown had offered you to stay and finish your studies at their facilities but you kindly declined. The experience was great, but you couldn’t put yourself through one more year of this type of curriculum, and you desperately wanted to see your friends' faces again by going back to the place you’ve called home for the past three years.

To your new-found friends’ disappointment, you were getting ready to leave as the weeks passed, packing your things little by little and meeting up with all of the people you met one last time before parting ways for good.  

It felt bittersweet though. Not only did you learn a lot about neuroscience, but you learned a lot about yourself as well. You grew as a person, matured, and blossomed by being more independent. Not having Soobin or your other friends to fall back on really pushed you to become more self-dependent, which was one of the perks of being away from them for so long.

You respected yourself and put yourself first and promised that that’d be a piece of knowledge that you’d be taking back home too.

Now.

Yeonjun couldn’t believe half a year had passed already. But what he really couldn’t believe was that he’d be seeing you again tonight.  

He stood in your apartment with the guys and Mia, organizing your things and cleaning up the place for your surprise welcome home party. Being in there felt weird, almost foreign to be exact.

It’d been half a year since he stepped foot in here, and even though you were gone for so long, the place still smelled like you. If it wasn’t for the empty shelves, missing bedsheets, and plastic covers over your furniture; it’d almost seem like you never really left.

He opened your bedroom door to see Mia struggling to make your bed and chuckled lightly at the sight. He walked over to her, grabbing the other ends of the sheets to help her out.

Mia gave him a faint smile and stopped her movements for a second to look at Yeonjun. “Are you excited?” She asks with a big smile. Lord knows she was, her best friend was finally coming back but Yeonjun didn’t really know how to answer Mia’s question.

“More nervous than excited. We checked up on each other from time to time but it’s not like we really talked or anything.”

Mia pouted at Yeonjun’s insecure facial expression. One she hasn’t seen from him that often. Especially lately. Mia and Yeonjun have gotten a lot closer in the past six months, which was a nice change for the both of them.

“It’ll be fine. Don’t worry. You’re not the same Yeonjun you were six months ago. And that’s a good thing. She’ll appreciate the change.”

“Gee, thanks.” Yeonjun snickers as he throws a pillow at Mia’s head. It hit her straight in the face, messing up her hair which made both of them erupt in loud laughter.

“Asshole,” Mia says straightening out her hair.

“What’s going on here?” Soobin asks with a big smile on his face as he enters your room.

Soobin hasn’t been able to wipe that damn grin off of his face all day. He was so excited for you to come back and honestly the mood with the boys and with Mia has been amazing lately.  

“Yeonjun is back to his old ways,” Mia argues as she tries to throw the pillow back at him, but Yeonjun swiftly caught it, giggling to himself as he fixes it before putting it back on your bed, where it belongs.

“Well, quit messing around and hurry the fuck up, I’m picking her up in an hour.” Soobin says clapping his hands together to try and give orders, but neither Yeonjun nor Mia were phased by Soobin’s attempt to assert dominance. Both of them rolled their eyes before getting back to the task of making your bed.  

It was adorable how stressed yet giddy Soobin was to see you again. Everything had to be perfect before you arrived so he could relax and make sure you’ll be able to relax after your flight too.  

He ran around your apartment like a stressed mother; making sure the boys weren’t messing around too much so that everything planned out smoothly before the guests arrived.

Soobin waited for you patiently…at the wrong exit.

You immediately recognized his tall form when you were skimming the crowd, wondering why he wasn’t there yet, but when you saw his back facing the wrong arrival hall; you knew enough.  

It’s so Soobin of him to face the wrong way. You smile to yourself as it gave you the perfect opportunity to scare him.

You chuckle as you walk towards him while pulling your suitcase with you. He was concentrated on the people exiting the gates, hoping to see you and growing more and more restless as you didn’t show up, but little did he know, you were right behind him.

“Who are we waiting for?” You ask in a serious tone as you stood beside him with your arms crossed while following his gaze onto the crowd.

Soobin’s head snapped into your direction so fast you swore you heard a bone crack.  

His eyes widened before he smacked his bunny-like lips in confusion, looking you up and down before a huge smile crept upon his face that you could only mimic.  

“YOU’RE HERE!” Soobin shouts in shock, relief, and joy at the same time while pulling you in for a tight hug. He inhaled your scent while twirling you around, and all you could do was giggle as he smothered you in his hold.

God, you missed him, and judging from the way he wasn’t letting go of you, you could tell he missed you too.

“Ugh, I missed you so much. How was your flight? And look at you! Did you change up your hair? You look good, happy, healthy. Ugh.”  

You couldn’t even respond to anything he was saying as he wrapped you into his arms again. Normally you’d fight him for being so clingy, but this time you let him have his way for a few seconds…until it got hard to breathe.

“Soobin, I can’t breathe.” You protest softly as you tap his chest to let go which made him laugh in response, holding you at an arms-length. “Sorry y/n. I just…we’re never separating for that long ever again,” he says with a serious yet playful look on his face.

“Agreed.” you beam up at him as you link arms, walking towards the exit.

“Did you have a good flight?” he asks as he pets your hair, not believing that you were standing next to him right now.  

“Mmh, there was some turbulence so I couldn’t really rest. I can’t wait till I’m home again so I can sleep,” you mumble before you let out a yawn as you drag your feet on the tiled floor of the airport.

Soobin gulped. He didn’t know how you’d feel about the hoard of people in your apartment right now, all ready to celebrate your return when all you really wanted was to get some rest after your long travels.  

He felt guilty for a second but also knew that you’d probably forget all about your tiredness when you’ll see all of your friends again.

“Uhm, the car isn’t that far. Give me that,” he says as he takes your suitcase from your hold.

“Everyone quiet down! They’re coming up right now!” Taehyun announces while he cut the music.

Everyone frantically found a spot to hide. Some giggled as it got dark, some held on to each other cause they couldn’t see shit and some were nervous wrecks like Yeonjun.

You weren’t suspecting anything as you dragged your feet to your apartment. Soobin was acting weirder and weirder; fumbling with his keys, dropping shit, and constantly checking his phone, but you were too dense and tired to notice.

You struggle with your lock and let out a yawn. Soobin stood closely behind you, taking a deep breath as the door swung open.

Before you could even close the door behind you or find the light switch, all of the lights turned on in an instant, followed by a loud ‘SURPISE’ yelled out by at least two dozen people who were occupying your living space.

You flinch, your eyes nearly popping out of your skull and stumble backward, just so your back could hit Soobin’s tall form.

He laughed hysterically clapping his hands together like a seal, followed by everyone in the room.

“Oh my god.” Is the only thing that you were able to get out as you covered your face at the overwhelming sensation.

You didn’t even realize you had this many friends? I mean you knew all of them of course, but you didn’t comprehend the fact that they were all here to welcome you back.

The music turned back on and Mia was the first one to launch herself into your arms which had you immediately defrosting in her hold.

‘BITCH!!!” she yelped. “I MISSED YOU SO MUCH.”  

She clung onto you and twirled you around making the adrenaline and confusion in your body shift to pure happiness at seeing their faces again.

You can’t believe they did this, and suddenly you don’t feel tired anymore.

“Y/N!” Beomgyu squealed your name as he hugged you, followed by Taehyun and Hueningkai who all patiently waited until it was their turn to hug you.

You were so caught up in shock and bombarded with love, that you didn't have time to scan the room for other familiar faces. Instead, you just let them come to you one by one as you stood glued to the floor, smiling, hugging and chatting away with all of the people that seemed to have missed you so dearly.  

Yeonjun stood in the corner of your living room, watching the whole ordeal. A smile crept onto his face at how happy and healthy you looked. It’s almost as if he saw you for the first time again. Making him realize that love at first sight really was a thing…even in this form.

He took a sip of his drink, still watching you carefully until someone nudged his shoulder.

“Shouldn’t you go say hi to your girl?” The taller and older guy leaned against the wall next to Yeonjun after nudging him, making him look up at him.

“Hyung, I don’t even know what to say to her. She’s so happy right now, I don’t wanna ruin it.”

Johnny furrowed his eyebrows, cocking his head to the side. “You don’t think she’ll be happy to see you?”

“I don’t know anything right now.” Yeonjun sighed, watching you join Hueningkai and Beomgyu for a selfie with a big smile on your face. “When is the last time you two spoke?” Johnny asked, taking another sip of his drink.  

“Like two months ago.”

“Damn…”

“I know.”  

and just as the picture was taken, you spotted him across the room.  

Your eyes locked, making Yeonjun freeze in place. “Shit,” he gulps, downing his drink in one go to calm his nerves which made Johnny laugh at his antics.

“Relaaaax. Did you see her eyes light up just now? I think she missed you too,” he assures him, throwing an arm around his shoulder for comfort.

This seems odd? Doesn’t it? Yeonjun and Johnny being all friendly with each other.

During Yeonjun’s never-ending therapy sessions, the school’s counselor wanted to connect Yeonjun with someone with a similar background. You should’ve seen both of their faces when they met during a group session, but after realizing they had such corresponding backgrounds, you know; the neglected rich kid kind, they haven’t stopped talking to each other and oddly became very close friends.

It was nice for Yeonjun to have an older brother figure in his life since he’s the oldest in his own friend group, and it was even nicer for Johnny to find out that Yeonjun wasn’t such a big dick after all. Oh, and the part of having someone who gets his struggle was great too, even in the form of Choi Yeonjun.  

You couldn’t believe your eyes. You didn’t expect him to be here for some reason and the last thing you expected was seeing him with Johnny’s arm around his shoulder in a non-threatening way.

Mia chuckled as she followed your gaze. “Yeah…so, they started hanging out a few months ago.”

“How even?”  

“I don’t know maybe they started to bond over being your rejects,” Taehyun says making Mia and Beomgyu cackle with him, but you couldn’t quite see the humor in it. You had only returned to your friends for 5 whole minutes and they were already being annoying.  

Soobin noticed your slight annoyance and chuckled, rubbing your back in comfort as he was the only one to notice how nervous you really were to talk to him again after all this time. “Go talk to him, he’s just as nervous. Trust me.” Soobin says into your ear so only you could hear, and you give him a small nod in response. Smiling at the encouragement you so desperately needed.

You’re a bad bitch. You got this.  

You look at him once more as he talked to Johnny.

For some reason, his whole aura changed from the last time you saw him. His features matured a bit, he lost weight and he completely embraced having a mullet. Ok…hot.  

He was breathtaking. Even after all this time of being apart, he made you feel the exact same way and all it took to remind you of that feeling was one look from him.  

He decided to man up and make his way through the crowd to greet you, but you beat him to it as your legs automatically walked over to where he was standing.

Johnny sensed the sudden electricity in the air as you approached and decided to go in for the hug first to give Yeonjun some time to collect himself. “Y/n!” Johnny coed as he enveloped you into a big bear hug. “It’s so good to see you again. How are you? How was your exchange?”  

You’re snapped out of your trance, but you still feel Yeonjun’s eyes on you as you’re trapped in Johnny’s embrace. You collect yourself as you let go of him, trying to avoid Yeonjun’s gaze for now but it was almost impossible because of how close he was.  

“I’m good, it was good. A lot of sleepless nights but it was totally worth it.” You give him the quickest answer possible; you weren’t quite sure where to start the conversation with Yeonjun but the longer the two of you ignored each other, the weirder the tension between you two was getting.

He took a deep breath, giving you a warm smile before averting his attention to Johnny. He not so subtly told him to leave with his eyes, which made Johnny suavely exit the conversation by announcing that he needed a refill.

“Hey…” you start.

Yeonjun’s eyes glistened as he looked at you with adoration. “Hey.”

You looked good. Your skin had a healthy glow, and your new haircut was working wonders for your features. He was entranced by your beauty for a second before realizing his stare might be creeping you out, though you didn’t even notice, cause you were staring at him too.  

You were completely caught up in your own perception of time. Everything seemed to slow down now that you were looking into others eyes again after all this time and just as you were about to open your mouth to speak, some kid you didn’t know accidentally bumped into you roughly.  

The sudden impact made you lose balance as you jolted forward, straight into Yeonjun’s arms. Luckily, he swiftly caught and stabilized you.

He looked at you in shock, making sure you were okay as he grabbed your shoulders before turning his attention to the random kid who somehow got an invite to be at your welcome home party, in your house, without you even knowing who he is.

He quickly apologized, but you feared for what was about to happen. The Yeonjun you left 6 months ago was a dick and a hothead, he’d make the kid regret running into you like that but to your surprise Yeonjun straightened out the freshman’s clothes and gave him a small side smile.  

“Be careful kid, we just got her back,” he says in neutral yet friendly tone.

That’s it? No threatening glare? No sarcasm?

He seemed to notice your dumbfounded facial expression and chuckled. “Anger management classes,” he explains with playfulness evident in his voice.

“You’re kidding?” you scoff in amusement.

“Nope. I’ve turned into a complete softie, just for you.”  

You teasingly shove his shoulder and laugh loudly. The sound made Yeonjun’s heart flutter as he watched your face contort into pure joy and cuteness. He felt the sudden urge to squish your cheeks together and litter your face with kisses but he withheld himself from doing so, and reciprocated your giggles with the sound of his own laugh as he raked his hand through his long locks.

This small moment of flirty teasing made the both of you realize just how much you had missed each other as you were quick to jump back in your old ways.

You both should’ve known that worrying about any awkwardness between you two was stupid. After all, you were friends before you even started dating; and luckily that dynamic returned quickly because he was just as big of a casual flirter as you were.

Suddenly it felt like you were starting all over again with him, it felt like the first time you tried to connect with him on that damn picnic that started the timeline of your relationship.

Somehow the universe granted you the opportunity to hit the reset button and do things right this time, and you couldn’t be happier now that you realize how stupid it was to worry about the inseverable connection you two seemed to have to each other.

Even after all these months and all those miles of distance, Yeonjun still felt like home.  

He gave you a shy smile, realizing you were staring at him with hearts in your eyes while you expectantly gazed into his dark orbs.

His eyes weren’t hollow anymore, for the first time in ages his happiness felt genuine and you couldn’t wait for him to tell you all about it.

“How about we…ditch your party for a bit and go take a walk,” Yeonjun suggests, giving you a hopeful yet mischievous look as he held out his hand for you.

You boldly lace your fingers through his and lead him out of your apartment without a second thought, ignoring stares from literally everyone.

Oh my god, history really was repeating itself. Your mind flashes back to the walk you took with him that night at Johnny’s party; you lead him out of Johnny’s kitchen the exact same way right after the fight you had with an overprotective Soobin about trying to date Yeonjun.

You got Yeonjun a little flustered, which is a first, but he was happy with your directness. He couldn’t wait to be alone with you in a more private setting and if that meant leaving your own party, then so be it.  

Fresh air hits your lungs as the chilly spring night welcomes you outside. Your apartment was way too crowded and way too hot which made you sigh contently as the cold wind created goosebumps on your skin.

Yeonjun looked at you and stopped in his tracks while diverting his gaze at your still intertwined fingers.

You look back at him, confused as to why he stopped walking, but before you could ask questions; he pulled you towards him, trapping you into his strong arms. One of his hands made its way to the nape of your neck to slowly pat your hair as he leaned his chin on the top of your head.

You just let it happen, wrapping your arms around his torso while burying your face in the crook of his neck. The familiar scent of soap mixed with his expensive Chanel Bleu cologne hit your nostrils and the butterflies in your tummy start to flutter again after being on rest for six months.

Whole. That’s how you feel in the moment.

“You have no idea how much I missed you.” You mumble into the hug, not wanting to look up at him out of fear that he might not have felt the same, but by the way he was holding you right now, you should know better. The insecurity of not being good enough still had its ways of fucking with your mind, even though you had no reason to be.

Yeonjun opened his eyes at your confession, not being able to hide how happy he was to hear that his feelings were mutual. He hid his grin by burying his face into your hair again as he giggled before pulling back slightly to see your face. You were trying incredibly hard to hide the heat that had risen to your cheeks but it was to no avail as Yeonjun mumbled something about how cute you were right now.

He was so worried you didn’t feel the same. He was convinced you forgot all about him at Brown. Your Instagram stories were filled with the countless parties you went to, the new people you met accompanied with the fact that your posts were littered with suggestive comments from guys he could only assume you met over there.

Yeonjun’s biggest fear relating to your return was that you utilized those six months away from him to move on, but as selfish as it sounds; he was so incredibly glad that you hadn’t.  

“Look at me.” He tried to cup your face but you didn’t let him, giggling into his chest as you protested.

The two of you must look absolutely pathetic to bystanders right now. You were completely stuck in your own world, acting like high school kids who were brand new to love, but somehow that’s exactly what you were.  

He chuckled lowly, as you tightened the hold you had on his waist. “Ah, whyyy…Look at me, come on.”

You do as you’re told, and when you look up you are greeted by the most beautiful smile you’ve seen in your life, making your breath hitch in your throat at how boyish yet manly he looked just now.

“Ok, I’m looking. Now what?” You challenge as you take a hold of his wrists as he cupped your face.

He didn’t know if he’d move too fast if he kissed your lips right now, so he decided against it while giving you a sweet kiss on your forehead instead.

“I just wanted to see your pretty face up close again. Instagram doesn’t do you justice, angel.”

“Oh, shut up.” You giggle, rolling your eyes as you push yourself out of his hold. You hate to admit it, but the little pet name made your heart skip a beat. You pretend to run from him, but he snatched you back in no time by tugging at your elbow with laughs and giggles. You give in and link arms with him as you resumed your walk through your neighborhood and look up at him to check if he was really here with you right now.

This whole thing just felt too good to be true. Here you thought he’d moved on from your relationship, but the confirmation that he hadn’t was nice, to say the least.

He looked down as he felt your eyes on him and smiles at you before looking at the path ahead of him.

“What?” he asks with an amused tone, but you just shake your head in response.

“You seem different.”  

“How different?”

“Like you aren’t carrying the weight of the world on your shoulders anymore type of different.”

He nodded understandingly and stopped in his tracks to look into your eyes again. His hands traveled down to yours, lacing your fingers together once more before he sighed, tucking a stray piece of your hair behind your ear for you.

You gave him an expecting look, squeezing the hand that was still intertwined with yours to assure him of the fact that you’re listening, which earned you a small smile.

“It’s cause I’m not. While you were changing the lives of others with your research, I was changing my own. At first, I thought the whole therapy thing was a hoax. I didn’t understand why talking to some stranger would fix me, but it helped me come to terms with a lot. I learned about acceptance and moving forward. And I learned that in order to be able to love someone in a healthy manner, I’d have to love myself first. You know…on a deeper level than just my handsome face” he jokes trying to lift some weight off of his words.

You roll your eyes, but secretly love his arrogance, making a low chuckle escape from your lips before you return to seriousness again.

“I’m so proud of you.” you say, and you mean it. You’re amazed at how clear his mind seemed to be. It’d usually take Yeonjun a good minute to collect his thoughts before he could talk about how he felt with you, but right now it came out so naturally, it was almost odd.

He gave you a weak side smile, making eye contact once again. “I’m nowhere near the finish line though. I can’t promise you that I’ll never fuck up again because I’m learning as I go, but what I can promise you, is that my heart and my feelings for you are unchanged. I haven’t stopped thinking of you, not once. The thought of being with you again was my driving force and I need you to know that.”

He caressed your cheek while you let his words sink in and suddenly you feel tears prickle your eyes.  

You were at a loss for words, completely lovestruck by his incredibly sweet and wise confession.

You hold onto his wrist for leverage, your breathing turned shaky and uneven as a tear escaped your eyes.

Here you thought he had completely moved on from your relationship. But god, you were so wrong, and you couldn’t be any happier.

“I promised myself to never make you cry again,” he joked lightheartedly as he wiped another tear away from your cheek, making you sniff in response, wiping them away with your sleeve quickly.  “They’re happy tears.”  

He looked into your eyes again, searching for answers and maybe even permission. He wanted to take things slow; give you time to reflect and time to adjust to being back home, but he simply couldn’t help himself.

When you leaned into his touch, he knew you basically gave him an okay to proceed.

He inched his face dangerously close to yours, lightly brushing his plump lips against yours. His hesitation made you smile, so you pull him down to your level by the back of his neck as you initiated the kiss.

He froze for a second at your dominance but quickly relaxed in your touch soon after he realized that you seemed to want this just as much as he did.

Kissing him was like muscle memory. It felt natural and blissful and suddenly you find yourself wondering about how you were able to live without this feeling of pure euphoria for over six months.

His love was like a drug, and all it took was one kiss to break your sobriety.

He pulled back, quickly assessing his surroundings before he realized the two of you were basically making out in the middle of the street.

He pulled you into an alleyway and pushed you against the wall of a random apartment building, his hands holding on to each side of your face delicately yet roughly as he kissed you with so much fervor, it almost made you dizzy.  

“You really had me thinking I lost you forever,” he mumbles as his lips disconnected from yours.

You weren’t given the change to respond as his lips found their way to the soft spot in your neck. He still remembered every sensitive inch of your skin and used it against you all too willingly; wrapping his hands around your throat as he kissed and licked a pattern from your jaw to your neck.  

A breathy moan left your lips as he started to suck possessive marks onto your neck and you instinctively wrap your arms around his waist, letting him do as he pleases, too entranced by the delicious feeling. You jumped up and he caught you by hooking his arms under your thighs, stabilizing you against the wall as you kept making out.

You giggled at his eagerness, a little flustered at the fact that you were in public; even though it was nighttime while being in a neglected alley; it still felt wrong.

He smirked against your neck when he felt you hesitate, and placed a soft yet wet kiss on your lips before letting go of you. He made sure you landed back on the ground safely, straightening out your clothes for you. “Maybe we should head back,” he says with a dark gaze, acting as if he didn’t just litter your neck with marks and bruises. He licked his pouty lips in amusement at the sight of what he had just done to you, knowing all too well that people would be able to see what happened while the two of you were gone.

You playfully shoved him aside, completely oblivious to how bad it really was but when you stepped into the elevator and saw your own reflection you gasped and shot Yeonjun a look of pure panic and distress. “YEONJUN!” you gasp loudly. “You can’t be fucking serious.”

“I’m sorry I just…couldn’t help myself.” he licked his lips again, cockiness emitting from his entire being. He inched closer to you to give you an innocent kiss on the top of your head and pulled the hair tie out of your hair, making your hair fall past your shoulders to cover the hickeys.

“This’ll do.”

“Oh my god, I hate you.”

He scoffed, casually smacking your ass in response.  

On the remaining way back to your apartment you were constantly fixing your clothes and hair, trying to let it nonchalantly fall to the front but you knew it looked rather ridiculous.

You had hoped your friends were too intoxicated to notice but when you stepped foot in your apartment with Yeonjun closely trailing behind you, all eyes were on you again.

How long were you two gone for? 10, maybe 20 minutes?

“Hyung.” Taehyun grabbed Yeonjun by his collar, turning him around which made Yeonjun frown at the younger one.

“For fucks sake.” Taehyun sighs dramatically, wiping something pink from the corner of Yeonjun’s mouth with his index finger.  

…it was your fucking lipgloss.

Yeonjun’s ears turned a bright red as he started to chuckle nervously. “Now I lost the fucking bet with Hueningkai. I thought it’d take at least a week before you two would start simping over each other again, it hasn’t even been an hour….AND OUTSIDE?” Taehyun sucks his teeth as a sign of disapproval, looking you up and down before his eyes lingered on your neck. “Animals. That’s it. That’s the description.”

“Pay up, loser. I told you.” Hueningkai cackles as he throws his arms around both Taehyun and Yeonjun’s shoulders.

“Y’all made a bet? An actual bet on our relationship?” you ask in pure disbelief. It was so like them to turn your emotional turmoil into their own amusement, but you couldn’t really be mad at them.

Your friends know the two of you better than anyone and probably saw this coming way before you did.

“Venmo me later.” Taehyun mumbles to Hueningkai in defeat while walking off, and you can’t help but chuckle at the irony of it all.  

All of these months left in pure insecurity about your relationship with Yeonjun. Nights of pondering about your future, worrying if he had moved on or not. It was all for nothing

Yeonjun and you move like magnets, and no course of time could really drive you apart because when you’re reunited, you will always find your way back to each other. Always.

He looked at you a little dreamily, it still wasn’t sinking in that you were back. For good. And all his.

He snaked his arm around your waist as he stood behind you, resting his head on your shoulder as you told your friends all about your adventures.

He was clingy, you were clingy and neither of you was hiding it for anyone. You’ve had your fair share of secrets with Yeonjun and you were more than glad that those times were over with.

At around 4 AM most people left, and you were left alone with the boys, Ryujin and Mia.

You were on the couch, perfectly comfortable on Yeonjun’s lap as you leaned into his chest. One hand was rubbing your back in up and down motions while the other had found its way under your shirt and onto your waist. His cold fingertips grazed over your bare skin and suddenly it was way too hard to stay awake.

The chatter of your friends became background noise as your eyelids grew heavy. But you were shortly awakened out of your slumber as you felt Yeonjuns lips on your temple.  

“You must be so tired after that flight and this whole circus,” he whispered with an empathetic pout, yet all you could do was nod as a response.

He chuckled at your cuteness and fixed a piece of your hair, kissing your forehead again before you buried your face in the crook of his neck.

“It’s funny how nothing has changed, yet everything is different,” Beomgyu says as he stares at you and Yeonjun with a loving smile.

Beomgyu might be a little shit with a smart mouth, but he cares for his friends. Seeing the two of you be so content in each other's presence made love emit from his pupils. Even though Yeonjun had been doing so much better the best couple of months, nothing compares to the pure happiness and giddiness that Gyu was seeing from him now, and that was all because you were together again.

Beomgyu wasn’t the only one to notice, because it was literally all of them, and especially Soobin.

Soobin who literally rebelled against any type of relationship between you and Yeonjun was smiling at the sight of you in his arms fondly. His two best friends finally found solace in each other after all the shit that both of you had been through together, and it made him sentimental.

A year had passed since the two of you started dating unofficially, though this was the first time in that whole year that Soobin was completely okay with it.

You were long gone and off into dreamland by now as Yeonjun looked at you with a small smile on his lips, but when he looked up to check why everyone had stopped talking, he was met with six pairs of twinkling eyes on him.

His pupils darted back and forth between them in genuine confusion. “Why? What’s wrong.”

“Nothing’s wrong.” Soobin sighed contently. “For once, nothing is wrong.” he says as he leans forward to hug Mia from behind who was sitting between his legs on the floor.

Taehyun chuckled at Soobin’s dramatic statement and Hueningkai hummed in agreement.  

“Not to get all simpy or anything, but with her being back it feels like our little dysfunctional family is whole again.” Beomgyu mumbles as he let his head drop onto Ryujin’s shoulder.

“Let’s try to be less dysfunctional,” Hueningkai says with determination.  

“We can be less dysfunctional if you can clean up after yourselves and fold your own damn laundry so I don’t have to start a fight with you every 5 seconds,” Taehyun argues as he throws a pillow at Hueningkai's face. Making him laugh as he got in in the face with full force.

“Why can’t we just…have one peaceful moment…just one.” Soobin says rubbing his forehead in agony.

Yeonjun chuckled at the banter of his little brothers and looked back at you. “I don’t know guys, maybe that’s our charm,” he says leaving all of them in pure confusion as they looked at him for clarification.

“What do you mean by that.” Mia questions as she raises a brow at him.

“We’ll literally walk through fire to be there for each other, right? We go through things individually but will never fail to be there for each other in times of need, and I think we need to embrace our worst mistakes and arguments so we can grow from them. After all we’ve been through, I know we’ll be together forever. So, I say cheers to being dysfunctional,” He says with a proud smile, picking up his drink from the side table to raise it up in the air for a collective moment of cheers.

Dumbfounded by Yeonjun’s odd display of maturity and wise words, they all comply, raising their glasses in the air followed by a loud cheer to being “dysfunctional.”

The sudden loudness of their voices woke you up, completely out of it and sleep drunk; you lift your head from Yeonjun’s chest, squinting your eyes at your friends as you rub the sleep out of your eyes.

“Did I miss anything?” you say, your voice laced with sleep and confusion.

They all burst out into laughter at your current state paired with your obliviousness and messy bed hair.

“Nah, just six months of incompleteness,”  Yeonjun says as he pecks your lips.

Mia stayed over that night and helped you unpack and clean your whole apartment the next day, which you were super grateful for but...you’d be lying if you said you didn’t wish Yeonjun would’ve stayed the night.

The fact of the matter is that you haven’t had time for a serious talk with him yet, because you know, tongue punching each other was of higher priority than hashing things out with actual words. Which meant you hadn’t really talked about your relationship status or how things will be moving forward.

“The last game of the season is tonight. Are you going?” Mia asked as she plops down on your couch with you.

“The last one? Already?”

“Yeah we’re gonna go celebrate after.”

“Even if they lose?”

“Girl, you know they don’t lose.”  

You roll your eyes and laugh at Mia’s overconfidence in her boyfriends’ team. You were about to give her a definite answer before your phone started buzzing.

[Yeonjun, 12.44 PM]: Hi baby.

[Yeonjun, 12.45 PM]: Is it ok if I come over? I’ll bring us coffees from that café you love so much. 😌

[Y/N, 12.45 PM]: Yesss please 🥺

You giddily smile at your phone, wanting to squeal with excitement but you hold it in and Mia seems to notice. “Oh god, is it him?”

“Yeah, so.” you glare at her with playful intent “Let me be happy. He’s changed so drastically; I almost couldn’t believe that last night’s Yeonjun was the Yeonjun I left six months ago.”

“Yeah, he’s been working super hard to change and the whole thing with his mom helped too.”

“His mom? What do you mean?” You ask in genuine confusion, Mia bit her lip as she furiously shook her head. “Listen, I’m never, ever going to meddle in your relationship ever again. When he gets here, I’m sure he’ll tell you all about it.”

You chuckle, nodding in agreement until your attention is averted to your phone again as it buzzes in your lap once more.

[Hyunjin, 12.46 PM]: Hey sweetheart, did you have a good flight?  

Oh….

Your eyes shoot to Mia’s in panic and she frowns, taking your phone out of your hold to read the message.

“Oh my god…is this your little slip-up?” she asks with disgust evident on her features.

“What do you mean slip up? I am a single woman,” you argue, but Mia wasn’t having it.

“AM?”

“WAS? GIRL, I DON’T KNOW. It was a fling, nothing more.”

“Flings don’t call you sweetheart and ask you how your flight was.” Mia says squinting her eyes at you.

“Mia…”

She sighed, visibly irritated with how naïve you were being, but you couldn’t have known that you’d fall back into Yeonjun’s arms that fast, and it’s not like you ever dated Hyunjin. He was just a friend…who you’ve slept with once.  

“Listen, girl. I love you...but after everything Yeonjun has put himself through to be a better man for you, you better ghost this motherfucker right now or else.”

“Jeez, I will. It’s not like I like the guy. And since when are you team Yeonjun?”

She relaxed at your statement, slouching back into the couch. “A lot has changed y/n. He was a good friend to me when you weren’t here, that’s all.”

You nod understandingly, realizing that Yeonjun and yourself have a lot to talk about; maybe even more than you had hoped for now that Hyunjin reminded you of his existence with a mere text message.

Mia left soon after, wanting to give Yeonjun and yourself some privacy for when he got here, which wasn’t long after she left.

You opened the door for him, and he smiled at you. He was wearing a black beanie, an oversized black t-shirt, and those damned gray sweatpants of his that you love so much. Your heart did a thing at the sight and he quickly kissed your cheek before he rushed his way into your living room, trying to find a place to set down the coffee cups that were burning his fingertips at the touch.

“Careful.” You mumble as you watch him struggle. When he put the coffees down on your salon table, he quickly made his way to you again to properly kiss you this time.

He cupped your face, pulling you into him as he started to steal chaste kisses from your lips. You giggled into the kisses as you tried to untangle yourself from him, slapping his chest playfully to shoo him away.

He let go with a smile, taking your hand to lead you to your couch. You could tell by his whole body language and the way he skipped through your apartment that he was happier than ever.

You hoped you wouldn’t ruin that happiness by telling him about Hyunjin, but it shouldn’t matter because he didn’t matter. You only wanted to tell him just so you weren’t keeping any secrets anymore; cause god knows how that went the last time.  

“How’d you sleep?” he asks you as he hands you your coffee. You happily take it from him and keep your eyes on him as you take a sip. “Fine, it was weird being in my own bed again, I missed it though.”

“Yeah? Anything else you missed?” his gaze was piercing into you as he took a sip of his Americano, fully aware that he was fishing for an ego boost.

“Theres this guy I kinda missed, I guess his name is Yeonjun.” You shrug as you take another sip; your flirty playfulness is one of the things that he loved about you, it kept things spicy.

“Oh him? He wanted me to tell you that he kinda missed you too,” he says with an amused glimmer in his eyes.

You chuckle. “Good.”

Suddenly the two of you fell quiet, but it wasn’t an awkward quietness; it was more of a realization that your endless flirting had to turn into somewhat of a serious conversation.

“Yeonjun…”

“Hmm?” his eyes softened at the way you called his name, he set his coffee aside turning to you completely to show you that he was listening attentively.

You sigh, not knowing what else to say other than the following. “I love you and I want to be with you.”

His eyes grow in size, a little shook by your directness but he composed himself as he fixed his posture quickly. “Why do I feel a ‘but’ coming?”

“I mean it, but I need to be honest with you too,”

“About what?”

“While I was at Brown, I kind of…flirted off and on with one of my lab partners and well…I slept with him…once. I swear it was only once and I-” he cut you off by raising his hand so you’d stop your nervous rambling and sighed. He knew exactly who you were talking about, because he had seen that motherfucker all over Instagram and had honestly seen this confession coming from miles away. 

He was glad you told him though, cause he'd feel worse if you tried to hide it from him.

Though you didn’t post about him, Hyunjin did post about you, and basically tagged you in all of his Insta stories or group pictures. Yeonjun shamelessly cyberstalked the guy. It wasn’t one of his proudest moments, but he had to just to stay sane.  

“Baby, we were broken up. You don’t have to justify what you did or didn’t do at that time. It’s not like I expected you to turn into a nun.”  

You raise your brows in surprise at his mature response. “You’re not mad?”

“No. As long as it’s over with.”

“It is, I promise.”  

“Good,” he sucked his teeth as he watched you. “Also, it’s not like anyone can fuck you as well as I can,” he states with a devious smirk as he pulled you close, making you gulp in response to his choice of words.

He chuckles at how easily intimidated you were by him and takes the opportunity to tease you.  

“Did he?”  

“N-no.” you stutter, innocently staring up at him. “He didn’t”

“Good girl.” He says, biting his lip while letting his thumb ghost over your lower lip.

His choice of words made your stomach turn but you knew better than to let lust get the best of you once again.

“Yeonjun…” you breathe his name like a warning, trying to avert the tension. “We…we need to talk.”

“We can talk.” He shrugs, pulling your legs towards him aggressively so you’d slide down. Your back was now on the couch as he parted your legs, settling himself in between them before hovering over you to kiss over the bruises he left last night. “After I give you a little reminder.” He smiles against your skin, pulling your shirt over your bra so he could kiss a trail down to your belly button.

“God I missed you,” he says digging his nails into your waist. "So fucking much."

(Warning: heavy smut ahead!)

Your mind goes into overdrive as he unties the tie to your sweatpants, and as he does so you stare at the outline that had formed in his own.

He didn’t waste any time, pulling down the waistband of your joggers with one swift motion while you helped him by lifting your hips off the couch.

He discarded of your clothes faster than your mind could comprehend but then you noticed that he was fully clothed, when the only thing you were wearing by now were your panties.

You pouted, pulling at his waistband but he grabbed your wrist, pinning your hands above your head so he could look at you, beautiful, bare, and all his.  

“Fuck, you’re so beautiful.” His lips found their way to the sensitive nub of your breast as he eagerly licked and sucked on it while his fingers found their way onto your still clothed heat.

He rubbed his middle and index finger over your clit, making you moan at the sudden stimulation.

He pulled away, making his way down to your core as he littered your inner thigh with more and more hickeys.

You were eagerly moving your hips by now, trying to get him to kiss you where you wanted him most, but he was taking his sweet time and you were losing your patience.

“Y-Yeonjun…” you moan his name. He finally rewards you by pulling your panties aside. Licking his lips at your glistening arousal, ready to feast on you as if it was the last meal he’d ever have.

“Fuck.” He says with admiration to no one in particular, placing a soft kiss on your pussy before he started to slowly kitten-lick your sensitive nub. He lowly hummed in approval at the taste of you and fastened his pace slowly.

You gasped, arching your back to give him better access as he started to eat you out like you’ve never experienced in your life.

His skill was baffling, he had your brain melting and legs shaking while he struggled to keep you still.

“Ah…” you arch your back once more, trying to get away from the overstimulation but he held you down with his strong arms.

“Who are you running from baby, stay still.” He ordered with a low voice before getting back to business, and with ten more seconds, he had you cumming in his mouth as the vibration of his low hums drove you over the edge. You cover your own mouth to muffle your loud cries, but he pulled your hands away from your face, wanting to hear you fall apart for him.

“That’s it baby.” he mused in approval, finishing you off with one last lick before he came back up to assess your fucked out state. “So fucking good for me.”  

Your chest was heaving up and down rapidly as you were trying to catch your breath. Once again you lost to the charms of Choi Yeonjun, but he was nowhere near done with you.

He quickly got rid of his own clothes and pumped himself a few times while looking straight into your eyes.

This man is a god, and he knew it.

His mischief returned when he realized you were watching him. “I think I got you wet enough, right baby?”

You almost forgot about his grit, your mouth salivating at the sight. Any slick you could build with him was a gift, because the last thing you wanted was for him to start a fire down there, cause that’s just how big he was.

You sit up which surprised him, but when you spit in your hand and pumped him a few times to slick him up some more he chuckled lowly as he realized what you were doing. He moaned in the form of a sharp exhale as your pace fastened, but he didn’t let you take control just yet.

“Scared?” he teased, keeping his eyes on you as you twisted your wrist a little more.

“No.” you huff.

“Then turn around.”  

You comply without a thought. You were both sitting up on your knees while your back leaned against his chest. You threw your head back and he kissed your forehead sweetly. guiding himself into you while his other hand held onto your waist to stabilize you against him.

You curse at the stretch, digging your nails into his thighs for leverage as he fills you up.

You both moan as your walls clenched around him. His arms snaked around you from behind as he took a hold of your neck, pinching down on the veins on each side of your throat as he slammed his hips into you continuously with long and deep strokes.

The choking sensation made everything so much more intense, especially when the fingers of his other hand started to rub circles on your still abused clit.

Your eyes rolled back as your vision got blurry, tears prickling your eyes at how good you were being wrecked right now.

He let go of your neck, putting his hand on the small of your back to push you down on the couch so your ass was up, and your face was down.

He started to pound into you mercilessly, his rhythm and pace perfectly alternating as he grabbed a fistful of your hair. “You’re mine,” he grunted as he felt himself getting closer and closer by the physical stimulation of your tightness and the mental stimulation of your moans and mewls.

It didn’t take long before you both reached your highs as he was prone boning you into heaven.

Your orgasm washes over you, and right after you came, he reached his own high.  

He pulled out right before he busted, releasing himself onto your back with a loud growl.  

Your eyes flutter closed; way too fucked out to function as you catch your breath. You feel his weight move off of you to grab one of the napkins on your side table that came with the coffees, and wiped his cum off of you with a cocky smile on his face.

You built up the energy to look back at him, and when your eyes meet all you can do is giggle with him at how ridiculous you two are.

“So…I guess now we can talk,” he says with a smirk.

- end of smut -

Once you fully recovered from having your back blown out…quite literally. You came out of your bedroom after a quick change of clothes.

You walk into your living room while you pull a clean shirt over your head.

 Yeonjun was still on your couch, watching you with a big boyish smile on his face as his gaze followed you.

“All good?” he asks, opening his arms for you. You nod in response, excitedly making your way into his arms. He moved you on top of him so you were on his lap and kissed your cheek sweetly.

“Where do we even start.” You think out loud as you start playing with Yeonjun’s hair. He threw his head back in solace, letting you massage his scalp softly.

You chuckle at his reaction, stopping your actions which made him lift his head up immediately, giving you a kittenish angry face. “Why’d you stop.”

“Because it’s been an hour since you got here and all we do is dance around the subject,” you say as you move off of him. You turn sideways, leaning against the armrest of your couch while you drape your legs over his lap and sigh.

After deciding that Yeonjun would go first, he told you everything. From the progress he has made with his therapist to the baffling information of his mother selling Choi Enterprises and moving closer to the Uni for him. He told you about their relationship and his interest in the fashion industry. He’s been spending time with his friends in the dance studio again after years of neglecting his hobby and his grades are improving drastically compared to last year too.

He’s been doing well both mentally and socially. Even though he still has his bad days, he’s a lot happier than he was before. You listened attentively asking questions and making sure you understood every detail to your best ability.

When it was your turn to start talking, you realize just how sadistic your exchange was now that you’re explaining the details out loud. You told him about the crazy schedules, spending days from 8 am to 10 pm in the lab, neglecting your health just to forget about your heartache. You were being brutally honest, and you saw Yeonjun’s jaw clench at the revelation.  

If he knew you were having such a hard time, he would’ve contacted you more, but you explained to him how the experience made you stronger, harder and less of a cry baby.  

You spoke about your new gained independence and soon realized that, where Yeonjun needed emotional cradling, you needed to be hit with the real world without the safety net that your friends and parents always provided for you.

The two of you had been talking for over two hours, and finally came to the inevitable question.

“So…what does that make us.” You sigh as you played with his fingers.  

���Really, the ‘what are we’ question?” he chuckled, watching you play with the ring on his index finger.

“Well. Do you have an answer?” you mumble, letting go of his hand.

“I’m yours,” he says, putting his hand on your thigh while his other hand tugged on your chin to make you look up at him.

Your eyes grew in size, swallowing harshly when his fingers moved from your chin to caress your cheek. “And I don’t want to take things slow anymore, I love you too much to relive the dating phase."

“Me too,” you agree with determination. He smirked contently, leaning into you to feverishly kiss you on the lips.

“You know what that was?” He asks as he pulls away with his face still in close proximity.

“What?” you question with a giggle.

“Our first kiss as boyfriend and girlfriend.”  

You slap his chest, bursting into laughter at his cheesiness. The sound of your laughs and giggles filled the room as he started to kiss you all over your face and neck, leaving you breathless and ticklish at his touch

“I love you, Choi Yeonjun, but I think you have an important basketball game to get to.”

Of course they won.  

Yeonjun made the winning point which meant he had something to brag about all night.

You were at a local diner with all of the boys, their teammates, and respective girlfriends or boyfriends. Drinking, talking, and overall having a good time.

When Mia, Ryujin, Soobin, Taehyun, Beomgyu and Hueningkai heard the news about your new relationship status, they basically congratulated you as if you announced that you were getting married.  

The whole thing was just way too funny, and Yeonjun dragged you around all night to introduce you to everyone.  

The freshman on the team were so confused when Yeonjun introduced you as his girlfriend because they had never heard of or seen you before.  

“Hyung, Imma be honest with you, I kinda thought you were gay.” Sunghoon admits as he apologetically scratched the back of his head.

“…S-same” Heesung states, looking at you both with apologetic eyes as well.

Yeonjun looked at them a little funny as he burst into laughter, pulling you closer to him. “Why?”  

“Because well, we haven’t seen you with a girl all year, and with the way you look, I don’t know. 1+1 was gay I guess.” Jay, another freshman explained their point of view a little further, which had you cackling at the situation.

“Oh my god, so you little shits were the ones spreading rumors about me and Wooyoung!?”  

“N-no! NO!” The kids protested, but Yeonjun was already playfully grabbing them by their collars to scold them.

You laughed at the whole ordeal, love emitting from your eyes as you watched Yeonjun be in his popular guy element again.

You zoned out for a bit, absentmindedly listening to how Beomgyu and Hueningkai were telling a story about that one time they took Yeonjun’s car for a joyride in the middle of the night without his permission.  

Yeonjun noticed your mental absence, wrapping an arm around your shoulder to pull you into his chest, softly kissing your temple.

“What’s wrong?”  

You shake your head, sentiment getting the better of you. This is the most complete you’ve felt in a while.

You kissed him with fervor, your hands lacing through his dark locks before you pulled away to place a small kiss on the corner of his mouth.

“I’m just really happy right now,” you say as you smile at each other lovingly.

1 year later.

Graduation was around the corner.

It was insane how fast time flew. You celebrated your first-year anniversary with Yeonjun the night before and were now laying in his bed the next morning, slowly waking up just to feel the soreness of what he did to you last night.

You groaned in agony at the bright light, even after all this time; you still weren’t a morning person.

You noticed how Yeonjun was missing from the bed, so you got up to look for him. Putting on his large shirt to cover yourself as you made your way to the boys’ living room.

Soobin was on the couch with Taehyun and Hueningkai looking you up and down with disapproval.

“Jesus. Did you get hit by a truck in there?” Taehyun asks as he clicked his tongue.

“Shut up smart-ass. Where’s Yeonjun?”  

Taehyun chuckled, being completely used to your grumpiness in the morning by now. If Yeonjun wasn’t staying at your place, you were staying at theirs; so they were more accustomed to having you around like this.  

“He said he had to run a quick errand; he’ll be back soon,” Soobin replies with light amusement in his eyes at how roughed up you looked.

“Hey, next time…be a little more quiet.” Beomgyu tells you as he walked out of the kitchen and into the living room.  

“My room is next to Yeonjun’s you know.”

“Oh shut up hyung, I hear you and Ryujin almost every night,” Hueningkai says rolling his eyes, which made you crack your first smile of the day.

“Oh nooo, not my pure baby Hueningie” Soobin pouted as he trapped Kai in between his legs for a hug.

“Hyung, you’re gonna have to let go soon. Literally. When you guys graduate you don’t get to live here and baby me anymore.” Hueningkai protests as he tries to push Soobin off of him.

Soobin pouted, making you immediately feel bad for him. 

When Yeonjun and Soobin would move out, Jay and Heesung would move in, which meant that Beomgyu, Taehyun, and Hueningkai had to hold down the fort as seniors for one more year until they graduated, and the thought alone made Soobin feel uneasy.

Soobin and Mia were officially moving in together after graduation. They had planned their whole futures together and both had job offers in the city from their internships.

“I’ll still come over…every…weekend. You know, just to make sure.”

You drift off into thought, realizing how Yeonjun and yourself have been living your lives in the moment without concrete plans for the future together.

Since your apartment was off-campus you still got to live there after graduation. You had gotten an amazing job offer because of your research at Brown, which had major corporations battle it out with outrageous contracts, salaries, and promises to your favor so your options were most definitely open.

Your future looked bright, as did Yeonjun’s who’d be working as a Creative Director for his mothers’ luxury brand...but how did you two miss the mark on planning a future together?

Were you that caught up in your own world to realize that adult decisions had to be made soon?

Yeonjun walked in, interrupting your thoughts. “Oh, hey guys.”

He set his keys on the kitchen counter, giving you a funny look. “I texted you to get ready.”

“Oh..shit, I didn’t check my phone, Sorry. Give me 20 minutes.”

You didn’t question why he wanted you to get ready, he’d probably take you out for breakfast or some shit, so you weren’t suspecting anything, but Yeonjun could sense that something was off about you.

During the car ride to your unknown destination, he looked at you as you stared out of the window. You were lost in deep thought about the whole graduation thing and didn’t even notice how the houses on the streets were starting to get ridiculously big as you drove further and further into a random neighborhood

He grabbed your hand, kissing the inside of your palm while rubbing those comforting circles into your skin.

“What’s wrong?” he asks, trying to look at the road while also looking at you from time to time.

“I’m just…worried about life after graduation. I don’t like change.”

Yeonjun raised his brows in surprise, a soft smile tugging at his lips as he turned the corner into a brand-new built street filled with massive villas.

The neighborhood looked peaceful, not too flashy and private. Maybe even a little too perfect to be real.

He pulled up to a random house, parking his car on the driveway. The confusion was evident on your face as he opened the door for you, reaching out to take your hand.

He helped you out of the car and you give him a look, chuckling at his awkwardness. “Uh…are we here to see someone?”

He sighed, back hugging you and leaning his head on your shoulder as the both of you looked up at the house.

“What do you think of this place?”

“It’s…beautiful. But I don’t really get why we’re here.” You giggle as you feel him kiss your neck and you turn around to face him, trying to find answers in his eyes.

“If you want…we can stay here.” He bit his lip nervously. “You know, after graduation.”

“W-what? I’m confused. Like Till The End of Summer?”

He shook his head, laughing once again while snaking his arms around your waist at your innocence and obliviousness. “You’re so cute,” he muses, pulling out a set of keys from his pocket and suddenly realization hit you as pure shock takes over your features.  

He bought the fucking house.  

He couldn’t help but laugh at your shocked Pikachu face. He had been planning this behind your back for so long and it was incredibly hard to keep this a secret, especially since literally everyone knew about it but you.  

You didn’t know what to do or say, completely frozen and shocked as you look at the house with big watery eyes.  

He pulled you in for a deep and passionate kiss, giving you the keys to the front door with a big smile.  

“Till the End of Our Lives.”  

Bonus Chapter 15

[whatanoof]

Cal Kestis Headcanons that No One Asked For

So I’ve slowly been going through story mode of Jedi: Fallen Order, and I’m about to go to the Fort Inquisitorius so I haven’t even finished yet but I’m absolutely in love with Cal Kestis, so here are some hc about him, romantic and non-romantic.

SPOILERS FOR JEDI: FALLEN ORDER

Cal x female!reader

You both love it when you play with his hair. The first time was almost an accident on your part, because you were just sitting behind him on the bunk while he’s tinkering with his saber and staring at the back of his head. It’s so red, and you’d honestly rarely seen such a bright color naturally occurring, much less growing out of a human head? Your hand brushed a strand almost of its own volition, and you both just froze. He slowly turned to look at you, and you almost stopped breathing because Did you just mess up did you just fuck up the relationship oh shit shit shit--. And he just whispers, “Uh, could you do that again?” And you’re in such a state of shock and relief that you just scoot back on the bunk and gesture at your open lap. Cere walks in on the two of you later, him dopey and almost asleep with his head in your lap, your fingers running through the silky strands. She doesn’t say anything, even when Greez points out the two small braids that you left at the nape of his neck.

He’s so competitive. Like come on, this man refused to back down from  two or three separate fights against fully-fledged Inquisitors and one insane Jedi Master while he was still technically a Padawan. So he won’t let you beat him. At anything. You’re watering the latest seed that he brought back from a planet? Bam, he’s got Greez’s special plant food and he’s giving every single one of them a five-course meal. If you’re a Jedi, and you’re meditating in the back of the Mantis? You open your eyes after ten or so minutes and he’s right there in front of you, doing that little concentration face that you fell in love with so easily. If you’re a Jedi, you’re evenly matched in almost everything that you do in terms of abilities, and you teach each other where you’re not. Greez is terrified of watching you two spar, because you don’t hold back, but you’re also so equal to him in skill that it’s a whirl of light and blocking known attacks. 

Him and BD-1 were a package deal, but as soon as you were welcomed aboard the Mantis, Cal couldn’t believe how easily the little droid warmed up to you. Of course, BD sticks with Cal and is his right hand man on adventures, but Cal no longer occupies 100 percent of BD’s free time. You refuse to tell Cal exactly where, but you found a spot right behind BD’s “head” where if you scratch it, the droid is on the ground and kicking a leg in the air in happiness. If you’re a mechanic, you can usually be found in the back, tinkering with BD’s processor to make it run more efficiently, or oiling his joints again, or designing new paint jobs for the happy little droid. Either way, you’ve stolen a decent fraction of the droid’s affection, and none of the Mantis crew has any idea how you did it. It’s actually the first thing that urged you and Cal to start spending more time together, and you remember BD’s happy little hops after you’d finally kissed Cal for the first time.

There is absolutely no backing for this, but I think that Cal can sing. Nothing fancy, of course, it’s not like there are vocal lessons available on Bracca or in the Jedi Order, but he can carry a tune. It’s sometimes the only way you can fall asleep on the Mantis, because even though Greez and the crew make it cozy, it’s not home. But as soon as you’re curled up in the twin-sized bunk, and Cal starts humming to you, you’re out before he’s finished the chorus. Sometimes the songs are happy, but they’re often little ditties that he heard from the clones before Order 66, or mourning songs that fellow workers on Bracca would sing during the night when the rain was pounding on the metal and creating a natural rhythm and harmony for the tired mechanics. They’re songs of lost love, fallen brothers, and vague longings for newer, better lives. You fall asleep to his soothing voice, but you often wake with an ache in your heart for the suffering and pain that Cal has experienced and witnessed in his short life.

He’s ticklish. He hates that you know. He hates that you told Merrin, and now she can blackmail him into getting her favorite foods from supply markets. But you love the childish giggles that you’re able to pull out of him when you finally corner him and run your fingers over his neck. Tickle fights always end in make-out sessions.

+18 NSFW under the cut

So... Cal never had the chance to understand wanting intimacy before you, sexual and non-sexual. He was terrified the first time he looked at you and didn’t recognize that strange feeling in his chest. He’d never felt it before, was there something wrong with him? Was he sick? It takes a sit-down with Greez for him to figure out what’s going on, and it’s even scarier than the possibility of illness. Jedi were forbidden to love, it had always been a taboo in his mind, even if he had never had the opportunity to find out what it felt like.

He pushes it away at first. He ignores the flutters in his chest when you’re laughing with Merrin at dinner. He denies the complete shorting out of his brain when he accidentally brushes too close to you while trying to get to your shared bunk. 

He has his first wet dream, and wakes up absolutely throbbing with the memory of the dream that involved you and him and way too little clothes for his repressed childhood. He tries to grit his teeth and go back to sleep, but it’s too uncomfortable, and he can’t get the image of your body out of his mind. Jedi Masters always gave their Padawans the sex talk, and Jaro Tapal was nothing if not a good Master. So Cal knows basically what he has to do to relieve the tension so that he can get a little more sleep. He just doesn’t expect to lose control of himself to the point where he grunts your name when he comes. His heart just about stops when he hears the bed above him creak, and he yanks the sheets over his head until he’s sure that you’re not awake. He gets up early the next morning so that he can clean up without fear of you catching him.

After you get together, Cal is even more scared of the relationship. He had checked with Cere, and though she skews more traditional in her beliefs, she knows that Cal’s trauma and overcoming of it is more than she could hope to understand. Maybe this relationship could bring a stability to his life that nothing else could provide. She cautions him on the power of Dark Side, and how the fear of losing love dragged many great Jedi astray. But she also trusts you, and she knows that you would never do anything to hurt him. She hadn’t missed the lovesick puppy eyes you’d been sending his way.

You start out promising to take it slow. Neither of you had much experience in the areas of relationships and dating, much less sex, so at the beginning, you make sure to clarify that there’s no pressure to rush through anything. It’s mostly just spending more time together, slowly exploring each other. You both learn about each other’s pasts, and spend time talking through the different experiences, rationalizing and comforting each other. Before you even begin to experiment in bed, he’s become your best friend.

When you finally do, it’s short and sweet and perfect for two people who are trying to take their relationship slow. You teach him about what you like, and he gasps out in between moans what feels good and ohhh, what feels even better. 

Okay, a bit of a time skip here, but after Cal’s more experienced, he is a sucker for you riding his thigh. He’s built and strong, so the ridge of muscle beneath you and rubbing against every single spot that sparks delicious warmth in your belly brings you to climax so much more quickly than you could have expected. He loves looking up at you, mouth open and eyes half shut in ecstasy as you chase your high, your heat leaving sticky wetness on his thigh that only serves to make him harder. He’ll grind his leg up if only to hear that heavenly little squeal and whimper that he can get out of you. You’re beautiful to him even on the worst days, but when you’re above him, sweaty and on the brink of coming all over his thigh? Stars, you’re the most glorious thing he’s ever seen, and he rode a shyyyo bird over the untouched forest of Kashyyyk.

Sadcanons. Don’t read if you don’t want sad feels tonight

There is no denying that Cal’s not a whole person at the beginning of the storyline. He definitely regains some of himself back, but there are parts of him that I believe died with the clones and died with Jaro. There are times where he has nightmares, and when he wakes up, he doesn’t want to be with anyone. Even you. He’ll lapse into silence for hours and days at a time, staring at the blank wall while you try to get him to eat or drink something because damnit it’s been days and he hasn’t so much as moved. Your heart breaks at every sign of his damage, because you know that there is only so much you can do to help. This is a journey that he has to complete independently, though it doesn’t mean that you won’t be here for him when he wakes up.

You trace his scars to comfort him. He’s insecure about them, and is terrified of the memories that they bring back. But when you’re there, loving even his jagged edges, it’s all marginally better and he can bear to live with himself a little more.

He comforts you too. Whatever your background, the Clone Wars and the Purge gave everyone a little bit of damage, and you were no different. He holds you when you’re crying, and comforts you after your nightmares. He’ll purposefully pick a happy song to sing when he knows that you’re down, and he never fails to make you laugh through the tears.

His psychometry allows him to understand your trauma better than you could hope to understand his. Before you even allow him to sense your past, you make him promise to not internalize any of it. You know that he would, though it makes no logical sense. He promises. 

Oops I made myself yearn. Now back to our regularly scheduled program of single life. School’s kicking my ass right now, but this made me feel better so I can’t complain too much.

But in all seriousness, I recommend this game 10/10. The Star Wars content is absolutely impeccable, the graphics are gorgeous, it gives me a thrill in my chest to know that every single second is canon. Cal is a beautifully written character, and even though his story breaks my heart, it’s written so well. He doesn’t lash out in anger, rather internalizing his fears and pain in a way that I can relate to, and he’s scarily powerful. It’s a feel good story for me despite the pain, and I’m looking forward to finishing it this weekend!

[kingstylesdaily]

What the 2021 Grammy Awards Will Look Like

Artists including Billie Eilish, BTS, and Taylor Swift will perform in a circle of five stages with masked crew at the center — in a ceremony that first-time showrunner Ben Winston calls “part Grammys, part Abbey Road studio session”

Ben Winston is exhausted. The television producer, who moved from the U.K. to Los Angeles six years ago to start The Late Late Show With James Corden, is a week away from executive-producing his first Grammys telecast. “I literally had two hours of sleep last night,” he tells Rolling Stone via Zoom.

On Sunday, March 7th, the Recording Academy revealed a slate of performing artists for March 14th’s 63rd Annual Grammy Awards that includes Billie Eilish, BTS, Taylor Swift, Cardi B, and Harry Styles. But while those names are on the lineup, Winston knows nothing about live TV is ever set in stone — especially in the time of a pandemic —so he’s been spending his days double- and triple-checking plans, waking up at 4:30 a.m. dry-eyed and restless. He’s worked to make a show “with heart,” he says — one that “doesn’t feel isolated, quiet, or alone.” He also had to take extra steps to ensure the three-and-a-half hour show, which will not take place at the Grammys’ usual home of the Staples Center, is Covid-safe for performers and attendees. Despite all that, he appears remarkably enthusiastic and alert.

Here’s what viewers next Sunday can expect from music’s biggest night, according to Winston: a multi-stage, audience-free show that highlights the year’s creative triumphs, social justice movements, as well as Covid-19’s impact on the arts. Winston hints at several “unbelievably powerful” performances on the slate, adding that the Grammys “absolutely are acknowledging what’s happened” in the country in the last year.

Winston, who in 2018 co-produced Bruno Mars’ well-received live show at the Apollo for CBS, also wanted to highlight independent venues, which are the “lifeblood of this industry” and a launchpad for emerging musicians — so the Grammys will feature guest spots from owners and workers of iconic American venues, including L.A.’s Troubadour and Hotel Café, N.Y.’s Apollo, and Nashville’s Station Inn. “I drive past the Troubadour on my way home from work every night,” Winston says. “It’s a significant thing for me when I look at it all boarded up. I always think, ‘When those boards come down, this will be over.’ That will be the sign. That will be the day where it’s like, ‘We got through this.'” Winston realized from his conversations with venues that many of them put on their last shows on March 14th, 2020, meaning the Grammys will mark the one-year anniversary of the shutdown.

Employees will come on camera to “tell us a little bit about their venue” and present some of the awards. “So, you’ve got, like, a bartender at a beautiful, independent venue — and she’s giving out Album of the Year to these megastars,” he explains. His goal is to acknowledge the people who work tirelessly to keep these stomping grounds afloat and have recently lost their jobs. “Those venues are made up by the bartender and the security guard, the manager, the box office person, and the cleaner at the end of the night.” He hopes to remind people of the importance of supporting local venues again when it’s safe to do so.

Originally, the Grammys were scheduled for January 31st, but organizers announced a move to March right after the new year. Winston says he felt American morale was at a low point in January — between political insurrection, an impeachment trial, and Covid-19 running rampant in Los Angeles — and it “didn’t feel right” to put the show on in the middle of that. The Recording Academy and CBS, which exclusively airs the annual show, both supported his decision to postpone. “I can now do everything that I wanted to do in my best-case scenario for this year,” he says of Sunday’s show.

Sunday’s location is an undisclosed building in Los Angeles, but Winston teases that the new venue is “massive,” “magical,” and “the biggest building I’ve ever been in indoors.” “I don’t want it to look like I’m criticizing Staples, because it’s the most amazing venue,” he emphasizes, sharing that he’s open to bringing the Grammys back to the arena in the future if they ask him to. While he does believe that Staples is a safe place, he says he wanted to go above and beyond to make even the most-skeptical participants feel undoubtedly safe.

A team of Covid safety officers oversaw the production set-up, and artists will enter the stage from different directions to minimize contact. Each artist also has their own backstage area. The space “allowed us to build an entire world,” he says.

The show will involve five stages of the same size and shape, four of which are for performances and one of which is for presenters. Stages are organized in a circle, facing one another, and crew members will work from the middle of the set. “People will perform while the other three or four artists on their stages watch, applaud, and enjoy. As soon as that one finishes, the next one goes, the next one goes, and the next one goes. Every 45 minutes, you change out those stages, and you bring another four megastars into the room,” says Winston, who was partly inspired for the “part-Grammys, part-Abbey Road studio session” setup by British shows he watched as a child, including Jools Holland and TFI Friday.

It’s going to be a “bespoke night of music that I don’t know if we’ll ever be able to repeat,” Winston says. “It’s about taking a camera into a room, and making an amazing musical moment by filming it quite simply and elegantly.” Performances, which started being planned in April 2020, will be a mix of live and pre-recorded — a fully live show would involve too many crew members moving sets and risking close contact — but the whole thing is intended to feel completely live. (Winston challenges viewers to try and guess which sets are pre-recorded; he designed them to be difficult to tell.)

To help plan the sprawling, immersive show, Winston brought in a suite of collaborators including co-executive producer Jesse Collins, who produced The Weeknd’s Super Bowl halftime show; co-executive producer Raj Kapoor, who handled creative direction for various artists on the last seven Grammys and produced Vegas residencies for the likes of the Backstreet Boys and Mariah Carey; producer Fatima Robinson, whose expansive background in creative direction and choreography landed her the Black Eyed Peas’ 2011 halftime show and Kendrick Lamar’s 2016 Grammy performance; producer Misty Buckley, who handled production design for Kacey Musgraves’ 2020 Christmas show; talent executive Patrick Menton from Dick Clark Productions; Corden collaborator Josie Cliff; and Super Bowl halftime, Olympic ceremony, Oscars, and Emmys director Hamish Hamilton, who Winston describes as a “legend” he’s admired since he was 14 years old. (David Wild, who has written for the Grammys since 2001 and became a producer in 2016, is the only person returning to his role.) Winston also points out that artists were heavily involved in designing their own performances.

Rather than have cameras pan over empty seats and an awkwardly small stage, the production team decided to reinvent the visual format with the five-stage setup. The pandemic’s limitations, coupled with the advantages of new faces coming in with fresh perspectives, helped them refrain from thinking in terms of what the Grammys had done before, he said.

For the most part, Covid-19 didn’t force too many changes. It did give Winston a lot of anxiety.

“There’s been so much uncertainty with what you’re allowed to do,” he says. Changing international quarantine rules made him question whether certain performers could fly in, while health guidance keeps fluctuating: “Every time my computer or phone dings, my first instinct is, ‘Oh, God, what’s gone wrong?’ I don’t know if that’s ever been my mentality before.”

While all the performers are confirmed and currently Covid-free, “you never know, one of their girlfriends could have Covid and have to quarantine, it’s all just bonkers,” Winston says. “There’s one artist that may, in the end, not be able to make it here due to rules of the country they’re currently in. There’s one immigration issue that we’ve got left.”

The show does not have replacements on hand if anyone pulls out — it’ll just cut that performance out.

Above all, Winston wants the 2021 Grammys to focus attention off of dire times. “I want people to be able to watch the 2021 Grammys in 2040 and go, ‘Wow, what an amazing show that was,’ and not go, ‘Oh, that was the Covid year, that’s why they had to do that,'” he says. “I think that’s what we could achieve if we get it right on Sunday.”

via RollingStone.com

[strangenewfriends]

...

Here’s what viewers next Sunday can expect from music’s biggest night, according to Winston: a multi-stage, audience-free show that highlights the year’s creative triumphs, social justice movements, as well as Covid-19’s impact on the arts. Winston hints at several “unbelievably powerful” performances on the slate, adding that the Grammys “absolutely are acknowledging what’s happened” in the country in the last year.

...

Employees will come on camera to “tell us a little bit about their venue” and present some of the awards. “So, you’ve got, like, a bartender at a beautiful, independent venue — and she’s giving out Album of the Year to these megastars,” he explains. His goal is to acknowledge the people who work tirelessly to keep these stomping grounds afloat and have recently lost their jobs. “Those venues are made up by the bartender and the security guard, the manager, the box office person, and the cleaner at the end of the night.” He hopes to remind people of the importance of supporting local venues again when it’s safe to do so.

...

Sunday’s location is an undisclosed building in Los Angeles, but Winston teases that the new venue is “massive,” “magical,” and “the biggest building I’ve ever been in indoors.” “I don’t want it to look like I’m criticizing Staples, because it’s the most amazing venue,” he emphasizes, sharing that he’s open to bringing the Grammys back to the arena in the future if they ask him to. While he does believe that Staples is a safe place, he says he wanted to go above and beyond to make even the most-skeptical participants feel undoubtedly safe.

A team of Covid safety officers oversaw the production set-up, and artists will enter the stage from different directions to minimize contact. Each artist also has their own backstage area. The space “allowed us to build an entire world,” he says.

The show will involve five stages of the same size and shape, four of which are for performances and one of which is for presenters. Stages are organized in a circle, facing one another, and crew members will work from the middle of the set. “People will perform while the other three or four artists on their stages watch, applaud, and enjoy. As soon as that one finishes, the next one goes, the next one goes, and the next one goes. Every 45 minutes, you change out those stages, and you bring another four megastars into the room,” says Winston, who was partly inspired for the “part-Grammys, part-Abbey Road studio session” setup by British shows he watched as a child, including Jools Holland and TFI Friday.

It’s going to be a “bespoke night of music that I don’t know if we’ll ever be able to repeat,” Winston says. “It’s about taking a camera into a room, and making an amazing musical moment by filming it quite simply and elegantly.” Performances, which started being planned in April 2020, will be a mix of live and pre-recorded — a fully live show would involve too many crew members moving sets and risking close contact — but the whole thing is intended to feel completely live. (Winston challenges viewers to try and guess which sets are pre-recorded; he designed them to be difficult to tell.)

...

“There’s been so much uncertainty with what you’re allowed to do,” he says. Changing international quarantine rules made him question whether certain performers could fly in, while health guidance keeps fluctuating: “Every time my computer or phone dings, my first instinct is, ‘Oh, God, what’s gone wrong?’ I don’t know if that’s ever been my mentality before.” 

While all the performers are confirmed and currently Covid-free, “you never know, one of their girlfriends could have Covid and have to quarantine, it’s all just bonkers,” Winston says. “There’s one artist that may, in the end, not be able to make it here due to rules of the country they’re currently in. There’s one immigration issue that we’ve got left.”

The show does not have replacements on hand if anyone pulls out — it’ll just cut that performance out.

[adobe-outdesign]

Showdown Bandit but it’s my series now

I’m still kind of annoyed that SB had such a great premise only to be rushed and then cancelled, so this is kind of my take on the story and my interpretation of things. Keep in mind that I’m approaching this from a “someone handed me this game and now I have to reboot it” standpoint, so while I’m trying to stick to the original plot as much as possible I am changing things where I see fit.

Also, I’m just focusing on things from a story perspective. Gameplay is another thing entirely.

Backstory

Buddy Bublik was from Czechoslovakia and had a passion for puppetry. He met Carl, who was more of a businessman. He came up with the idea of capitalizing on cowboys, which were popular at the time.

The show originally premiered as “Showdown Bandit and the Dusty Hills Band”, with the band playing in each episode to draw in more people. After they “disappeared”, the title just became “The Showdown Bandit Show”.

I would loosely tie things in with BATIM by implying that the two figured out how to bring their characters to life by studying Joey’s memoirs and notes or perhaps having been friends with him (as this game takes place in the 50-60s, after DJS closed).

Recognizing that Joey’s method had some... issues, they made a few changes. Namely, they didn’t sacrifice people in order to bring the puppets to life, instead using blood pacts (smearing blood on the unfinished puppets) from willing people to make their puppets more lifelike without actually giving them souls.

Buddy made a pact with Bandit first as a test run of sorts. It went smoothly for about a year, with Bandit being more lifelike in movement and personality but not sentient.

However, after about a year Bandit started acting a bit too lifelike in a way that concerned them (as they didn’t want to forcibly control sentient puppets, nor did they want the puppets to be fully independent of them). Buddy ended up locking Bandit away out of fear for his life, instead using a different Bandit puppet as a replacement.

Initially they did a few pacts with other crew members, such as the Dusty Hills Band, in exchange for pay raises and other benefits.

However, freak accidents started cropping up and people who had made pacts started dying, at which point the puppet they were bonded to would be possessed (but unaware of what had happened). Buddy and Carl were absolutely horrified at this, both due to the people dying and the fact that they were controlling what used to be other human beings.

As the year went on, other people outside of the show had started to get word and Showdown Bandit was getting a literal “cult” following from people who were interested in immortality, despite the two’s attempts to put a stop to the pact (the idyllic world of Showdown Valley was an appealing afterlife option for many, especially fans of the show). They attempt to cancel the show, with the intent to shut down the studio and burn the puppets.

The cult didn’t respond well to this, wanting to keep their pacts and their immortality. They ended up breaking into the studio one night and killing both of them. Buddy ended up possessing Bandit, but because he was in storage he remained “asleep” for years. Carl possessed the Sheriff, but like all puppets he didn’t retain his memories.

Ironically, the death of the two sealed the cancellation of the show (it was declining anyway as space stuff was now getting popular), but the cult continued the show behind the scenes for years afterward.

Puppets & Possession

Each time a character “dies”, their soul moves on to possess another puppet of that character. If there isn’t another copy of that character, or the other copy is already possessed, they become a stringless (IE unfinished) puppet. A dead stringless usually stays immobilized, but they can be fixed by Carver (much to Miss Undertaker’s chargin).

The puppets become more and more lifelike over time, especially after being possessed. It gets the point where they have to fake eating in order to stay alive, even though they can’t eat and don’t need food.

The puppets can move on their own. The strings serve as a way to control them, usually without them being consciously aware of it.

Because the puppets have no memories, they have no idea that they’re possessed or that they’re being controlled, which is how the puppeteer wants it. They understand that they’re puppets and that they put on performances, but that’s about all they understand. This is why the rules are in place.

Play your part - a puppet not playing their part is indicative that they’re starting to get their memories back, which is a no-no.

Guard your strings - the strings allow the puppets to be controlled, so it’s important that they stay attached.

Don’t look up - the puppets don’t know they’re being controlled. Looking up not only breaks this illusion, but tends to cause them to go insane.

The sheriff helps not only protect the citizens from rogue threats, but helps to enforce the rules before they get broken.

Puppets who break the rules are taken and mutilated as an example to others. Their hostile behavior is really just them trying to cut other character’s strings and free them.

Characters

Bandit: As mentioned above, he’s possessed by Buddy, though he doesn’t remember anything. After being woken up after a few years, he’s trying to help out the others while figuring out what’s truly going on (while not knowing he’s being manipulated himself). Because Bandit is, by definition, an outlaw, he’s not likely to actually follow the rules set in place. As the game progresses, he realizes he’s being manipulated by the Puppeteer and cuts his own strings, allowing him to act independently and help free the others from being controlled.

Miss Undertaker: Miss Undertaker, as her name suggests, takes care of Showdown Valley’s dead - unbeknownst to everyone else, that includes the entire town. In addition to maintaining the graveyards and trying to make sure the dead stay dead, she’s the one who finds newly possessed puppets and introduces them to the town. Later on in the plot, it’s revealed that she’s not possessed like the others, but rather a literal puppet controlled by the Puppeteer, hence why she knows about her when all the others don’t.

The Sheriff: Possessed by Carl, the sheriff enforces the rules, though he doesn’t know about the puppeteer. He particularly has it out for Bandit due to his outlaw nature, ironically pitting Carl and Buddy unwittingly against each other. Eventually, Bandit is able to convince him that the rules are in place to control them, and he ends up helping him take down the Puppeteer.

Penny Hemsworth: Possessed by one of the former stagehands who helped with props, Penny’s general store literally has anything the puppets need in stock (and if it doesn’t, the Puppeteer will fix that shortly). This includes mundane things like food and less mundane things like The Sparkblaster(TM). Penny herself has been afraid of accidentally breaking the rules and generally gets more and more insane throughout the game before eventually removing her eyes (which happens near the end of the game here rather than the beginning).

Doc Carver: Possessed by a former stagehand who helped repair broken puppets, Carver’s purpose is to fix the puppets (without requiring human intervention, which once again, is a no-no). Despite the fact that he’s just supposed to help with damage, he’s become curious about how they’re all alive and has begun experimenting with reviving the dead and creating new creatures (the Araknits were his fault, albeit accidentally), which puts him in thin water with the Puppeteer.

The Banker: Unlike the other puppets, the Banker (possessed by one of the band members) got possessed before his puppet was actually finished. Buddy and Carl couldn’t finish the puppet without breaking the rules and his sanity, so they just scrapped their original design and presented him as-is. Because he’s unfinished, his memory wasn’t as thoroughly wiped as the others, resulting in him being terrified of accidentally breaking character. He eventually does, and is “fixed” by the end.

Faceless Bandit: The Bandit made after Buddy’s Bandit, who was used after the original puppet was damaged. Possessed by another one of the band members. Being a bandit, he eventually went rogue and cut his own strings, successfully escaping the Puppeteer; however, his face was clawed off shortly thereafter by Frenzy. Attempts have been made to capture him again, but it’s hard due to the massive scythe he’s carrying.

Frenzy: One of the “rule-breaking” puppets. Used to be a rival to Bandit who claimed to be an even better draw than him. He, ironically, accidentally let his strings get cut during a showdown and had his torso removed as punishment. While he’s technically only supposed to pursue rule-breakers, as his name implies he’s gone a bit mad and will basically attack anything that moves.

Grieves: Another “rule-breaking” puppet. Bubu the Clown was one of the first characters on the show, and was a regular live-action human. When the puppets started being possessed, Bubu had to go due to breaking  immersion, and Grieves was created as his puppet replacement. Bubu eventually committed suicide in the studio, resulting in him accidentally possessing Grives. Because Grieves didn’t remember anything, he eventually became depressed and broke character - because he was mourning Bubu. They recognize Bandit as a rule-breaker and will attack him as such.

Lookout: Lookout was created as a way to monitor the puppets without gathering suspicion. Given that their entire job was to look at things, it was almost inevitable that they eventually looked up, which drove them into madness before they disappeared a few days later. They’re also stringless, allowing them to warn Bandit of danger. They used to be close friends with Miss Undertaker, who’s trying to find them and put strings on them.

The Puppeteer/Lorelei: The leader of the cult, the Puppeteer is the main one handling the show and directing the others. She personally controls Miss Undertaker (Lorelei is her first name), and occasionally controls Bandit as well. She and the rest of the cult attempt to forcibly control Showdown Valley, keeping the puppets in ignorant bliss. Like the other cult members, she wears a mask and a cloak at all times.

Basic Plot

Because the plot would be semi-dictated by the gameplay, these are just some rough outlines and ideas of how the plot and characters would play out.

Starts out more or less the same as the canon plot, with Bandit waking up and Miss Undertaker sending him on his first quest.

The first part of the game is mostly following instructions from Miss Undertaker and going on quests that seem like they’re meant to help improve the town and keep people safe (things like clearing out the Araknits, killing the Faceless Bandit, getting Miss Undertaker’s key back, etc).

As Bandit does more and more tasks, he starts to realize that these tasks might be doing more harm than good (the Araknits were Carver’s attempt at figuring out the possession and destroying them prevents him from doing so; the Faceless Bandit was attempting to free the others by cutting their strings, etc). 

The Sheriff is dispatched to deal with Bandit before he breaks any rules, leaving Bandit trying to escape from him for a chapter.

Carver, already suspicious of what’s going on, is the first to believe Bandit. Banker refuses to help but admits to remembering some things, leading the two to explore the stage and end up finding several bodies from the cast (that hand that drops down is Bubu’s).

The sheriff finds the two and the bodies, and is convinced to help Bandit out on his quest.

They return to the set and Bandit overhears Penny talking to Miss Undertaker about her insecurities regarding breaking the rules, with Miss Undertaker being the one who pushes her towards the eye-gouging.

The Puppeteer attempts to separate the three, resulting in Bandit cutting his own strings in order to escape.

Most of the final chapter is him trying to avoid both the Puppeteer and the other enemy puppets, who have become considerably more aggressive.

Penny takes out her eyes. The Sheriff ties her to a post to keep her from hurting herself anymore (he did the same thing with Lookout when he lost his mind), and stays behind to make sure she isn’t taken.

The Banker finally remembers everything and goes through a bit of a mental breakdown wherein he almost blows up the set with dynamite. The Puppeteer intervenes and he’s picked up and removed from the set. He shows back up later on, now a finished puppet with no memory of what just transpired.

Bandit learns who he’s made from by finding some old journal entries. He tries to tell the Sheriff, but both he and Penny are gone. He then goes to confront Miss Undertaker, who’s revealed to be a lifeless puppet in the most literal sense. The Puppeteer attempts to grab him while he’s distracted.

Lookout warns Bandit with their bell, then points out some weak spots in the studio’s wiring. Targeting these spots cause wires to fall down around the Puppeteer, slowing her down and getting her tangled. Hitting the controls for the stage rotation pulls on the wires, snapping her neck and killing her.

Because she had a blood pact with Miss Undertaker she wakes up, now fully possessed and not remembering anything about the Puppeteer or her previous actions.

The epilogue/end credits reveal that with the Puppeteer gone, most of the cult disbanded (though presumably they’re still out there somewhere). Everyone’s strings are cut, the broken puppets are repaired as best as possible, and Showdown Valley ends up the peaceful afterlife it was always meant to be, with Bandit and Sheriff heading the town.

[zatyrlucy]

“Surprise Hazbin Q&A”

Ok, so I listened to +5 hours live stream and oh boy, that was a lot of information. That’s why I decided to divide the list in two parts, the other part I hope to post it around the 6th of January. Btw, there were some moments where viv and the crew gave some advices about different topics and I know there is a lot of people here who want to become animators/artists/story tellers, etc so I put the exact time when viv start talking so you can hear them.

-          Do the main characters had crappy lives when they were human? That’s spoilers

-          Alastor and Angel Dust are the hardest to write for vivziepop because she doesn’t know all the details of the period of time where they come from and because they are based in some complex emotions she has had in her life. She finds this ironic because those two are part of the first characters she created and her two favorites.

-          Husk is the easiest to write because he doesn’t care about anything and he is very grumpy. So his reactions to anything are pretty much the same.

-          Vivzie likes when Hazbin helps to inspire people to create their own stories, characters and/or universes.

-          Can the demons possess a human being? Viv cant answer that yet, but she is thinking in doing a story about how the human world works in the Hazbin universe. Is not in the works, is just an idea in construction she plans to do in the future.

-          Vivzie has already planned how heaven looks like and its hierarchy.

-          Hazbin’s hell is a mix of different religions and mythologies.

-          Believe it or not, Hazbin’s hell is a punishment. It probably doesn’t look like that because there is no flames or constant torture like the typical hell but the continuous chaos of the cities and the fact that the demons can suffer a lot from that chaos is the punishment they have to stand for eternity. 

-          Charlie is the hope of hell, literally, because she is the only one who sees the good in sinners

-          “Reality is gonna hit all the characters at certain point”

-          53:35 for people interested in voice casting for future projects

-          1:08:55 info about what tools viv and the crew use for animation

-          “The way demons look like is the reflection of their souls”. That’s why every sinner has a different design because every being has a different soul. Still, vivzie wanted to draw the classic demon design of red color withd big horns, so that’s why Helluva Boss’ characters look like that.

-          The origins of the eggbois is a joke viv wants to explore in the future

-          Everything related to Charlie’s family is spoilers and cant be answer

-          Episode 2 will start the main conflict of the story. The pilot was just an introduction of the characters.

-          The idea for future episodes is to be as long as the pilot (30 min) but Viv is still figuring that out

-          Angel hates his feet and that’s why he always hide them with big boots (here is a pic of what I think are his canon feet). 

-          Demons born in hell don’t look human at all and have their own species (like Stolas and his family, who seem to be the same kind of “bird-demon” species). Sinners at the contrary are mostly different because of “their appearance reflecting their soul”

-          1:26:10 if you are interested in art school and some advice about college

-          Alastor’s mic is an extension of himself but Viv says that it can also be open to interpretation.  

-          1:45:00 advice at how to write a story

-          Most of the voice records for Hazbin was in home studios, which according to vivzie, is perfect for independed projects, especially when the cast live in different cities.

-          The voice recording for Helluva was different because vivzie got a big studio where all the actors recorded the voice audio at the same time and it was special because they got the opportunity to interact which each other.  

-          Angel’s creation was full of emotions because he helped vivzie going through a toxic relationship.  

-          Alastor is very appreciated by vivzie too because he was created while she was in middle school

-          When a sinner dies in hell they disappear out of existence, forever. But the “dark energy” sinners are made of pass to be part of the pure fabric of hell, that’s why some objects are “alive”, because those have part of that evil energy coming from exterminated sinners.

-          There is a part of hell called wonderland where there a lot of crazy creatures and is really dangerous

-          For every new content of the comic there will be a new questions to answer.

-          After Angels comic there will be another one about the daily life of alastor, but it would be shorter, about 10 pages long

-          Sir pen can hypnotize people with the eyes of his hood. He relays on his machines and minions to fight but if someone got really close to him, (he doesn’t like to be touched) he would use other abilities like hypnosis.

-          Vivzie confirmed what fans talked some time ago. Alastor doesn’t respect the personal space of others, but he ironically hates to be touched.

-          Vivzie would like to do a Hazbin’s holiday special, either a chirstmas or a hallowen special.

-          When the sinners celebrate Christmas, instead of santa, is krampus the one who they like to talk about and want him to visit their houses.

source

[bewitching-elizabeth-olsen]

Press: Elizabeth Olsen’s 20/21 Vision

The Marvel star takes us inside her transformation to a new kind of hero

GALLERY LINKS

Studio Photoshoots > 2021 > Session 002

Magazine Scans > 2021 > Grazia

  GRAZIA: Elizabeth Olsen is a trooper. We are in a field in Surrey on the outskirts of the Marvel studios; it’s a biting minus one and she is standing in a Chanel broderie anglaise sundress and increasingly soggy UGG boots. Her feline cheekbones face skywards, but Olsen is slowly sinking into the mud, trilling out high notes to keep herself warm (possibly distracted) and of course with spirits high. “It was the wind I think, that was worse than the sideways rain,” she jokes as we trundle back to the soundstage hangar that we are using as a studio. It’s the kind of moment that could go viral on Instagram, that is, if Olsen were on social media. Yet one of the biggest stars of our current cultural moment is completely offline – and that surprising fact might just be the least interesting thing about her. If anything, it is a sign of how Olsen has come into her own as a confident, decisive star with the power to create her own universe.

On the cusp of her 32nd birthday, Olsen is fastidious and professional, yes, but also bright, engaging, creative, and collaborative. Born and raised in the California sunshine, she is surprisingly at ease in the blustery conditions that deluge the English countryside in late January – or, it’s that she’s very good at acting. “It was one of the ugliest days of this winter – just hilarious – but I knew we wanted the shot,” the 31-year-old actress says.

Since October, Olsen’s been living in the leafy British countryside with her “man-guy-partner,” musician Robbie Arnett, just a short drive to the Surrey compound where Doctor Strange is being filmed. It’s a closed set, masked in secrecy as much as the socially distanced masked crew dotted all over the 200-acre studio. “It feels right being in a small city right now,” she says.

Indeed, Olsen is a modern-day Renaissance woman. Learned and dedicated to her craft, she studied at New York University’s Tisch School of the Arts, with a semester at the Moscow Art Theatre School studying Stanislavski. (Surely, no matter how much of a genius the Russian theatre master was, he never could have conceived of the Marvel universe.)

Approached with the concept of WandaVision, “I thought it was perfect for television, and a very original idea that made me excited,” Olsen says. Also, she was happy she would get to work with Bettany again: “He’s very precise, like me.”

In many ways, WandaVision is a love letter to the first American television heyday. Olsen, who stayed up late watching Nick at Nite reruns as a child, says it’s a bit of a homecoming in that way. “I was a very hammy, performative child,” she explains. “So, I do think I got to live out some sort of childhood dream doing the show.”

“The highlight was really getting to tell a story about these superhero individuals told in different decades of American sitcoms, trying to match the tone of those sitcoms in order to help orate the story,” she says. “But keep it playful and fun.” Little did she know just how much we’d need that.

Half-filmed pre-pandemic in Atlanta and half post-pandemic in LA – with a six-month hiatus in-between “until all the unions figured out to work safely” – WandaVision was released almost a year into the pandemic. In many ways, it is an artifact of its time: centered upon a yearning for the simplicity of earlier days, yet shot through with the creeping realization that such days may never return, and perhaps never existed to begin with.

Indeed, the weekly story of suburban superheroes Wanda and Vision has played out like a parable of our times: Wanda living in her chosen bubble, her trauma resonating in the world we find ourselves in today. Olsen appreciates a good metaphor, but feels people may be projecting a bit much. “I see Wanda as a victim of extreme trauma, who does not understand how to process it,” she explains. “She has been a human experiment.” (Not to belabor the point, but haven’t we all?)

Being summoned by Marvel is like being called to a parallel universe for an actor: thrilling, yes, but not without a tinge of terror and a dash of the unknown. Six years in, though, it’s become like family in some ways. As a member of two dynasties – Olsen and Marvel – family is key to Olsen. She checks in on her mom (who still lives in California) and, like many American daughters, is researching which vaccine mom should get.

The performative gene runs strong through her family, of course – and no, we don’t mean her sisters. Olsen’s mom was a ballerina. Still, when she first started auditioning, Olsen took special care to carve her own path – one far from Full House. “Nepotism is a thing and I’m very aware of it,” she says. “And of course, I’ve always wanted to do it alone.” She did just that, her acting credentials consistently rising as her sister’s cemented their fashion kudos. Olsen bears a noticeable resemblance to her fashion-designer older sisters and her sartorial DNA is similarly low-key. She loves The Row (of course) and NYC label Khaite’s denim and cashmere.

For Olsen, her day job is like playing dress-up. This time around, she walked away from WandaVision with the girdle worn underneath her 50s wedding dress, laughing, “I mean, to have a custom undergarment like that, I felt like it was necessary!” Her WandaVision co-star, Kathryn Hahn, also became her shopping cohort when filming.

“She’s dangerous!” Olsen says. “She has the most exquisite, minimal but expensive taste.” It was Hahn who led Olsen to the independent boutique where she found the belted Julia Jentzsch trench that she wore to our shoot.

At the rail of samples compiled by the stylist, Olsen gravitates towards a spacious linen boilersuit and longline cashmere cardigan. Has she always been a tomboy, I ask? “I think I felt uncomfortable being a child being told they were pretty,” she says of her early auditions at age 10, adding that her love of ballet and musical theater could leave her “feeling exposed” at a young age.

Speaking of over-exposure, Olsen is distinctly offline in a time when so many are defined by their social media presence. Among celebrities and regular digital citizens, the perfect balance of online and off is up for debate, but Olsen is clear: social media saturation is a choice for all of us, and everyone needs to draw their own boundaries.

“It has to be a personal decision, right?” she begins. “So, my opinion has nothing to do with what anyone else does or doesn’t do with it.” Her own journey began when she momentarily dabbled with Instagram (since deleted), while filming Ingrid Goes West, director Matt Spicer’s frightening and funny debut feature about a social stalker, co-starring Aubrey Plaza.

Up until that time, she says, “I had never touched it before. I thought, ‘This is an interesting social experiment for myself, to see if it is a good source to talk about charities or a good source to talk about small projects, or to share something goofier about myself.’ But I think at the end of the day, what I discovered was one, I’m really bad at creating a perceived identity!”

“I didn’t find it very organic to who I am as a person,” she continues. “I found some joy in putting up silly videos, but I think the main reason I stopped – not I think, I know the main reason why I stopped – was because of the organization in my brain.”

“Lots of horrible things happen all the time. Or, lots of great things happen all the time. Whether it’s something terrifying, like a natural disaster or a school shooting or a death, there are so many things that happen, and I love processing information. I love reading articles. I love listening to podcasts. I love communicating about things that are happening in the world to people around me. And what I don’t love is that my brain organization was saying, ‘Should I post about this?’ That seemed very unhealthy ….”

“And to then contribute to these platitudes that I don’t really love, you have to subscribe to two different ways of thinking,” she says. “So, I didn’t like that, and there was a lot of it that was just bothering me for my own sake of what value systems I have.”

That’s not to say that there’s any inherent value system – pro or con – in using Instagram. Olsen is clear that like any other method of expression, it’s up to the individual to use it as they see fit. “I do see a use of it and how you can use it well for work,” she says. “But I don’t think that I would like to use that tool to promote myself.”

She’s private for a millennial yes, but not prim. On the photoshoot, lockdown experiences were shared, and Olsen recounted her (hilarious) first at-home bikini wax: banishing her husband upstairs “for an extended chat with his therapist,” her trusted waxer on speed dial, and microwave set to ping! (Yes, Olsen is a trooper, as I mentioned.)

We catch up over Zoom a week later, her hair once again pulled up in a casual topknot, her cashmere turtleneck simmering in a dark claret, and her entire being suffused with covetable understatement. She chats buoyantly against an unexpected backdrop of pirate ship wallpaper in the playroom of a house she shares with Arnett, who proposed with an emerald and diamond ring in 2019.

“We first started to try to make it the gym, but it was so cramped,” she says of the jolly space. The home gym was instead awarded a larger room, where Olsen loves to maintain a varied fitness regime – running, yoga, dancing, more – though after all the intense Marvel filming, she jokes, “maybe it’s time to give up on my body?!” Being comic book fit does sound grueling or “time-consuming fun” as she anoints the “strenuous physical demands.”

Like most of us, she is longing for the spring, but she still takes a regular constitutional walk in a nearby Richmond park, whatever the weather. “The deer are incredible; every time I see them I feel alive,” she says. “We have been lucky to have nature around us in lockdown.” It’s a marked difference from her paparazzi-populated home in the Hills. “They know our walks, where we get coffee, work-out…,” she trails off.

Her haven in Los Angeles is her backyard, complete with a mid-century swimming pool and an edible garden. “It’s crazy the blackberries grow like weeds! I love watching a kid’s first reaction to an edible garden,” she gushes That has been the part of the pandemic travel restrictions she’s found hardest: missing her friend’s children growing up, and others who have been born this past year that she’s yet to meet. They will no doubt all be treated to her homemade blackberry sorbet on her return stateside.

Yet, her time on British soil will likely be prolonged, with a prospective indie commencing filming here when Doctor Strange wraps. Prompted for more detail, her firm charm kicks in. “I can’t jinx it!” she insists. Still, she will share that she’s heavily involved in the creative, and that funding smaller productions in the current climate has been a challenge.

Through it all, Olsen has remained determined and calm. “I feel patience is my superpower. But my weakness also,” she says. “I feel like it gets tested more than others who don’t have a lot of patience. If someone learns you’re easygoing or that you’re relaxed, sometimes it gets taken advantage of.” While she waits for the green light on that film, she is busy producing a new children’s cartoon with Arnett, “about loving and caring for our world,” and has also written a children’s book about to be published by Random House, all while the demands of Marvel life continue to surround her.

Indeed, Olsen is a superhero for the modern age: Multi-hyphenate, but fiercely devoted to the craft that she loves; instantly recognizable, yet thoughtfully protective of her private life; a woman with style, substance, success, and deep rewarding relationships with those around her; focused on a vision of a better world for us all.

Press: Elizabeth Olsen’s 20/21 Vision was originally published on Elizabeth Olsen Source • Your source for everything Elizabeth Olsen

[shelovescontrol91]

Camila Cabello on how her movie Cinderella is a modern day story of female empowerment

Not waiting to be saved by a prince, Kay Cannon’s Cinderella is not your ordinary fairy-tale princess, but a feisty fashion entrepreneur. Cover stars Camila Cabello and Nicholas Galitzine open up about the classic story that’s been updated with new-age ambitions

BY UDITA JHUNJHUNWALA

Over the years, French author Charles Perrault’s 1697 folk tale Cinderella has been adapted countless times. It was a Disney animated musical (Cinderella, 1950), Cinderella was even a fella (Cinderfella, 1960), a high school student (A Cinderella Story, 2004) and a celebration of diversity with a non-white cast (Rodgers & Hammerstein’s Cinderella, 1997). In Ever After (1998), which featured historical characters from the 16th and 19th centuries, Anjelica Huston was the quintessential wicked stepmother, and Kenneth Branagh’s Cinderella (2015) adaptation featured Lily James as an empowered young Ella, the girl covered in cinder who loses her glass slipper at the ball and falls in love with a charming prince till they live happily ever after.

The latest adaptation, based on director Kay Cannon’s screenplay, sidesteps the clichés yet ticks the boxes of wicked stepmother and stepsisters, a charming prince (played by Nicholas Galitzine) and a lot of pop songs. However, in Cannon’s updated Cinderella, the fairy godparent is genderless (played by Billy Porter) and this Cinderella, played by singer-songwriter Camila Cabello in her movie debut, is no whimpering wallflower. She’s got dreams and ambition to become a fashion designer. Her happily ever after is not dependent on a handsome prince.

A new role model

When asked about how their version of the classic is different from previous versions, Cabello says via an email interview, “It’s a totally new telling of the story. I feel like other fairy tales have values that are old-fashioned and don’t reflect the independence and strength of women accurately. This version has definitely been updated for a 2021 audience and world. The spirit of the story is there, with the characters and some themes, but it feels much more current in its values.”

Featuring a CEO Cinderella, a diverse cast of townsfolk, a line-up of princesses from around the world (don’t miss the cameo by Japanese comedian Naomi Watanabe) and a fairy godparent whose costume merges masculine and feminine elements, here’s a classic tale upended to become a modern-day story of female empowerment. “The modern, fresh take on a well-trodden fairy tale allows us to discuss contemporary issues and themes and hopefully make this version more relatable to audiences. The modern songs are an amazing contrast to the period aesthetic that is represented in the costumes and setting. I also think the film brings more humour than we've seen in previous fairy tales, which is largely due to Kay Cannon and the array of comedic actors in our cast,” adds Galitzine.  

From the trailer, it appears that this version is far more empowering for Cinderella. “Definitely, and this version of Cinderella is way more relatable to young girls and women who might be able to see something from the character’s experience in their own life,” says Cabello, who describes her Ella as “empowered and ambitious, with dreams of her own. It’s a Cinderella in which she saves herself. She doesn’t aspire to be a wife or a part of the royal family, she’s too busy working on her fashion empire.”

So does that leave Galitzine’s prince simply holding a glittery glass slipper? When asked how Prince Robert is different, if at all, from the legacy character of the charming Prince, Galitzine explains, “It is often said that the prince’s role in these fairy tales is singular: to marry the princess. But while finding love is one aspect of Prince Robert’s story, his quest for freedom is more important. He’s a man who feels trapped by his circumstance, stifled by the responsibilities of the crown and the role he is expected to play. He’s figuring himself out for a lot of the movie, and Cinderella really aids in this. Bringing a level of humanity and vulnerability to him was so important in differentiating him from other princes. I also feel we tried to make him a little edgier than princes before him through the music and costumes.”

Costume drama

The fashion-obsessed will find it hard to separate Cannon’s 2021 Cinderella from the costumes, not just because fashion is Ella’s dream profession, but it’s also her mode of expression. Working with the costume department and taking on the part of an aspiring couturier were among the highlights of Cabello’s experience on this film. “I loved my work costumes! They were so comfortable but still had Ella’s swag to them. Ellen Mirojnick and her team were so passionate and full of joy for what they were doing. They were so in love with Ella and the values she represented. In a time where women’s self-expression is so limited, she uses fashion to express herself. Even when she’s dressing for work she has accessories in her hair and puts unique details in her corsets. I think it shows how much self-expression and authenticity are important to her. Obviously, the story has romantic themes and I think that shows in the costumes. They’re very romantic, magical costumes—but designed with Ella’s character in mind. As she makes her own clothes, there were considerations about how she might have made certain decisions or designed things in a certain way. She even makes her own ball gown.”

Costume designer Mirojnick, who brought alive the world of Bridgerton with her clothes, also had the edgy Porter to work with, and she took inspiration from the monarch butterfly to create the godparent’s (named Fab G), gown with wings and custom Jimmy Choo boots.

Cabello equally loved working with Porter and all that his character represents. “His version of the Fairy Godmother is genderless. After all, magic doesn’t have a gender. Fab G guides Cinderella and helps her dreams come true…but she gets there by staying true to herself along the way,” she explains.

Of all his co-actors, from Cabello to Minnie Driver and Pierce Brosnan, British actor Galitzine was most in awe of Brosnan. “Working with Pierce Brosnan and Minnie Driver was just a dream. A bit of a pinch-yourself moment. They are icons but are so down-to-earth and giving. I was just trying to soak up as much knowledge from them as possible. Minnie is so funny, and Pierce is my James Bond. I should have asked him for some tips if I ever throw my hat in the ring for a future Bond,” says the 26-year-old, perhaps not entirely in jest. On his co-star Cabello, he adds, “I feel so lucky that Camila and I clicked straight away. Even from the chemistry test. We have a similar sense of humour and a willingness to learn, which bonded us throughout the process. To me, Camila is an old soul and carries herself with such wisdom. I love working with actors like that.”

Modern day fairy tale

The lead actors, our digital cover stars for the month, agree that it’s time to update fairy tales and align them to a 21st century audience, where girls and boys of today feel seen in popular culture. Cabello says it is about time that “little girls can see themselves being represented in Aladdin or The Little Mermaid.” Galitzine adds, “The idea of the damsel in distress is fast becoming obsolete. I think young women want to see themselves, and indeed their hopes and dreams, represented in characters. This film does an incredible job in bringing diversity in its cast and crew, which I think is integral in the process of updating these fairy tales for a modern-day audience.”

So do either of them believe in ‘happily ever after’? Galitzine says he believes that relationships take work: “Nothing is ever perfect. You have to make compromises and sacrifices, and it won’t always be as glamorous as the fairy tales may suggest. But I do believe there is a person out there who will love you for all your imperfections and messiness. And those kinds of people will be with you for a very long time.”

Cabello, on the other hand, agrees with the film’s updated take that an individual’s happiness is not dependent on another. “I guess the idea of ‘happily ever after’ is part of the old ideals of fairy tales, where the princess is destined to be with a prince, and that’s where her happiness will come from. But I like to think we’re redefining that idea with this film, and that you can be happy in yourself and with your own ambition. That being said, I am a huge Disney fan, so I will always be happy that I got the chance to be in this movie.”

Cinderella will stream on Amazon Prime Video from September 3, 2021

[appleb18]

I Wanted Believe in Steven (A Critical Steven Universe Post)

Steven Universe, a popular show that has won the hearts of so many people. It had good songs, talks about mental health and relationships, a lovable cast of characters and it’s revolutionary for representing LGBT. As the show finally wraps up with Steven Universe: Future being the series finale, I want to say this… I used to believe in Steven Universe. I truly got into it when it first came out and then I started to appreciate it more as the show progressed even with the flaws. However, as time moved on, the show’s flaws have outweighed the strengths, making my enjoyment decline and become critical and nitpicky towards it. So I believe it’s time to point out the many problems with the show.

The Glory Days of Steven Universe 

Before I begin ranting about the show, I want to talk about when I actually liked Steven Universe back in seasons 1-3. It was when everyone actually enjoyed the show before it went downhill. 

- So before Steven became really annoying, I actually liked him when he was developing in season 1. He was very immature at first but he gradually grew. He became a member of the Crystal Gems and finally summoned his shield. 

- Peridot’s redemption was handled very well and I enjoyed her character throughout the whole show.

- The show once balanced filler and plot. 

- I enjoyed the Crystal Gems chemistry back in seasons 1 - 3. They acted like a family with Garnet being the wise guardian, Pearl being overprotective, Amethyst laidback and Steven maturing.

- The songs are great.

- The messages are relatable such as “Love Letter.” Garnet tells Jamie that love-at-first-sight doesn’t work. It takes time and a lot of work. You must know the person first before you begin to love someone.  

Those are the reasons why I enjoyed the show back in the day. Now it’s time to talk about how the Crewniverse messed up everything. 

Inconsistencies. Are. Everywhere 

Steven Universe is well known for having no consistency and that’s one of the major problems with the show. While I can forgive season 1 animation because let’s face it, not every show has good animation like Phineas and Ferb. Though having characters go off-model consistently gets really irritating to watch. It’s irritating because most of them are professional storyboard artists and yet they’re doing a very sloppy job.

The reason behind unprofessional animation is Rebecca Sugar wanted her crew to have artistic freedom and have their own stylistic choice. They can draw whatever they want as long as the viewers can recognize the characters. There are many problems with this. 

While it’s nice to see the artist's own style it doesn’t work with a cartoon that’s story-driven. You’ll probably argue that some shows like Adventure Time and American Dragon go off-model. However, it’s just redesigned and they stick with it till the very end of their respective series. 

Also, shows like Ren and Stimpy and Flapjack go off-model because for comedic effect.

So stylistic choice doesn’t mean artists can draw whatever they want. It means that a character has their own style. 

Terrance and Philip from South Park 

Elmore characters from The Amazing World of Gumball 

Each of them has a unique character design. It’s not the Korean animator's fault for it, they’re given what the Crewniverse drew, trace it and just animate it and they can’t fix their errors. What makes it upsetting is that animation pilots and shorts made by a single person or independent team with very little funding have more consistent and appealing animation than Steven Universe. 

I ain’t an animator, but I know when animation goes off-model. Sadly, it’s not just inconsistent art that the show suffers from, but inconsistent writing and discontinuity as well.

Such as in “Are You My Dad?” Aquamarine and Topaz knocked out Steven and then she abandoned him while they took Lars, Sadie, Onion, Jamie, and Connie. Then in “I Am My Mom” they lure him and The Crystal Gems out for information to find Greg. So if you wanted to get information to find him, why didn’t they just grab him when he was knocked out? 

Also, why did Aquamarine agree to Steven’s terms? Her wand is the most broken weapon in the show. She could’ve grabbed everyone including The Crystal Gems.

Garnet couldn’t tell Steven about her future vision because it wanted him to go more? If she just told him about Greg's capture, he would have understood. Also, she gave him future visions in “Jailbreak,” “Snow day” and “Future Boy Zoltron.” Why didn’t she do that for that kind of situation? 

The Crystal Gems, who have special abilities, summon weapons and powers that fought Gems and Corrupted Gems and yet they were beaten by a freaking Steven Catus, Really? 

We saw Lapis control the freaking ocean in “Mirror Gem”, “Ocean Gem” and “Why So Blue”, so why didn’t she use that to remove the injector?

After 6,000 years of waiting for Pink Diamond, Spinel got news about her Diamond and that she gave up her physical form to give birth to Steven. It changed her appearance from happy go lucky to edgy. Now she wants vengeance. So I’m wondering how was she able to get an injector and a scythe, then go to Earth in under a few hours? 

In “Giant Woman,” Pearl explains that two gems have to decide to fuse together and they have to sync with each other to do it. In “Change Your Mind,” Steven fuses with the Crystal Gems midair while they are in their gem state.

How the hell did Connie get affected by Blue Diamond’s pathokinesis when Lapis Lazuli arrived in “Reunited”? 

She was fine when BD did it the first time.

Mean Lapis and Bluebird are still on the loose. I know most shows leave things unanswered but you can’t leave two villains out there. They can still do harm to others 

I really wish the Crewniverse showed more professionalism because there are so many errors in the show and some of them are so simple to fix, yet they don’t and that’s what I call lazy. 

The Cast of Characters Don’t Do Much

I used to like the cast of characters, even the humans I enjoyed watching. When season 4 - Future came in, they got ruined. Most of them don’t do much in the show. I feel like they got sidelined because the Crewniverse had no idea what to do with them. 

Let’s first talk about The citizens of Beach City and how they are the most boring characters in the show. At first, they weren’t so bad because they did have a role to play in the story like when The Cool Kids talked to Steven about his mother when he found out that she was a war criminal and he blamed himself for his mother not being around anymore. They also helped him not get scolded by The Crystal Gems when they found Peridot’s escape pod. 

There’s even some slice-of-life episodes that I did enjoy watching such as

“Sadie’s Song” 

 And “Historical Fiction”

But now they don’t react to any Gem situation anymore. They just stand around and serve no purpose to the plot. Look at “Future”, throughout the whole epilogue mini-series, the humans didn’t do a dang thing in the series. For example, The Cool Kids, Lars, Sadie, and Shep don’t talk to Steven about his mental health when he was about to crush them with his force field. It just makes it feel that they don’t care about him or oblivious about that experience

Then they didn’t do squat when Steven became a monster and I know they're just humans but their friends and the show focus on them a lot, so they have to use them. It made me wonder why they even focus on them in season 4 and season 5 if they're not going to serve their purpose in the story. 

Now let's talk about the more interesting characters and how the Crewniverse wasted them. Many Gems and few human characters (Lars, Greg, Connie) get them characters to grow, face struggles and have moments that can make a character likable. After all that, the Crewniverse had no idea what to do so they just left them. 

Peridot’s redemption was well written. from season 1 - season 3. From a villain that has unknown technology and feels more alien than the Crystal Gems to a member of the Crystal Gem. As much as I love her development and she’s my favorite, however, she doesn’t do much in the show. Most shows that give a lot of development to a character are part of the main cast but in Steven Universe's case, she gets put in the barn with Lapis Lazuli and does nothing. She’s never involved in major story arcs such as she didn’t come along to help Steven to get his dad back in Zoo Arc and didn’t help with beach city citizens getting kidnapped in Wanted Arc. 

Even in the Pink Diamond Arc, she has no part to play. All she was in that arc was a punchline and a hyperactive character with no defining moments. While it’s nice she has a new outfit, it doesn’t change anything. 

Peridot had the potential to be a really great character but she got wasted because they had no idea what to do with her.

Pearl and Garnet never got their own character arc. When they fused with Steven to become Rainbow Quartz 2.0 and Sunstone it was rushed. I know they didn’t have time to do their arcs but if they cut townie episodes and focused on their bond it would’ve felt more impactful for him to fuse with them. Season 4 could’ve been Garnet and Season 5 could’ve been Pearl. Just look at Amethyst where she finds mutual respect and love for Steven and that’s really great to see. With them, we don’t have a moment like that.

A good example of using characters is Regular Show. They used their characters pretty well, giving each of them a good amount of screen time. 

Benson’s drum solo 

Getting to know more about Skips history

Muscle Man setting his ashes free at Great Trucker Graveyard 

High Five Ghost reunited with his love interest 

Pop’s proving that he’s part of the guys for Guys Night 

Rigby graduates high school

Mordecai painting for Benson

And what I like the most about is they all have a moment together as best friends. Such as in “Parkie Rewards,” although Benson doesn’t win an award, the gang made their very own award and paper trophy. Benson made a speech about how he appreciated his staff workers. 

I really wish Steven Universe had something like that and I really wanted to see more of Lapis, Garnet, Amethyst, and Bismuth but sadly the writers aren’t giving them much to do anymore. 

A Shift of Pacing 

Steven Universe really wants to tell a story like most cartoon shows are doing such as Over the Garden Wall, Adventure Time, Owl House and many more. They keep adding episodic episodes in the middle of unresolved conflict and have the concluding rushed. An example of this is the Cluster arc. 

Peridot tells The Crystal Gems that the Cluster will emerge at any time… AT ANY TIME! So the gang planned to create a gem drill to destroy it to save the Earth. So instead of working on the drill, they kept delaying it like 

Garnet told her story to Steven of how Ruby and Sapphire met 

Celebrating Steven’s birthday 

Peridot processing on becoming a “Crystal Gem”

I know Peridot was working on the drill and I like Peridot’s redemption but it’s a life or death situation. You can’t do other things when the Cluster can emerge at any time. The way they resolved the arc was really rushed. The Crystal Gems finally locate the whereabouts of Malachite and so Garnet, Amethyst and Pearl go to Watermelon Island and fuse to Alexandrite to defeat her. Then the Cluster emerges and it’s up to Steven and Peridot to deal with it. Instead of destroying the Cluster, he talks to it and it stops itself from emerging by bubbling itself. The way the writers conclude the arc was so anticlimactic and rushed. It ended two major plots, Malachite and Cluster in two episodes and Steven just talking to it was ridiculous. The Cluster arc should’ve at least had two episodes and Malachite should’ve come after the event because she was briefly mentioned in three episodes. 

Adventure Time has a mini-series that primarily focuses on plots. It resolves conflicts and it doesn’t waste any time such as Islands, Stakes, and Elements. 

People tend to blame the network for the inconsistent schedule and hiatus. While it may be true, however, it’s not really a big issue with the show. Gravity Falls isn’t consistent with its schedule but it has better pacing than Steven Universe. From Nov. 26, 2014 - Feb 16, 2015, the ep “Northwest Mansion Noir” was released, another month of waiting for “Not What He Seems.” Then we have to wait for four months, July 13th, 2015, for “The Tale of Two Stans.” Then there’s Steven Universe where we have to wait for six months for the next episode and it is just Towney episodes and it doesn’t even matter to the plot. So I pretty much don’t understand why people are complaining about the Steven Universe hiatus when Gravity Falls, a well-written show, has a hiatus as well. 

They could’ve had a well-written story if only they weren't so focused on the human side of Steven and cut most of the filler out. 

Action Doesn’t Have Consequences 

In most shows, movies, and video games, characters will make rash decisions that have other characters disagree and even have a bit of a falling out.  

Look at Gravity Falls “Land Before Swine.” Stanley doesn’t like Mabel’s pet pig, Waddles, and he left him outside when there was a Pterodactyl in town. Stan left Waddles unattended and caused him to get captured.

Soos messed up a lot in the episode. Without thinking, he barged in as Dipper developed the film which ruined a good picture of the dinosaur.

He tries to be optimistic when Mabel finds out Stanley left him out however it ineffective when he ravels the yarn back up and thus cut the clear path and accidentally break the lamb

To prove their worth is by Stanley fights the pterodactyl to save Waddles 

And Soos and Dipper make up when he apologizes and he admits he made mistakes.  Dipper and Mabel then took Soos advice to follow his lead and walk in a straight line as for dinosaurs' eyes are so far apart and that it can’t see in front of itself and the plan went well. 

So with Steven Universe, most characters in the show have done pretty terrible things and the show never atoned for their actions. 

In “Island Adventure”, Sadie trapped Lars and Steven on an island by hid the Gem portal with leaves so she can hit on him.  Although she saved his life by poofing the gem monster with a pointy stick, it doesn’t help the fact that she trapped them for a month! It is also idiotic that the show treats Lars as he’s the bad guy where in reality, Sadie is! 

Amethyst, although I do like her character development in the show, however, she did pretty a messed up thing and they never resolved it. In “Maximum Capacity”, Greg finds out that he’s missing the fireworks and Amethyst shapeshifts from Steven to Greg to cheer him up. She changes back and gets mad at him for not spending time with her. So she shapeshifts to Rose Quartz/Pink Diamond which causes Greg to look away and it’s the second time she has done it, and then Steven comes in to stop and question both of them. Amethyst feels guilty and left. So in order to make things up, she came up with an idea to clean that the Crystal Gems can clean out Greg storage. So this is really messed up. She shapeshifted as his wife and not only it scarred Greg but Steven as well and yet the writers never decided on how they can properly make it up. That’s so horrible. 

Lapis Lazuli took the Earth's water, almost killed Connie, broke Peridot's tape recorder and called it garbage, and she took the barn. When she finally comes back to help the Crystal Gems to fight against the Diamonds. Her response to everyone was “hey”. She never apologized for anything she has done. I know she has PTSD but it doesn’t excuse her actions. 

The only character that actually feels guilty and has to make amends of her wrongdoing is Pearl. She deceived Garnet by keeping rebuilding Gem communicator so she can fuse with her to form Sardonyx to make herself feel better. Steven and Amethyst find out and spill the beans which gets Garnet mad and Pearl feels guilty. In the last episode of the Sardonyx arc, they get trapped by Peridot. When they were about to get crushed, they two finally talk and Pearl apologizes to her and calls herself “just a pearl” and Garnet tells her you are your own gem and that makes her feel better and fused to Sardonyx once again. 

Now it’s time to talk about the second major gripe with the show that everyone has and it’s the Diamonds being redeemed. The Diamonds are tyrannical fascist dictators that caused genocide many species, colonized many worlds, corrupt gems, shatter gems that don’t obey, have an army, gems that are off-color are put to the underground, and force fused shattered gems into a Cluster. After what they have done, you think they need to pay, right? Unfortunately, since Rebecca Sugar said ``there are no villains' ' and the show is about empathy, the Diamonds, especially White Diamond, get a clean slate. So it’s fine to have a villain be sympathetic and have a sad backstory, it makes them more human but having them redeemed is something you should never ever do, especially what they’ve done. They have very little screen time to show their development and have doubts about their empire. 

Then they made them worse when in Steven Universe: “The Movie” and “Future” 

In Steven Universe: “The Movie”, The Diamonds become clingy aunties to Steven and tell them don’t do evil things anymore like calling other species “equal lifeforms”, disband their arms and not shatter gems.

In Steven Universe: “Future”, The Diamonds abilities have a completely opposite effect towards Gems such as 

Yellow Diamond’s ability to change from poofing gems to fixing 

Blue Diamond’s ability to change from sad blue orbs to happy blue clouds 

White Diamond's ability changed from manipulation to control her for a brief moment. 

Having them become good and having emotions won’t cut it. They can’t atone for what they’ve done for the past millions of being fascist dictators and just saying “I’m a good Diamond now” can’t wipe away their past actions. It doesn’t work like that! 

My Little Pony Friendship is Magic, A SHOW FOR LITTLE GIRLS, have a better-written villain redemption than Steven Universe and I ain’t kidding. Discord was the main antagonist for “Return of Harmony”. All he wanted to do is cause chaos. He was defeated by the mane six at the end of the second part of the episode.

In season 3, “Keep Calm and Flutter On”, Discord was reformed by Fluttershy because Princess Celestia believes he can be a good ally and knows that she can do it. 

Throughout season 4, everyone still doesn’t trust him even though he’s friends with Fluttershy.

In the season 4 finale, he sided with Tirek and he betrayed them because he thought he’ll be rewarded for it. 

Then he was betrayed by him. After Tirek and Twilight fought, she gave up her magic to save her friends, including Discord. It made him realize that friendship is more precious than anything of what he’ll give him and that’s when he’s been fully accepted as a friend to the mane six. 

I also want to talk about Rose Quartz/Pink Diamond. While many fans in the community and the Crewniverse always point that she’s terrible and I agree she is. Such as leaving Spinel for 3,000 years, cracked her first Pink Pearl, abandoned her Diamond duties to be free, started a Gem war that cost many Gems to shatter to pursue her own goal, bubbled Bismuth, gems got corrupted, and left Steven with the burden. It is indeed bad but when compared to the Diamonds, she’s more of a saint than them. At least she does develop, doesn’t shatter gems and save the Earth from the Diamonds. 

With story pacing being all over, villains and even characters aren’t paying for their actions and a cast of characters aren’t doing much, what’s the most problematic of the show? Well, it’s a combination of all my problems into one and that is…

Steven “Center Of” Universe

The major problem with the show, the one that brings down the show a lot and it’s Steven Omnipresence. First off, I don’t mind when a show has a protagonist point-of-view like Ben 10, Phineas and Ferb, Over the Garden Wall, etc. As long as it's written well and keeps the story moving, it’s fine but with Steven Universe, it has tons of problems. Steven's point-of-view is the cause of all its flaws and I can’t stress it enough about it. 

So let’s first talk about the obvious one and how it’s only Steven's perspective. The problem with this is we only see things if Steven is there to witness it. The show introduces a fascinating world of Gems and yet the show doesn’t dive into that because Steven doesn’t care about and all he does is hang around Beach City. Steven will never explore unless he chooses to and some major plot points are offscreen which you should never do, especially it’s a story-driven show. An example of this is “Wanted Arc’” and yes I’m using it the third time as my example because it really is a terrible arc. When Steven comes back home, he had some information about Homeworld, discovered that there’s a mystery about Pink Diamond shattering, Off Colours, Steven can bring back people from the dead and Lars in space. With all that, what does Steven do? Nothing. Throughout his adventure in space, he never mentions it to the Crystal Gems and instead of that being the main focus, it’s townies and Connie. While Steven is doing Beach City fluff, Lars is actually progressing the plot by him developing and escaping Homeworld with the Off Colours. I truly wonder why the Crewniverse believes that Beach City is more important than Gems? 

They got interesting lore and I truly want them to explore it more but they had to waste all that and have the most major plot points be offscreen for Steven's perspective. 

The second problem with Steven p.o.v is his contestant presence. The show will always be about him, no other characters get the spotlight or do anything unless he’s there. There’s rarely a scene that doesn’t have Steven and it’s frustrating when there’s a well-rounded cast of characters that I want to see more than him. We’ll never see them interact with other characters nor explore different parts of the world. Other shows have done it such as 

Amazing World of Gumball - “The World”

Adventure Time - “Varmints” 

Avatar: The Last Airbender - “Zuko Alone” 

Rick and Morty - “Tales From the Citadel”

Imagine how great it will be if explore more of the cast like  

Uncorrupt Gem characters and Curley Lapis going by their day in Little Homeschool. 

Lars becoming a space pirate 

Lapis and Peridot becoming friends 

Pearl meeting up with Mystery Girl

Volleyball recovering from her trauma

Ruby and Sapphire being their own individuals 

They got a lovable cast of characters that I want the show to further explore and yet the Crewniverse don’t do anything with them and that’s such a missed opportunity.  

Then the third most egregious problem with Steven p.o.v is he’s the communicator. The show tries to message that talking things will work but no one really talks to each other unless it’s Steven. Characters barely make their opinion or a chance to speak for themselves while Steven's opinion will and shall always be in the right and we barely see characters talking to one another. Examples of these are…

When Steven bubbles Bismuth, Pearl and Garnet don't say a thing and just let him. They don't question why he did or lash him out for it. They just went along with it. Steven decided to unbubble her in “Made of Honor “ for a wedding without talking to anyone else about it and again, they still haven’t asked questions and they just went along with it. 

In “Reunited”, instead of Crystal Gems look at each other to find their strength like Garnet telling Pearl she’s her own Pearl, Pearl telling Amethyst she’s isn’t an accident, and they tell Garnet that she’s a great leader, Steven has to remind them what they are supposed to be. 

Blue and Yellow had issues with the Gem Empire but too afraid to say to White Diamond. Until Steven arrived and that’s when they tried talking to her.

The Diamonds become good because Steven tells them being a fascist dictator is bad and they agree. They disbanded the Gem Empire and changed their abilities to help Gems under two years. 

Steven made Pearl talk to Amethyst. 

The message the show tries to tell that people should communicate is completely flawed because rather than have other characters improve their lives by talking to one another, they made Steven the messiah that every character looks up to. Steven will change your mind and you have no choice in the matter. 

Conclusion

With the end of Steven Universe, I  want to say that this show could’ve been better. Steven Universe was created by Rebecca Sugar, a former storyboard artist for Adventure Time and the one who mainly writes episodes about Marceline and wrote songs for the show. When she announced that she's left AT to make her show, I was excited and had such high hopes for it. I really want this show to succeed and it could’ve been the next Adventure Time, My Little Pony Friendship is Magic or Gravity Falls but sadly it failed to do so. The show flaws outshined it the strength by it was handled unprofessionally, wasted their characters, the pacing is all over the place, no character pay for their past actions and Steven’s point-of-view. I don’t think it’s the worst show I’ve ever watched nor a masterpiece, it's just a disappointingly average show in my personal opinion. I hope Rebecca Sugar and her crew not just see this as their progressive show by representing LGBT and messaging but also see what they would have approved of on the show and how they could’ve made it better. I had a lot of good memories when I first watched the show. It had the potential to be better but it never filled the promises they made.  

[hello--mrs]

Steven Universe Podcast: Battle of Heart and Mind

I don’t usually do this but I said I would for the server, so here we are. 

This episode included Rebecca Sugar, Kat Morris, Joe Johnston, Matt Burnett, Ben Levin, and Ian Jones-Quartey. 

·     The episode starts with the rainbow worm in Steven’s dream, who is voiced by Deedee. This is the last homage to the princess references in the arc. The worm is from the Kyanite colony and was brought to Homeworld by Pink, which Blue allowed, but then Pink released all worms in the ballroom. Rebecca mentions this links with Pink’s desire to be free by releasing animals from their colonies. 

·   This specific princess reference was to Jasmine (in Aladdin) opening the cage and allowing the birds to fly free. It was also a reference to Pink’s love of animals and wanting to set them free, which isn’t out of character for Steven either. 

·   For Diamond Days, they picked the most common princess tropes for Steven’s time on Homeworld and made this experience alienating for him. 

·   Rebecca states that the Diamonds are meant to exist as a body- the inspiration for the ship. Pink is the Id, Blue and Yellow are the Ego, and White is the Super Ego. This is represented in Change Your Mind where the collective mind experiences embarrassment when the Id demands they enjoy something. 

·   Kat admits that they came up with the new outfits by continuously emailing each other with ideas. Rebecca said they considered everything but there were some concepts that they really wanted, for example, Rainbow 2.0 would have a scarf and a jacket. It was important either way that the fusions would notably have Steven’s clothes and the gems. However, the fusions would hint at the new forms and Pearl didn’t end up having a scarf, but she did have the jacket. Later, McKenzie asked if the jacket was a throwback to Bad Pearl and Rebecca confirmed that it represented her independence. 

·   One of Garnet’s new designs included transparent glasses and Peridot’s glasses in the shape of a star. Kat came up with the idea for the shredded shorts and star pockets for Amethyst. 

·   All of the new outfits represent how the gems have changed and learned from Steven. 

·   Rebecca mentioned that Pearl has been ‘playing the field’ and ‘exploring who she is’, which started in Last One Out of Beach City.

·   Lapis has gold accents on her new outfit to match the real-life gem stone. Kat said that Rebecca really wanted the sandals for Lapis and it makes for comfortable cosplay. 

·   Joe said that he enjoyed a lot of Garnet’s new designs. Most ideas were based off superheroes and had a more ‘knightly’ aspect. 

·   They confirmed that they tried Peridot’s new design with star hair but it was too much. Rebecca said that the glasses already change her silhouette and expose her gem more. 

·   Peridot also has boots this time. Before, she had socks because she used to wear limb enhancers. 

·  Mary Poppins and Bert were the inspiration for Rainbow 2.0. These concepts were made by Joe around 2-3 years ago. Sunstone was a newer concept. 

·  Rebecca said that all Garnet fusions can break the fourth wall, but with Steven, it would break it to give advice to children. The suction cups are also a combination of Steven’s shield and Garnet’s gauntlets. When creating Sunstone, Rebecca wanted her to look like a toy that you could stick in the back window of a car with suction cups. 

·  Alistair James auditioned for Rainbow 2.0 by doing an impression of his grandmother with a British accent. Rebecca said that Shoniqua was perfect and she knew immediately that she wanted her for Sunstone. She sounded exactly like how Miki Brewster pitched her. 

·  For Obsidian, they’d had her concept from the very beginning since she was shown as the temple. It was a hidden in sight visual that would eventually pay off. 

·  Obsidian’s sword is in the ocean, which is a part of the temple. It’s first seen in Bubble Buddies and seen again in Ocean Gem when the ocean is cleared. The sword design changed over time to ensure that all the Crystal Gem’s weapons could fit into the design. 

·  The earliest inspiration for White Diamond is traced back to the beginning of the show. She was inspired by the film ‘A Story of Menstruation’, which was made in 1946. It was a film by Disney played in schools to teach children what to expect in menstruation, and the narrator’s voice was a kindly older woman. Rebecca said that she found the designs really interesting and cute. 

·  From the film, the inspiration came from a scene where a woman cried into her arms but in the reflection of her mirror, she straightens up and starts smiling before going out dancing. The narrator says: “Don’t forget that people are around you and you’ll have to be more pleasant if you want people to like you”. The scene passes by and it ignores that fact that the woman was crying earlier, because she’s now seen being ‘correct’. This is the voice and the feeling that she went for with White Diamond and Homeworld. 

·  Homeworld is inspired by Busby Berkeley, and White is inspired by Hedy Lamarr in Ziegfeld Girl and Nell Brinkley drawings, all within an era where women were seen as beautiful pieces of furniture. Rebecca states: Women are like lamps, smiling and there, part of the scenery. It all originates from the idea that people thought it was lovely and seen as an escape from reality. 

·  Those early inspirations were also used for the wall gems- the idea that people are in the background as if turned to stone and function solely as architecture. These faces we see in the architecture are gems and that’s their function. 

·  White has always been associated as a mother, especially in terms of her storyline with Steven in this arc, and how gems are viewed as her children. This arc wanted to begin to explore her relationship with them. 

·  Rebecca says that White’s way of thinking is that she is everyone and everyone is her. She considers herself the default white light that passes through other gems, so when she sees gems absorb other colours from that light, she considers it a variation of her but lesser. In that way, she has no identity at all because she considers herself just light. She feels that people can be turned into her because they are all the same. 

·  Rebecca also stated that White is wrong about how she views the world and herself. It’s an antithesis to Rose’s journey- expression and repression. She lives in a delusion that everything is fine but it isn’t. 

·  Matt and Ben said that the whole episode was balanced by ensuring that every single character got their moment. It was an accumulation of ideas from over the years that they tried to fit into one episode, such as Amethyst greeting Jasper after she was uncorrupted. They felt they did everything they wanted to do before they left. 

·  All past episodes, especially for Diamond Days, were made to build up to the scene with White and Steven where she pulled out his gem. Mirror Gem is the first time they introduce the concept that a sentient gem can be trapped inside an object and that object is Steven. They’ve been planting hints that Pink may be trapped inside him ever since. 

·  From the beginning, they’ve wanted there to be doubt that Steven was his own person and have the audience question if Pink/Rose could still be alive. Even when the gem was pulled out, they still wanted the viewer to doubt if he was Steven. They planted enough hints that the viewer would think it could go either way. 

·  Between the crew, the hottest debates were about the storyline between Steven and Rose/Pink, about who Steven would be if they were separated. One of the most recent arguments was about Steven’s gem self and the fact he was devoid of any feeling, that there was none at all. That emotion came from Steven. 

·  Rebecca had planned the split perspective scene since the start of development and storyboarded it early in the process. It’s still from Steven’s point of view. Ian noted that if the show wasn’t completely from his perspective, it wouldn’t work. The split perspective was to also represent how torn and disoriented Steven was in that moment. 

·  Pink Steven is him as a default. If you take away his personality and emotion, he is empty. He’s been separated from his humanity and all that’s left is power. There have been nods to this in the past by showing how his power is greater because of his humanity and his capacity to love. 

·  Ian said that Rebecca has always had the idea of the final confrontation being about Steven’s relationship with his powers and that connection showing who he really is. Steven wants that human side of him, even if it slows him down, because it’s what makes him who he is.  

·  The scene of Steven returning to himself was originally written for episode 10. It was going to be a part of Giant Woman where they establish fusion. 

·  Rebecca confirms that James Baxter animated the scene where Steven reunites with Pink Steven. She met him by doing a drawing for his daughter’s birthday. 

·  The fusion sequence with the two Stevens was the ultimate princess trope- a rotating dancing scene specifically boarded by James Baxter. He completed the whole sequence himself apart from the inking. 

·  Ian mentioned that he wanted the uncorrupted gems scene for a long time. He said they always knew the arc would come back to the corrupted gems as that was the original conflict of the series, but now they finally get to see it through. 

·  On top of that, Ian went through every single episode that had a corrupted gem and designed their healed versions, while Rebecca added some of the quartz designs. He mentioned that the longer they were in their ‘monster’ form, the more they will look like that form, even when they’re healed. That’s why several of the healed gems look more like their original designs.

·  Rebecca added that Ian helped with the fusion designs and their sequence, as that was a wishlist moment for him. He wanted Steven to fuse with all the gems in a row. 

·  Ian said that he had been most excited about Rainbow 2.0 and that Colin Howard had done most of the groundwork already. 

·  Rainbow is they/them and he/him, and Sunstone is they/them and she/her. 

·  Rainbow 2.0 is mixed with Pearl’s properness and Steven’s penchant for making jokes. Rainbow 2.0 loves to make puns and is a throwback to Steven’s puns in the earlier series. In the episode, Ian also came up with the idea that RQ 2.0 could ride their umbrella and have a rainbow shoot out of the end- a reference to Pearl being able to shoot lasers out of her spear. 

·  With Sunstone and Rainbow 2.0, they wanted to be able to show common traits in Sardonyx. The break in the fourth wall comes from Garnet, but loving to hear themselves talk comes from Pearl. Steven enables the both of them to embrace their silly sides. 

·  The ship foot falling on them was a slight reference to Monty Python but also a reference to the giant foot mentioned in Arcade Mania. 

·  Rebecca stated that the song Change Your Mind was not written for the show, but a personal song she wrote while fighting for the wedding arc. She was hesitant at first to include it. 

·  Change Your Mind isn’t for the end of the Steven Universe franchise but for this arc, Ian mentions. He adds that even though it was written for the process of including the wedding, it perfectly captures the theme of the show. As a coming of age story, Rebecca notes that this is something that had to happen for Steven to start making decisions for himself. 

·  Rebecca also admits it has been hard to write for Steven because he always puts others before himself. It’s always about what others want and what he thinks they want. However, he finally comes to a realisation in this arc that he doesn’t have to be anyone else other than himself or pamper to other’s expectations. 

·  Ian states that this arc was incredibly important for Steven’s development, in terms of who he is, who he thinks he is, and who others believe him to be. Moving forward, everything will be different from Steven’s perspective. There’s going to be more but it will have changed, because Steven has changed. 

If I’ve missed anything out, let me know. Hope you guys enjoy!

[timextoxhajima]

Chapter poster by @/lovehyuck on Instagram

NCT One Shot Collection

Member: Johnny

Genre: Fluff, gets a tiny bit suggestive at the end

Word Count: 3.7k

A/N: this was such a fun one to write! i may or may not have busted a big, fat uwu writing this. 

Art school was not the least bit easy for you. Not with all the different events and projects your course forced you through in your freshman year. Your media and design course needed you to constantly pull on a smile and an excited tone whenever you did broadcasting exercises, then back at home when you were off screen and not interning at an external company, you needed to learn the aesthetics of setting up websites and online blog shops. Writing and photography were skills you also needed for your course. All of this was extremely hard to handle when you're a freshman and had trouble even memorizing your way around the huge university campus.

You were absolutely dreading the next project that was set to come your way, because you would be interning at an independent boutique chain to learn the ideas and ways of online advertising and sales, but what you didn't expect in the package was the gentle giant that you would meet during your time of intern at the boutique chain stores.

"y/n?" One of the boutique's managers called out. You looked up from your journal of scripts and half done speeches you had done and would be doing in the future for the advertising projects.

"I'm here," You hurriedly shoved the book into your bag and got to your feet.

"Please, come in. I'll introduce you to your partner you'll be working with for your internship," The lady had a blazer on with a maroon top underneath, paired with black pants and a blue lanyard with her pass in the cardholder. You made your way into the room behind her, and before her sat a cheerful young man who was a few years older than you. The moment he noticed you, he stood up and offered you a handshake.

"Hi! You must be y/n! I'm Johnny Seo, the boutique's newest fashion designer and accent advisor. 'Johnny' will do just fine," he smiled at you, his wide grin making you feel warm and welcomed, despite his large and seemingly intimidating frame.

"Hi, nice to meet you," you took the handshake and bowed a little.

"Good to see that you two are starting off on the right foot. So, the both of you will be working closely for a project that the boutique is planning on launching in summer, preferably for a autumn collection. Johnny will brainstorm the styles and ideas, color palettes and all, and you will be handling the promotion and setting up of website for the project launch. How does that sound?" The lady leaned forward on the table, clasping her hands together and interlinking her fingers.

Johnny eagerly nodded, before turning to you, who obviously had some doubt in yourself.

"Relax, y/n, it's your first big project with a brand name. It's actually Johnny's first big launch too, but both of you have reputable portfolios. I don't expect the grandest, but I do expect your best efforts. If you perform well, we might consider you as permanent staff," The lady smiled at you. You processed her words, letting them sink in as you began to peel the small bits of skin round your fingertips and biting the ripped skin off your dry lips. Reputable profiles? Permanent staff? This is a huge brand name. Working for them would be like working for the Gods themselves. 

"y/n, really, don't feel pressured. We want our crew to be as relaxed and comfortable. We chose to accept your internship with us out of a few hundred because you have amazing presence and your work is unique. After the internship, if you'd like to work for another brand instead, it can remain in discussion. But for now, all I need you to do is to work with Johnny to produce the best project launch for this autumn, that's all. Can you do that?" The lady raised her brow, her voice softening as she tried her best to calm you down. 

You nodded. 

"Amazing. Johnny will show you to your temporary office and give you a small tour and orientation of the office building. From today onward, just report to this building for your internship and you can do everything you need to do in this building. Your school has already been notified of this information," The lady leaned back in her seat and pulled out a file from the cabinet behind her, opening it to an internship contract page and setting it down on the table in front of you.

Both you and Johnny signed your respective contracts, and off you went on your orientation with him. 

"Do you that when you're nervous or stressed?" Johnny spoke after a moment of silence. You were in the elevator with him on the way down to your office floor.

"Wha--? Oh," You looked down at your fingers and noticed the skin that had been peeled off had caused a tiny bit of bleeding. "Yeah, it's a habit. I'd like to get rid of it, but I've been doing it for years. Can't seem to stop it," You pulled your cardigan over your hands. Suddenly, you realised how under-dressed you were for the job. You were a broadcaster, a photographer and a writer, yet here you were, in a simple blue cardigan that covered your black top and some part of your denims. Even your ugly pair of strappy sandals were not up to your own standards.

Not when Johnny was there, fitted perfectly in his clothes.

Fashion designers.

"Fan of blue?" Johnny spoke again after the doors opened. 

"Yellow, actually. But my favourite yellow dress was in the washing machine this morning when I checked so..." You shrug and follow him out of the lift. He smiled as a gesture of courtesy, letting you know that he heard you. He tapped a card with his face printed on it on the door scanner, a soft beep turned one of the scanner's lights from red to green and he pushed the door open for you. 

"So, uhm, since you're working with this brand for the first time, I'll just let you know that their offices are on a rotational basis. So for example, you're working with me until autumn, right? Your office will be right next to mine until the season is over, and once you get a new partner, your office location will change, or maybe your new partner will come to you. Works both ways," Johnny walked and spoke at the same time, the office floor having a row of closed-door offices on both the left and right side of the floor, with office cubicles in the middle like a maze.

"The cubicles are for?" You looked at the employees sitting in cubicles, some talking on the phone and others looking intently at their computer screen.

"Oh, they basically handle the admin stuff. You know, employees, the money, event signing etcetera," He stopped right outside a closed office door. "I believe this office is yours," Johnny stretched out his right palm and gestured to the door. You glance at him and look at the door, the tab on the door where your name and position was supposed to be, still empty. 

The office was simple, but prettier than you expected it to be. After all, this was only supposedly an internship.

"Whoa," You breathed, stepping into the office and placing your bag on one of the guest chairs before heading for the window. You could see the city before you, with cars the size of fingernails and the glistening reflection off window panes from other office buildings. 

"I know right?" Johnny smiled. "Uh, you can get your access pass from the security point from tomorrow onwards. The admin counter on the first floor will give you your name and tab for your door when you clock in tomorrow," You hummed in response, still taken and completely obsessed with the view, so much that you didn't even notice Johnny had gone into his office right next to yours. 

After setting up your office, linking your devices to the office's network, putting in your name and tab on the door and shelving some of your files for research and information purposes, you were finally settled in. Of course, some of that settling needed an extra hand, and who else to help but your office neighbour and also your partner for the next 8 months?

The first teaser or promotional event for the launch was set to happen in about a month's time. That meant you needed to do filming, editorials, find some contract models and dress them in the clothes that Johnny was to design. Though you had a month, it felt like you had a week, and once you realised that, you began chewing on your lip like a dog chewing on its toy bone.

"No, I need a week to edit and fix up the promotional videos. I need the models in three weeks from now, not six," You spoke into your office phone. Your eyes were fixated on website designs and filming techniques you had learnt at school but was never able to apply them, but your ears were listening to the horrendous dealings of a model company who couldn't offer models when you needed them.

"Don't be ridiculous. Which part of 'three weeks' did you not unders-- look, if you can't give me my models - which the company I'm currently working for now would've already informed you so forth - in three weeks, then the company is done with you, got it?" You didn't wait for a response. Slamming the phone back into its phone set on the table, you were frustrated and stressed out. Not because you were now interning at a big brand name, but because you genuinely wanted to do well. Your website was barely put together with the absence of photos and information about the project launch. Only the color accents and layouts were fixed, but otherwise it was a barren land. 

Knock knock.

"Come in," You sighed and held up your fringe with your left hand, your right handling the mouse and moving the cursor around the website page, wondering what else you could do for it.

"Heard you yelling at the model contractor from next door," Johnny let himself in and shut the door behind him. 

"Please tell me you have some designs and you're ready to make them," Your eyes shifted to the man, your posture remaining slouched and stiff infront of the computer screen.

"Was just about to show you some of them. Thought they might help with the color accents for the website too," Johnny was holding a sketchbook and a file filled with sample materials and designs. He sat down on one of the guest chairs and pushed the file over to you on the table.

The sketches were amazing. Both the male and female designs were stunning, simple yet dramatic, and he did not stick to a single color accent. He used every single warm color available on the color wheel.

"These are amazing, Johnny," You took the sketchpad nearer to your computer and changed up the color accents on the site. "You should start materializing these. When the launch is done, the brand's definitely going to want you working for them," You clicked rapidly, fixing every crook and cranny of the site to fit the color accents of the designs in his sketchpad. 

"I actually wanted your input on the specific designs and materials. You do photography, so you should have an idea on what would look good in photographs," He looked you in the eye and had this adorable, sheepish, grin plastered on his face. It was almost like he was always happy and nothing could ever bring him down.  "Also because I need to ask you for a favour," His expression progressed from sheepish to embarrassed.

"What is it?" You chuckle, taking the materials file and flipping through them, reaching for a pen from your pen holder and writing down some of the material codes next to the respective designs you thought fit.

"I have a couple of friends from high school organising a social event, and everyone who's going is either attached or engaged and--"

"And you want me to go?" You raised an eyebrow, looking up through your lashes and at him. He scratched the back of his neck and tilted his head. 

"Ah, you know what? Forget it, it's horrible for me to ask you to act like someone you're not, so--"

"Nah, I'll go," You waved it off with your free hand without looking up. 

"What-- Really?" Johnny paused, watching you scribble all the material codes on the final few pieces of his designs.

"Yeah, sure. Why not?" You finished the last codes and handed the sketchpad back to him. "I've matched the designs to the materials I think would be suitable. So just check them for me and start getting them made. Photo shoot is in about three weeks." 

"No, wait, y/n, you're really okay with going to the event with me?" Johnny had a little frown on his face.

"Why not?" You leaned back in your chair. "Haven't been to one of those in awhile. Won't hurt to get one night off this stinking intern that's making me tear my hair out," 

He nodded and was obviously very happy.

"Okay. So I'll just text you the date, and you text me your address and I'll fetch you then, s'that alright with you?" Johnny squinted his eyes like he hoped you'd say yes.

"Cool," You smiled at him. There was an awkward pause as all he did was stare at you, when you weren't sure why he was still there. "Anything else, partner?" You furrowed your brows and pursed your lips. 

"Oh!" He exclaimed and whirled around in a circle, like a cat looking for its tail. "Nothing, I was just, zoning out," He frantically grabbed his sketchpad and material files from your table. "I'll see you tomorrow," He gave you one last nod before leaving your office. You waited until his shadow had disappeared from outside your door and into his, before sinking back into your chair and turning it around to see the glaring evening sun setting on the city. 

This internship was the hardest internship you had ever done. You were working for 9 hours straight a day, some days spent in the office doing research on materials and other days visiting material stores to gather information about the cloths and the small details like lace and buttons that Johnny needed to begin making his clothing line. But what you failed to notice was that every single time you were procrastinating on a meal, Johnny would never fail to appear at your door with some packed food, knowing that you hadn't had anything since the previous meal. After awhile, he noticed the trend in your tastes: nothing spicy, soup is a must, and you always had tea over coffee any day, and that was exactly how he would send lunch or dinner to your office despite it being way past the respective mealtimes. 

Before you knew it, the day of the social event was here. It was at a rather extravagant bungalow at a chalet right outside of town. All of Johnny's high school friends were going to be there, drinking booze or playing a game they weren't supposed to. Long story short, it was an event with all of Johnny's american friends.

"Hey Johnny, uhm, I was wondering..." You had the phone between your ear and your shoulder, all your party clothes laid out in front of you on the floor. "What are you wearing and what's the color code like?" 

"Oh, uhm, well, nothing sophisticated I guess? Denim jacket, T-shirt, pants and a pair of... Vans? I mean, it's a guy thing though. Girls usually wear prettier, slightly more... extravagant styles."

"Cool, so blue and black?" You eyed the black crossed-back singlet top with black leather pants. 

"Sounds fine to me."

"Also, Johnny," You were now holding the phone. "Who am I going as?" You smirked to yourself. You knew, but it would've been a lot nicer if he had just asked you to be his date directly.

"I... well, everybody's bringing someone you know, so... just for this once, pretend you're my girlfriend."

You smiled to yourself.

"Pleasure," You hung up. 

When you showed up at the party, you knew exactly why Johnny wanted you to go with him. This wasn’t just a social gathering, this was a white boy frat party. It wasn’t that bad, but everybody Johnny greeted looked like they used to play sports and had a girl attached to their arm. Johnny was popular with the people at the party. He was so sociable and such an amazing talker, you wondered why he hadn't gotten himself a real girlfriend when all he did the entire night was introduce you to his friends and by saying, "Hey, what's up? Dude, meet my girlfriend, y/n," Then he'd carry on and talk about how he met you at an internship and now you were both doing a clothing line project launch together. 

The night was getting late, and you definitely had more drinks than Johnny did. Your brain was like walking a tightrope and constantly on the edge of losing your composure altogether. Your date wanted to send you home when he noticed your face was rosier than usual and your eyes were no longer looking straight anymore, but you insisted and refused to leave. So when you found yourself in a circle next to Johnny, an empty bottle of beer in the middle and everybody else was screaming when two lucky people got chosen to make out with one another, that's when you decided to take another shot of vodka to completely immerse yourself in the party experience. 

"y/n," Johnny grabbed the shot glass, trying his best not to let you finish it. But the alcohol rushed down your throat so quickly, you belched, earning loud hoots from the rest of the circle.

"Next round!" The friend of Johnny's who was hosting the event yelled, grabbing the bottle and pinning it down in the middle of the circle.

"I think I'm going to send her home first, she's wasted," Johnny gently brushed the hair out of your face, your eyes barely open and your limbs functioning at the least. The bottle was spun and landed on Johnny.

"No! I'm staying, this is fun," You giggled, snuggling your head into his chest. 

"Oh, that's even better! Won't even know what's going to hit her!" His friend shouted, twirling the bottle again before Johnny could protest. The bottle landed on you. 

"Ooooooh, rules are rules, muchachos!" The host lifted his beer bottle. "If the player chosen is attached, then 7 minutes of heaven in the closet we go!" 

Johnny panicked. He watched as other girls from the circle got up to help carry you into the closet upstairs while the other guys hyped Johnny up to follow you upstairs. Before Johnny knew it, he was standing in front of you in someone's closet, the smell of cologne filling up both your noses and your eyes struggled to find a face to focus on. 

"Why is it so dark?" You groaned, rubbing your eyes and smacking your lips.

"Because you didn't want to leave the spin-the-bottle circle, you doofus," Johnny sighed and tucked your hair behind your ear.

"Care to explain why you don't have a girlfriend? Everybody else here has one besides you," You burped, the smell of sprite and vodka temporarily intoxicated the air between you and Johnny. He winced in disgust, before waving the air with his hand.

"My last dumped me. Said I was too focused on a career path that wasn't promising." 

Your muddleheaded skull processed this information, before it struck a chord in one of your nerves. 

"Jeez, I'm... sorry for that, I didn't mean to pry," You frowned and rubbed your face. 

"Nah, it's alright," Johnny shrugged, his eyes adjusting to the darkness and noticing your jacket falling to your elbows. He subtly pulled them up, covering your shoulders.

"What do people even do in 7 minutes in heaven anyway? Dumbass game," You shuffled your feet, failing to register that Johnny was kind of uncomfortable with how little space there was between the two of you. 

"Most people just... you know-- hook up," Johnny cleared his throat. You paused and looked up at the shape of his jaw under the horrible lighting, your fingers only able to graze the outline of his facial features since you couldn't see well. Your fingertips halted at his chin, then shifted up to feel his lips.

"Have you ever...?" You whispered. Johnny could only hear the sound of his own breathing, the feeling of someone else's fingers on his skin was so alien, yet familiar.

"No, only small kisses here and there, but never really a real..." His voice trailed off as he felt you tiptoeing to reach his height. "Kiss," He finished his sentence, and before he could register it, his arms were wrapped around your waist, and yours around his neck, trying to pull his head down to match your height. 

"Why are you so goddamn tall?" You huffed between kisses, the heat in your chest building up, and it wasn't only because of the alcohol. Johnny took the hint and shifted his hands to your thighs without violating your bottom, lifting you up and guiding your legs around his waist. It was almost as if every single word in the dictionary couldn't be processed in either of your heads. All he could taste was the lingering tinge of alcohol from your tongue, and all you could think of was how hot he was, being able to carry you and lifting you off the ground while still handling everything north.

"7 minutes is up-- whoa!" The host pulled open the door, only to see you hurriedly hop off Johnny's hips, your lipstick smudged and his hair in a mess. You coughed, surprisingly more sober than before. You began biting on your lip, noticing how everybody was shooting you smirks and teases. Johnny pulled up your jacket to your shoulder from behind, carefully patting down his hair and calmly wrapping his arm around your shoulder. 

"We have business to finish, so if you'll excuse us, I'll be sending her home."