#but video & radio wise

[gorillaxyz]

im just a girl

[defenestratte]

CALL THE COPS AND TELL THEM WHAT I WANT / MY BATTERY'S A HUNDRED PERCENT

[silversodas]

I Think There Are Actual Hints That Vox and Alastor Work Really Well Together or More Like They Have All They Need to Work Together

So we know that Vox and Alastor like to define each other by how their preferred medium is better, but what’s interesting is that’s just how they define each other, Alastor being an old fashioned radio and Vox being a sell out TV, but that’s not what they are, what they are is Audio and Video. We even see when one might have done better with the others help, like Alastor’s commercial that he did for the hotel

His Audio was fine enough, got your attention, but holy shit, the video was awkward at best, it makes you uncomfortable watching it. And it makes it even more awkward when you can tell Alastor is overcompensating with his voice. But what he did know was a little impressive, some people pointed out that he probably did the editing himself. I believe that these out of place skills such as summoning tech and knowing how it works are remnants of Vox. Just like How Vox is always Smiling when he needs to take control of a situation is remnants of Alastor

They probably learned these things from each other. As a matter of fact the way Alastor kept jumping from scene to scene in the commercial was similar to how Vox kept jumping from visual to visual in the beginning of stayed gone, going vary fast to keep attention. Speaking of which

Stayed Gone is an example where Vox is really strong in visuals, buuuuut probably needed a little help audio wise

Alastor knows how to lure you in with what you hear, Vox pulls you in with what you see, and yeah he snatches your attention right away and (like I said earlier) jumps from visual to visual and you can’t help but be transfixed

Buuuuutt that’s Vox’s problem, they are just watching, his audience can’t even grasp what the fuck he is trying to say because Vox is overcompensating with visuals, and it’s how Alastor verbally slaughtered him in stayed gone. Alastor is so charismatic and experienced with capturing an audience with his voice alone that Vox immediately loses his.

Because, just like how Audio can’t do all the work, neither can video, and one can’t overcompensate for the other, they need to flow together

But I have noticed this a while back, what made me think that they probably work really well together, or rather they have all they need to work together, is what @cringefailvox said about the different outfits that characters like Vox and Alastor wear during songs that have symbolism to it

Like how Vox always dresses as roles that are the leader or face of an organization Bishop/TV Chef/Captain. Roles that have power, but are at the whims of many people and need the approval of said people to stay in power

While Alastor is dressed in more subservient roles Nun/Busboy, roles that are essential to run the organization but often go unnoticed, but can pull the rug out from under said organization if they decide to leave. In other words, it might be symbolic that he is a support (until he decides to take it away)

So Vox being the front runner and presenter basically being everything you see (Which is ironic because Vox means The Voice) and Alastor providing support and stability (he honestly doesn’t do to bad with support, stability is up for debate though) is another way they, in theory, could make a good team.

But the team up would work just like audio and video unfortunately, video is not the most important part, but it’s the part that gets the most credit. while audio emphasis and supports video, it’s part goes unnoticed until it’s not there. And Alastor’s ego has an ass so fat it’s aw inspiring that he can fit it through the door, so that may have been ONE of the reasons he said no to joining Vox (not saying it’s the only reason or even main one)

Vox may even see the potential for exactly what their partnership could be and it’s a reason why he took it so personally when Alastor shot him down

And it’s just so interesting that Vox and Alastor act like forces that should be pitted against each other but their capabilities show that they would go together like peanut butter and chocolate (in theory)

[24kmar]

𝐈 𝐒𝐄𝐄 𝐇𝐄𝐑 𝐈𝐍 𝐘𝐎𝐔 ( A. Donaldson, T. Ducan)

𝐁𝐎𝐑𝐍 𝐒𝐓𝐔𝐍𝐍𝐀 𝐕𝐄𝐑𝐒𝐄

𝐏𝐀𝐈𝐑𝐈𝐍𝐆𝐒: Art Donaldson x Fem!reader, Tashi duncan x reader

𝐖𝐀𝐑𝐍𝐈𝐍𝐆𝐒: Angst, Standoffish Reader, female manipulator! reader (wolf in sheeps clothing), language, age gap! (Early 30's art, early 20's reader).

𝐒𝐔𝐌𝐌𝐀𝐑𝐘: Art notices how much the pressure tashi is putting on you is changing you.

𝐀𝐔𝐓𝐇𝐎𝐑𝐒 𝐍𝐎𝐓𝐄: sorry this is short 😭

Art was the first to notice it.

There was no doubt y/n was different, soso different. Everyone noticed it, especially art. It was uncanny really, how much she was like tashi. They always knew y/n was like her, but she was still so different from her.

She was warm, compassionate, sweet. Thats why art fell inlove with her, she was different from tashi. He knew she loved him, and not in the way he knew tashi loved him. Until now, now he was reliving tashi all over again.

It worried him, how she ate less, slept less, every waking moment spent on tennis. He knew y/n was a perfectionist, but he didnt think it was this bad. He saw tashi in her. So much of tashi. He saw it in her eyes, how tired she was. But whenever he tried to express his concern, y/n shut him down immediately. Human endurance was on hell of a drug.

Now it got to the point where how she felt about him was determined by how he did tennis wise. Something she was always so understanding about. With y/n it used to be 'win or lose, ill always love you', now it was 'all or nothing'.

Even then, she was still different from tashi. When he lost, tashi would coach him harder, chew his ear off, make him better. With y/n, it was radio silence. She'd just ignore him, stay quiet, thinking. Somehow, that was so much worse. He rather her yell at him, tell him he sucks, than to just keep him in the dark, wanting to know what she was thinking.

Tashi was the second to notice it.

The way y/n became so hyper focused when playing tennis, but so distracted when she wasnt. Playing back videos of her tennis games. Analyzing her each and every move. Picking apart every flaw she had while playing.

Y/n was more anxious. Training harder. Now tennis wasnt a hobby. You know that saying "do what you love, you'll never work a day in your life."? It wasnt like that anymore. It wasnt play to have fun. It was play to win.

Tashi loved this attitude. Shit, she wished art still had it. But it was starting to scare her. The way y/n looked colder, the way she always seemed to be out of it, almost always spacing out, unless it was something about tennis.

She didnt mean for it to go this far. It hurt, it hurt to see y/n's spirit so broken. Seeing the woman she loves personality so dampened. But it also worked for her. It pushed y/n closer to her, farther from art and patrick. She liked that. She needed that. She needed y/n to be hers, and solely hers. But she needed to fix this. She knew it was her fault, the pressure getting to y/n.

What really got her was what y/n said to art the day of one of his games. The day he said he loved y/n. Waiting for her to say it back, needing that comfirmation before a game like he always did. To which y/n replied "prove it" walking away and sitting down. He couldnt believe what he was hearing. His sweet, warm y/n didnt even say it back.

Niether could tashi. It was like she was looking in a fucking mirror. Like she was watching herself talk to art. He knew what y/n meant. She wanted him to prove her love for her on that court. And he did. He won.

Tashi didnt have bad intentions. She just wanted to make y/n successful. She wanted to see the girl she loved thrive. She would fix this, no matter what. Tashi would do whatever she needed to get the old y/n back. That was a promise, and tashi always kept her promises.

[bratbutcute]

A sparkle in the night

Fandom: Hazbin Hotel

Pair: Alastor and Vox. A bit platonic, a bit romantic, could be read in different ways.

Disclaimer: Nothing other than it’s a SFW tickle fic. They are also slightly ooc but tbh we don’t really know since I’m describing a moment that happened before the series takes place sooooo… who knows (but honestly, Alastor is much too sweet to be canon).

Also I had fun with some fonts I found online, I don’t know if that is a problem so if you find difficulties reading please tell me and I’ll change it!

Vox is stressed and wants to reminisce old times, old friends, old feelings.

I got the idea for this from this fic by @starlight-write. I wanted to explore Alastor and Vox’s relationship before whatever happened between them.

I hope you all enjoy it!

~~~

Hell had changed a lot since Vox first arrived. He had met many Overlords who now weren’t ‘alive’ anymore, killed by Angels or by other sinners. He had seen Hell change its geography, different shops rising and then succumbing to nefarious fate.

He had met friends along the way, and he had lost them too.

Vox had learnt that the afterlife was just as complicated and confusing as his past life: people were hard to read, it was hard to understand their needs and, honesty, he wasn’t very good at accommodating them. Of course it was easy to solve people problems work wise (most of the times he was the one creating a fake problem and giving the public a new product as a solution), but when it came to personal business he couldn’t just hypnotise everyone. Well he could but…

He was alone in his personal room, monitors all over him, phones and computers all around him. Even if he was alone he was constantly under the spotlight. He knew he had to prove he was stronger. That he wasn’t scared of anything or anyone.

That’s how he would spend the majority of his afterlife: surrounded by his constant eyes, recording every movement he himself ever made.

So that’s why he felt so excited when he turned off every single monitor except for the bigger one in front of him. He shut down every camera or microphone around him. Unrecorded. Unregistered moments.

A shiver ran down his spine.

After seeing that ghost of his past back again after seven years of absence he had to see something. Something that was his and his only.

What he was looking for was an old memory, one that he had to update digitally from his old headset.

Everything was meticulously categorised so it didn’t take long before he found what he was looking for.

The video started.

And he was almost 45 years younger, he had a different - and much heavier - headset and an ‘old pal’ next to him.

They were in the middle of an animated conversation in a remote bar in the pride ring. Everybody was keeping their distance from them and the moody bartender kept sending them drink after drink.

«Television is much more than photography you radio obsessed demon. Television is alive, it’s thrilling!» Vox exclaimed standing up and stomping his foot on the chair in front of him. Alastor looked at the action with little to no reaction, his usual smile plastered on his face.

«You, young man, are as loud as a cow at the slaughterhouse. That is in no way an Overlord behaviour.» he said squeezing his shoulder and inviting Vox to sit again.

Vox blinked in confusion - and slight worry because of the metaphor - before pouting as a scolded child. He got himself back on the high stools next to the counter dangling his feet.

Alastor poured another whiskey in his glass.

«I admire your enthusiasm, but you have to understand that Hell is different from Earth. You cannot show demons your… moving pictures and expect them to simply follow you. You need to plan. To be strategic. Logical.» he offered the drink to Vox, who looked at the goldish liquid with skepticism.

Alastor’s smile grew bigger. «A peace offer?». Vox sighed and gulped it down in one shot, much to Alastor’s disapproval.

«I think you’re complicating your life too much! I can hypnotise people!» he pointed at his eyes as the pupil changed, but Alastor was unfazed.

«It doesn’t work on me.»

«Yeah I still have to understand why…» he sighed as his head started to spin. His face became a bit foggy, just for a moment.

That made Alastor grin wider. «Is the strong and powerful aspiring Overlord feeling a bit dizzy?»

«Fuck you I am not. You’re just-» he looked down at his empty glass and grabbed the bottle to refill it. «I am an Overlord! ‘M not aspiring to be anything you pompous-» but he was cut off by Alastor cupping Vox’s hands with his and helping him pour the drink. Vox’s heart skipped a beat as his antennas sparkled.

«You were saying?» he hummed, fully aware of what he was doing.

«Fuck you.»

Alastor’s smiled softened «Charming.» and Vox smiled back, rolling his eyes.

They had these kind of conversations every time they hang out. They would go to a bar and sit far away from everyone, start bickering, try to get a deal one from the other only to call it even and repeat this cycle every few days. Vox kept convincing himself that these encounters weren’t a big deal but things like that, like that genuine smile, made him doubt that.

Vox drank his whiskey quickly, just to see Alastor’s ear flicker in dismay, a gesture Vox had learnt to recognise over the years.

He took the bottle and refilled his and Alastor’s empty glass.

«You do not understand what it means to be an Overlord just as much as you do not understand how to enjoy your drink.» Alastor said turning on his stool and leaning with his back on the counter.

«AH! Alcohol gets you drunk. That’s the big meaning behind it.»

Vox was about to chug down his whiskey when he felt something brushing over his side. As he yelped Alastor snickered, trying to camouflage it with a cough.

«AÆl- he glitched - what are you doing?»

«As you can see I am not doing anything.» he said raising his hands to prove his point. Vox straightened his back, looking at his surroundings in confusion.

His fogged brain was trying to process whether there was a threat or not. He felt electricity build up in his body.

As he raised his glass, he felt it again, something brushing his side, just lightly, but, when he turned, his eyes could only scan thin air.

«What is going on?» he mumbled putting the drink down.

Alastor didn’t answer, but he was having fun. Vox could see it by that stupid tail of his that was slightly wagging.

If it was his doing… oh no.

The tendrils came out of nowhere and wrapped around his torso, caressing his stomach and sides slowly.

Vox felt electricity between his fingers and in his antennas. He clamped his mouth shut with his hands, slightly kicking his feet.

«Is everything alright Vox?» Vox shook his head, little sparkles all around him. That fucker…

One of those tentacles circled around the center of his tummy, caressing the blue skin. He could feel the tip lightly scratching the sensitive area, making his body tremble.

It was so agonisingly slow. The gesture felt both sweet and mean, as if it were Alastor’s fingers toying with him.

Then he increased the pace.

Vox’s face started trembling, the image of his expression danced on the screen for a moment, deforming his flat features. Alastor came closer to his prey, enjoying every second.

«Maybe it would be better if you just let yourself…-» the tentacles that were around his stomach changed direction and dug in his hips «…Laugh.»

Vox giggles sparkled, as static electricity vibrated around him. He tried so hard to contain himself, but once the first chuckle was out he could not stop.

«AHAHAHAHL nohohoho.»

«No? But I’m not doing anything my dear! I think you had one too many of these.» he said sliding away the man’s drink, saving it from being destroyed.

«Yohohou knohow dæ-ámňņ well what you’re dohohoing.» Vox managed to say while trying to push his tentacles away.

«Of course I do.» he got closer, more tentacles coming from all around him. Vox felt his heart pounding in his chest, his face a mixture of fear and excitement. A stupid wobbly smile was plastered on his screen.

«And you’re enjoying every single second.» had Vox been a little less drunk he would have probably tried to retort, but all he could do was stare at Alastor’s tendrils.

Two of them wrapped around his wrists, raising his hands.

«Oh noho don’t y҉̗͚͚̯̋̏̍̑O̸͎͕̒̽͐̏U҉͓̦̰̘̌́̏̾͆ DARE ALASTOR!» the tentacles danced in front of him, circling around his underarms. Two of them were near his sides, and no matter how hard he tried to pull at his restraints he couldn’t free himself.

«Oh how I like seeing you like this.» Alastor sighed «So helpless.»

«Ahahahahahl Ihihi ha-hatehehe yohohor stupid gahames.» he protested. He was still sat on his absurdly high stool, his feet trying to touch the floor to push himself back. But there was nowhere to run.

Every demon in the place had already fled, believing that the Radio Demon had found his new victim. Well they weren’t completely wrong.

«Do not lie to me.» Alastor caressed Vox’s screen with a single finger, and fake sweat flashed on his face. «You love my games. And besides, a powerful Overlord like you should laugh at the face of danger.» that actually made Vox titter.

Anything said by Alastor made him laugh.

«Let me see your smile.»

All of the tentacles attacked at the same time, some caressing his skin, some scratching at the fabric of his clothes. They were under his arms, on his stomach, meaningly attacking his hips.

The laugh that left his throat gave Alastor goosebumps. It was loud, the loudest he had ever heard from him and it was so… carefree.

All the sense of control, the pressure of becoming a powerful Overlord, the high standards the man held on himself all crumbled down. And he was just helplessly laughing in front of his friend, eyes closed, not afraid to be hurt.

Unfortunately for him he was definitely too sensitive though and the moment a tendril flicked his antenna he started to glitch.

«NOHOHOHOHŒĦØ-»

A spark of electricity made the entire place blackout for a moment, before the lights came back on. Alastor looked at the display of power both amazed and awed.

The man was really strong.

«Be careful my friend-» Alastor’s voice came from much closer than before «We wouldn’t want you to short circuit would we?»

He decided to give him a little break.

The moment the tendrils freed him, Vox turned his back and held the counter with both of his hands, looking for stability.

He could not stop the giggles and titters leaving his body, feeling even drunken than before even though the alcohol was starting to wear off.

However, before Vox could stop laughing, a single tentacle snuck under the his shirt, through his sleeve, slowly and gently caressing his underarm with its tip. The small movement was driving Vox mad.

He collapsed on the counter, laughter now pouring out of him. His feet were kicking the air. The free arm was pounding on the surface, not lucid enough to try to free himself.

He let his head rest on the table, the screen tilted toward Alastor.

«Yohohouh bihihihitch.» he giggled before trying to pry away a new tendril that was slipping under his shirt, targeting his stomach.

His feet kicked harder and quicker as he started to hiccup. «Ihi- IHĮĦĮ- chahaæn’ț.» his voice changed and distorted.

Alastor drank another glass, closing his eyes and enjoying the flavour.

«Sooo» he stood up next to the giggling mess. «Do we wanna make a deal?» he asked making his tentacles stop their torture and back away.

Vox took a few seconds to compose himself before lifting his head and facing the other demon.

Giggles were still stuck in his throat, threatening to leave his body at every word. «A deahal?» he straightened his back and fixed his shirt, now turning his entire body towards the friend.

«I’m not selling my soul for some T̵̲̫̈́̉͗̂͆-tickles. You can’t be that stupid.»

«I am not, my friend. And for once I do not care for your soul! Oh no no no! I would like…-» he let the anticipation roll on Vox’s nerves as he approached him with twitching fingers. «-for you to never drink whiskey in such an inconsiderate way. You either taste your liquor or you don’t drink at all. You do not gobble your alcohol. You understand that young man don’t you?» and as he pronounced the last sentence, he started tracing invisible circles on Vox’s sides.

Vox closed his eyes and the giggle that escaped his lips was a mixture of ticklish agony and amusement.

«Are you finding my request funny?» his fingers danced on his sides.

«Oh c’mohohn Ahahal.» he kicked his feet again, very careful not to hit the demon in front of him. «Ihiht is fuhuhucking hilariohohohus.» he managed to say.

Alastor was not amused.

«Well if you think this is hilarious I cannot imagine what you’d think of t̷̥̲͎͇̤̒̈́̔h̵̳̪̰͋̊ȉ̵̭̦̰̊̉̒s̶͈͉͙͕̥̅̚.» as his voice distorted he drilled his thumbs in Vox’s hips, scratching slightly under his clothes.

Vox’s face became black for a few seconds, before returning to his loud self, pounding with his free hands on Alastor’s chest.

«Such a sweet sound.»

«Ḍ̷̙̙̪̏́̏̒͊e҈̫̓̓̈ͅĥ̴̤̖̪̓́͗̀a҉̤̩͙̏̿ĥ̴̤̖̪̓́͗̀a҉̤̩͙̏̿ĥ̴̤̖̪̓́͗̀a҉̤̩͙̏̿l̸̳͓͔͇̗̋͌̈ ḍ̶̣͎͍͇̐̂̉̿̎e̷͎̘͌̈a҈̫͎͆̏̇l̵͉͚͓̃̄ ḍ̶̣͎͍͇̐̂̉̿̎e̷͎̘͌̈e҈̫̓̓̈ͅĥ̴̤̖̪̓́͗̀e҈̫̓̓̈ͅĥ̴̤̖̪̓́͗̀a҈̫͎͆̏̇l̵͉͚͓̃̄.» his glitched and distorted voice came so soft to Alasto’s ear.

Alastor stopped with a chuckle.

«You enjoyed it.» he said before stepping away.

«Oh well don’t think I didn’t notice your tail wagging.» the tv demon whispered with a smile on his face.

Alastor turned himself, hiding his back and his stupid soft tail, a small blush colouring his cheeks.

Vox laughed again, a genuine laugh, and then grabbed his own glass. The older man way eyeing him, fingers ready to summon his power once more.

Vox drank slowly, feeling the warmth of the alcohol. He closed his eyes, enjoying the taste.

Alastor smiled at him, the genuine smile reserved to these late night, where the alcohol in their veins made their heads lighter and their words easier to leave their lips.

The words Alastor pronounced forty-five years ago echoed in the empty room. They sounded sincere, no filter altering them, just honesty and liquor on his tongue.

«You’re like a sparkle in the night Vox. You make this dark world brighter with your smile. Remember that»

Vox closed his eyes and let out a sight. He hugged himself for a moment and let those words sink in, burning his soul.

He allowed himself to feel this way for a few seconds, before turning everything off and straightening his jacket.

He had to go now.

He needed to find out what that pompous old prick was planning.

~~~

I feel like I’ve been working on this fics for a month, but it’s actually been a couple of weeks.

I loved exploring Vox and Alastor’s dynamic and showing Alastor being kind of a mentor for Vox.

Initially Valentino had a part in this fic, but in the end his role got cut off, but who knows! I might explore their relationship and how it affected Vox and Alastor in future fics! In this universe (yeah, the one I created pretty much for this single tickle fic) Al and Vox originally had a strong relationship, something between platonic and romantic, that got ruined when Vox met Valentino and started hanging out with him (Even though I strongly believe that in the serie Vox was the one that fell in love and Alastor was just trying to get something out of him and eventually got tired of Vox and left him)

The first scene felt really like when Hamilton and Burr go drink together at the beginning of the musical ahahahaha.

I don’t know when will I publish the new fic, it will take me a long time before I am able to write so much again.

Let me know what you think guys 🫶🏻🫶🏻🫶🏻

[stranger-theory]

OKAY GUYS.

from what ive noticed about the behind the scenes video, i'm gonna say some shit and you're gonna have to go along with it.

spoilers for st5 production !!

1. Dustin is 1000% getting beat up by the jocks. from what i remember, there was graffiti on Eddies tombstone which means the jocks are gonna be weird and write shit on his grave and then Dustin hops in to stop them, only for him to get some owies.

2. ZERO MILKVAN LMAO.

3. there's a weird scene with Nancy and Mike where they both look upset, Nancy because we can see her whole face but Mike has his eyebrows upturned, so. i'm not sure what it could be but she makes that face when she dissociates and thinks about something depressing so maybe they're talking about Holly's disappearance.

4. WE GOT WILL BYERS LETS FUCKING GOOOOO okay so he's falling from somewhere very high, it seems. i'm assuming he'd climbed the tree in an attempt to escape the demogorgan, only to be knocked off (frightened by lightning?). what if, when he falls, something weird happens before he hits the ground ???? like, powers-wise.

5. Holly is definitely the name in the episode titled "The Vanishing of ***** Wheeler", no way she isn't. she was literally in a room with flashing lights everywhere and the second clip was of her looking scared with some sort of dirty goo on the tips of her hair and her chest.

6. Nancy is actually in the candy striper outfit !! so i'm guessing she goes in the hospital to collect info on something, thats probably what they're going over in the weird basement looking room. maybe something on Max ?

7. Lucas, Dustin and Will seem to be surrounding Mike at the lunch table. Mike looks as if he's writing something down, possibly relating to the radio that's, for some reason, on the table. reminds me of the morse code scene in s2, just not sure how that'd tie in. (also Dustin looks bored in that scene ??)

8. William Byers is either getting Vecna visions or he's experiencing the same thing he was in s2 with the "shadow-walking". i also think he could be lying about it for the sake of keeping others from worrying, like in s2.

9. Hopper doesn't seem to be with others through the entire video, the only clip we get is from the Upside Down. El also doesn't seem to be with others so i'm assuming they're together ??

10. Joyce is veeeery similar in costume design to her s2 self so there's gonna be something similar in terms of plot. considering that both Mike and Will also have the same shoes from s2 but inverted, i'm assuming the dynamic between the three is going to be the same. protective Mike and Joyce.

thats all i have for now ! please share and fill me in on other cool stuff you guys have noticed !!

[hells-wasabii]

Hi I was hoping if maybe you could do Velvette and Carmilla (poly or separate whichever you want to do) with a fem s/o that had a very abusive ex while she was alive like both physical and verbal abuse. She also has a hard time going out because she is terrified that she might run into them again. No pressure though hope you have a good day!😁

A/N: I'm so sorry i didn't write over the weekend, I got so busy it was ridiculous. Should be back to our regularly scheduled broadcast tomorrow! I'll be honest, this ask resonated with me, I immediately knew that I was gonna enjoy writing this one and you'll see why. Like i did last time, I'll be putting one drabble on one post and the other on a separate one with the ask included!

Character: Velvette

Type: Fic (Velvette x fem!reader who had an abusive ex, Angst, Fluff)

She was going to destroy them. And whatever was left of them when she was done, no one would dare touch, else they also wanted their lives burnt to ash.

Velvette was furious, livid. Needless to say, the influencer was on a war path.

Truly, she was glad that you weren’t here to see her like this. You didn’t need another reminder of that stain of a soul, though she wasn’t just going to lie or keep you in the dark. You knew where she was and what she was planning. You had been in tears when she told you in soft whispers that it was going to be okay, that she was going to ‘take care of it’. She was surprised that she had been able to keep her cool until she had left the flat.

Honestly, the influencer knew that she wasn’t supposed to know about the bastard yet. You had wanted to tell her on your own time and she respected that. But that didn’t mean that she hadn’t already suspected. When you would get nervous out in public, looking out into crowds like you were expecting to see a ghost. The flinching early in your relationship anytime she’d so much as graze your arm.

It figured that they were in hell too. It made sense, all things considered. Plus they were probably slippery enough to stay out of the path of any angels during exterminations

It had been such a peaceful day too. The both of your schedules had aligned, Velvette was between projects and you hadn’t had any real plans until later in the night, which said plans were with the overlord anyways.

It had been so long since the two of you had enjoyed a lazy morning together. Velvette was more than content simply enjoying each other’s company on the couch. You had been entangled with your lover, your arms loosely wrapped around her waist while you rest your chin on her shoulder, watching her scroll through her current feed.

She remembered so clearly how tense you became when she came across the picture. Some club goer that she would have completely ignored other wise, had it not been for the fact that you had started trembling. And then you flinched when the overlord had reached out to cup your cheek. She was quick to assure you that you had nothing to apologize for when you offered a dejected ‘sorry’.

And that was how Velvette found out about your only other serious relationship and the story of your death. Through needless apologies and countless tears.

Now, the influencer found herself storming through the halls of Vee Tower with one destination in mind. Vox’s office.

“Vox I need your help.” These were the first words out of her mouth when she burst in through the doors to the video star’s office

“Velvette, I thought you were taking today off?” The video star startled, quickly closing his current video feed. He seemed more than he would have usually. Whether it was because he hadn’t expected to see her or because of how angry she looked, the influencer didn’t know. And frankly, she didn’t give a shit, either. He could keep watching the radio demon like a creep later.

The video star leaned back in his seat when Velvette didn’t offer an answer. So instead he gesturing for the younger overlord to sit. She did not. Lacing his fingers together, Vox took in the sight that was Velvette. She was angry, that much was obvious, but why? She didn’t have any current projects that he could think of, so what in the literal hell could have her so vexed?

“What’s got you on a war path today my dear?” Though his smile didn’t meet his eyes. No, he knew something was very wrong.

“I need a favor.” This seemed to get his attention. In reality, Velvette rarely asked for favours, instead preferring to get shit done herself. Even rarer still, she was here, asking him in person instead of calling or texting him.

Vox turned to her fully now, a serious expression settling upon his screen. “Of course, what do you need?”

“Your reach is farther than mine,” She admitted, her voice soft, betraying the unbridled rage that dwelled beneath the surface. Reaching into her bag she pulled out a photo of demon who had summoned her ire, sliding a photo across his desk to show him. An eyebrow raise, the older sinner took the photo in his hand.

Mostly uninterested, Vox really wasn’t sure what he was looking at. The picture was ordinary, some demon taking a selfie at a club. Looked like some regular old schmuck to him. Returning his gaze back to his youngest cohort, he found her glaring at the offending photo so hard that he was surprised it didn’t burst into flames right there in his hand. Just to be safe, he put the photo back down on his desk.

“And what exactly did this poor bastard do to piss you off this bad?”

“That’s the fucker who used to beat on my girl.” Velvette all but hissed out, glarring down at the picture. Then, she spoke again, softer, her voice nearly trembling as a more grave expression took to her face. “They killed her, too.”

Vox froze, his screen flickering as his own temper spiked at the revelation. You were good for Velvette. He actually liked you, which was more than he could say about any other demon that the influencer had brought around the tower. Val liked you just as much. He was going to be pissed if he was left out of the fun, the video star noted as he shot the moth demon a quick text to get his ass to his office. Vox’s lips split into a vicious grin, his voice low, practically a growl as he forced out a: “Well, lets get to work then, shall we?”

[evenstar]

TOKYO BABYLON FST: BOX

what's poppin TyoBabi fandom, I got a present for you

.zip File Download: DISCS 1 & 2 (109MB)

This FST is basically an in-depth run down of the collection of songs that were sung/mentioned/in the "VOL. 7/BOX" chapter of Tokyo Babylon 5, with some info about the artists and songs themselves. This, as far as I know, is the most thorough run-through of the music of "BOX" on the English web! I've divided it into two "discs", the first being the songs mentioned themselves, and the second being a few fun related extras. You can check out the second disc over on Radio Free T.Y.O, if you're interested ♥

Ginza no Koi no Monogatari

銀座の恋の物語 - "Ginza Love Story" 石原裕次郎・牧村旬子 - Ishihara Yuujirou and Makimura Junko mp3 download || youtube

The song that Seishirou and Hokuto are pouring their very souls into to perform in the beginning of the chapter. Released in 1961, this a smoky, jazzy duet typical of its time, telling the story of two star-crossed lovers, one in Tokyo and one in Ginza. It was an immediate hit, even having a movie based upon it made, starring Ishihara-san in the lead role. It's a staple duet in karaoke even to this day.

Nakanaide

泣かないで - "Don't Cry" 舘ひろし - Tachi Hiroshi mp3 download || youtube

The song that the random selector spits up for Subaru to sing, which Sei-chan subsequently picks up after sending him off to buy cigarettes/exorcise the OL. This was released in 1984, by Tachi Hiroshi, a singer and actor who became quite the sensation when he had a starring role in 西部警察 (Seibu Keisatsu; "Western Police") -- incidentally, directed by the abovementioned Ishihara-san, as you'd have it. "Nakanaide" was a hit, coming in 59th on the ORICON's 1984 top singles list. It's from his seventh album In the Mood.

Nanpasen

難破船 - "Shipwreck" 中森明菜 - Nakamori Akina m4a download || youtube

The song that the OL ghost sings. A dark and heartfelt song about a dying love, it was a massive hit when it was released in 1987, shooting straight to the top of the ORICON charts (as Nakamori-san's 17th number one hit), and has been a karaoke regular since then, just as the OL says in the chapter. Originally written and performed by the very respected Kato Tokiko for her 最後のダンスパーティ (Saigo no Dance Party; "Last Dance Party") album of 1984; she personally requested that Nakamori-san perform the song. It's been covered countless times, including by the original singer/songwriter and the cover artist themselves.

Daite...

抱いて… - "Hold Me..." 松田聖子 - Matsuda Seiko mp3 download || youtube

Not actually sung, but the OL ghost suggests she'd like to sing it next. A dramatic and emotional slice of idol pop from the Eternal Idol herself, Matsuda Seiko (who also performs "Who's That Boy", found on Single White). Released in 1987 as a promo-only single from her fifteenth studio album, 1988's Citron. Despite never being released as an official single, it's one of Matsuda's more popular songs, especially karaoke-wise. It's rather interesting that the OL picks a Matsuda song directly after a Nakamori Akina track -- the pair were notorious rivals in the 80s, supposedly even in love.

Benkyo no Uta

勉强の歌 - "Study Song" 森高千里 - Moritaka Chisato mp3 download || youtube

The song Hokuto is singing when Subaru attempts to sneak back into the karaoke box. Released in 1991, it peaked at #4 on the ORICON charts, and was remixed on Moritaka's second remix album as ザ・勉強の歌 (Za・Benkyo no Uta; "The・Study Song"). It was used as the opening theme to the anime TV series "Mischievous Twins: The Tales of St. Clare's". It's a totally gimmicky song (complete with voguing in the very weird video clip), though cheerful and catchy, so its popularity on the karaoke circuit at the time shouldn't surprise anyone. (You just know that Hokuto unironically adored this song, and drove Subaru batty by singing it at every opportunity.)

Wakaretemo Suki na Hito

別れても好きな人 - "Beloved Even if We're Separated" ロス・インディオス＆シルヴィア - Los Indios & Silvia mp3 download || youtube

The song that Hokuto announces Subaru should sing with Seishirou as punishment for being late. Another staple in the duets section of karaoke, still, this 1979 release was actually a cover. The song was released by two Toshiba EMI artists, Matsudaira Kemeko and the Purple Shadows, respectively, in 1969. In October 1975, Los Indios released a single-voice version, and in 1979 it was rearranged as a male and female duet, with some lyrics changed slightly. The song was an instant hit, and by 1980, it had sold a million copies.

[strawberrybyers]

okay so after that video was posted of the screams at the radio station, i remembered i wanted to look up info on what these episode titles mean and i think it gives some insight as to what the hell is going on at that radio station. so yeah let’s get into it 👇

first things first: the episode titles of the first 6 episodes has been released via jeff sneider. apparently sneider is an award-winning film critic so idk i imagine this would be legit considering he wouldn’t want to lose his credibility considering his status?? but who knows

episode 1: the crawl ( i wrote about this episode when they first announced the title)

episode 2: the vanishing of ***** wheeler (personally i think it’s karen going missing. it just makes so much sense to me. she had her own poster for s4. she has had contact with the mindflayer when she tried to have an affair with billy when he was a host. there’s interesting parallels between karen and the creel family. like karen is going missing i just know it. and nancy also said in s4 that something happened to her mom in one of the visions vecna showed her!)

episode 3: the turbow trap (ok so apparently a turbo trap is an acoustic tool?? so my assumption after reading up on it, is that a turbo trap basically absorbs the bass through the tube of it because there is a hole on the top of it and depending on the size of hole, dictates the air flow which then puts out a certain frequency. basically, the more air a turbo trap can “trap”, the lower the frequency it can reach. i imagine they are going to be creating a big turbo trap involving music and/or sound since that is a deterrent for vecna and it also attracts the demo bats?? and they’re also filming at the radio station a lot and radio stations are frequencies (think FM and AM radio stations you go to to listen to music or the news or whatever))

episode 4: the sorcerer (i mean my immediate thoughts went to el, but then after reading some D&D lore about the connection a sorcerer has with dragons (imagery/mentions of dragons throughout the seasons and the painting was of the party up against a dragon), a possible touch of a demon (vecna/mindflayer), and the mention of how they’re competitive to the usefulness of wizards (will the wise) in a party… i’m like holy shit is the sorcerer potentially WILL????? like will finally evolves to becoming a sorcerer in s5?? or the sorcerer is el and will remains the wizard and we get the super duo willel???)

episode 5: shock jock (this is the definition of a shock jock. i’m thinking which character would fit this description and i say it’s murray. that would also make sense as to why he’s filmed there at the radio station. remember murray’s character was introduced as someone who was investigating the russians and the lab and all that, so for him to start a radio station being the “humorous, controversial guy” in all this mess makes 100% of sense to me lmao)

episode 6: escape from camazotz (i feel like this title gives some insight as to what the hell was going on in the new footage of screaming at the radio station. a camazotz is basically a death bat. i assume it’s the demo bats making a comeback from s4. but here’s the thing: a camazotz is described in one description from some computer game to have a very specific screech. if this screech, hits an enemy god then the sound wave will echo. just think back to the explanation of the turbo trap and what that does. so yeah, i think camazotz are at the radio station and the screeching was THEM. the screams sounded so chilling thinking it was steve or someone else, but i don’t think it was human screams! i think they were demo bat screeches 😎 also, steve was attacked by one of these things so idk does he have some connection with them now and that’s why they’re after him???)

[39oa]

top 3 landoscar moments <3

miss risa you have no idea how difficult this was i think this is like 20x the acceptable length of what this prompt called for.

honorable mentions: not one specific moment but any instance of 1) lando constantly giving oscar the opportunity to win in the final round (see winner-takes-all during summer games + 100-point ultimatum in mini golf), i think if we tallied all their wins by round over the course of mclaren pr videos he'd honestly be above oscar by now, 2) lando being obessed with saying OSCUHHHH like it's an actual filler word he's ingrained into his basal speech patterns instead of his legal name, and 3) obviously oscar hearts-eyeing lando's entire existence in general though i think one great moment is the virgin radio uk appearance because why were they still managing to exchange extremely charged eye contact throughout 14 minutes of zak brown sitting between them. brah

other hms include ice bath video just because them making those sounds at each other was objectively hilarious, the cricket match-up (lando getting all worked up like "nice and easy oscar or else i'll take you off in the next race!!!" "i'm just worried about oscar, i feel like he's a silent killer you know" "oscahhh ): let me get you out mate ))):" and then oscar nonchalantly going Well it's only lando bowling i'll be fine. and immediately decimating him with his aussie schoolboy cricket prowess lmfao), suzuka in general but more specifically oscar not being prepared in the slightest to get absolutely doused by lando on the podium after he foksmashed his champagne, and also underrated landoscar moment is definitely oscar submitting the lando P3NI5 photo to a neural network image guesser.

ok let me get onto the actual list but thongs debate too just because lando obviously Knew but was doing it to be a little shit... in general i think what's fun to me about landoscar is that they've become quite natural in a sort of quiet domestic way so i like any moment that shows off their wordless communication, or alternatively oscar's endless level of patience + tolerance toward lando (listening to whatever pre-race music he blasts / silently giggling at his antics during the cake decoration video). like it's kind of funny when lando pretends in any way that he's miles more hilarious than oscar is because 1) he literally has the exact same sarcastic sense of humor, 2) 80% of his humor is a defense mechanism anyway, and 3) he's probably even more baseline introverted than oscar is (omg i could write a thesis on their social media presences but i won't.) and whenever people talked about how carlando were So Funny as teammates and mistakenly ascribed effusiveness to lando's character in response to their dynamic it quickly became apparent later on that carlos was always the one bringing this out in lando and not the other way around so... like i think their humor matches up well just in subtle moments aka the post-double podium video where oscar is like eyeing the way lando is holding his trophy at the start and then lando gets embarrassed and they start giggling while poor andrea is trying to make his speech like If you two don't stop!!

ANYWAY THE LIST:

🥉 twister: not really because it tells me anything wrt aspects of their dynamic but just because it's SO RIDICULOUS AND UNHINGED. first of all it's such a stunning instance of lando being better at something than oscar is but then the something is literally just being flexible so that's already a large enough indictment there (why are you as a man only good at golfing and being a little gaybo... i won't). but like [face-to-face with oscar's ass while folded up like a little pretzel] "what a sight that is" / "OSCUHH" x5 WHILE HIS VOICE IS LITERALLY GOING HOARSE IN THE PROCESS / and of course the most formative "YOUR LEFT FOOT IS NOT GOING BETWEEN MY LEGS!!!" actually dynamics-wise this WAS informative in that it proved to us that oscar will always be the first to lose at gay chicken. amen

🥈 sportbible green flag video: i think this video deserves to be slotted in at #2 because it's from when their teammate dynamic was still somewhat fresh but it proved to me that oscar was capable of Handling lando... like lando was clearly On One here and saying the most genuinely unhinged shit and somehow oscar still managed to find him funny and charming?!?? which i think is important because as much as oscar has always been characterized as chill and accepting there have been instances of him being genuinely flabbergasted and/or frustrated during his prema days which is of course also a reflection of age and natural maturity, but i still feel like specifically with lando he is SOOOOO TOLERANT of all his particularities and FOR WHATTTTTT. but also you can see during the >LOOK AT YOU WITH YOUR STUPID GOATEE ON moment that this was when lando was starting to understand that oscar wouldn't bend to everything he said and could be witty and incisive (silent killer) when he wanted to be and i think this is important as well in determining the equal footing of their dynamic. tbh my favorite moment here is the entire astrology question because of lando confidently assigning oscar piscesisms when that couldn't be any further from the truth. go off king of rejecting logical reasoning

🥇 LANDO'S BIGGEST FAN INCIDENT: this is #1 to me for so many reasons aka 1) i think this was formative to landoscar taking off as a ship in general because it spanned multiple fics but also 2) this was Personally what convinced Me to actually invest in 814 ship stonks because beforehand i was like "ok clearly oscar likes lando as a teammate and lando thinks oscar is a little lame and dry (in a mildly derogatory instead of fond way) and also oscar is just an attentive listener in general so his heart eyes disposition is mildly exaggerated" but then i watched this and it rewired my brain chemistry. the way we were still skeptics in august... 

this whole fanmeeting is insane for several reasons but basically it boggles my mind because the entire exchange starts from the moment oscar is DESCRIBING HOW LARGE HIS NECK HAS GOTTEN which means lando is like sitting there quietly cataloguing the size of his body while oscar gets mildly flustered by the nature of the conversation and then lando deliberately cuts in like mate i'll buy you a new shirt and you can tell you can TELLLLL he was sitting on that response making sure it read well in his head. also it's doubly insane because when oscar responds that he'll get him a smaller shirt to strangle him they're both clearly interpreting it in bad faith like "you just want to get rid of me because i'm your competition xD" but then for whatever reason lando decides to make it Exceedingly weird 5 seconds later and his VOICE LITERALLY CRACKSSSS WHEN HE SAYS HE'LL BUY HIM A SEE-THROUGH SHIRT???????? like what's all this then. why did he essentially call oscar fit. why did he default to his little fantasy of seeing Known Bad Dresser oscar piastri in a shirt detailing lando's possession of his affections. genuinely calamitous levels of embarrassing for everyone involved i don't even know what to say.

ok i'll stop but hopefully this was informative <3 i'm so sorry

edit: omg i forgot to mention this but also the iconic silverstone fan stage side-hug and lando's whole face lighting up when he realized oscar was the one initiating physical contact!!!! 😵‍💫😵‍💫😵‍💫

[atlitudes]

I'm Cataloging Every Occurrence of the Piano in Malevolent in a Spreadsheet for Leitmotif Analysis. No, I'm Not Kidding.

As the title of this post reads, I've spent the last few weeks listening to every episode of Malevolent and logging every time the piano is heard (both within the story and as background score), to analyze the data for leitmotif/music based theory-crafting. I originally was planning on getting through the entire series before posting anything, but I am very quickly realizing that this is going to take me a while, and I start a new semester in two weeks, so there is a high likelihood I will not finish before I get too busy to chug through as many episodes a day as I am now. I'm on episode 16/44 and I've already logged 137 instances of piano music. I'm not even halfway done. And this is all I've been doing for the past multiple days. For this reason, I've decided to post the link to the spreadsheet before finishing.

If you're familiar with Malevolent, and just how much music is in it, you might be asking, "OP, are you utterly fucking insane?" And well, dear reader, the answer to that is probably yes, but while you might call it madness, I call it love. So, before getting into the meat of things, I wanted to explain why I even decided to do this. Spoilers ahead for Malevolent (obvious, but yeah). If you don't give a single shit about why I did this and want to get straight to the sheet, scroll to the bottom for the link.

So. About 2 weeks ago I finished my first listen-through of Malevolent. One thing about the most recent episodes struck me as very very significant: John and Arthur's "collective force" being titled as the Dies Irae.

Now, a full-bodied explanation of why I find this so important and the possible implications will come at a later date, but long story short, the Dies Irae is a very significant piece of musical literature-- it is, perhaps, the most commonly quoted leitmotif of the past 800 years, and it symbolizes death. So, understandably, the Themes of this kinda sent me down a spiral.

But the Dies Irae being mentioned in such a way also got me thinking: music is a pretty integral part of Malevolent. So, is the Dies Irae quoted anywhere in its soundtrack? I suddenly got very very excited at this prospect, particularly if it might be in Faroe's Song, because well... god that would hurt lol. I scoured the available songs on the bandcamp aaaaand... no luck (as far as I can tell). Regardless, even if the Dies Irae wasn't a part of the soundtrack, I became curious about what kind of leitmotifs were in the podcast, and what they might mean. And so, the spreadsheet was born.

I explain this in the User Guide part of the sheet (please read it before going through the rest btw), but I only track the piano parts of the podcast. The reason for this is two-fold:

First, score wise, piano is very easy for me to pick apart, and I don't see a lot of significance in the suspenseful string music for horror moments (though I don't deny there might be something to it, I simply won't be able to find it.) To me, the piano is also significantly more important than the strings because it's a notable part of the story-- Arthur and his relation to the instrument is a key part of the plot, and multiple of the piano compositions are made by him. For this reason, I found tracking the piano in the podcast worthwhile.

Second, I also don't touch any of the non-original radio tracks in the podcast (i.e. You Call It Madness (I Call It Love)) because this video by The Final Fantasmagorie already does an excellent job of covering them (please check it out!!), and I felt it would be redundant, especially considering the astronomical amount of ground I already have to cover. If these tracks start being featured as leitmotifs in the piano music then... well, I might change my mind, but so far, no dice.

If I noticed a non-piano piece of music (such as the wraith humming in Ep3) that I haven't found any analysis of whatsoever, I also noted it just so there was some record. Other than that, just piano tracks.

Explanations and disclaimers out of the way, here is the link to the spreadsheet. I might open it up to comments and/or editors at some point, but for now, it's just available to viewers. Once again, please read the disclaimer and user guide before the rest of the sheets.

Thanks for reading, I know this was a very long post, and I appreciate it if you've beared with me! Enjoy!

[am-i-interrupting]

How Autism Effects Them

For Me. Hi, I’m autistic and I write these specific characters with autism in mind. Here’s how it effects my writing of them.

Alastor

Alastor is a sensory avoidant autistic with the PDA profile.

He avoids touch unless specifically initiated by him or someone he trusts.

He cannot stand any type of soft touch and is much more receptive to strong grips.

Part of the reason he employed Niffty is because of her obsessive cleaning and his need for things to be orderly but lack of willpower or energy to clean.

He has a specific way of organizing things and Niffty quickly caught on and adopted those same values.

He avoids going certain places due to sounds which may occur. Specifically retaining to music.

He enjoys Jazz, swing, classical, and blues. That is it.

Being sensory avoidant, does not mean, however, that he never seeks sensory stimulation. It is just something he does not do often.

One of the biggest ways he seeks some sort of new experience, sensory or emotion wise, is actually through his planned chaos like with the Hotel. A situation he has some control over and sway in how it goes.

The main stimulation he will look for is the feeling of blood between his teeth and fingers or the best of his favorite songs. Though, he also enjoys the smells and tastes of various spices.

(Personally, I am of the belief that dancing is a stim that he participates in because it’s socially acceptable.)

He is very in touch with his needs and what his body communicates to him even if he doesn’t always have words to describe them.

The PDA profile of autism is known as Pathological Demand Avoidance or, preferred by many PDA-era, Persistent Drive for Autonomy. This often shows up as feeling like anything perceived as a demand is a threat and reacting accordingly.

This results in despite him knowing what his body needs, he refuses to give in to it.

How dare his body tell him to sleep, he is in the middle of very important things that he does not want to stop doing and will stay up even longer to spite his body.

How dare Charlie and Vaggie insist he use video when his radio station is perfectly available, he will mess it up out of spite.

His special interests are actually radio and body anatomy. This fueled both his career choices.

Lucifer

Lucifer is a depressed, anxiety ridden AuDHD king.

He hyperfixates on his projects and forgets to eat, drink, even go to the bathroom.

He struggles with keeping relationships.

You send him a message, he forgets to reply, remembers to reply two weeks later, spends another week debating whether or not it’s too late to reply before finally replying or just starting a new conversation.

He is easily overwhelmed in social situations and cannot maintain multiple conversations at once.

He will fixate on one person and only reply to them.

Just barges in on conversations and chimes in when initiated at inappropriate times.

He bounces between needing complete silence, a specific noise, or an amount of noise that would overwhelm others constantly.

Vaggie

Vaggie is an autistic who has alexthymia.

She’s very monotoned and doesn’t know how to express her emotions because frankly, she doesn’t always know what they are.

It’s like there’s some disconnect between her thoughts and her body.

She’s not very good at articulating what she feels or connecting what her body is experiencing to her emotions.

She actually has a journal filled with bodily descriptions and how they connect to what she thinks she should be feeling. It helps her describe them to you better.

She doesn’t just have a disconnect with her feelings but her body as a whole.

She does not process things that should be painful as painful.

Her brain doesn’t always compute what signals her body is giving her so she can often forget to eat, drink, go to the bathroom, sleep.

She has certain rituals she does in order to try to connect better with her body and understand what it needs.

Every morning while she’s getting ready, she needs complete silence so she can connect.

She goes through the motions of brushing her hair and takes note of how it feels before and after. She does the same with brushing her teeth.

A couple times every day, she just has to stop everything, find a quiet place, and try to understand what her body is telling her.

Vox

Vox has the PDA profile of autism, is sensory seeking, and has OCD-like tendencies.

See Alastor, point 13 for definition of PDA.

His PDA comes up in a much more controlling way than Alastor’s. Or at least obviously controlling.

He needs everything to go a specific way and gets very disregulated when it doesn’t.

I feel like this also makes his RSD (rejection sensitivity dysphoria) worse.

Not only does he have the disappointment and feeling of failure when he is rejected or dismissed but he also has the emotional disregulation of his PDA which makes him feel like he’s been threatened and in danger to deal with on top of this.

His PDA often results in his use of manipulation and hypnosis over the general populace to ensure a favorable outcome for him.

If he is told to do something and there’s no way out of doing it, he will coerce the situation into something that at least feels like he has control over it.

However, if he does have a way out of it. He simply won’t do it or will purposefully do it wrong.

If you ask him to do something that he was already doing, he will walk away and come back to do it later when you’re gone.

His sensory seeking behavior is often like how we were introduced to him, plugging himself into his systems and being bombarded with the sounds of people.

He does this to regulate.

It’s cathartic to him in the same way blasting loud music when you’re upset is.

His main source of stimulation is through noise and sight.

He finds things like bright lights a calming thing as well.

He is a bit sensory avoidant though but it shows up very differently to Alastor’s.

It shows up in the form of constant cleanliness, yes, but Alastor finds cleanliness soft, unstained rugs and polished wooden desks whereas Vox finds it in a much more modern style.

Counters that don’t have a single finger print on them. Floors that are tile and shining, always looking freshly waxed.

Alastor’s version of clean is warm and homely. Vox’s version of clean is cold and slick.

This also plays into his OCD-like tendencies.

For Alastor it’s an annoyance when these things get out of place. For Vox it’ll ruin his entire day and he has to rearrange his schedule in order to fix it.

Another sensory experience he avoids would be strong smells. He cannot cope with them as they overwhelm him, along with taste.

His part of the tower is very pristine and actually very cold temperature wise not only because he enjoys colder temperatures but they also prevent him from overheating when he’s upset or just feeling strong emotions.

Going to the other parts of the tower are not something he enjoys.

Velvette’s normally smells of strong perfumes and Valentino’s smells of a combination of perfume and sex.

[l-a-l-o-u]

if you had to pick just one category of creative works to partake in, which one would it be?

[frankendykez]

What r ur oc stories about?

OMG HIHI I NEVER HAD SOMEONE OUTSIDE OF MY CURRENT FRIENDS ACTUALLY ASK BEFORE UMMMM OKAY SO. i have 3! main oc stories that i Really care about at the moment but im Deeply fixated on mainly 1 of them but im gonna start with the one ive been liek "promoting" the most in a sense!! under read more cuz im gonna try to exlain all three of them bless. sorry if i seem overly passionate oops i was TRYING to summarise im sorry its so long u rlly dont Have to read All of it

Forgotten Man's Symphony

his (louis manoir) character is basically a spin off from a character mentioned in the novel frankensetin exactly (1) time by name in elizabeth's letter and by far he is the most organised oc of mine cuz we do actually have a clean, understandable summary doc (thought it is a tad bit outdated but its okay). shes like the most Normal narrative-wise i suppose so i'm not exactly sure on how to explain the plot of forgotten man's symphony it's just like??? him ruining his life in front of the reader and then #Healing?? i guess?? the story is an epistolary that starts with louis' Suicide Letter. so like. yeah. BUT!! i suppose i would say his story very much concerns the concept of like identity (including gender and such she would be considred either transfemme/bigender by the modern world but also idfk cuz i made her complicated and confusing on purpose) and also the lack thereof + the negative impact that comes with trying so hard to fit into the societal norms and what people Want you to be but you just Can't be, cutting away bits of yourself to fit through some sort of hole representing the perfect version of you until theres nothing left of Who You Are expect a palatable and small version yk?? and the the endless pursuit of wanting to be loved that leads yourself to changing and changing for people who just wont care or love you for realsies + @rosaniruby 's words "making it even like that so its not YOU who is loving and being loved but the dim visage of a version of you that fits the picture of what society loves; that it's not a love between individuals, it's the love for a society that cannot ever love anything because it was made to hate. and who believes that portrayal of love will not find it and forever be stuck. smth like society loves what it deems as perfect and hates the imperfect, since perfect doesn't exist it can only do the second one. and louis wanted to love perfect victor, hated his own imperfect self. but the perfect victor doesnt exists, and neither does any version of louis."

i like her he's great. sorry if that was less telling u WHAT his story is and more like Explaining the "themes" as theyre called of the story but idrk how to describe nromal stuff so TAKE WHAT U CAN GET!!! anyways,

Domus Carnis: The Transmutation of Guinevere Manor

idk if you're aware but i have a hyperfix on architectural horror and i DON'T MEAN SCARY GHOSTS AND SERIAL ILLERS IN AN ABANDONED HOUSE I MEAN HAUNTED HOUSES THAT ARE ALIVE THAT IS A METAPHOR FOR PTSD FROM CHILDHOOD TRAUMA ETC ETC!! this story By making it started my whole obsession with the House it's crazy... scary even.. (i recommend you watch jacob geller's video essay about houses) i really do like domus carnis but it's. Messy to say the least. i do feel as if i ought to change the time period it's set in to avoid talking about the wars going on in the time period i accidentally set it in without realising but im procrastinating on that rn. it was Suppose to be late 1800s to early 1900s..

in a few simple words: flesh-and-bone made lesbian sex house. does that get your attention yet. bless

domus carnis (which literally means flesh house in latin or something) will be written in the POV of a 40ish year old widowed woman by the name of harriet wren's diary entries, occasionally switching to the POV of her 20-something year old godson percival who is like old timey jake paul and hes like either a journalistt or a radio host depending if i choose to change the time period or not. we follow them after harriet's husband dies of whatever and they find out he has a large property in a foreign country of which they had not known of prior

somewhere in germany there is a house of ex-aristocrats that no longer live there that is Alive. the House becomes alive because it is in a sense "possesed" (not haunted) the ghost of kathryna von guinevere who was the last one to die in the house, who, in life, was incredibly obsessed with The House for reasons that i fear are too long to explain without boring you and going into info pre-story?? anyways, when she "posseses" the house, the materials of the house shift to flesh, blood and bone because it Materially becomes her body. now, it would be hard to accurately label what represents what body part, because it's all strangely jumbled up and isn't like really human anatomy either cuz kathryna Can in fact see inside herself?? anyways whatever. now, the house is now both her body AND her mind. i have taken the phrase "haunted by memories/trauma" and turned it literal. the house IS haunted, but most of the ghosts aren't ghosts, theyre mostly all manifestation of Memory from her life because she actively is replaying the speech and actions of other people IN her mind to process the (typically traumatic) events of which she's seen or experienced. the ghosts CANNOT do as they please because they only exist at all Due to kathryna remembering them in these specific scenes. the hauntings include scenes of people, sounds, and shadows. unless the "scene" has a mirror, you cannot see kathy directly because you are witnessin things through HER eyes, which makes memories from wee childhood interesting because im wondering if i should make the "people" seem wayy bigger than the viewer if stuff is replayed from childhood..

i really like the fact that a lot of this is based on memory because it opens a lot of doors to me when it comes to the appearance of hauntings. my friend showed me this video depicting neurons forgetting how a face looks like, and i feel as if i could use that in the story because well, realistically kathy isnt going to have a Pristine memory cuz she Was just a human before, not to mention the fact shes already suppose to have issues on facial recognition/rememberance (my friend with these sisues suggetsed htis). the alteration of the ghosts' bodies could be fucked with even more if i try to make use and research into the way that people (mostly children) can in fact like.... change the image of something traumatic in their brain and make it less scary bc the brain is trying to protect them? yeah. AND ALSO the fact that a lot of people forgets certain aspects of their trauma due to their brain trying to protect them as well but still have this feeling of Unease when it comes o specific things that they cant explain, i could incorporate this feeling in certain areas of the House, the strange uneasiness. i experience that myself so i hope ill portray it right!!

i Think that's it?? at least that should be the bare bones of the story... i have a pin board tho if u want to check it out!!

The Epinicium

THIS is the stupid fucking thnag thats ruining my entire life rn. i love it i hate it whagever man. THIS ONE ill keep short and simple because im too fucking mentally ill about it to explain in depth without being asked questions

so basically its fantasy world but not like. Completely new high fantasy i very loosely based the countries off of like real countries and stuff bc lazy as shite so its like mid fantasy maybe HOWEVER

basically its set in this world where theres a shit ton of religions and gods and shit and theres three categories of religions (the world is veyr uhnm. Categorical idk): earth, science and the arts. basically the arts religions are the majority and the gods of those religions are called the muses so thats what i'll be calling them from now on. the basic plot of epinicium is about the muses of the music religion declaring that humanity doesnt treat music as "holy enough" anymore and taking it away as a whole (songbirds go extinct as well which is importnat) which also fucks up the other arts religionsdue to the fact that artforms are very connected but they still exist yk and centuries later our main cast attempts to bring it back!!! we have this server with a channel that has the "summary" but its not a real summary its just an already outdated infodump but we are Trying to fill this doc but we're failing really hard but friendship is magic idk.

fin.

anyways thats. pretty much it i think im sorry its too long once again 😭😭 feel free to ask question esp on the epinicium!! id love to hear abt ur ocs btw ive yapped so much oops

[dallasgallant]

Time period post: Terminology and technology

This started as quick and easy smaller one but it’s sort of diverged into subsections, anyways… this’ll be on some of the existing technology and terminology of them time. There was actually a far bit more than you’d assume.

Let’s start terminology wise. “Refrigerated air” is still one of my favorites that I’ve discovered, it basically means that a building is air conditioned! HUGE! NEW THING! It was being added to motels, businesses - homes eventually etc. so a motel being “Refrigerated air, color Tv, swimming pool” is a really damn nice place. Now days motels seem to be looked down upon but they’ve always been a huge part of the culture, especially when cars were new and big and the height of road trips back in the 1950s-60s. (Howard Johnsons , holiday inn etc) this was also the height of roadside attractions/tourist traps think ‘worlds largest’ anything, Route 66 (before it crumped into the remains of today)

~

Another terminology heavy thing is Schooling,

Back in the day it was much more common to hear “Primary school” in America than it is now an alternative is Grammar school - both of which being daycare-Elementary. Then “junior high” was more common than Middle school

But in a smaller town it’s also common to have more than one if not all of these schools and grade levels shoved into one huge building.

Corporal punishment- hitting students, was still a thing. (Also the argument of basically student rights/are people when it came to anti war protest in high schools)

Desegregation of schools began.

Schools also started later in the morning but still got out at a decent time; this changed in the 1980s

~

As for general terminology a lot of slang is still used today that was introduced in the 60s, I’d recommend looking it up but for JD specific stuff I do have a post up!

It’s also important to recognize some of their language would be outdated… not actively out to harm but they wouldn’t have knowledge of language 50+ years in the future etc. (like how a lot of older phrases or words have become offensive etc)

~

As for technology, a lot was changing too. The computer was still new and huge— spanning rooms as this huge mechanical thing that was going to get man to the moon. Still far from being in homes. However, still a lot of neat stuff and gadgets for people to play with.

The 60s are really the height of what we’d now consider “Retrofuturism” with how maybe one day they’ll be huge video screens and transporters and video watches and world peace etc. there was a obsession with progress and innovation in a very optimistic way.

Though if you wanted to transport your music (and weren’t going to carry a huge ass record player around) you have small portable radios but also hand/shirt pocket ones as well. I can’t speak to sound quality …

Phones were still on the wall or on the table. Color tv was slowly being adopted in households across the country— but still pretty $$$ a lot of people would be sticking with B&W even if tv and movies were making the more permanent switch.

So uh fun fact about cars. It wasn’t until 1968 models came out that seatbelts were standard and required. It’s more than likely the boys cars don’t have seatbelts. (They were invented in the late 50s and it sort of depended)

Bench seats were also super common so it didn’t matter which side of a car you got into as you could just slide across. You can see where this only adds to teen car culture- make out points, drive ins with some uh backseat bingo (actual term! Lmao)

[hooked-on-elvis]

Interviews for 'Elvis On Tour' documentary (1972) ✨

One of my favorites (if not THE favorite) Elvis Presley interviews. ♥

Producer and director Pierre Adidge & Robert Abel interviewed Elvis for the 1972 film "Elvis On Tour". Very limited snippets were used in the final movie, but luckily we have the full audio interview to enjoy. The exact date or location of this interview above isn't certain — some places say it can possibly have been Los Angeles around July '72, other places say March 31st 1972 at Radio Recorders Studio, Hollywood, CA (if so, that would be before the concerts filmed for the "EOT" documentary took place in April that year). There is actually footage from an interview in March 31, 1972 (also by Adidge and Abel) as you can watch it HERE [Youtube], but the audio interview above I'm not sure when it happened other than the year.

Either way, the questions made Elvis revisit his whole career, making him share his memories from way back when he was only a child performing in front of a live audience as an amateur, his early career in music, the feelings he had about his audience, his fans and performing live, and even his actor years in Hollywood.

There's great moments in those two interviews, funny and very interesting ones, but I also feel so sad when EP talks about his acting career. You can feel the profound sadness in his voice, disappointed his dream (because it was a dream for him, becoming a serious actor) turned out to be such a headache, something that took his peace of mind and, worse, his health away. At the same time Elvis was mature enough not to blame anyone but himself for his "failure" in Hollywood (failure in personal satisfaction wise, not success or financial wise), for the kind of material he put himself through in Hollywood.

Really, this whole interview is a must 'see' for all Elvis fans.

Above, a snippet from that 1972 interview, showing the humble guy that Elvis was. The "down to earth" real person his friends as well as entertainment world people mentioned many time over the years when talking about EP that got them in awe when meeting Elvis in person. A personality trait inherent to him, which is amazing for someone as big as he was/is.

Again, I will never cease to talk about how "Elvis On Tour" is such a masterpiece for so many different reasons, such as this interview. We have a few intimate Elvis interviews in the 50s, from articles to radio interviews, but in the 70s it was not that easy to get this kind of access to Elvis anymore; long-length interviews other than during press conferences were rarity.

Note: The pictures on the videos above are from July, 1972. Elvis is at the gates of his Beverly Hills home, visiting with fans, so those pics are not from the interview moment.

This picture comes from the other Adidge/Abel Elvis interview, the one with footage; March 31, 1972, in Hollywood, California.