#but those episodes are few and far between | Explore Tumblr posts and blogs

shadowsndaisies · 2 months ago

Text

codename: nightingale- auld acquaintances

reference: young justice season 1 episode 26

wc: 10.3k

synopsis: well shit gets real, conner yeets ng and robin, all while, ng reminds us why she’s the best, and the otp(s) get their shit (collectively and respectively) together

main masterlist

codename: nightingale series masterlist

a/n: I CANNOT BELIEVE I DID IT. you guys and your support have carried me though this process and the many YEARS it took me to get to this point. I have loved writing this since the beginning and I still do. Thank you for loving this story and the characters as much as I do. Enjoy!

MOUNT JUSTICE

December 31st, 03:12 EST

The cave was quiet as you zeta’d in. You’d only managed a few hours of sleep before you woke up in a fit. Ollie’s penthouse was silent though. And a quick check through the security system told you no one but you was home, in fact no one had come home, since you had. The team had made the decision to host a debrief at 0730, the next day, allowing everyone (mostly you) to recenter.

Given that the penthouse was empty, you decided to head to the cave early, if you were lucky, you’d be able to check the logs and see if Ollie, Dinah, and Roy were still up in the Watchtower or not.

“Recognized: Nightingale b-14,” the computer’s voice echoed in the darkness of the cave, and a couple of light flickered on in response.

“Computer, pull Zeta logs for the last 24 hours to the Watchtower, Nightingale Access delta echo charlie zero six,” you call out your code after a brief look assures that you’re the only one around.

“Access Denied,” the computer’s response throws you off guard as you pull up a screen, but you’re treated to a red screen.

“Under who’s authority?”

“Designation 0-2.”

“Batman?” you whisper the answer to yourself, but you can’t understand why. You’ve had access to the Watch Tower logs since Ollie and Dinah told you about the tower. You couldn’t get there without them, but you could access the logs to see who’s there currently, and you could usually see the calendar to know when Dinah and Ollie were scheduled.

“Computer, Canary Override: charlie romeo yankee seven eight nine three,” you attempt.

“Override denied.”

“What? Why?”

“Override denied per designation A-0-4.”

“A-0-4? Who is A-0-4?”

“Access Denied.”

“Oh, fuck’s sake!” you shout.

“Perhaps yelling at our computer system is not the best use of your limited time to rest?” a new voice interrupts.

You frown as you turn to look at Kaldur, “it won’t let me access the Watch Tower logs,” you huff, pointing at the red message glaring back at you.

“Why are you looking to access the logs?” he asks, brows furrowed as he looks between you and the screen.

“No one came home last night, K. I needed- I wanted- I just need to talk to Dinah, after everything that happened? I just wanted Dinah or Ollie, and they weren’t home. I passed out on the couch waiting, and when I woke up, they still hadn’t come back. I just wanted to see if they were still there,” you explain.

Kaldur’s lips pull into a frown, “They may be pre-occupied, the League, as you know, better than most, can be demanding, even at the best of times, and with the best of offers,” he states.

“I have no idea what you’re talking about,” you defend, sensing his double meaning.

“You mean to tell me, my King is but a liar?” he challenges.

You’re quiet for a moment, Kaldur knew better than anyone, just how much you respected King Orin, “what did he say, exactly?”

“That you were also accepted into the League, that you were by far the best candidate off all those who were inducted, and yet, you were the only one who has said no to date,” he admits.

Your voice is quiet as you look at your friend, before you sigh, “how long have you known?”

“Since the meeting in November.”

“You didn’t say anything…”

“Neither did you, I decided it’d be best to follow your lead. You would have said something when you were ready to,” he shrugs.

“I’m not ready. I don’t feel ready, to be there, at that level,” you explain.

“You owe me no explanation, old friend. I have always had faith in your decisions, I won’t start questioning them now,” he assures you.

“Thanks, K,” you sigh. “Did he really say I was the best candidate?”

Kaldur smiles knowingly, and gently places a hand on your shoulder, “Come, M’gann stress baked cookies last night upon our arrival. We can indulge in those while we watch something?”

“Yes, please.”

You both got settled on the green sofas with a plate of cookies on the coffee table before you, and two mugs of tea. You were flipping through the available options when Kaldur spoke up again.

“I watched when you were barely in double digits trying to learn how to sort through your feelings and emotions,” he began and your grip on the mug tightened, while your hand with the remote dropped. “I watched as you turned it into a motivator, a strength. I watched how you learned to center yourself and be objective, even with only a decade beneath you. What you feel now, how you feel now, might be stronger, but you know how to utilize that, you know how to sort it. But until you can, until you’re able and ready, I hope you know I will be here to temper it. Just as I was before,” his tone is firm, as he expresses himself.

Slowly your gaze moves to him, and you take him in. This Kaldur was nearly an adult, he had given up the Conservatory, and trained with King Orin. This Kaldur taught you Atlantean, he helped you learn how to open yourself to magic.

“Kaldur…”

“We used to spar, do you remember? You were so full of rage and I remember the Queen sending me to spar with you one day. Garth and Tulla thought it would be unfair, they thought that with my age, my size, my magical and home advantage, you would be unable to compete. Fitting, that you knocked me down in mere minutes, despite being slowed by the water, despite being in a new place, despite your age and size. It was then that we all realized that you hold so much raw power, much more than you ever seemed to realize yourself.”

“You’d think you would’ve learned your lesson after Wally,” you scoff, sniffing to yourself and recalling the first time you met the boys.

“Oh, I did. Which is why I asked for you to be included in our studies, it’s why you studied with me, specifically, at the conservatory. You needed an outlet, then. So, you studied with us, trained with us, and despite not being naturally adept at magic, despite being out of your element, you held your own, you beat us several times. You mastered skills quicker than we ever did. You needed the distraction, to let go of all that you had been forced to carry at such a young age. I just hope you can trust me to help you with that again.”

“You were my first true friend, Kaldur’ahm. I had Roy, but he had always been introduced as a brother, you were a friend. You saw me, the realest version of me, rageful, angry, upset, scared, all of the negative emotions and you still decided that you would help me. You have always looked out for me, and you have always had my trust,” you’re resolute in your answer, no one had supported you through the hard parts like Kaldur had, because he was right. He had seen you at your angriest, he’d watched you fight as an outlet, seen you train yourself to the brink of exhaustion just to be free of the rage, even for a minute, and instead of telling you that you were wrong for your methods, he instead offered you new outlets, new opportunities. He lent you his strength and stability when you had none.

“I am honored to hold that title, my bird. We made a promise, you remember? A piece of our histories intertwined,” he states, smiling at you as he tugs a gold chain from under his shirt. Your gaze lingers on it for a moment before dropping to the ring you’d been subconsciously fidgeting with.

The ring that had allowed you to breathe underwater, the one that allowed you to live in Atlantis as if you were an Atlantean yourself, it was obviously special. But what made it so treasured was not the gift it gave, it was the who the gift was from. The ring had belonged to Kaldur’s mother. It had been she, who when King Orin asked for a volunteer, a home for the girl from the dry world, had stepped forward. She had opened her home, and had offered the ring to be enchanted for you. She became your advocate while you lived in Atlantis, she treated you like you were one of her own. When it was finally time for you to return to your home, over a year later, she had told you to keep the ring, “I’d always hoped to pass this ring to a daughter,” she’d said, and you cried as you hugged her one last time.

On Kaldur’s first trip to visit you, merely a month after you’d gone back to Star City, you’d given him a chain. It had belonged to your father, and he’d worn it his whole life. Something that had been gifted to him when he was young from his father, who got it from his father before him. There’s a small pendent that hangs, your family’s crest, just like on your ring, they were a set technically.

You’d managed to enchant the item with your limited ability just in time for Kaldur’s first visit. “It’s meant to be passed to sons. I’d really like it if our histories were intwined. If I’m going to carry such a meaningful part of yours and your mom’s history, then I’d really like if you were to carry this of mine.” As far as you know, he hadn’t taken it off since you gave it to him almost three years ago.

The frown reappears on your lips as you look at the chain, and then at Kaldur. “Sometimes… I wish I was still there. It was easier living with you. There were no secret machinations, just you and me, and Garth and Tulla. I- I was hurting, I know that, but-”

“I understand,” he promises and you can’t help but let out a watery laugh.

“Of course you do. You’re Kaldur’ahm, no one ever seems to understand me as well as you do,” you smile.

“Rest, my friend, you have earned it. Our debrief with the Batman is 0730, however, I suspect he will be here early.”

“0700?” you ask.

“See you then,” he promises, tossing you a pillow and a blanket.

“Thanks, K, for everything,” you smiled, plopping back.

“Anytime, my friend, anytime.”

MOUNT JUSTICE December 31st, 06:30 EST

When you wake up again, it’s to Conner staring down at you with a quirked brow.

“Shit, Conner, why are you just staring at me like that?” you groan rubbing at your eyes.

“I wasn’t expecting to see you yet,” he admits, one hand rubbing at his neck.

“Yeah, I came earlier this morning. Canary and GA were at the Tower all night long. K, sat with me for a while.”

“Well, since you’re here… maybe we can talk about-”

“About your dad?” you ask, staring up at the roof of the cave.

“Don’t. Please don’t call him that. There's so much to figure out, but he’s not… not my dad,” you haven't turned back to him yet, but you can hear the tension in his tone.

“Genetic Donor then?” you offer turning back to him with a lazy smirk before adjusting yourself to lean against the arm of the sofa, tucking your legs beneath you.

“Genetic Donor works,” he sighs, sitting down in the now empty space on the sofa with you.

It’s silent for a minute as you both process, and then you're giggling. Conner’s eyes blow wide, as he stares at you. You cant help yourself though. Your giggles soon turn to full blown laughs, tears forming in your eyes.

“NG… nightingale… (y/n)!” Conners tone grew increasingly harried with each call to you.

“I’m sorry, I- I just… he killed my parents. I’m an orphan… be-because of Lex fucking Luthor, and he’s the only reason you're even here. He’s the reason I’m here!” you’re still laughing.

It has to be some sort of break, your mind finally deciding it's had enough.

That's when the laughs trail off, and you're left with tears.

You stop heaving and you take a deep breath, everything grows silent, you shut your eyes and center yourself. When you open your eyes you're staring at Conner again.

“I don't know how to fix this,” he admits.

You offer him a weak smile as your shoulders droop, “you can't,” you relent and Conner sags back into the sofa too.

“What now?” he asks.

“We be honest with each other, and the team. You and me, we're bonded by something now. I didn't realize it when we freed you from your pod, or when you helped us escape, but we are.”

“Allies against Lex?” he offers, holding out his hand.

“Allies against Lex,” you confirm, shaking his hand.

A not so innocent piece of you takes advantage and reads his emotions. You're reassured by the feelings of honesty, compassion, and belonging. You stare at Conner for a moment before letting go of his hand.

“What time is it?” you ask, stretching out a bit.

“You have about 15 until debrief.”

“Okay, thanks,” you sigh, standing up.

“I’ll see you in the cortex?” he asks, standing up as well.

“Yeah,” you confirm before heading to the locker room.

You're all standing in a line when Batman finally zetas in. You hadn’t had a chance to talk to Rob, or anyone else from the team about yesterday before he arrived.

He starts by asking for a rundown of events. Which we oblige. We explain everything from start to finish, the reveals, the truths, the plan for Santa Prisca. Everything leading up to the moment of Lex Luthor’s escape.

And when all of that is said and done you swallow your fears down hard before stepping forward, “Additionally, after defeating Bane with Robin and Zatanna, when I became aware of Luthor’s escape-”

“She was a little upset, which I’d argue is completely warranted considering everything we found out yesterday,” Wally cuts in, interrupting you before you can admit to how you lost control.

“Yes, but-” your second attempt is interrupted as well.

“Which is why we would like to request that the development of a case against Luthor be a Team priority,” Robin’s the one to cut in this time, proffering an official request on behalf of the team.

You risk a glance at the Team, and you don’t need M’gann’s abilities to understand what they're trying to say. So you shut up, and step back in line, waiting for Batman’s response to the debrief as well as the request.

He doesn't say anything for a minute, and then Kaldur is stepping in, “We have reason to feel proud of yesterday's victories. But one thing has not changed,” he alludes.

“Somehow, the bad guys are still getting intel about us,” Robin offers.

“Yeah, but at least we know none of us are the mole,” Wally counters.

For the first time that morning Batman finally speaks up, “That's correct,” he confirms, and he does so with serious conviction.

You want to be reassured by his confirmation, but something about the whole briefing was throwing you off, and it wasn't the discussion of Luthor.

“The mole,” he begins again, “was Red Arrow.”

Theres a brief silence as Roy’s image is displayed before everyone explodes.

“Roy?” Robin repeats disbelievingly.

“No way!” Wally’s voice had pitched up in his rebuttal.

You on the other hand, felt as the first of the strings holding you up snapped. Kaldur places a hand on your shoulder as if he knew, before turning back to the Dark Knight, “Batman, that cannot be. He was Green Arrow's protégé. We have all known him for years.”

“Unfortunately, the Roy Harper we have known for the last three years is another Project Cadmus clone,” Red Tornado explains.

You have to fight to catch your breath, this couldn’t be happening. You’d known Roy longer than that, you would've realized!

“We've learned the real Speedy was abducted and replaced soon after becoming Green Arrow's sidekick,” Batman explains and you finally step forward.

“No,” the seriousness of the word echoes in the cave. “I’ve known Roy longer than that, its been way more than three years! I would have noticed if CADMUS had substituted my own brother in front of me!” your argument is urgent, something had to be wrong.

“Unless they took a self fabricated opportunity to substitute the clone in a time of chaos. Where Speedy’s patrol partner and closest confidant was… gone?” Batman paints a picture but you're so hyper-focused on the Roy of it all you miss what he’s hinting to.

Theres a sharp intake of breath behind you, when you turn you see Kaldur, his eyes wide as he stares at you, “You came to Atlantis almost four years ago, you were gone from the surface world for over a year…” he reminds you, and you feel another string snap.

“No.”

“You said everyone seemed different, you were different, you were re-adjusting, it’d be reasonable to assume you wouldn't have noticed,” Kaldur’s tone is soft.

“No! Don't you understand?” you shout, turning to the team. “If that's true, it means the riot where they escaped was planned, they meant to cause a distraction, to throw us off guard so that they could switch-”

“Switch their Roy for ours,” Wally finishes, green eyes full of remorse on your behalf.

“And they waited almost year to put that into action, capitalizing off of the disarray of Star City's heroes,” Artemis tacks on.

“I would have noticed!” you argue, voice cracking as you try to reign in your emotions.

“The clone was pre-programmed with a drive to join the Justice League,” Batman intervenes, continuing to provide the information he had at hand. “Which is why he was so angry over any delays to his admission and why he refused to join the Team. This Roy Harper had no idea he was a clone or a traitor. And his subconscious programming drove him to become League-worthy. So he struck out on his own as Red Arrow.”

Your head was spinning, heart beating so fast and loud in your ears, it was a miracle you were still standing up. Something was wrong, something had to be wrong. Where was Dinah and Ollie? If this were true they’d come to tell you in person, they would. How could Ollie have not noticed? How could Dinah? Something had to be wrong.

“When he was finally admitted, his secondary programming kicked in and he attempted to betray the League to Vandal Savage.”

Your stomach flipped, Savage?

“Fortunately, I had already deduced Red Arrow was a clone. We were prepared.”

He had what?!

“I think I’m gonna be sick,” you whisper, Conner and Kaldur seem to be the the only two who hear you as they offer you mildly concerned expressions.

“Savage was subdued but Red Arrow escaped. He is now a fugitive, armed and dangerous,” Red Tornado continues.

“If you guys hadn't rescued me from CADMUS...” Conner trails off, eyes jumping from me to Kaldur.

“What happened to the real Roy?” Rob’s the one to voice the question and your heart stutters. Real Roy as if the one you'd known since your return wasn't real in some way. They were both real, at least they were to you.

“We don't know. He isn't at Cadmus. We have to face the possibility that the real Roy Harper is dead.”

You can't stop it. The bubble of grief, pain, and guilt. It bursts out of you, and of course Kaldur’s the one to catch it. His hand lands heavily on your shoulder, and you take deep breaths to center yourself. They don't know, you remind yourself. He could be alive and on ice somewhere, you repeat. You're forcing thoughts of hope down your own throat, hoping something will be digestible.

The last thing you're expecting is for Robin to grab ahold of your hand, not in front of Batman, and not after yesterday’s incident. Today, however, he doesn't waver or flinch back like he had the day before, so you can't tell if he can feel what you are right now. He simply snags your hand and tightens his grasp, until you're squeezing back.

“The clone Roy. The Team will find him,” Kaldur decides, his tone leaves little space.

Yet, somehow, Batman blows it wide open, “Negative. Red Arrow's a member of the Justice League now. Leave him to us.”

There's an argument forming on your lips, but a beep from his comms forces you to shut up.

“I'm needed on the Watchtower. Tornado, stay with the kids,” Batman decides and Robins hand slackens a bit. Kids? Since when did Batman call you kids?

The zeta lights up a second later, “Recognized, Batman, zero-two.”

You turn and run to the closest bathroom, you can hear as a few people shout after you, but you’re focused on making it to the bathroom. Your knees hit the ground hard as you all but collapse and then your heaving up the little that’s in your stomach. The protein bar and cookies that Conner had swiped from the kitchen for you, the orange juice Kaldur had poured for you, and the the blueberries that you’d scarfed down as well.

There’s a hand on your back, another keeping your hair back. “Wally?” your voice is a hoarse whisper.

“It’s me,” he affirms.

You nod and close your eyes for a second before you’re heaving again.

“I got you,” he promises, gently rubbing circles into your back.

You knew that, Wally’s always got your back. You know he probably didn’t hesitate to chase after to you, and that he most likely told everyone else to stay back. “I would have noticed,” you repeat.

“(Y/n)…”

“I should have noticed,” you say, sliding back, wiping at your mouth and leaning against the wall before turning to your friend.

“That’s not on you,” Wally argued.

“He’s my brother, my responsibility,” you shoot back.

“C’mon, let’s get you back before Rob starts panicking,” he huffs, pulling you up.

“I need to bru-” before you can finish Wally disappears and reappears with the toothbrush from your locker and a tube of toothpaste.

“Your teeth?” he asks cheekily.

You shake your head before quickly brushing your teeth. When you and Wally get back it’s to Kaldur’s awaiting stare. You offer a nod and he turns to face the rest of the team before looking back at you. He gives you a look signifying that it was your move this time, your call. Your stomach’s still unsettled but you swallow down your nerves and confusion before addressing the team.

“Clone or no clone, Red Arrow was one of us. For three years, he was ours. We will go after him, and we will figure this out, on our terms,” you decide.

You had planned to say more, but the sudden sounds from Red Tornado force you to stop. He freezes about a foot and a half away from you. Then, it's like he shut down. A sound as if he was being powered down, as the entire armor freezes, and his head tilts down.

“Tornado!” M’gann’s shout is slightly panicked.

“What happened?” Conner’s squinting.

“He's powered down,” Wally notes, tone slightly curious.

“All functions off-line,” Robins got a frown as well, analyzing Red Tornadoes stats on his wrist-computer.

“Something doesn’t feel right,” you note, staring between the stats as well as Tornado.

“Guys, I'm sensing a low-level mystic force at play. I don't know if it caused his shutdown, but… now that I think about it, I was getting the same buzz off Batman,” Zatanna admits, and your frown deepens.

“Batman,” Robin repeats. “He called us kids. He never does that.”

You step forward, analyzing every aspect of Tornado that you could, Wally comes up behind you and does the same.

“Look,” Wally’s call pulls your attention. When he straightens up you can see something in his hands, “One of those bio-tech chips we confiscated off Cheshire.”

“Nightingale is right, something is not right,” Kaldur agrees. “Robin, Kid, Zatanna, Rocket, see if you can get Tornado back online,” he directs. “The rest with me to find Ro... Red Arrow.”

The team pauses despite Kaldur’s clear instruction, and slowly they look from him, to each other, and then to you. You know why they paused, even Kaldur seems frozen as he stares at you. His decision would put you into the field, it would allow you to look for Roy, to be there when the Team finds him. Going with them would also separate you from both Wally and Dick.

You must’ve stayed silent too long, “Birdy,” Wally’s voice seemed to echo as he called out your name.

“Sorry,” you mutter, looking up. “Kaldur’s right, we.. uh, we have to split up.”

Wally and Dick look at each other and then they look at you.

“It’ll be okay,” you tell them. “I have to find him, my brother, my responsibility. Plus, who knows him better than me?”

No one has an answer and you nod.

“Suit up,” you confirm once more before the team nods, and disperses accordingly.

Wally, Dick, and Kaldur hang back. The three of them don’t speak, but they’re exchanging looks with each other and with yourself. No one says a word, but you offer a look of your own, and then roll your eyes at them. They pause and as always, Wally’s the first to crack. He throws his hands up looking at the two other boys and then gesturing to you. When that doesn’t get the response he wants, he throws his hands up again, waving them around.

You smile softly, hands coming to Wally’s shoulders. You offer a forced lopsided smile, tilting your head to the side. Wally responds by shaking his head, and you tighten your grip. You give him a pleading look, Wally’s face scrunches but he finally stares at you head on. You nod, gently and he sighs before nodding back.

You pass along a feeling of comfort, trying to make him understand that it’ll be okay.

“Yeah,” Wally confirms, before walking off.

Kaldur offers you a nod of his head and you nod back, before he walks toward the bioship.

You pause for a second and take a breath, and then there’s a hand on your shoulder and you’re hit with concern, longing, and a need to protect. You take another breath and turn to face Dick. He’s staring at you for a second, he opens his mouth and then closes it. In the end he stares at you making a closed fist with his right hand and rubs little clockwise circles on his chest. Your ASL was passable, a skill that Dinah and Ollie thought was important to learn for the streets, it seems like Bruce thought the same for Dick. Sorry, that’s what he was saying.

You know what he’s sorry for, you knew it the second he grabbed your hand. You take your right hand, rub a circle with your palm against your chest, and then with a flat hand swipe above your temple with your fingertips, I know.

He shakes his head, the barest of a smile on his lips.

You offer a soft smile at Dick one last time before walking towards the locker room. You’re quick to grab your gear, and you’re silent until your in the bioship, and in the air.

“Old friend,” Kaldur’s voice is soft inside the bioship, but you’re forced to pay attention to him regardless.

“I know what you’re going to say,” you sigh.

“Oh?”

“It’s not your fault, you couldn’t have known,” you trail off.

“Wrong,” Artemis interrupts.

“Am I?”

“Yeah, we were all going to say it,” Conner scoffed.

You soften at that.

“That’s where you’re wrong,” you say sadly.

“How so?” M’gann’s voice is as soft as it has always been.

“Because I did know, a piece of me did, at least,” you tell them, gaze focusing on the clouds as you pass them by out the window.

“What?” Conner’s accusation cuts clear.

“I knew something was wrong. I could feel it. Ever since my abilities… he would get angry, over things he never used to. I just wrote it off, I- I knew it was wrong, it felt wrong, it didn’t feel like natural anger, it was sudden, it was triggered but not by anything I could see. I should’ve said something, should’ve told someone,” you admit to them.

“You had no reason to suspect ulterior machinations,” Kaldur countered. “And though I know it bothers you, you both had grown apart since the foundation of the team.”

“Yeah,” you nod, fingers tracing over the ring dagger you’d been fidgeting with, “maybe.”

WASHINGTON, D.C. December 31st, 09:06 EST

“Logs indicate Red Arrow zeta'd to the Hall from the Watchtower,” Artemis stated, “But he could be anywhere by now, I also was only able to read the Hall logs, the Watchtower ones have been classified,” she adds on.

Kaldur clears his throat and turns to you expectantly, “So, I kind of didn’t appreciate how Roy tried to cut ties with everyone when he went solo, so I might’ve done some digging…” you trail, typing in new coordinates.

“Digging?” Conner asks.

“Okay, fine, investigating, and tailing, and the whole package pretty much. I found his main apartment, and discovered that he had installed equipment caches in several major cities,” you relent.

Conner coughs out, “stalker,” before clearing his throat, and you roll your eyes.

“One is here,” you continue as the bioship comes to a stop over an apartment complex.

“So… who’s going down, because, uh… not it,” Artemis muses weakly.

“I am,” you assure her.

“We are,” Kaldur corrects.

You nod and you both stand, you readjust your utility belt and pull a sweatshirt over the top of your suit, and then you pull your leather jacket on as well. It looks inconspicuous enough, at least as much as it would ever for your needs.

You and Kaldur drop to the roof, the access door was unlocked and you made your way down one floor. Roy had gotten an apartment on the top floor. When you come upon the door you crouch down with your lock picks, but between your latent anxiety, and the need to find Roy, your focus is slightly skewed.

“Perhaps, this is not the time for stealth?” Kaldur offers sagely.

You sigh and hang your head, hiding your lock pick tools in their place under your sleeve once again, “yeah.”

“Shall I? Or, would you like to?” he asks, gesturing to the door.

“I will,” you nod, standing back up.

You take a breath and stare at the door, and then with a heafty amount of force you kick down the door, you manage to put in enough force to rock the door off a hinge, and when it clears your vision you’re greeted by Roy holding up his bow with two arrows notched.

You notice the way his hand dips a second as he realizes it’s you he’s got an arrow focused on, “How’s it hanging, Roy?” you ask, but there’s a tough edge to your tone.

“You know, business as usual, Birdy,” he huffs out, but he retrains the arrows on you both.

“We have not come to harm nor apprehend you,” Kaldur cuts in. “But the Team requires answers-”

“Me first,” Roy interrupts. “Tell me something you haven’t told anyone else… tell me who broke your heart.”

Your jaw drops, “Roy!” your tone is more chastising than it was before. You know why it’s necessary, but it’s a low blow for Kaldur, a very low blow.

Kaldur places a hand on your shoulder, “Tula. The girl I loved chose my best friend Garth over me,” he answers, and you can hear the fight to keep his voice level. “While the man I consider by best friend on the surface world aims an arrow at my chest.”

Roy moves and suddenly both arrows are pointed at you.

“Roy-” Kaldur’s tone turned dangerous, but to your credit your eyes narrow and you tilt your chin up at him daringly.

“E.T. phone home,” Roy says, and you don’t need to touch Kaldur to feel the confusion rolling off of him.

There’s a pang in your heart, Roy, this Roy, was pulling on one of the earliest decisions you all made, code phrases. Methods to promise sanity, self, but also a warning when necessary. They were all movie phrases, famous enough to remember, but mismatched enough that no one would be able to guess. You’d both decided on them after you’d returned from Atlantis and Dinah let you return to patrol.

“Toto, I’ve got a feeling we’re not in Kansas anymore,” you whisper.

Roy’s entire body sags. The bow and arrows clatter to the floor as he drops to his knees, and you’re quick to drop with him. You land on your knees right in front of him.

“You’re killin’ me, Smalls,” you whisper once again to him.

“As if,” he shoots back, and you crush him in a hug.

The both of you clutch onto each other, you grip him tight just for the minute being. You hug him tight and he hugs back, and you revel in it. In it’s familiarity. He might have not been the Roy that was brought home to you, but he is the one you spent the last three years with, he is still your Roy. The one who helped you readjust to being back in Star City, the one who would drive you to school, and would tap you gently when you’d accidentally slip back into Atlantean. The one who would reassure you that life was going to be okay, who would sit beside your bed, who would hold your hand, who watched your back, he was your brother. Your brother, your responsibility.

Slowly you both re-centered, and then you hauled him up to the roof, and then all three of you were pulled back up into the bioship. It’s quiet when you’re all back.

“We’re clear,” you say quietly and there’s a collective breath let out.

Everyone settled into their seats and soon enough we were back in the air.

Kaldur doesn’t waste any time, “We were told you were the mole,” he explains and Roy puffs out a breath.

“But we have reason to doubt,” you quickly inserted.

“Forget doubt. I was the mole,” Roy states, and you let out an audible groan, staring up at the roof of the ship.

“Batman and Tornado said you’re a CADMUS clone, like me,” Conner admits.

Roy turns to look at you, and you offer a slight nod, “That explains it,” he nods with a sigh that makes him seem more tired than surprised. “I was a sleeper agent, pre-programmed to infiltrate the League…. I think Sportsmaster was my handler. He had a key-phrase, Broken Arrow… that could shut me down, put me in a hypnotic state to steal secrets for his superiors, or incorporate further programming. I'd then carry out all orders subconsciously completely unaware of what drove me.”

Roy paused and you stared back at him, “take me back?” you whisper to him and he shut his eyes and nodded once more before turning back to the rest of the team, specifically the three seated behind you.

“I think one of those orders was to focus suspicion on the three of you. I'm sorry,” he adds on.

“How did Batman discover this and prevent you from betraying the League?” Kaldur asks.

Roy pauses, and looks at you, “He didn't.”

“Fuck,” you sigh.

“Birdy,” Kaldur’s voice is level, and there’s a request in it to make sure you remain so as well.

“So what happened?” you ask, pulling yourself together.

“The entire League’s been put under mental domination via those chips you guys found,” Roy sighs, scrubbing at his face.

“The ones we got off Jade?” Artemis cut in.

“Yeah, he called ‘em Starro-tech, an alien bio-organism infused with nanotechnology and magic,” Roy explained.

“Nanotechnology and magic?” you repeat. “Artemis, in the Bayou, you said you saw-”

“Klarion, the Brain, Gorilla Mallah, and Professor Ivo,” she answers.

“If there was ever a trust that could pull something like that off…” you trail.

“What do they do? The chips?

“It shuts down the mind’s autonomy, allows the controller to reprogram the individual to suit their needs,” Roy explains.

“Wait…” Conner calls interrupting. “You said He called them, who’s he?”

Roy grimaces, looks around the ship and then straight at you, and you already don’t like where this is headed, “Savage,” he says and you don’t even make it a second before you explode.

“Are you fucking kidding me?” you shout. “VANDAL SAVAGE? WHAT THE FUCK!”

“Language,” Roy says automatically, and then he twitches, like he hadn’t meant to say it. “And I knew you weren’t going to like that.”

“But this chip, it affected everyone?” M’gann asked, and you had no doubt she was thinking about her uncle.

“This Starro-tech, it worked on super-powered humans, four flavors of alien, an android, even Doctor Fate,” Roy explained.

“Defeating all of you without a fight?” Conner asks.

“Indeed. A remarkable achievement. One not easily countered,” Kaldur points out.

“I'm sorry, but how is it that you are no longer enslaved?” M’gann’s the one to ask and your body tenses up.

“No Starro-tech, for starters. Just my CADMUS programming, and once I had satisfied its last parameter, my mind began to clear,” Roy admits. “I'm sure Savage planned to Starro-tech me, but he paused to bask… I escaped.”

You turn in your seat and look back at M’gann, urging her to understand, and luckily, she does. She nods at you with a gentle smile, “I promise, I can clean any residual programming from your mind,” M’gann says, reassuring you, despite the intention being directed at Roy.

“Linking both squads and de-camouflaging,” M’gann’s voice suddenly echoes in your head and you spot the super cycle as it moves into docking position.

“Great. Because we really need to compare notes,” Robin’s voice has an edge, and as you come face to face with him and the other half of your team, you spot Wally’s frown and notice Dinah.

“What the fuck?” your voice takes on it’s own lethal edge as your gaze jumps from your unconscious and tied up mentor to the rest of the team.

It took some time but eventually both halves of the team had been caught up, now the only think left was to figure out the next move.

“What if we reverse engineer the starro-tech?” Wally’s the one to make the suggestion and it has all of you pausing.

“Great idea, but how?” Artemis’ tone is dry but she makes a valid point.

It goes quiet and that’s when you have an idea.

“ti tha ginótan an rotoúsame ti vasílissa?" (what if we were to ask the queen?) the question echoes across the link but only one person can understand.

Kaldur blinks slowly and in a hesitant tone asks, “*Rota tin gia ti akrivos?*" (ask her for what exactly?)

Your lip quirks a bit, “*an boroúme dioikitís Giatrós V?*" (if we can commandeer Doctor V?)

You’re not sure what you were expecting but you’re not sure why you were surprised, Kaldur’s always backed your plans, “Pistévete óti o Red échei akóma ton arithmó tis Roquette?" (Do you think Red still has Roquette’s number?)

You offer a lopsided smile, “**Tha chreiastoúme óli ti voítheia pou boroúme na pároume**." (We’re gonna need all the help we can get.)

“Would someone like to clue those of us not fluent in Atlantean in?” Conner’s tone cuts through your conversation.

You share another look with Kaldur.

“It’s your plan,” he prods.

“Wally has the right idea, we have to reverse engineer the chip. We don’t stand a chance if we don’t,” you remind everyone.

“But you have a plan that will address that,” Robin realizes.

“Of course she does, when it comes down to it, our girl’s always got a plan,” Wally snorts, but by the way he scrubs at his face you realize he’s on edge.

You nod, “what do we know about the staro-tech?”

“Alien bio-organisim infused with nanotechnology and magic… what are you thinking?” Roy trails.

“I think you have the number for a nanotechnologies expert who owes us a favor, and I happen to know a few individuals who specialize in magic and science, in fact they run a whole conservatory, that teaches kids like us, well, like Kaldur,” you hint to everyone else.

“Doctor Roquette and Queen Meera,” Robin realizes.

“Alongside Doctor Vulko, who runs the Atlantean Science Center, he’s the Minister of Science for the kingdom,” Kaldur adds.

“Doctor Spence too,” Connor adds, “She worked for CADMUS, she probably can help reverse engineer the chips.”

“Which means there’s also three people we need to pick up, ASAP,” you point out.

Another silence fils the ship, Wally’s already shaking his head, and Rob’s still staring straight at you.

“We have to split up,” Rocket’s the one to state the obvious.

“Again?” Zatanna’s voice wobbles a bit.

You bite down hard on your lip to keep yourself focused.

“We have to, the quicker we get them, the quicker we fix this. We have to fix this,” you say, voice level.

“How do you want to handle it?” Robin’s the one to ask, his own voice level, but you can see the twitch in his hand.

Your lips tug down as you prepare to answer, because there’s only one possibility, “Superboy and Miss Martian will pick up Dr. Spence. Kid Flash and Robin will escort Red Arrow-” you don’t mean for your voice to crack but it does. “Will escort Red Arrow and retrieve Dr. Roquette.”

“You’ve got to be joking,” Wally’s scoff, clearly depicts what he thinks of your decision.

“Dude,” Robin’s quick to cut him off.

“And Aqualad and I will take the super cycle to go to Atlantis,” you finish. “Artemis, Zee, and Rocket will play support, and keep tabs on Canary. Please do not lose my mentor. Plus they can run background with RT.”

You’re met with silence.

“This is the plan, if someone has a better idea, speak up now, otherwise, you know what you have to do,” you swallow back the anxiety, and focus your gaze on Kaldur, you can’t look at anyone else, not right now.

You remember his words from earlier, to lean on him, and to allow him to support you. It was all so overwhelming, it’s all too much, but staring at Kaldur reminded you of the little girl who was barely 10 when she was dropped in Atlantis. The girl so full of rage she couldn’t sort through her own emotions. Kaldur knew how to help that girl center herself, taught her how to cope and handle things.

“Well if no one else is going to say it; I have some thoughts,” Wally scoffs again.

“Trust me, we know you do, Wall-Man,” Artemis’ dry tone actually puts a smile on your lips, a small quirk of a thing, but it works.

“I’m only taking constructive criticism at the moment,” you tag on, and your gaze finally flickers to Wally who is simply glaring at you.

You offer a shrug in response, and you can feel the heat of Wally’s glare, the discomfort radiating off of Dick, but you don’t have it in you right now to address it.

ATLANTIS December 31st, 13:13 EST

“Our friends are… displeased,” Kaldur notes cautiously once it’s just the two of you on the supercycle.

“I know,” you nod, and you did, you felt it in the air, rolling off your teammates, your friends, as you and Kaldur geared up to split off.

“What are you thinking, poulí?” the question weighs heavy on you.

“I am thinking that this is my only plan, K. I don’t have a back up if we should fail this time around,” you admit.

“Then it’s good we trust in your planning, old friend. Your plans have never led us astray thus far,” he muses.

“Define astray,” you scoff back, Kaldur lets a smile slip, and then a hand lands on your shoulder comfortingly.

“They believe in you, and so do I,” he reassures you. “This idea, utilizing our resources, it is a good plan.”

“Vandal Savage, Kaldur, it’s a big play we’re chancing at here,” you sigh, twisting your rings nervously.

“Yes, and we are making the most educated choices we can. Believe in yourself, poulí, just as we do.”

You nod silently doing your best to absorb Kaldur’s reassurances. Soon enough the Super-cycle begins to descend. It pauses part way submerged, and you reach out with the ring clad finger to touch the water. Kaldur is silent beside you as you ground yourself. You feel the current, the pull of the ocean, and firmly you say, “anapnéo,” the ring made from atlantean metal glows, and then with a tap to the Super-cycle it submerges completely.

The first breath is always a bit nerve wracking, it feels like you’re entirely out of practice, and therefore not prepared to breathe. But you do. You cautiously, slowly breathe in, and when it feels as normal as it does on land your body relaxes.

“pos niótheis poulí?" (how do you feel, Birdy?) Kaldur’s question jars your wandering thoughts back into the present.

“étoimo na cheiristeí ó,ti prépei na cheiristeí ,” (ready to handle what needs to be handled) you assure him and he nods.

Minutes pass and then you are confronted with the city of Atlantis, beautiful in all its glowing magic and technology. You smile at the city fondly and catch the wanting in Kaldur’s eye, this was him home, and for a year it had been your own. The two of you had developed your friendship in this city, it will always, without a doubt, be a very special place for you.

As the cycle passes through the gates and toward the conservatory, you push the melancholic nostalgia away, and do your best to focus in on the mission at hand, there was too much as stake to be distracted by memories of the past. As Kaldur disembarks, you follow, and the two of you make your way into the Conservatory of Magic.

MOUNT JUSTICE

December 31st, 15:42 EST

“So you need us to develop something that will work against, whatever magicked up alien technology that Mr. Big Bad, Vandal Savage is using against the Justice League?” Roquette’s tone was the same as it was when you first encountered her, and you share a look with Kaldur when you both notice it.

“The heroes have come to us for help, should we not so long as we are able?” Dr. Vulko, ever the voice of reason, and forever on the side of progress is the balm you didn’t realize you’d need.

“I agree, this is an opportunity to do good with the knowledge we have acquired over our years,” Dr. Spence’s agreement catches you off guard, but the pride and satisfaction rolling off of SB tells you this is exactly what he’d hoped for.

“It’s simple, Kaldur’ahm and Poulí told us what’s wrong, you’re either here to help, or they can show you the door,” Tulla’s blunt and to the point, and you have the choke down the snort as you stare appreciatively at the redhead, you notice that Kaldur’s doing the same, some things, you imagine, would never change.

You’d all regrouped at the Cave, scientists and specialists in hand. Tulla had been Queen Veera’s contribution and envoy as she could not leave Atlantis without a sane monarch, and especially not in a time where the King had been compromised. Each recruit had been given the details during their travel, but once they were all together, the gravity had seemingly begun to set in. Dr. Rouquette was as vibrant as she had been when you’d first met, despite that though, they had begun a prompt discussion on how the chip works, and a prefatory analysis on the confiscated chip.

“So do we think this is gonna work? Or should we be considering a back-up plan?” Rocket’s voice echoes though the open link and while the specialists continue their discussions, the team sends knowing looks to each other.

“this is the plan, the only plan,” you tell them seriously.

“Wait, seriously? You always have a back-up?” Artemis’ surprise is evident, and your lips twist down in response.

“Figures, considering her go-to has also been compromised,” Wally’s judgement is clear and your eye twitches in response.

“Sorry about that,” Zatanna’s voice is meek in response, and you catch the way Artemis, punches Wally in the arm, and his accompanying wince.

“So not your fault,” you finally cut in. “And I don’t hear you offering something else up, Wall-Man?” you state bitingly, shooting him a glare at which Wally winces again.

“To be fair, this was originally his idea,” Conner cuts in.

“Semantics,” Robin disagrees, “plus, Birdy’s the one with the connections to make it happen.”

“Gee, thanks, Rob. My genius and l feel so appreciated,” Wally scoffs, rolling his eyes.

“Right, so… back-up plan?” Rocket asks again.

“I don’t know! Short of contacting any non-affiliated heroes, or intergalactic organizations, I’m not sure what else we can do,” you sigh, a hand coming up to pinch at the bridge of your nose, while you work to secure your emotions and constrain your frustration.

“Intergalactic organizations?” Rocket repeats.

“OA,” the response is echoed by Wally, Rob, Roy, and Kaldur, you can’t help but notice this is the first time Roy was participating.

“OA,” you confirm, and then catching the confused look, on Rocket and Zatanna’s faces you add, “The Green Lantern Corps.”

“Oh,” Zatanna’s understanding is soft, as her eyes widen.

“We have a line to them?” Rocket asks, surprise evident.

“…We have potential avenues,” Robin supplies, defending your point while making eye contact with you.

“We do?” Artemis’ question is fair, and you hesitate, but your eyes lock with Roy, and then with Dick.

“Earth has another Green Lantern,” You remind the team.

“Is he not a part of the league?” Zatanna squints.

“…There were some concerns about his attitude and maturity,” Dick supplies cautiously.

“But they let Roy in?” the dig slips from Artemis’ thoughts, and by the look on her face you know she didn’t mean to project that particular thought.

You can’t help the very audible snort, and a hand comes up over your face in embarrassment as everyone turns to you.

You catch the small smirk on Dick’s face, and Wally’s chuckling a little bit too. And when Roy turns to you, betrayed, you can’t help but start to giggle, and when your avert your gaze, they land on Wally. Which really was the worst move because then you’re both laughing.

“Okay!” Roy huffs. “Laugh it up, Birdy,” he scoffs.

“Sor-” you try but burst into another fit, until you’re practically leaning on Kaldur to stay upright.

When you finally get control, you catch the small smile on Kaldur’s face, and even Roy’s scowl has faded a bit.

“Sorry,” you say seriously, bitting your lip and straightening up.

“Should we be worried?” Rocket asks, wide eyes on you.

“No, sorry, I just… whew, I needed a laugh, thanks Artemis,” you smile.

Artemis blushes a bit in response, “What were you going to say about the other Lantern?” she prompts, pushing the conversation back on track.

“Right, Guy Gardner,” you share. “Kind of a bully based on Canary’s files, it’s the reason he hasn’t been inducted. But he is a Lantern, and the ring did choose him. He’s based out of Baltimore, Maryland. If we fail here, we just need to get word to him, hopefully he’ll take it seriously,” you shrug.

“Reassuring,” Rocket laments flatly, and all you can do is shrug again.

“Kaldur’ahm, Poulí, I think we may have come to an understanding,” Vulko’s voice booms across the room, and your head snaps to him immediately.

“What do you need?” you ask, setting your shoulders, as the rest of the team turns to face the brain trust.

THE WATCHTOWER December 31st, 23:16 EST

Infiltrating the Watchtower was not something you’d ever thought you’d have to do. However, somehow, you really can’t find it in you to be totally surprised.

Dinah, now freed from Starro-Tech’s control, along with Roy and Red Tornado had gone in as a distraction, allowing the team to handle the rest. Part of you had been hesitant to let Roy out of your sight after finally finding him. Not to mention Dinah. You’d twitched a little too violently, when she volunteered to go back, and Roy and Dick had both given you cautious looks as a response.

The waiting was the worst though.

You watched as M’gann, Kaldur, and Connor broke through the wall where the Bioship had docked. Robin kept an eye on the alarms and scanners the entire time, covering the Team’s tracks as he went.

Eventually, it was time.

“RT did it. Wirelessly bypassed security for us as soon as he arrived. Savage shouldn't know we're here,” Robin confirmed, once we’d all regrouped inside the watchtower.

Aqualad nodded, before casting a quick glance at the rest of the team, “move out.”

“Currently tracking five League members between us and Savage,” Robin shares as you and Kaldur begin leading everyone though.

“Which ones?” Artemis’ tone is dubious, even through the link, and you can’t really say you blame her.

“Plastic Man, Hawkman, the Atom, Captain Atom, and… well,” Robin pauses on the last one and you turn back to look at him. “Green Arrow.”

The team pauses, as they wait for the next move. There were nine of you, which meant almost everyone could double up, almost.

A quick glance at Kaldur tells you he was thinking the same thing.

“Here’s the plan…” you speak first, “We work quietly and quickly. Take every opportunity to knock as many of the Leaguers out as we can before Savage and his cohort baddies realize what’s happening. Artemis and KF, you two take Plastic Man. SB and Rob, Hawkman. Zatanna and Miss M, the Atom. Aqualad and Rocket, Captain Atom. Leave GA to me,” the team nods, but once again you notice their hesitation.

“What?” you press.

“Are you sure you want to handle GA? One of us can do it,” Wally offers tentatively.

“No. He’s mine. But Rob, I could use a favor…”

Armed with one of Robin’s recording birdarangs you split off from the group. You’re following your map to where GA’s icon is moving, and periodically you get updates from the rest of the team.

First it’s KF and Artemis.

“Plastic Man in gassed, and chipped,” you can practically hear Wally’s smirk as he reports in.

You turn another corner.

“Hawkman’s chipped too,” Robin reports.

“Probably going to be out for a bit. I might’ve hit him a little too hard,” Superboy admits.

You pause when you hear Oliver’s footsteps. Spotting the crates, you launch yourself up. Walking on the balls of your feet, you climb up, silently.

“We got the Atom,” Zatanna confirms.

You catch sight of a support beam, a few feet above you, and launch yourself up with as much strength as you can muster. You manage to grab hold, and then you pull your body up, until you’re balanced on your feet, walking the beam.

“Captain Atom is incapacitated, but chipped,” Kaldur’s the next one to confirm, which just left you.

You pull the chip from your belt, as well as the birdarang. Following Oliver’s path ahead, you toss the birdarang, it lands solidly in the wall.

A beat passes.

And then a second.

And then-

“Ha, Ha, Ollie, over here!”

Your giggle echoes down the hall, and Oliver’s quick to turn to the sound.

“NG, status?” Robin’s voice rings through the link but you ignore it.

You take your grapple line and wrap it around the support, making sure it’s snug in place, before attaching the line to your belt.

“Birdy, you copy?” Wally this time.

Oliver’s almost in position, and so you count.

one.

two.

three.

You hold your breath as you lean back.

For a second you’re falling, and it’s so quiet you could hear a pin drop. Luckily, the speaker starts again.

“Ha, ha. Ollie, over here!”

The recording covers the sound of the grapple going taught.

“Nightingale, report in!” Kaldur, and he’s serious.

You get about two seconds before Oliver realizes the birdarang’s what’s making the sound, and you’re suspended in the air, halfway between the ground and the support beams of the Watchtower.

The chip, which you’d been flipping around your finger’s is poised between your index and middle fingers, and right as Ollie turns, baring the side of his neck, you toss it. You throw it the way Dinah taught you to throw a shuriken.

The balance had practically been the same.

It hits Ollie and there’s a second when he turns to you, arrow drawn.

And then he collapses.

You tug on the grapple cord and it slackens. You land on your feet, twisting the cord back into your grapple as you walk up to the downed Green Arrow.

“GA’s chipped,” you finally say, tuning back into the link.

“We’re not splitting up anymore,” Wally says quickly.

You roll your eyes.

“Don’t be ridiculous, KF-”

“You didn’t answer us!” Artemis cuts in.

This time you scoff.

“They have to realize by now,” Robin speaks up.

“He’s right, we need to move. Zatanna and Miss Martian, you two head for the dock Zeta, Rocket and I will join you,” Kaldur decides. “The rest of you head up.”

“On the way,” Zatanna confirms.

You’d started making your way back up, sticking to the support beams as much as possible, so far, you’d avoided any further League interactions.

“That’s Dr. Fate, Icon, and Captain Marvel taken care of,” Zatanna speaks up, and you pause for a second.

“Too bad Cure-tech doesn't work as fast as Starro-tech. We could use these guys,” Rocket huffs, and your lips quirk up, she’s not wrong.

“It is a small miracle Queen Meera and Doctors Roquette, Spence, and Vulko were able to re-engineer a cure and vaccine at all,” Kaldur reminds her.

“And their combined 8 PhDs,” you muse.

Before anyone can respond to your joke, KF interjects, “If you guys aren't busy...”

Your breath catches, but Kaldur’s already on the move, “On my way. You three rendezvous with Robin and Superboy.”

You pick up your pace as well, and are only partially paying attention when Zatanna gives her confirmation.

“Uh, I'll be right behind you,” she offers.

You manage to arrive at the main deck in time to Batman hit Robin.

“I am so not turbed,” is how you announce yourself, as your jump down from the level you’re on, using your grapple to loop down to the one where Robin is.

“Yeah, me neither,” he promises.

You’re on your feet in time to fall in step with both Superboy and Robin, both seem to be smarting a bit after taking on Batman and Superman, understandably.

“We're not gonna beat them one-on-one,” Robin finally announces.

“Plan B, then,” Superboy confirms.

“And I thought my contingencies were drastic,” you manage to joke out before taking Connor’s hand.

Conner grabs a hold of you with one hand, and Robin with the other. Using his strength he spins you both, before launching you one after the other at Batman.

You land first, grabbing a handful of his cape to pull him with your momentum.

Robin’s body crashes into you both a second later, and then the three of you go into the wall. You can feel your bones rattle from the impact, but when you slide down, you manage to grab a hold of a chip as Robin hold’s Batman steady.

You place the chip, before changing your stance to drop into a roll. You pop up on one leg, escrima sticks in hand, and Robin lands crouched beside you.

You barely have a second to catch your breath before you hear Superman and Superboy go into a wall of their own.

You both take off and you hesitate when Robin reaches to his belt.

“You sure about this?” you ask as you both run up to them.

Superboy manages to grunt out a, “Just do it!” as he strains to hold Superman in place.

You grab hold of another chip while Robin opens a box.

The green light reflects off their faces, and you watch as it seems to drain them both. Conner and Superman both start sliding down, neither of them fighting anymore as they go.

As soon as Superman falls, you’re quick to place the chip, and once you do, Robin’s shutting the lead lined box tight.

You sit back on your ass and let out the breath you didn’t realize you were holding, turning back to check on Conner, who was pulling himself up to sit against the wall beside you.

He lets out a groan, looking at you and then at Robin, “Ugh. Kryptonite… hurts,” he admits, and you can’t help the scoff that slips past your lips.

It brings a smile to Robin’s face though.

“Which is why,” he begins, offering a hand to Conner. “Batman keeps it in an overwhelmingly impenetrable vault at the Batcave,” he explains, pulling SB back to his feet.

“Overwhelmingly impenetrable, huh?” you smirk up at the two.

Both boys smile down, offering you a hand.

“Well, more like a whelmingly penetrable vault,” Robin corrects.

You snort, taking their hands, and they’re quick to put you back on your feet as well.

“Let’s go. Vandal Savage awaits,” you remind them, and the two nod at you, before the three of you take off toward’s the main viewing deck, where the main Zeta point was for the Watchtower.

Unfortunately you get there just in time to watch Vandal Savage, Klarion, and his familiar, Teekle, disappear through a portal. Wally skidding into where they had been not even a second before.

You redirect yourself over to where Dinah and Roy are unconscious on the floor.

Wally whizzes up to you and grabs your spare de-programing chips, placing them on the leaguers who were up here, before sliding back up to the rest of you.

“Congratulations, Team. You have won the day,” Red Tornado announces, and you let out a tired chuckle at the thought.

None of you have an opportunity to respond though, because in the next second, a holoscreen appears.

“Happy New Year, Justice League,” the computer announces.

You don’t catch what Wally said, but when you turn to him, he’s holding Artemis, and they’re kissing.

Your lip twitches up, and then Connor and M’gann too.

“I’m liking this Team more every day,” Rocket decides, smirking as she kisses Kaldur’s cheek.

You roll your eyes and gag at Robin and Zatanna, both of whom smother their laughs. Zatanna looks away as she tries to keep her composure, but Robin stares back at you.

“Milkshakes?” you mouth to him while no one’s watching.

“Definitely,” he mouths back.

“Human customs still elude me,” Red Tornado announces in response to the kissing, and you can’t hold back your snort.

THE WATCHTOWER January 1st, 00:42 EST

It took some time, but eventually the Leaguer’s began to wake up, and slolwy they all arrived back in the entry deck.

“Everything I thought I knew about myself was a lie. I'm not a hero or a sidekick. I'm a traitor, a pawn,” Roy’s tone was low, dejected, in a way you’re not sure you’d ever heard it.

Dinah reaches out, placing a hand on his arm, “Roy, it'll be all-”

You wince when you watch Roy pull back from her. Bitting too far into your lip and tasting blood.

“I'm not Roy! I don't know what I am. All I know is I need to find the real Roy. I need to rescue Speedy,” he counters.

You’d been too anxious to sit when everyone else had. electing instead to stand across the table from Roy while Ollie and Dinah took the seats on either side of him.

“We’ll help you. The team I mean. And if not, then I will. We’ll find him,” you cut in, licking over your split lip.

“Guardian is already searching Cadmus,” Batman add, reassuringly.

Ollie had been unusually quiet.

“We should take Ro- Red Arrow, home, at least, for now,” Dinah decides.

You caught her slip up, everyone at the table probably did, but no one commented.

“Of course, all four of you can go,” Batman nods.

You catch the tonal shift, and you hesitate.

You’re not sure you would’ve noticed it if not for the rest of your abilities, but you know there’s something else.

“I’d like to stay,” you announce and everyone turns to you. “Just for a bit,” you backtrack, “I want to make sure the Team’s set, and I need to speak with Aquaman about how we deconstructed the chips,” you expound.

Roy looks like he wants to bolt, not that you balme him.

Ollie’s holding himself stiffly.

Dinah looks a little queasy at leaving you here on your own.

“I’ll be fine,” you reassure them.

“I’ll escort her, to Arthur, and then back to the Zeta’s,” Batman offers, and you notice as Dinah realxes, but only a little.

“Not too long,” she adds, though it’s perfunctory, you can tell.

“Promise,” you nod.

She smiles once more at you, weak and strained, before she and Ollie take Roy toward the Zeta’s

You wait until they’re through before you turn back to Batman. Robin and Kaldur had taken the seat on either side of him, and the four of you were the only ones left in the room.

Your hands land on the table with a loud smack that echoes thorough the room, and all three sets of eyes shift to you.

Yours, however, are focused on Batman, “Something else is wrong,” you say.

You’re not asking, you’re not, because you know.

Batman hesitates, looking to Robin for a second before turning back to you, and then nodding.

“The entire League was under Savage's spell for just over a day,” Robin begins, sharing a holoscreen with you. “We've accounted for most of that time. But these six went missing for a full 16 hours we can't account for.”

You stare at the screen. Batman, Superman, Green Lantern; John Stewart, Hawkwoman, Wonder Woman, and Martian Manhinter.

Powerhouses, all six. Each in their own right, different skills, different tactics. It’s terrifying to think what they could have accomplished for Klarion and Vandal Savage in sixteen hours, the implications were limitless.

“Sixteen hours,” Batman repeats, “what did we do?”

STAR CITY January 1st, 02:04 EST

It’s another hour or so by the time you make it back to Star City. You’d talked with King Arthur, shared with him how you and Kaldur had gone to Atlantis, and that Queen Meera had been appraised. And then you’d circled back to the cave to shower and change.

It’s two in the morning when you make it home, and frankly, you’re surprised to see Roy still up.

Dinah and Ollie weren’t around so you assumed they’d gone to bed. They probably thought he had too.

“Hey,” you greet lamely.

“Hi,” is all he offers back.

You drop your gym bag down by the door, and replace the lock before walking over to the sofa. You drop down beside Roy, but you leave a healthy space, not wanting to crowd him. You turn, tucking one leg under you, so that you can face him better.

“I know it’s a stupid question, but I’m going to ask anyways,” you begin, but he doesn’t look at you, focused instead on something just past your head. “How are you?”

He lets out a snort, but it’s dry, and sad, and you can hear it for what the answer it offers. Stupid question.

“I don’t know…” he says after a minute of silence. “But… I don’t really know anything anymore,” he adds on.

You bite on your lip again, wincing when your teeth make contact with the split lip you’d forgotten about.

“Fair,” you offer, agreeing.

“It’s fine,” he huffs, shrugging you off.

Your eyes narrow at that, it was a lot of things, fine isn’t one of them.

“Roy-”

“Don’t call me that!” he hisses, and you pause.

“Okay,” you concede, swallowing thickly. “What should I call you?” you prompt instead.

“I- I.. I don’t know, just.. I’m not Roy Harper, I’m not!” the last words come out as a sob, and you flick the piece of you that wants to give him space the recesses of your mind, scooting closer and wrapping an arm around his middle the best you can.

“How about Red, at least until we figure it all out?” you offer instead.

“Stop,” he cries. “Stop being nice, and understanding, I replaced him!” Roy’s voice is low, and sad, and you know he wants to make his point, but seems not to want to wake up Dinah or Ollie.

“She’s asleep so I’m going to say the bad words she tries to keep me from using,” you begin, delighted when it gets a wet snort out of the redhead. “But fuck that,” you say seriously, and he snorts again.

Finally turning to look at you, though he’s stuck with it, seeing as you’re practically pressing into his side.

“Look, I’m not blaming Ollie but I’m sure as shit not blaming you either. And I think it’s okay to acknowledge the fact that what you went through in the last few days has been harsh. That it was thirty-one flavors of traumatizing. God, Red! I’d be a fucking mess if it were Dinah coming after me, but it’s not your fucking fault or theirs!” you huff out.

“You owe Dinah at least $20, for just the last minute alone,” is all he says in response.

You scoff.

“Look, Roy or not, you’re my brother too. You have been for the last three years, and just because you’re a clone, it doesn’t make it less true,” you say seriously, and he goes quiet.

You let out a long sigh.

“You should get some sleep, tomorrow’s gonna be a long day,” you finally offer after the silence stretches.

“Yeah,” he huffs, standing up.

You stand after him, tugging him into a tight hug, that he doesn’t seem sure of how to respond to.

“Goodnight, Red,” you say gently.

“Goodnight, (y/n),” he whispers, before peeling you off of him, and walking away.

STAR CITY January 1st, 10:22 EST

You slept horribly.

The worst ever, actually.

Okay probably not, but it was still pretty bad.

The light at the end of the tunnel where the two hours of no questions you’d managed to wrangle out of Dinah.

You were already in a booth when he walked in.

Sat with your eyes closed, leaning against the linoleum seats, and when the overhead bell of the entry door rings, you blink them open in time to see Dick find you.

You offer him a muted lazy smile, and he gives you one in return.

“Hey,” he greets.

“Hey,” you say, sliding down.

He takes the invitation, settling down beside you instead of across from you.

The two of you fall into a comfortable silence. It seems you both were talked out after the events of the previous day.

Eventually, Mrs. Lenetii brings out a milkshake for you both, cooing over you, before siappearing to take care of another table.

Your head lands on his and his fingers interlace with yours.

“Bad night?” he asks after you’d both been ignoring your milkshakes for too long.

“yeah,” you nod.

“Yeah,” he repeats.

Slowly you lift your head.

You’re close, the two of you. His face is right there, his lips.

He’s staring at you with the wide blue eyes, and you wonder if he’s suddenly as nervous as you were.

You thought of Wally and Artemis at Midnight, of M’gann and Conner, even Rocket. But they were all older. You and Dick were the youngest on the team. It had never felt like it more until right now.

“Um-” he stutters out. “I… uh.. Can I?” he trails off.

“Have you.. ever?” you question back.

Neither of you have moved apart though.

“No,” he admits. “You?”

“No,” you share.

He offers you a shy smile, and it’s the first one in almost forty hours that doesn’t feel strained.

When he tilts down, you move up. There’s no fireworks. And your noes’ bump, and you giggle. And then your teeth clack, and he laughs. It’s awkward and kind of strange, and not at all what the movies make it sound like it’ll be, but it was your first kiss, and it was his too, and it tastes a little like the chocolate and strawberry milkshakes you’d both been sipping on, and all of it together makes it kind of magical in an of itself.

No matter what happened next, what came next, you had Dick, and you knew he had your back.

everything tags: @butterfly-skinnylegend

dc taglist: @batarella @loninctzencarat @escapenightmare @uh-oh-howd-i-get-here

cnng taglist: @babymango-writes @smile-more19 @bruiscdlikeviolets @truly-dionysus @farfromjustordinary @sometimeseverythingsucks @dweeb-central @lucy-roo @casedoina @cipheress-to-k-pop @anonomano @seninjakitey @whelmedparker @officiallydarkgeek @midnxghtblue @unini @blackwhiteandshadesofgradient @dontmesswithbeebo @raggedyoldwitch @bouqet-of-gay @duckmylife18 @kendallambrosio @notslaybabes @torchbearerkyle @cynthiarose07 @mono--moonchild @emo-space-tea @notsostraightweeb @sassyspanishartist @ahyeonah @acceber1313 @onepieceformeplease @whatislifeandhowdoidoit @luvelyxp @lovelyartemisa @evermoore580 @mischiefmanaged71 @cryingnotcrying @aces-tattooartist @we-flower-fan @awkward-youtube-trash @laurcad123 @sanovr @feverish-dove @lolsnacks

243 notes · View notes

ladyloveandjustice · 7 months ago

Text

So I have no stake in ships in Avatar the Last Airbender, I do not have any real ships for the show. But when I was looking in Katara's tag for art and stuff, I saw this reoccuring claim that Katara always supported Aang with his problems and feelings, but that Aang never supported her back with hers.

And I don't care about the ships, but I do really like the friendships in Avatar, and that bothers me. It's a slight on Aang, but also on Katara (implying she wouldn't stand up for herself and break it off if a friend was all take and no give, which doesn't fit her personality at all.)

Aang does support Katara whenever he gets the chance, which is unfortunately few and far between because Katara seems to have a hard time leaning on the people she cares about and talking in depth about her own trauma and feelings about it, though she will do so when she literally doesn't care what the person thinks about her (and both times she opened up to Zuko about her Mom initially were her lashing out at him and not caring what he thought about her in return).

This would be something that would need to be addressed for a romantic relationship between them to truly work, and I imagine it would be part of the journey of finding a way to stay together, but it's very much not Aang's fault. And as I said, when he gets a chance to support her she does. Since I just recently rewatched most of the series, have a list of those times!

-His first time being supportive of her is literally a half hour after they first meet. As soon as she tells him about wanting more waterbending experience, he enthusiastically offers to fly all the way to the north pole so they can find her a master. And this very clearly means a lot to her.

-I don't think Aang knew how supportive of her he was being here, but there's the "I haven't done this since I was a kid" "You still are a kid!' exchange. As much as people accuse Aang of seeing Katara as his Mom (he's literally the one character who doesn't express that he does in The Runaway btw and I think that's for a reason) their first interaction establishes that he sees her as a kid, just like him, and think she should have fun like a kid does. This must have been huge for Katara, who'd been forced to take on adult responsibilities at a young age, who resented having to hold the family together, who thought her childhood was over. Aang helped her have fun and be the kid she is, and he'll continue to do so.

-When she lost her mother's necklace (And Zuko subsequently stole it) he was very concerned for her feelings and seemed to immediately understand the weight of that loss, due to his own experiences with loss. Not only did he make her a new necklace to wear as a way to comfort her, as soon as he saw Zuko had it he said "you're giving that back to me" and risked being hit by Zuko in his attempts to grab it. Then he gave it back to her and she was ecstatic!

-He was so supportive of her during the waterbending scroll episode it's actually ridiculous, despite how she lashed out at him. It's unclear if he actually understood she was upset or if this was just his unwavering respect for her coming out, but when she was upset that he learned the first move faster than her he said "well you didn't have such a great teacher!" and it clearly makes her feel better for a bit. He immediately forgives her for lashing out at him, doesn't judge her at all for stealing the waterbending scroll, or for accidentally dragging them into trouble. He, in fact, goes out of the way to reassure her, looking happy at the chance to work together and reminding her they need two waterbenders. And he appreciates her joke at the end (he's just straight up being simp (affectionate) there, and I get it).

-When Pakku won't teach her he immediately denounces him as wrong and unfair and is willing to sacrifice his own education (which he needs to save the world) because he won't stand for it. He remains upset about it even after Katara persuades him, tries to secretly show her what Pakku taught him, and cheers her on when she fights him.

-When she's crying over Jet's death, he's the first one to notice and reach out to her, putting his hand gently on her shoulder and drawing her into a hug (that becomes a group hug). She smiles and clearly feels comforted. They probably talked about it offscreen too (but this cannot be shown as they would need to directly acknowledge his death to do so)

-He's pretty much always praising her as a teacher, and when she grumbles about him not calling her Sifu, he goes out of his way to call her that.

-He notices that she's mad at her Dad and asks her about it, but she deflects

-He looks really sad when he has to remind her she has to take off her mother's necklace for their Fire Nation disguises, again it's something he very much seems to empathize with her about, he understands the weight of what it means to her.

-He not only doesn't judge her for lying during the Painted Lady saga, but praises her and enthusiastically helps her commit ecoterrorism.

-Both he and Sokka move to comfort her when she's crying after the bloodbending fiasco. Most of the comforting of her happens offscreen, which I do think is a shame, and a contrast to how Aang is handled- but it's more of a "he's the main character" thing, since the same happens for Sokka as well (I'm sure Katara and Aang talked to him about Yue's death and at least tried to comfort him, but we don't get to see that).

-He was trying to support her during the Southern Raiders ep, whether you believe he did it well or not, both according to his beliefs and cultural values and by trying to emulate the ways she's talked HIM down from revenge and hatred in the past. He specifically brings up those two incidents- losing his people and losing Appa- where she stepped in to keep him from losing himself to rage. As this post notes, he also specifically echoes her phrasing from when she was urging him not to lose himself to the Avatar state (she says "watching you be in that much rage and pain is really scary" and he echoes "you're feeling unbelievable pain and rage" while talking to her in this ep.)

It's not just the air nomads he's trying to emulate here, but her. Just like Katara doesn't want to see him consumed by hatred and pain, he wants the same for her. His concern is not for her mother's killer, but for her, he fears this will hurt her, just like her concern was always for him and how this would hurt him in those times he was raging.

He wants to do for her what she did for him. But, Katara is not him. She is not someone who will be talked down by someone else when she is grieving, angry, and looking for revenge. Nobody can stop her when she sets her mind to it. She needs to wrestle with whether to kill him and she needs to come to her own conclusions, because she's the only one that can stop her. And Aang realizes that. He says it's a journey she'll have to take on her own, that she needs to face him doesn't stand in her way.

(I wonder if it kind of hurt, deep down, that he couldn't reach her the way she always reached him. I wonder if he felt upset that he couldn't find the right words like she did for him. But I don't think there were any right words. She needed him to step back. It was her choice to make. So he did.)

And in the end, he was correct that she didn't want to do it. She did choose that based on her own feelings and values.

His assumption Katara not killing the guy = forgiveness is definitely him just kind of applying his assumptions and values, but when she says she doesn't forgive him, he doesn't like, judge her or anything that we can see.

So yeah, quite a few examples! It can feel lopsided because more attention is paid to Aang and Katara's personality affects things.

Katara is both open about her emotions and not. She's someone who will look after other's feelings but not really discuss her own pain with people she cares about, until it all builds up and bursts out.

And it's not surprising she's most concerned about Aang, if my friend had recently (from his perspective) survived a genocide where he lost everyone he loved and was now tasked with saving the world at twelve years old, I'd be pretty worried about him and want to support him too! Aang goes through a lot by virtue of being the protagonist, he has the most pressure on him, he's routinely in the most danger, he literally dies for a few minutes. It's not surprising Katara has more opportunities to comfort him, but he unfailingly supports her in any of her problems of goals (when they're not murder) when he can.

I do think there's some missed opportunities to explore Katara and develop their relationship, but it doesn't make Aang a bad, unsupportive friend, or Katara his Mom and not his peer.

#aang #katara #will i ever stop with the meta posts i dunno why was this so long #avatar the last airbender #meta #atla

456 notes · View notes

dyaz-stories · 1 year ago

Text

put your arms around me and i'm home || Cha Hyun-Su x Reader

summary: In the dead of winter, you have to do a run to go get fuel for your generator. Things go wrong, but fortunately, Hyun-Su is here to save you.

word count: 3.7k

warnings & tags: canon-typical violence, gore, monsters, hyun-su and reader get injured, reader briefly thinks hyun-su is dead, monster!hyun-su makes a brief appearance, hyun-su needs a hug and he gets one!, angst, hurt/comfort, season 2 canon compliant.

previous · next

A/N: this can be read on its own, but there is another one-shot, if you're interested! for context, this takes place during season 2. reader and hyun-su know each other from high school and reader runs into hyun-su after the events of the first three episodes. reader also doesn't know that he is a monster/neohuman.

You’re not one to get caught off guard, not usually. You’ve always been cautious, measured, far-sighted. It had been an advantage back in high school, and you’re pretty sure it’s what kept you alive thus far.

Yet, in this new world that you never asked to be a part of, unforeseen complications were the norm. You could plan, and plan, and plan ahead, but here you were, freezing in your living room, because the biting cold of the lasting winter meant that you’d run out of fuel for your small generator, and everything else you used to generate electricity wasn’t functioning the way it should.

If you didn’t want to freeze to death, you had to act, and act quick.

You’d already held out a few more days than was reasonable, hoping that the weather would clear and your solar panels would be useful again, or — but you hadn’t dared to voice that thought — that Hyun-Su would come by, and you could ask for his help. He’d offered before, after all, even if he had always kept you at arm’s length whenever you’d returned the favor.

But things were dire now, and you couldn’t wait any longer, so you’re kneeling in your living-room, preparing yourself for a hazardous trip in the outside, shivering as you do. Things are dangerous enough on a good day, but the snow that’s been continuously falling only makes you dread it more. It swallows sounds, means you’ll leave tracks behind you, and you’ll consume twice as much energy just to move around.

The last thing you pack is a map, which you make sure to keep available, though you hope you won’t need it in between breaks.

You’re heading for a four-stories parking lot, where you hope you’ll find fuel in one of the cars, but that’s not the dangerous part. What’s risky is that monsters love these kinds of places, with all their nooks and crannies, all the dark places to hide, and fear already has your heart beating twice as fast as usual before you’ve even opened your door.

Still, you take a steadying breath, haul the backpack over on your shoulders, and exit the house without making a sound.

Everything is quiet outside. Snow is falling gently, and the sight would be heart-warming, if it wasn’t for all the overturned cars, the gaping hole torn into the building opposite from yours by one of those missiles a few months ago, and the worrying fresh footprints going towards the river. The snow also covers the decomposing bodies, and you can only hope that you don’t accidentally step on one as you start walking.

At least it fills your tracks behind you. By the time you’ve reached the other side of the street, which was one once an impossible task due to how bad traffic you used to be, nothing leads back to your door, and you leave with, at least, the reassurance that home will still be here waiting for you when you come back.

If you come back.

There’s comfort in knowing that you’d planned well, this time, to get to the parking lot. You get to your destination with only expected complications. You spot the monsters before they spot you. You have to reroute twice, but that had been accounted for, and you don’t even have to pull out your map. You reach the building right before noon, and after surveying it for a few minutes, you let yourself in before you can chicken out.

In the dark, you make your way to the first floor, where you will be able to have the greyish light of the day, instead of having to use precious batteries for your flashlight.

It’s not long before you’ve picked out the car, a familial minivan with an untouched baby seat in the back. You try not to think about the people it belonged to as you kneel by the side and prepare to siphon the tank. You make quick work of preparing it, with the tanks and hoses you’d brought for that purpose.

Maybe it’s your confidence that’s to blame for what happens next, or maybe it’s another one of these unforeseeable accidents. Either way, you catch movement from the corner of your eye and you jerk your head back as a reflex, but you’re not fast enough and unnaturally long claws dig into your cheek.

You manage not to scream despite the pain, scramble back and away from the van. There, standing on the roof, is a creature. Though it stands on two legs, there is nothing human about it anymore. The side of its face are sagging and drooping like it’s centuries old, covering where you assume its shoulders would be. It brings its claws to its lips, and your realize with horror that your blood is dripping from them.

Bleeding, in this world, might as well be a death sentence. You don’t bother wasting energy in stopping the tears from spilling from your eyes.

“Younnnnng,” the monster screeches. “Give— meeeeee…”

It at least snaps you out of the stupor, and you grab your bat, unwilling to go down without a fight.

But it’s not much of a fight, not when the scent and the noise are waking up all the other creatures hibernating around here.

You swing wildly as the thing, and manage to send it tumbling back. It’s only a short respite though, considering pain is only ever short lived for them, while blood is dripping down your chin and onto the concrete.

You throw your backpack on your shoulders with trembling hands and grab the first cannister that you’ve filled, abandoning the rest behind to start sprinting towards the exit.

You already know you won’t make it. You know you’ll have to run through the pitch dark ground floor, which is no doubt filled with more of those nightmares, and that the chances you’ll make it out on the other side are slim to none.

But you owe it to yourself fight until the very end.

As it stands, you don’t even make it to the downward slope that leads there. There’s the sound of something charging towards you, and then the— the head, it has to be, of a bull-like thing catches you in the ribs, and sends you flying into a car. Your breath is instantly knocked out of you, your vision goes blurry, your head starts reeling. You’re aware of the thing crashing into a concrete pillar. It at least stays there, struggling to pull itself out, but that’s barely any relief, because soon enough the first creature is calling out to you again, stretching out a skeletal arm towards you.

“Younnnnnng… Give meeeee…”

It kicks you in the ribs, and you roll onto your back, only to be met with the horrifying sight of its arm in the air, claws out and ready, preparing to cut your throat open.

You refuse to close your eyes.

And then, just as you think everything lost, someone steps in between you and the monster, blocking its arm with your very own baseball bat. You stare blankly at the large back, the unkept black hair, as the man forces it to step back and kicks it in the chest.

Then Hyun-Su turns around, and holds his hand out towards you.

He looks nothing like what you’re used to. He’s usually so lost, so hesitant, when he comes to you. Now he’s focused, purposeful, and in many ways, he reminds you of the boy you once knew, the captain of the football team who would without fail lead his team to victory.

“Let’s go,” he urges you, and when you weakly take his hand, he pulls you to your feet effortlessly.

You wheeze as the two of you run to hide behind a car. You press your free hand against your ribs, hoping to lessen the pain — it doesn’t work, of course.

“It’s going to find me,” you mumble to Hyun-Su as he keeps an eye on the thing. “It can— It can smell my blood.”

Hyun-Su’s head snaps towards you, and his expression darkens at the sight of the wound on your cheek. He lifts his hand halfway, as if to touch it, then lets it fall down again.

“You should—” Your voice breaks. “You should go. If it can find me… It’s not the only one.”

A strange expression that you can’t quite decipher passes on his face, before he shakes his head firmly.

“I’m not leaving you here.”

The relief you feel when he says those words is immediately overshadowed by embarrassment. You shouldn’t be happy. He needs to go, or he will die here with you, and what would the point be in that?

“What— What are you even doing here? How—”

You don’t know if he doesn’t answer on purpose, or if he hears a sound that takes his attention away from you.

“Can you run?” he asks you, glancing over the car.

Your body’s going to hurt like hell when the adrenaline wears out, but for now you give him a decided nod.

“Do you trust me?”

You should probably take your time to answer him, actually think about the question.

“Yes,” you answer instead, like it’s a reflex.

He exhales quietly, squeezes your hand in his.

“Then run.”

Then he’s pulling with him, running at full speed towards the open wall of the parking lot. Fear spikes through you. Even though you’re only on the first floor, it’s still too high to land comfortably. That fear is completely erased by the sight that greets you, briefly, of monsters stumbling and climbing all over each other to make their way up from the ground floor. There is a whole swarm of them teeming here already, and you can’t think of any other way to make it out alive — frankly, you have a hard time believing that this will work. But you cling to your faith in Hyun-Su like your life depends on it, because it does, and when he yells for you to jump, you do it without question.

While you’re flailing in the air, you feel him pulling you towards him. Strong arms wrap around you, and keep you caged and safe. You hit the ground brutally, rolling on the floor until you land on top of him.

“Fuck,” you mumble, painfully pushing you onto your elbows. “Hyun-Su, are— are you okay?”

The obvious answer to the question is ‘no’, and yet Hyun-Su doesn’t look worse for wear as he sits up, his eyes instead going over your body to make sure you weren’t too badly injured.

If you shiver when his hands run up and down your arms, it isn’t because of the cold.

“Let’s move,” he says, letting go of you all too quickly.

But, by the time you’re both on your feet, monsters attracted by the smell of your blood have started falling from the parking lot. The two of you sprint, but you’re no match for them and you know it. You regain the tiniest hope when you make it past a corner, thinking that maybe, just maybe, the snow will swallow your smell if you hide well enough — and then something wraps around your ankle.

In a second, you’re torn out of Hyun-Su’s grasp, and when you manage to roll onto your back to see who your assailant is, all you can do is let out an inhumane scream.

This particular monster has eight legs, like a spider, and its somewhat human torso and head is completed by two long mandibles instead of a jaw. You manage to grab a knife from your pocket, but by the time you can cut its— web, you suppose, it’s charging towards you at full speed, and it’s close, too close for you to even get on your feet before—

When it attacks you, the first thing you see is what you first identify as a black wing, before you realize that it’s made out of a complex mix of flesh, bone and other materials that you can’t quite recognize, instead of feathers.

The wing pushes the creature back, and then Hyun-Su’s back is in front of you once more.

It’s his, you realize, brain awfully slow all of sudden. The wing. It’s attached to his shoulder, and all you can do is stare in confusion and horror. It flutters as he turns around to look at you.

You’re not fully in control when you scramble back, whole body shaking — because of the second near-death experience in ten minutes or because you’re terrified, you don’t know. What you do know is how hurt he looks, and how he turns his head the other way to face the monsters that are still coming after the two of you.

“You should run,” he says, low enough that you could miss it. He sounds hollow again. “Don’t turn around.”

You shake your head quietly, try to form some words. They all fail you. You don’t— you have no clue what’s happening. All that you know is that Hyun-Su is a monster and that he’s just used that to save your life.

The wave of monsters reach him just a few seconds later, before you’ve managed to decide anything. He pushes them back with practiced ease, one by one. You hate that you’re just sitting here, unable to move, as he fights for your life, yet your body just refuses to answer to you, even if you’re begging it to react.

Soon, the spider is the last one standing — or rather, the last one who hasn’t yet decided that you’d make a fairly meager lunch, considering how hard it is to get to you. It keeps attacking, and Hyun-Su keeps pushing it back, again, and again, until the creature manages to ensnare him in its web. Hyun-Su writhes, manages to pull his wing free, but it’s clear that he’s now at a disadvantage, and the mandibles click threateningly as the monster gets closer and closer to him.

Finally, your body agrees to react.

You run.

You don’t go very far though. You find the cannister you’d dropped and then you’re rushing back to throw the gasoline at the creature, half emptying it. The monster wasn’t paying attention to you, too busy trying to bite Hyun-Su’s head off, but its head snaps towards you when the liquid reaches it. It lets out a threatening hiss, which you ignore.

Instead, you find the lighter in your pocket.

Aim.

And throw.

The screams start right away, but it drops Hyun-Su, at least, as it tries to escape the fire.

For a second, you think you’ve made it — you’ve both made it, that is. Hyun-Su pulls himself to his feet. The wing flutters again, slowly starts to retreat back into his body to go back to a human arm.

He looks at you, expression unreadable.

And then one of the spider’s limb pierces through his chest. It’s not even calculated this time — just a movement it’s making as it tries to free itself from the flames that are consuming it.

You hear yourself scream. You don’t remember asking your body to move, this time, but you know that a second later you’re reaching Hyun-Su as he falls to his knees, and your arms are around him while you cradle him, pulling his head into your lap. Tears fall down your cheeks and onto his, as one of your hands tries, and fails, to apply pressure to the gaping wound, even if you know there is no point.

“No,” you beg. “No, no, no, no… Please, please, someone, please…”

You don’t know how many times you say it, how long you stay there. Snow starts to cover both his body and yours, and you realize you have a decision to make, if you don’t want to freeze to death. You just can’t bring yourself to do it.

Until Hyun-Su’s lifeless body arches in your arms with a gasp.

When his eyes open, they’re a clear, cold, uncanny blue.

You don’t dare to do anything then — not to let go of him, not to move away, not to break eye contact. It makes no sense, but you’re afraid that the slightest movement would have him gone again.

Slowly, his lips curve into a smirk, an expression you’ve never seen on him before. You’ve seen him smile, bright and sincere, and more recently, soft and subdued. But this amused, flirtatious smirk, that is completely new.

“You’re still here,” he comments, casually getting up, like nothing happen, like he can’t feel pain, like there isn’t a hole in his chest.

Even his voice is different. There’s a drawl to it, light and lazy, like he has all the time in the world.

“Hyun-Su?” you say, unsure of what’s happening. He was dead a minute ago. Then again, now that he’s breathing again, your brain is able to form the thought that he is a monster. An abnormal one, sure, and you don’t know enough to draw any conclusion, but it could be an explanation.

The smirk widens.

“Close enough,” he answers. “Are you scared?”

You’re not sure. You think you’re too emotionally exhausted to be scared.

“Should I be?” you ask. Maybe you shouldn’t trust this version of him to tell you the truth, and yet— All your senses are telling you that this is still Hyun-Su. And you don’t think he’d do anything to hurt you. Ever.

“It would break him if you got hurt,” not-Hyun-Su says, tilting his head. He lifts his index finger to tilt your head up. “I don’t want him broken.”

“Is he—” You interrupt yourself, unsure of what even is happening right now. But before you can start asking for answers, there is something you need to know. “Is Hyun-Su okay right now?”

He scoffs.

“He’s taking a break,” he replies. “He’s worked hard.” A beat while he seems to think about it. “Also, he thinks you hate him now.”

“I could never hate him,” you say, too easily, because it’s just the truth.

“Well, he is a monster,” not-Hyun-Su says with a shrug. He doesn’t seem to mean it as an insult, just stating a fact. You suppose he’s not wrong, and yet…

“The people I loved all turned into monsters,” you whisper quietly. Your mother, before you even made it home. Your best friend, who begged for death so she wouldn’t hurt others. Your father, who disappeared to protect you. You miss them all so much it sometimes feel like your heart’s been ripped out of your chest, and you’d give anything to have them back. So, if there is any way that you can still have Hyun-Su… “As long— as long as he’s not trying to kill me, does it really matter?”

The man watches you with interest, tilting his head to the side. It’s interesting. You haven’t been hurt by this world the way others have. Monsters caused death and destruction, but you watched half-monsters doing their very best to avoid hurting others, not unlike what Hyun-Su is doing right now.

The monster in him wonders what it would take, to destroy that ill-placed trust in others around you. The rest of him… is far too intrigued to give in. He grabs your chin between his thumb and his index finger, pulls your face closer to his.

“Doesn’t it?” he echoes your words. “What if I do hurt you?”

You swallow, call back the images of Hyun-Su easily taking out these monsters earlier. But you can’t forget that he’d been doing it to protect you.

“Y–You won’t,” you reply, even if your stutter betrays your lack of confidence.

It’s a leap of faith, but it seems to amuse him.

“For now,” he says, before his eyes roll into his head and Hyun-Su collapses in your arms.

You stumble back, barely manage to keep him up, before he seems to regain some control over his limbs and starts coughing. Even then, you don’t let go of him. You wrap both of your arms around him, head resting against his shoulder, and keep him there, against you.

Hyun-Su remains still for a while, breathing pained and ragged. The snow is still falling, but his body is warm.

“Are you okay?” he whispers with a hoarse voice.

“I am,” you answer. “Thanks to you.”

He lets out a pained sigh.

“Did he— Did he hurt you?”

You shake your head, barely moving away so you can look at him. He doesn’t look at you, keeps his eyes — black again, you note — fixedly in the other direction.

Like he can’t bear to know which emotion is on your face right now.

“I’m so happy you’re alive,” you say quietly. “I thought— I thought I’d lost you forever.”

Silence.

“Don’t leave me,” you beg, voice so low and broken you don’t think he’d hear if he wasn’t inches from you.

Hyun-Su’s body starts shaking against yours. Finally, finally, he wraps an arm around your waist, burying his head in your neck, and wet tears roll down your collarbone. In the freezing cold weather, they feel burning hot.

“Don’t hate me,” he begs in response, crying in your arms, fingers digging to the fabric of your clothes in a desperate attempt to keep you there, against him — even if there is no need for that right now.

You wish you could tell him that he just saved your life, that he’s been a guiding light in your cold, dark life this past few months, that you love him more than words can say. But that would take too long, and the situation calls for something shorter, more direct, and just as meaningful.

“You’re the only good thing about this world,” you say instead, and he sucks in a sharp breath.

Under the snow, for long minutes, Hyun-Su holds you like he never wants to let go.

When the two of you eventually detach from each other, he keeps your hand in his the whole walk home.

i hope you liked this installment! i'm probably going to write something much softer next, still for this couple (but it's hyun-su so it's still going to be angsty). if you're enjoying this, please let me know your thoughts, reblog or send in an ask. hearing from readers is so motivating and makes me want to keep writing!

next part

#hyunsu x reader #cha hyun su x reader #sweet home #sweet home netflix #cha hyun su #sweet home x reader #sweet home season 2 #hyun su x reader #cha hyunsoo #cha hyunsoo x reader #hyunsoo x reader #my writing

1K notes · View notes

imagines-for-the-fangirls-soul · 7 months ago

Text

The Prince - Chapter Five

A/N: First Sunday without a new hotd episode, how are we feeling? Hopefully, this fic can help fill that hotd void. Once again, thank you so much for all of your comments, likes, and reblogs on the last chapter! I hope you enjoy this one, too <3

Pairing: Jacaerys Velaryon x Reader Word Count: 3.6k Synopsis: In Jace's absence, the reader contends with their feelings, finally coming to the realization that these feelings aren't going away.

Tag List: @rinisfruity14, @gaiaea, @rexorangecouny, @burningwitchobject, @brckenmemories, @thenotesapppoet, @elleclairez

Previous Chapter - Next Chapter

Tension hangs in the air throughout the entire Keep the next morning. As you walk down the halls towards Rhaena’s room, you hear hushed discussions, spot worried faces, and fear slowly creeps over you.

The first thing you hear when you get to Rhaena’s room is her hushed tone saying, “He’ll be fine.” You feel as though you’re intruding on something you shouldn’t be, and try to walk back out, but Baela spots you and waves you in.

“I’m sorry, I didn’t mean to interrupt,” you say.

“You didn’t,” Baela says.

“Is everything alright?”

“There is unrest in the Iron Islands,” Rhaena says. “It seems the Lannisters and a few lords of the Iron Islands have been fighting over territory.”

“It is an uprising,” Baela corrects. “And the queen has sent Jace to attend to it.”

“Tend to it?” you ask quietly, panic icing your body.

“He’s going to be fine,” Rhaena says, looking to her sister.

“I know,” she says softly.

“He might not see any battle,” she says. “We don’t yet know what the status is.” They both look equally concerned for Jace, and you hate that you can’t share your own concern with them.

He had come to your room last night, and with a horrifying realization, you know he was coming to tell you goodbye. He had been trying to tell you he was leaving, and you had denied him.

“He’ll be fine,” you agree aloud, because he is your prince and that’s what everyone must say when the heir is in danger; but also because you need to believe it for yourself, too.

In the coming days, rumors spread. Some claim there is absolutely no warring in the islands, just quarrels between land-hungry lords. Others say it is bloodshed comparable to the peaks of the war. And there are those who declare it is all a ruse to solidify the crown's position.

None of it makes you feel any better. There is, however, the bitter hope inside of you that Lord Blacktyde is somehow involved and might be taken out by an arrow or swing of a sword, if fighting has indeed broke out. But your thoughts can’t rest there for long, so stuck on Jace are they.

You keep playing over what happened in the Dragonpit, how you left things. It seemed the right thing to do, albeit painful. There was no future for you and Jace, giving in to it for even a day would doom you for the rest of your life.

You try to throw yourself into other tasks. You embroider a dress for Jeyne, go to the coast with Rhaena to watch her bond with Morning, and keep your meetings with more suitors.

There is one such suitor, a Ser Swann, who you have met with twice before. He is kind, can sometimes make you laugh, and is by far the best candidate. But when he looks at you, when his hand brushes yours, you feel nothing.

You remember how you clung to Jace in the Dragonpit, the easy way he held you and made you feel safe. Even just the feeling of your hand in his sent a spark through you. You hate to compare the two men, but every interaction with Jace, even just a passing meeting in the hallway, left your heart racing.

During your date with Ser Swann, these thoughts never leave you. Everything he does, you imagine from someone else's lips, someone else's hand. That night, as you lay in bed, you toss and turn. It has been five days since Jacaerys left, and still, you cannot get him out of your thoughts.

Why did you refuse him entry? Why did you drop his hand? Why didn’t you kiss him, just once?

Jace had created plenty of opportunity for the two of you to kiss. He had sat next to you in this very bed, taken care of you, seen you at your lowest, and still he wanted to kiss you. He brought you to spar with him, clearly seeing the way you were longing for him, and kept you close to him, to see if you would finally act. In the gardens and in the Dragonpit, he had held your body to his, kept you safe, and yet, you pushed him away.

What was wrong with you?

He will return from the Iron Islands, you know. You have to believe. But the chance you might have had with him, you fear is quickly dwindling away.

You had told him he would ruin you, if you gave into your desires. But the truth was, he already had ruined you. You know that now. Ser Swann was a perfectly fine gentleman, and you could have been happy with him, if you didn’t know that there was better.

You are ruined for any other man, because every other man is not him.

You get very little sleep that night. When Brigitta comes in the next morning to wake you, you are already up, exhaustion written over your face.

“My lady,” she says, slightly in chaste, but also in concern.

“I’m fine, Brigitta. Nothing a cup of tea won’t fix.” She is silent as she prepares the tea for you, but when she brings it over, there is a note left next to the mug.

“He left that for you,” she says. “I wasn’t sure if you wanted to read it or not, but I think you better.”

“Thank you,” you say, forgetting the tea altogether as you rip open the seal. Brigitta gives you a moment's privacy and goes about getting your outfit ready for the day.

Y/N – I am sorry to leave without saying goodbye. Do not worry for me, I promise I will return safely. I hope that the time I am gone will be enough space for you, as I would very much like to continue our conversation from the Dragonpit, if you’ll grant me such leave.

Yours, Jace

“Are you ready, My Lady?” Brigitta asks. You aren’t sure if she's referring to something in the note, the dress she holds in her hand, or something else, but the letter has given you a new sense of purpose.

“I am.”

As she gets you ready, Brigitta lets you know that the flowers in the gardens have bloomed and recommends that you see them for yourself today. You had forgotten to find a task for the day, and you’re thankful for her idea.

You are making your way towards the gardens, when he comes around the opposite hallway.

“Prince Jacaerys,” you say, stopping abruptly in the hallway. Your knees wobble, nearly knocking you to the floor, seeing him in one piece. “I didn’t realize you had returned.”

“Just,” he says. You take a moment to look him over, checking for any visible injuries.

“I’m sorry that I didn’t see you that night,” you say, nervously fiddling with the sleeves of your gown. Jace frowns at you, frowns at the movement. He glances at the guards following him and nods them away. You watch them slip into the nearest door.

“Don’t apologize,” he says, “You wanted to be left alone.”

“I did say that,” you say, “But if you are heading into dangerous territory, of course I would want to know, want to hear you out,” you say with a shake of your head.

“Needless to remind you, Y/N, I’m a prince,” he says, “Often I am sent to do dangerous things.”

“Of course,” you say with a tight-lipped smile. Sudden frustration fills your bloodstream at his cool demeanor. He has never acted this closed off with you and you aren't sure how to navigate through it. The courage you had felt when you left your room seems to be fading quickly.

“I got your letter,” you say weakly.

“Good,” he says, glancing down at his boots. There is a strange silence, that is so unlike the two of you. He is nervous, angry with with you, or just over his feelings? This behavior from him is so unexpected, you want to run away before you do something embarrassing.

“Well, welcome home, Your Highness,” you say stiffly.

“You sound as though you were worried for me,” he says, before you can turn from him. You meet his eyes, and somewhere in them, you see the Jace you know.

“You are the future of the realm, of course I worry for you,” you say. Jace lets out a tut of laughter, closing some of the distance between the two of you.

“Of course,” he says to himself. “Is that all?” he asks, his eyes locking with yours again.

“What?”

“Is that the only reason you worried?”

“Jace,” you say, your voice barely a breath.

“I hate it when you call me anything other than Jace,” he says with a smile. At the sight of that smile, ridiculously, your breathing turns shallow. You watch Jace’s eyes fall to your chest, watching the rise and fall of your breasts. You realize how close he has gotten to you, how close you’ve allowed him to get.

“I could have died, I very nearly almost did,” he says lowly. Your eyebrows scrunch in worry, and Jace brushes your hair out of your face, his hand cupping your cheek. “Because I know you, I know you must have thought about if I did. You must have thought about regrets, what you would do if you ever saw me again.”

“Jace,” you try again, putting a hand on his chest, partially to push him away, and also to feel him, feel his beating heart. He is right and he knows it. He has grown to know you so well in the last weeks. Every night, you played this moment over in your mind again and again, what you would do when you saw him again.

“Y/N,” he says, just as soft.

“I didn’t worry too much,” you whisper, lying, “You told me you’d return.” Jace’s eyes flick between yours and your lips.

“You believed me?” he asks lowly.

“Yes,” you say, realizing that it was easy. You trust him and believe in him. Up until the Dragonpit, you had truly thought that his feelings were based purely on attraction. But seeing him now, looking into his eyes, you know he was telling the truth. It’s love in his eyes, and a weight lifts off you when you realize the same feeling is inside you, too. You love him, and in that moment, you know that no matter what comes, you want him, for as long as you can have him.

“Was this enough time apart?” he asks with a smile, “I’m not sure I can—”

“Yes,” you say, and before Jace gets the chance to say anything, your lips finally, finally meet his. His lips are soft, and it only takes a moment for him to shake his shock and take control of the kiss. You very nearly moan as he does, seamlessly pinning you against the wall.

Your hands are on his face, in his hair, anything to pull him closer. When his tongue slips into your mouth, you do moan. The sound elicits a similar one from Jace, and he presses you firmer into the wall. His rough hands trail down your sides, gripping your waist, holding you flush against him. In that moment, you would have let him touch you anywhere and everywhere, just to keep him close to you, keep him alive.

A throat clears at the end of the hallway, and you snap back to your senses, breaking away from each other. You take a healthy step back from him and adjust your dress. Jace is breathing heavily, a beautiful smile on his face.

A glance down the hall reveals a white cloak, just a shoulder standing outside of the doorframe. You assume it’s Ser Harrold, thankfully bringing you both to your senses.

You look at Jace and both laugh when his eyes meet yours. He moves closer to you, and takes your hand, placing a gentle, but far too long to be proper, kiss to it. You take a shaky breath at the look in his eyes as he looks up at you.

“I love you,” you say gently. Jace’s eyes widen, and he looks to be in physical pain that he can’t kiss you again. He just smiles and gives your hand a squeeze.

“I’m sorry to have worried you, Lady Y/N,” he says.

“I’m just happy you’ve returned.”

“As am I,” he says. He nods down the hallway, holding out an arm for you. You take it, your pulse quickening at the closeness of your bodies. You look up at him, seeing the smile on his lips, the slight pink tint to them from your kiss.

“I need to see my mother, tell her about my journey,” he says, continuing the walk down the hallway, “But I want to see you as soon as possible. Will you join me for supper tonight? In my quarters.”

“Jace,” you start. He looks down at you, a smile growing on his face.

“Please.”

You can only nod your head. He smiles and breaks from your side, leaving you cold. He kisses your hand once again.

“My chambers, just after sunset,” he says.

“Yes.”

It is dark in his room when you arrive. This shouldn’t surprise you; he invited you after sunset. But in the dark, you aren’t sure what you’ll do. You broke all conduct and kissed him in daylight, with several guards within earshot.

Candles are strewn about his room. Soft light illuminates Jace in the corner, adjusting his shirt nervously in the mirror. In the reflection, he sees you, and a smile grows on his face.

He crosses the room in two strides and rest his hands on your waist. His lips are gentle when they meet yours. You push him off at the first brush, looking around the room anxiously.

“Don’t worry,” he says, tugging at your waist slightly to have you face him. “I dismissed all the servants. Ser Harold is the only one at the door. He has already promised his secrecy.” You let out a sigh, smiling at him as you trace his jawline with your finger. He closes the gap between the two of you again, and you don’t pull away this time.

“You have no idea how long I’ve wanted to do that,” he says, resting his forehead against yours when he breaks away.

“Me too,” you say with a laugh. Jace kisses you again before taking your hand and leading you over to his table. A small feast is laid out before you. Jace pulls out a chair for you, pushing you in with ease.

“I hope wine is alright,” he says, pouring some into your goblet. “I know the mead we had before didn’t agree with you.”

“Wine is wonderful,” you say, “And I don’t think it was the mead that made me sick.”

“What then?” he asks, sitting across from you.

“Feelings I was trying to fight,” you say.

“You don’t seem to be fighting them anymore."

“I don’t think it’s a battle I can win. Or even want to win," you say, taking a sip of the sweet wine.

“And you came to this realization while I was gone?” he asks, drinking from his own glass. Your eyes watch the movement along his neck greedily.

“Before you left, I said that you would ruin me, if we gave into this feeling between us.”

“I remember,” he says, setting his jaw. You reach across the small table and take his hand, your thumb brushing against his skin.

“But while you were gone, I realized you already had ruined me. Ruined every other man for me. You infiltrated my mind and my heart, Jace. If I can only have you for a day, I’ll take it, rather than live my life with regret.”

“It won’t be just a day," he says, gripping your hand firmly, his eyes wide with emotion.

“I hope so.”

“I am still talking with my mother. We will find a way to keep us together.”

“I believe you,” you say, “But I don’t want to talk about the future anymore, uncertain as it is. I just want to be here with you tonight.”

Fuck, he could stay like this forever: his hands wrapped around your waist, yours on his shoulders, your soft lips locked with his. The evening had progressed to a couch in his chambers – neither of you ready to move to the bed just yet.

He had wanted this for so long, had imagined it a hundred times over. Never in his wildest dreams did he imagine you wanting him just as much. Never did he believe you would love him, too. And never did he imagine that kissing you would feel this good.

Your hand cups his jaw, drawing him closer. Your chest presses against his. He wants to pull you in, wants your bodies to become one, but he reminds himself that this is just the first night. There will be more to come.

“Jace,” you say, breaking away to catch your breath. He is not so eager to break contact. His arms wrap tighter around you, pulling you into his lap.

“Yes?” he says against your neck, his mouth traveling down the slender column. You breathe shakily, your body pressing into his when his tongue glides over the sensitive skin at your collarbone. He hums happily, exploring which parts make you press into him, which make you whimper.

“Jace,” you say again.

“Yes, Y/N?” he says, smiling against your molten skin.

“It’s getting late,” you say, whining when he bites softly, careful to not leave a mark. “I need to get back to my own chambers.”

“But there’s so much I’ve yet to explore,” he says, looking at you. Your pupils are blown wide, a sight that fills him with male satisfaction. He tastes your lips softly, in between smiles.

“Like what?” you ask. A wicked look passes over his face.

“Well,” he says, “Here.” He kisses the hinge of your jaw, relishing the arch of your back at his actions.

“Here.” He bites gently on your ear lobe.

“Jace,” you gasp.

“And I didn’t even get to these,” he says, his hand cupping your breast. “You have no idea how much I love these.”

Despite what you said, you kiss him again, falling back onto the couch as he continues to palm your breasts. His hands move down to your hips, gripping tightly, and holding you flush against him. But never any further than that.

You stay there for a long while. Each time you suggest that you need to leave, Jace manages to convince you to stay. Eventually though, you extract yourself from underneath him. For a moment, you just look at each other, the flushed skin, the clothes that hang awkwardly.

“I love you,” he says, smiling at you as you try to bring some semblance of order to your unruly hair. You look over at him, a soft smile on your own face.

“I’m glad for it,” you say. You stand, tugging at your dress, before presenting yourself to Jace. “How do I look?” you ask.

“Gorgeous,” he says, taking your hand, kissing up your arm.

“I mean,” you say with a laugh, pulling your arm from him, “Do I look presentable?” He stands and looks you over for a long moment, making you shake your head. He snakes his arm around your waist.

“You do,” he says, kissing your lips softly. Your arms wrap around him again, and for a second, he thinks he might convince you to stay. But you hum against his mouth and pull away. Your hand rests on his chest as you catch your breath.

“Stop doing that,” you say with a laugh.

“Doing what?”

“Making me want to stay.”

“Maybe,” he says, gripping your hips, pulling you against him. He knows you can feel how much he wants you, how much he has wanted you all night. “You should just stay.”

“It’s late,” you sigh.

“Another reason to stay.”

“Brigitta will be expecting me.”

“Maids are good at keeping secrets,” he says, forcing your eyes to meet his.

“I love you,” you whisper, leaning in to kiss him gently. It’s the millionth time you’ve kissed him today, but still, each time feels like the first. Like it’s air, like it’s a touch he's waited for his whole life. “I have to go.”

“Let me walk you to your chambers at least,” he says as you pull from his grasp. His hand reaches for yours and trails out of it as you keep moving.

“I think I can make it on my own.”

“It’s late, you never know who might be prowling around the castle.”

“All the more reason to keep you protected, Your Highness,” you say, back resting against his door. Jace smiles, the title now feeling like a joke between the two of you, instead of propriety.

“I really can’t convince you to stay, can I?” he asks. You shake your head at him, a small smile on your face. “Very well.” He makes to open the door, but his hand instead rests against it, the other wraps around your waist, bringing your lips to his again. You gasp into the kiss, the sound making Jace practically feral with need. He holds you for a long while before you put a hand to his chest, bringing you both back to the present moment.

“Goodnight, Jace,” you say.

“Goodnight, Y/N,” he says, reluctantly opening the door for you. Ser Harrold is stationed there still, and Jace feels a modicum of shame that the knight probably heard the last bit of your conversation. You exchange a look with him, your cheeks red with embarrassment, and you both laugh.

“I’ll see you tomorrow,” he says.

“I look forward to it, My Prince.”

#jacaerys velaryon x reader #jacaerys x reader #jacaerys velaryon x you #jacaerys x you #jacaerys velaryon #jacaerys velaryon fanfic #jacaerys velaryon fanfiction #hotd #hotd fanfic #hotd fanfiction #house of the dragon #house of the dragon fanfic #house of the dragon fanfiction

327 notes · View notes

thewadapan · 3 months ago

Text

So why did Transformers One bomb?

Look, I'm just going to say it right off the bat: no, Transformers One is not the best Transformers movie of all time. I am (gritting my teeth) very happy for every single Transformers fan except me, who all seem to have liked it, and most of whom seem to have loved it. I agree that, as a production, it meets some baseline level of technical competence. It's a perfectly fine movie.

It's also the worst-performing Transformers movie Paramount has ever made.

Hopefully, now that its theatrical run has unceremoniously ended, people aren't going to try to rip me to shreds for theoretically threatening this multi-million-dollar film's box office revenue some miniscule amount by sharing a few teensy weensy complaints with my fifty followers.

Because I do just have a few little nitpicks, which I've tried my best to communicate, over the next 17,000 words of this post.

If you're not a Transformers fan, sorry, this essay is mostly written with the assumption that you've seen Transformers One. However, it might still be of some interest as a window into the current state of the franchise. I've written a basic plot summary of the movie to bring you up to speed, in that case. Because Transformers One purports to be the perfect introduction to the story, no homework needed, I've also done you the courtesy of elucidating background context as needed—think of this less as a review, and more as a history lesson, or maybe a "lore explained" YouTube video. After all, that's pretty much all that Transformers One is.

(And if farcically long posts aren't really your thing, you might prefer to listen to the special episode of Our Worlds are in Danger where my pals and I chatted about the film. Many of the hottest takes and silliest bits in this essay are shamelessly stolen from Jo and Umar.)

We've been waiting for Transformers One for a very long time. It's the first animated Transformers film to get a theatrical release since The Transformers: The Movie came out in 1986. It first entered development around a decade ago. Many fandom members I know online got to see it as far back as June. Its US premiere was in September; those of us in the UK had to wait a full extra month before seeing it, for no clear reason. This is a film which purports to show, in broad strokes, for the first time on the big screen, the origin of the Transformers: where they come from, who they are, and why they're fighting.

By the end of its runtime, Transformers One does not actually answer these questions. Don't get me wrong, it takes great pains trying to answer a lot of different, related questions—just ones which nobody was really asking in the first place: What does the word "Autobots" mean, if not "automobile robots"? What does the word "Decepticons" mean, if they're not actually deceitful? Why is he called "Optimus Prime"? Why is he called "Megatron"? If they were friends, why did they fall out? Why does Starscream sound Like That? Where does Energon come from? If "Prime" is a title, what were the other Primes like? How do Transformers transform?

Writer Eric Pearson, coming onto the project as an outsider to Transformers, describes having to go to Hasbro to ask these kinds of questions:

they had a script that outlined the story that they wanted to tell. I knew Optimus Prime and Megatron and I knew Bumblebee as well, or B. I had to ask about some of the other deeper ones, the mythology, “what exactly is the Matrix of Leadership?” Stuff like that.

See, Hasbro does in fact have the answers written down somewhere. The story as I understand it goes something like this. During the wild west of the '80s and '90s, Transformers "canon" was largely a by-the-seat-of-your-pants consensus-based affair between the freelance writers and copywriters the toy company would bring on to advertise their toys. That changed around the turn of the millennium, when late later-CEO Brian Goldner saw how Hasbro's licensed IP lines (such as Star Wars) were more financially successful and realised they could make more money by aggressively promoting their own in-house IP, which they didn't have to pay licensing fees for. (For the curious, a similar thought process at rival toy company Lego was what led to their creation of BIONICLE.)

The guy basically singlehandedly managing the Transformers brand at the time, Aaron Archer, eventually set to reconciling all the self-contradictory lore surrounding Transformers, an endeavour which dovetailed into the creation of the HasLab internal think-tank (best known for Battleship, the 2012 store-brand Michael Bay knockoff which was a failure critically and commercially but not in my heart) and ultimately the creation of the so-called "Binder of Revelation", an internal story bible which cost over $250,000 to produce and has strongly influenced nigh on every piece of Transformers media released since, but which we hadn't actually seen until it got leaked a week ago. As it turns out, the document itself (compiled mostly by marketers and toy designers) is patently useless to any writer: it's a typo-ridden internally-inconsistent wishy-washy mess that mostly describes the characters in terms of a made-up form of Transformers astrology that has otherwise never seen the light of day.

So although the Binder is the baseline story bible for most modern Transformers media, its influence isn't direct per se; it's more accurate to describe it as being an elaborate game of telephone between high-profile cartoons, comics, and other internal documents, with the Binder itself apparently just sitting in a drawer somewhere at Hasbro; Eric Pearson says that he never received a "binder", with the "script" he mentions either being the earlier draft from Andrew Barrer and Gabriel Ferrari (the guys who originally pitched the story), or some other unseen internal document. Director Josh Cooley, however, definitely seems to have been physically handed the Binder or its mass-market adaptation:

I knew that there was a lot of origin to be told, and when I first started, [Hasbro] gave me the Transformers Bible. I could not believe how big it was. I was like, "This is way more than I ever anticipated."

When trailers first dropped for Transformers One, a lot of my friends who are savvy were immediately like: "Oh, this is a weirdly faithful adaptation of the Binder of Revelation, huh."

I. The One True Origin of the Transformers

Half of the people reading this are Transformers fans, and half of you literally could not give less of a shit about Transformers, so if you're in the 'former group (so to speak), you'll just have to bear with me while I bring the rest of us up to speed.

Before the Transformers' civil war begins, Cybertron is being oppressed by the Quintessons. The Quintessons are a race of five-faced aliens (as in, not Transformers), who execute everyone they come across, first introduced in The Transformers: The Movie, presiding over a kangaroo court on a castaway world. In the followup cartoon five-parter "Five Faces of Darkness", writer Flint Dille established that, gasp, they were actually the original creators of the Transformers! But basically nobody else at the time was particularly compelled by this idea, it seems, with most fans preferring the more mythological origin story conceived by Bri'ish writer Simon Furman for the Marvel comics. I think people kind of just didn't like to think of the Transformers as being robots—mass-produced, a fabrication, programmed—as opposed to an alien race of thinking, feeling beings like us. But because the cartoon was important to many kids, a lot of early-2000s media tried to reconcile the cartoon and comic origin stories by stating that the Quintessons didn't actually create the Transformers; rather, they simply colonised the planet early in its history and pretended to be the Transformers' creators, until the truth came out and they got kicked offworld. This is how the Binder of Revelation ultimately paid lip service to the Quintessons. In Transformers One, the Quintessons are just sort of here, they're these evil aliens secretly skimming Energon from its miners, they don't speak English (or whichever language the film was dubbed into in your market region), they're just these nasty societal parasites.

Energon is Transformers fuel. In the original cartoon, it was these glowing pink cubes the Decepticons were always trying to produce using harebrained Saturday-morning-cartoon energy-stealing devices. There was a Cold War going on, America had just been through an "energy crisis", maybe you're old enough to remember any of that. Transformers are these big, complicated machines, so I guess the idea is they need this hyper-compressed superfuel to run off, and their homeworld has run out. By the time of the Binder of Revelation, the concept had been telephoned to the point where Energon is like the lifeblood of Primus or some shit.

Primus is the Transformers God—but not the kind of God you have "faith" in, rather this actual guy whose existence is objectively known in various ways. He transforms into a planet, that's kind of cool, right? Where does Primus come from? Look, it doesn't matter, he's like, the God of Creation, he was there at the start of time. He created all of the Transformers. All the other species in the galaxy, though, they evolved naturally thanks to "science". Actually wait, didn't that Quintus Prime guy go around the universe seeding all the planets with different kinds of Cybertronian life? That's why they're called Quintessons. See, now you know. Who's Quintus Prime?

Okay, so the Thirteen Original Transformers, or the Primes, are the thirteen original Transformers created by Primus. Most of them correspond to different kinds of Transformer: Nexus Prime is the god of Transformers who can combine, Onyx Prime is the god of Transformers who turn into animals, Micronus Prime is the god of Transformers who are small, and Solus Prime is the god of Transformers who are women. You might remember the Primes from Revenge of the Fallen, although there were only seven of them there for whatever reason.

Honestly, The Fallen was the only one who mattered for a long time. The whole reason there's thirteen of them is because thirteen is kind of an unlucky number, right? Twelve would've been fine. But throw in a thirteenth guy, and he betrays everyone, he's this fucked up evil guy. In the Binder of Revelation, though, the Thirteenth Prime is his own special guy shrouded in mystery, because they kind of liked the idea that Optimus Prime would secretly turn out to have been the Thirteenth Prime all along, and he just forgot or something, because that means he has the divine right of Primes. In IDW's 2010s comic-book reboot, the Thirteenth Prime was called "The Arisen"—in reference to that one line in The Transformers: The Movie, "Arise, Rodimus Prime!" (this margin is too narrow to explain who Rodimus Prime is). Towards the end of his run, writer John Barber did some actually interesting stuff with the concept, playing with the ambiguity over whether-or-not Optimus Prime was actually the chosen one.

All of Optimus Prime's immediate predecessors as Autobot leaders, Sentinel Prime, Zeta Prime, the lineage seen in "Five Faces of Darkness"... they're all false Primes. They're Primes in name only. In fact, IDW had a whole procession of these cartoonishly evil dictators thanks to a few continuity errors leading to the addition of a couple of extra narratively-redundant fuckers. Transformers One tries to simplify it slightly by just saying that Zeta Prime was one of the Primes for real—occupying that thirteenth "free space"—and it was just Sentinel Prime who was only a normal Transformer pretending to be a Prime, then Optimus Prime who's a real boy.

But if he's not a Prime from the start, Optimus Prime needs another name in the meantime. In the '80s cartoon episode "War Dawn", before he was called Optimus Prime, he was called "Orion Pax". Have you noticed that Optimus Prime is kind of an odd-one-out amongst all the straightup-English-word names like "Bumblebee" and "Ratchet" and "Jazz"? That's because his name was one of a tiny handful from very early in the franchise's development, before writer Bob Budiansky came onboard and came up with identities for the vast majority of the toys. Practically everyone Bob Budiansky named is called like, "Bolts" or some shit, long before the characters even know of Earth, which has always just been a contrivance of the setting you're not supposed to think about.

Presumably to create a parallel with Orion Pax's transformation into Optimus Prime, someone at Hasbro in the 2010s came up with a new name for the bot who would become Megatron: "D-16". In real-world terms, this was nothing more than a dorky reference to the Megatron toy's original Japanese release being number 16 in the line ("D" stands for "Destron", which is what they call Decepticons in Japan). But in-universe, the name "D-16" was drawn from the sector of the mine where he worked. I don't get the impression it was originally intended to be part of a broader pattern.

Which is why I'm baffled as to what the hell the reasoning was behind Bumblebee's pre-Earth name, "B-127". There's this bizarre situation in the Bumblebee film, where the name "B-127" first cropped up, where literally every other bot gets a normal cool name with personality like "Cliffjumper" or "Dropkick" except for Bumblebee, who is stuck with this clunky sci-fi name until he makes friends with a human teenager on Earth and she gives him the name Bumblebee. I guess I don't find it confusing that the writers would (correctly) realise it's a bit weird for Bumblebee to be called Bumblebee on an alien planet where bumblebees don't exist. What I find confusing is that they didn't extend that logic to any other character.

So despite everything else in the franchise's direction pointing away from "robot" and towards "alien", Transformers One ends up with this ridiculous situation where two of the most important guys are, for practically the whole movie, simply referred to as "Dee" and "Bee", I guess because the writers correctly realised the numbers sound fucking stupid.

And if you squint, "Elita-1" sorta fits this naming scheme. But the great irony of it is that the very same cartoon episode which coined "Orion Pax" simultaneously established that Elita-1 also used to go by a different name: "Ariel"! Like the Little Mermaid. Y'know, because an "aerial" is a type of electrical component- oh, forget it.

By the time the script made it into Eric Pearson's hands, it's obvious that he simply was not thinking about it that deeply. He describes the genesis of a scene where Bumblebee introduces his imaginary friends, "A-atron, EP 5-0-8, and Steve." A-atron was impov'd by Keegan-Michael Key as a reference to one of his own skits on Key & Peele. Steve ("He's foreign.") was literally just because Pearson thought it would be funny. It's true that Steve is an inherently funny name, and I guess if you're struggling to come up with jokes of your own, it can be handy to fall back on something which is inherently funny.

And again, our silly answers to these silly questions beget yet more questions. If he started out as "D-16", then where did the name "Megatron" come from? And if all the Primes have epic made-up fantasy names, then surely that one guy can't just be called "The Fallen", right? That's not a name, that's an epithet. Unfortunately, someone at Hasbro had the bright idea to answer both these questions at once: The Fallen's real name was "Megatronus". Later, for consistency, they threw on the title, and we get "Megatronus Prime", which sounds like what a thirteen-year-old on deviantART in 2014 would call their Steven Universe fusion of Megatron and Optimus Prime. So you see, Megatron actually named himself after Megatronus Prime, famously the most evil of the Primes. In Transformers One, this is changed slightly so Megatronus is merely the strongest of the Primes, as part of its overall effort to make Megatron not look completely insane.

Which, it must be said, is a tall order. Better stories have tried and failed. Back in 2007, Scottish writer Eric Holmes came up with Megatron Origin, a perfectly-fine comic miniseries which drew heavily from the miners' strikes that took place in the UK from 1984-1985, coinciding with the inception of the Transformers franchise. In that comic, Megatron is a lowly miner who, through a series of chance events, winds up at the head of a dangerous political revolutionary movement.

For some reason—I guess because nobody had ever tried to make Megatron anything other than a bloodthirsty cackling madman before—this take on Megatron as a guy who rose up against a corrupt system became the defining interpretation of the character, copy/pasted pretty much wholesale into the Binder of Revelation. Orion Pax also opposes the system, and bonds with Megatron over it, but they disagree on how to fix it: Pax believes in peaceful reform, Megatron just loves to kill. In Transformers One, the problem everyone has with Megatron is basically "whoa, this guy's a little TOO angry!" and there's a point towards the end of the film where Megatron suddenly starts jonesing to kill literally anyone who stands in his way, because he's irrationally angry.

The core problem here—and it's kind of the Magneto problem, the Killmonger problem, whatever better-known example you care to insert here—is that these guys all fundamentally exist just to be a big villain who loves to kill people and who ultimately gets defeated, but the kids who grew up on this stuff in the '80s are now adults who are no longer satisfied with cardboard cutout villains. People like a complex villain, they like a villain who has a point. They like to root for both sides. And in fact, it's easier to sell more toys to people who are rooting for both sides, if your villain is just another kind of hero. But you don't really need to take the same effort with the good guys: they're good by design, righteous by nature. They don't need to stand for something, they just need to stand against the guy whose whole thing is that he loves to kill people.

But again, we're starting from a place where the evil faction—who half the planet will ultimately align themselves with—are literally called "Decepticons". It's a name you'd only ever call yourself ironically, maybe reclaiming it from your enemies. In this film, there's some tortured logic that implies they're called Decepticons because they were deceived by Sentinel Prime. Like if you met a gang of guys who call themselves "The Robbers", but it turns out to be because they got robbed one time, and they actually have zero intention of stealing from anyone.

The Autobots are easier, of course. "Auto" is a prefix that just means, like, the self, or whatever. And the most agreeably American ideal of all is selfishness the power of the individual, the freedom to seize one's own destiny. Prime's original '80s motto, "Freedom is the right of all sentient beings," is bastardised in Transformers One into the slightly less rolls-out-off-the-tongue "Freedom and autonomy are the rights of all sentient beings," because (I can only assume) they forgot to work the word "autonomy" earlier into the script. If they ever greenlit Transformers Three, I suppose the motto would have ended up as something like "Freedom, autonomy, ruthless efficiency, and an almost fanatical devotion to the Pope are the rights of all sentient beings." Even though bodily autonomy is one of the most salient motifs present in the film—all but referred to by name—I suppose the filmmakers were worried that you might think, when Prime says "freedom", that he actually means something completely different. So now you see! "Autobots" is actually the descriptive name of a political movement which believes in obviously good things. Like "Moms for Liberty".

Okay, so the cannier among you have probably spotted the mean rhetorical trick I'm pulling with this encyclopedia-entry-ass introduction. By sarcastically relitigating all the storytelling choices I dislike from the last 20 years of Transformers lore, I can build up a negative association with Transformers One without even reviewing the movie itself! On a subtextual level, I'm deliberately misattributing these bad ideas to the filmmakers, conveniently ignoring the mountains of evidence to suggest that they were just trying to make the best of whatever Hasbro handed them from on high. If anything—you might think—the filmmakers deserve even more credit, for spinning this shite into something even remotely good on the big screen.

Like, you'd be wrong, but I can see why you might think that.

II. The Spider-Verse of Transformers

Okay, I can see that I've spat in your soup. I'm sorry. There are lots of good bits in Transformers One. I can even think of one or two of them off the top of my head, without really racking my brains.

Maybe halfway through the film, there is one specific moment where the story suddenly promises to get good. You can pinpoint it down to the word, down to the frame even. Our heroes have just discovered that their planet's leader, Sentinel Prime, is a complete fraud who's been secretly exploiting them ever since they were born—and worse, castrated them by removing their transformation cogs. They are all very cross about this. Orion Pax expresses that he wants to come up with a plan to expose Sentinel Prime. Megatron is too angry to listen. Orion Pax asks, "Don't you want to stop him?" And Megatron replies, "No, I want to KILL him!" And there's like, a little tint of red creeping into the glow of his eyes.

Whoa. Chills. Up to this point in the film, Megatron has been kind of surly at times, but he's otherwise a generic kids' movie protagonist. He's often chipper. He makes quips. He has this banter with Orion Pax where he's always complaining. It's literally that one "Optimist Prime"/"Negatron" comic, committed to film. Like I'm not even being facetious, one of the film's few obligatory "emotional moments" has Elita-1 sit Orion Pax down and say, "You know what I love about you? You always see the bright side. Like you're some kind of OPTIMIST or something." And then later completely unrelatedly God gives him the mandate of heaven and says "ARISE, OPTIMUS PRIME!" Y'see, as originally conceived, "Optimus" is the word "Optimum" if it was a name, which is why people sometimes localise his name as "Best #1". But it's genuinely kind of cute to reverse-engineer the etymology as coming from "optimist", I guess. Like, it's stupid, but it's cute.

Argh, I got distracted with naming minutia again! Entirely my bad. That's the last time, I promise. Where was I? Right, we'd just found out that Megatron is kind of scary. Brian Tyree Henry's line delivery as he growls "KILL" is his crowning achievement in this film.

Where Optimus Prime's character arc in this movie sees him change from a funny, rebellious spirit to a complete personality vacuum, Megatron's character arc is kind of the opposite. When we're first introduced to him, it's weirdly hard to get a handle on who he is. He's a fanboy for Megatronus, the strongest and most morally-unremarkable of the Primes. He looks up to Sentinel Prime. He likes sports. He doesn't like breaking the rules. In fact, we get the sense that, were it not for his friendship with Orion Pax, he would be literally indistinguishable from the legion of silent crowd-filling background characters he works with. But the moment he starts to become Megatron, it's like everything starts to click. Gears catch, where once they ground and idled. There is something in this guy that was made to fight, made to kill, made to rule. It's sick.

And the underlying tension in his friendship with Optimus suddenly snaps into focus. Megatron is mad at Sentinel Prime, but Sentinel Prime isn't there, he's somewhere else, far below... and he can't help but turn that anger on the next closest thing to an authority figure he has in his life, which is his peer-pressuring bestie, Orion Pax. There is a part of Megatron that wishes he'd never learned the truth, and he blames Orion Pax for his cursed knowledge, for constantly leading them into predicaments on his stupid flights of fancy. Now that he knows, he can't go back to how he was. He can't stop thinking about it.

I'll be honest, it rules. Obviously it rules. It's complicated and toxic and darker than this movie was marketed to be. In interview, Josh Cooley describes the draft of the script he was presented with when he joined the project as having been far more jokey, light-hearted, glib—and it seems we can credit him for saying "Look, this ain't right, the minute the credits roll these guys are going to be at civil war for millions of years."

So, they started talking about it in — what did you say, 2015? I came on board in 2020, and when I came on board there was the first draft of the script. So I don't think they'd been working on it that entire time, but they'd been thinking about it, for sure. And the script that I read was a little more comical? But it was clear that that wasn't the right tone for this film specifically, because we know there's gonna be a war, civil war on Cybertron, you can't have everybody making jokes and then all of a sudden there's a war. So, um, the stakes were really important for this film. And because our characters at the beginning are a little naive, and just on the younger side, not as experienced, it allowed more freedom for them to be a little looser and have fun really getting to know these characters. But once they realize something's going on and things are getting real, it needs to get real.

Cooley also describes his "in" on the film as being the brotherly relationship between Optimus Prime and Megatron (they're not literally brothers in this film, though they have been in the past), which perhaps explains why Megatron and Optimus Prime get to be characters, instead of just like, guys who are there.

That was always the goal from the beginning and what got me on board. It was this relationship between these two characters that was very human and brotherly. I thought about my relationship with my brother and how I could bring that in. It’s not like we’re enemies, but we grew up together and then went down our different paths, but we’re still brotherly. I became a writer-director and live in a fantasy land, and he became a homicide detective who deals with reality, so we’re two very different mindsets. I have always been fascinated by the idea of two people who come from the same place but end up in different ones. From the very beginning, I was like, ‘That’s something I can relate to.’

Anyway, things I liked, what else. There's that joke at the very start, after the excruciating lore powerpoint, where Orion Pax does a fake-out like he's going to transform, the music briefly swells, and then it just cuts to him legging it down the corridor. In a similar vein, I liked the idea behind the Iacon 5000, where Orion Pax has them run in the race. I felt like the execution of the race left a bit to be desired—the only other participant who matters is Darkwing—but it's still honestly the best big action setpiece in the film. There's also that bit at the end where Megatron and Optimus Prime are both changing into their final forms simultaneously, and it's basically a Homestuck Flash (what would that be, "[S] OPTIMUS PRIME. ARISE."?), so obviously I liked that. Oh, and I really liked the environment design where the planet's landscape is constantly transforming, that's brand-new, someone had an Idea there, and it creates visual interest during the initial Energon-mining scene... even if I wished it had actually paid off in a more meaningful way than "the planet's crust opens as Prime falls to get the Matrix"—like, someone really should've gotten eaten by the planet, that's a cracking Disney death scene and they left it on the table! I also liked getting to see my blorbo, Vector Prime, on the big screen.

I think, as a Transformers fan who's had to sit through a lot of really quite sexist, racist, and plain bad films, you're well within your rights to come out of this one ready to give it a fucking Oscar. You should be ecstatic! It has none of those pesky humans clogging up the frame. It has plenty of robot action. It has jokes which- well I struggle to call many of them "funny", but they're at least trying to be funny in a different way to Michael Bay's films. The film is obviously a massive love letter to... honestly every part of Transformers except the live-action movies. It is an incredibly faithful and earnest adaptation of all the lore and iconography that has randomly accumulated the way it has over the last forty years of bullshit.

My main point of contention, then, is with the overriding sentiment I'm seeing from pretty much everyone else in the fandom: that this is not just the best Transformers movie, but that it's a great animated movie period, that it does for Transformers what Into the Spider-Verse did for Spider-Man, what The Last Wish did for Puss in Boots, and what Mutant Mayhem did for Teenage Mutant Ninja Turtles. That, in effect, this film will make you "get it". That it's better-looking, better-written, and more meaningful than a silly toy commercial has any right to be.

I think you can definitely see some loose influence from Spider-Verse in the overall look of the film—particularly in its color grading, and in the design of its main setting, the underground city of Iacon, where the upside-down skyscrapers hanging from the ceiling evoke the iconic "falling upwards" shot from Spider-Verse. Like The Last Wish, it's an animated franchise film that spent much longer than you'd think in development, only for the release of Into the Spider-Verse to have an immediate impact on its visual style... without actually affecting the basic story to the same extent. Both Transformers One and The Last Wish, in many ways, feel like stories concocted using an older formula; in particular, Transformers One bears startling similarities to a similar toy-franchise-prequel, BIONICLE 2: Legends of Metru Nui, which was released twenty years ago! By contrast, Mutant Mayhem—which had a much shorter development period—is a direct reaction to Spider-Verse in both aesthetic and narrative, and it has a much more distinctive creative direction as a result.

If you look at how all these titles have performed in cinemas, I think you can make a pretty strong case that audiences are perfectly willing to go out and see this kind of flick. A glance at Wikipedia tells me that Mutant Mayhem, The Bad Guys, and The Last Wish grossed double, triple, and quadruple their budgets respectively. In terms of the pre-existing cultural cachet they were banking on, we're talking about Teenage Mutant Ninja Turtles, a children's book series I'd never heard of, and fucking Puss in Boots. You cannot tell me that Transformers, as a brand, is on the same level as any of these properties. Meanwhile, Transformers One hardly broke even, while The Wild Robot—another DreamWorks film based on a children's book I've never heard of, which it ended up competing with in theatres—grosses three times its budget. My friends who've seen The Wild Robot say it made them cry.

Face it: Transformers One has not lit the world on fire. I've seen a lot of people cope with this by suggesting that it's to do with the film's staggered release, or even by claiming that the film's marketing was somehow misleading. I'll be honest, upon seeing it, it did not strike me as being at all dissimilar to the trailers. You can maybe say that the trailers undersold the depth of Orion Pax's and Megatron's relationship—which is its best aspect—but honestly, I think if they'd taken a lot of those scenes out of context and put them in early teasers, audiences would've laughed it out of theatres. Like, c'mon, it's toy robots, stop pretending it's Shakespeare. And otherwise, what you see is what you get; it's exactly what it says on the tin.

I wonder how many Transformers fans, on some level, have noticed that even when we're supposedly "eating good", and watching "peak cinema", our films just aren't as good as everyone else's. They're something you'll enjoy if you're already highly predisposed to enjoy them. But otherwise, they're not turning heads. They're not as funny, or as heartfelt, or as complex, or as exciting, or as charming, or as memorable, or as beautiful as these other films. Unlike with Spider-Verse, there's no word-of-mouth amongst normal people to say that this is a film worth seeing.

What I perceive in studios hoping to recreate the flash-in-the-pan success of Spider-Verse is a misunderstanding of what made people go crazy for that movie in the first place. Yes, it changed our conception of what an 3D-animated film could look like. Yes, the multiverse is very cool and all that. Yes, it had a huge IP attached to it. But on a more fundamental level, that movie has a fantastic story underpinning it. The script is razor-sharp. The story is beautifully complex. The vision of New York City it presents is a living, breathing place, populated by real people. It has the kind of craft to it that can only come from truly obsessive creators cultivating an absolutely miserable professional environment for a legion of passionate animators.

In interview, Transformers producer Lorenzo di Bonaventura actually spoke surprisingly candidly about his view on crunch:

I probably shouldn't answer this question, because I'm not exactly PC on my answer. I think the nature of filmmaking is, we're really lucky to work in a business that's about passion. Passion doesn't fit really well into a timeline, so inevitably you come to a crunch time. It's just true in the live action, it's true in every movie, and authors always tell me that about when they're writing their books — it's the same thing happens to them! There's something about the creative process that's not — it's unruly. So, I think if you're enjoying it, you need to recognize that. Like, you know, I don't wanna abuse anybody, and y'know — if you get into that period where people have to really work too hard, you gotta help them in that situation, then. 'Cause it's gonna come. It does on every movie. I've never seen it not come, no matter how well you plan, et cetera. 'Cause it's not a science what we're doing at all, and there's all these discoveries that happen near the end, which makes you go "oh, let's do some more, come on!". We discovered that on this movie, where we're calling ILM going "we've got a few ideas, you know, do you have enough man-hours?". [...] Like, you gotta be conscious of it — in live-action, for instance, there are some studios that are so cheap that when you're on — sort of medium location-distance and you're shooting 'til midnight, they don't pay for a hotel room. It's like, well, no-no-no, you pay for a hotel room. You protect the people.

According to everyone who worked on Transformers One, everyone who worked on Transformers One was very passionate about it. But there are parts of this film where I think you can say, pretty objectively, that it's falling short of its intended effect. So I guess maybe they weren't that passionate. I'm not saying that to be mean! It's just... isn't that better than the alternative—that this was the best they could do?

III. I did not care for The Godfather

At one point in the film, the gang's magic map leads them to a scary cave, which looks like this:

Bumblebee fills the dead air by saying, "A cave, with teeth. Nothing scary about that!" The joke here is that this is a cave that looks like a mouth. But as depicted, it's a cave that looks like a mouth that doesn't look like a cave! I get that this is an alien planet, but stalactites don't grow that way on Earth, so when you see the cave onscreen, your gut reaction isn't "oh my, what a frightening cave!". No, this is a cave that makes you say, "that's not a cave, that's some kind of alien monster".

(It's not like "cave turns out to be a monster" would in any way be a fresh twist. In BIONICLE 2: Legends of Metru Nui, there's a bit where a character swims into a scary cave, and it turns out to be the mouth of a massive sea serpent. In The Empire Strikes Back, the Millennium Falcon briefly hides in an asteroid tunnel which turns out to be a giant space worm. So I'm definitely not saying Transformers One would've been a better film if it had used this stock trope.)

Then once the heroes go inside, we're whisked off to an entirely different set of concept artwork, for this lush organic underground paradise. There's no danger there. The cave itself is reduced to a strange little footnote. Maybe it's only in the story because a concept artist drew it before they'd worked out the finer points of the narrative, and Keegan-Michael Key just ended up ad-libbing the "teeth!" line when he was told to vamp for a few seconds. Or maybe the teeth gag was fully written into the script from the start, and the environment artists just interpreted it way too literally.

Like, I'm sorry, I don't mean to start off on the wrong foot here by harping on about the cave thing—it's not a perfect example anyway—but to me it's a microcosm for my frustration towards what I perceive to be a lack of creative vision in this film. So much of the film feels like it's not there to be entertaining, or meaningful, or narratively load-bearing... it's just obligatory, something they threw in for the sake of having anything at all. It's colors and sounds. When you see the spiky shape onscreen, you think, "ooh, this film was pretty bouba earlier, but now it's more kiki!" They get the comedian to improvise a few one-liners while the characters walk from place to place. And it's like, yes, this is a film for children. Of course the heroes have an adventure map with a big red X on it. In many respects this is a glorified episode of Pocoyo, or the modern equivalent, which I guess is "Baby Shark | Animal Songs For Children".

Nowhere is this sense of "we are obliged to put this in the movie" felt more strongly than in its supporting cast. When you look closely, you notice that Bumblebee and Elita-1—placed prominently in the film's marketing and being technically present for much of its runtime—don't actually do anything of narrative significance. They don't make choices that impact the story; they're just there, and it would not take much rewriting to excise them entirely, so it's just Orion Pax and Megatron on their little adventure. In fact, I'll just come out and say it: I think Transformers One would have been a better movie if Bumblebee and Elita-1 were not in it.

It helps that, from a Doylist perspective, the motivations for their inclusion are perfectly transparent. Firstly, think of the merchandise! Secondly, in Bumblebee's case, it's fucking Bumblebee, he's the whole reason half the kids will be watching, you can't not have him in there. Whenever Bumblebee's not onscreen, all the other characters should be asking, "where's Bumblebee?" Also, I think the creative team felt that they could use Bumblebee tactically to balance some of the darkness in the story.

In the G1 cartoon, Bumblebee just has the default Autobot personality—good-natured, a little sarcastic—with the dial turned a little more towards friendliness. There's this iconic anecdote from the production that cartoon, where writer David Wise found himself in exactly the same situation Transformers writers are finding themselves in forty years later: he was told to write a story about something called "Vector Sigma", and he had no fucking clue what Vector Sigma was supposed to be. So he asked story editor Bryce Malek, who also had no fucking idea. Malek in turn asked Hasbro, and was told that Vector Sigma was "the computer that gave all the Transformers personalities". Upon hearing this, Malek said, "Well, it didn't do a very good job, did it!" Vector Sigma, in case you missed it, does actually appear in Transformers One, as the polygonal shape that transitions into the Matrix of Leadership in the opening powerpoint; I guess they're one and the same now. Some things never change: in Michael Bay's Transformers movies, there is again just a single default personality that every single Autobot shares, a braggadacious action-hero facade over genuine bloodthirst. Who can forget that iconic moment in Revenge of the Fallen where Bumblebee rips out Ravage's spine in grisly slow-mo?

Aside from the fact that he's small and yellow, Bumblebee in Transformers One bears very little resemblance to any incarnation of the character kids might be accustomed to. Instead, he occupies a stock comic-relief archetype, he's a zany guy who goes "Well, that just happened!" If anything, his one joke in the third act—wanton murder—reads like it could maybe be a reference to his many Mortal Kombat fatalities in Bay's films. Beginning in 2007's Transformers Animated, Bumblebee has sometimes possessed deployable "stingers" that flip out from his hands, as a fun action feature for toys. Clearly someone on Transformers One saw this and thought it was the funniest fucking thing that Bumblebee has "knife hands", because the character spends the third act of the movie just shouting "knife hands!" and cutting people in half like a medieval terror.

(In the UK, Bumblebee's lines were re-recorded at the last minute so he says "sword hands" instead. This is because in the UK, we generally aren't able to kill each other using guns, so it's knives that are the big armed-violence boogeyman. Everyone's always talking about how all the kids have knives. And look, I'm not someone to indulge in moral panic, but genuinely, when I look at Bumblebee chasing around people with knives, saying, "I'm gonna cut these guys, watch!", I'm like... what the fuck were they thinking when they wrote that?)

Frankly, whatever is going on with Bumblebee is just an entirely different movie to everything else that's happening. When Bee shanks his twelfth nameless lackey in a row, the movie's like, awww, you're sweet! But when Megatron tries to kill the one (1) evil dictator who's just fucking branded him, who's still lying to his face while his people continue to die to the guy's fuckin' honor guard, Optimus Prime is like, HELLO, HUMAN RESOURCES?

Bumblebee is solely here to be funny, but there's a point in the film where it needs to become a war story, and the best they can think to do with Bumblebee is to have him kill people but in like, a funny way.

As for Elita-1... look, to put it very bluntly, she is in this movie to be a woman. Transformers has had a long, long forty-year history of boys'-club exclusionism, if not outright misogyny, and each new series usually has a token female character, as a kind of fig-leaf for the fact that really, the only fucking thing Hasbro cares about is that the boys are buying the toys. Beginning in the 1986 movie, it was Arcee who got to be "the pink one" for many years of fiction—but not toys, y'see, when parents want to buy something for their beloved young lad, they don't buy "the pink one", no sir. In the 2010s, wow-cool-OC Windblade took over for a stint as leading lady, decked out in a commercially-non-threatening red color scheme. Recently, though, it's been Elita-1—Optimus Prime's girlfriend from the original '80s cartoon—who's been the go-to female character, and she's increasingly allowed to be pink.

There is a lot of love for these characters amongst creatives and fans alike, and especially in the last decade, female Transformers have been both more numerous and better-written than ever. Unfortunately Transformers One, which depicts Elita-1 as an arms-crossing career-obsessed buzzkill, whose arc sees her learn her place in deference to a less-competent man... well let's just say it struck me as a significant step back in this regard.

There's this great interview with Scarlett Johansson, voice of Elita-1, where she's trying to describe what makes her character interesting, and it's like she's drawing blood from a stone. She's like, "yeah, so Elita-1, I would say, she's on her own journey, because at the start of the film it's sort of like she's working at a big company, you know, and she wants to get a promotion, but then later on she learns that she can't, y'know, get a promotion". Look, it's not that Scarlett Johansson does a bad job—in fact, considering the material she's working with, she practically carries Elita-1 entirely on the back of her performance—it's just that I can't shake the impression that the filmmakers would rather pay Scarlett Johansson god knows how many thousands of dollars than try to think of a second actress that they know of.

As I've already complained, Transformers One has a pretty thin cast, but it effectively only has two other female characters who do anything. Airachnid is a secondary antagonist, Sentinel Prime's spymaster/enforcer, and it's clear that some concept artist really fucking popped off when designing her. She has eyes in the back of her head, and it's ten times creepier than that makes it sound. Her spiderlegs also create some visual interest during fight scenes. As a character, Airachnid has zero internality and is not interesting, but she is cool, so you'll get no complaints from me there.

The film's other other female character is Chromia, who wins the Iacon 5000 race at the last moment. She really comes out of nowhere to clinch it. It's funny, because the leaderboards show this one guy, Mirage, hovering near the top of the rankings for almost the whole sequence. And Chromia's character model really looks suspiciously like Mirage's. In fact, there's a different character who stands around in the background a couple of times who looks much more like Chromia. Funnily enough, that background character is even called Chromia in concept art! So if you connect the dots, it really seems that the "Chromia" who is the best racer on Cybertron was originally meant to be Mirage, a guy, until they switched the character's gender at the very last minute, and didn't bother changing the leaderboards to match.

There are two possible explanations for this. The first is that Mirage was the dark horse of Rise of the Beasts, and for some reason they felt like his depiction in Transformers One would've gotten in the way of their plans for the character somehow. It's plausible, I guess. The second, infinitely funnier option, is that at some point someone working on the movie realised that they only put two women in the film, scrambled to look through the feature to find a suitable character to gender-swap, only to discover to their horror that they'd forgotten to put in any characters whatsoever. Fuck it, the racer guy! He can be a girl. Diversity win, the fastest class traitor on Cybertron... is a woman!

In case you were wondering about the Transformers One toyline leaderboards, by my count, Orion Pax has ten new transforming toys currently announced or in stores, Bumblebee and Megatron have six each, Sentinel Prime has four, Alpha Trion has two, Elita-1 has two, Airachnid has one, Starscream has one, Wheeljack has one, and the Quintesson High Commander has one. In fact, one of Elita-1's toys—the collector-oriented high-quality Studio Series release—isn't scheduled for release until some undetermined point later next year, and she was entirely absent from leaked lists of upcoming releases, which to me smacks of "we realised last-minute that it would look really really bad if we didn't bother to release a good toy of the one woman in the film". Oh, and obviously, Chromia has no toys—but there is an "Iacon Race" three-pack consisting of Megatron, Orion Pax... and Mirage. Go figure.

The thing is, all of the stuff I'm grousing about here is pretty much standard fare for kids' films targeted more at boys. Hell, even The Lego Movie—which is basically the gold standard of toy commercials—gave supporting protagonist Wyldstyle a pretty similar arc to the one Elita-1 gets here, which was probably the weakest element of that film. Evidently conscious of this, Lord & Miller redeemed themselves by devoting the entirety of The Lego Movie 2: The Second Part to deconstructing common narratives surrounding gender roles. I guess I just wish the young girls who presumably comprise some portion of Transformers One theatergoers could actually get anything out of Elita-1 as a character. Ah, what do I know, maybe it's still considered countercultural simply to depict a woman punching people.

Still, to give credit where it's due: Transformers One doesn't remotely touch the gender-essentialism prevalent in the Binder of Revelation, treating female Transformers no differently to their male counterparts in lore terms. Solus Prime is, it seems, just a Prime who happened to be a woman, rather than the mythological Eve after whom all women are patterned. There's a scene where our heroes are gifted the Transformation Cogs of the fallen Primes, and the Primes named thankfully bear no particular relation to the characters; in other words, Elita-1 isn't given Solus Prime's cog. As Alpha Trion puts it: "What defines a Transformer is not the cog in his chest, but the spark that resides in their core." Dude really remembered nonbinary people exist halfway through that sentence huh.

(Actually, the bigger mistake would've been with Megatron: if he was given Megatronus Prime's cog from the start, then this would've created the unfortunate implication that his descent into evil was only the result of Megatronus Prime's fucked up and evil cog, rather than a choice Megatron made of his own free will. The film instead has it the other way around: Megatron's radicalisation into a "might makes right" philosophy is what causes him to covet Megatronus Prime's transformation cog, to steal that power from Sentinel Prime, who stole the cogs of both Megatronus and Megatron in the first place. That's cool! This does create a bit of unfortunate narrative dissonance with Alpha Trion's words, alas, as it does seem like Megatronus Prime's cog really is more powerful than the others, because it gives both Sentinel Prime and Megatron a powerup.)

There's just something that I find so dreadfully mercenary about this movie's cast—honestly, everyone except Orion Pax, Megatron, and maybe Sentinel Prime. Take Darkwing, for example. Bro was clearly designed from the ground up to fill this stock character role of "bully who pushes our guys around and later gets his comeuppance". For a more interesting take on that exact same archetype, look no further than Todd Sureblade from Nimona, a bigoted knight who gets a whole damn character arc in the background, which directly complements that film's main themes.

Again, I'm not playing some kind of guessing game here, the authorial evidence is right there: Darkwing didn't even have a name until Hasbro designer Mark Maher was shown a picture of the character and asked, "If this was a Decepticon flyer, who would it be?" This is actually par for the course with ILM; most of their concept art is labelled with very basic descriptions, with the exact trademarks being picked in conjunction with Hasbro at a later point. Darkwing just stands out in Transformers One because he's the only recurring speaking character who's an OC in all but name (unless you count Bumblebee), he's the one guy who's been invented from scratch with total creative freedom, and he's boring as sin. It's like the filmmakers just couldn't conceive of a children's movie without that stock character—and they clearly had no idea what to do with him once they'd invented him, because he disappears entirely from the film at the start of the third act, when Orion Pax throws him into an arcade cabinet, which they have in the mines on Cybertron for some reason.

In a film with as painfully few named speaking characters as Transformers One, there's really no excuse for having this kind of one-dimensionality in their portrayals. Genuinely, I ask—who are Orion Pax and Megatron fighting to liberate? Jazz, one of the biggest personalities from the original G1 cartoon, who gets all of two boilerplate lines here? Cooley seems to think so:

As you’re designing them the background characters are almost like Lego pieces where you put different heads on different bodies just to fill in a crowd. But some of them would be brought forward and be painted specific colors so that it represents a character that I didn’t know was such a big deal. But there was stuff—like Jazz, for example, has a pretty big role. It was important to have a relationship with a character that we know gets to be saved.

To me, the idea that casual cinemagoers would be invested in any of the Transformers as characters is laughable. Michael Bay's characters are famous for being hateful non-entities. In terms of the films, Jazz is best remembered for dying at the end of the first one, seventeen years ago; he looks completely different here. The one breakout character in recent years—Mirage, as played by Pete Davidson in Rise of the Beasts—was, as I've already mentioned, written out so that the movie could reach its girl quota... not that he would've had any lines anyway.

And I just don't buy the idea that the complete dearth of compelling characterisation in this film is just an unfortunate side-effect of its clipped one-hour-thirty runtime—that, given even half an hour longer, the film would suddenly be crowded with rich portrayals of all your Transformers faves. Bumblebee and Elita-1, ostensibly two of the most important characters in the film, are not in this movie because the movie is interested in telling their stories. They are in this movie for the sake of being in this movie. It insists upon itself.

IV. No politics means no politics

In fact, putting aside merchandising considerations, Elita-1 and Bumblebee serve one very specific purpose in narrative terms. The trait Optimus Prime and Megatron have always had in common is that they are both leaders—and what is a leader, without anyone to lead? Without Bumblebee and Elita-1, you'd have this farcical situation where the only person Optimus Prime ever gets to boss around is Megatron, until the very end of the movie when God makes him king of all Cybertron. The High Guard, Starscream's gang of exiles, serve a similar narrative purpose for Megatron; they're a ready-made army who've just been sitting around waiting for him to show up and take charge.

Towards the end, the movie does actually take care to show both Orion Pax and Megatron rallying groups of Cybertronians: in Pax's case, he reveals the truth to his legion of interchangable miner friends, while Megatron riles up the High Guard mob. Again, there's a bit of that narrative sleight-of-hand, a bit of a thematic cop-out, where the question of "how do Optimus Prime and Megatron come to be leaders of their factions?" is answered only in the most literal possible interpretation. Yes, we technically see the exact chain of events that lead to this point—but both characters are portrayed as born leaders. We don't see them grow into the role, except physically. The moment Megatron decides he wants to rule, he's able to take charge. Likewise, Optimus Prime just gets divinely appointed by God. At a key point, Megatron loudly declares "I will never trust a so-called leader ever again", and the movie plays a fucking scare chord like this is supposed to be ominous. Like, oh no! Optimus Prime is a leader! And they're friends! Whatever will Megatron do when he finds out his friend, Optimus Prime, is a leader?

I don't think the movie has given any real thought to what a leader actually is. It seems to take a stance that power cannot be taken, i.e. through violent action, as Sentinel Prime and Megatron do. That one scene with Elita-1 suggests the most important trait for a leader to have, above and beyond any particular competency, is simply hope and optimism. What I just can't wrap my head around is the fact that the counterpoint the movie presents to Megatron, in the form of Orion Pax becoming Optimus Prime, does not support a belief in collective action or basic democracy—rather, it's a boring sword-in-the-stone divine-right-of-kings fantasy.

Except I do have a theory for why the film is like this. Let's look again at that interview with Eric Pearson, who came onboard in the "late middle" of production:

One of the first things that I did was a big pass on Sentinel Prime. I just felt like he was too obviously telegraphing his wickedness in previous versions, and I felt like, “No, he’s a carnival barker.” He’s got to be a big salesman. He’s a bullshitter, honestly is what he is.

(Honestly, if this is Sentinel after a "big pass" to make his villainy more of a twist, I shudder to think what the earlier drafts were like.)

Now, let's see how WIRED introduces their interview with Josh Cooley, titled "Transformers One Isn't as Silly as It Looks":

He liked the script, which traces how Optimus Prime (Chris Hemsworth) and Megatron (Brian Tyree Henry) went from friends to enemies. But as the world went into lockdown as Covid-19 spread, Cooley found his story changing, if only slightly. Trump was still in office when Cooley started working on the film, and he was having meetings with the producers and they’d “start these meetings off on Zoom just going, like, ‘Holy crap what is going on in this world?’” he says. Ultimately, the infighting they were seeing between Democrats and Republicans in the same family became an undercurrent in the film’s friends-to-enemies storyline, “because that’s what Transformers is.”

So it's like, oh, this is a 2016 election thing. This is just that one election that broke everyone's brains. Of course this movie about a made-up political struggle on an alien planet being developed from 2015-2020 wouldn't be like, hey, you know what might fix our society's problems, is if we had an election. Of course the main villain is a "big salesman" "bullshitter" who says things like "The truth is what I make it!". Wow, guys, your film is so-o-o politically-conscious, and very pretty.

The fantasy is more or less that Donald Trump's army of reactionaries is marching on Washington to seize power through violent means, and on the way he drops Joe Biden into the Grand Canyon, but just before Joe hits the ground a giant fucking bald eagle swoops in to catch him and squawks, "God finds you worthy! Arise, President Biden!"

In our escapist little morality play, our best friend slash allegorical dad gets made king of the planet, and we all get jobs in the government. As in, one of the funniest lines in the movie is straightup Bumblebee exulting, "This is the greatest day of my life. I get to work for the government!" When Prime met Bumblebee—an hour ago—the dude was talking to imaginary friends, and honestly the only fucking skill he's demonstrated since then is cold-blooded murder. We have this dissonance in the storytelling, where it's mostly a story about four friends going on an adventure (are they even friends? Most of them hate each other!), but it's also a founding-fathers political origin story, which means there comes a point where our hero just suddenly starts bossing his friends around in a deep voice, and they're like, "Yes, sir!" It creates this unhinged situation where the "good" faction on Cybertron is ruled by the biblical chosen one and his nepotism buddies.

Per that quote from WIRED (or are they just putting words in Cooley's mouth? I can't help but notice they don't give an exact quote!), the film is ultimately sympathetic to the bad guys (the Republicans, I guess). It deliberately suggests that there is really nothing that should divide the Autobots and the Decepticons: their political goals, it claims, are identical, and they only disagree on the means by which to achieve them. The Decepticons, who are angry and hateful, have simply been misled by a power-hungry liar with charisma—first Sentinel, then Megatron—and so the tragedy is that they are artificially pushed into conflict with their fellow men, when really they should be uniting to stand against their common enemy, the foreigner illuminati trying to steal Cybertron's wealth.

Now, I know I've just handed you a get-out-of-jail-free card. My political allegory here is chock full of holes. What, are Sentinel Prime and Megatron both Donald Trump? Get a grip. Obviously any real-world commentary in Transformers One was only intended in the loosest sense imaginable: things like, "people should be free to change into whatever they want!" I'm being unfair, I'm reading too much into it, this is a cartoon movie for children, and if I want politics, I should start reading some fucking books. Also, come to mention it, my whole argument about that cave earlier really didn't hold water, and- I know, alright? I know.

V. Place / Place, Cybertron

I'm not mad at this toy commercial because its politics don't quite align with mine. I'm not mad at it for having a boring-ass supporting cast. I'm not mad at it for reheating a bunch of half-baked lore I didn't care for from the early 2010s. I've actually spent a lot of time mad about Transformers media that I've thought was bad. There's Transformers: Armada, where the English translators are fully asleep at the wheel and render even the most basic cartoon plots incomprehensible though constant mistranslations. There's Transformers: Micromasters, where two white guys wrote a downtrodden race of tiny Cybertronians who greet each other like "Wattup, my micro!". There's the recent series of Transformers: EarthSpark, where there's an episode that I can only describe as "the Wonka Experience but it's an episode of a children's cartoon", with a plotline that mostly revolves around our child heroes straightup robbing a Onceler-looking businessman of his most valuable possession. There's Transformers: Age of Extinction, with that one scene, and also the rest of that movie. In fact, I would go so far as to say that most Transformers fiction is some combination of bad, offensive, and offensively bad.

So even though I've just spent thousands of words whinging and moaning about how I didn't like Transformers One, the truth is that I had a perfectly nice time at the cinema. I got to go see it with five of my pals who love Transformers just as much as I do, and we had a blast. It is easily in the top 50% of all Transformers fiction.

Unfortunately, for whatever reason, I guess I've always given a lot of thought to what Transformers looks like from the outside. Maybe it's that I'm compelled to spend so much time and money on it, that it somehow compels me to vomit up these kinds of essays, and all I want is to be able to make it make sense to anyone in my life. It would be so, so nice if I could just sit down in the cinema with a friend or family member for a couple of hours, and at the end of it, they'd be able to walk out and say, "Okay, I guess I see what you get out of it." Rise of the Beasts was kind of that movie for me, but Rise of the Beasts is also the seventh instalment in a blockbuster franchise. It kind of takes for granted everything about Transformers.

It doesn't answer, "what the fuck is a Transformer anyway?"

For many years now, fans have noticed a marked aversion to using the word "transform" as a verb, or even as a noun. Optimus Prime no longer says, "Autobots, transform and roll out!", he just says, "Roll out!". Transformers no longer transform, they "convert". In fact, Transformers are no longer Transformers at all: they are "Transformers bots", the italics here serving to distinguish a registered trademark. This is because the worms in suits at Hasbro are worried that, if they continue to use the word "transform" by its dictionary definition—that is, to change—then rival toy companies will be able to make the case that anything that transforms can legally be described as a Transformer. It will become a generic trademark, like Velcro, or Band-Aid, or Dumpster.

Yet in Transformers One, "Transformers" is not just the noun by which the characters are referred to—rather, it's used in a descriptive sense to specifically mean "Cybertronians who can transform"! Characters are constantly talking about whether they can or can't transform. Prime gets to say his catchphrase in full. It's a miracle. Not only that, characters even get to say the word "kill" instead of "defeat" or "destroy".

Transformers One has a level of unrestricted creative freedom not seen since the 1986 animated film. This is a film unconstrained by location shooting, or licensing deals, or uncooperative actors; through the magic of CGI, for every single frame of its one-hour-thirty runtime, the filmmakers can put literally whatever they want on the screen. They were given the assignment, "Make an animated prequel set on Cybertron telling the origin story of Optimus Prime and Megatron", handed an estimated $147 million and a blank page, and told to go nuts. Like those born with transformation cogs, Transformers One had the power to become anything it wanted to be.

The 1986 animated film took that carte blanche to do whatever the fuck it wanted, and basically singlehandedly defined the direction of the franchise ever since. On a lore level, in terms of tone, I would say that Transformers owes practically everything to The Transformers: The Movie. Cartoons, comics, films, and video games have adapted every single one of its scenes countless times over. I'm not necessarily saying that it's a good film, or even that it's a particularly original film—much of it is ripped off from Star Wars—just that it took the franchise somewhere it hadn't gone before. It was looking to the future. As in, literally, it was set in 2005, at the time two decades into the future.

What gets me down about Transformers One is that—like most major franchise media released since The Force Awakens—all it can do is think about the past. Swathes of it are devoted to painstakingly recreating or setting up the various bits of iconography which have arbitrarily come to define the franchise. Even when it appears to be taking things in a new direction, it's not long before it course-corrects back into familiar territory: Steve Buscemi invents a surprisingly fresh take on Starscream's voice, and then Megatron half-strangles him to death, saddling him with a post-produced rasp to emulate Chris Latta's iconic performance from forty years ago.

The very title of the film, Transformers One, is an allusion to the line, "Till all are one," which originates in The Transformers: The Movie. In an early script for that '80s feature, it was actually "Till all life sparks are one", referring to a literal metaphysical process in that draft whereby one Transformer's life force could be passed on to another, presumably with the belief that they would all eventually be merged into a single afterlife. In the finalized story, it's just this kind of mystical phrase vaguely evoking concepts of togetherness and unity.

Transformers One brushes up against the phrase a couple of times. Alpha Trion almost says it at one point, when passing on his dead siblings' transformation cogs: "They were one. You are one. All are one!" Whatever that means. Later, Orion Pax starts a chant amongst the miners: "Together as one!" And finally, at the very end of the movie, during his obligatory film-ending monologue, Optimus Prime again goes: "And now, we stand here together... as one." (Half of Cybertron has just been banished to the surface forever.) "[...] Here, all are truly... Autobots." (Again, half of Cybertron- Optimus, what the fuck are you talking about?) Regardless, this is inexplicably the one instance where the movie doesn't twist itself up into knots trying to nail the exact phrasing.

Actually, there is one other sideways reference like this I can think of. Early in the film, Orion Pax is chatting up Elita, and he remarks, "Feel like I have enough power in my to drill down and touch Primus himself." To which Elita replies, "You don't have the touch or the power." This is kind of a nonsensical retort unless you know that in the 1986 movie, one of the most iconic songs on the soundtrack was "The Touch" by Stan Bush, which had the chorus line: "You got the touch! You got the power!" It's a banger. Anyway, remember when I said Darkwing gets chucked through an arcade cabinet? Well, here's Cooley revealing why that arcade cabinet is in the film:

I actually wrote [that exchange between Orion Pax and Elita] because I love that song. [...] And we had this one version where D-16 and Orion were playing a video game, like a stand-up old arcade game—it was inspired to look like that, but a Cybertonian version of that. They’re playing that together like friends and the song, like the 8-bit song that’s playing is ["The Touch"]. But that scene got nixed. And so I wanted to work it in there somewhere. And I just felt like a natural place for it. But that was one where I’m like, "I just love that song and those lyrics and that’s Transformers to me so I want to get that in there."

(I've had to amend that quote to fill in the blanks where the article has redacted "spoilers" for the movie. Spoiler culture is an absolute pox, I swear. Can't have the audiences knowing about one (1) mid joke in advance—the movie barely has enough jokes to fill a "Transformers One Funny Moments" compilation as it is!)

This actually isn't the first time Hasbro has "nixed" a reference to "The Touch" in major Transformers media. In the Transformers: Cyberverse episode "The Alliance", a character references "The Touch" right before a training montage which is clearly supposed to have the track playing, except instead it's been replaced by a generic rock instrumental, presumably because they couldn't afford the license. And in Daniel Warren Johnson's Eisner-award-winning bestselling comic run, there's one panel where he clearly wanted to include the song's lyrics as a sound effect, but wasn't allowed, so the final sound effect famously reads "YOU KNOW THE SONG". But that's a random episode of a bargain-bin cartoon, and an indie-darling comic series—not a $147 million blockbuster. You really have to wonder if it came down to money, or if it was something else. God knows Transformers One would not actually be improved for having a chiptune remix of "The Touch" in it, anyway.

The most egregious misplaced bit of fanwank in the film isn't even in dialogue. In the 1986 film, there's this one iconic moment when Optimus Prime arrives at the besieged Autobot City, drives through a crowd of Decepticons in truck mode, then fires some afterburners, launching his cab up into the air, where he transforms mid-leap, drawing his blaster to shoot a couple of Decepticons before hitting the ground. It's a fantastic bit of original animation. It's the Akira slide of Transformers. And, surprise surprise, it crops up in Transformers One. In the climactic final fight, Orion Pax shows up to save Megatron, and he does the thing.

But the problem is... he's not in truck mode! The film just cuts to him standing there in the middle of some anonymous mooks, then he does a standing jump into the air, the movie momentarily goes into extreme slow-mo like he's doing a fucking quick-time event, then he shoots a couple of guys and drops to the ground. There's no momentum. It exists purely to create that simulacrum, to take the single most iconic frame from that bit of 1986 animation, and stretch that one frame into infinity. The context is discarded, irrelevant. All that matters is that brief moment of recognition: "I know what that iiis!" God knows Transformers One has precious little in the way of impactful fight animation of its own; the choreography is stiff and uninspired, while the shots themselves are nauseatingly cluttered. Often, the best it can do is pilfer from older, better stories.

"Did you clap at any of the new moments and memorable characters?" "Were there any?"

Look, I get it. Transformers One is a prequel. By definition, it can't change the future. It has to play with the characters that are already in the toybox. But I do think it had this really special opportunity: to show theatregoers where the Transformers come from. To show us Cybertron not as a distant star or a barren scrapyard, but as a living, thriving alien world, unlike Earth, something special and worth protecting in its own right. Something new and memorable. In Rise of the Beasts—probably the best Transformers movie by default—when Optimus Prime is at his lowest, he wants nothing more to return home... but home is something we've only ever seen as a cold dystopia, ruled by Decepticons. The version of Transformers One I had hoped to see was one that would have imbued Optimus' homesickness with greater meaning. I wanted to feel his loss, and to hope that one day the war will end, and Cybertron can be restored.

I think Transformers One sincerely tries to achieve this effect. The concept artists have clearly put a great deal of time and thought into Cybertron as an environment. When the artbook comes out, I'm keen to see how much stuff didn't make it into the finished film. You have to assume most of it got cut, because there's next to nothing left!

At the end of the film, battle lines are drawn, the civil war is about to start... but strangely, the movie's setting does not convey the sense that anything beautiful is being lost. Nobody is unwillingly turned to violence, innocence-lost; they're all too eager to get to killing, friggin' Bumblebee is gleeful about it. There's no beautiful, iconic landmark, which gets tragically destroyed, like in some kind of Transformers 9/11—"What have we done! Where will this war take us!". There's no part of Cybertron's natural ecological environment to be ruined by the war, because the surface world is already turbofucked by the Quintessons to begin with. No, rather, we have the total opposite: Optimus Prime finding the Matrix (which was just, like, hanging out in the core of Cybertron or whatever) actually restores Energon to the planet, removing the unnatural scarcity which was the entire impetus behind the film's dystopia. He made Cybertron great again. So again, Transformers One fails to answer one of the most fundamental questions one might expect of a Transformers prequel: "When did things on Cybertron get so bad?" The movie ends with the planet in better shape to how it started!

The big original idea that Transformers One has is that Cybertron, the planet itself, should be in a constant state of transformation. I've already talked about the beautiful shapeshifting landscapes, but it's also the moving buildings, the complicated mechanisms, the roads and rails that magically lay themselves between the vehicles and their destinations. I've already mentioned how odd I find it that none of these environmental transformations have any significance to the story; the closest it comes to some sort of payoff is when Orion Pax falls into the hole that makes you king.

What I find most perplexing are the deer. When the gang makes it to the surface, the idea is to show the natural beauty of the surface, which the cogless have been denied their whole lives. The mountains glisten as they move. Nebulae glow in the night sky. The surface is blanketed in organic (?) plantlife, like a watering can forgotten in a garden. And, most strikingly, there are deer: mechanical animals, just like those found on Earth, being hunted for sport by the evil Quintessons. When the cruisers near, their glowing horns turn red with alarm, and they prance around in fear.

I'm reminded of a brief gag from the third season of Transformers: Cyberverse—one of very few shows to have devoted any serious effort to Cybertronian worldbuilding—in the episode "Thunderhowl". Bumblebee and Chromia stumble across a "singlehorn" (read: unicorn), and when it senses danger, it neighs, transforms into a rocket, and blasts out of frame. And apart from being really cute and funny, it's like, oh, of course that's what animals are like on Cybertron! Everything on this planet transforms. Why not the animals?

For whatever reason, the deer in Transformers One are like the one thing that don't transform. Why the hell not? If Cyberverse could find the budget for its split-second sight gag, surely this blockbuster could, I don't know, have them turn into dirt bikes with antler-handlebars. That would've been something, right? If not, then at least could we maybe see some other animals on Cybertron, to really get across that alien biodiversity? Of course not. See, the deer exist to communicate one very specific story beat: a single moment of trepidation, where the heroes know there's danger nearby, but they don't know what. And all you need for that is a single kind of prey animal, with some kind of warning light to let you know, hey, there's danger! Once this purpose is fulfilled, the deer have no further significance to the story.

We need only look to BIONICLE 2: Legends of Metru Nui to see this exact same beat play out with a modicum of competence and creative flair. Also in the second act—in fact, at practically the exact same timestamp—our heroes, the Toa, have a run-in with the bad guys, and they're nearly captured... but then there's this sudden rumble of danger approaching, we don't know what. It turns out to be a herd of giant Kikanalo! They send the bad guys packing, except they nearly trample our heroes too! But then, Toa Nokama's mask begins to glow, and she discovers that her mask grants her the ability to talk to animals. They learn some vital information from the Kikanalo, and are able to ride the creatures for the next stage of their adventure. Finally, when they can go no further, the Kikanalo cave in the passage behind the heroes to ensure they won't be pursued. Holy shit, that's like, five different story beats with just that one type of creature!

It's not just that Transformers One struggles with that kind of basic narrative flow, where a single element serves multiple purposes. It's that often, it wastes precious time creating redundant setups to achieve the same effect twice.

For example, Megatronus Prime's face happens to look exactly like (what we know will be) the Decepticon insignia. At the beginning of the movie, Orion Pax mollifies Megatron by giving him a rare decal of Megatronus Prime's face. Traditionally, Megatron wears his insignia in the middle of his chest—but in this film, nearly every character has a big hole in the middle of their chest, where their missing transformation cog should go. So Megatron sticks the decal on his shoulder instead.

Later, he gets a cog, and the hole in his chest is filled. When Sentinel Prime captures Megatron, he notices the Megatronus sticker, and rips it off. Then, he re-applies it on Megatron's chest—purely so it's in the "right" place for the iconography. And then, he uses his gun to crudely brand Megatron with a tracing of Megatronus' face, inadvertently creating the Decepticon symbol. Finally, in a post-credits scene, Megatron has fashioned a proper Decepticon brand with which to brand himself and his followers. So in effect, there are four separate moments where Megatron gets the symbol! Orion sticking it on his shoulder, Sentinel moving it to his chest, Sentinel mutilating him, and finally Megatron branding himself. You can make an argument that the symbol starts out meaning one thing, but ends up meaning another thing, which has a kind of tragic significance—but I think you would struggle to distinguish subtle shades of meaning from all four of these brandings. Considering the movie only has an hour and a half to work with, I find this lack of narrative economy to be honestly embarrassing.

(My friend Jo also points out what a misstep it is to just have Megatronus Prime's face perfectly resemble the Decepticon symbol from the start. Had it been a looser, more stylised—that is to say, original—design, the moment where Sentinel Prime roughly carves it into Megatron's chest could be a shocking reveal, as the basic outlines are abstracted and simplified. Gasp, that's the origin of the Decepticon symbol! Instead, from the very moment that sticker first shows up, it's like... oh, well, there it is I guess.)

In a similar vein, both Optimus Prime and Megatron undergo two different transformations at different points in the movie: first, when Alpha Trion gives them transformation cogs, and second, when respectively they obtain the Matrix of Leadership/Megatronus' cog. The gun that sprouts from Megatron's arm in his intermediary form bears a much closer to resemblance to his iconic "fusion cannon" than the triple-barrelled cannon he ends up with in his final form. Again, in such a short film, can we really say whatever subtlety this brings to Megatron's arc is worth all this fanfare? Now, Redditors ask: "What is the EXACT moment D-16 became Megatron?"

In fact, probably the only point of criticism I've seen levied at Transformer One from within the Transformers fandom at large is that Megatron's arc is maybe a little "rushed". He starts out being best bros forever with Orion Pax, and by the end of the film, he's ready to drop the guy into a bottomless pit. The film takes a lot of time to justify his anger at Sentinel Prime, but the deterioration of his friendship with Orion goes much more unspoken, and is framed more as a point of irrationality: psychologically, Megatron comes to conflate his bossy friend with his oppressive ruler. I liked this, personally. I liked that it's as if a switch gets flipped in Megatron's head. But you do just kind of have to buy into it. The film itself does not put in the work to really sell you on the friendship souring, because again, it's too busy fucking around with two (2) magical girl transformation sequences for each of them.

Everything in the film is like this. They go into the cave and meet Alpha Trion, then leave the cave so they can watch a FMV cutscene with Sentinel Prime and the Quintessons, who've coincidentally arrived at that exact moment, basically just to rehash what they've just been told... and then they go back into the cave so Alpha Trion can resume his infodump, and then they end up clashing with Sentinel Prime's forces once that's done. At the beginning of the movie, they're at the very bottom in the mines, then they get banished to an even lower level, then they banish themselves all the way up to the surface, then they return to Iacon, and then Megatron gets banished to the surface again so he can be mesmerized by the beauty of the world and/or get gunched by Quintessons depending on what the film wanted me to take away from this. Compare to Minecraft but I survive in PARKOUR CIVILIZATION [FULL MOVIE], where the theme of class struggle is pretty efficiently depicted in the vertically-stratified setting.

I just find it so wasteful. Outside of the one scene where they're introduced, the Quintessons—ostensibly the true architects of Cybertron's oppressive status quo—may as well not exist. If not for Orion Pax addressing his closing remarks to the Quintessons, almost as an afterthought, I'd assume the film wants us to forget about them entirely, as it knows full well that its paltry runtime does not give it time for a second action-climax against the aliens. Even as sequel bait, it feels halfhearted at best; Josh Cooley is clearly already bored of Transformers, and seems unlikely to come back for another round unless the money is really really good (which *glances at the box office* it's not). So what the fuck are the Quintessons here for? Was the idea that Sentinel might just have pulled off his coup singlehandedly really so hard to stomach? Could the conspiracy not have been simplified to just involve Sentinel and his Transformer cronies? Hang on, are all the Transformers seen at the start of the film in on it, or just some of them? How's it decided who keeps their cogs and who doesn't?

VI. Into nothing

Why does this movie, where the main selling point is ostensibly that we're getting to see Transformers civilization for the first time, mostly focus on all these guys who can't fucking transform? Surely the entire thing that makes the setting fun is the Zootopia angle of, look, they're all different animals! Or the Elemental angle of, look, they're all different elements! Or the Emoji Movie angle of, look, they're all different emoji! Or the Cars angle of, look, they're all different cars! This is a Transformers film which features several significant sequences involving these cool trains, and there is absolutely zero indication that these trains are themselves Transformers. This is a Transformers film which extensively focuses on miners, and none of them transform into mining vehicles; they're holding, friggin', space jackhammers. Even the premise of "isn't it sad that these ones can't transform" is kind of undercut by the fact that all the miners get to wear fucking jetpacks, which is a frankly much cooler and more effective method of locomotion than driving.

I'm just sick of Transformers stories having zero interest in the basic premise of Transformers, which is to say, they transform into something. I also think this is the biggest dissonance between casual audiences, who think "oh yeah, Optimus Prime, that guy who turns into a truck", and Transformers fans, who think, "oh yeah, Optimus Prime, the messiah or something". Normal people love to know what the Transformers turn into. They ask, "Wait, is there a Transformer that turns into [insert silly vehicle here]?" Of course people are interested in that angle! Vehicles are such a huge part of our daily lives—honestly, for those of us living in cities, more so than animals, the classical elements, or emoji—but the closest Transformers One comes to engaging with this lens is that aforementioned Iacon 5000 race sequence. By and large, it presents a world which is made for standing up and walking around. And personally I do think that's an insane approach to take?

Is the excuse that cars can't emote? Nonsense. If you've ever seen a traffic jam, you'll know that cars can sure as hell emote. Pixar, where Josh Cooley cut his teeth, famously spent a lot of time working out how to put a facial expression on a car. No, the problem dates back to the very start of the franchise.

In the 1980s, two main people were responsible for writing the comic stories: American writer Bob Budiansky, and British writer Simon Furman. Budiansky approached the premise of the franchise from an external, human perspective, writing about culture clash, and taking delight in the Transformers' mechanical alien nature as "robots in disguise". Meanwhile, Furman wrote the Transformers as giant people: he focused on their own internal conflicts and motivations, and the grand history of their war. Pretty much every Transformers story ever told can be boiled down to one of these schools of thought: Budianskian, or Furmanist.

Budiansky quit the comic after fifty issues, allowing Furman to take the reigns as sole writer, and Furman basically got the final word on what the Transformers are. They did not evolve from naturally-occurring gears, levers and pulleys. They were not designed by a supercomputer, or built by an alien race. They are the chosen sons of God. The Thirteen are, of course, an invention of Furman's. And Transformers One is perhaps the most Furmanist story ever told. It's the culmination of years and years of lore building up, ossifying into something you can no longer describe as the history of a universe—no, this is a mythology. It's the most perfect form of brand alignment imaginable: this is not an origin story, this is the origin story. It's been the origin story for a better part of the decade—and now that everyone's seen it in theatres, it will be the origin story forever.

It's not just the fiction, either, by the way. These days, if you go into the store to buy a Transformers toy, chances are it'll turn into some misshapen made-up futuristic concept car with unpainted windows and wheels that don't even roll—and that's terrible.

There's truly a lot to hate about Michael Bay's Transformers films, but with each new entry that's released following his departure from the franchise, I feel like I only find myself appreciating them more. In the 2007 Transformers movie, we see the Transformers crash-landing on Earth in their "protoforms", and their movements are animated like they're shy, like they're naked until they scan an Earth vehicle and adopt a disguise. The visual impact of Megatron, meanwhile, is that he doesn't adopt a disguise in that movie: he's a horrible metal skeleton that turns into a jet made of knives. It's weird and alien and it rules.

In the 1980s Transformers cartoon, and in the last-minute Cybertron-set prologue added to Bumblebee, and now in Transformers One, the Transformers look basically the same on Cybertron as they eventually do upon their arrival to Earth. Optimus Prime turns, unmistakably, into a truck. He has windows on his chest, and smokestacks on his arms. He doesn't have these features because he disguises himself as an Earth truck. He has those details because that's just what Optimus Prime looks like. They're his "essential brand elements", or "trademark details", which "identify the must-have elements in character design to be carried across all creative expressions". Prime may take any form he wishes, so long as it looks exactly like himself. A mask of my own face—I'd wear that.

What I find fucked up about the reception towards Transformers One is that a lot of people seemed very invested in its success—and not its popular success, certainly not its artistic success, but rather its commercial success. They wanted this to be the first film to make one bumblebillion dollars. They wanted Hasbro to line its fucking pockets and make movies like this forever. So if you express any kind of negativity towards this film online, which might theoretically affect some other person's decision of whether or not to go and see it, which might theoretically affect the profit it makes at the cinema, which might theoretically affect the future of the franchise in some unknown way, then you're some sort of fandom traitor who oughta be executed.

If you're so worried about the future of the franchise, the fandom really isn't where you should be looking. Like, c'mon, the Transformers fandom has been good as gold, we buy so many toys. Meanwhile, Hasbro just got finished laying off around 100 employees with no warning to make their books look a bit better. Transformers designer John Warden—who'd worked at Hasbro for 25 years, is widely credited with inventing the modern paradigm of Transformers toylines, and ultimately became the creative director of both Transformers and G.I. Joe—was on assignment to a convention in the UK with the rest of the Transformers team when he heard the news. Suffice to say, he did not end up making a public appearance at the convention. With his work's health insurance snatched away without notice, he's had to resort to crowdfunding to pay his family's medical bills. As a well-known figure in the toy industry, he will presumably find a new job and land on his feet, but the same cannot be said for all 99 of the remaining employees we're told have been unceremoniously dumped.

The Binder of Revelation, which has been something of a holy grail of behind-the-scenes material for over a decade, has finally been leaked—presumably by one of these guys, presumably out of spite.

Now, I'm not going to pretend to have been paying particularly close attention to Hasbro's financials, but from where I'm sitting, it sure seems that ever since the sudden death of then-CEO Brian Goldner in 2021—credited for saving the company in 2000, and overseeing the explosive growth of its intellectual property ever since then—his replacement, Chris P. Cocks (or "Crispy Cocks", as we're all now calling him), has been dead set on gutting the company for all it's worth. The Power Rangers franchise, which the company acquired for $522 million in 2018, is dead in the water, with huge quantities of physical assets being flogged at auction for quick cash. In 2019, they acquired the entertainment company eOne for $4.0 billion, and now they're selling off the whole shebang (except the cash-printing Peppa Pig franchise) for just $500 million. I guess maybe they just fucked it big style?

Because now, Crispy Cocks has proudly announced that Hasbro is going to stop financing movies altogether.

I'm sure that in the wake of this announcement, many of those aforementioned fandom pundits will be drawing a correlation between this announcement, and the box-office figures for Transformers One, and the fact that you personally failed to convince your Mom to go see it with you or whatever. "Ah, you see! They didn't make enough of their money back, and now they're consolidating. Simple economic cause and effect. Market forces." And look, I'm not going to sit here and claim these things are wholly unrelated. Of course they're very related. But I am going to make the case that, in truth, nobody at Hasbro really cared how Transformers One did. Unless it turned out to be some pie-in-the-sky runaway hit, I don't think the future of the Transformers film franchise would've been particularly different if only the film had done better.

With Paramount, Hasbro has been making these movies and having them underperform ever since 2017's The Last Knight—which apparently lost Paramount $100 million—and that's because at the end of the day, what they're most interested in isn't making movies. It's making toy commercials. And on that level, the Transformers films have clearly been a success so far.

Now, Crispy Cocks' skinsuit fashions itself as a gamer, so he can personify Hasbro's hardcore pivot towards digital and tabletop gaming. While we await the release of the assuredly-dogshit, assuredly-hell-to-have-worked-on, assuredly-never-coming-out Transformers: Reactivate, the brand has been whored out to a procession of mobile games you've never heard of, glorified gambling machines designed to hack the monkey part of your brain with bright colors and Things You Recognize. The exact content of these games is irrelevant; all that matters is the announcement, on every single pop culture news outlet simultaneously (naturally—they're all owned by the same company, talk about Monopoly), of New Collaboration Between Transformers And Goon Warriors Free To Download Now. Your daily, weekly, bi-annual reminder to think about that thing you can buy.

That's all any of this stuff is.

All these words spilled about what a good movie Transformers One is, and how bad it is, and why the marketing failed it, and what the next one might be like, and- none of it mattered! It does not matter. From the beginning, this movie was always going to be too preoccupied with its own mercenary interests to be something anyone would ever be able to seriously talk about as a work of art, even corporate art. The actual content of the movie is irrelevant; I've spent very little of this review talking about it, because there's nothing there to talk about. It is the mere fact of the movie's existence that serves its purpose. Like the Optimus Prime Fortnite skin, it's enough for it to occupy our attention.

Maybe that's why they staggered the film's release date: because some marketing exec watched the rough cut and realised, if everyone saw it at once, we'd be done talking about it within a fortnight. And in ten years' time, after it has been paraded around whichever streaming services survive 'til then, and nearly every last cent of revenue has been squeezed out of it, the kids will be able to watch it on YouTube with ad breaks, and decide what they want for Christmas.

To the Transformers fans reading this, I am begging you, unless you happen to own shares in Hasbro for some fucking reason, to disabuse yourself of the feeling that you owe any kind of loyalty to a toy franchise. It shouldn't matter to you one jot how Transformers One did in theatres. The people who actually make the product you care about, the friendly faces paraded before you on livestreams and press tours, don't see this money anyway—they too are merely assets, who can be fired and replaced with cheaper, inferior equivalents.

I'm sure many of you will have, from the very start, seen this review for the foolish endeavour it is. I've wasted all this time criticising Transformers One for its lack of artistic vision, when the truth is, Transformers One is playing an entirely different game. Like the Disney Channel running "Fishy Facts!" segments to subliminally get kids interested in fish a full year and a half before the release of Finding Nemo, this is not a product—it's an ad for a product.

...

Okay I'll be honest, I don't entirely love where this review has ended up. It ends on kind of a "bummer note", I guess you could say. Flashing back to sections I. and II., I feel like things started out so fun. We had that whole bit at the start where I was telling you about the Transformers, remember that? We learned so much together. And there were even a few moments where I was able to express some kind of sincere joy and appreciation over this thing that I supposedly adore so much. Sure, I did a lot of complaining, but it was fun complaining, right? It had like, a sarcastic edge to it, sort of.

What happened? Why am I suddenly talking like I want to cut someone's head off? As I grow more bitter, I type this essay with increasing difficulty. The massive gun that's sprouted from my forearm keeps colliding with my monitor.

Hasbro descends from on high to reward @TFHypeGuy, a grown-ass adult who has spent untold unpaid hours fearlessly replying to every single viral tweet to tell people to go see the film, somehow netting himself 80,000 followers in the process, with a crate of toys, which was probably his end goal from the start. He and I duel. We trade blow after blow. Finally, he clobbers me with a Walmart-exclusive light-up Ultimate Energon Optimus Prime figure. "It didn't have to end this way," he says. Then he banishes me to the surface world to think on my sins.

VII. The Wrong Trousers 👖 | Train Chase Scene 🚂 | Wallace & Gromit

When Eric Pearson came onto the project,

It was late middle of the game. They had a script that had the outline of the story, which is still very much the structural bones of the story now. But what I found interesting about animation is there are certain things that were far along in the process. The train escape to the surface was very far along, so that was just kind of locked. Maybe you could change a line here or there. Meanwhile, the opening, the whole first 10 minutes, was all storyboards and sketches, which changed a bunch of times.

And I do think that's a really difficult position for a scriptwriter to be in. Sure, the parts of the screenplay I feel able to attribute to Pearson, I wasn't particularly impressed by. But I think this anecdote goes to show how unnatural the constraints can be on a story like this. When you think of like, a scene that's key to Transformers One, you're probably imagining something like the Megatron/Optimus fight, or the scene in the mine—not the train scene, which is basically a bit of arbitrary connective tissue bridging the two main locations in the film.

Josh Cooley, the film's director, the face of the film on the press circuit from a creative standpoint, came onboard after five years of previous development work was already done. Writers Andrew Barrer and Gabriel Ferrari, who originally pitched the film and presumably wrote the early drafts of the story, might have already left the project by that point. Aaron Archer and Rik Alvarez, the creative forces behind the Binder of Revelation, left Hasbro years before the film was even pitched. It's no wonder to me that the final result feels incoherent, disjointed, and oddly stilted. It's certainly no wonder that nobody at Hasbro today really seems to care about the film; it's not their baby. If any of the people credited with bringing the project to completion had been given full creative freedom to make whatever Transformers movie they wanted, it would've looked completely different.

Luckily, there are still plenty of areas of the franchise where creators have just been allowed to go ham. Over in Japan, TRIGGER has taken a modest budget for a music-video and produced one of the most visually-striking bits of animation in the franchise, a true love-letter to all the weird parts of its forty-year history. And in America, comic creator Daniel Warren Johnson is halfway through his Eisner-winning new run on the title, which is the kind of thing I would basically recommend to anyone without caveats as being a phenomenal story, period. If that comic can be said to be an advert for anything, it's for Skybound's other, nowhere-near-as-good comic series, or for the unofficial unlicensed copyright-infringing Magic Square Optimus Prime toy Daniel Warren Johnson apparently used as reference the whole time.

I dunno, maybe Hasbro stepping back from financing these films is a good thing, in the long run. Maybe we can do without Transformers movies for a while. And however many years down the line, maybe Paramount or some other studio will put together a new team of talent, and they'll get to do whatever it is they want. And maybe the movie they make will be the one that knocks everyone's socks off.

Truly, I don't know where the road leads from here. It hasn't been built yet. It could turn out to go anywhere.

If you made it this far, I hope some of what I've said has been entertaining or interesting. Thanks for reading!

Time to for me to come clean. There is one other reason why I've waited so long to release this review... and that's because I have a special announcement to make. Last month I set myself a little challenge: to write something that's at least as long as this review, but which isn't another negative-nancy tirade. It's a story.

The working title is "Ice Road Transformers". It's like an episode of that one reality TV show about Canadians driving trucks across frozen lakes—except the truck is Optimus Prime.

Early reviews say it's good! It'll be going through several rounds of revisions, to turn it into a well-oiled machine, hopefully in time for a seasonally-appropriate wide release in February. I'm very excited for you to be able to read it. You can follow me here or on Bluesky to be the first to find out when it's ready!

I'd like to thank my friends Jo and Umar for their work interviewing Cooley and di Bonaventura during the film's press circuit, along with Viv, Callum, and Omar for allowing me to enjoy this film much more than I otherwise might have. I wouldn't have been able to express many of my feelings about this movie nearly so cogently if not for the conversations I had with them. Additional thanks go to Chris McFeely, as his Transformers: The Basics videos (linked throughout this essay) refreshed my memory on a lot of the Aligned stuff, sparing me from having to read The Covenant of Primus again.

#transformers #transformers one #movie review #essay

335 notes · View notes

stevie-petey · 11 months ago

Text

episode one: suzie, do you copy?

Steve sighs. “Those kids are manipulating your power over me to get what they want.” “You call it manipulation, I call it bonding.” Another sigh escapes Steve. “You’re going to be the death of me.” “And yet you stay.” You tease. “And yet I stay.”

Summary: you help nancy sneak through jonathans window, the party uses you for your "in" with steve, and you sorta become the reason dustin almost blinds lucas. meanwhile, steve tries, and fails, to make you his girlfriend (this will happen all summer), but have no fear ! dustin intercepts a russian code and makes everything even harder for everyone. what a sweet brother <3

Rating: general, swearing

Warnings: allusions to violence, swearing, fem!reader, use of y/n

Words: 9.6k

Before you swing in: shes here !!! season 3 of come home <333 im so excited for yall to read what i have planned, and thank you so much for being so patient as i planned the season out and started the chapters :) season 3 is pure chaos and i hope yall love what ive created, im proud of the changes i made <3333 we get some more insight into bug this season, which i also hope yall love !

June 27th, 1985.

A summer breeze gently creeps into Jonathan’s room, bringing the scent of dandelions and your childhood with it. It’s early evening and Jonathan hums to himself quietly, laying in his bed as he lazily skims through a comic he stole from you last week. You’re next to him as you carefully cut pieces of construction paper to glue onto the posterboard. Dustin comes home from camp in a few days and you want his welcome home banner to be perfect.

In the other room you hear the floorboards creak, followed by the sound of Joyce and Will laughing at whatever movie they’ve put on in the living room. Hearing their laughs makes you smile; it’s been so long since you’ve heard them laugh.

The tune that Jonathan hums now becomes a familiar one, and absent mindedly you begin to hum along with him. The cool summer night’s air encases the two of you, as if it senses that you want to freeze this moment forever. You’re in the Byers home, pressed against Jonathan’s side as you hum together an old song from when you were both fourteen and thought you had the world all figured out,

It’s nice, having this moment all to yourself with him. Moments alone with him have become few and far between, and it saddens you to think about.

There’s a new mall in town, Starcourt, and within a few months of it opening, Bookstrordinary has slowly been edging out of business. The entire town of Hawkins quickly fell in love with the mall, but with this love came the abandonment of downtown Hawkins.

Mrs. Waters can barely afford to have you work more than a few hours a day, so you’ve been spending your days visiting Nancy and Jonathan at their internship at the Hawkins Post or hanging at Scoops Ahoy to see Steve and Robin. While your friends have been lovely, you can’t swallow down the fear that you’ll lose your job by the end of summer.

As if somehow reading your thoughts, Jonathan puts down his comic and pokes your cheek. “Hey, I’ve been meaning to ask if you and Nance thought of anything else to try and save Bookstrordinary.”

You glue down a letter and try to distract yourself with the miniscule task. Nancy has been brainstorming a million ideas to try and help Mrs. Water, and while you appreciate her effort, it’s no use. Swallowing down even more dread, you shake your head at Jonathan. “No, nothing. Nancy offered to help organize a book drive to get more customers, but…”

“It wouldn’t be enough.” Jonathan finishes for you.

“Not nearly enough,” you sigh, desperately wanting to change the topic now. “But besides me possibly losing my job soon, how has yours been at the Hawkins Post?”

Now it’s Jonathan’s turn to sigh. “It’s… okay? I guess. I–I mean, definitely not what I expected it to be. The hours suck and the men are awful, but…” he shifts uncomfortably and looks away from you, embarrassed. “A job is a job.”

You rub his arm, understanding what he means. The Byers have always struggled with money, but ever since Will went missing two years ago and Jonathan lost his last job at the Hawk movie theater, it’s only gotten worse. They’ve tried hiding it, but last week you sneakily paid for Will’s ice cream at Scoops Ahoy while no one else was looking.

“I get it, bee.” You reassure him, hating that he even feels embarrassed in the first place.

Jonathan smiles and leans into your touch, appreciative of the fact that you know his family well enough by now to understand all he’s too ashamed to say. The two of you sit quietly for a few moments before he tries to lighten the mood with something else. “You excited for your birthday, bug?”

“Ugh,” you shake your head in disgust, which Jonathan laughs at. He knows you’ve never really liked your birthday. “Don’t remind me.”

“It’s in a few days, so you gotta suck it up.” Jonathan flicks your forehead and you swat your hand at him. “Besides, I bet $5 that Steve has some grand proposal planned for your birthday this year. He’s spent the entire summer drooling over you.”

His words make you blush furiously. “He has not–”

“He definitely has,” Jonathan tries to flick you again but you dodge, giggling. “I’m surprised he hasn’t publicly declared your love for you yet. I think there’s a betting pool going around the party.”

You gasp. “You’re lying!”

“Nope. Lucas and Max both lost last week, they bet mid June. Now it’s only me, Nancy, Will, and Dustin in the running.”

“What about Mike and El?”

“Mike didn’t want to encourage you dating Steve and the party agreed it felt unfair to have El gamble seeing as how she’s, ya know, still getting used to being in society.”

Despite yourself, you laugh. The idea is so bizarre and lovely, knowing how invested everyone is in your alleged love life, and it makes the worry you’ve been feeling fade away. “Can I join the pool? If I actually lose my job, I’ll need the money.”

Jonathan scoffs at you. “That goes against every gambling rule–”

“Please? I could be poor soon!”

“No, it’s not going to happen–”

“But–”

A knock on the window cuts you off. The two of you look up at the sound and find Nancy standing outside, waving and smiling. You hurry over to let her in, happy as always to see her. She’s been spending more and more nights at Jonathan’s, always sneaking in through the window.

It’s disgusting, and you couldn’t be happier for them.

Jonathan helps the girl climb through the window and greets her with a kiss to the forehead. “Hey, Nance.”

She smiles up at him with a shine in her eyes, and you know it’s time to leave. It’s getting late, anyways. You start to gather your banner supplies as you greet Nancy yourself. “Welcome back, Wheeler.”

“Hello to you too, Henderson.”

You wink at the girl and quickly ruffle Jonathan’s hair. “I’m going home, bee. My mom wants me to help prep Dustin’s room and I wanna have his banner done by tomorrow.”

“Bike home safe, please.” He says with a stern finger pointed at you.

Rolling your eyes, you give a mocking salute to Nancy and Jonathan. “Use protection, kids. I’m too young to be an aunt.”

Nancy gasps while Jonathan practically trips over his own two feet at your words, and you laugh. You leave them alone to compose themselves, closing the door to Jonathan shouting, “That wasn’t funny!”

You’re still giggling to yourself when you walk into the living room and see Joyce and Will sprawled on the couch. Their movie has just finished, the credits are rolling as you stand next to the TV and wave goodbye to them.

“You leaving so soon?” Joyce asks, surprised to even see you leave Jonathan’s room in the first place.

“Yeah, gotta finish up Dustin’s welcome home banner,” you hold up your supplies. Then, through the house’s thin walls, you all hear Nancy’s soft giggle. At the sound, you lean in close to Joyce and Will and dramatically whisper, “Plus, between the three of us, company came, so…”

Will’s eyes widen. “Yuck!”

Joyce chuckles, remembering how in love she was at Jonathan’s age back then. “Would I be a bad parent if I told Nancy she could just use the front door?”

“I don’t think so, but it’s fun watching them think they’re getting away with it.” You steal a piece of candy from the bowl Will had been eating out of, and he holds it up higher so that you can grab more. “Thanks, little bee.”

“You think it’s fun teasing Nancy and Jonathan now, Y/N, but when you’re the one sneaking in through a boy’s window one day…” Joyce shrugs, a twinkle in her eye. “You’ll understand.”

Will looks up at you with his own evil glint in his eyes, and before you can stop him, he turns to his mom and says, “I wonder how high Steve Harrington’s window is.”

You pretend to attack Will and he giggles as he flees his seat and runs to the other side of the living room. “Will Byers I will spit in your cookies–”

Joyce covers her mouth and gasps. “Y/N, are you hiding a boyfriend from me?”

Quickly you stop chasing after Will, terrified of the idea of the woman thinking you’d hide anything from her. “What? No! I’m not dating Steve–”

“Yet!” Will exclaims from across the room, but his retaliation is followed by a shriek as you chase after the kid again.

“If you keep this up, I’m telling Steve to stop letting y’all sneak into the movies!” You threaten as you chase the boy around the room.

Joyce watches in amusement, she’s never been able to take her eyes off of you when you’re with her boys. Will dodges a grab and you stumble, giving him just enough time to hide behind his mom’s armchair.

He pokes his head out at your threat, his eyes now uncertain. “You wouldn’t really tell Steve that, right?”

Catching your breath, you collapse onto the couch and shake your head at him. “No, little bee. I wouldn’t.”

You’d never do that to Will. He’s been so keen on spending as much time as possible with the party this summer, spending each and every moment planning DnD campaigns and biking all over Hawkins to spend mere seconds together. Will has spent all summer trying as hard as possible to be a kid again because so much of his childhood was stolen by Upside Down.

Will slowly gets up from behind the armchair and sits next to you, relieved. “Okay, good. We wanna see a movie tomorrow night and I already promised everyone you’d get Steve to let us in. That would’ve sucked.”

You and Joyce laugh at the boy’s response, and it feels so good to have this moment with the two of them. You allow it to wash over you for a second, the Byers home has always had such a comforting effect on you, before getting up and gathering your things once more. “I really should go, though. My mom is waiting.”

Joyce and Will say goodbye and tell you to be safe on your way home, and it warms something within you. As you bike down their driveway home, you inhale the summer night’s air and wonder, days before you turn seventeen, how much longer you have left of just this: being a little kid going home after a long day.

–

When you get home, Tews greets you with an angry meow.

The cat had been a Christmas gift for your mom from you and Dustin, seeing as how you accidentally killed Mews. Your mom had cried seeing the little kitten, and had cried even harder when your brother suggested the stupid name “Tews.”

But it stuck, and now Tews glares at you as you take your time feeding her.

In Dustin’s room you can hear your mom rustling around, frantically cleaning the place as if it currently isn’t the cleanest it’s ever been since the kid has been gone all month. After you feed Tews, you make your way over to your brother’s room to help with cleaning.

A few hours later, you’re laying in bed, exhausted from your long day. Dustin’s banner sits on your desk, right next to the phone that resides in the corner. Yawning, you glance at the clock, but when you see the time, you smile.

The phone rings.

“Right on time, honey.”

“Aren’t I always, angel?” Steve’s voice soothes your aching bones, his words like honey, the very thing you’ve come to associate with him.

Phone calls have become more and more common between you and Steve. You’re not sure when this tradition formed, but when you aren’t at Scoops and he isn’t at your house infiltrating your family, you’re on the phone with one another.

Hearing Steve’s voice puts you at ease, and it wasn’t long before you started calling each other before bed every night.

“How was your day?” You ask him, spinning the phone’s cable around your finger as you lay in bed.

Steve lets out a dramatic groan. “I swear, after you left today, Robin intentionally amped up her taunts. It’s like you’re her buffer or something. The second you leave,” you hear him snap his fingers, “she turns against me!”

“Robin would never do that.” Your voice is monotone as you say this, which only makes Steve groan dramatically once more. Robin would most definitely do that; you both know this.

“You two are the worst together.”

“Yeah, well,” you pull your blankets up to your chin and readjust into a comfier position. Your eyes feel heavy and Steve’s voice settles over your body. “Prepare for more pain tomorrow night. Will and the party have grand plans to sneak into yet another movie.”

Steve sighs. “Those kids are manipulating your power over me to get what they want.”

“You call it manipulation, I call it bonding.”

Another sigh escapes Steve. “You’re going to be the death of me.”

“And yet you stay.” You tease.

“And yet I stay.”

You bite back a smile; you can almost perfectly envision Steve laying in his own bed, phone pressed to his ear with his hair messy and eyes half lidded as he talks to you. You wish, more than anything, that you could be there with him right now; instead, you fall asleep to the sound of Steve’s voice, slightly raspy from his own exhaustion.

–

The next day you wake up to an empty house. Your mom has been spending her summer at Hawkins' pool, like all the moms in town now do, to admire Billy at his new job.

It grosses you out to no end, and when your mom comes home some days swearing that Billy winked at her, you have to swallow down the phantom pain of his fingers wrapping around your windpipe.

By the time you get to work, Downtown Hawkins, as always, is a ghost town.

It’s been this way ever since Starcourt opened, and as you park your bike and lock it up, you can’t help but be unnerved by how quiet everything is. It was only a few years ago that you had to scream at a crowd of onlookers when Jonathan and Joyce had had that fight when they had found Will’s body in the quarry.

Now, walking slowly towards the front doors of Bookstrordinary, all you hear is silence in the once lively area. There are posters scattered throughout the old town, but they’re worn from the sunlight and torn from the weather. It’s a depressing sight.

Mrs. Waters greets you kindly when you walk in. “Hello, dear.”

“Hi, Mrs. Waters.” You give her a quick peck on the cheek as you quickly swipe your card to clock in. The bookstore is empty. “Any new shipments today?”

The old woman shakes her head forelonly. “Afraid not. We still haven’t sold last month’s shipment.”

You duck your head down and curse. This is the second shipment you weren’t able to sell. “I’m sorry, Mrs. Waters.”

“Oh, don’t be!” She walks over to you, her wrist shakes as she uses her cane. She has aged so much these last few years. “I’ve owned this store for thirty years, dear. I’m just happy that I can give you and Alex a job before you kids go off to college. Besides, it’s given me something to do these last few years without my husband…”

The woman’s eyes glaze over, something that has started to happen more and more now, and you grab her arm gently and give her a little shake. “Hey, Mrs. Waters. You still with me?”

She blinks, looks around in a confused daze, before breaking into her old smile once more. “Of course I am! Now, sort some books while I ward off those debt collectors with this cane.”

Despite the gravity of the situation, you can’t help but laugh at Mrs. Waters as she waves her cane around madly and gives you a wink. She hobbles back to her office and leaves you alone with the books and the ghost of Downtown Hawkins.

Only two customers come in during your four hour shift, and by midday Mrs. Waters releases you so that she can give Alex a few hours of work as well. She’s trying her best to keep you both hired for as long as she can, so she splits your hours. What she doesn’t know is that Alex now has a job at Hawkins’ pool and only comes into work because he just can’t bear to quit, and neither can you.

You bike to the mall, sad and needing a pick me up. Jonathan’s teasing from last night echoes in your head. How could you possibly think about your birthday when your boss is slowly losing both her mind and her business?

At the mall, your feet unconsciously take you to Scoops as they always do. This has become your favorite part of your dreary days: going to Scoops after work. The smell of ice cream greets you as you walk into the shop.

Robin sees you first and waves excitedly from the register. “Y/N!”

“It’s me!” You run up to the counter and lean over it to squeeze the girl into a tight hug.

There’s a loud crash from the backroom and just as you’ve pulled away from Robin, Steve bursts through the doors and leaps over the counter to join in on the hug. “Thank God you’re here, Robin was about to make me clean the tables.”

You giggle while Robin scoffs, pulling away. “It’s your turn, dingus.”

Steve, still hugging you from behind, hums. He begins to rock you back and forth in his arms, which only makes you giggle more, while he pretends to think about what the girl has said. “Nope, don’t remember it being my turn.”

Robin gives you a pleading look to back her up, and you reluctantly slide your arms over Steve’s and release his grip. He groans in complaint at the loss of your touch, and you roll your eyes at him as you turn around to now face him. “C’mon, let’s go wipe the tables so dear Robin can man the register in peace.”

Steve groans even louder now as Robin cheers, and you snatch the rag from his pocket and begin to wipe down the tables. He follows eventually, moaning and groaning as he cleans next to you, and you hit your hip against his. “Hey, at least you’re getting paid for this.”

“I give you free ice cream!” He argues, pieces of his hair falling out of his adorably dorky sailor’s hat that he has to wear for this job. It’s incredibly endearing, and as he hunches over to scrub at a particularly dirty table, his thighs strain against his probably too short shorts and you can’t help but stare at them. As you admire this spectacular show, Steve catches you and flicks your nose. “Quit ogling me and get back to your free labor, angel.”

“I wasn’t ogling, I was simply admiring.”

Robin gags from behind the register. “I can hear you guys, you know!”

You and Steve both stick your tongues out at her before going back to work.

The hours pass by quickly after that. The midday rush of tweens and teens alike infiltrate Scoops, so Steve helps Robin fling ice cream while you get comfortable in your designated booth in the corner. You’ve hidden a supply of comics underneath one of the booth’s cushions and you spend your time catching up on the latest Spider-Man arc.

You’re so engrossed in what you’re reading that you don’t notice a body slide into the booth next to you until the person speaks.

“Spider-Man, huh? Heard he’s a pretty cool guy.”

Startled by the stranger’s voice, you almost drop your comic in alarm. When you see that it’s just Jason Carver sitting next to you, you place a hand to your chest and inhale quickly, trying to settle your rapid heartbeat. “Christ, you scared me.”

“Sorry!” He genuinely looks apologetic, so you wearily set down your comic and straighten up.

You’ve never spoken to Jason before, even though you’ve been in the same classes ever since eighth grade. He’s always ran with the popular crowd, being a jock and all, and you’ve always ran with Jonathan. However, despite being on the basketball team, Jason has never been mean to either of you, so you figure it’s safe to offer him your attention.

“Can I ask why you’re here?” You cock your head at him, feeling your hair fall over your shoulders.

Jason smiles at you, in a sort of cute and charming way. “Stopped by to get my little sister some ice cream,” he points to a little girl next to him, who waves at you, and you wave back. “Then I saw you sitting here all alone reading one of my favorite comics, so I figured it wouldn’t hurt to say hi to such a pretty girl.”

You blush at his bold words. You’ve never received such attention from anyone before, at least not anyone normal thanks to Billy, and you’re not really sure why Jason seems to be paying attention to you now. He’s had years to do this.

Jason sees your sudden shyness and chuckles. He stands up and offers you his hand. “Why don’t I buy you some ice cream, maybe you could help me show my sister around the mall–” Steve’s shoulder collides roughly into the teen’s, causing him to stumble into his sister’s ice cream cone and get chocolate ice cream all over the front of his pants. Jason looks up at Steve and balls his fists in anger. “What the fuck, Harrington?”

You quickly cover the little girl’s ears, though she giggles.

Steve shrugs as he looks at Jason. “Sorry, man. Didn’t see you there.” Then, he turns to you, and offers his own hand. “Anyways, I think it’s time for your daily free ice cream, angel.”

Jason’s eyes narrow as you accept Steve’s hand and spare him an apologetic glance. Before you leave, you dig some cash out of your overalls and hand them to him. “For your sister’s new ice cream cone.”

He sighs and accepts the money. Jason knows that Steve is still holding your hand as he stands behind you, but he has nothing else to lose at this point. He takes a deep breath and shakes his head. “I didn’t stand a chance, did I?”

Steve twirls you with your interlocked hands, causing you to giggle, and guides you to the ice cream counter. As he leaves, shouts behind him, “Not at all, buddy!”

You know you should feel bad, but Steve twirls you again and all you can do is giggle breathlessly as Jason Carver walks out of Scoops with his sister in tow.

–

Later that night the mall is busier than ever, and as you’re gossiping with Robin about Steve ruining Jason’s pants, you’re interrupted by Mike’s grubby little hand repeatedly hitting the bell.

Seems it’s time for their movie.

You flick the kid’s head, which Lucas, Max, and Will snicker at. “Enough!”

“Ow, Y/N!”

“Thanks,” Robin sends you an appreciative smile before she calls towards the backroom, “Dingus, your children are here!”

Within seconds, Steve opens the sliding windows and sighs when he sees Mike and the party. “Again? Seriously?”

“I warned you.” You say, shrugging at his annoyance. “Let the kids have some fun.”

Mike rings the bell again. “Do what Y/N says.”

Steve sighs in defeat and motions for the kids to follow him behind the counter. “Fine, but only because I’m nice, not because Y/N said so.”

“Right.” Everyone says, not at all believing him, which Steve chooses to ignore.

You all follow him through the back entrance of the mall. Checking to make sure the coast is clear, Steve waves the kids inside. “I swear, if anybody hears about this–”

“We’re dead.” The kids all respond, voices monotone with annoyance after hearing this threat a million times.

However, before they all leave, Will gently tugs at your hand to get your attention. “Are you coming with?”

You want to say yes, but then you catch Steve’s eyes and he silently pleads with you to stay, and you know you can’t tell him no. Squeezing Will’s hand, you shake your head. “Sorry, little bee. I promise I will next time, though.”

Mike scoffs in disgust, disappointed in you. Your relationship with Steve has always confused him, and you’ve only gotten closer to the teen since Dustin left for camp. He pities what the boy will think when he comes back to his sister all lovey-dovey with an idiot like Steve Harrington.

Once the kids leave, you go back into Scoops with Steve and settle into your booth once more. Grabbing your comic, you flip to where you left off before looking up at the teen and saying, “you have me for another hour. I can’t be out late tonight, Dustin comes home tomorrow and I promised Mike I’d be up at like seven to let everyone in.”

Steve salutes you and hops back behind his counter to help Robin with some customers. You smile at his antics and go back to reading. A few minutes pass, Spider-Man has just kissed MJ, before the lights above you start to flicker and then go out completely.

Everyone in the mall gasps and murmurs in a slight panic as they’re thrown into darkness. The hair on your arms stands up; you no longer trust lights that flicker. Robin catches your eye and gives you an odd look when she sees the fear on your face.

“Scared of the dark, Y/N?” She teases, not understanding what you really fear: what lies below Hawkins.

“That’s weird,” Steve mumbles to himself as he goes over to the light switch. He starts to flip the switch repeatedly, and you roll your eyes at him. He’s an idiot sometimes.

“That isn’t gonna work, dingus.” Robin says, looking over at you once more as if to silently ask, why are you attracted to him?

You shake your head at her as Steve continues to flip the switch, now only quickening his movements. He stares Robin down as if to challenge her. “Oh, really?”

Nothing happens, because contrary to what Steve may believe, he can’t fix what is likely (and what you hope) is simply a blackout from the summer heat. He flicks the lightswitch a few more times before the generators kick back on and Scoops Ahoy is once again lit up.

Steve raises his eyebrows at Robin and smirks at her, pleased. “See? Let there be light.”

You drop your head to the table, now also questioning why you’re attracted to the guy.

However, when it’s time to head home and Steve walks with you to your bike outside, he kisses your cheek and wishes you a good night; you know that this is the reason you’ve fallen for him: his kindness. With his kiss lingering on your cheek, you bike home.

–

When Steve gets back from saying goodbye to you, he’s met with a nosey Robin.

She stands against the counter with her arms crossed. There aren’t any more customers in the shop, they closed about ten minutes ago, and Steve was really looking forward to driving home and taking off his stupid uniform.

Robin, however, clearly has other plans.

“What did I do now?” He asks her, not daring to take any step closer.

“Why haven’t you asked Y/N out yet?” Steve’s eyes widen at the question and Robin knows she’s got him cornered. “I’ve spent hours with you guys, and it’s driving me insane that you haven’t manned up!”

“‘Manned up’?” Steve sputters out, completely offended.

Robin throws her arms out in front of her. “Yes! I mean, it’s so obvious that you’re in love with her and that she’s in love with you. Just… Just get it over with!”

Blushing, Steve slumps against the wall and closes his eyes. As much as it pains him to admit it, he knows that Robin is right. “It’s… complicated.”

“Well, go on.” The girl now hops on the counter and sits on it. “Explain it to me, then.”

“Y/N used to be in love with…” Steve stops, unsure if you’d want him to be telling Robin this. “Someone.”

She rolls her eyes. “Everyone knows she was in love with that Byers kid.”

“Right.” He clears his throat, uncomfortable with the reminder that at one point, everyone in Hawkins truly believed you were destined for Jonathan. “Well as I’m sure you know… He got with Nancy, who–uh, I had been with.”

“Okay, so what?”

“I–” Steve isn’t sure what Robin doesn’t understand. “I needed… time?”

Robin frowns. “After Nancy dumped you?”

“Technically I dumped her–”

“What does this have to do with Y/N?” Robin presses.

Steve groans and rubs at his eyes. He’s tired and wants to go home to call you and go to bed with your soft voice in his head. “Y/N understood that the breakup with Nancy hurt, and–well. She told me she’d wait for me. I guess. While I figured my shit out.”

Robin thinks this over for a minute. “Okay, I think I can understand that, but–wait, when did this all happen again?”

“... December.” He closes his eyes, bracing himself for the girl’s inevitable anger.

“Harrington!”

There it is.

“I know, okay?” Steve tugs at his hair in frustration. “I’m over Nancy, I’ve been over her since at least April, but… But what–what if Y/N has lost interest in me now? What if–maybe I made her wait too long, or–or what if she thinks she’s just Nancy’s replacement?”

Steve is rambling now, months of his anxious and insecure thoughts now spilling out. “I mean, it’d kill me if–if I ever made her feel second to anyone! She’s… She’s incredible and–God, I don’t even know why she likes me and I’ve spent this entire summer trying to–I don’t know… Figure out how to confess my feelings to her in a way that matters, ya know? Like, a grand proposal to show her that I’m crazy about her.”

Robin is silent for several minutes after Steve’s frantic spiel, he’s panting by the time he’s done. Then, finally, she says, “Dude… You’re way overthinking this.”

Steve winces. “I mean, her birthday is in a few days. I can… I can ask her to be my girlfriend then. That’s romantic, right?”

“You’re hopeless.”

–

“Dusty comes home today!” Your mom’s shrill voice wakes you up as she prances around the house getting ready. You roll over in bed and stretch, tired but excited to see your brother again after a month of being apart.

You get out of bed and press a kiss to your mother’s cheek before telling her to drive safe. Glancing at the clock, you see that you have just enough time to shower before the party arrives. The entire thing had been Mike’s plan and you were more than happy to help arrange everything.

After you’ve gotten ready, you hear three swift knocks on your front door and you answer it. “Right on time, Wheeler.”

Mike salutes you as he and the others walk in. El gives you a hug and Max high fives you as the boys start setting up the robots. The six of you get started on the plan: place all the robots in Dustin’s room, all hidden in various corners, and then use El’s powers to control them and guide him to the living room so that you all can surprise him.

It’s a brilliant plan, one only a Wheeler could think of.

It takes you, Lucas, Mike, and Will to successfully hang up Dustin’s banner that took you all week to make. There’s cursing, yelling, a few trips, and multiple snickers from El and Max while the four of you struggle to hang the thing, but eventually you manage to secure the banner into place in the living room.

Just as you’ve finished hanging it up, you hear your mom’s car pull into the driveway and you quickly shove the kids into a closet. “Quick! That’s my mom’s car, hide!”

Lucas yelps and Max punches his shoulder to shut him up, but thankfully you manage to close the closet door just in time before Dustin walks in. You hide behind the couch, quiet so as not to be seen by him, and carefully listen for his footsteps to retreat down the hall and into his room.

Once he’s gone, you scramble towards the closet and open the door. “Okay, he’s in his room, time for step two.”

“Did we all really have to hide in the closet?” Will asks, rubbing at his shoulder that had been shoved into a hanger.

“Yes, now shush and hide behind the wall so he doesn’t see you.” You order, and the kids all listen. Once you’re all pressed against the wall, you nod at El. “Ready?”

“Ready.” She responds, closing her eyes. Static fills the air and you hear one of the robots turn on in Dustin’s room. Then the other one turns on, then the monkey, and soon all the toys have been activated by El’s powers.

Mike pokes his head around the corner. “Okay, now start leading the robots here.”

Blood slowly begins to drip from El’s nose and you feel bad that she’s doing this, but the kids all look excited, and you’d be lying if you said you weren’t a little giddy yourself. The noise from the robots grows louder as El draws them out from the room and towards you guys.

You hear Dustin’s uncertain voice following behind them. “It’s just a dream… You’re dreaming.”

Then Mike whispers to El, “Now!”

The robots all die in the center of your living room and slowly everyone starts to creep out from behind the wall. Lucas is holding his own poster he made and you hand everyone party noisemakers. Dustin is investigating the robots and doesn’t hear you stalk up behind him. Max silently counts to three, and on her signal, you all blow your party noisemakers and surprise him.

Dustin screams and immediately holds up his Farrah Fawcett spray, blinding Lucas as he continuously sprays it. The poor boy screams as well and the rest of the kids back away, out of the line of fire. However, as soon as your momentary shock wears off, you manage to snatch the hairspray out of your brother’s hand and save Lucas.

“Why is Farrah Fawcett your weapon of choice?” You exclaim, shoving a still screaming Lucas towards your kitchen so that you flush the spray out of his eyes. Max joins, rubbing soothing circles into the boy’s back.

“Why would you scare me like that after the hell we went through this year?” Dustin shouts back at you, clutching at his chest.

Dustin’s words make you stop for a moment and think. Huh. He has a point. “Yeah, we should’ve thought about that, honestly.”

“A little help here?” Lucas brings the attention back to him and you apologize, helping him once more to flush his eyes out. As you and Max tend to him, Dustin tells the others to follow him to his room so he can show them what he built at camp.

Max splashes some more water in Lucas’ eyes. “Better?”

The boy stands up and wipes his face, though he’s careful not to touch his eyes. “Still stings.”

“I feel like I should call someone…” You mumble, Your first aid knowledge doesn’t include Farrah Fawcett in the eyes.

Lucas blinks a few times and looks around. He leans in closer to Max’s face and for a moment you’re scared he’ll kiss her, but instead he chooses to be an idiot. “Is that a new zit?”

You wince and Max’s eyes widen in disbelief. She looks at you and you both seem to come to the same agreement: grabbing the back of Lucas’ neck, the two of you shove his face back into the water. “What is wrong with you?”

Lucas screams again and you leave Max to deal with him, laughing to yourself as you go see whatever creation your brother has brought home. You love Lucas, you do, but you have no idea how Max puts up with his boyish antics.

Inside Dustin’s room, you find him and the others hunched over a collection of wires and metal pieces. You walk in and join them.

“I would like you to meet Cerebro.” Dustin presents his creation, but you honestly have no idea what it’s supposed to be.

You squint at it. “It’s… Pretty?”

“What exactly are we looking at here?” Mike asks, unimpressed.

“An unassembled, one-of-a-kind, battery powered radio tower!” Dustin explains with a proud smile on his face.

A beat of silence passes before Will carefully asks, “So… It’s a ham radio?”

Dustin’s excitement only grows. “The Cadillac of radios.”

“Still not understanding, buddy.” You now voice, usually always lost when it comes to the more AV stuff the party likes.

“This baby carries a crystal-clear connection over vast differences.” Your brother clarifies for you, and you nod along. “I’m talking North Pole to South. I can talk to my girlfriend whenever and wherever I choose.”

You, Mike, El, and Will all look at each other in shock at the word that has just left Dustin’s mouth. “Girlfriend?”

Your brother nods, looking all smug, and you immediately berate him with a million questions. “What’s her name, where is she from, how long have you been dating. Tell me everything, now!”

“Relax, dear sister. Her name is Suzie, and I’ll explain in a second. We can even talk to her if you guys help me set Cerebro up on Weathertop hill.”

You’re the first to start grabbing all the supplies, giddy and eager to hear more about your baby brother’s girlfriend. It’s almost too good to be true. Mike, Will, and El follow along and soon you’re all holding materials for Cerebro as you follow Dustin out of the house.

As you all leave, Mike starts asking questions again. “Wait, so her name is Suzie?”

Dustin nods. “Suzie, with a ‘z’. She’s from Utah.”

“People from Utah actually exist?” You ask, which the others laugh at.

“Girls go to science camp?” Will asks.

You give him a stern look. “Anyone can go to science camp, Will.”

“What Y/N said,” Dustin continues explaining his girlfriend. “And Suzie does, she’s a genius.”

“Is she cute?” Mike can’t believe what he’s hearing.

“Think Phoebe Cates, only better.”

You re-adjust one of the poles for Cerebro in your arms. “Can we focus on her being smart instead? I think she sounds lovely.”

From the kitchen, Max sees the four of you open the front door as she helps Lucas with his eyes. “What’s going on?”

“We’re going to talk to Dustin’s girlfriend.” Will informs them.

Lucas whips his head up from the sink as he and Max exclaim, “Girlfriend?”

“I know, right?” You say, motioning them to follow.

–

“Alrighty, one scoop of chocolate. That’s a buck twenty-five.” Steve hands the ice cream cone to the girl he’s currently serving. She’s pretty enough, and when he notices her Purdue shirt, he can’t help but say something about it. “Ooh, Purdue! Fancy.”

The girl smiles and hands Steve her change. “Yeah, I’m excited.”

“Yeah, you know… I–I considered it. Purdue.” He types the code into the register and places the change inside. “But then I was like, you know what? I really think I need some real life experience, you know, before I hit college. See what it’s like.”

The girl and the friend she’s with exchange weird glances, and Steve knows he’s rambling like an idiot. “Uh, what I mean is… You’re girls, right? How would the two of you like to be asked out by a guy?”

“I’m sorry?” Purdue girl asks, looking at her friend, creeped out.

The cash register begins to beep at him and Steve hits it a few times to shut it up. “Sorry, uh… Anyways, say you’ve seen this guy every day for like, months, and feelings are shared, you know, as they are. Then time passes and the guy never makes the move because he’s, well, he’s an idiot–”

“Yeah, totally.” Purdue girl interrupts him and her friend giggles.

“Exactly, so… This was, like, so fun. This little chat. Anyways, what do you think? How would you want the guy to ask you out?” Steve puts on his most charming smile, hoping that the girls will say that maybe he isn’t crazy for waiting so long to ask you out. As he hands them their change, he drops part of it. “Oh, sorry about that. Uh…”

“Yeah, we wouldn’t wanna be asked out.” Purdue girl says as her friend snorts.

“Sure, but I mean, it’s complicated, you know? And–”

Purdue girl interrupts him once more. “No, I’m sorry, but it sounds like you missed your chance and you’re like, really weird.”

“But the guy isn’t me!” Steve shouts as the two girls leave, only embarrassing himself even more. He sighs, closes his eyes, and wonders how he got here.

“And another one bites the dust.” Robin announces from behind him. He turns around and watches as she marks another tally underneath the you suck column of her whiteboard. Next to it is the column you rule, which currently has zero marks. “You are oh-for-six, Popeye.”

Steve crosses his arms. “Yeah, I can count.”

“You know that means you suck and that Y/N isn’t the problem here, you are, right?”

“Yup, I can read, too.” Steve swallows down his annoyance, he knows he’s only done this to himself.

“Since when?”

“It’s this stupid hat,” Steve complains, as if this is the only appropriate answer. “I’m telling you, it’s making everyone think I’m some pathetic guy who can’t ask a girl out.”

Robin leans against the window. “Yeah, company policy is the reason that you’re an idiot for not asking out Y/N.” She thinks for a moment and tries to offer the teen some advice. “Ya know, it’s a crazy idea, but have you considered telling the truth?”

“What? That I’m hopelessly in love with her? Sure, I’m such a catch who couldn’t even get into Tech and whose douchebag dad is trying to teach a lesson, now making three bucks an hour with no future.” Steve laughs at himself. “A catch who, by the way, could’ve been hers back in December had he not been a complete moron? What a great truth.”

Robin frowns, now feeling bad for making him feel this way. While she doesn’t understand everything, she gets that Steve has had a difficult few months. Taking pity on him, she points out some girls approaching and tries to lighten his mood. “Hey, twelve o’clock! Maybe they’ll see your side of things.”

Steve turns around and sees the girls as well. “Shit, okay. Okay, I can do this! I’m going in.” He quickly snatches the sailor hat from his head and tosses it to Robin. “Screw company policy, I’m getting advice about Y/N one way or another.”

For a second, Robin has hope for him, but then he opens his Scoops Ahoy greeting way too loud and then immediately starts to ramble about you, and she sighs in defeat and marks another tally underneath the you suck column.

–

Hiking up a giant, grassy hill in ninety degree heat while hauling heavy equipment for a giant radio that your brother built to talk to his alleged long distance girlfriend definitely wasn’t what you had in mind today. In fact, you mourn the fact that you aren’t working today.

You’re only here to hear about Dustin’s girlfriend, honestly.

“Aren’t we high enough?” Lucas pants, voicing what everyone else is thinking.

Dustin shakes his head. “Cerebro works best at a hundred meters.”

“You know, I’m pretty sure people in Utah have telephones.” Max quips.

You wipe sweat from your brow and cringe, you feel disgusting. “Max, you’ve always been so wise.”

“Suzie’s Mormon.” Says Dustin, and you almost trip over a rock.

“You’re dating a Mormon?”

Lucas talks over you. “Oh, shit. She doesn’t have electricity?”

“Oh, that’s the Amish.” Max corrects him, and you get flashbacks to when you had to correct Steve about Nazis and Germans.

Will frowns at you. “What are Mormons?”

“Scary people–”

Dustin interrupts you. “Super religious white people. They have electricity and cars and stuff, but… Since I’m not Mormon, her parents would never approve.”

“Please don’t become Mormon,” you beg, dripping even more sweat. “I need someone sane in our family.”

“I won’t,” Dustin reassures you, though he has a far off look in his eyes. “But it’s all a bit Shakespearean, don’t you think?”

“Shakespearean?” Max laughs and you also can’t help but giggle.

Dustin doesn’t let your teasing deter him from reminiscing, though. “Yeah, like Romeo and Juliet.”

“They both die, Dustin.” It’s important to you that he knows this.

“But they were also star crossed lovers.”

“Who killed themselves.”

Below, Mike shouts to the rest of you, “Hey, guys!”

You all turn and you frown when you see just how far he and El are, both of them empty handed and dry as a daisy in the summer heat. When Mike sees that he has all of your attention, he taps at his watch. “This is fun and all, but, uh…”

“I have to go home.” El announces, her arm intertwined through Mike’s.

Dustin points towards the top of the hill no less than a few yards away. “We’re almost there.”

“Sorry, man. Curfew.” Mike shrugs, he isn’t really sorry and you all know it. He then grabs El’s hand and they descend down the hill, giggling and enamored with one another.

With a gleeful laugh, El says goodbye. “Good luck!”

Dustin looks down at his watch. “Curfew at four?”

You’re startled by the time, having assumed it was at least closer to six. Hopper may be an overprotective grump of a man, but not even he is crazy enough to enact a curfew for El at four in the afternoon. “That… Doesn’t sound real.”

“They’re lying.” Lucas explains, frustrated.

“It’s been like this all summer.” Will says bitterly, something that you take note of.

Max nudges you with her shoulder. “I think it’s romantic.”

“It’s gross!” Will voices again.

You bite your lip. “I don’t know, it’s your guys’ last summer before high school and…”

“It’s bullshit.” Dustin finishes for you, hurt in his voice. “I just got home.”

You flick him. “Language! But… I agree.”

Dustin watches with annoyance as Mike and El walk down the hill hand in hand. While he’s incredibly hurt that they’ve ditched him after being gone for a month, he remembers what Steve has taught him. People can suck, but there’s nothing he can do about it. “Well, their loss, right? Onwards and upwards, Suzie awaits!”

Max and Lucas groan at the idea of continuing the hike while you admire your brother’s perseverance. You’re proud of him for not letting Mike and El ruin his plans with the others. He’s excited to be home, and you’re more than happy to go along with whatever schemes he has planned.

You’re about to follow the others up the hill when you realize that Will hasn’t joined. You turn around and see that he has his hand around the back of his neck as he stands there, frozen. Then, he turns and faces Hawkins, stumbling back a bit as he does so, and you watch with a frown on your face.

“Hey, little bee, are you okay?” You gently place a hand on his shoulder, which seems to break him of whatever spell he’d been under.

“I’m fine,” he lies, and you don’t at all believe him. Will looks uneasy, as if he’s just seen a ghost. A part of you begins to worry, but you don’t push him. For all you know, it could be about Mike and his growing distance from the others.

“Well, c’mon, then.” You grab Will’s hand and together you ascend the rest of the hill.

At the top, Dustin drops his bag and sighs. “Made it!”

“Yeah, only took five hours,” Max pants out, stumbling the final few steps up the hill.

You collapse onto the ground and fight to catch your breath. “I run almost every morning. I think I lost a lung back there.”

“Why couldn’t we just play DnD?” Will collapses next to you.

Lucas grabs the flask of water, and as you struggle to get air into your lungs, you watch as he chugs the remaining water without a care in the world. Max watches as well, annoyed, and once again you pity Lucas. He’s such a boy.

Building the radio takes longer than expected. After your short five minute break, Dustin puts you all to work. There’s a million pieces to the thing and your fingers ache from screwing bolts into slots and extending poles. The sun has begun to set when you finally push the giant radio into an upright position. It’s easily fifteen feet high, and it’s an impressive sight that you can’t deny.

“Not bad, Dustin.” You admit, walking around Cerebro in awe.

“Ready to meet my love?” He asks everyone, and you all sit down next to him and eagerly await. Dustin switches the radio on. “Suzie, this is Dustin. Do you copy? Over.”

No one answers. All you hear is radio feedback.

Dustin scratches his nose nervously. “One sec. She’s probably… She’s still there.” Again, no one answers, and he ducks his head down in embarrassment. “Suzie… This is Dustin, do you copy? Over.”

More radio static follows in the absence of Suzie’s response.

You wince, despite trying to appear supportive. You can’t help it, this is embarrassing for your brother. While you don’t doubt that he has a girlfriend, you admit that this doesn’t look good for him. A long distance girlfriend who is hot and smart and magically needs a radio to communicate with? Unlikely.

“I’m sure she’s there,” Dustin tries to explain to you guys, now even more embarrassed. “It’s dinner time, and she’s busy…”

“Yeah, sure.” Lucas tries to be supportive and play along, which you appreciate him immensely for. Max nods as well, but Will just stands there silent.

“Maybe try again?” You encourage, trying to be nice.

Dustin nods and tries once more to contact Suzie, and it goes on like this for a while. He radios, no one answers, and eventually you and everyone else lay down in the grass as you wait for nothing.

Almost an hour passes and the crickets begin to chirp as the sun goes down and the moon comes up. Dustin is still trying to reach Suzie, but Max finally has enough. “Dustin, come on! She’s not there.”

“She’s there, alright? She’ll pick up.”

“Dustin…” You sigh, unsure how to tell him that you also want to leave. You had plans with Steve tonight, he invited you over to watch a movie and you should’ve left ten minutes ago.

Will lifts his head up from the grass. “Maybe Cerebro doesn’t work.”

“Or maybe Suzie doesn’t exist.” Lucas argues.

Dustin gasps. “She exists!”

“She’s a genius and she’s hotter than Phoebe Cates? No girl is that perfect.”

You pinch the bridge of your nose at Lucas’ words and wait for Max’s inevitable offense. He truly, deeply, is such a boy. As predicted, Max sits up and looks down at him with annoyance. “Is that so?”

Lucas shuffles up in panic, now realizing too late what he’s said. “I mean–you’re perfect! I mean, like, perfect–in your own way, in your own, uh, special way!”

“Lucas,” you hit his shoulder. “Stop talking, dude.”

Max laughs, pleased with herself. “Relax, I was teasing. I’m obviously perfect and Dustin is obviously lying.”

“Okay, no,” you now sit up. “He isn’t lying, it’s just a very unfortunate circumstance.”

Max doesn’t listen and instead offers Lucas her hand to help him up so that they can leave. “Come on, Don Juan.”

“Where are you going?” Dustin follows, not understanding yet what’s happening.

“Home,” Max huffs, before remembering that you’re there, too. “Bye, Y/N!”

“Bye,” you wave at them weakly, knowing that this will only upset your brother further as she and Lucas slowly head home.

Dustin stands next to you now. “Well, guess it’s just us and Byers, Y/N,”

Will now stands up and awkwardly avoids your brother’s gaze. “Um… It’s late. Sorry. Maybe tomorrow we can play DnD, or something fun, like we used to?”

Dustin clenches his jaw. You know he’s close to tears, and it breaks your heart to watch. You stand up and rest your arm around him as he responds to Will. “Yeah, sure.”

“Welcome home,” Will says sadly before he starts to walk down the hill as well.

You anxiously watch as he leaves. “Be careful, please!”

“I will!” He reassures you, knowing that you’re still terrified of losing him again.

As you watch Will, Dustin whispers to himself, “Yeah, welcome home.”

His words break your heart even more. Forgetting about your anxiety over Will, you wrap both arms around your brother and hug him. He had been so excited earlier to be home and see all his friends after a month of being away. You understand that the kids are all growing up, but you had always hoped that they’d grow together, not apart.

“You still have all of July and August,” you try to comfort Dustin, desperately hoping that you aren’t lying to both him and yourself. “I’m sure they’ll come around.”

Suddenly the radio attached to Cerebro switches on and Dustin pushes you off of him so that he can get to the radio in time. He stumbles over his feet and trips, and you watch with amusement and curiosity.

He manages to finally untangle himself from the radio and answers. “Suzie, Suzie, is that you?”

You sit down next to Dustin and lean in close to the radio, excited to finally meet your brother’s girlfriend. Instead, you hear what sounds like a foreign language. It’s distinct, slightly muffled, but you know what it is. “Is that…”

“Russian.” Dustin whispers.

Everything changes, then.

–

You force Dustin to go home immediately. He wants to stay, see if he can find any more hidden messages, but you refuse. He’s elated, talking a mile a minute as you bike home, theorizing every possible answer as to why you heard Russian in Hawkins, Indiana.

“Dustin!” You yell at him, terrified that someone could be listening. “Not here, okay?”

He deflates, but pedals home alongside you.

You’re terrified as you bike home, a million thoughts are running through your head. You don’t at all like what any of this could mean; you’ve had enough sketchy government facilities and secret government agencies to last you a fucking lifetime.

When you get home, you order Dustin to go to bed.

“But Y/N, we’ve got to tell someone about this–”

“Tomorrow, okay? Just, please, Dustin.” You’re exhausted and confused and overwhelmed.

Your brother senses that you’re at your limit and reluctantly backs down. “Fine, but can we at least tell Steve tomorrow?”

Hearing Steve’s name puts something at ease within you. Tomorrow, you’ll go to Scoops with Dustin and ask Steve what he thinks about all of this. Comforted by the fact that you now have a plan forming, you begin to calm down. “I promise we’ll tell him tomorrow, okay?”

Dustin nods and heads to his room, wishing you a good night. When you hear his door click shut, you slowly head to your own room. You’re terrified, and there’s only one thing you want to do to lessen the fear that scratches at your throat. After crawling into bed, you call Steve.

He answers immediately. “Y/N? Is everything okay?”

“I’m fine,” you breathe out, his voice like an exhale of a summer’s day. “I… I’m sorry I missed our movie night.”

Steve laughs softly. “Angel, I’m just happy you’re okay. I was getting worried there.”

You close your eyes. “It’s been a weird day.”

“Did something happen?” Steve senses that there’s something you aren’t telling him, which worries him.

“Dustin… He may have found something, but I just–I don’t want to talk about it just yet. I… I don’t want to jinx it,” you squeeze your eyes tight and will away the fear you feel. “I–I’m just, I’m so exhausted, you know?”

“Y/N, are you in danger–”

“No,” you dispel any fear that Steve may feel. “I promise I’m okay, I just really need to hear your voice right now, okay? Can you just talk to me, please?”

“Of course I can.” Steve agrees without any questions asked, and you love how he trusts you enough to do this.

Exhaling the remaining fear, you allow the warmth from Steve to hold you through the night. “Thank you, honey.”

“Anytime, angel. You know that.”

And you do.

Steve begins telling you a story from today, how he dropped an ice cream cone on a toddler and enraged the mom, and you fall asleep that night to the sound of his voice over the phone.

⌑ series masterlist

⌑ if youd like to buy me a coffee ☕︎

⌑ thank you for reading ! feel free to like, comment, reblog, or send in an ask so we can chat <3

#steve harrington x henderson!reader #steve harrington x reader #steve harrington x you #stranger things #steve harrington fanfic #stranger things rewrite #slowburn #fluff #angst #nya #m's writing

865 notes · View notes