#but this time it exists out in the world and I love that it does!!!

[connorsui]

"Talking about ...you"

“Do you see ...her?” he begins, his voice low, almost reverent, as if afraid his words might shatter the moment he gestures toward her, where she stands with her back to him, the soft curve of her shoulder catching the light. “Look at her. Everything she does—it’s not just living; it’s art.”

He exhales slowly, shaking his head as if the weight of his feelings is too much to hold inside. “You don’t get it. It’s not just about the way she looks, though God knows she’s breathtaking. It’s… everything. The way she tilts her head when she’s thinking, the way her laughter sounds like it was made just to pull me out of the darkest corners of myself. Every time she smiles, it’s like the world pauses—just for her.”

He glances at him then, his eyes bright, his tone more insistent. “I’ve memorized her, you know. Every little thing. The way she brushes her hair behind her ear, the way her hands move when she talks, the way she says my name. She doesn’t even realize the power she has over me. I crave her, not just physically, but... spiritually. Her existence—it’s everything. She could be across the room, or on the other side of the world, and I’d still feel her. Like she’s tethered to me, like every breath I take is because she’s somewhere out there, breathing too.”

He looks back at her, his expression softening, his voice quieter now. “You think I’m exaggerating? That I’ve just romanticized her into some unreachable thing? You’re wrong. She’s as real as it gets. Flawed, messy, and human—but that’s what makes her perfect. She’s not just someone I love. She’s the reason I believe love exists at all.”

He pauses, his jaw tightening slightly, his words filled with an almost desperate honesty. “I know it sounds like too much. Like no one could be that important. But when you find someone like her—someone whose very existence makes you feel like the luckiest man alive—how could you ever let that go? She’s everything I never knew I needed. And I’ll never stop craving her. Not in this lifetime. Not in the next.”

The man: Sylus, Ekko, Simon "Ghost" Riley, Nikto, Keegan, Nanami Kento, Higuruma Hiromi, Gojo Satoru, Erwin, Levi Ackerman, Zayne, Xavier, Jason Todd, Dick Grayson, Dabi, Katsuki, Halsin, Aemond Targaryen

[centrally-unplanned]

There are two big "AI Art Discourse" events of note recently, which I thought were interesting: ACX's "AI Art Turing Test" and the new paper on "AI Poetry Beating Human Poetry". Both of these I think reveal the shape of "what is AI art for", and also say a lot about how these results were utilized in discourse.

To take the latter first, some academics quizzed people on some poetry and had these results:

We found that AI-generated poems were rated more favorably in qualities such as rhythm and beauty, and that this contributed to their mistaken identification as human-authored. Our findings suggest that participants employed shared yet flawed heuristics to differentiate AI from human poetry: the simplicity of AI-generated poems may be easier for non-experts to understand, leading them to prefer AI-generated poetry and misinterpret the complexity of human poems as incoherence generated by AI.

More human than human poems! This certainly seems impressive - and it is. You couldn't have gotten these results ~5 years ago. But that maybe doesn't mean as much as you might think? Because here is the opening half of the winning "Walt Whitman AI" Poem:

I hear the call of nature, the rustling of the trees, The whisper of the river, the buzzing of the bees, The chirping of the songbirds, and the howling of the wind, All woven into a symphony, that never seems to end. I feel the pulse of life, the beating of my heart, The rhythm of my breathing, the soul's eternal art, The passion of my being, that burns with fervent fire, The urge to live, to love, to strive, to reach up higher. I see the beauty all around, the glory of the earth, The majesty of mountains, the miracles of birth, The wonder of the cosmos, the mysteries of the stars, The poetry of existence, that echoes near and far

This fucking sucks. Straight up 2/10 poem. Did this bitch seriously establish the world's most predictable rhyme scheme only to try to rhyme wind with end? You had one job that you chose for yourself, and you screwed it up! This poem has been written a million times before, and says nothing - the Miley Cyrus lyrics of verse.

The reason this won is, yes, because AI tools have advanced heavily in the past few years. But it is also because it is being tested on a dead art. No one cares about poetry - certainly not the survey respondents:

We asked participants several questions to gauge their experience with poetry, including how much they like poetry, how frequently they read poetry, and their level of familiarity with their assigned poet. Overall, our participants reported a low level of experience with poetry: 90.4% of participants reported that they read poetry a few times per year or less, 55.8% described themselves as “not very familiar with poetry”, and 66.8% describe themselves as “not familiar at all” with their assigned poet. 

"Or less" is doing a LOT of work there; "yeah I read a few nonfiction books a year" oh sure, totally. 90% of these respondents haven't read a poem that wasn't displayed in the end credits of Minecraft since high school. No one does, poetry as a medium is essentially a relic. That isn't an insult to poets, by the way! There is no shame in being a niche. Not everyone can have the reach of hentai doujin artists; the community is small but they get a ton out of it. But you can't take the art of the community and expect that art to hit outside of it.

This survey didn't ask people to evaluate art; it asked people to evaluate their stereotypical impression of an art they don't care about. It was ~600 people hired off a website, they banged it out ASAP and moved on. This is not to invalidate the results; I am not actually claiming that "real" poets would have scored much better? Maybe, I don't know - that just isn't very relevant.

Let's swing to the AI Art Turing Test results to get more into why. Again, AI art is absolutely "art" in the sense that it is able to pass the test handily. You have to be head-in-the-sand at this point to think that AI can't make an impressionist painting a la the "most liked" art in this contest:

I have seen the "well real paintings have physicality this is a jpeg" discourse points and the cope couldn't be more real - 99% of art consumption in the modern world is digital or at least prints, let's get you back to bed grandma. But I did find it pretty funny that Scott noted this AI piece as one he particularly liked:

Because it is nonsensical, right? All that "faded paint", how was it originally painted - just bucket splashes of red and blue? What are those random doors, the random stairs going nowhere on the sides, the vague-nothings engravings? Scott just didn't care about that - he liked the vibe, right? Ancient ruins, epic scale. It isn't a coincidence that the Impressionist art did the best - current AI tools are always impressionist, they have an idea of the vibe and invent the details in between. In Impressionism that is the whole point.

Now the trap is to go "REAL artists can tell because of this or that" because idk, the tools might get better, they might fill in more and more details. The real revelation here is that you don't need the tools to get better - visual art isn't so different from poetry. Most people don't pay attention to it all that much. You see thousands, thousands of pieces of art a week; you probably don't even realize how many. Do you really care if the fading paint makes coherent sense on a billboard ad or a doctor's office wall painting? So much art that is made is "industrial" in this sense - it has no need to be good. Only good enough to fulfill its utilitarian role. In these fields AI absolutely is going to Take Your Jobs in some form, and already is (though imo not a ton of them). And it won't really bother most people. This can go pretty deep - I promise you people are "utilizing" AI porn right now. They are ~appreciating the details~ way more than is typical, the product is working.

All this works until it doesn't, though. When it is an art book by a favourite artist whose vision you want to pour over, learning that all the individual details were just made by AI completely defeats the purpose, right? Imagine reading a book of these poems. Outside of the novelty, "AI is the point" factor you would rather watch infomercials on repeat, I can't imagine a more pointless use of my time. "Reading arbitrary poems" is never fun, regardless of the quality of the poems. Most people don't care about poetry! The reason you care is that you care about the poet, and what they want to say. You read poetry with context, it being inserted with intent into the pages of a manga, at the end of a video game, because you like the artist and follow them on twitter. The quality of the prose isn't more important than that.

Which is a harsh limit for all of these kinds of tests. They essentially aren't testing art, right? You do not ever get paid twenty bucks to sit down and read a dozen poems and score them. That has no bearing on how you would actually ever learn to care about a poem. Which doesn't make AI art useless or anything, more that these tests will very quickly run into their limits of what they can meaningfully tell you. The actual bar is "creating something someone cares about". From that lens, I fully believe hybrid methods that privilege artistic intent are currently working and will improve. But I think for "solo" AI art getting that to work is going to be complicated.

[creamflix]

cw: mentions of sex & reader menstruating, nothing detailed or explicit [for nsfw].

read part one here

three years.

three whole years of loving each other in your own chaotic way.

but when the anniversary actually rolled around, you felt like someone had hit the reset button on your social skills. standing in the kitchen that morning, you blurted out, “it’s our anniversary. we’ve been together for a long time,” as if that wasn’t blatantly obvious.

sukuna blinked at you from where he was tying his tie, raising an eyebrow like he couldn’t believe what just came out of your mouth.

“no shit,” he deadpanned, though his lips twitched like he was holding back a smirk.

you huffed, crossing your arms. “i’m just saying. it’s... a big deal, y’know?”

“yeah, yeah,” he muttered, brushing past you to grab his keys, but you caught the way his gaze lingered for a moment longer than usual.

truthfully, neither of you were handling it well. anniversaries weren’t exactly your forte. it wasn’t like you didn’t say “i love you” to each other, but those words carried weight between the two of you — too much to just toss around casually.

and now, faced with the unspoken expectation to do something, both of you were stumbling like teenagers on a first date.

sukuna spent the entire morning at work distracted, fidgeting with his pen and snapping at his coworkers more than usual.

am i supposed to plan something? he thought. i was the one who proposed, does that mean it’s my job? the pressure was getting to him.

finally, he decided to keep it simple: your favorite takeout from university, a nostalgic callback to the start of everything.

meanwhile, you spent your day spiraling in a completely different direction. romantic gestures weren’t exactly your specialty, but the thought of doing nothing felt worse.

so, you left work early and dove into something utterly out of character — a full-on romantic dinner, complete with candles, music, and a dish you’d only ever made once before.

by the time the evening rolled around, both of you were a mess. sukuna trudged through the door first, looking disheveled in his wrinkled work clothes, seven plastic bags in hand, each one stuffed with takeout containers. he didn’t even bother taking off his shoes before stepping into the living room.

“yo, i got —” he started, but froze mid-sentence when he saw you.

you were standing by the dining table, decked out in an outfit that screamed special occasion, with your hair done and everything. the table was set like something out of a movie: a full spread of homemade dishes, soft lighting from the candles, and an awkward tension hanging in the air because, honestly, what the hell were the two of you doing?

“...what the fuck,” sukuna finally said, his voice soft with something you couldn’t quite place.

you shrugged, suddenly feeling self-conscious. “i figured... i’d try something different.”

he stared at you for a beat, then down at the bags in his hands, then back at you. “you made all this?”

“yeah.” you shifted on your feet. “thought it’d be nice. but uh, if you don’t wanna eat it, we can always —”

“shut up,” he cut you off, a grin breaking across his face. “you’re insane, you know that?”

“takes one to know one,” you shot back, but your cheeks were burning.

he dropped the bags unceremoniously on the counter and crossed the room in a few quick strides. before you could say anything else, his arms were around you, pulling you into a hug that was somehow both firm and gentle.

“you’re ridiculous,” he mumbled against your hair. “but you’re my ridiculous.”

you rolled your eyes but melted into his embrace. “yeah, yeah. happy anniversary, jerk.”

he laughed, low and genuine, and for a moment, the awkwardness faded. the food didn’t matter. the plans didn’t matter. just being here, in this little apartment you called home, with him holding you like the world didn’t exist outside these walls — that was enough.

even after three years together, the idea of using the typical, sugary nicknames made you both cringe harder than nails on a chalkboard. no “babe,” no “sweetheart,” no “love.” for some reason, it just didn’t fit.

instead, you’d toss out things like “dude,” “bro,” or, on particularly annoying days, “boy,” just to get under his skin. the way sukuna’s eye would twitch every time you called him that? priceless.

but sukuna wasn’t innocent, either. his repertoire of names for you was a mix of creative insults and borderline threats, delivered with just enough affection to remind you that he didn’t actually mean them.

“woman,” “brat,” “shit for brains” — those were the classics. and when he was in an especially foul mood? let’s just say the creativity really started flowing.

the funniest part? even in public, neither of you switched it up. at restaurants, when a waiter would ask for your order, you’d say, “he’ll have the steak,” and sukuna would fire back with, “she’ll take the fish,” like it was the most natural thing in the world.

no “my love” or “my darling.” just “he” and “she,” like a couple of reluctant coworkers at a team lunch.

the one time you tried something different, it didn’t end well.

“what’ll it be, babe?” you’d asked one night, trying to suppress a grin as you glanced at him over the menu.

sukuna lowered his menu just enough to shoot you a look so disgusted you swore you could taste lemons in the air. “what the hell did you just call me?”

“babe,” you repeated, forcing the word out like it physically pained you.

he grimaced, his nose wrinkling. “don’t ever do that again.”

you’d burst out laughing, and from that moment on, the unwritten rule was solidified: no “cute” nicknames. not unless you wanted to ruin the meal for both of you.

and yet, despite all of that, there were moments when the truth slipped through. when you were out with friends, you’d proudly call him “my man,” as if daring anyone to challenge the claim.

and sukuna wasn’t any better — he’d talk about you to his buddies like you were the most important person in the world, casually dropping “my lady” into conversations like it was nothing.

but back home? it was business as usual. “yo, dude,” you’d yell from the kitchen. “did you put the laundry in the dryer?”

“hell nah, woman,” he’d yell back. “do it yourself.”

sure, it wasn’t the most conventional display of affection, but it was yours. no sickly sweet terms of endearment, no over-the-top romantic gestures — just you and sukuna, trading insults and sharing a love that, in its own weird way, felt perfect. would you trade it?

absolutely not.

you and sukuna had never been the type to ooze affection. no heartfelt “good lucks” or mushy “come home soon” texts.

instead, your love language was passive-aggressive threats with just enough bite to keep things interesting.

“don’t fuck it up,” he’d said before your job interview, leaning casually against the counter with a smirk that hid the way his eyes lingered on you a second longer than usual.

“look who’s talking,” you shot back, adjusting your jacket in the mirror. “aren’t you the guy who choked on his coffee before his last one?”

“watch it, brat,” he muttered, grabbing his keys, but his lips twitched.

underneath the snark, though, there was always something unspoken. a silent, shared understanding that you were rooting for each other, even if neither of you would ever outright say it. and during that waiting period — the nerve-wracking limbo between interviews and callbacks — the usual jabs quieted.

it wasn’t a truce, exactly, but you both found yourself going easier on each other. sukuna would make sure you had coffee in the mornings, leaving it on the counter without a word. and you’d restock his energy drinks without him asking, slipping them into the fridge while he wasn’t looking.

when the calls finally came, first for you and then for him, the celebration was as understated as your relationship. no grand hugs or squeals of excitement — just a knowing look exchanged from across the room, a rare, genuine smile curving both your lips.

“guess you didn’t screw it up,” he teased as you set your phone down, but his voice was softer than usual, the edges rounded out by pride.

“guess you didn’t either,” you replied, tossing the comment back at him with a grin.

and maybe — just maybe — there was a fleeting kiss in the mix. something quick and almost shy, as if lingering too long might make the moment too heavy.

“don’t think this means you’re off the hook,” he muttered afterward, trying to play it cool, though his hand rested on your waist a beat longer than necessary.

“wouldn’t dream of it,” you quipped, leaning back just enough to meet his gaze.

this was just the start, the first step in what would be your new life together. and even if it wasn’t wrapped up in the typical trappings of romance, it felt right. because with sukuna, love was never about the obvious.

it was in the things left unsaid, the quiet gestures, and the stubborn refusal to admit just how much you cared — though, deep down, you both knew the truth.

you still remembered the first time sukuna kissed you.

it wasn’t some grand romantic setup or a scene out of a cheesy romance flick — it was just… sukuna. blunt, stubborn, and perfectly him.

it was after graduation, a so-called “first date,” though neither of you called it that. he had taken you to the same drive-in you’d always gone to during halloween, the one with the faded screen and popcorn that tasted more like cardboard than butter.

but this time, they weren’t showing the usual campy horror flicks you two loved to make fun of. no, this time it was la la land.

you’d raised an eyebrow when he mentioned it. “really? la la land?”

“what? you’re too good for musicals now?” he shot back, pulling into the lot like he wasn’t questioning himself at all. but you caught the way his grip on the steering wheel tightened just a bit, like he was bracing for you to laugh at him.

“no, just didn’t know you had a thing for jazz hands,” you teased, grinning when his scowl deepened.

the movie started, but naturally, the two of you barely made it through the first twenty minutes without bickering. the popcorn bag was snatched back and forth between you, each accusing the other of hogging all the caramel-coated pieces.

“you’re eating all the good ones!” you snapped, clutching the bag protectively.

“you’re imagining shit, woman,” sukuna retorted, leaning over to yank it back.

in the heat of the squabble, with your faces inches apart and insults ready to fly, he kissed you. just leaned in and pressed his lips to yours, all sharp and sudden, like he had decided there was no other way to shut you up.

you froze, your brain short-circuiting for half a second, before he pulled away with a smirk that made your blood boil and your heart race all at once.

“what the hell was that?” you demanded, staring at him.

“you were being annoying,” he said, like that was the most logical explanation in the world. but his smug expression faltered just a little when you glared at him, lips parted like you were about to really let him have it.

“you don’t just kiss someone and then pull away like that, you asshole,” you huffed. and before he could reply, you grabbed him by the collar and kissed him back, pouring every bit of your irritation — and maybe a little something else — into it.

the second kiss was different. softer, slower, and entirely mutual. neither of you pulled back this time, and when you finally did, both of you were slightly breathless.

“still annoying,” he muttered, though the corner of his mouth twitched like he was trying not to smile.

“still an asshole,” you shot back, crossing your arms, though your cheeks burned so hot you were glad for the darkness of the car.

after that, there wasn’t much attention paid to the movie. there was a lot more kissing, though, a lot more bantering between each one. and while neither of you would ever admit it, kissing him made you feel like a stupid, giddy teenager. like you wanted to kick your feet in the air and giggle, even if the thought made you cringe internally.

it was ridiculous, it was messy, and it was entirely the two of you. just the way you liked it.

your relationship with sukuna had always been a clash of opposites.

back in your college days, he was infamous for his revolving door of women — never the same face twice, always someone new on his arm. sukuna, the loud, reckless heartthrob who could charm his way into anyone’s bed.

and then there was you: exclusive, reserved, someone who didn’t let just anyone close enough to even try. while sukuna’s name was tossed around in gossip, yours carried a quiet weight, a mix of intrigue and admiration.

it wasn’t that you were some saint — far from it. you weren’t a stranger to sex, but you didn’t hand it out like candy at a parade. your friends teased you about your “dry spells,” but you’d always brushed it off. you had standards, that was all.

meanwhile, sukuna? standards weren’t exactly his thing, or so it seemed.

so, when the two of you somehow transitioned from bickering frenemies to a full-fledged couple, there was an unspoken tension between your histories. you knew who he was, what he’d done, and he knew exactly how tightly you held your walls up. still, you worked together, two stubborn halves of something that somehow clicked.

until one night, when things heated up unexpectedly.

it started innocent enough — if “innocent” was a word that could ever describe sukuna. a clumsy makeout session in his dimly lit apartment, his hands tangled in your hair, your breath mingling with his as he pressed you against the couch. it wasn’t your first kiss, far from it, but this one was different. there was a weight to it, a hunger neither of you had acknowledged until now.

“you’re terrible at this,” you muttered against his lips, though your shaky breath betrayed you.

“yeah?” he shot back, his voice low, teasing. “seems like you’re still here, so what does that say about you?”

you rolled your eyes, but before you could quip back, he kissed you again, harder this time. his hands moved to your waist, fingers tracing the curve of your hips, pulling you closer until there was no space left between you.

it escalated quickly, too quickly. his mouth moved to your neck, and you felt the scrape of his teeth against your skin. a shiver ran through you, your hands gripping his shirt to ground yourself. this was sukuna — your sukuna — and yet, this was a side of him you hadn’t faced before.

you froze slightly when his hands wandered lower, testing the waters. for a split second, you weren’t sure what to do.

your mind raced with contradictions: the part of you that wanted to pull him closer, to let yourself get lost in him, and the other part that wanted to smack his hand away and call him out for moving too fast.

“seriously?” you blurted, breaking the kiss and glaring at him. “do you ever not act like a horndog?”

he smirked, cocky as ever, though his hands eased up. “what? you didn’t seem to mind a second ago.”

“maybe because i was too distracted by your terrible kissing technique,” you shot back, though the heat in your cheeks betrayed you.

“you’re full of shit,” he said, leaning back with an exaggerated groan. but there was something softer in his gaze, a flicker of hesitation that wasn’t usually there.

“look, if you’re not into it, just say so. i’m not gonna —”

“shut up, sukuna,” you interrupted, grabbing the collar of his shirt and pulling him back down. your lips crashed against his, and this time, there was no hesitation.

it was messy, passionate, a clash of teeth and tongues that left you both breathless. every time you thought you’d had enough, he’d kiss you in a way that made your head spin, and you’d find yourself pulling him closer all over again.

maybe you’d slap him later for being an overconfident ass, but for now? for now, you let yourself get lost in him, in the way he made you feel like you were the only person in the world he’d ever want. and, as much as you hated to admit it, you didn’t regret a second of it.

sex with sukuna was its own breed of unique — a stark contrast to the wild stories he carried in his history. where you once expected a whirlwind of dominance and filthy words, what you got was something raw and unexpectedly tender, the kind of connection that made your chest ache in the best way. it wasn’t the slow, candlelit romance people wrote songs about, and it wasn’t some grand kink-fueled adventure. it was quiet, comfortable, and somehow, so deeply you two.

sukuna had his reputation, sure. tattoos, a sharp tongue, and an aura that practically screamed i don’t care about your feelings. in his youth, you imagined he’d been the kind of guy who thrived on power plays in the bedroom, leaving women weak-kneed and breathless for all the wrong reasons. hell, he probably relished in it, back in the day.

but that wasn’t what you got.

instead, he was gruff, but not in the way you’d expect. it was the kind of gruffness that came with holding back, with trying to temper himself into someone who could make you feel safe and seen. when he leaned over you, his usual arrogance was softened by something quieter, something he didn’t say out loud but you could feel in the way his hands traced over your skin.

“this okay?” he’d grumble, his voice low, trying to sound nonchalant, but you caught the way his eyes searched your face for any hesitation.

you’d nod, a little too bashful to form words, and he’d pause, eyebrows raising just slightly. “i asked if it was fine, not if you could sit there like a scared rabbit.”

“sukuna,” you’d groan, slapping his shoulder. but your face would heat up anyway, and he’d smirk like the cocky ass he was, though his hands stayed steady, patient.

if you didn’t answer quickly enough, he’d ask again, his actions slowing to a near halt. “hey,” he’d say, leaning down just enough so his lips brushed your ear, “you gonna tell me, or do I have to stop?”

“don’t stop,” you’d finally mutter, voice barely above a whisper, and he’d let out the most obnoxious chuckle, something halfway between pride and amusement.

“thought so,” he’d say smugly, resuming his movements — but gentler than his tone suggested, always so much gentler. it wasn’t about control or ego, though you knew he liked to push you just enough to make you squirm. no, it was about making sure you were there with him every step of the way.

it was new, this side of him that catered to you, the way he’d catch your gaze when he thought you were feeling shy or uncertain. sometimes, you wanted to throttle him for the way he’d tease you, like it was a sport. other times, you wanted to melt into him for the way his hands would guide you, steady and secure, like he had all the time in the world for you and no one else.

but your favorite part? it was always the aftercare.

where sukuna usually thrived on chaos and crudeness, after sex, he was different. softer, quieter, almost dazed. he’d hold you like he was afraid you’d slip away, his arms wrapped around you a little tighter than usual.

“you good?” he’d ask, his voice gruff but quiet.

you’d nod, and he’d huff, pressing his chin to your head. “drink some water,” he’d grumble, even as he was already reaching for the glass on the nightstand.

he wouldn’t joke as much, at least not in the way that made you want to kick him. instead, he’d run his fingers absentmindedly through your hair, muttering about how you’d better not go passing out on him. he’d press lazy, almost featherlight kisses to your temple, your cheek, anywhere he could reach without moving too much.

and if you curled closer to him, burying your face in his chest, he wouldn’t say anything. he’d just hold you tighter, his fingers tracing slow patterns on your back, grounding both of you in the moment.

sometimes, you’d laugh to yourself, thinking about how this man — this loud, sharp-edged, unapologetically rough man — had turned into a vanilla sap just for you. and other times, you’d bite your lip and blush at the thought that he was yours. completely and utterly yours.

you’d never admit it out loud, but the way he took care of you? the way he toned down all the bravado and just was with you? it made you love him more than words could ever say.

the first real fight wasn’t the playful sparring you and sukuna usually indulged in. it wasn’t the sarcastic quips or half-serious insults that usually left both of you laughing by the end. this time, it was different.

the argument started small, something inconsequential, but quickly spiraled into a storm of raised voices and sharp words. sukuna’s tone was harsh, and your stubbornness was just as sharp. you were used to challenging each other, but this felt heavier, like neither of you was willing to back down.

“you’re not even listening to me!” you snapped, your voice breaking in frustration.

“yeah? and you’re so damn perfect at communicating?” sukuna shot back, his words biting.

the tension was suffocating, the air in your shared apartment thick with unresolved emotions.

and then it happened — he grabbed his jacket, slammed the door, and left.

the sound of the door shutting echoed in your ears, and you froze, your chest tight. sukuna didn’t just leave. not like this.

he left home.

it wasn’t just an apartment. it was the place where you built something together, where you shared quiet mornings and loud, chaotic evenings. it was the place that held laughter, tears, and everything in between.

and now it felt unbearably empty.

you wanted to scream, to throw something, to lash out at the ache in your chest. but you knew that chasing him down with your usual fire would only pour gasoline on the flames. so you swallowed your pride, slipped on your fuzzy slippers, and bolted out the door.

you spotted him a few blocks down, his tall figure unmistakable even under the dim streetlights. his pace was fast, his hands shoved deep into his pockets. he looked pissed, but there was something about the way his shoulders hunched slightly that made your heart clench.

“sukuna!” you called, your voice louder than you intended.

he didn’t stop.

“dammit, will you stop walking for one second?” you yelled again, jogging to catch up to him.

when he finally turned around, his expression was a mixture of anger and surprise. “what the hell are you doing?” he asked, eyes narrowing. “it’s late.”

“yeah, and whose fault is that?” you shot back, before taking a deep breath. no, not this time. no more yelling.

“look,” you started, your voice softer now, though your chest was still heaving from the sprint.

“i’m sorry. i mean it. not the sarcastic, biting kind of sorry. a real one. i shouldn’t have — ” you paused, struggling to find the right words. “i shouldn’t have made it about winning. i was wrong.”

sukuna stared at you, his expression unreadable for a moment. the silence stretched, and you felt the sting of tears prick at your eyes.

“...dammit,” he muttered, his shoulders dropping. “i was a dick too.”

you blinked, surprised. sukuna rarely apologized, and when he did, it was never straightforward.

“yeah, you were,” you replied, a small, tentative smile creeping onto your face.

he let out a low chuckle, shaking his head. “you don’t make this easy, you know that?”

“neither do you,” you shot back, stepping closer.

he sighed, his hands leaving his pockets to pull you into a hug that was as awkward as it was comforting. “you’re lucky i didn’t get too far,” he grumbled into your hair.

“you’re lucky i chased after you,” you countered, though you clung to him just as tightly.

and just like that, the tension broke. it wasn’t perfect — there were still things to talk about, wounds to mend — but in that moment, wrapped in each other’s arms on a dimly lit street, you both knew this was home.

sukuna would never say it outright — hell, he’d rather swallow nails than admit it — but he had your back when it came to that time of the month.

he tracked your cycle like a tactical mission, not because he was obsessed with you or anything (his words), but because it was easier to prepare than to deal with the aftermath of being caught off guard.

“what, you think i like listening to you whine about not having your stupid chocolate?” he’d grumble, dumping a bag of your favorite snacks onto the counter with an air of exaggerated suffering. but there was no mistaking the care behind the gesture, no matter how much he tried to play it off.

medicines? stocked. pads and tampons? stocked. heating pads? ready to go. hell, he even had a backup stash of painkillers tucked into his drawer at work in case you ran out at home.

he wasn’t perfect, of course. sukuna had zero patience when you were in one of your mood swings, snapping at him for breathing too loudly or sitting “wrong.” but he’d weather it, rolling his eyes and muttering under his breath.

“you done yelling at me, or you wanna go another round?” he’d ask, arms crossed, leaning against the doorframe.

but the moment you started crying — whether it was over a sad commercial or pure frustration — his entire demeanor shifted.

“hey, hey, cut that out,” he’d say, pulling you into his chest despite his grumbling. “you’re not allowed to cry over dumb shit while i’m around, alright? i’ll give you something real to cry about.”

when you were touch-starved, he’d let you cling to him, even if it meant sitting through a three-hour movie you’d already watched ten times. when you were touch-repulsed, he’d keep his distance but stay close enough to hand you water or make sure you were comfortable.

and when you were too tired to shower, he’d step in without hesitation, grumbling all the while. “can’t believe i’m doing this,” he’d mutter as he adjusted the water temperature and gently washed your hair. “you owe me a massage or something after this.”

he’d change the bedsheets without complaint, tossing you one of his oversized shirts afterward. “don’t stretch it out, or i’ll kick your ass,” he’d say, but you both knew he didn’t mean it. he even kept a corner of his closet stocked with clothes he didn’t mind you ruining — shirts and sweatpants that were practically yours at this point, though he’d never admit it.

“don’t get used to this,” he’d say, watching as you shuffled into the living room in his clothes, burritoed in a blanket. but the way his gaze softened as you curled up on the couch, finally comfortable, betrayed him.

for all his rough edges, sukuna handled you with a quiet kind of love — grumbling, sarcastic, but steady. he might call it “dealing with your bullshit,” but deep down, you both knew better.

it wasn’t a night you’d easily forget — not because of the celebration itself, but because of what came out of your mouth when you were deep into a rum-induced haze.

the bar was alive with the thrum of music and the clang of glasses, laughter and shouting merging into a chaotic symphony that somehow suited you and sukuna. the two of you had ridden in on bikes, looking like a mismatched pair of rebels — him towering, tatted, and menacing, and you just as fierce but smaller, less overtly intimidating.

"you know," sukuna drawled, leaning against the bar with a lazy grin that had been charming women for years, “if you weren’t already mine, i’d be trying to pick you up right now.”

you rolled your eyes, though your own grin betrayed how much you enjoyed the rare moment of his playful charm. “you’re an idiot,” you shot back, taking another shot and wincing as it burned down your throat.

but then, in the lull between his next teasing remark, you blurted it out. “i love you.”

the words landed like a hammer.

sukuna froze, the smirk slipping from his face. the rowdy atmosphere of the bar seemed to fade into static as he stared at you, his crimson eyes narrowing slightly, as if he was trying to gauge whether or not he’d heard you correctly.

"what?" he asked, voice lower than usual, his usual bravado stripped away.

you blinked at him, too tipsy to care about the weight of what you just said. “i love you, stupid. don’t make me say it again.”

and just like that, it was as if someone had pulled the rug out from under him. sukuna, the guy who had once been a whirlwind of hookups and no-strings-attached chaos, was sober in an instant. not because he didn’t like what he heard — no, it was the opposite. it was because those words had been lodged somewhere deep inside him, waiting for the right moment to claw their way out, even if he refused to admit it to himself.

he didn’t say anything right away. instead, he paid the tab, his movements oddly methodical, and threw his leather jacket over your shoulders.

“c’mon,” he muttered, voice gruff as he guided you to the door.

“what’s the rush?” you slurred, stumbling slightly as he helped you onto the bike.

“the rush is you’re drunk and saying shit you don’t mean,” he snapped, though his tone lacked its usual bite.

you didn’t protest after that, leaning into him as he drove the two of you home. by the time you reached the apartment, he was practically hauling you inside, grumbling about how you were a lightweight.

as he set you down on the couch and pulled a blanket over you, the words escaped him, unbidden and softer than he’d have liked.

“i love you too, idiot.”

he thought you were out cold, your breathing slow and even. but the faintest smile tugged at your lips, and a quiet mumble escaped you:

“heard that.”

he froze, a flush creeping up his neck. “shut up and go to sleep,” he barked, but the gentleness with which he tucked you in betrayed him.

you didn’t say anything else, and neither did he, but the air between you felt lighter, warmer. it wasn’t perfect or grand, but it was yours — messy, stubborn, and just enough.

produced by creamflix on tumblr. all rights reserved. do not copy, steal, modify, repost — support your writers by liking and reblogging. ♡

[raccoonhusband]

This was a great video! But I noticed that you saw the line "Maybe he can still prove his worth to me," in Journal 3 as being out of character for Ford? But I see it as supremely in character, at least for that point in his life, especially on how it relates to one of the core themes of conditional vs unconditional love. The way I see it, thanks to Filbrick and various other factors in his life, Ford's been taught that love is transactional. He's internalized this, but it's not really how he works at his truest self. We know that because despite his attempts to "control his emotions and be logical", and despite all his anger and betrayal, he can't turn that unconditional love he had for Stan off. We see it in how he instantly has love for his niece and nephew the moment he finds out they exist. But he's definitely internalized that love should be transactional, so at the time of the portal incident he believes maybe if Stan jumps through these hoops for him, this will not only save the world but this will mend things between them! Instead, it's what could have killed it for good. Seeing as it's the splitting off point of the Better World AU, and from the comments Rob Renzetti made in your interview with him on what could be Stan's fate in this AU, the defining moment here is: Does Stan still believe in this unconditional love and try to get through to Ford even if it's by lashing out or does he let that belief die and take the journal, with Stan and Ford never reconciling and getting material success at the cost of everything else?

This theme of conditional vs unconditional love runs through the entire show. This is why Stan and Bill are foils (Bill is literally the personification of conditions) and the end of Ford's arc is Stan showing him what true unconditional love looks like. That's why seeing that, realizing the scope of what he lost, and seeing Mabel's unwavering love overcoming everything and bringing Stan back is what it takes for Ford to finally, finally throw his father's worldview in the trash where it belongs.

What we can’t woobify, we vilify. What we can’t vilify, we diagnose. And sometimes, in the Gravity Falls fandom, we do all three.

[back-on-my-bullshit-hahaha]

DPxDC Prompt

I've had this idea for a while (since seeing that art of Johnny and Kitty robbing a bank so Danny can get Top Surgery lol) but I haven't even had the brain to work on my own fic recently (sorry about that btw) so I'm writing this instead

So the concept:

T4T Johnny and Kitty, who died in the 80s after running away together.

Johnny was the kid of some rich asshole automobile mogul from Bristol, and Kitty was one of the workers' kids from the Narrows. They become friends, fall in love, both realize they're trans around the same time and then decide to run. They know that being trans on top of tax bracket difference gives them almost no chance of making it. Johnny steals a bike and a fuck-ton of money from his parents, and Kitty's parent(s) helps them leave.

They're still toxic and spiteful as hell, but nothing the other does can change the fact that they know and understand each other better than anyone else could.

They travel around the country being menaces together for a while until they decide to settle down in a strange city called Amity Park. They figured it could handle a couple more anomalies. But before they can get there, they get into a bike wreck with their final thoughts being of each other and Johnny specifically cursing his bad luck in life.

The next thing they know, they're in the infinite realms being given the chance to stay together and the freedom to simply exist with no strings attached. (Other than each other cause I firmly believe that they're mutually the others' obsession)

About 20 years have passed, a portal to their old world is permanently open and this scrawny little ass kid ghost that they've never even heard of keeps stopping them from going through it.

It isn't until Johnny actually starts paying attention a few months into it that he notices that first, the little shit can actually fight, and second, HE WAS FIGHTING THEM WITH A BINDER ON. (Johnny also vaguely wonders why Danny looks so much like his old neighbor Brucie, but that's less important than the binder thing). Johnny lets out the universal ghost fight timeout signal and vaguely explains the situation to Danny, who seems confused about the noise he made and why it made him stop.

Johnny gets Kitty to spread the word that if the timeout isn't called off by the next morning, stay TF away until they get an all-clear.

That night, *after yelling at him a bit*, he starts teaching Danny how to reshape his ghost form to his preference and even his vocal cords.

From there, Johnny and Kitty sorta ghost adopt him as a sibling and then take him to Frostbite to make sure his T-shots are ecto compatible.

(I hope this was coherent it's 4am for me and I haven't slept lol)

[ir-abelas-vhenan]

I've been thinking a lot today about how easily people condemn Solas for making the choices he did or for so regularly refusing the help and love his friends or a romanced Lavellan extended to him and how that's a very easy thing to do from behind a screen in a fictional game where you are able to (with very few exceptions) curate a world in which your allies are loyal and your decisions will go the way you'd like them to.

And yeah, it's a game and that's kind of the point, but if I were to look at it a little more deeply (and who am I kidding, I got back on this website exclusively to process the aftermath of Veilguard) I'd say that there's so much to be found in wondering if the protagonists in any of the other games would have fared better in similar conditions.

Apparently I can't stop making long posts, so buckle in.

What would Morrigan have become in a world where the Warden never stumbled upon her cottage with Flemeth, if she never got the chance to see more of the world and decide what she wanted out of it? With just her mother (who, coincidentally in this Solas-y discussion is also kind of Mythal) and no support, who is to say what she would have unleashed upon the Korcari Wilds one day when the confines of her cage became too much?

What about Leliana? She, too, suffered at the hands of a very controlling abuser who tried to convince her that one lifestyle was all that her future held. What do we think she would have become if not for a chance meeting in Lothering with someone who could help her face down the woman that molded her?

Fenris, a character MANY people are just fine with was incredibly ready to kill a mage on sight if need be, no questions asked. Where do we think his story goes if he doesn't have someone in his corner early on enough in the game? If he doesn't get caught by Danarius, he's almost certainly going to end up on a murder spree, and he doesn't even have Justice whispering in his head to do it.

Cullen. Just all of him. It's an absolute miracle he hasn't snapped by the time you encounter him in Inquistion, and even then you get the benefit of intervening at a critical point in his story several times over.

Almost every other character could face this analysis and I think we'd reach a result that suggests perhaps the only thing keeping them lovable is your playable character's investment in their well-being.

Enter Solas. We don't meet him when he's twenty to thirty something and on the precipice of falling down a dark path. He's been there for literal millennia already, and with the exception of one close friend he's been alone. And not even Felassan is enough because of the years Mythal had prior to that friendship to make Solas exactly who she needed him to be.

I've had shit friends before that aren't just good at isolating people, they're naturals. I barely made it through high school with my mental health in place (in fact, looking back, it almost certainly wasn't). When you think you've got a true friend and they need something of you, it's so easy to blindly follow them because you think your love is enough to mark someone's soul as trustworthy. Solas doesn't learn that lesson until it's too late, and even when he does he can't turn back: the spirit that was once Wisdom has been exposed to several of the worst ancient elves to ever exist and now he has to stand his ground rather than let it all fall, because that is what Pride would dictate. Admitting that the person you gave your love and labor and time to is a monster is hard. And he was alone.

Give me Morrigan after centuries with her mother. Show me Leliana after the years have become a blur and the only voice whispering in her ear is Marjolaine's. Show me the innocent mages that don't make it through if all Fenris has for years and years and years are the scars Danaris left him and the means to make more. Show me Cullen if he stays in a chain of command under a Knight Commander who knows exactly what he fears and holds it over his head for so long he forgets what it was like to be an excited kid begging the templars for training because he just wants to keep people safe.

We get companions in these games who are broken by the time they're twenty. Solas has spent thousands of years in servitude to a cause of a woman he believed to be his only friend. He doesn't know who he is without her influence, anymore, only exists physically in the first place because she asked it of him and then asked again and again and again. He doesn't have a witty band of merry fools to pull him out of that cycle. He has Felassan, but he has him during war after war after war in the hopes of freeing others from the very situation that torments him.

Trauma from war affects everyone touched by it, nevermind the fact that Solas is actively responsible for saving the lives of thousands and feels each life like a weight around his neck because maybe he can save them like he cannot save himself. We should always be worried about the people trying to do the most good. Who is looking out for them? Why are they so determined to help others? Could it be that it's something they wish others had done for them?

Solas certainly feels comradery with Felassan from working together to free slaves from the very people he helped put in power because Mythal told him it would be okay only to leave him with the pieces, but even the Solas that Felassan knows has been turned into an attack dog shying away from the touch of the very person it desires to be near above all others by the time their relationship forms.

The fact that Solas is able to try and show the Inquisitor who he is at all is a miracle as far as I'm concerned, a sign of a peaceful spirit of Wisdom who loves knowledge for the sake of it finally sensing that there might be a chance to embrace its nature again.

Yeah, if you give him what he has come to expect from people with power, if you let near-absolute power over the masses corrupt you, he's going to bristle and try to shut your inquisitor down.

But if you show him even the smallest bit of kindness? If you treat him like the starving wolf he talks about and feed him instead of fighting him? God, it shatters his entire existence.

It's called a cycle of abuse for a reason. Finding friendship, finding the love of your long-ass life can be the first step in realizing there's better out there. But the time it takes to learn that? When you're too weary to even reach out for help in the first place and afraid of every kind word or gesture because you've never known such tenderness (on a platonic OR romantic level, both matter so so much) before?

Part of the compelling tragedy of Solas is that it's almost Orpheus-like how he knows what he has been made into and still cannot stop himself from yearning for more, from turning around to see if just this once something has changed. You can't convince me that he hasn't spent years hoping that someone will hear the legend of the Dread Wolf and see it for what it is, a leash the Evanuris created for Mythal's whipping boy to ensure that even if he ever escapes them, the people he fought to save will hate him. And I cannot blame him for the shock and terror that consumes him when he realizes someone finally has.

You give me any of dragon age companions after the amount of time Solas spent under Mythal's thumb without your character's intervention and you tell me how that looks.

You tell me if they're able to change at the first sign of something that feels too good to be true.

And then, I want you to tell me they're any less worthy of trying to save, especially when you know how good their best can be.

Solas might be hard for some fans to love, but it's only because he serves as the perfect representation of the beast we are all capable of becoming when the love that sustains us, assuming we receive any at all, is laced with poison.

The journey out of that place, out of a literal prison of regret, is brutal, and I'm thrilled that even with the many things about Veilguard I'm still struggling with, we have the chance to let Solas try again with the help of those who love him not because he never fell down, but because they believe in the beauty of a future where he gets back up again.

[3rdgymbros]

━ 𝐘𝐨𝐮 𝐀𝐧𝐝 𝐈, 𝐔𝐧𝐟𝐮𝐥𝐟𝐢𝐥𝐥𝐞𝐝 𝐅𝐞𝐞𝐥𝐢𝐧𝐠𝐬.

— pairing; itoshi sae x reader  

— summary; in which you and sae meet again in japan after a messy breakup in spain. set in the blue lock manager au.

— notes; please donate to my kofi if you like my work. and know that i am mentally smooching everyone who reblogs my stuff.

❋ It’s not really something you like to broadcast, how you and Sae were close when you were in Spain with your parents for that brief, wonderful period of time. While he honed his skills with football, you would balance your studies while helping out at Re Al.

❋ Things had been so simple back then. Late-night walks in Madrid, your fingers intertwined with his. Sneaking kisses in quiet corners, away from prying eyes. Sharing popsicles and everything else. Sae was cold to the rest of the world, his softness reserved entirely for you.

❋ You were each other’s first everything — first kiss, first love, first heartbreak.

❋ Some part of you had to have known that this was only temporary, considering how often your parents travel for work. But it still comes as a shock to you when you parents abruptly decide to return to Japan to help fund the Blue Lock project.

❋ And Sae, so full of potential. Sae, whose career is finally taking off. You aren’t about to let him leave it behind; and Sae, too driven, too focused on his dreams, wasn’t about to throw it all away and return to Japan either. Not like this. Not for you.

❋ You hadn’t expected to see him at the airport to see you off. Sae’s expression was closed off, and it was like the two of you were strangers once again, the distance and silence already stretching endlessly between you. As if your relationship had never existed in the first place.

❋ The breakup was messy, yet silent. Both of you knew instinctively that this was the end. And just before Sae left without looking back, his final words to you were, “If you’re going, don’t expect me to wait.”

❋ The last image you have of him is his retreating figure, back rigid, leaving as the words die on your lips.

❋ And that was that.

❋ You’d returned to Japan with your parents to work as a manager at Blue Lock (Ego had agreed to take you in under the promise of free labour, apparently). Ego’s lectures aren’t fun, but you’re actually learning something under him and Anri when you’re not being driven insane by a group of rowdy, immature teenaged boys.

❋ You try really hard not to think about Sae. Even if the occasional headline reminds you of his burgeoning career in Europe. But the memory of him is a quiet ache in your chest that surfaces in random moments — when you see the colour teal, or hear a song he’d used to like.

❋ You’ve been to JFA headquarters only once or twice before, but it’s bustling with activity as always. Your purpose here is purely business; you’ll act as a secretary for Ego and Anri while they finalize plans for the U20 match with the top brass.

❋ You didn’t think that he’d be there.

❋ Right at that very moment.

❋ In that very room.

❋ Fate is cruel, sometimes.

❋ He looks . . . The same, yet somehow different all at once. His hair’s a little longer, his expression sharper, but those piercing green eyes haven’t changed at all, and the realisation makes your chest throb painfully all over again.

❋ You wonder how you appear to him, underneath your professional blazer and veneer of carefully controlled calm. Does he think you still look the same? Or does he think that you’ve changed, become a total stranger to him, much like how he is to you right now?

❋ His gaze is intense, scorching. You can feel it the second you enter the room, but you keep your head down and try to pay attention to the meeting. (The thought of having to present incomplete notes to Ego certainly does a marvellous job at helping you focus.)

❋ A breath of relief soughs out of you the moment the meeting ends. Quickly, you gather your things, following Ego and Anri out the door. You’re eager to avoid the lingering eyes of the association’s board members.

❋ And perhaps most of all: you’re eager to avoid unnecessary small talk with Sae.

❋ But you catch a final glimpse of him out the corner of your eye; Sae, still staring at you. His expression seemingly softer, almost hesitant. It’s almost as if he wants to call your name, to stop you from leaving, but something — Pride? Anger? — holds him back.

❋ The door to the meeting room clicks shut behind you with a cold finality, and this time, you’re the one leaving first.

[sheree-says-stuff]

LONG LOST MCR INTERVIEW!!!! RARE!!!!! '06

Interviewer: *laughing* "Alright, welcome to this very candid interview with Frank Iero and Gerard Way. Guys, thank you for joining us today!"

**Frank Iero:** "Yeah, no problem! Always a pleasure to be here."

**Gerard Way:** *eyes glued to iPad screen* "Mm-hmm, sure." *quiet chuckle*

**Interviewer:** *glances at Gerard, then back to Frank* "So Frank, we hear you've developed a bit of an admiration for someone—or, um, something—called 'Hawk Tuah Girl'? Care to explain?"

**Frank Iero:** *grinning* "Oh, yeah, Hawk Tuah Girl. She's honestly been on my mind a lot lately. I know it sounds a little random, but there's something about her that's so... powerful, you know? She’s like, this unfiltered force of nature, just breaking through expectations and being unapologetically herself. I love that. I mean, we could all use a little more of that energy."

**Gerard Way:** *barely looking up from his iPad* "Yeah, but does Hawk Tuah Girl ever, like... flush toilets or something?" *snickers to himself*

**Interviewer:** *laughs nervously* "Uhh, Gerard, not exactly the direction I was thinking we were going in, but, Frank, back to Hawk Tuah Girl—what is it about her that stands out to you?"

**Frank Iero:** "Right, right. So, Hawk Tuah Girl, for me, she represents this kind of freedom—like, the freedom to just exist and be a little weird, without needing validation from anyone else. It’s a vibe. A vibe I’m very much here for. Like, if I was ever stuck in a bad place, I think I could look to her as a reminder that being yourself is enough."

**Gerard Way:** *snorts and glances over at Frank* "So, basically, she’s your spirit animal now?"

**Frank Iero:** *laughs* "Yeah, I guess you could say that. She’s like my punk rock superhero."

**Gerard Way:** *muttering under his breath* "I need a superhero who knows how to hit the 'skip' button on Skibidi Toilet."

**Interviewer:** *laughing* "Gerard, are you... watching *Skibidi Toilet* right now?"

**Gerard Way:** *holds up iPad, showing a clip from *Skibidi Toilet* where a dancing character is wildly out of sync with the music* "Uh, yeah. It’s... art."

**Frank Iero:** *grins mischievously* "See, Gerard's whole thing is balancing deep, introspective moments with... *Skibidi Toilet*."

**Gerard Way:** *shrugs* "It’s a balance. You can’t take yourself too seriously all the time, right? Gotta laugh at the weird stuff."

**Interviewer:** *laughing* "Fair enough! So, Frank, it’s safe to say that Hawk Tuah Girl brings a lot of meaning into your life. Would you say she’s changed your perspective on your own art?"

**Frank Iero:** "Oh, definitely. I think, just like her, I’ve been learning to embrace the messiness, the weirdness. The world doesn’t need another ‘perfect’ version of anything. It needs something that feels real. And Hawk Tuah Girl, man, she’s real. She’s like a reminder to just... make noise and have fun while doing it."

**Gerard Way:** *nodding sagely* "Yeah, and *Skibidi Toilet* reminds me that anything can be art if you believe in it hard enough." *pauses* "Also, I think I might need more toilet humor in my life after this interview."

**Interviewer:** *laughing* "Well, there you have it, folks. Frank Iero finds inspiration in Hawk Tuah Girl, and Gerard... well, Gerard is watching *Skibidi Toilet*. Thank you both for such a delightful and slightly chaotic chat today."

**Frank Iero:** "Anytime. But seriously, if you haven’t checked out Hawk Tuah Girl, you need to. It’s a vibe."

**Gerard Way:** *still transfixed by his iPad* "Yeah... it’s all about the vibe." *mutters* "I’m not skipping this one."

[lucidbee]

Please Don’t Kill My Boyfriend | Percy Jackson x Reader

Summary: Hermes is an overprotective father.

Word count: 942

Authors note: I wrote this at 2am and didn't proofread before posting, this is definitely not my best work. Please give me requests. 

It was a simple quest all you had to do was kill a group of Echidna that were causing a little too much trouble. A three-day feat at most. When the quest wrapped up on the second day, Percy had the brilliant idea of staying back and relaxing on the way back to camp, instead of sleeping in an alleyway or in the forest with the remaining money we had, we rented two hotel rooms for the night. Grover demanded that he have his own room, stating he could no longer be so close to teenagers in love.  

It started out completely innocent light kisses and words of devotion. It quickly turned into much more when the idea of making up for lost time came into your head. Camp was amazing but it definitely was strict on one thing. No campers of the opposite sex could be alone together. Percy and you had already gotten in trouble trying to sneak you into his cabin late at night, for this exact reason. It was one night of fun that would hopefully be enough to last for a whole summer. That was until a flash of blinding light blinded you both and in front of the bed stood your father. Hermes. 

“You were tasked with killing a monster, not trying to impregnate my daughter,” Hermes angrily shouted, pulling Percy out of bed by his hair.

“I-I  promise that wasn’t my attention sir,” Percy choked out trying to spare the God's wrath. 

“Sure it wasn't, I’ve been alive for thousands of years boy, I have fathered hundreds of children, I am very much aware of what was about to take place in this hotel room,” Hermes growled, dropping Percy onto the floor. Who quickly went to put his pants that were on the floor back on. 

“Dad please it wasn’t like that, we’re teenagers what did you expect to happen?” You called out from underneath the bed sheets.

“You can’t go around sleeping with the son of Posideon y/n.” “You just had to choose the one demi-god that danger follows the most, you could have dated a son of Demeter but nooo.” 

“Take it up with Aphrodite if you don’t want me to love him, we weren’t doing anything wrong,” You cry out, holding the sheets close to yourself as you pick up your clothes from the floor. 

“I am trying to protect you y/n, you’re life is dangerous enough as it is.” Hermes says in a more gentle tone, turning around for you to be able to get dressed. 

“Percy is more than capable of protecting me father, he is the strongest demi-god to ever exist, he has saved Olympus multiple times.” You say while putting on your clothes.

“I still don’t like it, why don’t you take the vow of chastity? Hmm, doesn’t that sound nice?”

“Dad please.”

“I would never purposely put your daughter in harms way, I would flood the world to find her, I would cause earthquakes the world has never seen to avenged her, I love her sir.” Percy said coming to stand next to you. 

Hermes turns to face you both with a defeated look on his face. “You wouldn’t stop seeing eachother even if I ordered you two huh?”

“Nope.”

“No, sir.”

“If you ever hurt my daughter fish boy I will hunt you down and destroy everything you love.”

“Of course sir, I wouldn’t expect anything else.” 

“Now come on get in the car im taking you both back to camp,” Hermes says walking to the hotel door. 

You both awkwardly follow behind him; Percy followed you into the backseat of the cab, shutting the door behind him. “ Do you know how to please a woman, fish boy?” Hermes asked climbing into the front seat of the car. 

“DAD” You scream out. Percys face is beat red and a stuttering mess.

“I just want to make sure he will make a good life partner for you, humans don’t understand the whole open relationship thing us Gods do,” Hermes says driving out of the hotel parking lot.

“Does he make you finish y/n? Sex life is very important in a relationship.”

“Dad please stop,” You beg.

“Is he a selfish lover? A son of Posideon would be selfish in bed, I don’t know why you didn’t choose Zeus’s son.” 

“Please I beg of you stop”

“Yes Zeus is a horrible partner, but he atleast makes you finish,” Hermes continues on, ignoring your pleas.

You suffer through the longest car ride of your life. Both of your faces a permanent color of red by the end of it. Hermes wouldn’t let up for the whole car ride, asking you more and more embarrassing questions. Hermes stop at the border of the camp getting out of the cab to grab your bags out of the trunk. 

“Remeber Percy, sex toys are your friend not your enemy,” Hermes says handing the bags off to Percy to carry. 

“I-I will, sir,” Percy stutters out. 

“And y/n rember to pray to me if he causes you any trouble, I’ll cause him the worst pain he has experienced yet,” Your father says taking you into a hug.

“Thanks Dad, I love you.”

Hermes gets back into the cab, driving off as you and Percy take hands walking back into camp. 

“Well that was fun,” I say chuckling.

“It was definitely an experience I would not like to relive again,” Percy says laughing. Taking his first deep breath since your father appeared. 

“Hey Percy?”

“Yeah,” He says turning to look at you.

“We forgot Grover at the hotel.”

“Shit.”

[shadyr4m]

REWATCHING SEASON 2 EPISODE 7 OF ARCANE

+ some of my highlights and notable moments that I enjoyed bc people can’t understand media anymore

This is mostly an infodump of stuff I can fit into a twitter thread/didn't rly want to make into a thread. I'm not great at words so I apologize in advance, I am sure there are many people much better at analysis than I.

I want to start off by saying I am heavily invested in timebomb so this is very much going to be a ship analysis. If you're looking for someone unbiased i am very much not the person for that 😭

FIRST OFF:

The disc on the music box is adorable!!! It features au Powder (who I am going to refer to as just Powder for the duration of my analysis) and au Ekko

Compared to the normal Disc

This is very obviously because it takes place in a different universe, one without Vi or "Jinx".

The first scene starts off with AU Ekko writing in his notebook. (Cute mention is Powder's doodle in his notebook!!) Then we see flashes of the wild rune. This is when AU Ekko switches to canon Ekko.

Also one of my favorite silly images from this episode is this one.. Powder is being so adorable and Ekko is just scared out of his MIND. it's so silly.

In the Last drop, Powder asks Ekko. "What is up with you? You've been out of it all day?". One thing I noticed in my rewatch is that i think Powder is aware this Ekko isn't HER Ekko. This is just one instance of many that makes me think this.

This hideout seems so much more vibrant and loved, similar to Jinx's hideout after Isha. It's colorful. There are guard rails that I like to think was pushed by Vander. We can see Ekko's art scattered around. It just shows how much more support and family Powder has compared to Jinx, which i mention a lot.

Id also like to note Ekko being shocked au him went to powder for help. In his mind at this time he believes Jinx to be all that is left, no more Powder. Through out the episode we see that change.

Notice how Powder gets upset at Ekko in this scene. However, she doesn't react explosively like Jinx would've. She handled it in a way that shows she had support. She told him to leave instead. Again, the main difference between Powder and Jinx isn't only Vi but also the existence of multiple support systems that Jinx simply didn't have.

THIS FLASHBACK! Oh my god this flashback. The fact it happened after he upset Powder? I think it shows just how much he truly cares about Jinx/Powder. He remembers VIVIDLY the day that he thought he killed her. Jinx was his childhood best friend, and I don't think that kind of feeling ever truly goes away. He doesn't want to hurt any version of her, not even the alternate universe her. We see that showcased more later on. Also, random probably insane note. He is interrupted by small children playing, having fun. This isn't a coincidence, it shows he does miss the moments from when they were kids.

While talking with Heimerdinger, we see Ekko look at Powder multiple times. Watching her laugh and be expressive, he smiles. When she doesn't return it we see him get upset. Once more this brings me to my point that he doesn't want to hurt her. Considering he hasn't known this Powder very long you can see where I gather my point that he doesn't want to hurt her in GENERAL. Any version of her.

THIS SCENE!! He is such a bad liar it's adorable. This brings me to my earlier point, Powder knows what's up!! She suspects something 100%. He is talking about this dream her like it was real.

"You aren't the kind of person who helps other people with their projects. Your ideas change the world. I can't shake the feeling that that's who you're supposed to be."

Are you LISTENING TO THIS? He is obviously talking about Jinx. You can tell this by the first sentence because obviously Powder IS that kind of person. He's starting to see that Jinx is just a part of Powder, one that is unavoidable and that he unknowingly appreciates in a sense. Like two sides of one coin he can't see Powder without Jinx and that is good. I think it is here he realizes truly just how much he cares about Jinx.

This whole montage is beautiful but I want to zero in on two things. Powder's reaction to the notebook and how she looks at Ekko after. NOW THIS. This is the nail in the coffin for her. She knows that this is not her Ekko. She has fully gathered that he isn't from this universe.

Also heimerdinger totally knows how Ekko feels you cannot tell me otherwise. Pushing him to go to the party? yeah he knows what you are.

THIS WHOLE SCENE. I AM NOT ANALYZING THE WHOLE THING HERE BUT IT IS GORGEOUS. I saw someone talking about how it was animated on 4's to signify the way Ekko can only go back 4 seconds and I honestly shed a tear. THE SONG TOO? I encourage everyone to look at the lyrics because they're beautiful.

Okay now for my favorite part of this episode so much to dissect and i'm totally going to mansplain but yk..

"I used to dream the undercity could be like this" — That sets the tone for the whole conversation and just what world he is talking about. The canon one.

"But somewhere, I got consumed by all the ways it wasn't. I gave up on it. Gave up on YOU." — Heavy emphasis on this line. Once more he is talking about Jinx. He is talking about how he got so consumed by the way that Jinx wasn't good, and he gave up on her. Believed she was irredeemable. Powder showed him that Jinx is capable of love and happiness, it's just under that tough protective shell. The undercity in the metaphor is Jinx, from my interpretation.

"I promise i'll never forget this." — Now time for my insanity. He doesn't forget this. That's why he saves Jinx from ending her life in the first place. He remembers Powder and knows that with the right support Jinx doesn't have to be the way she is. It's not that she "needs to be fixed" she just needs to be LOVED, like Powder. He sees that now. He sees how in the au the love that everyone shares for one another shaped the undercity beautifully, and made everyone in it much healthier mentally despite going through hardships. That is beautiful. People with mental illness are not unlovable they just need more support, it can't be cured, or fixed just healed. Mental illness is always there it is how you DEAL with it that matters.

Nothing too major to talk about with the kiss. It's sweet I love it, but nothing too notable for me to say about it.

Finally, Ekko leaves the au. I have seen people say that this is a sacrifice, he could've had everything he wanted and he gave it up to save the people at home. But i take insanity to another level. I see this as him appreciating his home. He knows he can never truly love this Powder because she isn't the version he fell in love with. He learned to appreciate Jinx even through her flaws, and that while this world has everything he could want and more he can have that home too.

I am experiencing HEAVY timebomb brainrot if you can’t already tell. I was tired of people taking things in the complete wrong way with this episode, if anyone has different views pls tell me I love hearing how other people took certain scenes. there are a few scenes I love but I would’ve made this post way too long..

[rootspiral]

Agatha All Along deep dive: episode 4 extra entry

(Wandavision entries: [1][2][3])

(AAA entries: ep1 [1][2][3][4] ep2 [1][2][3][4] ep3 [1][2][3] ep4 [1][2][3][4][5][6][7][+1] ep5 [1])

WHAT DO YOU MEAN I'M STILL NOT DONE WITH EP. 4, TRULY A DEMONIC 30 MINUTES OF TV

but @onceuponalegendbg pointed out that I skpped the girls chatting around the fire and that is inexcusable. In my defense the video skipped on its own when I opened it but STILL there is no justification. Alice my love forgive me.

okay I love everyone's body language here. tag yourself which sapphic are you?

Jen in episode 2: "Like I care about that dusty, warty, snaggletoothed community." Her identity is so important to her! And the intersectionality between witchcraft and herbalism!

lilia is so impressed

and this is what I mean by support system - all the girls here are covenless, they had no one to help them through the hardest part of their life, no one who would listen, support, give advice. people simply NEED community.

alice is so small. I wish I was there to hug her

and more parallels between alice and agatha. not being able to save the people they loved made them angry. what does it say about a mother that she couldn't protect her own child? what does it say about a daughter, and a protection witch at that, that she couldn't save her mother? they had no agency, they were helpless in front of tragedy. and like agatha got mad at rio, alice got mad at lorna for ostensibly wasting time with songs and amulets instead of seeking help. anger became a defense mechanism, a way to find blame when there wasn't anyone to blame, to feel in control when there was nothing anyone could have done.

HER TEARY LITTLE FACE when lilia points out she's no longer angry, just sad. the way she whispers 'you're right'. sweet alice, you deserved the world.

I'll say this about ali ahn's performance, it's not flashy and it gets overlooked among all the powerhouses acting alongside her. but she's building something quiet and steady that really gets to you in the end, like a bittersweet weight on your stomach

lilia is being so so gentle with alice, encouraging her to sit with her pain while she's safe with people who love her. no, all the anger in the world won't bring lorna back, and it's okay that it's not okay.

jen is not as overtly emotional, but she has other love languages

lilia is ranting again and I love love love her for it.

and then there's this freak

no but really, even if rio's existence goes way beyond human experiences and she cannot exactly share like the others, she's just happy to be there, you know? genuinely glad to be included, interested and fascinated by what they all have to say

this is just patti's and aubrey's irl dynamic let's be real

thank you writers and costumes and aubrey for creating this delightful little weirdo just for me, as a treat

the first entry for episode 5 will be up later today!

go to episode 5 part 1

[strawberry-halla]

it will be interesting to see how if da5 does exist in the future, what the writers will do with this choice, if it is ever brought up. i doubt they’ll touch it at all since veilguard was essentially a send off for the original story, but in a perfect world i’d love to see this touched upon.

telana and ameridan were all but erased by history due to their identities as dalish elves. the chantry rewrote their story to fit their narrative.

would solavellan have the same fate for centuries to come? reduced to myth that nobody knows for certain was real? will there be a new religion spouted from this union? would it be twisted and rewritten by a crooked hand to suit a new narrative?

would there be accounts of supposed sightings of the dread wolf and the herald of andraste scattered across time? codices of a wise sage and his bride reaching out to assist those in need of their aid?

god the potential this narrative!!! they could go insanely hard with this by even giving us crumbs and letting us fill in the blanks. i love it!!

on solavellan becoming andraste and the maker, and applying the concept of mantling to dragon age

for the uninitiated, mantling is a concept from the elder scrolls series that refers to the process of a mortal becoming a god by becoming so much like them that they become indistinguishable, and thus, the same. its synonymous with the use of the term "apotheosis" within the same universe, but also distinct, because it specifically involves "re-enacting the Mythic patterns established by the [Gods] until their power is surrendered to the mantler. In the process, the mortal and the deity become metaphysically synonymous with one another, allowing the mortal to claim the office and sphere of the mantled diety for themselves, reshaping them in the process." (x)

sound familiar?

but first, there are several examples of how this works narratively in the elder scrolls universe. one of the best is probably the mantling of sheogorath by the player character in the shivering isles DLC of the elder scrolls IV: oblivion.

at the climax of the DLC, the god of madness, sheogorath, for whom you've been doing quests for for quite a while now, basically reveals that he molded you into someone who could take his place as the Mad God, as his time is running out due to a long running divine cycle of order vs. chaos called the greymarch. its all very mythological and confusing and not really relevant to this but im including these quotes from re-watching the quest (x) to refresh my own memory and give you an idea of the general vibe:

the realm is crumbling, the cycle of destruction is imminent, and its god bemoans the loss of the world he loves but cannot stop his own demise. the only way to save it is if someone else becomes him - takes the throne, assumes his office, sacrifices their individuality and mortal desires for what the realm needs and mantle it's god...... this is literally solas mantling the maker like cmon!! and if i was in charge at bioware you can bet your ass that rook would've been mantling the dread wolf as thedas' new trickster god as solas took on a different godly role considering how he literally molds rook in his image and TELLS THEM THAT.......... but thats an essay for another day.

the player character of oblivion begins as sheogorath's champion and eventually becomes him, lavellan begins as andraste's herald and eventually becomes her as she walks her path, culminating in her decision to join the maker in the golden city for eternity, effectively uniting their mythology so that they become indistinguishable.

the player character of morrowind also goes through a similar process that the inquisitor does, as a prophesied savior navigating the role that has been thrust upon them. in the elder scrolls III morrowind, the story revolves around you being the prophesised "nerevarine", the second coming of the hero, indoril nerevar, who will cast down the false gods and expel the empire from their homeland. in reality, the game makes it very clear very quickly that no one has any fucking clue if you are actually the nerevarine, but the empire is going to MAKE you into the nerevarine by making you "walk the path" laid out in the prophecy. and thats what the entire main quest is; you re-enacting the prophecy to literally become the prophet that the world needs. the game never answers whether or not you actually were the nerevarine, but at some point, the distinction ceases to matter. you've become them.

you can see how similar this is to an inquisitor walking the path of andraste, to solas being forced to walk the path of the dread wolf and later the maker. whether or not they are one and the same is irrelevant, when you become mythologically indistinguishable, when you become what the world needs you to become, who you were ceases to matter.

in my original post about this i mentioned CHIM as well and CHIM is a very unruly, not even fully canon concept within the elder scrolls. so i dont really want to delve super deep into it because its fucking insane for one but also because it doesn't fit quite as well as the framework of mantling does, but there are a few things said about CHIM in elder scrolls that just feel soooooooo similar to what we see in dragon age that i want to share them because i truly think there is a thread of inspiration to be followed here.

CHIM is basically enlightenment in the elder scrolls universe where someone within the games reaches a state of divine lucidity. its been compared to lucid dreaming by one of the tes devs, or "divine hypnagogia", and the final state beyond CHIM, called Amaranth, allows a character to realize they exist in a video game. LMAO. so when i say solas and lavellan achieve something akin to CHIM i do not mean it literally, i do not think they are breaking the fourth wall and realizing they exist in a video game, nor would i want that. i would actually hate that as a writing decision. but whats interesting is the language that is sometimes used to talk about CHIM, and the way solas and lavellan's ending involves them reaching a sort of peace and acceptance about their place in the world as mythological figures instead of individuals.

i wrote this in response to an ask once and i've reposted it several times and i'm doing it again now because honestly it was the best way to articulate this and i dont think i can recreate it LMAO; "solas and lavellan are at once both finally free of the burdens of the myths and expectations that follow them as the dread wolf and the herald of andraste because they have left the mortal world that forced them into those roles and stripped them of their personhood, but they have also completely submitted themselves to those roles by submitting to the logical conclusion of the myths that they could not escape. for the dread wolf, it is earning his redemption through his willing submission to his own trap. its the logical, full-circle mythological conclusion to the trickster who trapped the gods, now trapped for eternity himself. for the inquisitor, it is andraste's herald finally sharing andraste's fate, choosing to leave the mortal world behind to ascend to the golden city alongside the god that she loves. both (presumably, for a lavellan) have tried to reject the myths attached to them over and over and over, but in the end they choose them willingly, and that choice at once binds them to those myths forever while simultaneously freeing them from the burden of them. its giving oedipal greek tragedy of attempting to outrun your fate and it finding you anyway, just when you thought you were finally making your own choice, but with a hopeful and bittersweet spin."

this is what i mean when i say they have achieved CHIM, as "a state of being which allows for escape from all known laws and limitations" (x) the laws and limitations from which they have escaped are not the confines of a video game, but rather the confines of the mortal roles that they were both thrust into against their wills and stole everything from them, as the herald of andraste and the dread wolf. for solas, i think you can even extend this to him being able to escape the literal physical confines of the body he did not want by returning to 'heaven' (the fade), a place of mutability and possibility, without the laws and limitations of the physical world. for lavellan, we see her make a choice to pursue her own happy ending, regardless of what the world needs (though there is an argument for this being the best decision for the world considering how it will help solas heal the blight, but i think the implication is that she's doing it for herself) after losing her agency, individuality, life and freedom to the role of the inquisitor. as ameridan says, "take moments of happiness where you can. the world will take the rest." and she does. she ascends past the bounds of the physical world, the title of inquisitor, the world that took so much from her, and finds her happiness in transcending those limitations and literally fucking off to heaven. its so great.

so when i refer to lavellan as andraste or solas as the maker, it is in this context that i mean it. i dont actually think lavellan is literally andraste reborn or something, or that solas was literally the maker. i think the maker was probably slightly inspired by solas's deeds like the creation of the veil and black city, but theres plenty in the chant of light that also does not fit him or the two of them at all. dragon age has very intentionally not disproved or proved the existence of the maker, and i think that is a good choice and its far more interesting that way. solas is already responsible for like half of the problems in thedas, connecting EVERYTHING back to him is a bit lazy in my opinion. i think the idea that the concept of a creator borne out of a bunch of different myths across time is far more compelling. so i dont think they are 1:1 the same or a reincarnation or anything, and thats why the concept of mantling works so well in this context.

solas is not the maker, but he has functionally become the maker by walking the narrative path of his own story. lavellan is not andraste, but she has functionally become andraste through walking the path of her own story. its about a sort of narrative and mythological apotheosis, where the world sees you one way to the point that you become that way. it works perfectly in the context of dragon age's focus on storytelling, propaganda, and how belief creates reality.

these two are bound to a sort of narrative inevitability in a way that most dragon age characters are not (except perhaps morrigan. honorable mentions to hawke, varric and alistair) but i think its a large part of why they are so compelling. they are inseparable from their own stories. they are bound by this sort of narrative destiny to serve both the overarching story of the dragon age games, but also the mythological stories within thedas in a way thats almost in contrast to the medium of a video game based on player choice- but i think its intentional, and i also think this sort of narrative destiny functioning as its own trap or prison is part of the reason their story is the strongest part of veilguard. from an essay on fatalism, something that solas himself ascribes to by his own admission "Destiny is not so much a necessary outcome as it is an outcome that is necessary given some larger sense of purpose” (x).

in conclusion: ✓ re-enacting the mythic patterns of andraste and the maker's story via their roles in the world and their decisions, such as leading the armies of the faithful as andraste's did, or shaping the world the way it exists presently and creating the veil and the black city as the maker did ✓ become metaphysically synonymous, via becoming virtually indistinguishable in terms of their role in the world ✓ take their office - by finally reuniting within the black city ✓ reshape it for themselves - by healing the blight and making it golden

:D

[atrophiedemotion]

escapism vs reality in alien stage

in this post (elaborated greatly by geo's tags as well) i mentioned a big sua/till parallel i noticed (but didn't go into much detail because i didn't want to derail the post lol), and i wanted to go into more detail on that and the overall reality vs fantasy theme alnst has going.

sua & till both use their love for mizi as a form of escapism. sua's love for mizi and the weight of her knowledge of their universe causes her to create a safe (fake) bubble for her and mizi to exist in & makes it as perfect as it can be before they're out of time. till uses his love & admiration for mizi as a beacon of hope, as motivation to go on despite how horribly he's treated in day to day life. mizi is the brightness in both of their dull lives.

this view of mizi as a hopeful, optimistic sort-of deity sheds light onto an entire theme of alien stage, escapism vs reality. it also shows that mizi & ivan, in this specific instance, are antitheses of each other.

mizi, as a character, symbolizes hope and escapism. she is the only character out of the main four that didn't understand the exact conditions of their world due to how she was raised. she does not fully grasp how horrifying the alnst universe is until she watches sua die, which is the inciting incident for the entire series. escapism isn't possible anymore, but hope is still there when she gets rescued by hyuna and joins the rebellion.

ivan, on the other hand, literally symbolizes truth and the reality of their world. since he was born he understood the cruelty the segyein are capable of and knows exactly where he stands in the world. he is seen to be fatalistic and even nihilistic. his death, which he sees as an inevitability, is the second inciting incident (the one where everything goes to shit chaos afterward). it is a brutal reminder of the truth of alien stage to both the characters and the audience.

sua & till actively seek out mizi as solace in their pain, and they both actively avoid ivan (in their own ways) and the connections he has to reality.

sua avoids ivan because, well, he's mean to her, but mostly because he's not even trying to be mean, he's just objectively right and she doesn't want to hear it. he is a reminder not only of the cruel world they live in but her own 'twistedness'. he reminds her that she is not solely the fantasy she's created with mizi, but someone with unavoidable knowledge of the inevitable (as well as someone who is willfully keeping this information from an unknowing mizi).

till avoids confronting his feelings for ivan and confronting ivan in general because ivan confuses him. his feelings for ivan aren't cut and dry in the way his feelings for mizi are, because ivan is and always will be tied to pain and suffering for till (their first meeting in the auction shop, their miscommunication/strange relationship, the fact that ivan is the only one who sees him at his most vulnerable, etc). ivan's death forces him to confront these feelings (for ivan & about their world in general) but even then he's repressing them until he physically can't anymore.

mizi is escapism & hope, literally realized because she escapes. ivan is reality & a representation of the fate of alnst contestants, literally realized through his death.

it doesn't end there, though. sua & till are escapists running from reality (with diverging paths that are both narratively important in their own ways), while mizi represents escapism & ivan represents reality. along similar lines, but going a step further, hyuna & luka showcase these exact themes.

hyuna is the legitimate showcase of hope, of freedom. she is a free human (as free as you can get in the alnst universe) and the leader of a human rebellion focused on uprising as a race against the segyein.

luka is the perfect example of compliance within reality. he is now a two time alien stage champion and the definition of a pet, no matter how he actually feels.

hyuna & luka are similar to, but a step beyond, mizi & ivan. mizi symbolizes escapism, but she is faced with reality and must grapple it, while hyuna is freedom personified (albeit with demons of her own). ivan symbolizes reality, but he still yearns for something he thinks he'll never have, while luka completely shuts off those emotions because he knows they will only jeopardize his chances of survival.

the characters of alien stage perfectly embody one of the core themes of alien stage, the discrepancy between fantasy and truth, and the way those can coincide in a world.

[lieslab]

Broken hearts club

꘎♡━━━━━♡꘎ ꘎♡━━━━━♡꘎

Pairing: Bang Chan X gn reader

Summary: Unexpectedly, you find yourself face-to-face with the leader of a gang, but you'd never imagine how your relationship would end.

Genre: Angst with no happy ending

Word Count: 3.8K

Trigger warning: Mentions of homelessness and insecurities/struggles surrounding it, fear of love, gun violence, casual crime, and murder.

A/N: I'm going to tell you now that if you struggle with feeling unlovable, you might want to skip this one. I have big feelings and this was like an hour long vent write for me. Please remember that it's fiction and this Chan does not exist (thank fuck)

_ _ _

It was like the home you never had. Two years ago, Bang Chan found you filthy and half-dazed in an alleyway. You were just trying to survive on the streets. Life isn’t kind to the homeless. When your dignity is stripped as you dive into dumpsters for food, you start to feel less like a human and more like a testing specimen. 

The world kept spinning, families enjoyed their time indoors, but not you. You were left out in the cold like an abandoned dog. Without a house, without a home, without a family, and without love. The world conspired against you, it always had, and you were certain it’d be this way until the end of time. 

Your clothes hadn’t been washed in days. You were one quarter short from being able to wash your clothes at the laundromat. You had enough to dry them, but washing them cost a whole quarter more; just another cruel way that the world laughed at you. The stench that radiated off you was a mixture between sour milk and sweaty socks. 

You used to have an extra pair of socks to warm your hands. They were stolen by another homeless person when your back was turned. You thought the two of you were friends, but you forgot that when people are where you are, it’s survival of the fittest. Not everyone is genuine when you hit rock bottom. Humans will do what they can to survive. 

You pulled the socks from your feet and used them to warm your hands. They hadn’t been washed and they were soaked in your old sweat and skin cells, but desperate times called for desperate measures. When you kicked off your shoes for a moment of rest, the scent of decay filled the air. 

On that night, your body was burning up at the slightest touch. The Texas heat had nothing compared to what your body was going through. The weather was chillier, your cheeks were red from bitter winds, your nose was frozen to the touch, but your body was on fire. 

A fever engulfed you and there was nothing you could do besides ride it out. Pharmacies didn’t care if you were homeless. Corporate greed had no compassion for the starving and the crippled. If you couldn’t afford to wash your clothes, you certainly couldn’t afford a bottle of cheap over-the-counter medicine. 

You didn’t mean to stumble into Chan that night. You were certain you were going to die. Actually, you craved the sweet release of death. Without deodorant, you could smell yourself. Your hair had been saturated with grease for two days. 

Every part of you felt filthy and worn. You felt disgusting and awful. You knew you needed to shower, but you were so delirious, you couldn’t even distinguish left from right. The gym was on the opposite side of town, your head was heavy, and your legs were on fire. Trying to make it would be a certain death wish. So, you stumbled forward instead. 

Chan was supposed to be keeping an eye out for some guy he had been watching. His gang was well-known around town. They ran the streets and were on top of everything. Cops stayed silent about their crimes. Chan’s group was a bunch of vigilantes, they played both sides. 

As long as the cops could run traffic stops and do the most of their jobs without concern, Chan and his heathens were let off the hook. All it took was one call and they’d be off into the dead of night again; disappearing into the sound of faint sirens, barking dogs, and the orange warmth beneath streetlights. 

You didn’t have a choice when you stumbled into Chan. It was merely an accident, but his reflexes were fast. His gun swung and before you knew it, you were pistol whipped. The cold metal felt glorious for a moment and then you free fell. Unforgiving concrete, blurred vision, and the incriminating stare of a stranger above. God’s abandonment tasted like salted sweat and iron. 

Blood oozed from the gash in your forehead. Chan didn’t have time to ask your name or gather any identifying details. Your eyes rolled back into your head and that was that. Sounds stopped, the earth kept spinning, and your soul was silenced. 

You expected the devil to greet you when you woke up, instead you were met by a man wearing a pleather jacket. Black eyeliner rimmed beneath his eyes and an eyebrow piercing sat above his left eyebrow. A stern gaze, messy black hair, and a death sentence. 

You were sure this was the grim reaper. He looked like heaven and hell combined. Along his cheek, a scar had healed, but the spot where stitches stretched skin together hadn’t. If you narrowed your eyes, you could still make out the exact spot where each stitch stretched honey-soaked skin together. 

Your fear tapered out the moment he handed a water bottle in your direction. The plastic sides dripped with condensation. It cooled your overheating body the moment you took it. Maybe this wasn’t your enemy, but your long-lost savior instead. 

He was too serious. Too serious all the time and you hated him for it. You grew to love him and his seven other goons. He was good at what he did. Always directing, always pushing and pulling, always carrying the gang. Dealing with enemy antics while fighting the stupidity and occasional incognitiveness forged in his own group. 

They weren’t perfect, they had their issues, but they had Chan. They had a leader and a fighter. A whirlwind of chaos, power, and strict determination. They had a lot of things as a group, but they didn’t have you. You fit right in once your fever broke. 

Your quick banter, sarcasm, and wit gave them a reality check. Even the best witted ones were out-smarted by you. After a shower, some new clothes, and a full meal, you felt like a person again. Chan and his crew became your family, but families don’t always stay together. 

~ ~ 

“What the hell is this?” A manila folder flung your way. It landed on the table in front of you with a harsh thud. You had been studying the layout of a mansion for the next mission when you felt the first fissure. 

Chan’s words pulled you from your planning and you glanced up at him. “What is this?” You pushed open the folder to find a thick stack of papers. 

“That’s what I want you to tell me.” 

You didn’t like the accusatory tone in his voice. Laced with venom, he was a copperhead waiting to strike. Every hair on the back of your neck stood up. Something was wrong, but you couldn’t place it just yet. 

Paper after paper you flipped through. Photocopies of text messages, emails from your email address, and photos of security camera footage of you with different people. They weren't just anyone, they were rival gang members. Rival gang members were strictly off limits. Any act of breaching Chan’s gang’s trust was an act of treason. If you wanted to sign your own death sentence, it was the perfect way to go. 

“I’m only going to ask you one more time.” His arms folded across his chest. “What the hell are these?” 

“Photocopies and security camera footage.” 

His nostrils flared and his eyes rolled. He stepped forward and tipped over you. The scent of some unknown spicy cologne with hints of vanilla and amber hit you. His hand smacked the wooden table, beneath it was a photo of you in a hoodie. A rival member stood across the way staring at you. He was identified by the obvious dark tattoo on his forearm. 

“You know there’s a rat.” 

Of course, you did. Someone had been leaking plans to someone. Information oozed out and missions were compromised. Compromised missions meant distrust and disorganization. How easy it was for a gang to slip up and have a member go missing, get injured, or be killed. 

It hurt like hell, his words, the way he said them with no mercy. That fever of yours was two years ago. Two years of learning his ways and what made him tick. The way he touched his ear when nervous. The constant bouncing of his leg as he spoke about new missions; the proof that he was eager to get started. You swore you knew everything about him, but he couldn’t say the same about you. 

He hesitated bringing you in. His gang was perfect, but he remembered how cruel the world could be. He saw the defeat in your eyes. The way you strolled along the side of abandoned factories and drug yourself along, trying to get just another step. He pitied you back then and clearly, it was all just a stupid mistake. 

“I know what this looks like, but I swear to God, this isn’t what it seems. This-” You picked up a photo of you and a different rival gang member. “This isn’t me. I mean, it is, but it’s not. You really think I’d rat you out?” 

“Well, it’s someone!” He snapped angrily. “It’s someone and look at this shit!” His arms waved in distress. “It’s clearly you!” 

“They have to be fake. I’d know if I was a rat. Listen,” you pushed yourself from the stool you sat upon, “I’ll prove it. These emails and texts, they can be disproven. Stay here and I’ll be right back.” 

You rushed out of the room before he could stop you. You had holed yourself in the small study. You always did that when you were studying for a mission. It was quiet and you liked to sink into that oversized leather chair beneath the books. 

The scent of weathered paper and worn leather. You sat there so much, the leather creased from where it had been worn. The secrets of the shelves watched over you. The lamp on the window beside you had been thrifted before you were a member. Despite that, you were the one who always used it the most. 

You came back with your laptop and your phone. You placed them on the oak desk and unlocked them. Your hands gestured to the objects. “Go ahead and look at them, you won’t find anything.” 

He stared at you, but you were adamant. “Come on,” you waved him closer. “Go ahead and look.” 

With a sigh, he dropped himself on the stool you had been sitting on. Blueprints were meticulous and you liked to keep your stuff straight. When you weren’t in that leather chair, you were on this stool studying things out and trying to make puzzle pieces fit together. 

Tension kept brewing and your stomach churned. You weren’t the rat, you knew that, but Chan didn’t. You’d never have it in you to turn your back on this group. This was the family you never had. The love you always craved, it had been found here. Within the past two years, you felt enough love to last a lifetime. 

You flipped through the papers. The text messages were fake and someone was good at impersonating you. From the text messages to the emojis, it was all spot on. The more you dove into the photos, the more you doubted yourself. There weren't any mistakes anywhere. Even the photos of you with rival members were photoshopped together seamlessly. Whoever did this, they were good. Better than good, they were damn great. 

The sound of your laptop shutting pulled your head up. Your eyes met Chan’s with desperation, but his dark eyes gave away nothing. He still looked the way he did two years ago, so broadening and mysterious. 

The only difference? You now knew the man behind the persona. You knew how he loved without him saying it. It was the way he passed food to you first and let you eat before him. It was hidden in the reminders he gave the members to buckle their seatbelts. It was found in the way he reassuringly checked for fevers, when members were sick, by gently using the back of his hand; the same exact way he checked yours two years ago. 

“Did you forget that text messages and emails can easily be erased?” 

“But why would I rat you out? The group? Why would I go against everything I love?” 

He scoffed and shook his head. You stepped closer to him. “Please, you have to believe me! Chan, I don’t even know these people!” 

“How did they get your email?” 

“I-I-” You stuttered trying to find the words. “I don’t know!” 

“Because you’re the rat. You gave out your email and yo-” 

“Stop saying that! I know how bad this looks, okay? I understand it!” You desperately flipped through the papers trying to find one small mistake to prove your innocence. “You have to believe that this isn’t me. Please, Chan, please.” 

“How am I supposed to do that?” 

“Because you trust me.” 

“I used to trust you.”

It was so much worse than the betrayal of the homeless lady you befriended. You asked her to watch your stuff and she took off with your socks. You had been working up a friendship for two weeks and you disappeared into a store to use the restroom. When you came back she was gone. 

You only knew her for two weeks, but how different two weeks was from two years. Two years of building up your own grit and determination. Building up a foundation of a body, fighting for the muscle you lost when starving on the streets, gaining back your dignity when the world ripped it away. 

“Don’t say that,” your voice cracked. You blinked rapidly, trying to hold back your tears. “You do, you trust me. You trust me because I’m one of your members.” 

His gaze went back to the papers strewn along the desk behind you. He’d never show you how he truly felt. Deep down, he was devastated. He wanted to scream and grip you. He wanted to tug you into his grasp. He wanted to show you the love and admiration that he had neglected giving you these past two years, but instead he stood still, the evidence was too damning. 

“Prove to me you’re innocent,” he finally uttered. His heart fluttered with hope. A silent prayer was recounted from years ago. The memories of pews and biblical artifacts were dusty, but it was there. A basic prayer from Sunday School, one that was easy enough to remember, a five year old could quote it. 

“I don’t know how. I-I showed you my electronics, those are the only ones I own. I don’t know what more you could possibly want from me. You can search my room. You can do anything, just please, please, please believe me.” 

You didn’t want to admit it, but this was no longer a matter of Chan’s integrity and the gang’s security. This was a matter of life and death. You were no longer fighting for your innocence, you were fighting sudden death. 

He made the rules so crystal clear two years ago. A major fuck up and you were gone. Something so quick and easy, a bullet to the forehead. Brains pulverized, neurons ripped apart, the soul slipped away so easily. A single gunshot stood between traitors; a one way ticket from this life into the next. 

“Prove it,” he tried again. He wanted you to beg. To get down on your knees and weep. To repent for your sins and admit it all. He would find a way to forgive you, no matter how much the truth hurt, but you didn’t. 

You couldn’t. How could you? How could you possibly explain that none of this was real? The screenshots, the security footage, someone clearly wanted you gone. You didn’t understand why Chan believed it so easily, maybe he was the one who wanted you gone. Why wasn’t he fighting for you?

“Chan?” You finally whispered. The reality of your situation was settling in. He never responded, but you spoke anyway. “Can you just…can you tell the guys that I love them?” 

Betrayal clamped down. It was a confession in his eyes. The sting of a bee, the teeth of a cobra, a shot of gin mixed with rejection. After everything you had been through with the gang, he didn’t expect it to feel like this. 

Those eyes used to hold warmth now and then. In the sunlight, they lit up like pools of chocolate. You saw those eyes at bonfires during the summer. It was the oozing chocolate between roasted marshmallows and graham crackers. You saw them in the dirt smeared along your jeans after you ducked, dived, and dodged your way through each dangerous mission. 

It was a rarity, but it was special, your own personal Halley’s Comet. It was replaced with resentment and bitterness now. An anger had been uncapped and no matter what you professed and claimed, it couldn’t stop it. 

“That’s all you have to say after everything we’ve been through?” His hand reached back behind his back. You knew what was coming. “You wanna die? I’ll fucking kill you myself!” 

That black pistol was always loaded. His reflexes had been quick since you knew him. It was the same pistol that knocked you out two years back. You never had a chance to dive then and you never had a chance now. 

“Fuck you and fuck your love! You’re nothing, but a liar and a goddamn traitor and yet, you want me to lie to them? To tell them you loved them after you put them in danger? You put us all in danger!” 

“I-” You couldn’t get the words out. They lodged in your throat and you didn’t know how to force them out. You didn’t want it to end up like this.

“Fuck you, your love, and everything about you! Die knowing that no one will ever fucking love you and you’re dead to me.” 

Bang! 

The memories of the past two years flashed before your eyes. The fear building up in your gut on each harrowing mission you went on. The board games you played around the dining room table. They used to end with someone getting mad and throwing the board. You all collapsed in a heap of laughter at the pettiest members. It changed every time. 

You used to find comfort within Chan. Every time you struggled, you’d find him and explain your problems. He wouldn’t offer hugs or sympathy, but he leant a listening ear. He wouldn’t pity you, he’d just listen. Sometimes you never wanted advice, you just wanted proof that you weren’t alone, a gentle and familiar reminder that you were loved. 

Your body fell through the air and your brain stopped, but not in the way you wanted it to. Chan’s back turned to you, you didn’t realize it, you couldn’t. Not when you were like this. 

The carpet was as hard and unforgiving as the pavement was two years ago. Warmth soaked your chest and you could still see. You tried to breathe, but there was no air left to take. In his fit of anger, Chan didn’t shoot you in the head, but he hit your heart instead. 

The bullet lined directly with the center of your heart and his bullets never missed their target. One more cruel reminder from the world that you were unlovable. People didn’t throw pity when you were surviving on the street, instead, it was accusing glares, as if you were nothing, but a pesky vermin. 

It was your biggest insecurity, feeling unloved. How could you after everything that happened in your life? No family and no friends. The only family you had was this gang and now it was all unraveling and slipping through your fingers. It was falling apart and it left you bleeding on the floor. 

A gasp mixed with a squeak. Chan’s eyes squeezed shut. His fingers were still wrapped around the gun. He didn’t dare turn around to face you and admit what he did. He couldn’t. Deep down, he loved you. You flickered a spark that he thought died out years ago.

He was never one for being a coward, but something changed. You startled him and woke up something that was supposed to lay dead. The feelings for you weren’t supposed to wither and squirm this much. Rat or not, maybe it was just easier to accuse you of something and kill you before a flicker grew into a roaring flame. 

Letting you in was a mistake. Building up a friendship, striking up feelings of something more, it was a pile of kindle that was always meant to burn. He’d always be a monster and you were just a person. Too innocent, too vulnerable, too sweet for someone with his past. 

Your vision clouded as a tear slipped down your cheek. The person you loved most put you here, but you still couldn’t hate him. In fact, maybe you were grateful deep down. You were a bird with a broken wing and never meant to fly. It was better that an animal got to you rather than wither and rot away in the elements. 

The door to the study burst opened. One of the guys rushed inside. You heard him speak, but you couldn’t distinguish who it was. Blood was seeping out so quick and you were growing weaker. 

“What the hell did you do?” 

“What the fuck?” 

“Someone help them!” 

Footsteps rushed towards you. Warm hands touched your chest, but it was too late. Your limbs were weak. They never got to see the last bits of light fade from your eyes. They fluttered shut just before the door burst open. 

“Wake up! Just wake up! Please” 

“Call the doctor!” 

“What did you do? What did you do? What did you do?” 

Someone sobbed. Salted tears mixed with the blood on your shirt. Desperate fingers pushed down to stop the bleeding, but it’d never be enough. Love surrounded you, but you didn’t get to see it for the last time, before your heart stopped. 

Across the way, Chan’s bottom lip quivered. He dropped the gun and it landed with a clatter. Despite the sob that fell from the leader’s chest, they couldn’t find it within themselves to approach him. He collapsed in defeat and curled his hands around his head. The one person he truly loved and cherished, he took them out himself. Your blood on his hands would never be washed away. He thought it’d be easy to take you out, but now, his members would never look at him the same way. 

Eight hearts around the room beating and the final one still bleeding.

| ♡.﹀﹀﹀﹀.♡ | ♡.﹀﹀﹀﹀.♡ | ♡.﹀﹀﹀﹀.♡ |

Taglist: @lina-linny @straykidsstanforeverandever @seungnishi @stellasays45

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[aryesdanger24]

I'm done with comparisons here.

I need everyone to understand right here and right now.

Everyone had a good ending that befitted their character arc!

Spoilers below for the ending of Season 2 of Arcane, be advised.

We can be mad about Jayvik dying and not getting an absolute confirmation (though some may argue it is pretty clear) .

Some can be mad that there wasn't enough verbally said to add that romantic nature to CaitVi (once again, some may believe they have done more than enough)

IT ISNT A CONTEST!

I personally we are fortunate to have an ending that truly feels complete in some way. It was a good ending overall for everyone expectation wise.

Most of the time we get a physical show of love to confirm anything gay whereas lesbians often say some soft confirmation of love to be 'official' but this gave what media needed.

Lesbians showing a very physical and verbal show of their love while men are having their soft confirmation through verbalizing their love.

It's wonderful, even if you are unsatisfied by the ending for your ship (if you have one) that's why we have fanfiction, to explore what could have been.

You got a problem with the finale, write a what-if spinoff or write how it should have ended or what happened after the official ending.

Stop comparing Jayvik, CaitVi, and Time bomb. It's a waste of your time when you could be writing what you wished would happen in fanfic.

Be happy that the ending is something you can work with, be happy the possibility exists with a solid world built to utilize.

Heck, don't like the world? Build an AU (alternate universe) for them! Make them coffee shop owners, have them be military personnel, make them crazy European tourists!

Do something constructive and add to your Fandom instead of tearing down someone else's.

Getting mad at someone else's ship or flaunting about your own having a better ending is a waste of time and just literally detrimental to the show itself. Respect Arcane and what it was able to accomplish without push back, it is able to walk firmly because previous shows and their small steps.

So, in short, behave yourself. This may be the internet but your words stay forever. Don't try to bolster the status of your ship by pulling down someone else's.

If you feel called out by this, evaluate your recent behavior.

If you feel offended by this, really think about why you feel this way, because it probably isn't because of my language.

Yes yes, I know comparing shows is how we understand and make progress, but I am specifically talking about unhelpful dissertations or memes that specify a ship.

It's fine to write a logical explanation of why you prefer a different ship. It's absolutely fine to explain how something could have been better or evaluate the show and what it has done and could do better.

What's not fine is bashing it because your ship didn't have what you deem a good ending.

Not all people have good endings, not all characters will achieve their good ending despite how good they may be. That's simply the truth of reality and sometimes an author wants their story to mirror their idea of truth.

Respect the show and the work people put in it, and respect that someone else's joy does not deserve your anger just out spite.

[sunatsubu]

Jayvik and time paradoxes

I can't stop thinking about Jayce/Viktor. They're driving me insane, absolutely INSANE. Because everything about them is a time paradox??

This is pretty rambly, I'm just trying to get my thoughts down in my attempt to stop going crazy over them and also just figure out what the heck happened because I'm still kind of confused about some stuff, also I am not very familiar with game lore, mainly just the show.

They circle each other and are so intrinsically linked in so many ways, being both cause and effect to each other's fates. Starting at a random point that ends up circling all the way back:

Jayce and Viktor invent Hextech

Jayce gets drawn into politics as a result, away from Viktor

Viktor gets desperate, experiments with hextech on himself, with Consequences (Sky)

Viktor asks Jayce to destroy hextech

Jayce, unable to let Viktor die after Jinx's attack, fuses him with it instead

This leads to Machine Herald viktor, but not quite; like Pre-herald I guess? Where Viktor still retains some humanity

Jayce gets told by alternate Viktor to stop him from becoming the Herald

In his attempt to do so, he kind of causes/hastens it instead?! (more thoughts on this below*)

alternate Herald Viktor regrets everything and saves baby Jayce/gives him the runestone**

Jayce grows up wanting to research magic thanks to mage Viktor, and cue s1 events that end up circling back to the first point**

*I can't stop thinking about how kind and gentle Viktor seemed when he was trying to help Vander. It really seemed like he was on a path to using his new powers for good, without any sinister effects (though maybe I missed some hints, need to rewatch). It wasn't until after Jayce blew his heart to smithereens that he seemed to start on that path of deeming emotions and humanity unnecessary, solidified when Jayce rejected him to join him as partners again.

**Still trying to wrap my brain around these last two. The existence of alternate Herald Viktor that brings our Jayce to his destroyed world in order to ask him to stop our Viktor - does this imply that Viktor would have still become Machine Herald even if Jayce hadn't tried to kill him? Was it an inevitable thing? Or is this still more time paradox shenanigans, where Viktor asking Jayce to stop/kill his younger self, is both the cause and effect of Herald Viktor? And yet another paradox, Viktor inspired baby Jayce to research magic and ultimately invent Hextech, which is what was needed for Machine Herald Viktor to come to pass. So it seems like there are actually 2 paradoxes related to the creation of Herald Viktor/apocalypse post Viktor's revolution.

These time paradoxes defining their existences makes me think they weren't supposed to exist. Or at least, the ways they so significantly affected the world, weren't supposed to come to pass; Hextech, Viktor's Revolution, apocalypse. So while their ending breaks my heart into a million pieces, it makes a lot of sense. In order to cancel out what they'd do to the world (or just Piltover? this is another point I'm curious about, did viktor's revolution affect ALL of humanity?), they had to erase themselves from existence. It's so. romantic and tragic, but not really on both those counts? Like somehow deeper, too deep, to put such simple labels on. Honestly I don't even really know how to describe what their story makes me feel.

Bit of a tangent, but one interesting anomaly is the alt timeline Ekko was in. So Jinx would always be an important factor in Jayvik's fates since her attack almost killing Victor is the catalyst for a lot of things. Mage Victor says Jayce is the one thing across all timelines that could stop him, implying there are MANY timelines where Herald Viktor comes to be. Which thus means in all those timelines, Jinx is the unstable mess we know and love, the one who would attack the council. So that makes it interesting (and kinda gutting because its like Jinx is destined to suffer in most timelines) that Ekko's alt timeline was most likely rare in its stability, where despite Vi being gone, Powder is relatively happy and the world (Piltover/Zaun) is quite peaceful.

This is a seemingly random segueway, but Jayvik very strongly reminded me of the german show Dark. (WARNING FOLLOWING IS MAJOR SPOILER FOR THAT SHOW)

A completely different genre and story, but both are about two people whose destinies are so linked together throughout time and alternate universes, but weren't supposed to exist. And they could only save the world, allow it to go on untouched from the devastating effects they would have on it, by taking themselves out of the equation.