#but this one feels specific but also vague enough to be a starting point

[legally-allowed-to-slime]

Can’t even lie man I’ve been offline all day and i immediately went to your blog to read your takes on the session and Pearl n gem n co. after watching some wild life. Thanks for having the best takes lol

genuinely, it’s an honour. crazy to me that anyone would come to this blog for good takes, they never make any sense and i’m always suspiciously resentful towards c!scott. i’ll take this opportunity to lay out my gempearl thoughts as well

first of all, it drives me insane the way pearl usually goes along with whatever scott and cleo says, but the only thing she consistently, and has repeatedly, contradicted them on is that she’s been antagonising gem. in fact at the start of the session scott poked her about it again and she laid out a short monologue to assert that his claims were invalid. funnily enough she goes back on this a few seconds later saying that “i’ll make her have a reason to hold that grudge” which honestly is not helping her case. however if gem can make vague threats about impulse i don’t see why pearl can’t do the same. women’s wrongs and all that.

and then after that scott tells impulse and pearl to apologise to gem and joel. again, it’s a bit odd to me how they keep harping on this bit, but every time they do, all they do is scold impulse for rightfully constantly accusing gem over the cows, and then impulse apologises, yet pearl is still implicated (for NOTHING). pearl did protest this point earlier that she was “just existing”, scott counters that “i don’t know what you’ve done but you’ve annoyed her”, so “keep your distance”.

and to think that the argument only happened because scott made a throwaway comment about a “request” he had for pearl if she wanted a life from him. i feel like he meant it as a funny aside and expected pearl to just shut up and take it, but pearl never shuts up and takes it so that’s the problem there.

also, on secret life: pearl argues that she was right to ally with scar, which like, okay, fair enough, but scott says that “it takes time” and that “look we’re together” i’m not sure why he’s under the perception that GGG is in anyway functional or healthy considering he himself is trashtalking impulse and pearl with gem geminitay (ok sorry i’m just salty over him being buddy buddy with gem). at one point cleo goes “we have to be enablers” (lowkey incorrect because pearl hasn’t done anything, you can’t enable someone to just do nothing, but i appreciate the sentiment) and pearl just starts. throwing eggs at the ground. really funny out of context.

now for the actual gempearl interaction (we get like one and a half per episode i’m actually starving). they’re so obsessed with each other. trust me i said so. pearl beelining to gem to say “hi gem! :D” and gem beelining to pearl to punch her and say “go home pearl” oh they make me ill i feel like they’re just constantly on each other’s minds. the problem is that we haven’t gotten a good gempearl interaction because when they’re near each other their allies are also hanging around, so it always ends up with gem getting glazed by scott or pearl getting distracted by bigb or something like that. it’s such a pity because gem specifically went to find the 4Gs’ base but she went to the old one instead of the new one where pearl was hanging around so we could have potentially gotten a 1 on 1 shiny duo interaction this session (i’m not sure about the timeline there) but we DIDN’T because gem’s not talked to the 4Gs enough to know that they moved bases. grrr.

and then gem drops the anger for a bit to encourage pearl to kill grian. i have NO idea what that’s about, i feel like she’s just into bloodthirst in general but what it does remind me of is her trying to convince pearl to kill the ender dragon in SL, coincidentally, when pearl was impulse’s butler. and now she’s encouraging pearl to carry out what impulse wants. i don’t know. maybe her type is murderers and she’s trying to give pearl a chance. or something

anyway as for the other half an interaction where gem finds etho pearl and cleo at her base, gem reverts back to loudly disparaging pearl within earshot. i feel like she’s nailed “ex who really wants you to know that you’re exes”, and pearl getting so indignant about it she can’t even form a sentence for a few seconds is great actually. might be a reach but whether on hermitcraft or life series, pearl tends to stumble over her words a lot when directly challenged by gem, which is probably just because she’s thinking hard on what to say and is sleep deprived half the time. but i find it pretty telling that pearl doesn’t say anything back to gem and just. leaves. it’s very obvious she’s still down bad for gem in a way but gem is intentionally making it very hard for pearl to remain so.

last paragraph. when joel visits pearl at their new base, joel is happy that pearl called his build a car and said she liked it (pearl likes cars fork found in kitchen). so joel and pearl are on good terms, which i expect would lead to interesting dynamics but at the same time joel would definitely follow gem’s lead over maintain that friendship but still his perception of pearl now is positive. so that’s intriguing

song of the day is down bad by taylor swift. trust me guys they want each other so bad

[dallonwrites]

suddenly having short story collection thoughts

[taylor-titmouse]

hey i want to talk about how you should be promoting your work as an erotic author/illustrator

i'm writing this up because the marketing aspect of my work as an erotic author/illustrator is a science to me, and also because i'm the guy who gets unreasonably annoyed when i see other creators not properly advertising their work. you presumably want to make money off your work. this post will be written under the assumption you want to make money off your work but are doing a bad job at it. it will be very confrontational. if you read this and feel attacked you're right and i am attacking you.

this is geared toward selling erotic comics/writing/books/art as products. i will probably write more than one post about this subject so if i didn't touch on something you want to know more about, comment/send me an ask and i'll keep it in mind for the next one.

i will start with my first and least specific but most important point:

DON'T GET FUCKING CUTE

hi are you paying attention. i'm gripping you by the sides of your face. do not get fucking cute with what you are trying to sell. you are not a big enough property to get cute, nobody LIKES it when big properties get cute, and you are selling porn. you have to own this. you have to be up front about this. don't be tongue in cheek, don't be all teehee i wonder what this could be~, don't be secretive. you are selling a product. you have to fucking act like it. you are an adult selling pornography to other adults. i am GRIPPING your HEAD you NEED to understand this.

and to be clear when i say 'cute' i mean coy. i don't mean cutesy, as in the aesthetic. you can be as hello kitty pastel ten emojis a post uwu as you like when you're building your audience and generating hype. but when you start trying to sell, don't be vague, don't be sarcastic, don't mislabel your work as a joke and assume everyone is on it. because they're not.

you must always assume 75% of the people seeing the thing you are advertising have no fucking idea who you are. and that includes a huge chunk of the people who already follow you. they do not know who you are or what you've been working on for two months or why they should care about it. they just got here. somebody just reposted it. they are seeing it for the first time. most people are only looking at social media for a tiny chunk of their day. they are not keeping up with you. you cannot get cute about what you are trying to sell because nobody knows what it is until you tell them.

okay are you still with me. we are going to talk about clarity now.

YOU GOTTA TELL ME WHAT IT IS

good lord the amount of times i have gone to buy somebody's comic or book and had no idea what's actually in it or what it's about. who are the characters? why should i care about them? what do they do in it? what is the premise of this thing you want me to spend $5 on? why would you not tell me? i'm shaking you again. please i have to know what i'm buying i only have so much money to spend on porn.

porn, arguably more than any other genre, relies on knowing exactly what is in it. you do not want to surprise your readers with a kink they were unaware of! and on the flip side, you do not want to miss out on your target audience! if your book contains a hot spider babe laying eggs in an elf, you have to say so. not just so people who don't want to read about eggs know it isn't for them, but so the people who are egg crazy can see that and go "oh fuck YES i love EGGS here is my $5 and an extra $2 tip for catering to me specifically". a contents/features list is as much an advertisement as it is a warning!

as for re: who the characters are and why should i care, i'm sorry but you need to learn how to write sales copy. you have to write blurbs. you have to get good at the shit that goes on the back of a book. we all hate it but we have to do it. i want to know who the characters are and what the context is. i, personally, am not interested in contemporary stories as much as fantasy and historical. please tell me what genre this porn exists in so i know if it aesthetically appeals to me. pull some books off your shelves and see how they do it. hell man go look at mine.

while you're there, note that every single book of mine has a sample of what's in it. this feels like such a no-brainer to me but again! the amount of times i have gone to buy somebody's work and they don't show me what their work looks like! you gotta give me the first page or two! just enough that i know if i like the way your writing sounds, or the way you draw your comics! i don't know you! i am not going to trust that you're good at what you do just based on a cover. the cover is to get me to this step, it is not the only step. you have to show me that you're worth spending my money on!

to put it less cynically, you want to catch my interest. you want me to go 'oh i want to see more of this', you want me to go 'ahh i want to know where this goes!' you need to get me invested and craving more. earn my $5!!!

YOU HAVE TO MAKE IT EASY TO GIVE YOU MONEY

hey go look at your bio right now. go look at your pinned post. do you have a link to your patreon there? do you have a link to your itchio/gumroad/whatever? do i have to click more than once to get to the places you want me to go to give you money? why? why are you making me click twice? have we learned nothing from every website making you click an extra time when they make some stupid UI update and how much it pisses us off? i have already given up, i have forgotten you, i am not giving you my $5 today. put your links in the easiest places to get to them.

god literally as i was writing this post i went to go find somebody's itchio to see how they described their work and it was not anywhere on their profile. grabbing you and shaking you PUT THE LINK WHERE I CAN FIND IT. don't make it hard! make it easy! i am a dickhead sitting on the toilet scrolling, saw your post, and was interested enough to read further. but you made me go to your bio to find your linktree and oops i have already gone back to my timeline to look at the boobies in the next post. stop wasting precious bio space on DNIs and put your fuckin links there!!!

this is more for the twitter people, but: just put the link in the damn post. just say the word commission. just say it's for patreon. "wuh wuh the algorithm" it is not the damn algorithm it's that everybody hates advertising and nobody wants to retweet ads. putting slashes in the words doesn't do anything and you look like a fool. i have posted so much art that says it's 'a commission for ___" and it did exactly as good as any other art despite having the word commission in it. and by doing the slashes you just made it impossible for anybody to search your account for your commission information (which should be at the VERY LEAST in a post under your pinned tweet if you're not actively posting about them being open).

okay that went on a tangent i'm going to back to the point of putting the link in the tweet. put it in the first post. not in the first reply. don't tell them to go to your bio. put it in the post people are actually going to share. it's fine to put more information in the thread but people are only ever going to share the first post. so put the link there. you have to make it easy. putting links in tweets can hurt you algorithmically, even in the replies. so you're better off having it in the post that actually gets seen and shared. i don't want to open the tweet and scroll to get to your sales page where i ASSUME you will have put all the information anyway. put it in the tweet that just got retweeted by itself onto my dash!

also you have to share it a ton of times. i repost my shit every few hours when i'm trying to push a new product. as i said before people are not 24/7 looking at their timelines. they missed it the first time. they missed it the second time. they didn't get paid yet that week but they were after the eighth time and you reminded them again so they finally bought it. that i will still get sales every time i repost a book ad weeks after release says there are always people who missed it, or who only just showed up.

abandon your pride and shill. shills pay their bills. anyone who gets annoyed about it isn't giving you money in the first place. don't worry about looking like a sell out. don't apologize for plugging your own work. post about it often, post about it in different ways. post about it. post about it. you are not going to make money if people don't know you have something to sell them. if you want to make a career out of it, you need to act like it.

I DON'T HAVE A FOURTH POINT

kisses your forehead. i'm sorry for yelling at you. i've been making and publishing and selling adult art for the past two-three years and have got myself to the point where it pays my rent, and i got there by paying attention to what does and does not work.

please do your best to make money. i want you to make money.

as i said above i plan to write more posts on this subject, such as cover design, how to actually write sales copy, and best practices with running a patreon, but if there's things you would want to hear more about leave a comment or send an ask! i will probably be less aggressive on future topics. these are just things that have grinded my gears for a grip.

[mirandasidefics]

Autumn Leaves

(Late Submission for @erisweekofficial Prompt: Bonds/Bargains 👑)

Pairing(s): Eris x Archeron Sister! Reader  

Summary: Eris never anticipated to find his Mate in a former human. 

Word Count: 3.1K

Warning(s): Mention of traumatic childbirth, mentions of Beron (he’s a trigger all on his own these days). 

Author’s Note: BASED ON THIS REQUEST. I felt that this scenario fit perfectly with the prompt of Bonds/Bargains for Eris Week. I hope that this fits well with what you had wanted anon! I know the request specifically asked for Reader to be the youngest, but I felt that it would be a bit more inclusive to leave the birth order more ambiguous for those that maybe don’t relate to being the youngest sibling. My brain wasn’t functioning enough to allow me to write an understandable dance scene, so…sorry that it's not as descriptive as I would have preferred. I also didn’t go back to review any of the events that occurred in ACOWAR or ACOSF, so if it’s not exactly canon compliant just ignore that. Also, Lucien was at the Hewn City solstice ball for this because I said so. 

Special thanks to @hardcoremarvelfan for beta reading and coming up with the title for this. Also, there will very likely be a part 2.

dividers by @/tsunami-of-tears ACOTAR Masterlist

The first time Eris saw the Made female he was immediately intrigued. She was quiet and stoic, much like the two sisters she accompanied for the High Lord’s meeting. Her eyes, the same shade as her sisters, appeared cold as she took in the room. It was clear she was observing more than she let on, gaze trained forward yet keenly aware of every single one of the High Lords and their various entourages. It was apparent to Eris that she saw more than her sisters, perhaps even more than his brother’s mate who was rumored to have been gifted the powers of a Seer by the Cauldron. He could feel the power that radiated off this fourth sister and couldn’t help but wonder what gifts she may have been granted. 

The second time he saw her was at the end of the battle with Hybern on the edge of the Spring and Summer Court border. Her eyes appeared distant as if she was separated from her body and the gore that surrounded her. But his answer regarding her gift had been answered as a circle of ice forged spears surrounded her. At least a dozen bodies were skewered while she stood stock still in the center of the circle. He had been compelled to approach her, but his brother got to her first, asking if she was okay and if she had seen his mate. After a single nod and a pointed finger towards a series of tents Lucien gently guided her away from the carnage she wrought. 

The third time he saw her was at the solstice ball in the Hewn City over a year later. Dressed in a drab black gown clearly intended to prevent her from sticking out. However, it wouldn’t have mattered if she was dressed down or in the most lavish of gowns. Eris’ eyes were instantly drawn to her as soon as she processed along with the High Lord and Lady of the Night Court. His youngest brother was by her side as an escort. As she approached the dias with her family, her eyes found his own, and Eris felt the world tilt on its axis. It took all of his mental will power to remain upright at the realization of what she was to him. Mate. 

Eris couldn’t remove his eyes from the female as Rhysand made his speech. Nor could he remove them when the music started and various Fae in attendance began to dance. He followed every one of her steps as she was escorted towards the dance floor, a beautiful smile spread wide across plush pink lips. He was vaguely aware of Rhysand's approach, his introduction to the High Lady’s sister. The only one that was dressed to be admired by the eyes of others. Nesta, he believed it was. But Eris wasn’t interested in the female that stood before him. He held up a hand, instantly silencing the High Lord, and simply pointed to the sister on the dance floor. 

“What is her name?” He asked, the light russet gaze never faltering. Eris could feel the tension in Nesta’s shoulders as she followed his gesture. Rhysand, always one to never give away his thoughts, supplied her name. Eris repeated it, the name tasting like honeyed wine in his mouth. Nesta attempted to redirect the conversation and offered Eris a dance, but the Autumn Heir ignored her. 

“Any bargains that you wish to make will be offered by her,” Eris’ voice was smooth as his eyes finally met purple. “Shall I introduce myself or will you make the introduction for me?” Rhysand turned his head towards the direction where Lucien spun her around as the two waltzed. His youngest brother’s head whipped in their direction, before he halted his dance and brought her over for a formal introduction. As expected, the female politely accepted Eris’ invitation for a dance. 

That first dance was all it took for Eris to know he didn’t want to be separated from her moving forward. Her demeanor was so different from what he had observed when he was only able to watch her from afar. He danced with only her for the remainder of the celebration and found himself completely enraptured by her. While he could tell that she wasn’t as strong a dancer as her sister, whom he caught out of the corner of his eye, it didn’t deter his conviction of only wanting to be by her side. Conversation flowed freely and easily as they danced. She was sharp witted, with a penchant for dry sarcasm. Her wry smile and her laugh ignited something deep within. 

Eris always had a drive to protect those he cared for, such as his Mother and Lucien, but the desire to keep her safe was stronger than anything he had experienced before. He couldn’t leave her in the Night Court, even if most of her time was spent in a city far safer than the one in which they danced. However, she couldn’t exactly join him in the Autumn lest he run the risk of her becoming one of Beron’s targets to keep Eris in line. For the first time in decades, Eris didn’t know what to do. 

“Is everything alright my Lord?” Her voice was filled with nothing but genuine gentle concern. His eyes refocused from their far away haze, taking in her sharp features. Features that were so indicative of the High Fae. Looking at her one would never guess that she used to be human. 

“Eris,” He corrected. “Please.” 

“Is everything alright, Eris?” Her cheeks flushed with the slightest tinge of pink. His own heart stirred at her reaction to the use of his name. Their dance had come to a halt, and he hadn’t even realized the musicians were taking a break. 

“Yes,” He cleared his throat. “Just a bit lost in thought.” She nodded her head, taking a slight step back from his hold on her waist. Eris had to refrain from the desire to pull her back towards his chest. 

“I’ve enjoyed our time together,” She took a look towards her sisters. All three were huddled against the edge of the dance floor. Nesta and Feyre’s sharp steel gazes attempted to pierce through the mask that Eris held in place. While the other, whose name he had sadly forgotten, had a glazed over look. Upon focusing, he noticed that the brown was nearly obscured by milky white. He heard the female in front of him gasp, her eyes trained on the Seer. Her head whipped back towards him, giving a slight nod.  

“I hope that we are able to count on your discretion about the Trove,” Her speech was rushed and she gathered the bottom of her skirts. “I’m certain that the High Lord will provide support to any claim you have to being the Heir.” With a quick second bow in parting she turned to rush over to her sisters. 

Before she got too far, Eris grasped her elbow and asked, “Would you come visit me? In Autumn?” She blinked at him. Almost as if she was surprised by his desire to see her again. 

“I must get to my sister,” She glanced back across the hall, at the High Lady trying to gain the attention of the Seer who was clearly lost in a vision. 

“I understand,” He released his grip and nodded solemnly. “I will write to you.” She blinked again. What he wouldn’t give to know what that beautiful mind was processing. She gave him a curt nod, before she quickly made her way across the hall. 

Eris couldn’t even last a week before sending his first letter. Again he asked if she would be interested in visiting his home court. She provided no answer or any acknowledgement of his question. Of course this didn’t deter Eris as they continued to exchange letters. With each one he would make his offer, enticing her with descriptions of celebrations and various traditions. He would tell her about his Hounds and his Mother. Yet she continued to not provide an answer to his offer. This same pattern went on for three months before Eris had enough of the tip-toeing around the subject. He was determined to get an answer, even if it was “No”. 

Eris arrived at what he assumed was Rhysand’s townhouse as the High Lord had instructed in his brief correspondence with the Autumn Heir.  He tapped the back of his knuckles on the large oak door. A few brief moments drifted by with no response. No movement could be heard from inside either. He peered his head towards the large bay window at the front, but the curtains were drawn shut. 

His heartbeat began to quicken with each passing moment as there continued to be no response. Eris was wholly unfamiliar with the city. He had no clue where to even begin looking for his mate. He was under the impression that he was at least expected by Rhysand. So why was no one here? 

Eris turned, prepared to winnow to the Hewn City in the hopes that Keir may have knowledge of where the High Lord could be, despite how unlikely that prospect was. Instead, he came face to face with an ethereal looking female. Skin and hair dark as shadows. A billowy white dress hugged her frame, yet appeared as if it was floating in a barrier of invisible water. It took him a minute to recognize her as one of Rhysand’s half wraith servants from Under the Mountain. 

“They are all at the High Lord and Lady’s home,” The female began to explain without preamble. “If you would follow me.” She turned, not bothering to ensure that the Autumn Lord followed. When the pair approached the near ostentatiously large home near the riverfront, screams could be heard from inside. If his heart hadn’t already been on the verge of an attack it surely was now. The half-wraith opened the front entrance, beckoning Eris to follow. 

No sooner as he stepped inside did his mate come surrying down the main staircase of the foyer. A pile of blood stained sheets spilling over her arms. Her eyes were rimmed in scarlet. Stepping onto the bottom landing she finally looked up, taking notice of the male. 

“Eris,” Her voice was no more than a whisper. Her lower lip wobbled, teeth sinking into it to prevent the tremble. Eris didn’t bother with formality, taking quick strides to meet her. As he reached her side, she dropped the pile of fabric and allowed her arms to encircle his waist. Her body shook with her sobs as her finger dug into his shoulders. 

“Feyre went into labor unexpectedly,” She cried into the elaborate brocade of his tunic. “The babe…his wings…” She couldn’t get her thoughts out in a coherent manner without the sobs overtaking her completely. “ They’re dying, Eris.” She wailed upon hearing her own words spoken aloud. He pulled her in tighter to his chest, his other hand gently rubbing in soothing circles along her shoulders. Eris had no words that could provide her with any sort of comfort, making him feel as if he was already failing her as her Mate. All the male could do was hold her and hope that she didn’t feel as alone in her grief if the High Lady of the Night Court somehow didn’t survive.  

Suddenly, Elain called out to her sister from the top of the staircase, “Come quick! Nesta she…” The warm brown eyes of the middle sister swam with unshed tears, a smile graced her features as well. Eris’ shoulders relaxed as the female's expression could only be an indication of good news. His mate quickly detached herself from his hold, racing back towards where the family convened. 

As soon as the two were out of sight, Eris looked around the foyer. He quickly found a small bench and sat down. He had never felt more awkward in his life. While he had developed a correspondence with this particular sister, he wasn’t exactly part of the family just yet. 

Eris sat in the hall, waiting for what felt like hours for his mate to return. Once she did, she escorted him into a large sitting room. 

“They’re going to live,” She smiled, sitting down in a chair across from him. She smoothed out her skirt, tucking in a corner that had somehow ended up with blood spatter staining the material. Eris merely hummed in acknowledgment. He didn’t know what to do with himself now that they had a moment alone like this. He had planned this elaborate greeting and proposal for her to come and visit, not giving her the room to ignore the request. However, that all went right out the proverbial window. His hands straightened the fabric of his shirt, then went to remove a non-existent strand of hair from his trousers, before finally resting on his lap. 

“You’re fidgeting,” She pointed out. Her smile grew as she suppressed a giggle. He was happy to see that her mood had lifted so quickly. It made the reason for his visit appear less strange, inappropriate even given the intensity of the events that occurred. She gently placed one of her hands over his. Her delicate fingers soothing and calming the rolling fire that he didn’t even notice had built up within himself. He allowed himself to grasp her hand in return, interlacing their digits. The sensation of fire against ice erupted throughout his being. Opposite yet still a perfect complement of powers. Eris couldn’t help but wonder what they would be able to achieve together. 

“Eris,” Her voice pulled him from his thoughts, his deep hues meeting her own cool gaze. “I’m happy to see you, but what are you doing here?” He swallowed, suddenly realizing that his actions were a bit sudden and perhaps not as well thought out as he intended. His arrival without notice to her would be unexpected. He only informed Rhysand that he needed to speak to Archeron female, but never explained why. 

“I,” He began, voice cracking. His pale features flushed and he was reminded of his younger days when his voice hovered between childhood and deeper timber of maturity. The female before him suppressed another giggle behind her unclasped hand. 

“I’m here because you consistently ignore a very specific question,” His gaze was steady, exuding what he hoped would be seen as confidence and not the uncertainty he felt. “I’ve come to ask one final time. If you say no, I will not burden you with asking ever again.” 

“Eris,” She pulled her hand away, eyes now unable to meet his own. 

“I acknowledge that Autumn is not always considered the most beautiful, what with the decay that can accompany the season in the mortal lands, so if you don’t like it-”

“Why would I not like the place where my mate lives?” Her perfect brows furrowed as she looked at him. Eris was at a loss for words. 

“When…” He couldn’t finish the sentence. However, it appeared that he didn’t need to as her response was a perfect correlation to what was on his mind.  

“Since the Winter Solstice,” She said. “When you first asked me to come visit.” It was Eris’ turn to blink in stunned silence. She had given no indication of being aware of who he was to her. Then again, he also hadn’t explicitly made their bond known. Perhaps he was wrong in thinking that his actions were obvious. 

“It’s not that I’m afraid that I won’t like it there,” She went on. “I’m actually afraid that I would not want to leave. But I simply can’t abandon my sisters.” She lowered her head, averting her gaze from the embarrassment. However, Eris understood the desire to be with her siblings. The same desire to ensure the well-being and safety of his younger brothers was one of his reasons for not abandoning the Autumn court. For enduring the cruelty of his Father for nearly 5 centuries. 

“I would never ask that you do,” He assured. “In fact, I wouldn’t want you to call the Autumn Court home just yet anyway. Not while my father still breathes.”

“I’m not afraid-”

“I am,” Eris admitted quietly. “I can’t risk anything happening to you.” He meant it, and was surprised at how easily the truth slipped from him. But it was just the two of them at this moment. He didn’t have to hide behind that mask when with her. He tucked a strand of (h/c) hair behind the perfectly pointed arch of her ear. He watched a shiver run through her as his flesh met hers. 

“There are some places where I can keep you safe,” He explained, all of his thoughts spewing forth as his mind raced to prove that he could keep her safe enough for short visits. “Places where my Father doesn’t have the loyalty of the subjects, but they are loyal to me. I have a cabin, just along the borders of Summer and Winter. Close enough for you to run across either should the need arise. I’d prefer Summer, there is a temple not far from the border where you could claim sanctuary until Rhysand or one of the brutes could get you.”

“Eris…” 

“Please,” He implored. “I do not wish to scare you away or force you to come. But I cannot stay separated from you much longer. My brother is the one with the endless amounts of patients when it truly matters.”  She laughed, the melodic and soft sound made him feel light. 

“How often can we meet?” She inquired. Her bright blue eyes lit with anticipation of when they could have their time. 

“I can secure a few days away every month,” He explained, almost more to himself than her as he considered the variety of excuses he would need to utilize. “Maybe up to a week at most. The time of month would need to vary as well. Any semblance of a pattern would tip my Father off. He’s just paranoid enough to assume that I’d be planning some type of conspiracy against him.” Of course, his Father’s fears were not without reason. Eris was indeed planning to usurp the High Lord. Someday. 

“Alright then,” She beamed. “I will come and visit. Every month so long as it is safe and as long as I am able to return to my sisters.” Eris felt the corners of his mouth lift up, and soon she mirrored the expression. His heart flipped, and he had to clear his throat to regain control of his senses. 

“Then I shall send word when everything is ready.” He stood, preparing to leave when she clasped his hand again. 

“Stay for a while Eris,” Her voice was soothing, making it feel like she wasn’t giving him a command. Even if she had, he would have gladly done anything she bid of him. He knew in that instant he would do anything for her. 

General Tag list: @loving-and-dreaming @samslulumelon

[disabirbity]

What are some things other psychotics do to differentiate between hallucination and reality? And what are ways some of you hold off symptoms? Looking to get a nice thread for people to help each other going here, this stuff isn't posted about enough.

Ways we prevent symptoms/stop them from progressing:

Make background noise to prevent auditory hallucinations. Most of ours start by hearing something that we can't identify the cause of in the background, and our brain starts the spiral from there. So we listen to music all the time and sleep with a fan on every single night, even in the winter. We just point it away from us if we don't want it making us cold.

Blame the cat (or other pets). Any weird movement, scratching, crunching or thumping? That's just Jerry, don't worry about it. He's a silly cat that does cat things even while we're sleeping. Any noise can be blamed on pets or the wind, which stops the paranoia from setting in and making everything bad.

We also tell ourselves that if there was an actual issue like an intruder or monster, the cat would hiss or scream, and the dog would be barking or making noise. This can be applied to many pets.

Stay busy. Focus on something--art, video games, tv shows and films, craft, gardening, anything that keeps you thinking. Don't let the anxiety get to you, just stay focused on your regular life.

Laugh at it. You're hallucinating a monster in your peripheral vision? Name it Fred and tell him to pay rent. You hear weird noises? Tell them to come back with a warrant. For us, treating symptoms like they're jokes or not serious makes us less anxious and therefore makes it easier to get back to a point where we're okay.

Having a friend or a pet near you can help. We feel safer and less alone when we see another living thing near us that's safe. We don't feel as much like we're trapped in another dimension that way.

How we differentiate between reality and unreality:

Touch it. This one only works for things you're not scared of, and if you don't have tactile hallucinations. It's not foolproof! But when we're seeing things like bugs and stuff, reaching out to touch them causes them to fade away so we know they're fake.

Ask friends and other trusted people if they "heard that" or "saw anything". If they're psychosis friendly, feel free to explain and be specific. If not, be vague and keep it to simple things like "hey did you hear anything? I couldn't tell what it was", if that will be safe enough. Having people to ground you can be great.

Look at how others around you are acting. Are they running or interacting with the thing in question in any way? Do they seem to look at it or no? If no one is noticing, it's less likely to be real.

These won't work for everyone and some of these might be harmful to others, but they're helpful to us. You know best what will help you!

Please feel free to add your own! We need more discussion around psychosis that isn't "scary evil person disorder and how to deal with people who have it".

[goldsbitch]

Hypochondria

The emotions and glimpses of daily life of this random girl followed Lando throughout his whole. Whenever she's sad, he knows. Her celebrations sort of become his celebrations. For him, it's like breathing - just another part of his life. That is until he meets her.

soulmate au

Lando knew the moment he saw her. And it was at that point when he thought he was truly going crazy.

For his whole life, he thought it was just some fantasy that he planted in his mind in early age and was impossible to get rid off.

He froze completely. Panicked, went into fight or flight mode, these two fighting each other so hard that he just stood there, staring like a creep. Thank god she was far away enough and probably did not notice.

His second immediate reaction was anger. Did she really not notice him? The audacity? How can she roam around his brain for his whole life and then not react when she sees him? Her being in the paddock meant that she definitely knew who he was, people don't just end up by chance there.

Except maybe she did. Her outfit gave away that she was one of the medics from the medical team. Of course she would be. Saving lives, doing something proper meaningful. Not driving around in circles and making a big deal out of it, like he did. Never in his life did he feel as selfish and sort of shameful for his choice of career.

He began to insert ideas into her head, despite not having spoken a single word to her. She was probably someone who valued intelligence, people who were book smart, humble heroes in the society who were focus on dedicating their lives to saving others.

Not those who were recklessly driving around in circles. There was no way she'd see him fit to her. That was not going to stop him. Her being one of the medics provided a great opportunity. Hypochondria? So be it.

His mind was spiraling out of control.

//

For as long as he could remember, he had dreams (and something he would not dare call visions) about this one girl. As if he was watching glimpses of her life, little moments, bits and pieces. But it was almost constant. He was so used to it at this point that he found it relaxing. It was very confusing growing up. Every adult around him was freaking out when his childhood imaginary friend phase would just not go away. So once he realized that people were thinking he's weird, he just stopped talking about it. It was also a big revelation to him when he found out that other people did not have these visions in their head so intensively. When he was 17 he had an obsession phase, where he researched the fuck out of how brains worked, but nothing seemed to match. His dreams did not provide him with anything specific, no details about place, vague signs that this person he kept seeing at least lived in the same time frame as he did. It was little things he saw and felt, as if her emotions traveled to him. He'd seen her happy, laughing with friends while she tried weed for the first time, getting nervous by her exams and debating whether to brush her teeth in the evening. Her becoming a medic now finally answered few questions. Often he would wonder why was she studying so much. His blurry dreams blocking these specifics out, just to make it all more frustrating. Observing her having a crush on someone was unnerving and eventually, seeing little things from her romantic relationship, just made him supremely mad. He was glad that was over, because at one point, it had started to seriously mess up his mood. He genuinely celebrated the break up. Incredible amounts of little moments and details were conveyed to him, but no idea on where or who she was. He just had this knowledge in his head about someone who he doubted actually existed.

And now she was probably standing right across the track. It was a lot to take in.

//

Most of the medical team traveled with them, as far as Lando was aware. Never really paid that much of attention to that department until then. So he figured he's only have few days to capture her attention, she might have been local. He was already contemplating moving here to join her life, in case she was local. That's when he decided to get a full medical check up upon request.

He complained nonstop about a pain in his stomach - vague enough for many possibilities having to be ruled out.

It quickly started feeling like playing a video game. Having to jump through levels in order to get to his "boss".

He spent an hour in the medical centre, where he was taken immediately after his first comment about his fictional pain, because everyone still had in fresh memory the saga of Carlos's appendix. "This is gonna be easy" he thought to himself, because one of the first people he saw passing by was her. He was not even trying to hide when observing her. The way her hair fell out of a messy bun. A concentrated look as she was attending one of the staff members, listening attentively and taking care of their wound. The whole place seemed to glow up by her presence. He wondered how it felt when her fingertips touched the skin of another person and was almost jealous of the person she was treating. On par with his bad luck, the drivers had a dedicated doctor on-call, so he was taken to a different private room where he had to undergo a full medical scan, with of course nothing being found. When he got out, she was no longer there. All for nothing.

//

The rest of his day was covered in a brain fog, he sort of floated through the media day, feeling like he was not really there. He let Oscar totally step up to be the main star this time. As if he could give a fuck.

Over the years of having to live with this strange connection, he managed to block it out temporarily for moment when he really need to focus. This time, he was doing the exact opposite. Trying to somehow "connect" to this personal bluetooth he had in his head.

Finally, after few hours he felt something. A light wave of anxiety, as she opened her email. Then a wave of disappointment, despair and her giving up. He was more than able to not get affected by her emotions - usually. This time it was sort of in tune with his own mix of emotions, so if he was a downer before it progressed perfectly into him shutting off completely.

//

He managed to completely forget that his latest girlfriend, if that was the right word to use, was coming over. He only realized when he saw a pair of female shoes thrown by the door of his hotel room. A wave of guilt washed over him. He was being an asshole again. As they greeted each other, he tried to kiss her as much as he could, trying to avoid unnecessary conversation. Maybe this reality check was good. He often got lost in his own head, listening sad songs to fill this strange void - or he would just party too much. Now, there was a real person standing in front of him, a super hot girl who liked him and was not annoying. He figured there was no point in drowning in his own delusions.

Letting her fuck his brains out worked, at least until the next morning.

part 2

[marvelfanfn2187a113]

Too Much (Little Sister Version)

Dean Winchester & little sister!reader

Requested by @redbird-tf

Synopsis: you have nightmares of dying like Mary, and you start to get really clingy with Dean.

It started out in a subtle way. Your first nightmare had been vague, and though it had jarred you, it wasn’t enough to curb your day-to-day activities…much.

“I’m going for a supply run.” Dean’s words had you looking up from the homework you’d been working on. “We’re out of beer…and food.”

“I’ll come.” You were on your feet before the words even left your mouth.

“It’s just a quick run,” Dean argued. “Don’t you have homework?”

“It can wait,” you insisted, already on your way to the Impala. “Let’s go!”

Of course it would be Dean—it had always been Dean. Sure, he had his anger issues and his bad moments. He drank too much and he isolated himself when he was upset. But he always came back; when Sam was at Stanford, when dad disappeared, it was always you and Dean.

So when you started having nightmares about burning on the ceiling, Dean was who you turned to.

Scary things shouldn’t phase you anymore, not after all you’d seen. But this was different. Your whole life you’d heard “what happened to mom.” Never any specifics—it was always, “the demon killed mom,” or “what the demon did to Mary.” Nobody ever gave you any details; they always said you didn’t need to know.

So when you snuck into Dean’s room in the bunker and stole dad’s journal, you were in for a surprise.

The pages you’d read had been stuck together—it didn’t look like anyone had read them—and it took you a moment to peel them apart.

I went to visit a shrink today—I thought he might be a vampire. I went in undercover, booked myself an appointment. I figured out pretty quickly that he wasn’t a monster, but I didn’t leave. It sounds stupid, but I actually talked to him. Told him about Mary. Well, as much as I could tell, which is more than I’ve told anyone. Point is, he told me to write down what happened to her. Every detail I could remember. I don’t like thinking about her…but maybe he was right. Little Sammy asked about Mary just the other day, and I yelled at him. I still feel bad…it’s not his fault, he’s just a kid. Maybe this is the only way I’ll be able to talk about her, but maybe that’ll be enough to keep me from going off on the kids. So here goes…

And John had laid out every gory detail of that night, and you’d read the whole thing. You’d always thought it would be better knowing; that it would somehow bring you some extra closure to know how your mother’s final moments went. You were wrong.

And so came the nightmares. The first one was fuzzy and indistinct; a fire, the sound of screaming. But it was enough to have you going with Dean whenever he left the bunker.

The second one was more vivid. It was also when you realized that it wasn’t your mother you were dreaming about—it was you.

It was so real—you felt the demon’s powers slashing open your stomach, you felt your body lifting off the floor…

But the worst part was the heat. It stung your eyes and sizzled against your blood and seared your skin. You tried to scream, but the smoke choked you and stopped your voice. You struggled to inhale, coughing on the smoke and crying at the pain that lit up every nerve ending.

The bright light of the fire left first, then slowly afterwards the pain. But you were still choking and gasping for breath when you sat up in your bed.

“Dean,” you whimpered, the lone word echoing through your empty room. You weren’t quite used to the bunker yet—you were so used to the motels, where your brothers were right next to you at all times. Most of the time it was annoying, but right now…

You threw your covers off you, finally getting a hold of your runaway breathing as you padded barefoot towards your door. You couldn’t stay in this room—it was this room that you’d dreamt of, this ceiling that you’d burned on.

You flung your door open and started down the hall, but you only got halfway to Dean’s room before you stopped. You couldn’t go to him like this, a tear-streaked mess in the middle of the night; he would know something was wrong, and then you’d have to talk about it.

You couldn’t talk about it.

A bang from the kitchen stole your attention and your breath, your mind wandering towards images of a yellow-eyed intruder. You tip-toed to the kitchen, peaking around the corner and breathing easily when you saw Dean rummaging in the fridge for a beer.

You slipped into the kitchen, heading straight for Dean.

“You’re up early,” he greeted, stiffening in surprise when you wrapped your arms around him. “Hey, something wrong?”

“No,” you mumbled, your voice muffled by his shirt. “Good morning,” you added lamely as you pulled away, as if the greeting would explain away the hug.

“Yeah, mornin.” Dean shrugged, choosing to ignore your strange behavior. “Couldn’t sleep? It’s only 5.”

It was later than you’d thought.

“Not really,” you said. “Can we make breakfast?” You weren’t hungry, but you’d take any excuse to keep Dean close.

“Only if you get the bacon,” Dean said with a grin.

“I think we’re out,” you answered.

“Unacceptable,” Dean decided. “You start on the pancakes, I’ll make a run.”

“Wait! Um…” you wracked your brain for an excuse. “Um, the pancakes can wait, I’ll go with you.”

Dean squinted ever so slightly as he stared you down—that was twice in a week that you wanted to go with him to the store without a good reason.

“You sure you’re ok?” He asked.

“Yeah, just…I want some fresh air.”

“Alright.” You both knew he didn’t believe you, but neither of you brought it up again.

You felt pathetic as you trailed behind Dean, but the idea of sitting around the empty bunker alone until he got back or Sam woke up…

You just couldn’t do it. You couldn’t feel safe anymore, not even in your own home, without Dean around.

You sat just a little closer to Dean than you normally would once you got into the Impala, sitting towards the middle of the seat even though the right side was empty. You felt Dean watching you from the corner of his eye, but to your relief he didn’t say anything.

…

“Ok, so how many pounds do we want?” You held a brand of bacon in each hand, eyeing them both. When Dean didn’t respond to your question, you turned around to find the cart there, but no Dean. “Dean?” You glanced up and down the aisle, but he wasn’t in sight. You threw both bacon packages into the cart and ran down the aisle, going down the row and looking frantically down every aisle you passed. Nothing, nothing, nothing, nothing.

You rubbed a hand against your chest when your next breath wouldn’t go through your tightened wind pipe. You tried to take deep breaths, but each one was less satisfying than the last. Once you reached the last aisle with still no Dean, you turned around and started back the way you came, hoping that he was down an aisle on the other side of the store.

“Dean? Dean!” You were calling his name, but you could barely even hear your winded and squeaky voice in the vast emptiness of the store, so you knew there was no way Dean could.

You passed the aisle with your cart and kept going, looking down the first, then the second…

“Dean!” You rushed forward, flinging yourself into Dean’s surprised embrace.

“Hey, what happened?” Dean was stiff and alert, whipping his head around to see what had spooked you.

“I couldn’t find you,” you whimpered, tightening your arms around Dean’s midsection. “I-I didn’t know where you went. Don’t do that to me!”

“Ok, ok hey I’m sorry,” Dean soothed, pulling away and kneeling down, brushing your hair out of your face so he could see you. “C’mon, what’s going on with you? What’s got you so spooked?”

You didn’t answer—you just launched yourself forwards and wrapped your arms around Dean’s neck, burrowing your head against his shoulder.

“Don’t leave me,” you pleaded.

“Ok, ok.” Dean held you closely, rubbing your back. “Ok I’m right here kiddo. Let’s get out of here, ok? Let’s go home.”

…

You held Dean’s hand in vice grip on the way out to the car, but he didn’t comment on it. He waited until you were safely bundled into the Impala to speak again.

“Kid, you need to tell me what’s going on here.”

“I’m fine,” you mumbled. “I don’t want to talk about it.”

Dean glanced at you, but he didn’t speak again.

…

You were feeling lucky for most of the day—Sam and Dean spent the morning going through books in the library, so you were able to do your homework right next to Dean without warranting worry or attention.

“Check this out.” Sam’s words to Dean had you looking up curiously while Sam turned his computer around. “Looks like a case in town.”

Your heart dropped to your toes—you were too young to hunt, so a hunt in town meant that you sat in the bunker while the boys were out.

They spent the next twenty minutes talking about the case before they got ready to head out. Dean was throwing guns in a bag in his room when you went to find him.

“We’ll be back tonight,” Dean promised. “But if we find the thing that’s killing these people, it might not be until late, so don’t wait up ok?”

“Can’t I come?” Your tug on Dean’s sleeve stopped his movements.

“You know you can’t,” he said. “What’s going on with you? And don’t say nothing, because I know something’s wrong.”

“I just don’t want you to go,” you said. “Please De? Please don’t leave me here alone.”

“You’re not gonna tell me what’s going on?” Dean asked.

You shook your head.

“Then I have no choice.” Dean sighed. “People are dying, and you can’t come. I have to go.” Dean zipped up his bag and slung it over his shoulder. “We’ll be back before tomorrow.”

“Dean—“ you reached out for your big brother, but in one stride he was out of your reach, then to the door, then he was gone.

…

You were trying to read the same page over and over, but the words were swimming around the page, blurred by the tears in your eyes and the shaking in your hands that had the pages fluttering. You looked up for the millionth time, a deep pit in your stomach convincing you each time that the yellow eyes demon would be standing in your doorway, waiting to kill you.

You dropped the book on your desk with a thud, finally giving up on homework—you wouldn’t get anything done until Dean was home, you just couldn’t focus.

You picked up your headphones and slipped them over your head, but you found that not being able to hear your surroundings made your anxiety even worse, and the soothing notes of your favorite song did nothing to help for once. You tried turning on the tv, but you found that you couldn’t look away from the door for more than a few seconds before you started to get scared again.

Finally you couldn’t take it anymore—you closed your room door, your bathroom, and even your closet; open doors just had your imagination running away with images of yellow eyes coming to kill you.

You burrowed yourself under the covers and tried to force yourself to sleep. Hour after hour you convinced yourself that you’d just never be able to sleep, but you didn’t have anything else to do but keep trying, so you didn’t move.

You were still laying there when the door opened.

“Hey sweetheart,” Dean greeted. You smiled at him, and he smiled back for a second before the smile faded. “Me and Sammy have another case—we’re gonna be gone a while, ok?”

“No, wait!” You tried to get up to stop Dean, but you couldn’t move. “Dean, don’t go! Dean don’t leave!”

He was already out the door, and in his place stood Azazel, pale yellow eyes glowing in the darkness.

“Dean!” You screamed, but it was too late; your pajamas were already soaked in blood coming from a painful gash across your stomach. You whimpered, finally able to move as you wrapped your arms around the wound as if you could protect yourself. You couldn’t.

You were sobbing as your body lifted off the ground, your stomach lurching as you went from wall to ceiling. There was no warning spark, or small flame—you were just suddenly and completely engulfed in flames, your hair burning and your skin scorched. You were still screaming when Dean came running back into the room.

“Dean,” you whimpered. “Dean no!”

Yellow eyes had a knife in his hand, and he turned it on your big brother in an instant. As the fire burned around you, you watched as Dean got stabbed again and again and again…

You woke up screaming. The fire was gone, and so was the pain, but you couldn’t even tell. Your eyes couldn’t take in a single detail of the room—they were blurry and unfocused from sleep. Your brain couldn’t decipher what parts of your dream were real and what weren’t. You sobbed out short and shaky breaths, and your cries were just starting to fade into whimpers when you heard it; the loud thunk of the bunker door closing.

Your fears and your crying returned full force, and you were gasping for breath as you felt around for any kind of weapon.

He’s coming he’s coming he’s coming he’s coming…

It was like all you could see was Azazel as you heard footsteps echoing down the hallway. You wanted to do what Dean always did—push his fear down, throw away his emotions, and just fight—but you couldn’t. You couldn’t catch your breath, you couldn’t stop sobbing, and you couldn’t find your gun.

When your door handle started to turn, you thought you were going to pass out. Your already-unsatisfying breath caught in your throat, and with the lack of breath came black spots at the edges of your vision.

You forced a single deep breath in and out—you couldn’t be unconscious when the demon came to kill you, you couldn’t be that helpless. You had to fight, even though you would lose.

The door swung open, and you were still gasping for breath and grappling for any kind of weapon when—

When Dean walked in.

“Dean!” You were off the bed and in your brother’s arms before he had a chance to speak.

“Hey, hey what’s going on?” Dean’s arms tightened around you when he heard you sobbing and felt you shaking. “Baby what happened?”

“Don’t leave me,” you begged between sobs. “Don’t leave me De, don’t leave me.”

“Ok, ok I’m not going anywhere,” Dean promised. “N/N I’m right here.”

“What’s going on?” Sam walked into the room, staring at his siblings with concern.

“I…I think we’re ok here,” Dean decided, carrying you to your bed. “You should go bandage that cut, I’ve got her.” When Sam hesitated, Dean assured him, “I’ve got her Sam.”

Sam finally left, and Dean climbed up on your bed, settling you into his lap when you wouldn’t let your vice grip around his neck go.

“I need you to talk to me,” Dean pleaded. “I need to know what’s going on, what this is.”

“There was fire,” you whimpered, your tears soaking Dean’s shirt. “There was fire, and it burned everywhere, and I was bleeding and I was on the ceiling, and-and yellow eyes stabbed you, and—“

“Whoa, whoa, slow down.” Dean started to rock you back and forth subconsciously. “Hey, how do you know about all that stuff.”

“I’m sorry.” You were sobbing again. “I know I wasn’t supposed to, but I read his journal and he wrote down everything and I thought it would help but…but now I can’t stop dreaming about it. I’m so—I’m so scared, De. All the time.”

“Shh, shh you’re ok,” Dean soothed, his hand cradling the back of your head. “I’ve got you sweetheart, I’m right here. Listen,” Dean tried to pull away so he could look at you, but you just tightened your grip. “Ok. I used to have nightmares about mom, too. All the time. I still get them sometimes.”

“You do?” You sniffled. “What do you do about them?”

“Well now it’s easier, because we killed yellow eyes. He’s gone, N/N. Nobody’s ever gonna die like mom did again, especially not you. You know that, right?”

“The dreams feel so real,” you answered.

“I know, I know they do. But they’re not. And I’m gonna help you through this, but kiddo, I can’t be around all the time, you know that. I’ve got a job to do.”

“O—ok,” you sniffled. “I can do better.”

“But I’m still gonna be here when you need me. I promise.”

“Dean?”

“Yeah?”

“I need you right now.”

Dean’s arms squeezed impossibly tighter around you.

“Then I’m here for you.”

Taglist:

@nyotamalfoy @mrvlxgrl @chocorade @aestheticdaisies @inlovewhithafairytale @that-wannabe-vangoghgurl @casmustdiee @987coley @deadlymistletoe @wayward-impala83 @whump-loverz

[the-modern-typewriter]

Hi ♥️ can I please request a small snippet which starts with the hero offering themselves to the villain instead of another victim (which was the intention of villain all along). I really love the powerful villain - struggling hero dynamic. Doesn’t need to be in a romantic way…

Sorry if this is oddly specific. Thank you so much for all your stories and snippets so far. They’re sooo good!!! ✨

The hero dodged into the villain's path.

The villain stopped. They looked down, at the hero's palms planted firmly on their chest, then to the hero's eyes.

The hero gulped. They dropped their hands, but didn't step aside.

"Take me instead."

"You." Power crackled off the villain; enough to make the hair on the hero's arms stand on end.

"I'm more valuable," the hero said, holding the villain's gaze. Their heart drummed wildly. "People would pay an awful lot of money for a go at me - you don't need them. I'm a much better ransom."

"And if I don't take you?" the villain asked.

"I'm also more fun."

The villain's lip curled. "And if I don't take you?"

Well, then they would have to fight. The hero was not remotely looking forward to that prospect. It wasn't that they couldn't hold their own - they knew perfectly well that they were generally considered one of the few people who could, when it came to the dazzling monstrosity before them. But, well.

The hero gulped again, squaring their shoulders. Their hands shot, gently, gently, to the villain's chest when the villain began to sidestep them.

The villain's head tilted.

The hero didn't drop their hands that time.

The villain's heartbeat was perfectly steady.

"I'm offering," the hero said.

The curl of the villain's lip sharped a fraction more; a scrap of paper burning up on a fire, containing all the world's most dangerous secrets. "Is that what you're doing right now?"

"Please," the hero said, quieter, just for the two of them.

"Maybe I don't want to ransom you," the villain said, in the same intimate murmur. Their eyes glittered in the city lights. "Maybe I'd rather keep you all to myself."

The hero's stomach swooped. "Just leave them alone."

"You're a predictable little thing, you know that?"

Realisation hit the hero, like the loud click of a lock turning. It didn't make any difference though. Wasn't that the point? To see the trap closing. To stand there anyway. It was already too late.

The hero had known that the villain could be persuaded to take them instead. The villain had known they would offer.

"So are you," the hero said, mouth dry. "In your way."

"My predictability doesn't make me lose." The villain's hand rose up, to cradle the hero's jaw. Their thumb grazed over the hero's skittering pulse. "It doesn't make me so reckless."

The hero shivered.

"There are power-blocking cuffs in my pocket," the villain said. "Take them out."

"You promise you'll leave everyone else alone?"

"You trust me to keep my promises?"

Yes. Not because of any particular honour, but because one did not get the devil's reputation for threats and bargains without proper follow through. "Promise me. Please."

"I promise that I'll leave them alone in this matter if I can have you instead."

It didn't save everyone and everything, the hero knew that. But it would spare the poor fool cowering behind them, braced for the end of all things. They reached into the villain's pocket like one might reach into a nest of vipers.

"Put them on," the villain said.

The hero did. Everything went muffled and sluggish as the auto-lock engaged. The villain's grip on their jaw kept them from crumbling, pitching forward, at the wave of overwhelming weakness that flooded them.

They could vaguely hear gasps, cries of alarm, hissed whispers behind them. Someone might have screamed 'no.' Someone might have been held back. The hero wasn't sure; they could feel their vision tunnelling a little at the edges.

They still held the villain's gaze.

"Good," the villain murmured. They pressed a kiss to the hero's forehead. Then they let go, abruptly.

The hero staggered. They hit their knees with a groan.

Powerless. It struck them that they'd made a terrible mistake. They hadn't expected it to feel like that.

The villain surveyed the crowd, for a beat. They said something - the hero's ears were ringing, they weren't sure what it was. The villain's fingers tangled idly into the hero's hair, then they started walking.

Being dragged hurt. The humiliation of it would have surely hurt, too, if the hero could concentrate on it.

The villain's car beeped it as it unlocked. They let go of the hero's hair. The hero slumped to the ground, reeling.

"Get in the car," the villain said. "Or I'll put you in the boot."

It seemed to take Herculean effort to climb into the passenger seat. It was almost a relief to slump there, sweat beading their forehead, body aching.

The villain got in too, on the driver's side. They took a moment to look the hero over. The power of them had always seemed enormous, but it felt like something else entirely then without the hero's own to match it. A devastating, crushing weight. An unstoppable force.

The villain reached over and clipped the hero's seatbelt in place. They cupped the hero's cheek again, drawing their attention, their scattershot focus.

"Leaving them alone was the least of the promises you should have insisted on," the villain said. "You panicked. You should know better."

The hero groaned again. Their head lilted into the soothing cup of the villain's fingers.

The villain let go, once more, left them bereft, and started the car.

They drove.

[agirlwithglam]

S.M.A.R.T goals:

How to set and achieve your goals

What does SMART stand for?

S - specific. don't just set vague goals like "i wanna get fit" or "i wanna get abs". how are you gonna know when/ where to start? if you want to get fit: your goal could be "go to the gym for 30 mins everyday" or "i want to run 5k in under 30 mins". whatever works for you. some other examples: -> if your big goal is to get high marks on your next test: your "mini" goals/ steps should be to study everyday for at least 30-60mins. -> if your big goal is to get money/ become rich: your steps/ mini goals should be to save $___ daily first. and also figure out a way you can make a mini business/ get a job.

M - measurable. make sure that your goals are measurable- meaning that you should be able to track them. some examples: -> if your goal is to read more: then create or find a habit tracker or something so everyday when you read, you can mark it down for that day. ! recommended resource: James Clear's habit tracker journal- you can find it on amazon.

A - Achievable keep your goals realistic and attainable. if you know you dont have the time/ energy to read a whole book in 1 week, dont do it- otherwise you'll get easily discouraged. the goldilocks principle: don't make it too easy, where it doesn't give you a challenge, but don't make it too hard either, otherwise you'll get easily discouraged.

R - Relevant basically a WHY. why do you want/ need to accomplish this goal? have a motivation which drives you. make sure your goal is relevant to you in some sort of way. example: -> if you want to learn a language such as spanish, why do you wanna learn it? because you want to travel to Spain one day? to be able to communicate with someone? even if the purpose is as simple as "wanting to be bilingual cus it makes me feel cool and impressive" - if that motivates you, then go ahead!

T - time bound your goals need to have some sort of deadline or urgency attached to it- otherwise you could take all the time you want to start and procrastinate as much as you want. having a deadline for the goal will motivate you to take action sooner, than later.

how to use SMART goals effectively:

decide on the goal. (something that you actually need/ want to accomplish.)

break it down into smaller steps. (very small. so small that you can start working on whatever it is NOW.) you want to get high marks on your test? lets break it down. study 30 mins everyday -> walk to desk -> get material out -> identify what you need to study -> find your weaker topics & write it out -> create a planner or smth -> start studying. // need help? find videos online, go thru material again, find study tips, etc.

write them down. (helps you stay accountable. also people who write their goals down are 42% more likely to achieve them than people who don't write it down.)

create an action plan. (relates to the 2nd point. outline the necessary steps to take, identify resources, set milestones, plan for potential obstacles.)

monitor and evaluate progress. (regularly review your goals, mistakes, and progress. what could you do better to be more efficient and quicker? how can you learn from your mistakes?)

stay committed and flexible. (you really need to be committed to achieve the goals, you shouldn't just start off super excited, doing great in the first week then slacking off. you've made a commitment to YOURSELF. respect yourself enough to stick to it! but also be flexible with your goals. if you're reeeallyy not able to do it one day, plan to do a bit more the next day. stay focussed and don't get discouraged by setbacks.)

celebrate achievements. (recognise when you've hit a major milestone, and celebrate it! this helps you maintain motivation and a sense of accomplishment. and reward yourself!!)

random additional tips:

visualisation. (such a strong form of manifestation. everyday visualise yourself with your goals, feeling all the emotions and thoughts that come with it! visualisation can also really boost your motivation and drive to achieve it.)

PRIORITIES. (remember that also, all goals aren't equally important. prioritise the ones that really matter. this doesn't mean that you can't focus on the other goals, just make sure the ones that need more attention, get more attention.)

positive language. (use kind and encouraging words towards yourself. know and understand that you are that girl who can achieve ANYTHING she sets her mind to.)

seek support. (ask friends and family or a mentor for help. if you want, be careful tho, share your goals with them to help you stay accountable. and if you know a person who's achieved your goals, GET ADVICE FROM THEM! where better to get advice from than someone who's been through what you're going through?)

stay organised. (self explanatory. just stay organised. messy space = messy mind. clean space = clean mind.)

maintain balance. (of course your goals are important, but so is the age you're currently at. especially if you're a teenage, DONT WASTE THESE YEARS!! get out of the house! make friends! go to parties! LIVE LIFE TO ITS FULLEST. also make sure that you get the adequate rest needed!)

write about your journey. (write about the struggles, the obstacles, how you overcame them, insights you got on this journey, etc. trust me, it'll be so interesting and helpful to read when you're older.)

[cardentist]

"yes trans mascs experience transphobia, but there's no such thing as trans mascs experiencing bigotry Specifically Related to them being men/from being related to men"

my mom, after some time sorting her feelings and sifting through trans resources, was accepting of my being a trans person. it took work, but it happened. she sought out trans media from trans people, she took initiative to inform other family members and put herself between me and them.

and she completely refused to even start the process of Maybe getting me on testosterone for 10 years, until I aged out of being covered by her health insurance and couldn't afford to do it myself.

Specifically And Entirely because she was terrified that testosterone was going to make me an angry, violent person. that it was going to, in her own word, "give me roid rage."

for years she made vague pantomimes about eventually seeing about transitioning, but That reasoning would still come up no matter how I tried to explain it to her otherwise.

I am not a particularly violent person, if maybe stubborn. but that didn't matter. what Mattered is that my mother had a preconceived notion of what testosterone does, what Masculinity Does, and that notion was an inherently negative, scary one.

and Because Of That I was denied access to resources That I Need for Years. something that has carried over into the rest of my adult life.

and I see sentiments like hers online, even and sometimes Especially in trans spaces, all the time.

this vision of men as inherently violent, of masculinity as inherently dangerous, and the onus placed in the laps of Trans Men (and often, on Trans Boys) to diminish and shrink themselves to Prove that they're non-threatening enough to be tolerated.

and it bares pointing out that this Isn't just something that affects trans men. trans Women are just as affected by this association with maleness as an inherently corrupting factor. and so to are butch women and nonbinary people presented as violent and scary.

likewise, I see Similar sentiments pushed at butches and trans mascs that it's their job to Protect other people within the queer community, that image of violence and anger filtered through a softer light designating their Use. you're Allowed to be a Scary Masculine Creature as long as you dedicate yourself to protecting the weaker frailer other (which is, you know. Sexist And Weird).

but it's like. people don't Want to think about different kinds of trans and gnc people having overlapping experiences, so instead people like to decide which Kind of people are allowed to have this experience and cut other sorts of people out of those conversations.

it's not about what a particular person's gender or presentation Is, it's how that person Is Perceived and the way that they're treated Because Of that perception. sometimes this transphobia that fears masculinity looks like a perception of scary men trying to pretend to be women, sometimes it looks like a perception of women Becoming scary men, and everything that lies in between (with combinations therein).

finding a term that is used to describe this is Useful not just for giving trans mascs a way to talk about their experiences without encroaching on other conversations about transness. but Also in giving us words to describe a specific phenomenon that Can affect All trans people (and gnc people, and genderqueer people, etc), but that is difficult for us to recognize as a shared experience because people seem to think that sharing experiences is either impossible or a bad thing.

[andy-wm]

On a personal note...

This is a personal story, so feel free to scroll on past (if you're only here for the Jikookery I can respect that).

I'm posting this because it's connected to what Jimin and Jungkook (specifically Jimin) may or may not be doing with this album and their travel series "Are you sure", and by that I mean coming out publicly as queer and as lovers. If it sounds vague, it is, because I don't know what they're doing yet. I don't know how far Jimin is taking this or what direction he'll go. But if he is going to make his private life public, then my post is relevant even though my experience is a microscopic spec 0f what he will encounter.

I live in a conservative little town on the edge of a big city, we're almost the last stop on the metro train line. This place has 10 000 residents and a reputation for being a little on the rough side. It's not a bad place and the people are not bad people but they won't step aside if you pick a fight, lets put it that way.

There's one high school in our little town, and I am the school librarian. I also run the school's pride club and when I started it 5 years ago (that's when I joined this school) it kicked up a bit of a stink. The community had mixed feelings. I wasn't out as trans at that point, only as queer. The school principal supported the club but wanted me to keep it quiet (I didn't). She wanted me to be appeasing (I wasn't). And when we had challenges from homophobic students, she wanted me to 'let her handle it' ( I didn't).

I responded to bigotry with patience and kindness, modelling the behaviour I expected and having many many conversations about prejudice, the patriarchy, learned behaviour, fear of the unknown, and minding your own damn business....

When I came out as trans to the school community - changing my name and pronouns - I faced some real push back from both staff and students. Students were less openly hostile but sometimes the subtle attempts at bullying are worse. My line manager was really difficult about it. I was a hot topic of conversation. It wasn't a good time. But I stuck with it, partly because I couldn't go back and partly because the Pride Club students were so empowered by what I was doing. They thought I was really brave. I couldn't let them down.

It was a tough time for me personally. Every day was a struggle as I navigated my wavering sense of identity and tried to be true to myself. Most of my family and friends were okay with it but some were not. Some flipped back and forth, some thought I had lost my mind. I had to let a few people go from my life, including one of my closest friends. I've lost a few more since then. I've cried more in the past few years than I have in my whole life and I am pretty tough, so you gotta know - it was a lot.

Fast forward to now. The pride club is well established, homophobia still exists but it's less overt and it's no longer ignored, and we have staff who are active allies. It's definitely a success. Our students to have a safe place where they can be themselves, and slow change is coming to the culture of the school.

It has come at a personal cost though. Not a HUGE personal cost but enough for it to matter. I am recognised and known around town because, well, most people in small communities know each other. But more so because of my role in the school, and because I am the only out and vocal queer person on school staff (yes, there are other LGBTQIA+ staff but they keep it quiet, and I don't really blame them).

At school i still have to correct people on my pronouns on a daily basis, and occasionally a student will throw a comment my way but it's not often these days. I have to come out to all the new staff pretty much as soon as I first meet them otherwise it's awkward. It's just an everyday thing. It's not a big deal but it's tiring, and it's something cis/straight people don't ever have to think about.

What is tough, though, is sniping from the community at large every now and again. I have been targeted on community socials and I've had had some pretty brusque service from local shop owners and service personnel in local businesses. Sometimes I see kids from school at the shops and they point me out to their parents. I pretend it's because they're happy to see me (what the fuck else am I going to do - hide in the apple crate?) They may say a friendly hello... or they may following me through the aisles of the supermarket trying to menace me - yes, that has happened - I just have to wait and see.

I do have allies in the community too - like the gorgeous pharmacist who always gets my name and pronouns right and compliments me (on whatever he can think of) every time I collect my meds. There's a stern woman in the hardware store who makes a point of loudly correcting herself when she uses the wrong pronouns (often). I appreciate this, I really do, but honestly it would be great if she could be a little quieter.

I am not a celebrity by any means, just a small town school librarian. But wherever I go in my small town - to the doctor, the supermarket, the park, or the gym - there's a chance I'll encounter someone who knows my face. Sometimes that makes me nervous.

The point of this long and boring post is to give people who may not know what it's like, a bit of insight into the experience of a regular, everyday person who lives in a conservative place and who is both recognisable and queer. It can be exhausting, and from time to time I struggle with mental health issues. So I have no doubt that for people who are really well known, it would be much, much worse. They would be the subject of public debate on news sites and TV. They'd be tossed into arguments by politicians on both sides of the divide. They'd encounter hostility in person too, and that's really frightening.

So please remember that if the celebs you admire choose NOT to come out, it's because they've weighed up their choices and that's the safest option for them. Support them where they're at, so they can live their best life under the circumstances.

If they do come out, they'll probably need even more support. Please love them, defend them, celebrate them, and validate them. They need you more than you know.

And above all else, be a good human.

PS, no need to comment here, this is purely a PSA <3

[resident-idiot-simp]

Wolverine getting some of Deadpool's 4th wall awareness because of the matter and antimatter ordeal

Featuring: @existentialgaybirdnerd @steriotypicaloutlaw

(x)

More for @castielsprostate

Bird: Mind to mind communication using the voices even far apart

Ok ok but Logan who can now truly understand Wade and everyone is super confused by it. Also (I am convinced at least Vanessa thinks he's absolutely onto something so this just confirms it for her) But others start thinking Wade may not be completely insane possibly

On the other hand they now think Logan is insane as well which is just as funny.

But all of the small things that would change. Chef's kiss

Bird: They use the voices as a sort of comm link too, Logan can keep up with wade’s style of thinking now and can even finish his thoughts with him

But imagine everyone's reactions to the seamless communication between them. As well as Logan now talking into thin air like Wade does. It definitely gets people thinking

Ethan:

Now I'm just imagining a scenario where they're talking to Colossus or someone else and it's just

W- "Yeah, sometimes we finish each-"

L- other's sentences. It's really not"

W- "that big of a deal... And you were supposed to say sandwiches, we talked about this Peanut." Wolverine rolls his eyes and lovingly shakes his head.

(Bold is them both talking at the same time)

Bird: Logan would chime in with the wrong words sometimes specifically to fuck with Wade, and then when they’re both pissed they speak at the same time and in the same register and it gets creepy

Wade and Logan having conversations that make absolutely NO sense to anyone besides them. The boxes asking things or a conversation about other impossible things that others wouldn't know

Bird: There’s an entire four way conversation and the outsiders are only getting half of it lol

Also something that always gets me about characters being self aware is the implied idea nothing they do matters or it would hurt the others that are unaware. Well maybe more so the latter point. Because it doesn't matter if it's not technically real it's real to them so I just never like that argument. All to say I think Logan really just doesn't give a shit he isn't technically real

Bird: Oh absolutely not, Logan would have his first 4th wall break and just raise an eyebrow and look away and slowly as they happen more and more on purpose he does things to fuck with the audience

Wade talks to the audience to share a joke Logan talks to the audience to insult/mock them. Surprisingly it makes all the difference

Bird: Logan freaks people out by looking into the distance and spitting a kind of joking insult and then walking away

It also somehow convinces people that it's still definitely the same wolverine and he hasn't completely lost his mind

Bird: When people start getting more suspicious of him he’ll insult something and stalk off

Vanessa is elsewhere taking a victory lap. Also Laura is very confused but also falls into the they are onto something club. I feel like Al ABSOLUTELY believes they are onto something

Bird: Laura likes to try to spot what they’re talking to, looking in the vague directions they’re looking at. Al will simply hold out a hand to one of them, go “point me” and flips off whatever audience they’re talking to now

Al is to old and has seen (or not seen) too much and specifically lived with Wade long enough to know

A) He isn't insane

B) He's almost always right

C) he knows things he really shouldn't

Bird: And when Logan starts doing the same stuff and insulting the air instead of just joking with it, she starts asking to flip off who Logan is talking to and he’s all too happy to point her

And once they explain exactly what happens she's just like oh yeah that makes sense. She doesn't need more context

ALSO This makes them both anchor beings but specifically one anchor being. They merged they now have to both be there for it to continue to exist

What if this was the first time it has ever happened in the TVA want to just study them because how did you manage this??

I read a fic that mentioned this also almost seem to increase their powers slightly and I love that idea as well

Bird: Kind of combines them, makes the healing faster and makes them harder to hurt

It's barely noticeable but it's just enough to make them even worse to deal with. They become the bane of everyone's existence because they are now truly unstoppable

Also the X-Men are trying to figure out exactly what happened. It isn't working It can't really be explained well because Wade is just kind of beyond exclamation

Logan is just vibing now while being more immortal than ever and having a whole new world opened up to him. I imagine it gets to the point where he's learning more and more and he just starts pointing randomly at some of the people that come across and saying actor's names and Wade is just beside him nodding enthusiastically and praising him

[vasito-de-leche]

;R1999 - Self-Aware AU

Headcanons about an Alternate Universe in which everyone knows they're living inside a videogame. However, Vertin is the only one aware of the entity inhabiting her own mind, the real conductor - the "Player".

this is one of my favorite AUs to slap on whatever media I'm into so here we are <3 not sure if anyone's done this already, but PLEASE PLEASE PRETTY PLEASE link me if you've seen any other ppl write for this AU! this one and any actor AUs are my absolute fave

this is just a word vomit introduction for fun, to get the basic ideas out of my head, so I can start writing for characters individually!

Okay, okay! First of all, some context for the AU before I go deranged overexplaining my HCs!

Aside from the "Storm", there is something else that haunts the people of this world: the fact that their lives are nothing but a simulacrum, part of a game.

The requirements to obtain this "self-awareness" is unknown. Those within the Foundation believe it's related to their respective "roles", that only the main and relevant characters are given the chance to fully open their eyes to the truth. Those within Manus Vindictae claim that one must be strong enough to break through the fog of complacency and their assigned scripts, to have their full potential unleashed and obtain true liberation. Either way, similar to the "Storm", this is a well-kept secret for a very good reason - everyone wants to have the upperhand.

There is one outlier to this whole system. Vertin is not only aware of the truth of this world, but also of her duty as the eyes and hands of the "Player". She must experience it all for their sake. Or rather, whatever she experiences will be the story that the Player will see.

This applies to her suitcase, the place where the Player's influence increases tenfold, bending everything and everyone to their will through her own body and voice. The longer one stays within her suitcase - or within her general vicinity - the easier it is for them to become self-aware.

How does one become "self-aware" and what does it entail?

The requirements and the catalyst for a character to become self-aware are still a mystery. But that's mostly because I specifically wanted to keep them as vague as possible, to allow some flexibility for NPCs and other characters outside of Vertin's suitcase.

The whole process of gaining sentience or self-awareness is mostly described as waking up from a nightmare, or a very, very realistic dream. It's like a switch, something that happens in a second without any warnings whatsoever.

I like to think that most of the people who wake up are easy to spot, because it's a jarring experience and panicking is the most normal reaction - but that they're often taken care of by the Foundation or recruited by Manus Vindictae.

The levels of awareness also depend heavily on each individual - some only know that nothing is truly real, that everything they've done up until that point was just a carefully scripted lie, the most basic realization. Others can understand the rules that govern this game and use them to their advantage, either through observation and study or just inherently.

Overall, the experience of being sentient varies as well, with some describing a disconnect from their body, while others feel exactly the opposite. Again, keeping it pretty vague so that people can fill in with their own ideas!

I'll talk about Vertin's case in detail when we get to her specific bullet point, but the same way the Player is able to experience the "story" through her eyes, she's able to see the same things they do - this includes the UI, the menus and everything you can interact with in-game.

Vertin as a character and a vessel for the Player.

The most common thing I've seen in self-aware AUs in my years of fandom is to turn the player stand-in (the main character that serves for the player to experience the story through and/or project onto, depending on the genre of the game) into an obstacle, one that keeps the characters from truly interacting with the Player, capital P.

The second most common thing I've seen is to simply ignore the existence of this player stand-in and replace it with the Player themself, either through isekai methods or thanks to the customization the game allows, etc etc.

When it comes to Vertin in this AU, I know I want her to retain her role as the center of everything, instead of being sidelined by the Player. She's THE Timekeeper, after all.

There's still some details I'm trying to iron out, like whether she's always been self-aware or if she became self-aware at some point during her childhood at the St. Pavlov Foundation. But I like to think that her relationship to the Player is a parallel to her immunity to the "Storm" - neither of these two things are inherently good nor bad. Surviving the "Storm" is helpful, sure, but it's painful for her. Having an entity like the "Player" haunting her is scary, sure, but it can be an advantage. It's a matter of how she utilizes the assets she was given, since her adaptability and determination are big aspects of her character. Vertin makes up for her mediocre arcane skills with unconventional plans and strategies.

But this isn't to say that Vertin isn't affected by the presence of the Player. Ironically, she's the one person whose freedom is limited. During battles, her skills and Tuning are available to you, they can also prove to be vital to win a fight, but in the end you're still the one calling the shots and choosing when her friends get to attack. You're the one choosing the layout of the Wilderness. You're the one picking which one of her friends deserves to become stronger.

In the last bullet point I mentioned that some characters can understand the rules of the game - Vertin is the most extreme case, as she can see the same UI as you do. She learns the way you like to fight your battles, your own strategies, she can see this and more.

Overall it's a very complex dynamic. It's not as easy as saying that she likes or dislikes you, that she considers you a friend or foe. You're part of her, you influence each other in many aspects and are stuck together for reasons she can't even fathom. While you may be able to read her thoughts most of the time, she becomes invisible once you enter the suitcase - the main menu of the game. Sure, the character you selected to greet you every day is actually talking to her, not you, but she's out of your view and therefore, out of our range. That's when Vertin wonders the sort of person that you are, if you care about her friends as much as she does. Are you playing just to be entertained? Are you invested in these events? Will you be there for her until the end of her story?

Another detail I like to think about is that Vertin is the only one who knows your name. Because at the very beginning, you were asked to input a name and she was there.

[screenshot was taken from this video, since it's the first one I could find that showed this specific part of the game lol]

Well, "your name" not quite right - she knows that whatever you wrote there is the name linked to your account, at least. And that's the name she knows you as.

Those who take residence in Vertin's suitcase or spend prolonged amounts of time with her, growing closer to her and all, end up becoming self-aware. This is a direct side-effect of your presence.

I like to think that characters who reach the 100% Bond can begin to sense the Player, to see the world in a similar way as Vertin does. Maybe even feel their presence EXACTLY like Vertin does whenever there's a battle. There is someone else on the other side of this screen, the fourth wall, who watches over them.

To some, it's hard to differentiate Vertin from the Player, as they just go hand in hand - but Sonetto, for example, has the easiest time telling the two apart.

On the subject of freedom and acting out of script.

The Foundation, Manus Vindictae, Laplace... It doesn't matter if they're self-aware and acting outside of what their script dictates, because they're missing one key ingredient: you. No one else but Vertin and her group knows about your existence, after all.

They don't know that the only story that matters is the one that Vertin is part of. The one that the Player gets to see and read and experience. And because the game gives you a very limited view into the lives of these characters, you don't know what neither Arcana nor Constantine do behind the scenes. You and Vertin don't see that, therefore, it never truly mattered.

Those most likely to start "acting out" are the troublemakers within Vertin's suitcase. Characters who are too curious for their own good, who are more susceptible to supernatural entities, who are just too impulsive - they would start to test the limits and see how far they can go, how much they can interact with the Player. Can the game be broken should they end up shattering the fourth wall? Is there a way for the Player to communicate with them? What will happen to Vertin?

I like to think that Vertin probably supports this, as she's rather curious herself, prone to questioning everything. She would also like to learn more about the Player, to truly tear into the game and see the full extent of your influence and her freedom.

Sometimes, Regulus and X will change their usual voicelines, just enough to be noticeable if one pays enough attention. Characters like Sotheby or Leilani might slip up and address the Player, rather than Vertin. Lilya, Pavia, Bkornblume have new animations and different expressions, ones you've never seen before - they stare ahead, as if searching for something, and then smirk or hum to themselves, deep in thought, like they realized something you're not privy of.

Sometimes, if you leave them as your selected assistant on the main menu, you can catch them muttering to themselves - idle quotes you never heard enough, about the outside world. Diggers does this the most, it's almost embarassing how easy it is to catch him talking nonsense, followed by Sonetto. If you leave Medicine Pocket alone for too long, you might come back to a screen covered in weird scratch marks.

On the subject of these characters being curious about the outside world and all, I think that a good chunk of them are generally content with the way things are?

We have to remember that in-universe, they're arcanists displaced from their respective eras. Their best chance at surviving is siding with Vertin, and if Vertin is content with the way things are, then there's no point in trying to disrupt what they have right now. They're curious enough to prod, but only as far as Vertin allows it.

And I think that's it for the word vomit!

There are some details I didn't know where to fit in, like the possibility of the fourth wall slowly dissipating the more time the Player invests in the game, leading to some characters being able to directly hear you if you talk while playing and whatnot. Or what would happen should someone outside of Vertin's suitcase figure out the existence of the Player, let alone interact with you in some way.

Or the concept of death being meaningless, unless it was pre-established by the game itself.

In Borderlands, there's this game mechanic where you can just be revived over and over and pay a percentage of your money as a fee, even though the canon that's established is that you play through the whole story without dying a SINGLE time - because the revival mechanics aren't canon. There's the divide between story and gameplay. That's pretty much the standard. But what about the deaths in battles in R1999? The amount of times I died to 1.3's UTTU's Flash Gathering is insane. How do self-aware characters feel about this, now that they know that they're bound to die over and over and be brought back because you have to do your Pneuma Analysis or reach the final stage of Limbo?

But that's pretty much it for now, I think I got most thoughts out of my system! Thank you for reading!

[thyln4gf]

Friends

✞ You and Carlos have been best friends since forever. But is platonic love really everything that you feel for each other?

✞ Word count - 2,5k

✞ I have synesthesia! Heres 5 songs that I associate with this fic - "genie in a bottle" - Christina Aguilera, "friends" - Chase Atlantic, "a rash decision" - Ice Nine Kills, "sonne" - Rammstein, "dont be so shy" - Imany.

✞ Warnings - smut, unprotected sex (wrap the beast before the feast, folks), the influence of alcohol. I also wrote the most of it at like 4am, so pardon the quality of it, thank yewww x

✞ Carlos Sainz x fem!reader

As soon as you step into the house, a soft groan of relief leaves your throat. Your heels immediately get kicked off of your feet, and you dont even bother to fiddle with the straps too much. You had a long, long evening - formal settings werent exactly your natural habitat, but being there with Carlos made them much more bearable. You are his best friend, and he is a famous figure, meaning that he invites you to all sorts of events all the damn time. Speaking of which - he was watching you with amusement, completely aware of the fact that you werent exactly in a huge amount of comfort at the moment.

"And whos not making any sense now? I told you not to wear those." Carlos slips the comment your way, making you roll your eyes only hearing the three magic words. He didnt tell you everything, though - yes, he knew how uncomfortable your heels were. And yes, he also knew that walking in them sucked. But he kept something to himself - the fact that only the thought of those heels excited him, as he had always liked to imagine taking them off for you. He could vividly imagine kneeling right in front of you, taking his sweet time, kissing your skin everywhere that he could reach. He liked the idea of it a little too much, to the point he found himself disappointed when the sight of you kicking them off greeted him.

"I had no choice, and you know it. I had nothing else to go with this dress!" You complain, vaguely gesturing at the dress you were wearing - the tired whine in your voice was obvious. Carlos' eyes slide up and down your body as you did so - he had a chance, and he took it. God, he loved this dress - the red, short-ish dress with a slit on the side - the tattoo on your thigh peeked through each and every time that you moved. He got a sudden urge to bite your thigh right there and then, but he knew that hed be overstepping the boundaries.

All he does is let out an amused, half-chuckle type of laugh. He loved listening to your rants. And boy, could you do that just fine - your mouth never closed. And he loved it.

He started slipping his own shoes off, all while watching you walk into your kitchen - your movements were so smooth, to the point that he swore that you were floating sometimes. He doesnt want to have you out of his sight for too long, so he takes his shoes off just a little faster than he normally would, and following your idea of entering the kitchen. There he found you by one of the counters, pouring yourself a glass of wine. He lets a small smile appear on his lips - he just couldnt help himself around you.

"Tired, amor?" His voice floats through the air, smooth as butter on toast, and just as warm. He always used that specific petname for you, and only you. And youd be a liar if you said that it didnt make you feel some type of way - the tone he used never failed to turn you on just a little, despite you two being... friends? You werent too sure at this point. You just shrug at him as a response, still trying to grab a set of words that were coherent enough. You swirl the beverage in your glass around, eyebrows rising up for barely a second before taking a sip.

Yet another thing that he enjoyed about you - watching all those small habits of yours, which you probably dont even notice. He liked observing you, just looking at you. And he didnt even try to hide it - he'd just wink at you each and every time that you caught him doing so, with no shame.

He wasnt exactly shy, but when it came to you... he felt like he was a teenager all over again. You made his head spin, and it was a much more enjoyable high than alcohol could ever provide. Only the thought of you made his chest tighten, the air threatening to escape his lungs. He shouldnt be so nervous around you, he thought. He could get anyone all giggly in the matter of seconds. Proof? Charles. But you were a special case... thats for sure. The roles were reversed - you were the one that had him thinking about you all day and night, wishing to get out of the friendzone that everyone hated oh so much. He might have had a wank or two with you lingering on his mind - the way you smelled, the way your eyes looked at him. If the dictionary ever needed a picture to describe being down-bad, they should just stick one of Carlos in there.

After a minute of him staring at you with your drink, you look his way. It felt like a routine at this point - you look away from him even for a fraction of a second, and you know that youre going to see his goofy smirk staring right back at you. But this time... this time, something was off. You couldnt tell if it was the alcohol, or something else (you had a pretty awesome night, despite the event being a formal dinner, but thats a standard at this point) - he was looking at you with an almost... hungry look in his eyes. He looked like he was about to drill a hole through your soul, and was particularly enjoying himself, shooting the usual wink your way, before walking up to lean against the counter, right by your side. His thigh brushes against yours, the material of the suit against your skin almost making you shiver.

"You know what would make tonight even better?" He speaks up, his eyes never leaving yours. Hes acting all smooth and smug right now, but you could see him swallowing his own saliva, and his cheeks turning just a tad bit more red.

"Spill it, big boy. Im listening." You reply, your voice sounding just as seductive as his, almost making his brain short circuit - and you can see it from the way his grin makes its way back onto his lips. He had always found your teases adorable, honestly. Hats off for that.

"Well..." Carlos hesitated for a second, which wasnt like him at all - he was nervous, and it was an adorable sight to witness. "We could have the evening to ourselves and..." his eyes moved to your lips for a split second, letting his gaze linger on them for way longer than what he had considered the "safe limit". He only managed to speak again in a second, seemingly collecting himself a little better now. It didnt mean that his cheeks werent heating up in embarrassment, though. "Well, you know."

A chuckle slips from your throat upon hearing his offer. He was beating around the bush slightly, but not like you minded. You had always liked this goofball of a man, and his methods of getting his way. You never let them sink in deep, confused on his true intentions behind his actions. But something about this evening... the alcohol has hit your brain already, and awhile ago, and all you could think about was your friends lips all over you.

You down the rest of your drink, and put the glass down on the counter, a little to the right of you. You turn your head to Carlos, once again. He couldnt be more predictable - youre greeted with a sight of him staring at the hand handling the glass, then your waist. Eventually, up to your eyes. You stare back at him. You raise your finger to trace it along his jawline, his chin, the bottom half of his cheeks. He gulps, getting much more nervous than he was before.

"Youre adorable, did you know that?" You whisper right in front of his face, your warm breath hitting his lips. He doesnt even get to respond, before he feels your lips on his. His brain doesnt even register what was happening at first, but his body reacts way before his brain - his left hand immediately went to your hip, pulling you to his body. The other one is now gripping the counter, and he finds himself hoping that his knees wont give out. He could smell the cherry and cinnamon wine on you the moment you got closer, and he doesnt waste any time - he pushes his tongue out of his mouth, hungry and desperate to taste more. He groans, and your hand slides to his neck in response, gripping it ever so slightly, pulling him closer. He takes it as permission to shove his tongue even deeper, earning a little chuckle out of you.

Quickly enough, his other hand goes down to your hips as well, now caressing them with great intensity. The material of your dress slides up ever so slightly, and he just cant wait much longer - he lifts you without even trying, and places you on the counter. His movements are harsh and desperate, and he doesnt notice the glass. He knocks it over, and it shatters to pieces, right on the floor.

"Carlos..." you groan against his mouth, trying to pull away a little, so you could actually look at what just happened. You earn a sigh out of him for that - out of all the scenarios he had imagined of your first time together... all the circumstances of you moaning his name for the first time were not that. He clicks his tongue, and grabs your chin, turning your face to his, slamming his lips back on yours. It was almost like him saying that he really couldnt be giving less shits. He wanted you, and he was forced to wait for way too fucking long.

His other hand travels down to your thigh, now kneading it like his life depended on it. A moan slips from you, right into his mouth. The grip that you still have on his throat only tightens, causing his movements to become even more aggressive.

He tries to slide your dress up to your waist, but the fabric being trapped between the countertop and your body didnt let him. He lets out a slow groan of frustration. Desperate times call for desperate solutions, no? He leans you against his body, leaning back a little himself. That lets him pull the skirt up. He has barely even brushed his fingertips against your skin, but it was just enough to make your certain area feel a little tingly already.

He wants to take off your underwear as well, while you two are at it. He finds that his back cant take much more of being in this position, but he still hesitates about doing that, his fingers tugging the lacy material ever so slightly. You notice it, and grab one of his wrists to guide him to take those off, almost desperately. You can hear him sucking in a breath, but not resisting anything at all.

Once theyre off, he sits you back down to your previous position. His lips pull away from yours first, something that he never thought that he would be doing. He keeps staring into your eyes, his hands reaching to take his own pants off. This man had his tongue down your throat just seconds ago, and even that didnt make your face heat up more than this.

His pants are off in the matter of seconds. For a second there, he was close to fucking you just like this, through the hole his underpants had in the front. He ended up taking the underwear off as well, and it flied off even faster than the pants did, his boner getting freed as well.

He cant resist looking down to your pussy, already so wet and ready for him. So needy. You had always put up a tough demeanour, which you were trying to maintain even now. Adorable, he thought. He looks back up to your eyes while getting closer to you again, his palms landing on your thighs, spreading your legs just slightly. He was desperate, almost shaking with desire. But he still wanted to get your consent. God, you love men doing the bare minimum so much. All you can manage is a brief nod, and its all it takes him - he almost explodes on you. His lips immediately attack your neck, pressing multiple kisses everywhere that he could reach. He was never a man who liked to waste much time, and it shows - he gave his cock a few pumps before entering you right away, yet still taking his sweet time to let you adjust to him. He earns a gasp out of you, as you throw your head back. He cant help himself, and the kisses on your neck turn into gentle bites. You moan a little louder - feeling him on you, and in you was almost overwhelming, and you could already feel the knot in your lower stomach forming. Though, you werent sure if it was that, or his length hitting you deep. Or both.

He was even closer than you were. The precum has leaked long before he even took his pants off. Honestly... Being near you was almost like keeping an infinite edging streak - sexually frustrating torture. He thrusts into you for a few more minutes, and he already knows that hes about to cum. He groans in frustration (but only because you havent reached your high yet - he was disappointed with himself. But its not his fault that you were so... hot) and is about to pull out, but your legs suddenly wrap around his waist, pulling him closer right before he can do that. A loud moan slips from his throat, the warm liquid already filling you up so good. And you find himself shutting him up with a kiss - the sloppiest youve ever had at this point.

His movements stop, his mind hazy from all the pleasure he's receiving. All he can focus on is you, and only you. You were content with leaving things like this, you were honestly about to cum anyway. Just another minute of him staying inside of you... But Carlos seemed to have gotten a different idea. Suddenly, he's in a kneeling position right in front of you, looking up with his pretty eyes. His eyelashes are longer than mine... what the fuck?

However, your train of thought quickly melts away when his tongue makes contact with your clit. He wanted to go slow just to tease you, but all the pretty sounds you were making teased him instead, and he found himself speeding up just a little, making sure to apply some more pressure as well. And, soon enough, youre riding your own high against his face. Both of your breaths are heavy, and both of you could be found smiling.

You both forgot about the load in you, however. You were still bathing in the dopamine after-high, the satisfaction making both of your heads spin. He looked up at you, again. And right at this moment, marrying your best friend seemed possible - something you never believed in.

[yourstarstruckbeloved]

previous | how far can we go? — nine | next

a/n: YALL i think we have gotten past the starting hurdle! i feel like my writing’s gotten better than it used to be at the beginning of the series and parts are significantly longer now. :)

you open the door only a sliver, and quickly let xilonen and mualani in. the smell of tacos quickly fills the air, enough to make you forget all of your woes. “_____! are you okay?!” mualani exclaims and holds a hand to your forehead. xilonen sets a basket down on your dining table. “yeah, we met kinich on the way here, he told us you were sick.”

“i’m okay, you guys! i— i just didn’t want to, you know, leave the house.” you say and fix your gaze on the basket. “you got tacos for me? i love those! thank you!”

“we got them because you were sick but you’re not, so not anymore— what the hell is this?” xilonen picks up the letter on your table and quickly scans its contents. “that creep again?” you sigh and take a seat at your table. the foil on the basket tears away easily and you pick a taco out.

“please, you didn’t even know i was ‘sick’ until kinich told you,” your words come out mumbled between bites. “oh, he found the letter on my doorstep this morning before he left.”

xilonen hands the letter to mualani, who reads it with a scrutinising look on her face. she vaguely recognises the patterns and curves of each alphabet. “this handwriting looks VERY familiar to me, actually.” she spends the next five minutes racking her brain over who it might have been.

“what a pretty pair of earrings!” the man exclaims. “wanna have a closer look?” mualani smiles at him. the man nods and points to the specific pair, “that one, please.”

“that’s a great choice! for anela?” she picks it up carefully and places it on the counter with a hearty laugh.

“that’s fine, i’m willing to spend anything for her— could you wrap this up, please?”

“of course! i think they would really suit her.” mualani pulls out a box and a colourful sheet of paper and gets to work. she feels her heart warm at the interaction. “can i also have a piece of paper? i’d like to write a little note too.” she nods and digs around for a little until her hands encounter a scroll of yellowing paper and a pen. she tears off a corner and hands it to the man, who starts writing. mualani can’t help but look— she wasn’t prying into the contents of the note, but she appreciated the roundness of his letters and the little spirals at the ends of his sentences.

“oh, the absolute nerve of that twat to be pulling this shit while having a girlfriend!” you say as mualani finishes recounting her story. “i know, right— he really seemed like he loved her a lot, too!” she exclaims. and xilonen speaks up.

“so, do we want to let anela know?”

taglist !

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[deelavis]

I'm sure that some has talked about this before, but I have always been confused about Mello's reasoning for kidnapping Takada. I finished a read through of the Death Note manga recently and I FINALLY feel like I understand why. I'm going to break this down into 2 sections: Why he did it, and Did he intend to die?

Why he did it:

While I think it's meant to be kept somewhat vague for narrative purposes, the thing that I never understood fully was the wording in the scene:

Why specifically "his" name? Of course this line always made my little Meronia heart flutter, but before my manga read through I never quite understood it. If Near's plan to catch Kira went wrong, all of the SPK would die, not just Near. So why the emphasis on him? Especially if we are looking at a completely surface level reading of DN where Mello purely hates Near? But then I found this moment a few chapters earlier:

To summarize what is happening before and after these pages (Chapter 90), Near tells Light that there are 4 members of the SPK and that he is in Japan. He says they might meet soon. This is all coded language to challenge Light to an in person meeting. At this point Near admits that he doesn't have a concrete plan in place for confronting Light. But he knows they must meet Kira face to face and prove his identity by having a name written in the Death Note. This is prior to the SPK starting their investigation into Mikami. The part that stuck out to me was " When we meet Kira, the first person he'll write down is me, so..." To me this means that prior to finding Mikami and adding fake pages to the death note, Near planned to sacrifice himself to catch Kira if they didn't have any other options. This DIRECTLY correlates to Mello's line (read right to left):

Mello kidnapped Takada because he knew that if he didn't there was a good chance Near would die. This is literally the only reason that the text give us. Which leads me to our next part.

Did he intend to die?

While I've seen a lot of different takes on this, many of which I find very interesting, I now believe that yes, Mello kidnapped Takada with the intention to be killed by the death note. Here is my reasoning.

Mello knows better than anyone else investigating Kira how the death note works. Like L wanted to before his death, Mello used his time in the mafia to experiment with the rules of both the death note AND the shinigami eyes.

In the manga, Mello has one of the mafia members Kal Snydar (a.k.a. Jack Neylon) make a deal for the shinigami's eyes. Rod and Mello use Snydar's eyes to kill others for an extended period of time. This would give Mello at least a basic understanding of how they work; what face coverings inhibit the eyes, etc... And then after his encounter with Soichiro Yagami he becomes aware that there is always a chance that anyone associated with Kira could have the eyes. He also knows that Kira knows his name but not his face after the explosion. Meaning that he would know that the ONLY thing stopping Kira from killing him would be his face. Given that Mello never uses the death note himself but had other's use it for him, I believe that he also would theorize that Kira would do the same (such as X-Kira/Mikami, Misa, and Takada). Because of all of this he would be especially careful around anyone he knows has connections to Kira, such as Takada the spokesperson of Kira.

Moving on to the kidnapping. Mello wears a motorcycle helmet that appears to be tinted, but is clear enough to fully discern his face through. We know from previous instances that a dark tinted visor will block the shinigami's eyes from seeing your name, which most motorcycle helmets already have. Here is a comparison of a helmet used to block the face vs what Mello wore:

Mello specially chose one with a clear enough visor to see through. You could argue that he did this to show Halle who he was, allowing him to take Takada. However if this was his intention there were many other ways to make his identity clear to Halle without revealing his face. There is also the line on this page that intrigues me. "She's connected to Kira... Unless I do this..." The sentence structure implies that there is a direct consequence Mello envisions. Unless you do this...then what? Given everything else I have outlined above to me the implication is "Unless I do this then Near will die." You could argue that he’s thinking something like “Unless I do this then Near will win!” However, Mello has always been outspoken in his desire to be the one to catch Kira. If that’s what he was thinking wouldn’t it just say that? Whatever his reason is is something he can’t bring himself to say even in the privacy of his own brain.

If you were to argue that Mello didn't realize that his helmet was clear enough to see his face, this is then made moot when he takes it off in front of Takada. There was no reason for him to do this, in fact, there were a multitude of reasons not to. Even if Takada didn't have death note pages on her, Mello knows that if she escapes, Kira could easily ask her to write his name in the death note because she knows his face. You may then think "but why does Mello take precautions to not get followed and killed by Takada's men? He takes away and ships off anything that could be bugged and tracked including her clothing." This just further proves that he is trying to be killed specifically by the death note. The kidnapping is planned to a T, but he doesn't take the simplest precaution of concealing his face from one of Kira's biggest supporters.

So what was Mello’s plan? We know that Mello is someone who plans for a lot of different contingencies. We see this when he plants bombs through out his safe house in the event that he’s backed into a corner. Because of this I believe he had a few different plans. But no matter what his goal with kidnapping Takada is to force contact with Kira. In fact, Near thinks that Mello’s goal is to use Takada as bait.

What his exact plan was up in the air for me. He may have intended to be killed by her, thinking that she had access to a death note when kidnapped which would explain why he didn’t check her over before giving her the blanket to cover herself. He states that his intention of taking her clothes is to removing any tracers so her bodyguards didn’t find them. They make a deal that he will give her the blanket before taking off her underwear, where she’s hiding her pages of the death note.

Even if Mello didn’t know that you can used pages torn out of the death note, there are a few time in the series when a person hides a full death note under their clothes (Near being my favorite example). So it’s not out of the question that she could have had one tucked into the back of her underwear.

His plan also could have been to release her in some way so that she could get back to Kira and use the death note. Mello knows Kira has his name, now with Takada having seen his face Kira would have her write Mello’s name for him. Or it could have been that he intended to use her to draw Kira out and get killed by the death note in the process.

Going back to our first example from the manga, Near says "The fact that we replaced the pages in the notebook and the notebook happened to be a fake… I find it hard to believe that Mello thought that far ahead." I do agree with Near here. I don't think that Mello had figured out that the notebook was fake. But I do think that Mello could see that Near's plan had holes in it, and any mistake would result in Near getting killed. His solution was to be the name that was written in the book instead. You can argue in a lot of different ways why it was important to Mello that Near lives. Such as, Mello knew that with Near dead he didn't have any hope of catching Kira by himself with all of this resources and allies depleted. Or my favorite reason, despite his protests Mello deeply cares for Near and was willing to die if it meant Near would survive.

Please let me know any of your thoughts!