#but this made me scream cry

[lailas-in-space]

Imagine your OTP 🥰🥰🥰🥰

[starsarestaringatyou]

Narumitsu reaching the 10k fics on narumitsu day is just peak planet alignment

Congratulations to the gay lawyers

[hi-im-just-a-fan-here]

More Jordan and Hennessy, Jordan Hennessy fanart I made. Feeling v artblocky lately but we persist

[oldbutchdaniel]

i’m literally soo addicted to the idea that armand continues to visit daniel and make him forget for decades after they first get together. armand needs to read everything daniel’s ever written and needs to own signed copies of all of his books and needs to be there in the background from all his major life events. he’s there as a shoulder to cry on at the end of his first marriage, and again at the second. he’s the stranger at the bar who daniel tells about his daughters even though his relationship with them is crumbling. i need armand to be obsessed with daniel in every way he can manage and daniel to reciprocate every time. i need daniel to start aging and armand to be more excited every time he sees signs of it, and daniel — before he remembers — is confused and flattered and fond of the beautiful young man who curiously combs through his gray hairs and prods at his new wrinkles. and every time daniel remembers he's more angry, more hurt, more willing to beg (or demand) for armand not to do it again. and it gets more difficult for armand to do it every time, but that doesn't stop him. why should daniel remember how much he loves him?

[hothotpot]

Literally had to pause my game so I could be unhinged about this for a second. Not only do you get +4 (PLUS!!! FOUR!!!!!) from Kim being with you, but you ALSO get +1 from HAVING HIS HANDKERCHIEF!?

Harrier, you are out of your mind in love with this man and I am right there with you.

[sporeclan]

< Previous | First | Next >

So. I was not messing around when I said this one would be severe.

[reapersynth]

Men are not a new sensation // I've done pretty well I think // But this half-pint imitation put me on the blink // I'm wild again, beguiled again // A simpering, whimpering child again // Bewitched, bothered, and bewildered am I

[shorthaltsjester]

there are literally no standouts in downfall because everyone sat down at that table and said hey you wanna see something cool and proceeded to Become their characters but idk if it’s because they’re beside each other and that aids the dynamic or just because it’s the delicious similarities and insurmountable distance between the god of death and the god of (in various ways) life but ayden and emhira’s interactions were so chewy and delicious. i’ll be thinking of their exchange fairly early on after ayden cast lesser restoration on that old man and emhira not cruelly but just simply stating “you cannot heal everything.” and ayden’s equally simple reply “we can always try.” emhira seeing the family trist has built and wondering at the presence of children, “surprised there is laughter in such a horrible place” and i know she’s speaking of hawk’s hill but i wonder if she is also speaking of exandria itself in some ways. the delicious space between in and out of character that only really happens in improv stories where as brennan is narrating and says “in this dark room” and nick interrupts and adds “it is not dark.” brennan’s incisive point in the cooldown that while the love that ayden and trist have for mortals and for exandria is warm and the kind of love someone would likely Want from gods, there is something maybe more honest or whole about emhira who says . actually these mortals are little shits that will kill you not because they fear you but because they hate you. whose very existence should be (and still often fails to be) a reminder that the gods can be usurped by mortals. the insight nick shared in the cooldown that ayden does not forget emhira’s origins but in a way dismisses them, that the god of death is a different beast. ayden wanting to find. way to save the people of aeor, insisting that the prime deities Win if they can find a way to do so. emhira reminding everyone that death is inevitable (and she does not add anything to clarify that she intends such a statement to only exist for mortals) as she argues for them to work to take down aeor and the people in it. the fact that the god with the most present connection to mortality is also the one given the most explicit clarification that she Is the god we know as SILAHA calls her the matron, brennan’s narration clarifies purvon is her champion, taliesin as asha asks for clarification on the recognition of emhira as a god and prompting the familiar spectre of a woman in a white mask.

i want to be very clear that when i say there are no standouts i Mean it because i’ve been awed and endeared and intrigued by every single character choice everyone made and as always brennan’s narration is so incredibly well suited for the mission impossible greek tragedy vibes that comes with this story and i’m so fucking delighted by the fact that laura, ashley, and taliesin are playing gods that their characters have known quite well in the past. i’m incredibly excited by what we’ve already gotten to see from abubakar, nashir, and nick and cannot imagine what other greatness is to come. i’m psyched to see the relationship between asha and the law bearer and am delighted that (perhaps for now perhaps for the whole arc) it is being seen through the lens of “my wife promised me a visit with apples and all i got was a rock ice emissary”. i also have many incoherent thoughts about the fact that, of the players who appeared as the same character in the opening and the story, taliesin’s ash and asha are the ones whose name remains the most unchanged.

i’m obsessed with the fact that this creature sent as a stand in by the god of law and duty believes his primary gift is love. while there is a certain mourning and sadness to every god we see, that SILAHA has a certain playful whimsy and jofyful curiosity about the world. that the only one of them who has been mortal before stops to steal an imp necklace from the neck of a drunk on the train (and that moment between brennan’s narration that this man will be dead by morning but, with death standing invisible in front of him, he is incapable of seeing it coming, and then laura as emhira breathing in deeply and brennan having that spark a coughing fit. they are Story Telling). asha seeing the erased image of a god, of a family member and saying “there’s a hole in all of us.” brennan narrating “this is a place where they tried to kill a story. it’s a very frightened thing to do.” (and god. the motif of fear. especially given the very present fear felt by the gods in current day exandria. they’re doing insane things in the critical role 3 part departure).

trist reminding ayden “he never tells the truth” and asha contesting “he only tells the truth, it’s just rotting.” emhira and asha both as perhaps the less Good™ much more neutral but doing so in such different ways, asha as bitter and hungry while emhira seems uncomfortable but there’s a familiarity and a certainty in her discomfort with mortality (the law bearer would also be included here but the emissary seems much more like trist and ayden (for now) than emhira or asha). something as insignificant as trist and her husband speaking to their children and affirming that little lies are okay while trist has lead a significant part of her life likely dishonest about who she is. the fact that there’s a certain childlike quality to the emissary who they’re all charged with ensuring makes it to the end of things even if they cannot. the fact that nahal (unclear which god they were, and i’m assuming it’s the first god of death but regardless still an absolutely compelling development in a short amount of time) in those opening moments is horrified by the concept of away which is unfamiliar to them only to soon after look upon their family and say. maybe away was better. Especially if those were words spoken by the god who would one day be replaced. these three episodes are going to haunt me and i’m excited to meet the ghosts.

[kevinsdsy]

cat alvarez you would have loved chatting with neil josten about the ravens being a cult <3333

[spookys]

When I choose to see the good side of things, I'm not being naive. It is strategic and necessary. It's how I learned to survive through everything. EVERYTHING EVERYWHERE ALL AT ONCE (2022), dir. Daniel Kwan & Daniel Scheinert

[maesvtro]

wonwoo's maestro mv action practice sketch (aka how to fuel my actor wonwoo agenda)

[joinmeinjoy]

knight hob knight hob knight hob

[irisbaggins]

Spoilers ahead for the finale!

An aspect of the final battle that got lost after Viola's amazing attack, was the fact that Tula nearly killed her son. And that, I think, is something I would really like to delve my teeth into, to properly look at what happened.

The thing that struck me the most during Tula's attack on her son, was that Jaysohn did manage to snap her out of it. In the context of the story, Jaysohn grappled his mom to get her to stop, and even after getting viciously bit by her, he still managed to get her back to herself. He managed to get to his mom fast enough, and used himself to protect the others from the mindless being Tula had become. And, even when faced with near death, this little kid manages to get back up and attack the creature that did this to his mother. Not once did he blame her, having understood enough about the situation to realise his mom was not in control. He knows, he understood, that this was Phoebe, not Tula. And so, the moment he is able to free his mom, still wounded and near death's door, he goes after Phoebe so that his mom won't be taken again.

Tula, however, was aware of everything she did to Jaysohn. She was painfully aware of how badly she hurt her son, how she nearly killed him. And, as Brennan describes;

She is broken, in a way she has never been before. She nearly killed her baby, used as a puppet because she's alive when she should have been dead. The Blue that keeps her alive is what nearly caused her to kill her son. Tula nearly lost everything, yet, once more, it was hope and love that brought her back once more. Her son brought her back.

However, she was silent for the rest of the battle until Phoebe finally fell, and Jaysohn nearly died. She was quiet, too horrified with what she nearly did. Perhaps, had more time been afforded to that moment with Tula and Jaysohn before he decided to retaliate against Phoebe, there would have been...something...that went on. A focus on the fact that it was Tula who went for another member of their family, whilst Ava went for the ground and the reactor. What would that do to her, I cannot help but wonder. What did that do to her, in the immediate aftermath, when she could slow down and process what happened. She must live with the knowledge she nearly killed her own child, and that, had he been just a little weaker or just a little slower, she would've succeeded. She might have been able to bring him back, like she did with Sybil...but she would have to live with the knowledge that she took her son's life. And that thought is horrifying.

Yet, it makes her gentleness with Lukas later all the more significant. Even with the blood of her son on her hands, she still chooses to hope for a better tomorrow. She still chooses to give Lukas - and herself - another chance, another tomorrow. Bad things could have happened, but they didn't, and they all made it out. The "what ifs" will remain in the shadows, in the nightmares, but in the daylight, she will keep her head high. It doesn't lessen the impact of her deeds or her burdens, but it can make them bearable. And, with the addition of her son's refusal to blame her, it makes it just the little easier. She deserves a new tomorrow, too.

[paula-dot-jpg]

Puffries!!!!!!!!!!! yippee!!!!!!!!!!!!!!!!!!!!!!! wahoo!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

[jacobglaser]

→ Every Aziraphale & Crowley touch (part one of two)

[lansangprincess]

i dont know how i can forgive the writers for giving me "you're my too much" from Darren in S1 for them to then say "the world can't always follow your rules" in S2 😔