#but this is something that has been accepted as canon for years

[lover-of-mine]

also the way those same people are rewriting canon and claiming that chim and hen are perfectly fine and even friendly with tommy is such a stretch??

hen said they didn't keep up with ANYBODY from the old 118. chim calls in 2 favors with tommy with the context of tommy being indebted to him for saving his life, not because they're buddies. the deleted henren interaction with tommy post medal ceremony is so telling and even if it wasn't canon it was released to set a certain tone and set expectations within fandom during the hiatus when it comes to tommy's acceptance by the core 118. anything bobby says about tommy when he's actively suicidal and mentally trying to tie up loose ends and in his mind finish what he thinks was his entire purpose of surviving the fire in MN cannot be taken at face value at all. eddie canonically hasn't shared alone time with tommy or interacted with him at all really since buck started dating him.

just, they're not friendly. they're not friends. they tolerate him because as far as they know he currently makes buck happy and that's what matters and he hasn't fucked up majorly yet, but he's already on thin fucking ice with henren so.

also, as always, i'm a big proponent of show don't tell, especially with redemption arcs as big as tommy's needs to be, and so far we've neither been shown nor told so.

The thing with Chim and Hen and mentions of Tommy past Chim begins, is that the show shows them being "friendly" in that very I need to work with you setting. Hen saying "I wouldn't call some of those guys friends" or Chim telling Hen "do you think these guys are inviting the Asian guy to their house" do show that things are surface level, I agree. Like, be fucking for real, Tommy has knows Chim for 20 years, they worked together for 13/14, and Tommy wasn't invited to the wedding, there's not argument to be made that they are friends. Bobby was actively on a goodbye tour and even Buck was "how do you know" to Bobby's comment when he could've said "yeah, I know, I really like him" (also why we acting like Buck the yapper Buckley not talking about something is a good thing). I have no proof that Tommy evolved as a human because even the change in the way he acts towards Chim is based on the fact that Chim saved his life, is based on getting something out of him, not an actual change in belief. The show very much did not try to redeem him, they just ignored the issue, so I don't have to forgive him for the way he acted then.

[fanfic-writer-and-rambler]

This is a headcanon, most of this is my fanfiction headcanon. Gotham Academy kind of just stopped from what I remember and it didn't feel like it had a final conclusion so this is my crossover if Olive Silverlock ever met back up with Batman and his second son. Might convert into a fanfic chapter if you guys like it, but be warned this is canon divergence mostly.

Olive Silverlock , holding a giant dagger, walks over to Batman who is with Red Hood and Damian Wayne (dressed Robin). Batman steps behind Red Hood.

Olive: Batman- Could you move please, taller man?

Red Hood: Oh sure.

Batman: You're not even going to restrain her?

Red Hood: Nah she looks like she's on a mission and I respect it.

Olive: Bat- Thank you- Now Batman, there's nothing to fear. Yes, for some time, I wanted to ruin your life. Not kill you, oh no, I wanted your life to be filled with pain and devastation, a metaphorical inferno. My years in hiding, accepting my role as Calamity has been... Eventful, but my mind always remembered you.

Batman: Olive, you're not in the right state of mind, but I can help you.

Olive (cackling): I love this new life, embraced the curse. The fire that leads me through life is the only light I see. I'm not going to hurt you though, I hate your guts, that's all. This dagger is just what I carry to look intimidating.

Red Hood: It works for you. I like the rainbow color.

Olive: Thank you. I have pyrokinesis powers so yeah this is just to look cool. I wanted to burn your house down as well, Mr. Wayne.

Batman: What?

Olive: Oh honey, it was not difficult to figure out who you are. Bruce Wayne, billionaire, too much time on your hands, wears a bat suit.

Hood: Accurate.

Batman: Red Hood, shut up.

Red Hood: Nah, continue Olive.

Olive (moving her knife to an unconerned Damian): Damian Wayne, stands to your right. Manipulated Maps to his side. This guy though... I don't know you. I'm Olive.

Olive holds out her hand in front of Red Hood. He shakes her hand back.

Red Hood: I'm the second Robin or was the second Robin, but then I got murdered by the Joker and he didn't kill the Joker, stayed dead for like 2 years got brought back to life through very convoluted means... they make sense in context, but still crazy when you hear them and now I'm Red Hood, nice to meet you.

Olive (snide): Of course, Mr. Justice couldn't even kill this guy's murderer, bravo Batman.

Damian: That's his son by the way.

Batman: Why would you tell her that?

Olive (glaring at Batman): Hood man, need me to give him a quick poke for you?

Red Hood (shakes his head chuckling): No, I'm over it. Are you okay?

Olive (shrugging): I'm adjusting, but it can be tough at times. Finding a place to live is especially difficult.

Red Hood: I get that. B said he could help you, but I feel like I might be a better aid for you. It will not be an easy journey, but you seem like you need better adjustment to life.

Batman: I -

Olive: Oddly enough, I trust your vibes. I'll take your offer, but what's your actual name?

Jason removes his helmet so that Olive can see his face.

Red Hood: Call me Jason.

Olive: Oh, cool we both have white hair.

Jason: Works out doesn't it? Come on, I'll get you something to eat.

Olive (flipping her dagger and catching it with ease): Works for me.

Olive walks off with Jason as Damian and Batman watch them leave.

Batman: What actually just occured here?

Damian: I think he made friends with an insane teenager. Good for him that might be his adopted daughter now. I'm not going to lie.

Batman: Why is this normal to me?

[the-blossica-fan]

Blossica and A Nightmare At Green Lake

An analysis made by THE Blossica fan

Why do I love Blossica? Why is it so important for A Nightmare At Green Lake? Would the story be the same without it?

In this long rant I call "Analysis", I will tell you my thoughts, the reasons and MY opinion on this ship and its importance to the entire event.

It can not be yours, and I'll gladly listen to your thoughts and reasons, but here's why it is so important and the story wouldn't be the same without it.

It has been edited, there might be some more changes if I see any inconsistencies.

Let's start by what most people call this ship, Childhood friends to lovers. I've seen a lot of people call it that, and while it's not wrong, it's also not right.

The better term Is "Childhood crush", as Blonney (Jennifer) is Jessica's childhood crush.

Must take into account that Blonney never knew of Jessica's existence, the OG Jessica was Blonney's imaginary friend, Changeling/Jessica just happened to hear it and thought it was Blonney giving her a name.

Why childhood crush? Well, it's pretty easy to know that Jessica's infatuation that persisted through the years is far more than just friendship. From things like reviving all the stories she told, retelling them and even exhausting them for everyone else.

It's also not a secret that she has probably been looking for someone to replace Blonney's space in her heart, which is why no one has ever seen as interesting in her eyes.

In Vertin's words "What happened to those people that accepted to stay with you? When you ran out of available games, they were no longer adored by you. I can stay longer than them, but with no exceptions. I'll become boring one day." These words are a hint to something.

No one can replace Blonney's place in Jessica's heart.

And, what about Blonney?

Blonney is definitely a lesbian, but this is no headcanon, in fact, I'd argue this is definitely canon. From design hints like those hair clips (this is Bluepoch, they pay heavy detail to their models, this is definitely not a coincidence), to even more hidden hints in her stories.

Since a child, Blonney has been writing in her diary stories, but you know what's interesting? Blonney describes the women as beautiful, like in the story about the dead bride.

A bride that looks for other happy brides? Mmm, doesn't it sound weird?

Blonney also describes Anne/Anna in extra detail, as if she had some sort of fixation with her. Let's remember that this description of characters is not only a script, but Blonney's own thoughts written on paper. When she criticizes herself, saying she'll pay for her doings one day, it feels crude and out of place because that is what she thinks about herself: That she'll pay for being a liar and mean (an arcanist and a lesbian)

The event itself also tells us enough for it to not be speculation, but absolutely straight up in your face.

Blonney's denial of her arcanist self (she punched Jason and yelled that she was not an arcanist, for those with internalized homophobia, this is a common reaction. Anger), the iconic couch scene and later on, her discussion with Jessica.

"How many times do I have to tell you how much I hate being called an arcanist", this is similar to a reaction I had before, denial and anger. In this case, and during the entire event, "arcanist" is used as an allegory.

For fuck's sake, Blonney was CUDDLING with Anne right BEFORE the iconic couch scene. Jessica/Anne is the one that made Blonney start to accept that side of herself, alongside with Tooth fairy's guidance; a professional lesbian.

"You seem to really like me. You would jump off a car to rescue me, you protect me, praise me. You would even be happy because I was happy." "Because I've never seen anyone as pretty as you are. You're special, you're different to the rest of us"

Oh God do you see that? This is flirting.

And while some might say Jessica doesn't know what romance and what liking romantically means, I'd argue otherwise.

Jessica does know what romance is

Let me tell you quickly. Jessica said in "The nightmare of green lake", she has met a couple of people who have different relationships with each other. She has even interacted with them, as in, she HAS talked to them. She has 6 people (excluding Michael, Jason and Freddy) in a cave, she knows some stuff.

When she says "I like you", she knows what she means. Her desperation to get Blonney to stay is not only because she doesn't want to be alone, but because she wants Blonney and ONLY Blonney to stay.

It's possible she's not sure she's in love, but she knows her feelings go far more deep than just a normal friendship. Plus, she has lived with Blonney's childhood stories, and those horror stories do have romance (The pathetic bride includes romance, Jessica is the one behind the pathetic bride, she knows). She's not oblivious nor stupid, she's just inexperienced. She knows she likes Blonney more than a common friend (based on how she treats others), and I think she would never like anyone that's not Blonney.

And what about their relationship?

People think they're master and pet, owner and pet, and I don't think they realize how deep that goes. Blonney is definitely in need of a person like Jessica, who fully supports her and her unique ideas. Jessica loves Blonney unconditionally, there's no reason to not think so. Their relationship is perfectly healthy, Jessica loves being adored and treated as a pet by Blonney, and Blonney is happy to see her happy.

That line of dialogue about a collar, despite how sexual it might be, is made out of innocence. They're not just master and pet, they're girlfriends and, don't we all have weird relationships with each other? They're happy, they're good for each other and are what the other needs.

So... What's their importance to the event? Are they really that important?

Yes.

The event wouldn't exist without that crush and romance. If Jessica didn't think romantically of Blonney, the event would be different, she wouldn't try hard enough to just keep Blonney and much less plan to get rid of everyone around Blonney so it's just the two of them.

If Blonney wasn't in denial of her homosexuality (and arcanum?), the event wouldn't be about accepting yourself as you are, it wouldn't be a story about coming out and the morals wouldn't be as impactful.

It would be a lackluster event.

Their relationship with each other is of heavy importance because it's that crush and denial that make up the entire story. The horror is just a side dish, the murderer and all of it, because this is not a horror story.

It's a love story

"I don't care whether my parents allow it or not!"

"I will quickly reveal this true look of mine, and everyone will look at me as if I've done something wrong"

Huh? Are we still talking about arcanists?

These lines are out of place for a 'friendship', or a discussion about staying or not. This is romantic, and especially in the homosexual way.

This true "look" of mine, doesn't it mean love? People do look at same-sex couples as if they've done something wrong, and while Jessica is talking about her changing abilities, we all knows this is about her crush on Blonney and how society would look at her wrongly.

Because, if she truly didn't know about her crush on Blonney which is the basic of all; everyone knows about crushes and romance, then how would she know people would look at her wrongly?

"I don't care whether my parents allow this or not"? Is a line said in ROMANCE. All romance stories with a 'secret romance' have this sort of line, whether straight or gay, this is a basic must-have in this sort of relationships.

She's not only talking about Jessica's changing abilities and arcanum, she's talking about her own blossoming love.

Especially when Jessica asks if Blonney liked her story, she's seeking approval and a hint Blonney will stay by her side, this is a confession. Which is why she gets so down when she gets a "yes, I like it very much". That's not a yes, it's a dismissal, a 'not so important' thing. This is a rejection of her feelings, even if on accident.

And, why does Vertin intervene? Why does she have the talk to Jessica about staying?

Because Vertin more than anyone knows what it's like to let go of a lover, she knows about not being able to confess in time and she knows that if she doesn't intervene, this will be like her and Schneider all over again. Regrets. She's being supportive, she's trying to do what she couldn't do. She's playing cupid.

A place where no one would judge Jessica for her looks, also known as the homosexual suitcase. We all know that no one in Reverse is straight, or at least, 99% aren't. We all know no one would bat an eye if a deer girl was kissing an 80's horror movie girl in the middle of the wilderness.

This is the perfect place for both, Blonney and Jessica, a place where they can be together while not being judged.

And what about Horropedia, Sonetto and Tooth Fairy? What part do they play in this Horror story?

Oh, they're very important as well. In fact, all of them are.

Horropedia, despite interrupting the girls RIGHT BEFORE KISSING, is the reason they're there. Without him, this would be a psychological horror story. And Blonney and him are the wlw and mlm hostility, they're so hating on each other but they do care. Sonetto has helped Blonney in silent ways, not only by helping her become more herself and supporting her fully, something she needed, but she's also an example of someone who's tied down. They've become good friends because they both used to be in similar situations mentally and emotionally.

But out of the two, Tooth Fairy is definitely the most important. She has gone through the same experiences as Blonney. Arcanist living in human society and a lesbian. She knows what Blonney is going through so she's helping, in her own way. She's the one who makes Blonney start to accept herself, to accept the fact that she is the only one Jessica wants and the one who understands her the most. Blonney softens because of both, Jessica and Tooth Fairy.

Tooth Fairy was the key to Blonney's acceptance, and it's because of her talk to Tooth Fairy that Blonney treats Anne better, that she's willing to share more of herself, that she's more physical. It's not a coincidence that after slowly accepting the fact she's an arcanist (lesbian) that she gets more flirty and physical with Anne/Jessica.

This entire event was a way to talk about coming out, and I've watched this event so many times I wrote this out of memory. It feels this way because it's INTENDED to be that way. It's real, it's crude. It's so direct because that's what it is.

A coming out story, a horror story

A love story

[kateis-cakeis]

I think what really gets to me with the finale is that Merlin was so close to getting Arthur to the lake. Yet, there was no plan beyond that. It's like even if they did get there, who knows if anything would have happened.

The idea that there was still more tragedy awaiting even if they made it, that yeah despite all of Merlin’s magic, he couldn't save Arthur's life.

It was always the possibility of the Sidhe, but there was no guarantee. It was all hope from the start, endless hope that failed them in the end.

Because well, it was always supposed to happen like this anyway... Arthur was meant to die so he could rise again, there was no alternative

[ikosburneraccount]

drop your unpopular tlc opinions in the tags

[yandere-writer-momo]

Yandere Head Canons:

Sacrificial Bride

Yandere Dragon Shifter x Princess Reader

TW: Yandere behavior, manipulation, Somniaphilia (suggested), delusional yandede, complacency, etc.

Feroc the Ferocious was the kind of dragon who would bring any silly knight to their knees. The kind of dragon that inspired legends and stories to be written in books. The kind of dragon that was larger than any castle human like could ever dream to build. The kind of dragon that could decimate a kingdom with a single breath of his fiery flames if he was angered… the dragon that your own people sacrificed you, the princess, to in order to save themselves from his wrath.

And so they bound you up and threw you before him. Your own father on his knees as he begged the great dragon for mercy in exchange for his own flesh and blood… the kingdom’s most prized beauty in exchange for peace. An offer Feroc quickly accepted before the king could utter another word!

Dragons collected beautiful treasures! Dragons hoarded their treasure in caves and abandoned castles fad from prying eyes… and unbeknownst to you, Feroc found you to be rhetorical most beautiful

For dragons, a sacrificial spouse was an ancient tradition and this was the first time he’d been offered such a perfect bride! How could he refuse you? Especially when your own people begged him so prettily? Would you beg for him just as beautifully one day?

And so you were scooped up in his ginormous talons and carried away in the sky to a lone tower deep in the mountains. Your new home… your home with Feroc.

You could recall how scared of him you used to be. You’d heard from many people of how this giant scaled beast before you was a man eater. Of how he swallowed many knights in his time… yet this dragon seemed so shy from your experience so far. Skittish even.

Feroc often brought you various jewelry and fine silks from his daily raids. There wasn’t a day that went by that he didn’t bring you a gift of some kind. His molten eagerly studied your form despite his persistent silence. Feroc’s company disturbed you as much as it comforted you.

It took a month for him to speak to you. His accent was heavy from the olden tongue he spoke but he knew the same language you spoke. His voice was booming and low, it could easily strike terror in others… but for some reason, his voice calmed you. Perhaps loneliness has finally crept its fangs into your heart? You weren’t sure…

Feroc would bring you anything you wanted to eat. Within means, of course. He’d bring you delicacies he’d likely looted off some poor caravan if you said you wanted sweets. There was no extremes he wouldn’t go to for you, which was odd since he was a dragon who’s been around for hundred of years… why did Feroc have such an interest in a human princess?

One day, you had a nightmare of a man standing in the corner of your room. Your scream in the night quickly alerted your guardian who peaked his large eye in your room in worry.

“Princess? What’s wrong?”

“I just had a nightmare… I thought there was a man in my room.” You wiped the sweat from your forehead while Feroc clicked his tongue.

“No man could ever scale his tower. I’m the only one who can enter. I’d never let anyone harm you.” The red and black dragon grumbled, his molten eyes glanced you once over. “Why? Do you… want a human companion?”

“I do get lonely sometimes.” You admitted to Feroc . His eyes now filled with hurt. “I do enjoy your company but… I miss being able to touch another human.”

Feroc didn’t understand your sentiment. He was a might dragon! The strongest of his kind! Feroc has proven himself to be the best of mates to you and yet you were still displeased? Was it because he was a dragon? Would you be happier if he showed you his other form?

“I’ll figure something out then… get some sleep.”

Feroc now snuck in your bedroom when you slept. He ghosted his clawed fingers over your oblivious form in wonder. His clawed fingers were too sharp, he’d have to dull them more… he didn’t want to cut up his pretty princess!

Feroc’s gentle touches progressed when he noticed how heavy of a sleeper you were. His desire to see what made you human drove him to insatiable heights. No area was left unexplored with his eyes. He needed to be perfect. Feroc had to be compatible with you. You and him were going to have young one day, after all! Feroc didn’t want to harm you in the process!

Feroc was able to mold his body into a perfect man. Once that was the perfect size for you, yet still immense so you’d know it was him. Feroc now stood at a massive seven feet tall rather than the hundred feet of his dragon form.

Yet there was a constant fear within him that you’d die of old age or of natural causes… Feroc knew humans were fragile creatures so he did what he had to. Feroc shared half of his heart with you while you slept. It was a simple spell and a painless procedure for you. One that would benefit the both do you in the long run!

If one of you died, the other would! You’d never age! You now shared a lifespan with him. Feroc couldn’t wait to tell you once the two of you made everything official!

It took another month for him to reveal this perfect form to you. Feroc had to let the excitement die down from sharing his heart with you so you didn’t freak out! Humans were such finicky creatures, after all! And he’d be an awful mate if he frightened you with a subject you had no knowledge on…

All you needed was to see this devilishly beautiful form of his and you’d be bewitched.

“Look at us… we’re so beautiful together.” Feroc whispered into the skin of your shoulder as he admired your reflection beside him. “I think I’ll find you more gold to decorate you with, my treasure.”

“Feroc, I don’t understand.” You jump when Feroc dragged his forked tongue across your exposed shoulder.

“You accepted all of my gifts and you’re the only one who suits me.” Feroc hissed his obsidian eyes flashed a bright gold. “Wouldn’t you rather be by my side than in my stomach?”

You gulped and obediently rested your head on his chest which made him purr in contentment. His muscular arms wrapped around yours as his wavy black hair tickled your skin.

“I’m joking, I’d never eat you.” Feroc smiled before he pressed a soft kiss to your cheek. “You’re my bride, after all.”

You didn’t need to know about how many knights he’s killed over the last few months for you. Feroc would take care of you until the day the both of you died. Every heinous act he’s ever committed over these last few months were all for his beautiful, blushing bride.

[yuwuta]

RODEO STATION, 1 — MEGUMI FUSHIGURO 

A collection of you and Megumi, through the years, through Gojo’s eyes. 

content, warnings: friends to lovers, fluff, sort of canon-adjacent, satoru adopts megumi and tsumiki, reader has a cursed technique but it’s not mentioned in depth here, really just you and megumi falling in love and gojo watching

word count: 1.1k

part i: first years, jujutsu tech. fits in the timeline around when nobara first joins the class

When Satoru first finds him, Megumi has two conditions. First, that Tsumiki would be kept safe and happy, and far away from the Zenin clan if they weren’t going to be good to her—safe and far away from all jujutsu society if Gojo could help it; and that she would never have to worry about feeding herself or Megumi ever again. Satoru agreed right away, he would have done that without the request. 

For his second condition, an eight year old Megumi looked Satoru straight in the eye and told him that he would absolutely not be separated from you. Satoru thought it was cute, sweet, in the bratty, and naive but determined kind of way that seemed to be everything that kid stood for, and Satoru couldn’t fault him for it. Megumi’s evident childlike adoration of you aside, Satoru saw potential in you, too, so he accepted Megumi’s conditions, happy to welcome the two of you to the world of sorcery. 

It’s not until a week before you both start at Jujutsu Tech, that Satoru really asks Megumi why he wants you here (never mind the fact that you had already also made up your mind about being a sorcerer, and if there is anything that Satoru has learned about you in the past decade, it’s that: one, you have the magical ability to make Megumi do anything you say; and two, you’re incredible persuasive and very stubborn). Megumi doesn’t look him in the eye when he answers, fidgeting with his melting ice cream instead when he says, “Well, she saved my life.” 

Satoru doesn’t tease when he hears this, only digging his spoon in for a scoop of Megumi’s toffee butter, smiling to himself when the cold hits his tongue, because he’d heard the message loud and clear: Megumi believes he owes you his life, and to keep yours protected, he wants you by his side.

Satoru quickly learns that Megumi truly has his work cut out for him as he watches you burst through a top-floor window of a high-rise building, falling carelessly with the object of your mission—a special-grade cursed object—clutched in your grasp. Second later, there’s a loud explosion, as the ugly head of a large cursed falls limp in the hole in the broken glass that you’d left behind. Satoru chuckles when he sees you smile, and the faint cheer of weeeeeeeee as you fall. He knew you were wild and stubborn by the way you bossed Megumi around without a care, but seeing you in action proved that you were also in your own league of crazy, a fantastic sorceress in the making. 

To his left, Yuuji gapes wildly as he looks up, shielding his eyes with his hand, and then flinching back when Nobara bursts through the ground floor door, not without a nail going flying into the curse that had been chasing her. She looks angry, then wide eyed, then up to where Yuuji and Megumi were also staring and starts squealing alongside him. 

“Gojo-sensei, what are you standing there smiling about—do something!” Nobara shouts, pointing an accusatory finger up in the air at your flying body. 

Yuuji gasps again, like he’d just figured out the consequence of you falling from a building, spewing on his own cries, “Hey, seriously, what the hell are we doing—she can’t fly,” he shouts, turning to shake his sensei, then pausing, “Wait, Fushiguro, can she fly? You know her.” 

“Idiot,” Nobara spits, “If she could fly then she’d be flying, not falling.”

“Then why aren’t we doing any—you know what, I think I can catch her,” Yuuji boasts, rolling up his sleeves, prepared to position himself underneath your descending body, and that’s when Satoru steps in, extending an arm in front of his students. 

“You all worry too much,” he smiles, lifting his blindfold just enough to look the pair in the eye, and tilt his head up slightly, “Besides, Megumi’s handled it.” 

Three heads turn back up to the sky, where you’re no longer in freefall, instead have had your shoulders snatched by Nue’s talons. You’ve still got that wild smile on your face, wider now as you descend much more elegantly via Megumi’s shikigami. Nobara and Yuuji wince as Nue’s wings flap widely when you’re set on the ground. You shift the box with the cursed object to one hand, reaching your free one around to pet the bird’s feathers. It crows happily, and Satoru snickers, much to Megumi’s dismay. You always did treat his shikigami like pets. 

“Hey, you’re okay!” Yuuji cheers, eyes sparkling, “What’s in the box? A sword—actually, I don’t want to know. If it’s another finger, keep it away from me.” 

“Hand it here,” Nobara demands. You’re happy to hand over the box and have another hand available for petting Nue. 

Satoru watches fondly as Yuuji and Nobara fuss over the box. They should probably exercise more caution, but he’s there, so the worst can’t happen. Meanwhile, you step closer to Megumi with Nue fluttering behind you. 

“You’re the one who told me there would be no need to get involved,” Megumi says, voice soft, hands falling comfortably at his side. 

“I said that you wouldn’t have to get involved with the curses,” you correct, standing on your tiptoes to nuzzles your head into the bird’s feathers, “I said nothing about not getting involved with me.” 

Satoru does his best not to choke out a loud laugh as Megumi’s face becomes increasingly pink when you reach forward to pinch his cheeks, his grumbling drowned in the sound of Yuuji and Nobara’s bickering. Satory sighs, content. He cares for all his students, but there’s a certain weight lifted on his shoulders knowing that when it came to you, there was truly nothing to worry about—Megumi would always be there for you. Honestly, he thinks Megumi might fight him to protect you if it came down to it. 

That thought does bring an audible chuckle to his lips, Megumi’s pinched expression calling to him, “What are you laughing about?” 

To which Satoru only hums, sticking his hands in his pockets. Megumi’s eyebrows furrow deeper, but it’s quickly dissolved when you catch his attention again, saying your farewells to Nue before giving Megumi the okay to let him recede into his shadows. 

“Oh, nothing,” Satoru chirps, turning to lead the group back to Ichiji’s car, “Come on, who’s still up for revolving sushi!”  

Cheers follow him as the veil dispels. You question Yuuji about whether or not you think the restaurant will have grilled eel, and Nobara pretends to throw up, arguing that eel is the worst, that you all should stick to hand rolls instead. Megumi stays quiet, walking on your outside, and humming along with all of your suggestions, and Satoru can’t help but wonder whether or not you knew that Nue had been out from the moment you’d stepped in the building. 

Honestly, he thinks Megumi might win that fight—might win any fight if it meant being with you.

[ckret2]

So a while ago some friends were talking about fans who claim the Same Coin theory is canon. And I made the mistake of saying:

Do you know who also has tons in common with Bill? Mabel. Yet nobody claims Bill reincarnated as Mabel. …wait now I want a "same coin but it's Mabel" AU. Funniest Bill reincarnation option. The all-seeing arsonist is making macaroni glitter art. The omnipotent tyrant is crying because a unicorn called her a bad person.

And then I overthought it for two months.

So—AU where after death, Bill's soul shoots 13 years into the past and reincarnates as Mabel. I'll call it ✨ Sparkly Coin AU ✨

Don't leave yet. Lemme show you why it works. Behold the eerie amount of parallels in their personalities, dialogue, behavior, mannerisms, tastes...

I could have kept going but my attention span ran out. All right, we all on board now? Convinced we could segue from one personality into the other? Great. Now here's why you should be interested: the juicy post-Weirdmageddon angst potential.

As long as a small fringe of the fandom still thinks Weirdmageddon is Mabel's fault, why not amp that up x100 and have some fun with it?

Is everyone sold now? Great. Let's get into the details. I've got 8 more pieces of art under the read more.

So the AU starts the instant Bill dies. Thanks to invoking his deal with the Axolotl—one way to absolve his crime, a different form, a different time—the Axolotl gives him a new shape and shoots him thirteen years into the past. Apparently, the Axolotl thought it would be very funny to stick Bill in the family that defeated him.

Which probably made for a jarring transition.

(It's fine, she's like 10 minutes old, she probably can't even tell who she's looking at. Not being able to tell who she was looking at is what got her into this situation ayyyy)

When Dipper & Mabel come back from Gravity Falls complaining about this triangular jerk Bill, their parents mention that Dipper's name was nearly Bill. See, after they knew they were going to have a boy, one night their mom dreamed about a visitor—some kind of magic pink salamander??—calling her child "BILL." Then at the next sonogram they found out they were having twins, the girl must've been hidden at a weird angle the first time, and they wanted matching names, so they thought, Bill and Bell. But they didn't really like Bell; but eventually they stumbled on Mabel, so to keep the names matching they switched from Bill to Mason. Isn't that the darnedest thing?

(Of course, Mabel and Dipper assume Bill harassed their parents to try to trick them into naming a kid after him. To be a jerk.)

When Bill meets Mabel, he's unaware that she's his future self—Bill's notably bad at doing things like, say, double-checking to see whether he's going to die anytime soon—but like... he can tell something's up.

Naturally, before visiting Gravity Falls, there were echoes of who Mabel used to be—but nothing anyone would be able to identify without context. All her Bill-ish quirks either smoothed out with time (see: how between second grade and fourth grade Mabel went from being the "freak" to the popular girl in class), or else they were accepted by her family as Mabel-ish quirks.

After they meet (and kill) Bill, they have the context to understand some of Mabel's behaviors... and unfortunately, some of Mabel's latent Bill-ness starts surfacing after she's been directly exposed to her prior incarnation.

The part of the Pines family familiar with Bill thinks the worst case scenario is that maybe Bill's survived and is slowly possessing Mabel; but far more likely, they think this is just some weird way of trying to subconsciously process last summer. Mabel doesn't think she's being weird, you guys are being weird, stop giving her weird looks. They get attacked by one triangle and now she can't wear yellow or pick up macrame as a hobby??

(It's not all red flags and uncomfortable triangle imagery, though. When Stan asks her what she'd like as a gift for some important event, she shyly admits that she thinks she's starting to outgrow her plastic gem jewelry and maybe she's old enough to get her first piece of real gold jewelry, if that's not too expensive? And Stan's never been so proud of her. Thirteen years old and already thinking about buying gold!)

But of course, the real fun starts when Mabel finds out.

That's the face of a girl who's just discovered that she tortured her great uncle. Now imagine running into the brother she possessed.

But I've already spent a million words and thirteen images on this post. If enough folks are interested in the AU maybe I'll expand on it later. Let me know what y'all think.

[bakuhatsufallinlove]

424

All right, listen. It’s pretty damn funny that two weeks ago I posted all like, “oh I don’t really comment chapter-by-chapter, I’m waiting to see what happens next,” but this one broke me.

This chapter was everything I wanted for bkdk, and it’s so much more tender than I ever dreamed it could be.

This post is not going to be like most of my posts, because I am a flood of emotion. If you’re wanting some detailed, well-researched analysis of this scene, that ain’t coming for a while.

I don’t have some kind of comparative linguistics to show you. I just have my visceral reactions as someone who speaks Japanese and has absorbed Japanese media for many years. I have shared my heart with others in Japanese, I’ve sputtered out words between sobs and felt the many kinds of comfort different people try to offer. I have comforted others who let themselves be vulnerable with me.

In all these moments, just as in English, I wondered if my words and feelings reached them. Each time, I felt the warmth of connection when they looked at me, and I decided that they knew I did my best. They accepted me, even if it wasn’t perfect.

I’m gonna tell you the truth, and I wouldn’t normally say this so directly, but it matters to me: the fan translation for this specific scene is not good. The tone is wildly off in some ways and it outright omits a number of very important words.

The official translation gets so much of it right.

But that’s not really what I want to talk about right now. I want to talk about how people are reading this scene.

I have seen a ton of, frankly, oblivious interpretations of Izuku’s side of things.

Listen to me. Izuku is not making fun of Katsuki for crying, he is not telling Katsuki that crying isn’t like him, that isn’t in the text at all. He is not rejecting Katsuki’s feelings, or belittling them, or ignoring them, or any of that.

Izuku has seen Katsuki cry in-canon a number of times, but every time it was over his own personal failures, and the frustration, anger, guilt, and grief associated with them. We see it in the aftermath of Deku vs. Kacchan 1. We see it during Deku vs. Kacchan 2.

Izuku is shocked to see Kacchan cry because this is the first time he has cried for Izuku.

When Katsuki apologized in 322, he looked Izuku in the eye and told him his feelings with conviction and poise. He was gentle and vulnerable, but strong, because he was asking Izuku to trust them and rely on them. To come back with them and believe in them, like they believe in Izuku. He bowed his head to show his remorse. He caught Izuku when he fell, and he accepted Izuku’s own apology.

He embodied dignity, sincerity, and strength of character. He was a true hero.

This?

This is the raw, honest sorrow of a young boy. It is a tender, earnest, unguarded display of how much Izuku means to him.

These are the tears you shed for someone you cherish. These are tears for when you think you are losing something you can’t live without. Because Katsuki isn’t just crying for the loss of Izuku’s dream—it’s their dream, the future they dreamt up together as kids.

Izuku is almost pathologically incapable of understanding how other people see him and feel about him, but this is unmistakable. He is stunned because there is no other explanation.

There is unmitigated heartache and longing at the core of Katsuki saying, “I just thought somehow we would be together like this, competing and chasing after each other, forever.”

And Izuku is reeling, but so, so touched, and filled with fondness. Look at how his shock shifts to this overwhelmed, affectionate smile.

He’s right—this isn’t the usual Katsuki, and that is precisely why it means so much. We as the audience have been privy to Katsuki’s feelings, but until now Izuku himself has never really grasped the depth of them. This is all the tenderness Katsuki has kept locked up inside, and he is letting Izuku see it for the first time.

To see Kacchan—strong, fierce, and absolutely unstoppable—shed these innocent, helpless tears for him and tell him through sobs that he wanted things to stay this way forever, I can’t blame him for being blown away.

I think Izuku expected Katsuki to be shocked and a little sad that he gave up OFA, both for Izuku’s sake and because it is the legacy of their hero. Before Katsuki even starts crying, Izuku has this small smile on his face, like he was ready to reassure him that he had made peace with his own choice.

But he clearly didn’t expect for Katsuki to weep openly in front of him about it or to confess to wanting him by his side. Izuku had so enjoyed just being allowed near Katsuki, allowed in his life at all—to think that Katsuki could want the same and want it this much, to the point that he worries that things would change, that Izuku would abandon him or deny him? How could that ever be?

In what world could Izuku ever stop chasing Kacchan?

Izuku is a bit of an idiot. He has always thought that Katsuki understood how much he cared for and admired him—that’s why he is so shocked during DvK2 to hear that Katsuki thought he looked down on him for years. Izuku thought Katsuki understood his feelings and simply rejected them.

The way he loves Kacchan is natural and unquestionable. Even now, he can’t understand how Katsuki doesn’t know. It’s baffling to him.

But he still accepts Katsuki’s vulnerability and responds to the intimacy.

This is such an affectionate, loving thing to say. Izuku is being so sweet. I cannot convey to you strongly enough how Izuku telling Katsuki, “C’mon, stop it, this isn’t like you!” reaffirms their closeness.

If Izuku had not said this line and instead skipped straight to this nervous, awkward little attempt at comfort here:

It would have read as so much more distant.

With his tears and his confession, Katsuki pleads with Izuku to not leave him. To be with him always.

And in response, Izuku unabashedly stakes his claim on their bond by being bold enough to affectionately scold him and even assert authority on what kind of person Katsuki is. Remember these?

Chapters 202 and 319

This is such a staple in Japanese media for showing close bonds. Your loved ones know you. They tease you. They scold you. They have that right. You gave it to them.

The people you love cheer you up by reminding you that you’re strong and brave and that even if things feel hopeless and like you can’t go on, that they know you can. Everything will be okay, and they know so because they’ll be right there with you. Of course they’ll be there.

Symbolically, throughout the series, Izuku’s response to Katsuki trying to be closer to him has always been: “Of course.”

He has always accepted Katsuki as much as he is able to, as much as he had awareness for. He is wildly lacking in self-awareness, so it’s certainly not perfect, but by god does he try.

What Izuku is really saying is a mixture of “Really? You want that, too?” and “Don’t be silly!”

One part is him being shocked and touched; the other is him being absolutely certain of his own heart, and showing it as best he can.

He does get flustered and self-conscious, though—because it’s overwhelming to see Kacchan this way, and this is kind of new territory for them. So he switches tactics to reassure Kacchan about how things are now, and make sure he doesn’t feel embarrassed about this outburst. He still has the embers, so it’s okay for now. And their bodies are weak, so of course their heads will be in a bad place too, it’s easy to get low spirits. Of course Katsuki would be feeling vulnerable. It’s normal.

He gives Katsuki so many things here. He gives him as much as he can.

Izuku doesn’t know how long he’ll have the embers for and, frankly, he doesn’t have any guarantee that he will be able to satisfy this longing of Katsuki’s after he loses them. This, too, is a staple of promises in Japanese media: “I don’t know if I can satisfy you, but I want to try. I hope you can accept me.”

Things will be different—the future is always uncertain, now more than ever for their world. But what will never change is what they feel in their hearts.

After this scene, I honestly don’t care if we get something other people see as “bkdk canon.”

What Katsuki says is as good as a confession to me. What Izuku says in return is genuine and pure. This is a messy pair of teenage boys figuring out how to reach each other with words, when they have always been so damn bad at it. This is the two of them both reaching a new point of intimacy and reaffirming everything that came before.

[sunderwight]

SV AU where the System does offer Shen Qingqiu one way out of pushing Luo Binghe into the Abyss:

Since SQQ is now the POV character of his own story, he can accept a special one time purchase of the protagonist halo, and go down and do the Abyss plotline himself instead.

The catch is that there's only one protagonist halo. No dual protagonists allowed. Which means that if Shen Qingqiu takes it, Luo Binghe loses his immunity to fatal plot developments, unless SQQ can replace it with another immunity halo.

The only other halo that grants immunity from fatal catastrophes in PIDW is the love interest halo.

Luckily, love interest halos are extremely plentiful in the setting. It seems even Shen Qingqiu himself has one in his inventory for some reason? Weird, but at least that means he doesn't have to rob some poor girl of her golden ticket and potential happily-ever-after in Binghe's arms.

There's probably something especially bizarre about making Luo Binghe his own love interest for a while, but Shen Qingqiu reasons that it's only temporary. He'll swap the halos back once he's out of the Abyss! And he'll get Xin Mo and bring it back, and personally help Luo Binghe figure out how to wield it. Preferably with far fewer costs and downsides than in canon. Maybe then Binghe won't need as big of a harem and will still have some time to spend with his old master, when he's not running around conquering the world.

Surely, there's not way all of this could backfire. (Okay, he knows there are like a million ways it could backfire.) But definitely, Shen Qingqiu will get back, be in his right mind, NOT be suffering any grave imbalances due to Xin Mo, NOT have unlocked any secret demonic heritage that helps him survive but also gets him blood up, and NOT need to or want to have life-saving rescue sex with anyone holding any love interest halos after five years of struggling his way through a nightmare training gauntlet.

Of all the ways he imagined fucking this up, having to somehow play the part of the darkened hero flinging himself towards and away from his own student like said student is some demure maiden at risk of losing his virtue to him was not on the list!

Shen Qingqiu: Binghe, stay away! This master can't control himself properly right now!

Luo Binghe: but Shizun's already been gone for so long! Won't he come a little closer instead?

Shen Qingqiu: Binghe wouldn't ask that if he knew what this master might do to him!

Luo Binghe: Shizun can do whatever he wants to me! I don't mind!

Shen Qingqiu: my poor Binghe, this world has not shown you enough darkness, you don't realize what's going on!

Luo Binghe: so does Shizun want to top, or...?

[benchspkmnirlhub]

A Guide to Pokemon IRL

Hello! Pokemon IRL has been getting more and more popular over the year and a half I've been in the community, and I'm seeing lots of people being confused by it.

So I'm making this guide, to hopefully help people understand it better, and perhaps join us in this wacky community.

Part 1: The Basics

Essentially, Pokemon IRL is a RP community centered on one single premise: Blogging as if you were in the Pokemon world. It's a hybrid of askblogs, RP blogs, and general tumblr blogs.

There's very few rules to it, other than just "don't be a jerk". There's all kinds of Pokemon IRL blogs, from regular OC trainers, to canon characters, to characters who are Pokemon themselves, to even Fallers from non-Pokemon media, and more!

The main thing is that 98% of Pokemon IRL operates on the multiverse. Blogs can have conflicting canons, since the multiverse exists, and the blogs can be from different universes. This also means that multiple people can RP the same character. I've lost count of the amount of Kieran and Silver blogs.

Why is Pokemon-world tumblr multiversal? Who knows! But that's the one generally accepted canon thing across almost all Pokemon IRL blogs.

Part 2: Glossary

I know glossaries are usually at the ends of books, but I figure it's important that I define some important terms before I get to the rest of this guide.

Rotomblr - The generally accepted name for Pokemon-world tumblr. I personally prefer to use the name Tacklr instead, but that's just my opinion.

Sapient Pokemon - Pokemon that are sapient. Typically refers to Pokemon that run blogs. Some blogs don't allow interactions with them. Some blogs love interacting with them, though, such as all my blogs!

Eebydeeby - A human that has been turned into a Pokemon. "Eeby" is short for it. "Sleeby" means "slow eeby", or a human that has been or is in the process of slowly turning into a Pokemon.

Hybrid - This has two meanings. The first is someone who's part human and part Pokemon. The second is a Pokemon that's part one species, part another species.

Pelipper Mail - This is a multiversal system of mail, powered via Pelipper! You can have Pelippers send items to other blogs with this. Can be enabled or disabled per blog. Same goes with the next five terms.

Pelipper Unmail - Instead of giving, this is taking. This steals something from another blog via Pelipper.

Pelipper Malice - Essentially, this is sending something to another blog that you know will hurt them.

Musharna Mail - It's like Pelipper Mail, but with dreams! This can be used to send dreams to other blogs.

Musharna Malice - Just like Musharna Mail, but it's nightmares instead of dreams.

Magic Anons - Essentially, this allows anons to do whatever they'd like to the characters on your blog. Use caution when enabling this, though, as it's suspected that some people fetish mine with these.

High Stakes - Basically, this refers to anything that can majorly injure many characters, or otherwise have lots of bad stuff happen. Many blogs don't like interacting with this stuff, so it's best to tag it.

Drama Stakes - Like High Stakes, but less. This is when stuff is happening that could lead to in-universe ruined relationships. Best to tag this too.

Ultra Stakes - Like High Stakes, but more. This is when things lead to potential death of many characters. Definitely best to tag this as well.

Chosen - Sometimes someone is a legendary's favorite special little person, and they get powers from it! That's essentially what a Chosen is.

Faller - Someone, usually from a non-Pokemon media, who falls into the Pokemon world. Essentialyl a way of writing a non-Pokemon character in Pokemon IRL.

Self-Insert Faller - An OOC blogrunner falls into the Pokemon world. Can get very meta.

Muse Mixup Madness - At the start of every month, there's an event where some blogs temporarily change their core concept for a day or a few. It's best to tag these, and to give warnings beforehand.

Part 3: Setting up your Blog

Setting up a Pokemon IRL blog is a lot like setting up a regular tumblr blog, just in-character.

The main thing you'll need is a pinned post explaining the premise of the blog. These are usually in-character, with an OOC section at the bottom.

It's best to warn for possible triggers that might pop up on the blog, as well as explaining your boundaries (i.e. if you don't want Pelipper Mail).

Feel free to theme your blog too, changing the header and icon, adjusting the theme colors, maybe even have a custom theme!

Once you have that all set, you're ready to interact!

Part 4: Interacting

I made a full guide on how to interact here, if you want to check it out!

The main thing is, don't be afraid to interact. Even with big blogs. Everyone's happy to receive interactions! Worst that can happen is that your interaction is ignored.

So don't be scared! Jump in, and start interacting!

Part 5: General Advice from my Friends

I asked around for any additional advice people wanted to add, and here's what some people had to say:

"uhhh ooc communication is super important, especially if youre trying to do a plot with someone or smth along those lines" - @espers-n-espurrs

"Uhhh "Do it scared" Like. If you're nervous about doing something but you wanna do it, do it even though you're scared!!!!! Also like. Have fun. People can tell when you're having fun. Be silly. Do what you want forever. Also that big blogs 9/10 don't mind interactions with smaller ones. I think I count as one and like. I am just as scared as interacting with new people as the smaller blogs who wanna interact with me" @chaos-cousins

"interact with people" - @justalileepguy

"The absolute worst thing that can happen if you send someone an ask is that they delete it. People like getting interaction, even if it's from a blog you don't follow. If you're having trouble interacting, find something your two characters have in common and point it out" - @fated-furret

Part 6: Miscellaneous Stuff

If there's anything I'm missing, feel free to let me know, or add it in a reblog! I've been in this community for a long time, but even I don't know absolutely everything.

If you've read this far, thank you! I hope this guide helps in some way. Reblogging it is appreciated, but not necessary.

And if you're thinking of joining the Pokemon IRL community, then I'm excited to help welcome you!

[animeshotsh]

Afraid | Alastor x Sinner!Reader | HCS

Summary: After the war Alastor panics when he realizes how much you mean to him

Warnings: You can take how Alastor feels towards reader as platonic or romantic - Canon violence - Reader knows Rosie - Reader its also an old friend of Alastor - Grammar mistakes

Alastor who has never felt something so deep and important towards anyone in decades.

Alastor who sees others as his playthings, things he can use to pass time, to entretain himself when being bored. These who he can manipulate as much as he wants and torture for his delight.

Alastor who only when he met Rosie felt something as friendship and was sure she would be the only one, the one who breaks his walls.

But then Rosie introduces you to him. And Alastor cant help himself, he is just pulled to you like some type of old magic. And the feeling is mutual. You two just check each other and complete each other. The Radio Demon and You.

Alastor who lets himself enjoy your company, who plays jazz and dances with you. Who sends shadows to protect you just in case.

Its you who he goes first after all the years of his "vacation", getting punched then hugged by you as you cry over him because he just left and you were a mess without him.

Alastor who feels guilty over it and wants to tell you whats going on but does not want to be seen as weak, specially not by you.

Alastor who tells you about the Princess idea and you both laught because, sinners redemtion? You should use that for a good joke next time.

Alastor who makes you move with him to the hotel, not because he misses you, no absolutly not. He thinks adding you to the mix will make things funnier.

Alastor who has tried to move away his feelings for you and think of you as his favoirte chess piece, the one he can move as he pleases and never gets a "no" from you.

Alastor the one who wants you out of the hotel when heavens declares war towards it. Saddly he misscalculated, you have grow love towards the hotel residents and decided to stay. Even more when Rosie's people showed up.

Alastor who gets angry at you and himself, he is sick worried but hides it behind his anger. You two fight the night before.

"Im not going to go and save you if an angel goes to you"

Lies. Alastor leaves one shadow to be your backeyes during the fight.

When he is almost killed by Adam he cant help but take a quick glance at you. He is afraid, not for his life but he is afraid he is going to lose you. He wont be able to look out for for you.

Alastor who goes berserk in his radio towes when thinking on the chances of you getting hurt. Blames himself because he should have been stronger and not let himself be arrogant.

Alastor who is afraid you are going to look at him with pity when he is back, instead you hug him like there is no tomorrow.

Alastor who is afraid but finally accepts that he truly cares for you, you are more than a plaything, more than something he can use.

He is not sure what you are, just that you are important to him. And wont let anyone hurt you.

Not even himself when planning his next move.

[heartpascal]

is it freedom?

▹— spiderverse (future) found family x platonic!reader

▹— summary: after losing everything, you struggle to accept the one thing you needed all along.

▹— a/n: ok i have been enabled by exactly two (2!) people. (thank you both) SO dare i start a spiderverse series??? IF YALL WANT MORE OF THIS… I WILL DO IT. this is really just a set up thing idk but i feel like arachnid has potential for further parts and ACTUAL found family!! also haven’t tagged people on my general taglist bc idk if you guys want to be tagged in ALL works or just all pedro works :(

▹— warnings: slight across the spiderverse spoilers, not really found family yet, injuries, blood, treating own injuries, stitches, fighting (canon-typical violence yall), dead parents (mentioned a LOT), a whole lot of angst (it’s a spider-person so what do we expect), reader has a whole lot of bad thoughts, loneliness, isolation

masterlist PART TWO

∘₊✧───── ───── ───── ─────✧₊∘

Had you known what this, this thing, would lead to, you would have never started it. Not that you had done so purposely, at least to begin with, more so happening as an event of pure chance. You were in the right place at the right time, and since then, you had been addicted.

But if you could go back, look at yourself just a year younger than you are now, tell that kid what would come if you went through with saving a life for the first time, you wondered. It was a question that scratched deep in your brain, sending you off balance the more you thought about it; would you have still done it? Would you have saved that person’s life, knowing it would lead to your own falling apart?

You would like to think yes. In fact, you know that back then, when your eyes were bright at the prospect of helping people, when you still marvelled at the world like it was good, you would have been certain that it would be worth it. Why should that person die, just to save you? It’s a harrowing realisation. A conclusion that makes your fingers tremble, your voice shake. Now, you’re not sure you would do it. You don’t think you could bear to face that decision knowing what you know of the world around you now.

It’s something cruel, really, that the spider that bit you gave you these powers, and nothing to go back and fix your mistakes. Your perceived victories. Your losses.

But the worst has already happened, and the only one left to die is you, so you carry on. You don the suit every day, you sew up your own injuries on the top floor of the abandoned offices that you’ve claimed as your own. Each day, you wake when you choose, you sleep when you want to, and you work yourself down to your very bones with nobody to object.

The hollow feeling in your gut is a pain you have no choice to ignore, to smother with assurances that this is freedom. What else could it be? You do whatever you so please, you spend your time swinging through the streets of New York rather than doing schoolwork at home, you eat all the junk you could ever have wanted.

It’s freedom. It has to be.

You tell yourself that you don’t miss the home part of having to do schoolwork, promise your heart that you don’t miss home-cooked meals as opposed to greasy food that leaves you unsatisfied. You swear that you like having nobody to tell you what to do. There’s no other choice, after all.

And each day, when you spend a little bit longer out on the streets, getting yourself into needless fights that the police could certainly handle, you tell yourself it’s because you’re protecting the city. You convince yourself that it’s not because of having an unending rage to satiate, or a permanent feeling of breathlessness when you leave police to handle anything, as if you could relive the moment your father, the captain, was left to handle something he couldn’t.

So, you’re almost relieved by the appearance of something… strange. Something dangerous. This is what you live for — this is your job.

You crouch against the wall, fingers splayed and suit itching where you had crudely sewn it back together across your ribs at an almost too-close call. You hold your breath, you watch. The lenses over your eyes shield your sensitive sight from the harshest colours of this new opponent, who looks almost… unreal. Too different to be a part of reality. He yells out, seemingly glitching? A distorted scream of what is apparently pain, accompanied by flashes of colour that are unfamiliar to you.

“Well, that doesn’t look good.” You comment, eyebrows raised beneath your mask, and the strange looking guy snaps his head towards you, long hair slapping across the goggles over his eyes. He bares his teeth at you, something almost resembling a grin marring his face.

“Spider-man!” He yells triumphantly, cackling as he wipes the hair away from his face, tendrils unfurling from behind his back and lifting him into the air.

“Not quite!” You call back, dodging below the metallic arm that shoots towards where your head was, crumbling through the wall. You try to think back to the jokes you used to tell to rile up whoever you were facing, but find your mind is blank. Instead, all you can think of is questions. “Where the hell did you come from, anyway?”

The man follows you as you spring from wall to wall, heading towards the center of the building where it tunnels up for about forty floors, balconies overlooking the fountain below. “A new spider, eh? Well I’ll take you down just as easily as I have the other!” He tells you, though you’re immediately suspicious of his statement. You’re the only Spider-related hero around, and even if you weren’t, you doubt this guy could squash a worm, let alone you.

“Sure thing, man.” You say, sighing, already exhausted by the repetitiveness that comes with every fight. Your opponents always say they’ll beat you, kill you, squish you, take you down, and yet you always get back up at the end of the fight, and they always remain defeated. When you started doing this, you never would have thought you’d get so tired from winning all the time.

And yet here you are, slipping further and further up the building with the octopus-looking guy chasing after you, metal arms crumbling walls and bannisters on his way up. He falters once more, another one of those glitch-like movements sending him down a few floors, but he’s quick to recover. Of course, it wouldn’t be that easy.

You crouch down on one balcony, somewhere around the thirty mark floor-wise, peering down at the guy as he shakes lingering pain from his body. He charges upwards, aiming to reach you quickly with an almost predatory smirk on his face. Before he can even get close to you, however, you’re back on the move, setting a trap for him that he doesn’t even seem to notice.

It’s only when a group of late workers emerge on what you’re pretty sure is the twenty-first floor that you become more anxious about this fight. You don’t like when civilians are involved.

There’s about a dozen of them crowding the balcony, looking up to where you’re facing off with octopus-man above, some having begun to descend the stairs to the next floor before catching on to your presence. You try not to draw attention to them, but their pointing and whispering sets the Spidey-sense off, ringing loudly between your ears, almost deafening in its intensity. Maybe you underestimated this guy. The flash of a camera sends the last hope of him not noticing down the drain, and he grins at you as he switches targets, climbing down towards them with some semblance of caution.

You’re much faster than he is, dropping down and using a web to catch yourself rather than having to climb. It’s hard to stop yourself from yelling at them, cursing them out for being so damn foolish — who in their right mind would stick around a very dangerous fight to take pictures?

Instead, you choose to yell, “Get out! Go, go, go.” And usher them down the stairs, but it’s not difficult to realise that this guy is going to get to them before they manage to descend to the bottom. You shouldn’t be surprised, really. Nothing is ever as simple as it could be, not for you.

The split second decision to drop down and form a net-like web low enough to catch the workers worked out for you in the end, as you swung back up and pushed the workers off of the balcony and stairway just as the octopus man was reaching them. He cursed at you, refocusing his efforts on you as you vaguely noted the workers clambering down after their screaming had stopped. Honestly — did people really have so little faith in you? Had you ever sent anybody to their death before?

“You are just as pesky of an insect as Spider-man!” He growled out, teeth gritted, and came after you with renewed force. He kind of reminded you of that doctor you faced not long after getting your powers, but this guy looked completely different. The doctor you faced — aptly named Doc Ock — had turned himself into some form of a mutant, he had reinforced tentacles which sprouted from his back. Was this guy some kind of copy cat? Maybe he was just delusional.

“I don’t know who Spider-man is, man!” You shout to him as you ascend the building again, trying to figure out the best way to take this guy down. His tentacles seem electronic, so surely you could disable whatever machinery resides on his back?

“That’d be me.” A voice came from above you, two floors ahead of your position. Your head snapped towards it, seeing a man in a blue and red suit, framed by a burst of orange behind him. He didn’t linger up there long, instead moving to leap down to the guy who had turned his attention to the new guy. The closer you looked at this new guy, the more similarities you saw to yourself — his webs looked remarkably similar to your own, the pattern that went across his suit matched your own, even the wide white lenses that shielded your eyes on your mask. Who the hell was this guy?

The octopus man grinned widely, shaking greasy hair from his face. “Ah, finally! The real Spider-man. Got yourself a new protégé, I see.” He drawled, dodging this new guy’s hit straight off of the bat. You tried not to get annoyed at being referred to as a protégé, considering as far as you were aware, you were the only Spider-person around. Where was this guy when you were holding a bridge full of civilians together? Where was he when you took down villain after villain, never once failing to get the guy? No — you were the real Spider-man, if anyone.

“I don’t know who you are, man, but I’m handling this just fine.” You call to the guy, swinging down to rejoin the fight, webbing the villain’s metal tentacles to the wall behind him, before dropping down to kick him towards the wall.

“Oh, so you know how to send this guy back to his own dimension?” Spider-man asks you, eyebrows raised beneath his mask, and as if on cue, the guy glitches once more, ripping his arms away from the wall and just about catching himself on a balcony below before he could fall into your net.

You gape at the new guy, glancing back up to where the burst of orange remains opened, and is that a portal? Is this Spider-man from another dimension? Is that why you’ve never heard of him before? God, if your mother was alive, she’d kill to find out about this. Inter-dimensional travel was something she had spent her life researching. If you didn’t remain so bitter toward her even after her death, you might’ve been sad she wasn’t alive to see this.

But you were bitter, and it made the experience all the worse.

Because you’re pretty sure that that bitterness takes the place of grief within you. It’s hard to understand why you crave to feel that pain, that grief, as opposed to the aching resentment that floods you with the thought of her. It’s such a sharp contrast to thinking of your father, your kind father, the man who threw himself into a battle he couldn’t have hoped to survive, just on the off chance he could save somebody. You hope you take after him.

“Wait— you’re from another dimension?” You question anyway, eyes flickering between the battle and the looming portal above. In fact, you’re so distracted by finding out about that tidbit of information that you miss octopus man aim a tentacle for you, and it snatches you around the ankle. “Oh, you gotta be kidding me—!”

The man waves you around like some kind of rag doll, and you try not to be too bitter about being caught off guard. You should probably learn that getting caught up in your little pity party always ends up badly, always distracts you from that renowned Spidey-sense. You formulate a plan in your mind when the drip of blood around your ankle draws your attention back to the battle at hand.

You web the wall opposite and hold on tight, pausing the movements and letting the dizziness that had come over you fade away. The man growls out in annoyance, and gets closer to cut the webs with another tentacle, which is exactly what you planned for. The tension from the webs launches you towards him when you let go, and in his surprise, the metal tentacle releases you. You wrap around him, and start webbing up the machinery embedded in his back as Spider-man distracts most of the tentacles, keeping them from pulling you off.

His tentacles start faltering, clearly not obeying his movements, and you wrap them up where they emerge from his back, continuing along until the movement is so limited that he has to use them all to clutch onto the nearest balcony.

You crawl up the tentacles in the very same spidery manner that you’re known for, and crouch, watching the octopus man struggle as Spider-man observes from the balcony opposite. “You wanna finish this one off, Spider-man?” You ask, unable to hide any bitterness from your tone at his mostly unhelpful actions throughout the battle.

“Hey, not bad!” He praises, and it annoys you. You’re good at what you do — for the most part. You manage without help constantly, and that’s the way you prefer it. “You’d make a good addition to the Spider Society!”

Now, you don’t know what the Spider Society is. But honestly? You don’t care. You don’t need help, and you prefer working alone, and you certainly don’t like feeling patronised.

“Whatever, man. Just send him back to whatever dimension he came from.” You tell the guy, and drop down as you hear sirens outside, landing on your injured ankle and just about stopping yourself from cursing. Through all the adrenaline and fighting, you’d forgotten about the way the metal had ripped into your skin, drawn blood. It’s just be another place you’d have to sew up your suit with itchy, uneven stitching. “Officers,” You greet as they open the doors, guns drawn, radios murmuring. “All taken care of. Civilians okay?”

“Shaken up, but fine.” The leading police officer says, immediately relaxing and holstering his weapon. You wish it reassured you that the police trusted you now, but it didn’t. Nonetheless, the other officers follow suit. “Thank you, Arachnid.”

The name your world has bestowed upon you has yet to grow on you, but you nod your head regardless, and salute them as you make your way out, swinging across the city, trying to put the existence of the multiverse and inter-dimensional travel out of your mind. Surprisingly, it’s pretty easy when you have a busted ankle to fix up.

∘₊✧───── ───── ───── ─────✧₊∘

You’re halfway through stitching up your suit, having already sewn your skin back together with as much skill as you possessed in the matter — which was, not much. But the bleeding has stopped, and your stupidly slow healing will take care of it within a few days. You know that the itchy stitches on your suit will just irritate the injury, and though you wouldn’t lose anything if your identity was revealed, it doesn’t feel right to go out into the city with any part of you on show.

No, you wear the suit for a reason. You keep every part of yourself covered because nobody can know it’s you underneath the suit. Not because you had anything to lose, no, you had already lost everything. It was because then you could never make a mistake, you would have to be absolutely perfect, flawless, to make up for the fact that it was you underneath the layer.

So, you settle with a sewn suit that will itch and make the stitches on your ankle sting.

However, when there’s a burst of orange across the room, you have no choice but to forgo the suit, to simply drop the needle and thread and hover your fingers over your web shooters. You wait, nervously, for some other villain to appear. You’re not sure if Spider-man appearing would be better or worse.

But when a foot steps through the portal, it’s nobody familiar. In fact, it’s a suit you have never seen before, made up of dark blues and bright reds, sharp edges and long claws. It’s… unnerving, and considering the silence coming from the person wearing it, you’re not entirely certain of what they’re here for.

A moment later and another person steps through, a woman, with bright yellow lenses across her eyes that filter her irises into an amber. She steps forward, standing beside the person who had stepped through first, and if she hadn’t showed up, you would’ve been tempted to attack. With that being said, you remain on edge, but there’s something… comforting about her presence. Like her presence softens the man’s jagged edges.

She says your name, and then adds, “Arachnid.”

You furrow your brows and curse as you glance back at the suit so crudely laid out on the floor. Still, it doesn’t explain how she knows your name. Was it an inter-dimensional thing?

“Spider-man told us about your work in capturing Doc Ock earlier.” She tells you, as if that explains their presence. You did what you were supposed to do, which was take out the bad guys. “We’re here to offer you a place in the Spider Society.”

You can’t help but wonder if this is some kind of good cop, bad cop thing. She presents an offer which doesn’t sound too bad, and then her sharp-edged companion presents all the drawbacks and the catches. They don’t seem like the type to take no for an answer, either way. You still don’t even know what this Spider Society was! Was it some kind of multi-dimensional cult?

“I already told Spider-man that I wasn’t interested in joining whatever cult you’ve got going on.” You practically hiss, though you didn’t exactly tell him in such blatant words. You were more dismissive earlier, so you’d have to be clear now.

“It’s not a cult,” The man speaks, voice harsh and sharp much like the blades that branch from his forearms. “We work to protect the multiverse from anomalies that threaten to destroy it.”

The woman glances at him in a way that you translate as being vaguely annoyed, like he wasn’t approaching you in the way she had wanted him to. “He means to say that it’s a big job, and we need all the help we can get.” She says, softer, but only in comparison to the man’s harshness. “Listen, kid, you’re good at what you do. We need that kind of talent.”

“You’ll have to find it somewhere else.” You say firmly, because why would you want to leave your universe? This was a lot to think about when you had only learned of the multiverse existing mere hours ago. Regardless, you weren’t about to abandon your city just to go across the multiverse to help other heroes who couldn’t keep a leash on their own villains.

The two of them shared a look, a mere glance, before the woman heaved a sigh. “Look,” She sighed, heavily, like whatever she was about to say was something she didn’t want to be voicing. “Before you make your choice, you should know, your Green Goblin is currently terrorising another universe.”

You couldn’t work out if this was some kind of recruitment tactic, or something. That just wasn’t possible. You had put Gwen Stacy in the highest security prison after all antidotes to her goblin-tech failed. She was stuck in there — permanently. There was no way she had gotten out, let alone gotten out to another universe.

…Right?

It’s hard not to think of the memories at the mention of her—Green Goblin, not Gwen Stacy. Never Gwen Stacy. You wonder if this is where your fear comes from, the terrifying fact that you are remembered only for your mistakes. Because before she was the Green Goblin, she was Gwen. She was everything to you. She was the sun you orbited, the stars that charted your path. And it hurts, it hurts that you can only remember the blood and the dust and the destruction when you think of her.

People aren’t born as monsters, are they?

Like the spider that bit you, that invertebrate that so many fear, it was born the way it was. It was born with those fang-lined maws, with those eight legs and dozens of eyes. It was made into the monster it became, artificially crafted to deliver a venom that changed you forever. But it wasn’t born that way.

Surely, Gwen wasn’t either. She was kind. You remember that about her. You can remember her soft hands that used to hold your own, the loud laughter that always ended in a snort when she laughed at her own jokes, the gentle eyes that stared into your very soul. But those eyes are the very same ones that let her see through your mask, let her see exactly where to hit you to make it hurt. Was that what she was born as? Or is that what she was made into? A killer. A monster.

“Show me.” You say, because what else could you possibly respond? If what they’re saying is true, if the Green Goblin is loose once more, then people will die.

You can’t let her get fresh blood on her hands. Not when somewhere, deep inside your chest, so far down it’s almost unreachable, you have hope for her. You have an innate desire to look for the best in her, even when the Gwen you knew was the first life that the Green Goblin took.

∘₊✧───── ───── ───── ─────✧₊∘

If there’s one thing you’ve taken from being Arachnid, it’s to expect the unexpected. And you go through the orange portal after Jessica Drew and Miguel O’Hara with that exact mindset about you, staring at where an orange watch-like device is wrapped around your wrist.

It’s in your nature to be suspicious, and these people weren’t an exception to that.

In fact, their presence only heightened that behaviour. After all, what were you to expect from two Spider people, who supposedly came to you for your help?

You weren’t blind, you saw the aged lines of their faces the moment you got close enough to see them clearly, away from the dim lighting of the building. They were adults, adults who had clearly been doing this type of thing a lot longer than you had. You, who was barely bordering on adult, who had fought enough battles already to last a lifetime — so why would they need you?

It didn’t feel right.

And when this Miguel person summoned Lyla the moment you walked through the portal, it felt all the more wrong. She was a hologram of some kind, much higher tech than the kind of thing you saw on your earth. But then again, you had never really been in high tech labs back in your earth. Still, it unsettled you. “Lyla, get me the location of Green Goblin, Earth 5011.” He commanded, and they argued in hushed voices for a moment, before a wider hologram appeared, stamped at Earth 3899.

“How did she get to another universe?” You ask, then, because it doesn’t make sense, and you’re shaking underneath the thin material of your suit. You’re hyper aware of each drag of stitching against the wound on your leg, each patch of fabric you had sewn on in hopes of the suit lasting you just a little longer, because you didn’t have the resource to produce a new one.

“It’s an anomaly.” Jessica Drew tells you, her tone softer than you’d heard it, as if she was attempting to reassure you in some way.

It didn’t help. But how could it? The last time you had faced Gwen Stacy—Green Goblin— you had lost so much. It had been the beginning of the end of everything good in your life. The explosion she had caused at your mother’s laboratory was the very same one that killed her, the very same explosion that sent you and your dad miles apart all while living in the same home. And still, you found a way to hope that there was something to salvage within Gwen.

But not only had you lost your mother, and not long after — your father, you had also lost your closest friend. The one person you had confided in, who knew you from your surface to the deepest level, and she had used that against you the moment the Goblin had taken over.

It had taken everything in you to beat her, back then.

And that was on home turf! How did these people expect you to do that a second time, in a completely unfamiliar place?

“Specifics aren’t important right now. Jessica, you take Arachnid. Lyla, send another one of the teams.” Miguel instructed, dismissing your questions right off the bat. It was frustrating. They were leaving you completely in the dark, and sending you to fight the worst enemy you had ever faced, and they were sending you alongside others like you from different universes. It was like asking you to bare your soul in front of them, to reveal your secrets, your deepest regrets, everything that you wanted to stay buried.

You knew Green Goblin. You knew that’s exactly what she would do. She would undermine you, she would lay your life out in front of you like tiles on a scrabble board. In the end, none of it amounted to much.

Jessica Drew made her way out, glancing at you and nodding for you to follow along. Your moment of hesitation had drawn Miguel’s attention, and he called out to you after a moment of hesitation. “We’ve all faced one like it, kid. It’s easier with others.” He told you, though he held a pained expression on his face all the while. Instead of admitting to the way he had hit the nail right on the head, you simply nodded and followed after Spider-woman.

It was a whirlwind from there.

Meeting up with others. Travelling the length of the so-called Lobby to wherever it was that Jessica was taking you. When you finally arrived, she offered an empty glass box with a mannequin inside, bare. She gestured towards it like it should’ve been self explanatory, but soon realised she’d have to spell it out for you.

You shouldn’t have been so upset by the offer of a new suit.

But you were.

This suit was your life. You had nothing outside of it, not anymore. You couldn’t just throw it away, as if it meant nothing, as if every rip and patch and wonky stitch didn’t mean anything. These were proof that what you were doing was real, that it was worth something. Each stitch proved you had value. You weren’t about to throw all of that away, especially for whatever overly technical suit these people would provide.

You had everything you needed.

And so Jessica led you to the next destination: Earth 3899.

The moment you stepped through the portal, it was like you were hit with a wave of familiarity. And not in a positive, slightly nostalgic way, no— this was chaos. This was the state your world had been in when Green Goblin ran riot, unchecked. She had torn apart buildings, blown up parks, she had set New York City aflame. And she was doing exactly the same here.

It was more contained here than it had been on your earth, and you had to assume that was thanks to the Spider-man already on site, coordinating police, ambulance and fire responses to douse the fires as quickly as she set them. If only the police in your city had trusted you so much, back then.

“Where is she?” You ask, the moment you get close enough to speak to the resident Spider-man of the universe. He looks at you as if you’re familiar, but doesn’t comment, instead just pointing a finger toward a skyscraper just a short way ahead. You’re gone the moment he tells you where to go.

She had the uncanny ability to stay quiet. It had freaked you own back on your own earth, but it was even more terrifying here, where things were ever so slightly different.

“Arachnid.” Gwen’s voice called, and for a moment, you could forget. You could forget every horrible thing the Goblin had done, and you could remember your friend, your Gwen, who had called out to Arachnid more than once without knowing it was you behind the mask. Whether it was for a story or to provide information on your most recent opponent, the voice calling your alias was familiar. But then there was that crackle of laughter, an unnatural gurgle in the way it left her throat, and you turned to see the green-tinged pallor of her skin. “I was so hoping you’d show up.”

You didn’t know how much her appearance would effect you, until you were stuck to the side of the building, staring at what had once been your best friend. You’re so choked up that you can’t even formulate a response, because you want that to be Gwen so badly, but you know it isn’t. The more you look at her, the more Goblin you see, the more you know that the Gwen you love is never coming back.

“Nothing to say?” She asks, and then says your real name, the name she used to say down the crackle of a phone line, or across the school hallway, and she smiles. “I thought you’d be happy to see me.”

“You should’ve stayed in prison, Gwen.” You say, your voice unsteady as you say her name aloud for the first time in what must be forever. She seems to relish in the tremble of your voice, and you have to curse yourself for being so stupid, for already showing the vulnerability she was so easily able to pick out.

The Green Goblin tutted at you, stood atop her glider, but the smile you saw didn’t belong to Gwen. “You’re pathetically predictable, you know. You’re like a moth to the flame.” She tells you, and you fear that she’s right, that you’re the same person you were back when you fought her, back when she almost won. She sighs, like something heavy is weighing upon her, but it turns wistful in the blink of an eye. “I’m just glad your dad isn’t here to see this. He’d be so disappointed.”

“Arachnid, focus.” Jessica’s voice interrupts, before you can spiral down that rabbit hole. How did Gwen even know about your father? She was in prison long before he died. It didn’t make sense.

“Maybe,” You say, that familiar tremble around your words. “He did always hope for the best for you.”

She bares her teeth at your words, the only visible reaction before her mask is slipping over the bottom of her face, stretching out up to pointed ears, all metallic and tinted a murky green. Then, she’s attacking.

It’s muscle memory, mostly, you think.

If you don’t think too hard about it, it could be like playing a game with a longtime friend from your childhood. You know the moves to make, you know how she’ll respond. It’s a constant push and pull, a balance which leaves only destruction behind, the path of the Green Goblin’s wrath tangible in each battle scene the two of you leave behind. You can’t beat her like this.

It’s her glitching that gives you a slight upper hand — and you send her careening off of her glider to the ground below.

Your heart squeezes suddenly in your chest as you watch her fall, her eyes wide in what could almost be perceived as fear. If you didn’t intervene, would she die? Would you have put an end to her story, once and for all, when you secretly hope there’s a cure out there for her? You can’t bear the thought of finding out, of watching her die, and so you foolishly dive after her.

A web to her midsection allows you to grip her before she hits the ground, and you set her down with a far more gentle hand than you would ever admit.

She says your name, then, a whispered version of it that sounds like Gwen. You think you can see her in those wide blue eyes, in that stare, and you approach with some caution. “Gwen,” You say, more of a question, “You with me?”

“I’m with you,” She answers, as you reach her side, as you resist the urge to pull off your mask. You’re so preoccupied staring at her expression that you don’t see the blade until it’s too late, your Spidey-sense failing you as you wallowed in your search for someone who was gone. “You sweet, predictable bug.” She spits then, twisting the blade she had sunk deep into your side, and you writhe, trying to move away from her.

“Arachnid!” Jessica Drew calls out, drawing the Green Goblin’s attention, allowing you to pull away from her slackened grasp. You leave the blade where it is, knowing your only slightly enhanced healing wouldn’t make up for the onslaught of blood that would pour from the wound. “I think that’s enough, Green Goblin.” Jessica says, riding a motorbike that you swore she didn’t have earlier. Nonetheless, she uses it to put even more space between you and your villain.

“You need a hand, kid?” A new voice asks, and a gloved hand reaches out for you where you had knelt against the tarmac. You look up, seeing a new Spider-man, but this one has his mask up, showing off his aged face and the bags underneath his eyes. You wave him off, staggering up to your feet, and clench your jaw as you stare at Green Goblin, watch as she pulls bombs from her waistband, barely the size of a chocolate bar, but capable of causing irreparable damage. “Get back to HQ, Arachnid, we can handle this.” Spider-man tells you, in what you suspect to be a fatherly voice, but you ignore him.

Time flies, slips out of your grasp, and you don’t know how long you and the others spend fighting Green Goblin, but she proves to be just as difficult of a foe for them to face as she was for you. Each time the three of you manage to get the drop on her, she slips away before she could be caught. It’s frustrating, and you can even see the way irritation thickens in the air, tangible.

Spider-man, or Peter, as Jessica had called him, is with you, focusing on trying to take Green Goblin down, whilst Jessica Drew is focused on damage control, blowing up Gwen’s bombs before they could hit their intended targets. You’re pretty sure the resident Spider-man is around here, too, pulling any lingering citizens out of harms way before Green Goblin could end them. You’d admit, it works better than you had done alone back on your own earth.

But it doesn’t work well enough, and more than one building is damaged almost beyond repair, and in the dust and rubble, Peter was distracted by the few citizens poking their heads out of the gaping hole in the side of their apartments. He didn’t see Green Goblin coming until it was too late, until she had thrown two of her bombs, one towards him, and one towards the already wrecked building.

Your throat dries up as you try to figure out what to do, who to go for, but in the end, you don’t have to choose.

Beams of glowing orange webs shoot into the bombs where they arc towards their victims, blowing them up and leaving both Peter and the civilians in the apartments without a scratch on any of them. Well, nothing that wasn’t already there before. You see him then, running alongside Jessica Drew, none other than Miguel O’Hara — who clearly didn’t think that the three of you were capable of handling Green Goblin.

“We’ve gotta end this.” Peter tells the three of you, glaring over at Green Goblin after coming so close to one of her bombs.

“You distract, I’ll go in.” You say, the only plan that makes sense. The only plan that’ll work. You wouldn’t be much use as a distraction, not with the blood still pooling around the blade hanging from your side, but you could beat her. You knew you could.

Peter nodded, and he, Jessica and Miguel went in one after another, landing hits on Green Goblin before she could even think to withdraw another bomb, or land a hit of her own, whilst you made your way behind her, swinging as high as you dared to go in your state. She was getting angry, you could tell, a distinct flush rushing up the back of her neck, a tell that Green Goblin shared with Gwen.

It was only when she was starting to turn the tide that you jumped down from your spot against the side of a building, looking for your opening.

She sent Jessica Drew tumbling off of her motorbike, which was your chance.

Green Goblin heard you only a moment before you were on her, not giving her a chance to make a countermove. Instead, you were curling your arms around her, as tight as you could, holding her hands away from her waistband. You gripped the blade in your side and yanked it out, holding it to her chest, breathing heavily through the pain as you bared your teeth at her, her face beside your own.

“Don’t make me kill you.” You say, and try not to hear the pleading in your own voice, the distinctive tone of a beg. You may have the upper hand on her, but as always, she had the power. “Don’t.” You repeat, because you can feel it in your bones that you would do it. If it was the choice between her or the hundreds that she would kill on this world, it would be those hundreds. There was no doubt about it, no questions to be asked.

You may have resented your mother, but she wasn’t the only one who died because of the Green Goblin. You wouldn’t let that happen again.

Perhaps she heard the plea in your voice, the giveaway that you weren’t bluffing, because she went still in your arms, still enough for the other Spiders to approach with some caution, eyes on her hands where you held them away from any weapons, using your forearm connected to the hand holding the blade to her chest to keep her left hand from grasping anything.

“I won’t be asking again.” You tell her, which is as much of a threat as you can muster. Or, more so, a promise.

As Miguel pushed you back with a firm hand, throwing a machine at Gwen’s feet, you think she understands. If the two of you are ever in that position again, there will be no hesitation about it. You will kill her.

“Good work, kid.” Peter says as Miguel and Jessica get to work with getting your Green Goblin through a portal to the HQ. He glanced down at where your hand is now pressing into your side, blood pouring steadily. In your other hand, you still hold the blade that had pierced your own skin, that would have killed Gwen Stacy had she not surrendered. He winces as if it’s him who got hurt, and guides you through the portal after the others. “C’mon, we’ll get you checked out. You not got enhanced healing?” He asks, though you suspect he doesn’t expect you to answer, and you’re glad.

∘₊✧───── ───── ───── ─────✧₊∘

“I can do this myself, you know.” You sigh, wincing as a Spider-man — who apparently is also a doctor and works in the Spider Society’s infirmary — stitches up the wound on your midsection. It’s uncomfortable, though less painful that when you do it yourself. Still, it’s uncomfortable to accept help from these strangers.

“Ooh, shouldn’t say that to him.” Peter B. Parker laughs, one of the many Peter Parkers of the Society, but the same one who had fought Green Goblin with you. “He’ll lecture you on proper healthcare for days if you give him the opportunity!”

The Spider-doctor glares at Peter, or you assume he does, from the slight squint of the lenses of his mask. He kisses his teeth under the mask, tutting, muttering about “Spiders and their complete disregard for their health. Lucky you haven’t died ten times over from infections.” But he doesn’t say anything that requires a response from you, and he soon finished up the stitches. He goes to offer to fix up the injury on your ankle, but you’re up on your feet before he can even get the words out.

“Now, I gotta get back home to the wife, but Miguel wants to see you. He’ll take you home,” Peter tells you as he walks out of the infirmary by your side, but he stops you in the hallway with a hand on your shoulder, surprisingly gentle. “If that’s what you want.”

Your eyebrows furrowed before you could stop them, and the confusion over his words must’ve been written all over your face.

“Why wouldn’t I want that?” You ask, defensively.

Peter opens his mouth, but nothing escapes. Instead, it’s his expression that tells you everything he’s thinking. The crease between his brows screams pitying, or sympathetic. He’s talking about the way you live back on your earth, about the life you lead, Arachnid by day, and by night. With no room for you, no room for your secret identity. He’s thinking of the way you’ll be returning to a world with nobody awaiting you, with not a soul to look out for you, to stitch you up after a battle. Nobody but yourself, anyway.

You pull away from him, brows furrowing further, into an almost angered expression, and you don’t watch the way his hand falls away from your shoulder back to his side. He sighs when you turn away, scoffing as you make your way through the hallways of the Lobby towards where you think Miguel will be.

It’s overwhelming, all of these people. They all believe that they know you, that they know your circumstances, your story, but the truth is that they don’t. Nobody does, and that’s the way you prefer it. You don’t need a Society of Spiders surrounding you, breathing down your neck, telling you they’re sorry, or not trusting you to handle yourself in your own fights, because you can handle yourself. You’ve spent the last year of your life trying to prove that, trying to prove that you can do good things, that you’re worthy of the title Arachnid. You certainly shouldn’t need to prove that to a whole Society of people like you, most of which had been doing the job a lot longer.

You’re capable and you’re content.

You don’t need a life as your secret identity to be content, in fact, it’s better without one. You don’t have to tell so many lies, don’t have to worry about hurting the people you love, because there are none of them left. There’s nobody to hurt, and there’s nobody to lie to. Why would you want to change that?

The hallway ahead looks familiar, and you follow it until you enter a room where Miguel stands, looking at orange tinted screens on a platform halfway up the room. You enter with the absolute certainty that you want to return to your own earth, and you’re not going to let anybody stop you.

“I’m ready.” You tell him, expectantly.

He scoffs, saying nothing, still staring at the screens in front of him. For whatever reason, the reaction makes you angry — inexplicably so. You’re slinging up to the platform before you can have a second thought about it, and you’re pushing his shoulder so he’ll face you, so he’ll acknowledge you.

He stares at you, unimpressed.

“Send me back to my earth.” You press, brows furrowed beneath your mask, but you’re sure he can see the anger in the way your shoulders tense up.

“Sure,” Miguel said blankly, staring at you as if you’d suddenly change your mind or something. “But you know, there’s a lot more like her.” He added on when you said nothing, waiting for him to send you back to your world so you could give him back the stupid watch still wrapped around your wrist.

You stared at him like he was speaking a foreign language. “There are no more like her.” You respond, feeling that hot press on your chest. You don’t want to talk about Gwen Stacy anymore than you’re sure he’d like to talk about whatever he had gone through in his life. Hell, you don’t even want to think about her, but you know that nobody else you would ever have to face would hurt you in the way that she did. In the way that having to see her as an enemy, rather than your friend, had hurt. So, yeah, there was nobody like her, not for you.

Miguel seems ready to let you go for a moment, but then he’s shaking his head at you. “You have a place here. You can be with people like you. You don’t have to do this alone, anymore.” He says, and you think that is ironic, because you don’t see anybody else in here. To you, it seems like he is doing exactly that; doing the job alone. You can practically see the weight of the world on his shoulders.

“I prefer being alone.” You tell him, and it has to be true. It has to be.

His jaw sets, acceptance, you think, and he nods. He glances past you, to where a portal was open on the floor below. Considering that you hadn’t seen him set up the portal, you’d wager that his AI Lyla must’ve listened in and done it for him. You pull the watch off of your wrist, relishing in the way your very atoms seem to sag with the weight of being in another dimension.

“Thanks.” You say, and drop down, landing on your sore ankle but not murmuring a word about the pain. You walk back to your world with your head held high, despite your tattered suit and multitude of wounds that would take days to stop hurting.

Miguel stares after you as the portal closes, eyebrows furrowed. He barely acknowledges Jessica Drew’s arrival in the room, already having known she had been lingering in the hallway, listening in. “Well, that went well.” She comments, glancing between where the portal had been and where Miguel stands, brooding. She knows how much pressure he puts on himself, and she knows that he cares about each and every Spider-person in the multiverse. It doesn’t take a Spider-sense to see the way in which you struggle. It’s a familiar struggle, sure, but there were so many Spiders across the multiverse who had a shoulder to lean on in their hardest times. Who did you have? There was no Aunt May for Arachnid, or Gwen Stacy, or Harry Osborne, or, well, anybody.

Jessica thinks that if anybody were to know exactly how that felt, it would be Miguel.

[methoughtsphantom]

halfas are the found family trope foster child

they all adopt each other. it’s the reason Vlad wanted so badly to have Danny as his son and the reason Danny immediately went with sure you’re my cousin now with Dani. it’s a survival mechanism from being so very few of their species. Sooo, halfa!Jason except he sorta isn’t yet cause Jason’s core is extremely ruptured from the lack of ectoplasm involved in his forceful resurrection. So when Danny finds Jason in his catatonic state he can’t quite tell the dude’s been dead and remains some, just that the guy for some reason seems very friend-shaped. Danny doesn’t mind his friend is braindead, and is also a john doe, he gives familiar vibes and that’s apparently enough for Danny to constantly find himself in the hospital doing his engineering homework on the room with the guy, and talking for hours about the updates on the absolute clusterfuck of the city and how he was from a freaking ghost town and he can almost even draw comparisons. he blabbers about how he’s not homesick enough times to even corner himself to talk about a ghost lore many times and how he’s just finding himself a little more prone to violence and in constant pain since none of the people he has adopted as his family are here with him and he can’t consider a place a lair if there’s isn’t someone of his in it.

But Danny could never drag someone with him just because of some it, after all it was Danny’s choice to come to Gotham to collage and not stay where at least his parents (good parents Jack and Maddie) were in Amity.

Ironically, Danny essentially can’t feel that his core has been spoon feeding ectoplasm to Jason. As months go on, the little ball of energy builds in anticipation practically vibrating in the waiting pulse of something (Danny doesn’t know but more often than not has he found himself laughing in happy confusion. it weirds him out in a good way) It’s really that he’s feeling the slow healing process of his friend (brother brother brother) ‘s core.Imagine it’s just about to properly, correctly heal when canon strikes back and Jason gets snatched by League assassins. Danny is left feeling like his core got torned out. His core had spend months helping another’s only to feel the other’s imprint and to not be able to protect it in return is— forget it being an obsession; thats like having your newborn baby being ripped out of your arms. An all assuaging feeling of helplessness that is devastating. Danny just beginning to feel like home lair when out of nowhere the rug is swept under him. Danny suddenly struggling to not flunk all his classes and beat every single liminal that he can feel crossing paths with him to the ground. Danny suddenly having his chronic pain (that hadn’t been so bad lately) dialed up to the point that there are just bearable and bad days.

The worse thing is he doesn’t know why.

Jason had only been a guy.

…

It’s only a three weeks before Jazz tells him she accepted a job offer in Gotham.

(and the guilt only makes him feel worse when he can feel himself feel better because of it)

…

now

whimsical time skip ✨

Danny is now on his feet again and friends with a Wayne of your choice (or maybe they were friends a little before Jay dissapeared and it was badTM cause Waynes? liminal 🥲) Danny definitely didn’t enjoy snapping off to his friend like that. anyways it’s been a year since that and he and his friend are having a grand time playing civvies, uhh let’s say dick because I want them to meet while ice skating, Also Dick because he definitely turns a blind eye when Danny goes airborne for a second there yep. He’s just having too much fun.

anyways as alwaysTM Danny doesn’t clock celebrities and like why would he, Dick is just the random guy who’s was fast to turn Danny’s slow day in the ice ring into a competition one day and brighten when Danny matched up his puns. So he totally doesn’t get why the guy’s so gloomy one day, anyways as you can figure, it’s Jason’s deathday and Dick is a deprecating bean, Danny tries to cheer him up by having him remember his brother instead and Dick attempts to, but even skipping through some photos in his phone make his eyes burn.

It is because of that that he doesn’t notice Danny absolutely freeze up at the photo of his friend Jay (Jay because he’s a John Doe, but that’s just too impersonal and so the first letter is J *wink wink*)

Danny absolutely doesn’t know what to do with this information, barely catches himself from asking Dick how did his brother die. Most importantly when because Danny just saw Jay—Jason less than a year ago, and this somehow doesn’t feel too recent.

Annd that how we find Danny digging into the Wayne second son tragedy. Staring at the date of death while the knowledge that they met almost six months after burns his forefront of his mind. Danny spends a day going over all the questions running through his mind over how the fuck he couldn’t sense Jay was a ghost—err was… in past tense?? what the fuck?? Danny would really like a refund on his ghost sense.

Anyways Danny goes check out the grave (now that he knows there is one) and boom although intangible he somehow triggers those shitty ass sensors/alarms that somehow didn’t go off when jason was literally digging himself out.

Obviously the bats get in the case immediately. And boy are they absolutely enraged that someone would steal Jason’s body.

[midnight-pluto]

COMPARISON — scar

You know Scar, and you know why he’s so obsessed with this ‘Rover’ character — he’s told you why, but why does it still hurt watching him act as if he was a lovesick puppy to them?

contains: established relationship, the relationship is lowk toxic, jealousy, insecurity, rovers gender is left ambiguous, canon-ish, swearing, angst, short fic

a/n: scar is so pretty omg; also the lack of scar x reader content is CRIMINAL

‘IT’S JUST FOR the mission, it’s just for the mission,’ is what you kept on repeatedly telling yourself in your mind, but it really doesn’t look like it from your side.

You can tell that this ‘Rover’ is prone to noticing the little things and figuring out everything with just one piece of the puzzle, so you decide that it’s best to keep your distance from the matter at hand occurring in the village.

The conversation they were both having was being played clearly in your ear — a hidden microphone on Scar’s waist, his idea, not yours. He offered up this idea as a way to assure you nothing special was happening, but you wish you would’ve never accepted it in the first place.

Hearing the words Scar say would’ve been sweet, if only they were directed towards you. You weren’t dumb, you could hear the flirtatious undertone in his voice as he spoke to them.

Swallowing thickly, you take a look at the picture given to you previously as to what Rover’s appearance was like; suddenly Scar’s words made more sense in your head.

Their dark hair was disheveled but still managed to look effortlessly good on them; did Scar ever think of you that way whenever he saw you get out of bed? Their clothes complimenting their natural appearance beautifully; did the red and white of your clothes really suit you?

It took you years to achieve what you have with Scar now, but Rover was able to see and receive genuine interest from Scar in just a matter of moments.

Just listening in on their conversation felt like you were the one interrupting something, like you were third-wheeling your own boyfriend, as if you were a side piece in your own relationship.

Embarrassing.

“Huh?” you audibly let out, tapping your earpiece with your gloved finger multiple times. Only the sound of static could be heard. “Shit.”

Scrambling for your binoculars in your messenger bag, you shuffle them out and life them to your eyes to see what has occurred in the village below. Narrowing your eyes, you see that Rover had skillfully disabled the microphone on Scar’s waist with their blade.

“Of course,” you scoff out, dropping your binoculars back in your bag and proceeding to walk away from the scene.

Your terminal beeps and lights up and you pause, seeing that Phrolova had called you. “Leaving so soon?”

Huffing out a sigh at her words, “I see no point in staying.”

Humming in thought for a moment, she merely says, “Alright, go on then.”

The soil beneath your feet crunches underneath you with droplets wetting them at the same time; the sky is clear today.

SCAR’S EYES WIDENED at the sound of the mic clattering onto the ground, falling from his waist. “Well, aren’t you good? I thought you wouldn’t notice it so soon.”

“And I thought you said you didn’t want anybody else intruding on our conversation, seems kind of hypocritical to have a microphone attached at your hip,” they taunt.

“Perhaps,” he shrugs, burying down the feeling in his stomach. “But they too, were special to me, I just wanted to share a conversation with two very special people, and what’s the matter with that?”

“So they’re special to you?” they raised a brow, suddenly interested in the newfound topic raised.

Scar laughed at their attempt to get him to reveal information about himself, but he would never put you in jeopardy like that — never in a thousand years. “Did I say that?

“Well, it’s not like you’ll ever get to find out any time soon,” he stomps on the already broken microphone, smashing it to pieces.

Rover simply rolled their eyes, “Just give me back Yanyang so we can be done with already, I’m bored of your story.”

“And here I thought that we already established,” Scar took a few strides forward, “That you aren’t in the position to bargain.”

Unbeknownst to Scar, you had left your earpiece in, the sound of static becoming wonderful white noise to you. The unfortunate part was that you could only hear a few bits and pieces of their conversation out of context.

“…were special—“ were? What does he mean by that? Why is he using past tense? Is he saying that to fuck with them or because he thinks you can’t hear him anymore? Or are you just reading to far into it?

“..two very special people—“ it should only be one, shouldn’t there? Is he saying that Rover’s already as important — if not more important than you?

Harshly taking out your earpiece, you throw it into the dirt. Unable to let out a frustrated scream you let your anger out through crushing the earpiece under your foot.

Letting out an exasperated sigh, you glare back down at the shattered earpiece beside you. Rubbing the corners of your eyes, you begin to walk away, “The white noise wasn’t even that good anyways.”

a/n: not my best work — obviously — since i wrote this in an hour, on my phone, with fake nails. but i was feeling like shit so i dumped it all here, sorry kinda sorry

[mythalism]

i realized the other day after posting about this fan theory that, at this point, it is basically talked about in fandom as if its canon, and newer fans might not understand why. my goal today was to explain the theory and all of the evidence we have for it in inquisition to give people a better understanding of why this has become so ubiquitous, and to hopefully have something to look back on in two months with that "apollo gift of prophecy" dodgeball meme when veilguard proves us right.

very important before i get started: this is not my theory. i didn't make it up. unfortunately, i also don't know exactly who did and if it could even be traced at this point. this is something that many people have believed for a long time, and i'm not the first to write about it. there are a lot of great posts and essays that speculate on this theory, and what it could mean for solas's character going forward.

PLEASE feel free to contribute thoughts, or link to posts you have made yourself or seen before in the replies/reblogs!!! much of my own experience with this comes from long before this account existed, so i dont have exact sources but rather random, amorphous fandom knowledge of this theory and what major arguments have circulated in the past 10 years. this post by @sammakesart and this post by @mrs-gauche went around recently and both touch on this theory and i highly recommend them both! i know @corseque has also written about this theory multiple times over the years.

i was first introduced to this on tumblr when it started gaining ground in the fandom after the release of trespasser in 2015, predominantly due to a couple of lines of cole dialogue from trespasser, so that is where we will begin.

shoutout to @daitranscripts and the dragon age wiki for the dialogue

this line of cole's is basically the foundation of this theory, and what is cited most often. i'm not entirely sure if the theory existed before trespasser, but if it did, i dont remember it being well-known or widely accepted like it is now.

this line is usually interpreted to suggest that solas, who would have been a spirit of wisdom/pride at the time, took a body and came into being as an elf at mythal's behest. this is also the line that suggests solas himself once wore vallaslin, and that he removed it himself using the same spell he uses on a romanced lavellan thousands of years later, but did so clumsily the first time and left the scar we can see on his eyebrow.

first i want to acknowledge what are pretty much the most damning indications of this theory

solas means "pride; to stand tall" in elvhen, according to world of thedas vol. 1

the dread wolf form we see in murals, written descriptions, and of course, in real life in the veilguard trailer, bears a pretty clear resemblance to pride demons:

most notably, in the face and eyes. yeah i dont really have anything else to say about those lmao it's pretty blatant

overall, inquisition tells us a great deal about spirits, and gives the player an alternate worldview through which to understand them, distinct from the chantry/circle narrative presented previously.

solas himself, along with cole, has a lot to say about the nature of spirits throughout his dialogue and banter with several characters. one sentiment that he espouses repeatedly is that spirits and demons are the same thing, but demons are a spirit corrupted and perverted away from its purpose.

Solas: They rarely seek this world. When they do, their natures do not often survive exposure to the people they encounter. Wisdom and purpose are too easily twisted to pride and desire

During All New, Faded for Her:

PC: Solas, you said your friend was a wisdom spirit. Solas: That is not its natural form. It has been corrupted. PC: Corrupted? Solas: Forced to act against its original purpose. What did they do, what did they do, what did they do?

second, that spirits and the fade are a mirror, and reflect the waking world. specifically, that spirits reflect the perception and expectation of a mortal, and adapts accordingly. belief makes reality.

On Ostagar:

PC: I've heard the stories. It would be interesting to hear what it was really like. Solas: That's just it. In the Fade, I see reflections created by spirits who react to the emotions of the warriors. One moment, I see heroic Wardens lighting the fire and a power mad villain sneering as he lets King Cailan fall. The next, I see an army overwhelmed and a veteran commander refusing to let more soldiers die in a lost cause. PC: And you can't tell which is real? Solas: It is the fade. They are all real.

and third, that spirits are people.

solas expresses concerns over what the breach does to spirits at multiple points, including here with cassandra.

he also regularly argues in favor of spirits personhood, and passionately pushes back against characters who argue the opposite, such as dorian:

as well as the inquisitor themselves, should they choose certain dialogue options:

PC: You trust these spirits not to possess you the first time you accidentally make a wish? Solas: Do you trust your friends not to turn on you? (authors note: LMFAOOOOOOO) PC: Well, yes, but they're people. Solas: Ah, of course. PC: You know what I mean. Solas: Are people only people because they are flesh and blood? Solas: Is Cassandra defined by her cheekbones and not her faith? Varric by his chest hair not his wit? PC: They're not defined by their bodies, but they do have bodies. You need one to be a person. Solas: A demon possessing a corpse has a body. PC: A living body. Solas: A demon possesses a living mage to become an abomination. PC: They didn't make that body. They just took it over. Solas: Technically your mother created your body, with some help from your father, one assumes. PC: You've thought about this. Solas: On occasion, yes. OR:

PC: Spirits are bound by their nature. You said it yourself. They're shaped by contact with real people. Solas: Just as Leliana was shaped by contact with Divine Justinia, as those who serve the inquisition are shaped by you. If I change your mind in this conversation, does that mean you're no more real than a spirit? OR: PC: Im certain you have some rhetorical trick ready to counter anything I say. Solas: It's likely. I've had a lot of time to discuss the question with people. Or "spirits", if you prefer.

aside from this entire conversation being hilarious and very fen'harel coded, i think its notable that his enthusiasm and snark here is distinct from the way he engages in other debates, where he is often clinical and detached. on the subject of spirits, however, we get a lot more emotional investment from him - it feels personal. as he says, he's thought about it. on occasion.

solas having originally been a spirit adds helpful context for his insistence on spirit's personhood despite modern thedas's completely contradictory beliefs, and also helps inform his worldview more generally, especially in regards to elves.

one of solas's most heavily criticized aspects is his disdain for modern elves and the dalish. and i agree, it's fucked up and he is an absolute ass about it at nearly every opportunity. however, his feelings regarding the elves sometimes seem... strange, even in the context of him being an ancient elf.

keeping in mind cole's line from trespasser, that he "did not want a body", as well as another cole line from trespasser:

most people infer that there is some sort of resentment on solas's end for him having to become human at mythal's request. it seems as if he was turned away from his purpose. wisdom forced to be pride.

cole's personal quest, which shows solas passionately arguing to keep cole a spirit, supports this. it is almost as if he is trying to prevent cole from the same fate that was forced upon him.

throughout the quest he says things such as: "This is not some fanciful story, child of the stone. We cannot change our nature by wishing." "A spirit does not work through emotions. It embodies them." "You would alter the essence of what he is." "It is good that he is not entirely changed, however human he becomes."

most telling of all, i think is this line at the end of the quest if you elect to keep cole as a spirit.

Varric: "He could have been a person." Solas: Possibly. Would that have made him happier?

OUGGHGH.

clearly, for solas, the answer was no. being a person has not made him happier.

regardless, solas still values spirits as fundamentally equal to people despite their differences and worthy of the same freedoms, self-determination and respect.

this kinship with spirits, however, might help explain his disdain for elves, in a way i find to be more satisfying than "all ancient elves are assholes" and more in-line with his character overall.

it seems as if solas doesnt see himself as separate from modern elves because he doesnt see himself as a modern elf, but that he doesnt not see himself as an elf at all, but rather as a spirit.

solas infamously says, following halamshiral if you bring up briala:

"I'm sorry, I was confused. I do not consider myself to have much in common with the elves."

the inquisitor has the option for several responses, and although most of us probably pick the one that tells him to fuck off, the others are more telling:

PC: Nor should you. You're not defined by the shape of your ears. They're not your people. Solas: No, they are not. OR PC: Who do you have much in common with. Who are your people? Solas: A good question. Solas: I joined the inquisition to save the world. Regardless of who "my people" are, this was the best way to help him.

"not being defined by the shape of your ears" and solas's immediate identification with the statement and approval of it sticks out to me. it seems like he's just being racist, and he very well might be, but in the context of this theory, it can also be interpreted as him disliking being "defined" by having a body at all, or any physical characteristics, consistent with how he resists the idea that varric and cassandra are defined by their own physical characteristics.

if the player insists they want to help the orlesian elves even if he doesnt, he still has something interesting to say:

Solas: Stop Corypheus. That will do for a start. It speaks well of you to feel for the oppressed. Help them for that. Know them for what they are.

this is not the only time he equates all oppressed groups of thedas to one another, defined by their shared subjugation rather than the real, in-world divisions such as race and religion. it's also interesting to consider the relationship between oppression, as a situation that evokes certain emotions in those who experience it, such as pride. as solas says of ostagar, spirits there were drawn to the emotions of the soldiers there. are spirits of pride drawn to situations of oppression, where pride is needed for liberation?

solas's failure (or refusal) to recognize the reality of how oppression functions in modern thedas along lines of race and ethnicity specifically is one of his biggest flaws, but it continues to fit with this theory, as it is consistent with that same sort of single-minded, spirit tunnel-vision that we see from spirits and demons. i would also assume that he considers spirits to be part of this monolithic group of "the oppressed", considering the spirit slavery/bondage practices in tevinter and nevarra, both of which he criticizes.

i do believe, however, that to equate all of solas's unfair derision of the dalish to him identifying with spirits over people, rather than ancient elves over modern elves, would be too generous and an oversimplification. its also clear how much of his anger towards the dalish comes from... wait for it.... his wounded pride.

solas is prideful. when he is faced with pride in others, he becomes defensive, even nasty. when his pride is challenged, often by others pride, he becomes almost unrecognizable. the dalish specifically rub up against his pride, in the most specific of ways that grate at his most cherished qualities and that disregard his own perception of himself. the thing he is most proud of, leading a slave rebellion against corrupt tyrants, erased from history entirely. branded a traitor instead, while those he fought against are worshiped as saviors for millennia.

Solas: I have joined my fair share of causes. But when I offered lessons learned in the Fade, I was derided by my enemies... and sometimes by my allies. Liar. Fool. Madman. There are endless ways to say something isn't worth listening to. Over time, it grinds away at you.

its also possible, considering what we know of the nature of expectation creating reality for spirits, that the dalish framing of the dread wolf actually does indeed make him worse - more arrogant, less compassionate, more ruthless, more cunning, more of a liar. a spirit being perverted into a demon based on the dominant perception of it.

perhaps the most interesting tidbit about solas of all which supports this theory, is that this phenomenon of expectation shaping his nature, making him more prideful or more humble, is not exclusive to the world of thedas, but also occurs on a meta-level with the player by proxy of the inquisitor.

a 2020 interview of trick weekes, solas's writer, says this pretty much verbatim.

"Solas mirrors. If you approach Solas from a place of humility and say, "I want to learn from you," Solas will bend over backwards to tell you how flawed he is and how he's just coming at this from his own limited understanding. If you come in with ego, Solas is genetically incapable of not bristling when he sees your ego... because he can't not do that."

this is fascinating for like 7 million reasons, but most notably for the language trick uses that i believe to be incredibly revealing. first, solas himself talks about how spirits "mirror" the real world multiple times. second is the way in which they speak about solas's mirroring as innate, uncontrollable, and involuntary. he is genetically incapable of not mirroring. genetically incapable of not bristling at someone else's pride. this being a genetic incapability implies, pretty unambigously, that he is a spirit. we dont know of any people in thedas who have pride in their DNA. except. you know. pride demons.

pride is his purpose. he cannot turn away from it or betray that purpose to pursue something else. he cannot change his nature simply by wishing. if he were to attempt it, he would be corrupted.

trick offers this information as an explanation for player's extremely varied perception of solas when playing the game, and it perfectly mimics the way solas himself talks about spirits as being created by a dreamer's expectation of them.

when asked about his friendships with spirits, he says:.

PC: You're saying that you became friends with pride and desire demons? Solas: They were not demons for me. PC: Meaning? Solas: The Fade reflects the minds of the living. If you expect a spirit of wisdom to be a pride demon, it will adapt/ And if your mind is free of corrupting influences? If you understand the nature of the spirit? They can be fast friends.

i just love how perfectly this reflects every fandom argument that's been had on twitter about solas for the past 10 years. like seriously.

random twitter user: you like that guy!? but hes a [demon]!! solas stans: he wasn't a demon for me

and it is true; people who are pretty deep into the games often know what solas is like to a low-approval inquisitor, but it can be shocking for new players to see what he is like at the other end of the approval spectrum, whether that is someone who hated him seeing the tenderness with which he kisses a romanced lavellan goodbye to remove her anchor in trespasser, or someone who romanced him witnessing the cruelty and detachment which with he grabs a low-approval inquisitor to yank off their anchor. he becomes almost an entirely different person based on how the player treats him.

for all that solas, in true spirit form, reflects the perceptions of the players, he has plenty of pure pride-demon vibes on his own, independent of player expectation. he is not just proud, or made proud as a mirror for player/character pride, but he often even goes as far as to act in ways that mimic how we have seen from spirits more generally, as well as pride demons specifically.

the wiki states:

"Spirits are not complex in the sense that they seize upon a single facet of human experience, and this one idea becomes their identity.[3] They are formed as a reflection of the real world and its passions.[10] A spirit embodies and latches onto a specific purpose and will do all in its power to fulfill that purpose. For instance, a hunger demon will attempt to feed on anything it crosses,[4] and a spirit of justice will stop at nothing to uphold its name”

along with further reinforcing solas's tunnel vission as characteristic of spirits, he does indeed intentionally attempt to stoke arrogance in others, as well as test characters to see if they are vulnerable to arrogance and power-hungriness. this is probably best exemplified by his banter with vivienne, versus his banter with cassandra.

i mean this one is self explanatory. cmon.

but it becomes especially interesting when compared to his interactions with cassandra, of whom he starts out very distrustful of. however, through their banter, he immediately begins to test her for indications of her inclination towards arrogance and desire for power:

cassandra passes solas's tests and earns his approval through her humility, curiosity, and willingness to give up power for the greater good. as a result, solas softens considerably towards her, and becomes more evocative of wisdom than pride, offering her advice when she asks, though very humbly:

"i would hardly presume" is actually hilarious considering how he does presume. ALL THE TIME. but it shows the extent of this "mirroring" that trick mentions, when compared to how he speaks with vivienne, who does not pass his tests of pride: notice how his jabs at her specifically target her pride, the things she is proud of about herself, and tear them down:

he tells her that her position in the orlesian court is unearned, that the freedom she is so proud of winning for herself will come to an inevitable end, and that her resistance to demons does not make her special. its absolutely BRUTAL.

its especially important to note how little bearing vivienne and cassandra's backgrounds have on solas's perception of them. vivienne is a circle mage, a group of people who solas deeply sympathizes with, and believes should be freed. meanwhile cassandra is effectively templar, a group whom solas despises and finds unjust, and has been complacent in the oppression of mages that solas is so vehemently against.

and yet? it does not matter. he measures their worth based entirely on their propensity for pride.

it’s worth noting too, keeping in mind Solas’s almost uncharacteristic reverence for cassandra’s faith in the maker and (take this with a grain of salt because it was david gaider and he said via forum post….) that there are actually two types of spirits that become pride. wisdom, and faith.

"A spirit embodies and latches onto a specific purpose and will do all in its power to fulfill that purpose."

what we DONT know: pretty much everything else about this. what was the process like? at what point in history did he take the body? how was that body made? was it stolen? did he start as wisdom and turn into pride later? did he always oscillate between both? was he corrupted by what was asked of him, to fight, as his friend was in his personal quest?

i could continue talking about this forever, probably, especially with how it manifests in the solavellan relationship and what it suggests for solas's story in veilguard, but ill cut it here for both my own sanity and yours. but first, a few fun dialogue bits that strike me as very pride-demon coded but didn't fit anywhere else in this analysis.

in conclusion: