#but this is really very on point for my digging up stuff for characters and things for rare pair hell

[nattikay]

Yeah, Izzo actually mentioned that panel specifically! We technically don't know for certain whether that particular character was meant to be her, but I'd say it's a very good reasonable guess and definitely the closest thing we have! Certainly gonna be my headcanon for now, until/unless we get something a little more concrete.

Speaking of which, I went ahead and transcribed the part of the interview about Norm, tagging @theoptimistictabby again because you're gonna want this, Norm fans are gonna be hype for this one haha. I'm gonna put the full thing under a cut because it's just a tad bit long, but the tl;dr bullet points are:

Izzo really wants to do a Norm comic at some point, exploring his past and/or the gap between A1 and A2

Norm's family probably won't make a direct appearance in the films, but might appear in other media such as comics

One of his kids is named Popiti and she, along with a sibling, do appear in The High Ground; he mentioned the panel with Norm playing the violin specifically

The majority of the Olangi clan died in the Battle of the Hallelujah Mountains and the survivors were absorbed into the Omatikaya clan. Norm's mate was one of these survivors and he met her in during the aftermath of the battle.

By the way, for those who didn't catch it on the other reblog, Izzo also confirmed later that day via this comment that Popiti and her sibling are indeed Norm's biological kids, not adopted!

...soooo with all that in mind, if we take that violin panel you posted and zoom out a bit:

I think there's a pretty decent chance that those two kids in the front holding hands are Popiti and her sibling! :D

Transcript from interview:

Mako: In the Visual Dictionary and The High Ground, it is hinted that Norm has a family. Do you know if we will ever meet them? Izzo: Yes! So, keen-eyed viewers…well, meet them on film, like, visually? Probably not. That will probably be, like, a lore, derivitive media sort of thing, but keen-eyed viewers…his children appear in The High Ground. They’re in there! There’s a couple panels where you see them, like when the Sully family return, and they have that kind of dance party, it’s at the top of book 1, I believe, where Norm is playing a musical instrument or something like that…Popiti and his other kid are there. They’re in that scene. But yeah, I would love to more with that; Norm is a character that….and actually this is something that again Ray, our creative guy, he’s talked about doing stuff about the Avatar program, the AVTR program, from a comic book perspective, he’s had some really interesting ideas…but Norm as a character is one that I’d really love to do some comic book or some other media about that’s either…y’know…I’d love to do something that’s between A1 and A2. What is he up to, what’s he doing, and y’know, touching a little bit on his past: where’d he come from, his study to be in the Avatar program, his relationship with Tommy, the meeting of all of the Na'vi, and kind of all that stuff…I think that it’s really rich. There’s some really meaty story there that I would love to do. But yeah, going back…the question, probably not on screen, but in other media, would love to. Would love to give it a shot. Mako: Well, I can imagine you just set off a flurry of comic book pages of people going to grab their copy of The High Ground to go digging… Izzo: Yeah, probably! Mako: But you’re right that the comic book format, the way that you guys have set that up right now, lends itself really well to anthology stories and character studies, I mean, the very first one was a Jake character study in a lot of ways, and we had Mo'at, and we’ve got So'lek in the latest ones, of course, so….yeah, it could be really interesting to see a Norm-centric story emerge in that format. Izzo: Just right now, just for the room…and I don’t know if it’s in the Visual Dictionaries…but in our documentation at work...this is all subject to change, so, y’know, of course, I’m gonna say it, but Jim might have different ideas…his mate, his partner, is one of the Olangi clan that he met during the post-Battle of the Hallelujah Mountains, one of Akwey’s people…and because Akwey’s people essentially got destroyed during that battle, the Omatikaya clan sort of absorbed a lot of their remnants, their lost, because that’s what happens during the wartimes…you saw that’s also what happened to So'lek’s clan…they passed away and then other clans abosorbed their survivors, and the Olangi clan came and lived with the remnants of the Omatikaya in their yurts on that border of Hell’s Gate between Hell’s Gate and the Omatikayan rainforest. So yeah, he was….we have it in our paperwork that he’s mated and partnered to an Olangi woman. Mako: Oh, ok yeah. That’s not lore that I personally knew, so that’s really really interesting, and again further stuff to potentially explore in a character study. Izzo: Yeah, super fun!

Norm family lore drop!!

so for Avatar fans who don't already know, Kelutral's "Omaticon" online convention (streamed on their Twitch channel) is going on this weekend, and the kickoff panel earlier this evening featured franchise loremaster Josh Izzo.

Some may remember this little panel in the High Ground, featuring Norm with a Na'vi child addressing him as "Daddy":

In the Visual Dictionary, there's also a very brief mention that Tuk has a best friend named Popiti.

...so here's the fun bit:

Izzo confirmed that this "Popiti" is in fact Norm's kid!!

Apparently Popiti also has a sibling, and her mother/Norm's mate is from the Olangi clan (which makes sense given that the Visual Dictionary mentions Norm having a bunch of Olangi trinkets).

ngl I love this lore drop but now I have so many more questions also!! How old is Popiti (I assume close to Tuk's age since they're best friends but there's still some wiggle room there so)? Is her sibling older or younger and what's his/her name? If they're Norm's biological kids, do either of them have avatar features like Kiri and Lo'ak? What's Norm's wife's name, what's their story? Norm didn't get his consciousness permanently transferred like Jake did, so how does him switching between two bodies affect things? PLZ I NEED TO KNOW

@theoptimistictabby thought you'd be interested in this one ;)

btw let it be known that I speculated all these things like two years ago, my mind is still reeling that what I thought was merely wild wishful-thinking speculation at the time turned out to be CANON lol

[augment-techs]

Go Go Power Rangers #32 Social Variant Cover, by Johanna The Mad~

@lordkingsmith @skyland2703

I feel like you'll appreciate the three main people that liked and reblogged, followed by two in particular that commented :)

[superectojazzmage]

Just back from Alien Romulus and hoooo boy oh boy. Review/analysis.

Easily the best Alien movie since the first two, which isn't saying much, yeah, but it is legit a really cool and well-made movie, competing with Late Night With The Devil, Longlegs, and Cuckoo for title of my favorite horror movie this year.

In a lot of ways it's about harvesting the few good ideas from the post-2 movies that were squandered and doing them right, plus getting the series back to it's healthier roots, kinda the movie equivalent of someone doing physical therapy to get back in the saddle after an injury. This means it's not quite brand new ground like some may hope for and I've heard some people feel it gets a little derivative at points because of it. I can kinda agree and certainly understand that criticism, but I feel it does what it's aiming for really well and sets things up for future works to go in even crazier directions. Furthermore, it takes a lot of time to try and weld together the disparate post-2 movies in a way that brings the series back to a little coherency.

The atmosphere is really intense and cool, swinging between lovecraftian dread and build-up and high-energy chaos. The aesthetics and special effects are gorgeous, taking full advantage of the progress that technology has made since 2 plus really digging in to the used cassette future vibe of the older films. The characters are likable and actually intelligent (or at least understandable) in behavior like in the first two movies, so you care about what's happening to them instead of just waiting for them to get munched. The action and kills were really cool and creative, the cinematography in general was off-kilter in an awesome way - there's a definite attempt to make the movie feel claustrophobic and intimate. Fede Alvarez did a fantastic job in general, I'd love to see him do more with the series.

It REALLY cranks up the series' psychosexual, freudian, and sexual assault subtext, arguably to a point where it's just plain text. So if you're sensitive to stuff like that or if this is your first go at Alien, be warned for that.

More specific notes go under the header for spoilers. Highly recommend you go in as blind as you can.

Andy and Rain were wonderful leads, their dynamic was fantastic and Calie Spaeny and David Jonsson both turned in great performances. I direly hope they join the first two films' casts as "major" characters for the series going forward.

The effects to make Daniel Betts look like Ian Holms were quite possibly the one and only time the special effects failed. It looks very wonky, which is sad because Betts does a really good job copying Holms' mannerisms for Ash while still making Rook feel like a distinct character.

In addition to the usual themes of sexual unease, genetics, and parenthood, this movie adds in some really interesting themes of familial legacy, the rise of new generations, foundations, etc.. Andy and Rain are like Romulus and Remus of myth, orphaned and left to fend for themselves but growing into founders of a new age - both in-story with their carrying the XX121 substance and evidence of Weyland-Yutani's misdeeds to Yvaga and out-of-story with them being the protagonists of a new era for Alien. Likewise, the Offspring is the first example of an entirely new species, neither human nor alien but taking from the lineages of both through Kay and Big Chap, a Romulus-like founder of it's breed that will later bear fruit in Resurrection with the Ripley clone and Newborn.

I'm really not kidding when I say above that the psychosexual undercurrents are taken to the extreme here. This movie basically sees the ways the original film subtly pin-pricked at those themes, says "fuck that", and deliberately rubs it in your face in a way designed to make sure you can't ignore it. It wants you to be grossed out and to squirm in your chair and it knows exactly how to make it happen.

Alvarez noted in the lead-up to release that he took a lot of influence from Isolation and you can definitely see that in how he depicts the Xenomorphs and the general aura of the film. He further described it as a kind of halfway point between the first and second movies and you can also see that; it has the Lovecraft-style tension and horror of the first, balanced with the energy and action of the second, and it does a really good job finding a middle ground between Ridley Scott and James Cameron's styles while also doing it's own dance.

I mentioned way back at the start how the movie basically harvests the good ideas from 3, Resurrection, Prometheus, and Covenant and gives them the room they deserve while dumping the bad. It does that in both terms of themes/style and continuity/lore. Concepts that those movies bungled like xeno-human hybridism, the black goo, genetic engineering as a focus, and so on are done here more creatively and competently. Themes that those films tried and failed to tackle are handled with significantly more grace. It has the atmosphere and characterization of 3 but none of it's baggage and needlessly depressive tone. It has the body horror and weirdness of Resurrection without taking it to the zany, embarrassing areas that movie went. The effects and creativity of Prometheus and Covenant without any of their awful writing and clumsy messages. Alvarez takes on kind of an Al Ewing-esque "repairman" writing style here.

The Xenomorphs are absolutely deranged in behavior compared to most portrayals, attacking like either cruel sadists or raging chimps and rarely bothering to take hosts. I'm not sure if such a reading was intended, but I got the vibe that the idea is Xenos raised without a queen or hive grow to be basically sociopathic like how real world predatory animals grown without parental figures become feral and dysfunctional. Which would also explain a lot about how the Xeno in the original movie, Big Chap, acts there.

The Offspring's design is fucking wicked and I love it.

One of my few major criticisms is that Big Chap died off-screen instead of getting more to do. What was the point of having him be alive at the start if he wasn't gonna be used beyond a backstory point to set up the main story?

All in all, a very impressive effort and a great return to form for the series that I recommend highly.

[absolutebl]

This Week(s) in BL - yes yes I KNOW

Organized, in each category, with ones I'm enjoying most at the top.

Dec 2024 Week 1 & 2

Ongoing Series - Thai

Your Sky (Sun iQIYI) ep 3-4 of 12 - Them on the rooftop together (and cooking) learning how to flirt and be comfortable in each other’s space was so damn darling. Fah is so gentle and so enamored. its just endlessly soft. I love the nickname negotiation. And then next we got an illegally cute date!!!!! Yes this is slow but I don't care.

Love Sick 2024 (Sun iQIYI) ep 12-13 of 15 - I like we get more Phun/Dad conflict backstory in this new version. I'm chronicling my experience with 2024 as compared to 2014 here. (hasn't been updated, I'm struggling here)

Caged Again (Fri Gaga) ep 5-6 of 10 - Family (elder gays) to the rescue is a wonderful trope to see! So rare.

Also a v well done first kiss. 

Not gonna lie, I found the second episode overly weird and rather slow and drawn out. Did not need all the cartoon stuff. Also not really into the penguin outfit thing either. Not cute.

ThamePo Heart that Skips a Beat (Fri YT) ep 1 of 12 - Oh I absolutely adore it but...... it’s slow. But I don’t care because everyone’s so pretty. Po is a bit too much of a pushover for me and his sister (or whatever) is a bit too much of a sasang. So I don’t like that part. Hopefully these flaws will get rectified. But my oh my are they PRETTY.

Did I mention the pretty?

Fourever You (Thurs YT) ep 10-11 of 16 - These episodes were a bit better and I am warming Johan (if not to North). I think my issue with this story arc is I never love a tsundere seme. North's hair was epically bad, like 2008 Japan level terrible.

Hill & Ter’s make out and discovery scene was truly spectacular and very tense.

In ep 11 I got very confused because I thought we already saw the rescue from rape in the street scene? Or am I hallucinating? Anygay, most awkward kabedon ever in a BL.

Good kiss though.

And now we are in a very working girl a relationship. Cool if that's your thing, I guess.

The Heart Killers (Weds Gaga) ep 3 of 12 - I like the Khun Mehhh Boss lady character. I cannot stand the music in this show! Fake metal, fake tattoos, I'm getting Hollyoaks flashbacks. Lap sitting was cute and kink was a nice touch. Not sure about the dance tho. Fight scene was much better. Lots of action this ep. ALL the action really.  

Episode 4, however, I inexplicably couldn’t find. I clearly have to use my old-fashioned VPN work-around. And I don’t have access to that computer right now.

Perfect 10 Liners (Sun YT?) ep 6 of 24 - I did really enjoy the twist that the uke character (who is not in love) was more into having sex than seme character (who is in love). That was fun. And quite modern.

I do love them casually just walking around campus in waffle robes. For those who don’t know this is another dig at a BL trope. Frankly, now that there’s a lot more communication (and intentions have been made clear) between the two of them, I’m enjoying their relationship more. I still don't LIKE it. Also the ever present language play is making me happy. For those of you who missed it, the nuance of that krap from a prior perennially rude Arc is basically the equivalent of a semi-sarcastic but also kind of sweet “yes, dear.”

Meanwhile, Sea just popping up out of nowhere made me entirely too happy. I hooted with laughter, it was so ridiculous. Episode 7 I didn't pay much attention because the sound effects were particularly egregious - or was it just me? 

Spare Me Your Mercy (Thurs iQIYI) ep 2-4 of 8 - I went on a journey with this one this week. Ready?

2 - Ooo its very good. I like it a lot. The doc is soooo awkward it's almost believable and yet still sus. Such a great actor. I do keep wondering if they’ve already slept together at some point though. Like they once had a one night stand in college or something.  3 - I did not call the pharmacist and the hospital head kink. Nice twist. I do enjoy how very adult the relationship is between these leads, but I don't get a ton of chemistry. 4 - Well this show turned into something I was not expecting. I thought it was gonna be a sort of mystery but it’s not. It’s more crime thriller is he a serial killer thing. sorry all, but this is too dark for me rn. So I’m giving it a pass until it’s over and others have deemed it safe. 

Ongoing Series - Not Thai

Our Youth AKA Miseinen: Mijukuna Oretachi wa Bukiyo ni Shinkochu (Japan Tues Gaga) ep 5-6 of 11 - Oh it’s the classic flip halfway through so we get the other perspective. I forgot that was coming. Silly me. Anther one for the 2024 sniff test list list. Oh they gave such an achingly sweet sex scene Triggers are rough with this one. We are in for a world of pain. Why am I still watching?

See Your Love (Taiwan Weds Gaga) ep 8 of 13 - gosh they are so sweet. The Daddy/idiot-brat side pairing is epic. Wish they got more screen time.

Teenager Judge (Vietnam Sat YT) ep 11 of ? - finally stuff happened. 

Love in the Air: Koi no Yokan (Japan Sat Gaga) ep 6-7 of 10 - ugh, they kept the violation of the journal reading bit in the JBL version. It’s really hard to watch no matter what. I actually think the Thai version of that scene was better acted. But ho boy how do I ever like that character?

Love is Like a Poison AKA Doku Koi: Doku mo Sugireba Koi to Naru (Japan Tues ????) 11-12 end - Went pretty dark. Both psychologically, emotionally, and physically. I still like how the leads remained loyal and connected to each other though. Nice to see battle husbands again after so long. We don’t get them very often in BL these days. it’s just us against the world is always fun to watch. All that said  there’s quite a bit of chin stroking dialogue that was v on the nose and twee for JBL. Pleasure to see Haruto fight like a man who can actually fight, like the actor had some training or something (no idea if this is true). The final ep was satisfying and all in all, an enjoyable show.

A fun little JBL about a repressed lawyer who partners with (and then falls for) a beautiful street-savvy conman. Charmingly, they both come out the better and stronger for the relationship. The return of battle husbands, this time in the courtroom. Thank you, Japan, we appreciate a look in on an oft forgotten trope. 8/10

Be Moon - Falling for my enemy's son (China YT) movie from HBD Studio airing in short bits - this is another series of shorts that popped up on YouTube. It’s very pulp I not wild about it. Although I do like a lot of the tropes. 

Eyes on You (Hong Kong YT) - trailer, oh it’s mostly incomprehensible and really not good. I'd tell you what it’s about but I have no idea. There seems to be some sort of mystery and some violence and people fighting and a pair of lovers at the center of it who are being reunited. Or something.

It's airing but......

Winter Is Not The Death of Summer (Thai Weds YT) ?? eps - Criminals who meet in prison fall in love. I did find it on YouTube, initially un-subbed, then subs happened by which time I got distracted. The first episode seems to be only six minutes long. It is very pulp. But it is intriguing. For now it's to the wayside until someone tells me it landed safely. Occasionally Thai pulps want to be edgy and it's not a good look on them.

Secret Love (? YT?) 13-?? of 81 eps - I don't know what's going on either.

0.5D (Japan ????) 10 eps - Supposedly started 12/4 I couldn't find it though I'd like to watch. "Sales ace, Sada, has a secret that only his junior, Daiki, knows. He has pretended to have a gf for years, resulting in him being a virgin. But now Sada has fallen in love. Confused, Sada seeks advice from his junior." I sense another queer Cyrano De Bergerac. Info here.

Bad to Bed (Taiwan Sat YT) 10 eps - This is a little too low production value even for me + just very very odd. DNF

It Ended But?

Blue Canvas of Youthful Days (China Sun Viki) paused at eps 9-10 of 12 - I have been told the ending is OK if not great. I’m gonna hold off for a bit.

Bad Guy My Boss (Thai Sun Gaga) 10 eps - I DNF'd at ep 7, did anyone stick with this until the end? Thoughts?

Next Week Looks Like This:

No cal for you. Mine is borked. LIFE. Interfering with my BL. Again.

End of year drops:

12/14 & 12/21 The Renovation (Thai mini One31) 2 eps - Writer turns his blossoming romance with holiday resort owner into a novel.

12/20 Eternal Butler (Taiwan Viki?) 12 eps - When Ever 4, a sophisticated AI robot, becomes the personal butler to Luo Bu Shi, a spoiled yet lonely young heir, an unexpected love story unfolds. (Spin off from the first season, new cast.)

12/29 Sangmin Dinneaw (Thai ????) ??eps - trailer Childhood friends (Thai & Korean) reunite after being apart for ten years. As the boys reconnect, their bond matures and feelings of romance begin to develop, in Thai.

Impression of Youth (Taiwan ????) ??eps - rummors are thsi is supposed to start this month.

Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.

THIS WEEK’S BEST MOMENTS

Peak humor. Very good.

STRAIGHT = wrong word

(All Perfect 10)

LOOK AT THAT FACE> GAH. (Fourever)

(2 weeks ago)

The tag BLigade: @doorajar @solitaryandwandering @my-rose-tinted-glasses @babymbbatinygirl @babymbbatinygirl @isisanna-blog @mmastertheone @pickletrip @aliceisathome @urikawa-miyuki @tokillamonger @sunflower-positiiivity @rocketturtle4 @blglplus @anythinggoesintheshire @everlightly @renafire @mestizashinrin @bl-bam-beyond @small-dark-and-delicious @saezurumurmurs

Don't complain you're lucky I got this done at all!

[darkficsyouneveraskedfor]

End Game 1

No tag lists. Do not send asks or DMs about updates. Review my pinned post for guidelines, masterlist, etc.

Warnings: this fic will include dark content such as noncon/dubcon, age gap, stalking, and possible untagged elements. My warnings are not exhaustive, enter at your own risk.

This is a dark!fic and explicit. 18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.

Summary: Your gaming buddy asks to meet up but it doesn't go exactly as planned.

Characters: Andy Barber

Note: get ready for the hate.

As per usual, I humbly request your thoughts! Reblogs are always appreciated and welcomed, not only do I see them easier but it lets other people see my work. I will do my best to answer all I can. I’m trying to get better at keeping up so thanks everyone for staying with me.

Your feedback will help in this and future works (and WiPs, I haven’t forgotten those!) Please do not just put ‘more’. I will block you.

I love you all immensely. Take care. 💖

The tunnel lights up ahead of you, revealing the cubic rock walls as you plant torches in your stead. The eerie soundtrack of night time and the ominous groan of zombies looming somewhere in the cave have you uptight. Silently, you press on, digging and mining mindlessly, fingers mashing the buttons on your controller. 

“Hey, where are you?” Jacob’s voice startles you. 

You nearly forgot you’re playing co-op. You sniff and shake your head, cursing aloud as your shock has you succumbing to the arrow of a sneaky skeleton. You sigh as your possessions scatter and you spawn back in your bed. 

“Back home,” you say glumly, “just ate it.” 

“Ah, damn,” his deep voice rolls in your noise-cancelling headset, “sorry, hope that wasn’t me.” 

“No, I wasn’t paying attention,” you hum and sigh.  

“Ah,” he accepts and lets silence linger before he clicks his tongue, “what’s going on? Everything alright?” 

“Yeah, yeah,” you put the controller down, your avatar sitting on the geometric bed, “I just...” you stretch your neck and massage your scalp around the thick band of the headset, “got a lot on my mind.” 

“Right. I thought you were all done exams,” he says. 

“I am, but... packing. Going home. I called my old boss and turns out I’m not gonna have a job this summer. Gotta start over,” you yawn and rub your eyes, “what about you? Final exam tomorrow?” 

“Uh... yeah,” he hesitates as if he forgot. You do wonder why he isn’t cramming right now. You could never play minecraft all night the day before a final. “Easy stuff. I’m not worried.” 

You scoff. You wish you could say the same. All you’ve done is worry those last two weeks. Exams, getting home, getting a job. Your grandmother won’t very happy to find out you’ll be slumming it for a while. At least you tucked away some money through the semester. 

“Hey, if you need a few bucks...” Jacob offers. 

“What? Are you crazy? No way,” you exclaim, “really, no, I couldn’t. I’ll be fine. I just... I hate looking for jobs. You know how it is. Friggin awkward.” 

“It’s not a big deal. My dad sent me my birthday money so...” 

“Uh uh,” you deny him again, “that’s way too much. I couldn’t-- we haven’t even met.” 

“Mm, yeah, about that,” he exhales into his microphone, “I, uh, got an extra ticket to this Con. I figured out that’s it like the midway point between us so...” 

“A con? Oh, wow--” 

“Yeah, but I get that it would be expensive so maybe I could pay for your trip?” 

“Jacob,” you wiggle the controller restlessly, “I can't accept that. It’s so nice but... it’s a lot.” 

“I wouldn’t offer it was too much,” his voice is soft, meek, and defeated. You feel bad but you would feel worse taking advantage of his kindness. “We’ve been talking all year. I just figured it would be a good chance to meet up. It would be in public and something we both like so...” 

You scratch your neck as it speckles with heat. You don’t know what’s more insulting; yes or no. 

“Can I think about it?” You ask thinly. 

The line is quiet. You look at the screen and it goes dim from your idling. You hit the analog stick and fix your headphones. 

“Jacob?” You murmur. 

“Sure, think about it,” he says, his voice raspy and rocky. It’s strange. You’ve seen him in pictures and his voice doesn’t really match his appearance. He sounds a lot older than he looks. “It’s next month so lots of time.” 

“I’m sorry,” you cringe. “I just wouldn’t want to waste your money.” 

“Trust me, it wouldn’t be a waste,” he insists, “this last year has sucked. So much. You got me through it all.” His microphone scuffs, “studying, exams, all that stuff. It’s tough making new friends. Seems like everyone here knows each other from high school.” 

“Yeah, totally,” you agree.  

You’re not exactly the most popular person. You have people you know in each class but not too many friends you hang out with outside the lecture hall or library. So far, not too many people want to spend hours mining digital gold or racing cartoon characters around a rainbow track. 

“Well, you should probably get some sleep,” you yawn, “you got your big exam and... I gotta keep packing. Gotta catch the greyhound tomorrow night.” 

“Sure, uh, yeah, right,” his disappointment is potent, “hey, will you text me when you get home? Just so I know you made it.” He snorts, “god, I sound like my dad right now.” 

“Oh, of course,” you chirp back, “I’ll try to remember. Might be late.” 

“That’s fine. Just as long as you let me know.” 

“Don’t worry about me,” you assure him, “not ‘til I have to face my grandma. Ha.” 

“Yeah, good luck with that,” he says, “well... er...” 

“Good night,” you finish for him, “let me know how the exam goes too.” 

“Will do,” his timbre gets even lower, “night.” 

You sign off and shut down the console. Another yawn flows through you and waters in your eyes. You should sleep, you got a long day waiting for you, but you know it won’t be easy. Not with so much on your mind, not least of all, Jacob’s invitation. 

🎮

You text Jacob as you get on the bus, to make sure he doesn’t worry. It’s so sweet that he does, even some of your girlfriends don’t bother that much. Not that you mind the ‘hey, bitch’ Janet sends you every now and again to make sure you’re still alive. 

You fall asleep on the bus. You’ve never been one to sleep while travelling but you’re exhausted from a night of anxious tossing and turning. After spending all day packing up the last of your things and scouring your dorm room, you’re beat to hell. 

It’s midnight as you get to your grandmother’s house. She’s up reading another Stephen King classic in her rocking chair. She’s always been a night owl and a voracious book hound. She grumbles at you but doesn’t bother to ask how your trip was. 

“Hey, grandma,” you hike up your bag and smile.  

She growls again, eyes not leaving the page. You should know better by now not to interrupt her. You shoulder on and head down to the spare room where you spent most of your high-school career. You shut the door gently as the old hardwood floors creak with your weight and you drop your bag on the squeaky bed. 

You fish out your phone and plug it in as the battery flashes red with only two percent left. You leave it on the night table and stretch out, not bothering to change out of your hoodie and jeans. It’s not long before you descend back into the same dreams that marked your journey home. 

You wake up to buzzing. Your phone shakes the nightstand, rattling it against the bed frame. You groan and roll onto your side, reaching blindly for offending object. You hit the side button to dismiss the call.  

You blink away the bleariness and focus on the screen. Along with the missed call are several text messages. You squint as you expand the notifications. Jacob! You forgot to message. 

‘Hey, you home?’ 

‘Checking in. Must be busy getting settled in. Just let me know when you’re safe.’ 

‘Not meaning to be weird but everything okay?’ 

‘Please answer me. I’m worried.’ 

You drag your thumb around the keyboard, letting it predict your words; ‘sorry! I was so tired. Home now and safe 😊' 

Three dots pop up then swoop away. You frown as the same thing happens several times before a response appears. 

‘Was really worried. Thanks for finally answering. Been up all night.’ 

You’re stunned by the terse response. Yeah, you forgot to answer but he doesn’t need to worry that much. You frown and shift onto your side. 

‘Srry again. Tired. Talk in morning. Night.’ 

You turn your phone on silent and plug it back into the cord. You do feel bad but you’re too exhausted to let it keep you up. Besides, you need your sleep. You have lots of job hunting to do in the morning. Not to mention, your grandmother to face. 

🎮

You let Jacob cool down after your return home. Rather, he doesn’t text and you’re too distracted to do the same. As much as you’d like to sit around and game, your grandmother was as disappointed as you expected with your employment status, even when you gave her the money you had left in your emergency fund. 

After a week, you finally get a bite. It’s nothing special. There’s a seasonal ice cream shop in a booth shaped like a vanilla cone that needs a cashier on weeknights. It’s less than full time hours but it’s better than nothing. It will be strange working with high school juniors but you can’t afford to be picky. 

‘Game tonight?’ The text interrupts your first shift. You don’t have a chance to answer as a family approaches the window to order. 

You get them the soft serve and take their payment, bidding them a good evening with their vanilla points already drooping in the summer heat. You glance around at the mostly empty picnic tables. Soccer practice will end soon and you’ll be overloaded with eight-year-olds. 

‘Srry. New job. 1st shift. Maybe tmrw.’ 

‘New job? Congrats. Why didn’t you tell me?’ 

You sigh.  

‘Time got ahead of me.’ 

‘Same. Catch up tomorrow then. Minecraft?’ 

‘Sure. Tmrw.’ 

You slip your phone away. A mother and daughter approach and ask for a sundae and a banana split. As much as you love ice cream, working with it hasn’t tested your cravings very much. In fact, you might be falling out of love with it. The smell of vanilla and overly sweetened strawberries is kind of gross when it’s all you breathe. 

As you watch the happy customers walk away, you smile. Maybe it will be good to get some mining done. It will take your mind off of everything else. Hell, it might even make you feel like you’re doing something useful. 

🎮

“Shit, oh, sorry,” Jacob corrects himself. You always think it's kind of funny how he doesn’t like to swear. “My diamond armor.” 

“Oh no,” you utter, “where are you? I’ll grab your stuff.” 

He gives his coordinates and you turn around, leaping over the green blocks to make your way there. Despite your reticence at the beginning, you’re feeling better about the session. He wasn’t as tense as he seemed in his texts. 

“So, uh, did you think about the con?” Jacob asks. 

“The con? I almost forgot. When is it?” 

He gives the dates and you hum. Your chest flutters at the thought still. You’re not stupid. Meeting people IRL is not like online, no matter how many hours you’ve mined together. As much as you enjoy chatting with Jacob, you don’t know about meeting up. 

“I get it if you can’t get the time off but my offer still stands to cover the trip. If you wanna stay the night, I’ll even get an airBnB.” 

“Oh, wow, that’s a lot. I’m working now. I could put in,” you offer.  

“Is that a yes?” He asks hopefully. 

“I don’t know... I mean, I’ll have to look into it,” you say evasively. “Talk to my boss and grandma and all that.” 

“Right, right,” he tries to sound unbothered, “makes sense. Of course, no pressure. How about I send you the ticket either way? Haven’t got anyone else to bite.” 

“Oh, well, hold off, I wouldn’t want to take it and not use it,” you collect his weapons and armor from the ground in the game. 

It’s silent as you focus on getting every little thing. 

“Sorry, did I freak you out?” He asks, “I’m really not trying to pressure you, just got excited thinking about it.” 

“I know, Jacob, it’s not that, it’s just... a lot.” 

“Totally get it,” he intones, “let me know whenever you got an answer. Uh, where are you? I’m tryna find you.” 

“Just stay there, I'll come back to the house,” you assure him, happy to focus on the game instead. 

Still, you can’t entirely lose yourself in it. You’re sure he’s a nice guy. From pictures, he’s less than scary, and he’s never been anything but friendly. It’s not like the other dudes you meet online who jump to asking about your bra size and all that. It just isn’t smart. 

Well, maybe if you don’t show up alone. You know what con he’s talking about and Kara from Econ lives near there. You could probably convince her to meet up. Hm, that might work. 

Just like you told him, you’ll have to think about it. 

[meanbossart]

DU DROW LORE ASK COMPILATION: COMPANIONS, ASTARION'S READING HABITS, AND HIS LONG-INQUIRED OPINIONS ABOUT BODILY WASTE REVEALED.

I don't think "discussed" is the right word, more so mocked her for her blind faith and got into brief spats. It was precisely Shadowheart's water-off-a-duck's-back attitude towards his remarks that kind ingratiated her to him - DU drow spoke his mind, she took it in stride and remained firm in her beliefs without arguing or trying to push it on him. That, alongside the fact that they are surprisingly similar people is what brought them together as friends.

Even long after the events of the game he's still opposed to her hopping from Shar to Selune, also. Shadowheart's attachment to religion is simply something they agree to disagree about.

Can I answer your question with one of my own?

Am I the only idiot that killed her in their first run LOL

BUT YES, he killed Lae'zel when she tried to murder suicide the camp and I went through the whole game without her. I didn't go to the creche either!

I have since had other runs and she's actually one of my favorite characters, I just haven't had the chance to draw her yet.

ACTUALLY - scratch that. I've drawn her once-

Somewhat! But not really. He genuinely just likes jewelry, and rings are the only kind that suit his life-style (necklaces and earrings are a hazard during fighting) this is a reference to his bhaalist days when he used to be completely covered in the stuff day and night.

Hence why he finds them comforting to have on in some way or another. They change around because he gets bored of/misplaces runs out of fingers to wear the new rings that he loots constantly.

The great link in question

I don't know if it's been made clear enough, but DU drow's love for Astarion is borderline pathological, LOL. He's got a good humor about things and Astarion is definitely no stranger to having little quips and jokes made at his expense (a few references to him being Pointy And Long here and there, for sure), but the guy overwhelmingly adores him and thinks he's always the prettiest girl at the ball, even when he gets in his face and his nose looks huge.

I'll be honest, Astarion strikes me as the kind of guy that has like, 3 really weird books he really enjoys and reads them again and again very slowly over the course of years. Otherwise, not really a reader, but I digress -

DU drow was probably never a big reader himself, I would say he got started on a couple of books back in the day but likely never finished any. He's fairly intelligent, but most of his downtime was spent managing the cult and parsing through relevant documentation.

I definitely don't think he'd have the attention-span for fiction (which I picture as being said books that Astarion enjoys) but he does like to snuggle up with his beau to watch him read - every once in a while he catches a particularly scandalous line or description and they bicker about it. He makes a remark, Astarion feels obligated to explain the context, it devolves into some playful kind of argument that ends with Astarion telling him to go dig a hole and die in it while playing with his hair - The usual LOL.

Oh man I have a few more in-dept descriptions of how that went, both lore-wise and just for me as the player - but in summary, DU drow was pretty mean to everyone earlier on in the game and he did catch onto Astarion's very obvious and obnoxious seduction attempts very clearly. He doesn't like being so desperately pursued and they actually got off on the extremely wrong foot because of it, LOL.

After being unpromptedly rejected at the tiefling party he was a little more enticed by him, basically the "no" was his "go". I like to think of it like Astarion catching onto the fact that his initial strategy wasn't working and that this man in particular needed him to play hard to get - from that point on, DU drow started playing along. DU knew this was still a game, but now they were playing it on even ground so he was fine with it.

First of all - he inexplicably got butt-ass naked for the event.

All in all he liked it a whole lot and it was his re-introduction to the concept of pain being dished out as a form of love and his deep enjoyment of it.

Thank you so much, glad to hear you get some joy out of my work!

Dang it I had a pretty good write-up about his thoughts on Wyll from a long time ago, but I can't find it 😭

In summary, Wyll was a frustrating person for him to be around because of what he viewed to be a deeply ingrained naivete about the world. He shockingly didn't hate him (Wyll is kind of difficult to hate) but he never really saw him as an equal either, and definitely not as a friend. Du drow just desperately wanted him to express something that he would perceive as a genuine emotion; some kind of outburst or show of anger or frustration, but all he ever saw was someone trying to put on an act of performative heroism that he didn't buy at all.

At the same time, Wyll was far too young for him to be too mad. He might have held his father more accountable for making the guy into what he was than Wyll himself, really.

Can a man be scared of being scared? Because if so, it's that.

He also doesn't like shit a normal amount. (piss is fine depending on whose it is.)

[thechekhov]

Hey Chekhov! How do you start converting an AU idea from character sheets and mini comics into a plot outline for a full, continuous comic? Especially if the series you're basing it on isn't complete?

I've been following your white diamond Steven comics for years, and frankly, I love how it builds and continues the scaffolding canon laid to be something that is thematically still the same but also very unique. And I never thought I'll ever say this, but now I'm working on a canon-divergent AU with someone that's I think aiming to do something similar(continue the themes of canon but different). So I'll just like some advice, I suppose!

You might've answered something like this before, honestly, but I tried to dig a little and couldn't really find it.

Thanks, if you do answer this! I just want take the opportunity as well to say also that your comic and blog accompanied me through parts of my late teens, and I'm very grateful for you being a stabilizing influence during that time.

Thank you! I really appreciate you saying that, and I appreciate you respecting me enough to ask for advice.

As for your question...

Well, to be frank, I don't START with character sheets and mini-comics. In fact, for WD!AU, I didn't have any character sheets until I started season 2.

Think of your story as an aquarium. Your characters are fish.

Yes, they're important, but having a whole bunch of fish without any substrate, tanks, feed and WATER..... will not really make for a memorable aquarium experience.

The reality is that all stories should start with an end.

That's my personal approach, anyway.

What I mean is - you need to know the general idea for your story before you begin to write or plan it.

Let's try this:

1.Tell me about your story in THREE sentences!

Just three. Not long ones, just regular ones.

For my AU, @ask-whitepearl-and-steven, it would be:

"A young orphan runs away from home with a mysterious lady who seems more cryptid than human. He realizes that he's not human either - he used to be the ruler of an alien planet! He and the other aliens he meets decide to (REDACTED) (REDACTED) (REDACTED) and he (REDACTED) (REDACTED) (READACTED) (READ ANDCTED) (READ AND FIND OUT)."

YOU should know how YOUR story ends too! Even vaguely.

It helps if you know at what point you plan to lay down the pencil. Because if you DO know, you are always going to know which direction to walk in, even if the end is so far away it's beyond your line of sight.

It's true that when I began WDAU, I didn't have much information about White Diamond and white Pearl, because they had literally ONLY been introduced. I had to guess a lot of the details (like WP being Pink's originally) and what White would be capable of. And thankfully, my original intent for the story's end fit pretty well with what was later revealed!

But don't forget - you could also just fuck around with stuff! It's your story, after all.

And don't forget... to also look back!

2.Tell me WHY the story is happening in the first place.

There's a reason that the beginning of your story happens when it does. If there is no reason to start somewhere, then find a different place to start.

You should be able to tell me "We're picking up the story here because something significant has happened... and that significant thing happened BECAUSE...."

That 'because' is your main background information that should be revealed slowly throughout the story. In WDAU's case, we only have a few pieces of the puzzle. We know Greg's side. He know Earl's side. But there are still little bits and pieces missing! And they're all important for finding out WHY Steven ended up an orphan and WHY he is being followed by White Pearl (Earl) at the very start of the comic!

3.Tell me what the coolest and most interesting things to happen would be....and then write them!

I think this may be something that's rarely said out loud, but I will speak on the behalf of the people...

We should write the scenes we want to read. If you don't want to read the scene you're writing, then DON'T write it!

If you feel like you "have to" do a page and a half of 'lore' because you think it's traditional to have that 'explanation' about the location of your story, or the history of the species or whatever, you're simply wrong. There are other ways to reveal information aside from just forced paragraphs upon paragraphs of information that would make an SAT Reading Section sweat.

Instead, I recommend that you find the most exciting or hilarious way for the characters to discover the most important bits of info. Find a dramatic twist. Shove it into the narrative. Then, figure out what needs to happen to get there.

Ultimately, though, remember this: When you're taking advice from me or from others, don't forget to take advice from yourself, too! It's your story, after all. You know it best, and only YOU can figure out how to get it written.

I hope that helps at least a little bit! Writing it never easy, but it should still be enjoyable!

[jesncin]

Okay, I'll bite, what are your feelings on the trans conner pitch?

Oh boy! Thank you for tossing me this bone because I have a lot of mixed feelings!

I notice that people online are very hot and cold about the Trans Superboy Pitch, they either love it or hate it and that doesn't leave a lot of room for nuance + discussion. So to be respectful to a fellow trans peer in the industry, I want to do a fair review/analysis of Skyrocket: the trans Conner Kent pitch by Magdalene Visaggio.

My general takeaway from the pitch is that I like the premise, but the details fumble the execution for me. I can really feel from reading the pitch that Visaggio cares about Superboy. She understands that he's a very weird legacy character who has struggled to find proper footing in the DC Universe after all these years. An effective legacy character is one who is able to spin off and expand upon the themes of the character whose mantle they carry. But the cheesy whatever-goes 90's-ness of Superboy's original run didn't give future writers a lot to work with in terms of a Superman Legacy Character.

It's why I genuinely believe the later retcon reveal that -part of Conner's DNA is from Lex Luthor- is a fantastic addition to his character. It takes a character who was just kind of screwing off to gentrify Hawaii back into the center of Superman's good vs evil conflict. But now Conner's problem is that his story is too tied to his origin and Superman's shadow. Placing Conner with the Kents in Smallville afterwards made him narratively redundant. What's next for him?

So let's dig into the pitch!

I like what's at the heart of this pitch. It's a very season-3-ATLA-Zuko "honor wasn't all it's cracked up to be" arc and I think that suits Conner's character really well! It's the details I have gripes with:

"Conner has been largely relegated to the Jason Todd of the Superfamily" oof, haha that's not a particularly fair characterization.

The constant comparing of Superman to Christian imagery. He's described as basically "Jesus goddamn Christ" in the pitch. The Tyrannical Kryptonians are named Saint, Shepherd and Savior. No surprise I don't like seeing a character who allegorically represented Jewish immigrants to be constantly compared to Christian imagery and deified.

It's inevitable with pitching to the company, but the pitch is bogged down by a lot of convoluted plot points. I get that it's necessary to pitch event tie-ins and universe hopping shenanigans, but it's a lot.

Leland feels like a plot device in this. I'm sure there were plans to flesh out the brotherly clone relationship between him and Conner so that he can feel like his own character, but from the summary he just kind of revolves around Conner the way the pitch describes Conner revolving around Superman. Oops!

Conner's relation to Luthor and Superman works as a story about legacy, bloodlines and the things parents pass down to their kids. It's best when handled thematically and not literally because it's easy to get into essentialist "good genes" vs "evil genes" near-eugenics talking points. Unfortunately this pitch has a lot of that vibe. Leland has more Lex genes so he's super smart. Conner and Leland are able to start a schism in the Future Tyrannical Kryptonian House by "proving their truer genetic link to the original Superman, unsullied by thousands of years of tinkering" thereby gaining allies. Not great!

The part where Conner wants to find "his own Metropolis" by moving to Dripping Springs, Texas. That's Jinny Hex's field of operations, so is it really his own space? I would've just given Conner a new town so he can better stand on his own and build out a unique cast system.

Okay let's talk about the trans stuff!

I get that it makes for an Iconic Visual Superhero Moment, but I really don't like the part where Conner steps through a magical crystal and pops out the other side as a trans woman. It robs her of having that discovery on her own. The pitch says "I believe that this is as natural a move as Iceman's coming out". And just?? Man, remember when Jean Grey read Iceman Bobby Drake's mind and robbed him of his agency by outing him through that invasion of privacy? For a pitch all about Conner's journey of defining herself, it weirdly robbed her of that moment.

The pitch does such a good job talking about how Conner feels like her whole life revolves around Superman and how pointless wanting to be Superman feels now that Jon Kent has taken the mantle. She has Clark's genes, goes to Clark's hometown school, is raised by Clark's parents and all that. So then why is she eventually named after the women in Clark's life? Constance "Connie" Lara Kent. Clark's Kryptonian mom and human grandma? Was the world so small that she could not name herself after anyone else or come up with a new name? Connie doesn't even get to name herself, her new name is one Martha Kent bestows her with. It's hypocritical, and doesn't have the same impact that Superman giving Superboy a Kryptonian name does.

Speaking of which, this right here is my biggest gripe. It's not in the pitch itself but?? Wait- why go on about how Conner deserves a name that's not given to her and then turn around and make Martha name her? Sure, Connie comes up with the superhero name "Skyrocket" herself but surely she also deserves to name herself considering the thesis the pitch built up about self discovery and agency right?

Also with all due respect, this is the whitest queer take on Conner's identity. I wish white trans people could understand that you can have multiple true names that reflect different parts of you.

When Clark gives Superboy the name "Kon-El" it matters that it's given. It ties so well to the idea of familial acceptance into a nearly-extinct culture. You wouldn't know how to reclaim that part of your identity when that culture's been wiped out, so of course it's an honor to be trusted with a name that preserves Krypton's culture. This is a common practice with diaspora reclaiming cultural names from closed cultures, they are gifted their names by someone more culturally connected. I think the pitch having Martha name Connie is trying to echo this, but it doesn't hit the same without that cultural context. It also undercuts the genuine joy Conner felt from finally having a name he truly identifies with. Conner was only ever referred to as Superboy before then. When Clark gives him the name Kon El, Conner cries out that Kon El is his "real name". It's one of his defining moments, and to have that be diminished by saying "It's still a name someone else gave him" is so disappointing.

Then there's the design.

This is gonna lean more into preference, but I'm not the biggest fan of this design! I get what it's going for but it has too much going on everywhere. It also doesn't have that proto-punk look original Conner had, so it ends up not feeling like him. It's too superhero, and not enough casual-wear-on-a-supersuit that Conner sports really well. I see how it fits in with the everyone-in-Superfam-is-wearing-jackets-era, but I also think those new designs don't look good either. Especially Supergirl's. I feel like Conner should be more punk post transition. No respectability beam for her!

Also the name Skyrocket? It's giving knock off-brand toy vibes to me I'm sorry D: People on twidder suggested Supernova and that sounds way better! Even Visaggio stated she prefers that name so you can't be mad at me for this.

Overall big conclusion feelings!

I've been following Visaggio's work for a while because it's awesome seeing trans people getting picked up in comics. While there are some things about her writing I like, for the most part I've felt like her work isn't my cup of tea. I tried reading up a bunch of interviews she's in to try to understand why her writing wasn't clicking with me, and what I discovered is that we have fundamentally different approaches to queer storytelling.

From Paste Magazine. I get where she's coming from, trans characters deserve to have multi-faceted narratives that don't overly center how they're othered at the expense of further characterization. But also? I just actually find the interior lives of queer people and identity interesting. I like writing the kind of escapism and joy that's informed by surviving and inheriting hardships rather than erasing those things or skipping past it. I think this is why Connie is robbed of her trans discovery in the pitch. Why we don't get to watch her grapple with gender identity in a political way. Queer stories about queer struggles are considered archaic and unnecessary nowadays. It's part of the escapism Visaggio values in her work; to give a place of respite for trans readers from the cruelty they experience in reality, but I don't connect to stories like that personally. Whenever I try to share queer Indonesian art and writing with my peers, I'm often told it's too painful to look at. That our pain doesn't fit the modern expectation for happy, empowering queer stories. "trans people get enough hardships in real life, they don't need that in their fiction" Visaggio still talks about her newest projects like this btw.

I'd love to see a take on Conner that more holistically continues the political immigrant themes of Superman. The white parts of fandom love interpreting Conner's identity crisis as primarily a queer struggle, but it's also one of a person grappling with his mixed heritage. He's a diaspora kid separated by a generation away from Krypton. He has yet to make peace with the Luthor side of his identity, one borne of generational trauma and resentment for one's roots. Instead of a take where his queerness separates him from the pressures of legacy, I want to see a Conner take that has themes that are intersectional about his mixed diaspora and queer identity. I want his superficial punk aesthetic to graduate into actual punk ideals. The anti-establishment and radical love philosophies of punk culture would make such a cool extension of Superman themes and it would make so much sense that someone facing so many intersections of marginalization would be radicalized from their experience. I want a queer Conner who isn't just empowering and idealistic, I want one that also gives space for queer readers to feel like their pain is seen too. Conner isn't "Truth, Justice and the American Way" he's famously "Truth, Justice, My Way".

There's a tendency in media criticism to treat marginalized talent as infallible, and I don't think that fair to creatives like Visaggio. Being able to look at their ideas with nuance instead of essentializing it as being Good or Trash is the best way to respect diverse creativity. And my nuanced feelings are that a white queer person who looks at Conner's story and just sees the queer part and dismisses the diaspora mixed heritage side of him,,, is not going to give me the Conner story I want to see.

[novantinuum]

Pink Onyx AU- An Analysis and Theory Post, Part 1

[Part 1- You are here!] | [Part 2] | [Part 3] | [Part 4] | [Part 5]

~

Howdy! Those of you who have followed me for a while have probably been seeing my reblogs of the @pink-onyx-au comic made by @ceephorsshitshow. Well, today I wanna share with you something a little different than my usual SU meta… because today I’m gonna analyze this really cool fan work with the same level of seriousness as I do canon. (Like. Seriously. This first post alone is really, really long. I put most of it under a cut.)

This particular comic is a very special one for me to watch unfold, because it’s evident that a lot of deep care and attention to detail has been poured into its creation. There’s fascinating bits of expanded character development to chew into here, as well as plenty of mysteries and lingering questions for us readers to muse and theorize over. If you follow me for Steven Universe and haven’t read this AU yet I highly recommend you check it out. The most basic pitch is that it explores what a fusion between Steven and Jasper might look like, and does a LOT of deep-diving into the similarities and differences of both of those characters’ psyches.

Here’s the episode masterpost on tumblr.

And you can find it on Tapas, too! 

(Note: For the purposes of these posts, I was given permission by the comic artist to post screenshots of various pages where relevant in this discussion. For each frame used I will list the episode and page number for easy reference. Additionally, this post and all future ones on the topic will contain full spoilers for the comic thus far.)

Now with all that introductory stuff out of the way, here we go!

__

So, on the final page of the most recent update, we get one hell of a visual plot bomb for Steven as ol’ Onyx unfuses:

(Episode 9: Page 22)

He’s now visually expressing remnants of his corruption, where before he was not.

And it’s this mysterious plot point in particular that got me wanting to analyze this comic more deeply in the first place. This is completely new for him in this story. Thus far, he’s never expressed any of these remnants when he’s just himself- not in the way Jasper does. So it made me wonder… how might this shift in his appearance play into the ultimate trajectory of the plot? How does Steven suddenly showcasing corruption scars integrate into the larger story that is being spun here about him and Jasper and how they relate to each other?

Well, there’s a lot of comic details and story lore we need to unpack first before I can take my best theorizer’s stab at this. Let’s dig right in.

__

Prelude: The analyst’s treasure is in the speech bubbles

Anyone who’s been a fan of this comic for a while has probably noticed these fun visual details already, but I’m going to take a moment to break down what I believe each speech bubble style signifies for folks who may not have context. It’ll make some of my analysis later a bit easier, too, ahah.

So. Speech bubbles. What kinds do we have here? 

(Episode 1: Page 6)

Style number one: Solid with black text

This style is standard for non-fused characters, and is also utilized when a fused character is speaking whilst in a state of internal harmony.

Steven is pink and Jasper is orange, of course. Onyx’s speech bubbles are a distinct darker pink, and the main three Crystal Gems get their own colors as well. More minor characters get white bubbles.

(Episode 1: Page 10)

Style number two: Scribbly pink lettering overlaying black text

Whenever you see this type of speech bubble, it’s a sign that there is some level of internal discord going on within Steven or Onyx that is related to their diamond side. It usually shows up when one of the two is in pink mode, but from what I can tell this is not a solid rule.

(Episode 2: Page 12)

Style number three: Pink/orange mixed bubbles

This is how we see Onyx talking for a good portion of the early comic. Their speech bubbles are a clean mix of Steven’s pink and Jasper’s orange. And most vitally, the color on the top and the tail signifies which of them is “fronting” at that moment.

(Episode 3: Page 11)

Style number four: White bubble with solid pink text

So far, this style has only been used to represent dialogue that is being spoken by Steven’s gem half exclusively. Which makes things very interesting, as in Steven’s own remembrances of shattering Jasper on the very first page of the comic, the line “I have been holding back!” is shown in this specific style, instead of the scribbly pink lettering that signifies internal discord.

There is one additional sub-style here- and this is the one moment where we get Onyx’s mixed bubble but WITH the solid pink text. 

(Episode 3: Page 11)

I believe these two styles pretty much mean the same thing… only, the white/pink text is either viewed within memory or a metaphoric fusion mindscape where we the viewer are actually “seeing” Steven’s instability, and thus can “see” his gem half as a separate entity there. While, in reality, this is an argument Onyx is having with the disparate pieces of themself.

(Episode 4: Page 9)

Style number five: Pink/orange tye-dye mixed bubbles

When you see that darker shade of pink start dappling into the standard mixed bubbles, this indicates that there are small whispers of Onyx’s true personality beginning to surface, instead of them constantly being wrested back and forth between Steven and Jasper’s conscious control.

(Episode 4: Page 16)

Style number six: Pink/orange mixed bubbles, but with a darker pink tail

From this page onwards, Onyx’s speech bubbles always have their darker pink shading the tail no matter who is fronting. Sometimes there are little lines of another color etched out of it, and sometimes the tail is solid dark pink. I like to believe that when it’s solid, it means that Onyx is just a little closer to reaching a fully harmonious state than when it’s not.

(Episode 9: Page 6)

Style number seven: Onyx speech/thought bubbles with a hint of pink/orange underlying

This style seems to signify moments where it’s still Onyx fully in control of themself and their actions/words/thoughts, but they’re taking subtle influence from their components or accessing their memory a bit.

These are all of the distinct styles I have caught so far, but quite honestly, it would not surprise me if I am missing something. All of this to say… pay close attention to the speech bubbles. They can tell you a lot about Onyx’s state of mind throughout the story.

Now with all this established, I’d like to finish off this first post with my first big discussion point.

__

Question One: What does Jasper actually know about Steven’s “meltdown,” if anything?

The AU author recently solidified this comic’s placement in the SUF timeline in an ask response, saying that the first episode takes place just a week after Steven’s corruption event.

I’m glad this point was clarified, because it was super vital information which deeply influenced the way I analyzed Steven’s actions and responses in my recent re-read… it means this experience is still super raw for him. This is VERY important and we’ll get back to this in more depth later in future posts. But first, let’s explore what Jasper knows of this event.

The full extent of her knowledge is unclear-

(Episode 1: Page 6)

In Episode 1, Steven briefly alludes to his corruption as seen above… referring to it as “[his] meltdown.” Notably, Jasper does not seem to ask any questions about this stray comment. This COULD suggest that she knows what happened to him a week prior via hearsay, but given the context of the rest of the scene and the fact that she’s as isolated as she is out here I genuinely wonder if she thinks Steven’s so-described “meltdown” is his shattering of her.

This idea would make a good deal of sense, as she doesn’t start to make any commentary on the topic of corruption at all until they’re actually fused- with Steven bringing it up first.

(Episode 2: Page 14)

On this page, Steven takes note of Onyx’s very visible spikes (which are Overtly in the same placement as his own when he was corrupted), and initiates the musing upon his own corruption himself.

With the way Jasper phrases her response, the vibe I get is that she somehow gleans a bit of ambient shared knowledge about what happened to him through their fusion.

(Episode 2: Page 15) 

“That human form you wear must have been hiding your markings.” This quote is SUPER vital. We’ll come back to this later on in this post series, too.

(Episode 2: Page 15)

It’s clear that Jasper doesn’t REALLY understand what he went through or what caused it, since she then outright mistakes the casual woes and body pains of organic life as corruption. (As seen above.) 

(Episode 8: Page 4)

But later on, she outright relates to him over their shared experience of past corruption, so she must at least know enough from mere ambient thought-sharing by this point to recognize it happened.  

It’s obvious that she’s barely scratched the surface on fully understanding her fusion partner, though. Neither of them have. It’s gonna take a lot of fusion, comedic mishaps, and genuine conversation to get there. All in good time, I’m sure.

__

Please do join me tomorrow at 7am PST for the next post in this series! This has been a blast to write up and muse upon.

[olderthannetfic]

oh MAN, im genuinely at the edge of a mental breakdown whenever the femslash numbers discourse resurfaces, like at this point it just elevates my blood pressure, i dig my nails into my thigh, and i go to one of my trusty fandom friends to complain about other people's complaints. i ship pretty much across the board without preference for gender combo, altho by virtue of my favourite character archetype niches being occupied by men, i end up with comparatively mostly m/m and m/f with only the occasional f/f. almost all of these end up being rarepairs with at least one supporting or minor character that are eclipsed by whatever juggernaut ship the fandom prefers but never compels me. im used to looking into a ship tag and come up with less than 100 works, most of the times it's less than 50. does this annoy me on the odd occasion, be it because i think X/Y is so much more cooler than uh, A/B that the fandom is obsessed with? sure, but i see no reason to rain on people's parade - i just mute tags and mentions and seethe in silence or private DMs. i write for my unpopular rarepairs, i reblog stuff posted in tags and cheer in my own tags, i chat with people who are also into it, and get overjoyed whenever there's a new fic in the AO3 tag (or elsewhere) that I can read. to me, the femslash situation feels very similar - you like the ship between two blorbos, there's enough fan made stuff for them to fit in the shell of a hazelnut, and 80% of the fandom will swoon over the two people who you personally couldn't give two fucks about even if someone paid you. and shoutout to the people who DO make the fan stuff, the art, the fic, the meta, the discord servers, who request and put up prompts in fic exchanges to inspire others... but by god, if the whiners aren't the ones who dominate the conversation, which i wouldn't mind as much if they'd do ANYTHING besides whine. no, they will scream and shout about how the "yaoi empire" needs to be taken down (how about you just move to FFN? Wattpad?), but then it's either obnoxious nitpicky fucks who haven't posted a single fic in their entire miserable life, or it's m/m shippers who are Not Like The Other Fujoshis and got, uh, i dont fuckin know, 30 works for hockey RPF and 10 for two guys from The Terror who canonically interacted like two times under their belt while they mostly blog about the guys from Interview with the Vampire. they want God, everyone's mother and all the slash shippers on Hedy Lamarr's world wide web to prioritise femslash but don't practise as they fucking preach, tear the work of the people who DO indulgently write about gay women, and think they're oppressed because no one will write exactly what they want. the code for AO3 is for free - unionise along with your fellow femslash enthusiasts, beat the drums really loud, open those google docs, and get some shit started! granted, you're unpleasant cunts and will probably go "actually, no boys allowed in here! get your boy cooties away from this forever!!!! if you like men fucking, go back to ao3!" which will inevitably drive people who like f/f as well as m/m away, so you might be doomed to fail but in the words of that adorable little kitten poster: hang in there!

--

[luminnara]

Feyd Rautha headcanons plsss

Like what was his upbringing and training like? How did he become what he is?

Okay I think about this A LOT and I just wanna say that I know people argue a ton about the original Dune book(s) vs the older adaptations vs the new DV movies, and these are just my thoughts! Frank Herbert was a great writer and he gave us complex characters with tons of subtext, but the original Dune was also published in the 60s and the other best known older adaptation is from the 80s, and both have some definitely outdated and not great stuff was used to show how bad a character was (like the Baron having an affinity for uh young boys who look like Paul 😬). I think that DV made some really smart changes to these characters that are more in line with contemporary thinking, while also remaining true to what Frank Herbert was trying to tell us about them—like the Baron is a Bad Man and Feyd is angry and impatient and definitely wants to kill him. ANYWAYS leggo, this is long and my thoughts jump around a lot but I hope you enjoy!

WARNING for some talk of SA! Also mentions of violence and murder and cannibalism, the usual stuff

The more serious ideas that are backed up by text and movie evidence:

Feyd-Rautha was taken from Lankiveil, a Harkonnen planet ruled by his birth father Abulurd (Vladimir’s younger half brother) by his uncle, Baron Vladimir. Feyd definitely knows this, and knows that Glossu Rabban is his older brother…so imagine all of the conflicting thoughts he must have surrounding his own position and future. On the one hand, he was taken and raised by his uncle so that he could inherit the title of Baron. On the other hand, he was taken as a punishment to his father. There must be resentment there, towards both his father and his uncle, and even his older brother. Even though Feyd was essentially chosen to become something more than Rabban, he grew up away from most of his immediate family. Even though he was raised to become Harkonnen royalty, imagine how he might have turned out if he had remained with his father, who had renounced the Harkonnen name.

He was brought up in a cruel and harsh environment. He was made into a killing machine, partly because of Harkonnen customs, partly because Vladimir enjoyed the carnage, and partly because it was the only thing a young Feyd ever knew. As a young man, he loves killing and shredding because it feels natural and is second nature to him, but does he ever wish he had known what it was like growing up in a softer environment? Food for thought.

He hates his uncle. In the book, he attempts an assassination. In DV’s part two, he mentions to the Baron that he should kill him, and the Baron laughs. Vladimir finds it amusing that Feyd would say something like that, because he knows he’s got Feyd under his thumb. Perhaps Feyd is even scared of him.

The Baron is, and was, cruel to him. In the book, after the failed assassination attempt, Vladimir tells his nephew that if he agrees to stop trying to kill him (lol), he’ll step down and let Feyd have his position. BUT he kills his darlings as a punishment (who in the book are female slaves, who act as his lovers)

I already have a ton of headcanons about his darlings in the DV movies, and I really think that Feyd cared for them. So imagine that your own uncle WHO YOU WANT TO KILL takes away the only things you care about?? That’s fucked up man

The Baron abused Feyd to some degree, very possibly sexually—I’ve seen a lot of people pointing out how heavily this is implied by the subtext in both the book and part two. Feyd is actually a complex character, but neither Frank Herbert nor DV really spelled that out, and you have to dig a little and think about it. While I obviously don’t want ANYBODY, even fictional characters, to experience something like SA, I think it does add to the depth of his character and gives more fuel to his rage. It also shows us just how terrible Vladimir really is. I’ve seen it suggested that this is part of what Margot Fenring means when she says that Feyd is sexually vulnerable, but I take that comment to more mean that he opens himself up to the possibility of harm a LOT in bed and that’s when he’s most emotionally vulnerable. BUT I don’t think those things are mutually exclusive

NOW THE MORE FUN IDEAS THAT I ENJOY (fun is a subjective term here lol)

Feyd-Rautha has a vulnerable side, and it’s very, very guarded. It’s buried so deep he may not even be aware of it.

He really does care for his darlings, and that’s the closest thing he feels to love. It’s a possessive, ownership kind of love that we would consider toxic irl, but they’re the only things besides his weapons and power that he cares about.

He doesn’t revere his weapons, but he respects them. They’re not personified, but he appreciates a good killing tool, and likes to take care of his knives.

He views lives as very black and white. There are people who can be killed (slaves, servants, rivals, his uncle), and people who ABSOLUTELY cannot be (his darlings, an SO, his hypothetical children)

He views everyone else as weaker than him, and it’s partially because his uncle would never LET someone as important to his plans as Feyd be harmed, so Feyd rarely feels that his life is actually in danger. Almost everyone he fights in the arena is drugged, and it isn’t like his trainer would fight without shields. He’d be confused and intrigued by someone who could actually defeat him, and he’s so into the art of war and battle that he would respect it (but also be upsetti)

He spends a lot of time watching and calculating in silence. While he’s impatient and has a short temper, he likes to learn about things that interest him.

He’s up to date on Giedi Prime beauty trends and sets a lot of the standards himself. He gets massages and spa treatments regularly and has been known to undergo more serious procedures.

While he doesn’t partake as regularly as his darlings, he occasionally consumes human flesh and blood and doesn’t think it’s weird, because he views almost everyone as lesser than him, so eating them is akin to eating livestock. Alternatively, I could see him going down the “I feel so overwhelmingly deeply about you that I must consume you body and soul” road about someone special but I really don’t think he’s got that brand of romance in him lol

Like lady fenring said, he is, in fact, sexually vulnerable. In the bedroom, he can let out his emotions, and sometimes they’re ugly and sometimes he needs to not be in charge for the night. He leaves himself open to manipulation and harm. Man just really needs a good hug tbh

Canonically hypersexual as a result of trauma

Is harsh as a result of a harsh upbringing, one that looked comfortable from the outside but was anything BUT for him. Beneath the surface, he’s messy.

Aggressive because he’s always had to be to survive. His uncle probably wouldn’t have killed him because he was always integral to Vladimir’s plans, but did a young Feyd know that?? NO

is NOT well traveled. He’s lived on Giedi Prime his whole life, has probably seen Lankiveil, which is cold and watery, and has been on Arrakis, but I think he would NOT know what to do if he was on a lush green planet. All he knows is harsh, extreme environments. If you plop him down in a meadow, he will have NO clue what to do

As a child, he watched his uncle kill anyone who inconvenienced him. This definitely warped Feyd’s concepts of kindness and the value of life.

His childhood was just unbelievably strict and harsh and at the same time he was spoiled in certain ways, and that has led to him growing into a pampered yet still caged man

He would LOVE to slaughter his uncle and feed him to his darlings

In an arranged marriage, something about his spouse would have to suddenly intrigue him, and then he would be HOOKED. He would sink his teeth in and refuse to let go. Opening up to someone who isn’t one of his darlings would be strange and difficult for him

Remember how I said he isn’t used to fighting sober opponents? I think that once he gets a taste for fair fights, he becomes a little addicted to the thrill of it and the power that those victories bring him, and he loses interested in drugged fights. After a lifetime of living under this uncle’s thumb, the control he has over someone’s life and PROVING that he’s better and stronger and meaner than them is the most validating feeling he knows.

He never shows mercy, because no one has ever showed it to him.

[temporalhiccup]

In an effort to ease out of burn out and try to feel real and human again I'm digging around old games and seeing what would be fun to tinker with. For most of my games they get to at least an Alpha Build/Playtestable stage, but Never Break The Chain is one of the few that didn't quite manage to get that far (though it honestly wouldn't take that much more I think!)

Never Break The Chain mechanically and emotionally is a response to The Eventide Club, which was @jdragsky's response to Apocalypse Keys.

It's clear that this game is partly a love letter to jay dragon's design and how it makes me feel, and I wrote this during a time when I was insecure about my design. I was reeling from the idea that my games were too emotional to be enjoyable, that strangers were never going to like the games I create. (Typical Capricorn, even the way I work through my shit has to be productive in some way)

Every player character is made up of two components: a Musician Playbook and a God Playbook. It's my take on the very popular idea of fallen gods feeding off divine worship as musicians. I wanted to create a really fun and emotionally intense game (inspired by how famously messy Fleetwood Mac and other bands can be, definitely The Wicked + The Divine too).

It's been three years since I took a look at this stuff and it's fun remembering the mechanical shenanigans I was up to: tightening chains, breaking them, creating halos, shattering them, etc. I'll tinker a bit with these mechanics and see what comes of it.

The more complex of the playbooks are the Musician ones. What remains of the divine is raw and simple, ever fading and barely there. In comparison, the Musician playbooks are a chance for me to explore some truly messy human stuff.

Here's the Musician playbook, The Mask, it's mostly intact from the last time I touched it years ago. I just tightened a few options here and there.

I'll spell out the inspiration for this playbook: David Bowie, specifically the maddened Bowie interviewed by Cameron Crowe in 1975.

Bowie was famous for his different personas, and you can see some of them represented in the masks below: Ziggy Stardust, The Thin White Duke, Halloween Jack, the Goblin King, and the Minotaur.

This playbook is an exploration of what it could have been like for Bowie exploring these different personas, based on various events written about or talked about in later years, offering points of tension and intensity (deconstructed and awaiting creative input, like always) and hopefully creating explosive moments of playable drama.

I do think this playbook leans most into Bowie's contentious phase as the Thin White Duke. This was a man who was clearly breaking apart on stage, underneath the thinnest veneer of a persona that was holding itself together with a white-knuckled grip. Other personas were haunting him, discarded or never worn. Station to Station is my favorite Bowie album on most days, and his live performances of its music are almost painful to watch (while impossible to look away from).

I think, if we ever get this to playtest, I'll probably leave this playbook mostly as is (barring some mechanical tweaks that will be applied to all playbooks maybe) and just see where things go.

The Mask

You understand better than anyone that music is a story, and that performance is a mask well worn. You have created several Masks and stories over the years, and the Masks have recreated you. But as you seek fame and fortune, will the Mask become more real than you ever could be? One day you'll wake up and there won't be anything of you left, just a blank face both empty and signifying nothing.

Your Name

(Choose 1): A completely made up name that is never questioned, an appropriately dramatic name, a single initial that no one pronounces properly, I change my name every few months, a series of letters and numbers that only makes sense to my fans, a name that is as enigmatic as it is beautiful.

Your Look

(Choose 3-4): A painfully sharp and pale business suit with splatters of paint and blood on it, shades that almost no one has ever seen me take off, hair dyed into every imaginable color, the cruelest smile, the kindest eyes, an intoxicating scent, small and delicate tattoos that tell all my secrets, the body language of a predator, an unexpected scar, something else that betrays my mortality and weakness.

Your Role in the Band:

(Choose 1-3): Lead vocalist, lead guitar, muse, song writer, fuck buddy, everybody's ex, the face of the band, I'm here to look pretty baby

Choose the Mask you currently wear, one Mask you discarded, and one Mask that threatens to consume you.

I am an alien from a dying planet and harbinger of an inescapable apocalypse, my music is wild and haunting

I am royalty from a fictional past and deride the love I desperately need, my music is rhythmic and romantic

I am a rebel leader from a dark future and I shall orchestrate a dystopia of our own making, my music is hypnotic and delirious

I am the fae king who grants ill-cast wishes and offers dark bargains, my music is ethereal and manipulative

I am a serial killer who turns willing victims into impossible art pieces, my music is violent and eerie

I am a fallen angel, on the run from divine hunters and mortal lovers and only you can save me, my music is soft and beautiful

I am a broken doll mimicking life, perfect and made to fulfill your every desire, my music is naive and inviting

I am a warrior from another time and place, only you can heal my wounds and recreate my fate, my music is loud and lustful

As The Mask I gain 2-4 tokens when I:

Hide my true feelings behind a Mask

Ask someone to wear one of my Masks, for now

Give a part of myself to a Mask

When you gain your fifth token:

The divine music swells within you and seeks release. You cannot gain new tokens until you choose one:

Go to another band member and take off your Mask, reveal something vulnerable and raw about yourself. If they reach out to touch your real face, they break a chain. If they do anything else, break one of your chains.

Reflect on the god you once where, and create a new Mask to contain that memory. Your power wanes, crack one halo.

The Mask's Chains:

A whisper that comes from my mouth but doesn't sound like me at all

An embrace that promises more than it should

A kiss that comes dangerously close to unmasking me

One of my Masks on someone else's face

A song I wrote that will weaken a single Mask

A Mask I created that takes a life of its own

A Mask someone else creates to imprison me

Someone I love wearing my true face

The Mask's Move:

When you put on one of your Masks to tell its story, describe how you embody it and how you draw others into your spell. Spend tokens and roll.

On an 8-10 You are in control of the Mask, choose one:

A part of your Mask becomes more real than real, create a new Chain that reflects this.

A part of your true self gives way to the Mask, one Halo becomes whole again.

Someone is inexplicably drawn to you, you have them wrapped around your finger, for now. Say who they are and place a chain on them. If they're a band member, they place a chain on you as well.

On an 11+ The Mask begins to consume you, and you cannot tell the difference between art and reality. Choose one:

Another band member must become a part of your story, both of you place a chain on the other. For now, you are obsessed with crafting a Mask for them to match your own.

One of your fans is convinced the Mask is your true self, you cannot outrun them. For the rest of the scene you are at your fan's mercy. Describe how their obsession for you draws out something painful and real from you. When you return in a future scene gain the chain: an obsessed and dangerous fan

On a 7- your sense of self shatters and the Mask bleeds through. Until you regain your sense of self and remember you are not your Mask, you cannot perform. The Audience will tell you what happens next.

At the start of every session:

Spend a moment with your Masks and consider who they are and what story they have to tell. Choose one:

Put down the Mask you're currently wearing and pick up another, why does this one call out to you?

Change something essential about one of your Masks, what part of you refuses to bend or break?

Create a new Mask, based on someone you're obsessed with and yearn for. What does it feel like when you pretend to be them?

[jillsandwhichs]

Gentle Mornings

Chapter 7 to RE Character x Reader Smutshot Collection

Masterlist

Pairing: F!Reader x Chris Redfield (RE6)

Summary: Chris wakes you up and surprises you with breakfast in bed. And if that wasn't enough, he fucks you against the kitchen counter : D

Status of your guy's relationship in this one shot: Dating

WC: 2.6k

Type: NSFW

Warnings: Kissing, Dirty talk, Clit rubbing, You cum on his fingers, Kitchen sex, Unprotected PiV, Spanking, Hair pulling, He finishes inside of you

A/n: Hi! Hope you all enjoy. Please check out my masterlist, there's a lot of stuff there. You can get to know me, you can see the rules of my blog and then you can see all of my fanfictions. You'll be able to find the previous chapters to this fic and upcoming ones. You'll also be able to find my Wattpad & AO3. Comments, reblogs & likes are appreciated. Thank you

"Wake up beautiful."

You could hear the deep voice faintly, you knew it was Chris. You are so tired though, more sleep'll do you good. You could lay in this comfy bed forever and be content, but alas.

"Sweetheart, get up." Chris said softly.

You could feel his gentle big hand caressing your upper arm-it made you feel all warm inside. Chris is very physically affectionate, which you love. Being touched is something you also enjoy, more-so than being the toucher. Chris is like a bear-he's large and cuddly. "Baby, I'd love for you to open your eyes." At this point, you were being stubborn and you could tell just by his tone that he knew. "Don't make me make you." He teased, patting your butt.

Ultimately, you opened your eyes.

"Hi." You chuckled, sitting up and adjusting to the light in the bedroom. The curtains were spread apart, the light was on and the TV was on too-all so glimmery. "Hey princess, good morning." Chris laughed, stroking a few pieces of loose hair from out of your face. "Did you sleep good?" "I did. I slept very good actually." "Good." Chris smirked, leaning in and kissing your cheek gently. He is in such a good mood, it's odd. Of course, he always tries to be positive but this is just weird, especially considering it's... You checked the clock. Nine in the morning...

Analyzing the room, you noticed a tray of food set on the white dresser the two of you share. You were curious as to what it was.

"What's that baby?" "Oh, the food? Well baby," He stood up and grabbed the tray carefully, scared it may tip over just by one wrong move. "I made you breakfast." Chris said kindly, sitting on the edge of the bed once again. Did he really? How sweet of him. The only other time he's ever done this was on Christmas a few months back. "Sweetie, really?" You spoke in awe-he is truly the best. "Thank you. Why though?" You tittered, picking up the fork-you were ready to dig in. "Just thought you deserved it." He whispered, caressing your lower leg.

The plate had all sorts of goodies on it. Toast, eggs, fruit and sausage, it looked amazing. You were still somewhat confused as to why Chris suddenly decided to do this for you but either way, the gesture is out of this world.

You are excited to eat. Funnily enough, you are starving first thing when you wake up since you don't eat before bed, it's as if he read your mind. "Just eat up honey, I'll be out in the living room, okay?" "Alright." You gave him a quick nod as you took a bite of the steaming, smokey meat. Chris grinned, he was glad you were happy. "Good, love you." Chris pressed a kiss to your small nose before exiting your guy's shared bedroom. "I love you as well." You shouted, making sure he could hear you good.

You'd eat then go see him, that's the plan. You began to eat as fast as you could, you now just wanted to spend your morning with him before he has to leave for work at ten.

-

The breakfast he made you was immaculate. Chris is an amazing cook, definitely better than you are. You finished it rather quickly too, surprisingly. All that was left on your plate was a couple scrambled eggs but other than that, it was totally clean.

You hopped up out of bed with a grunt & a yawn-you were still pretty tired. Plate in hand, you walked out of the bedroom.

Down the hall, you could see Chris. He was just sitting on the couch, checking out one of his stupid man magazines that he gets weekly. He noticed you were done and whistled, seeing you walk out in just your shirt and panties. "Hey hot stuff." He teased, tossing the magazine down and getting up off of the couch. "Hi." You smiled from afar, setting your plate down in the empty sink-he even did the dishes!

Ambling towards you, you couldn't help but let out a soft sigh as he wrapped his arms around you from behind. His face tucked itself into the crook of your neck. He placed soft, warm kisses all along it. "Mmm, I love you." What has him in this type of mood today? "I love you so much but Chris, why are you being like this?" You chortled, setting your hands on top of his, his were resting on your lower tummy. "Because I love you, is that an issue? Can I not love my girlfriend?" Such an ass.

"Babe, don't be dense," You snorted, "Trust me, I love this, you just usually aren't this lovey dovey, that's all." "Well I'm feeling it today." His kisses moved to the back of your ear. You can't deny it, it's turning you on deep down.

As he kissed all over your face from behind, you felt his large hands begin to trail downwards. The shirt you are wearing is oversized and long, but you knew he'd continue. Once his finger tips were just above the waistband of your panties, he stopped and whispered, "Can I?" Um, of course he can.

"Mhm." You mumbled. Your hands were holding onto his wrists, you didn't know where else to place them. With a groan, you felt his hand slide down the outside of your panties. His thick fingers were right above your covered clit. You were wet and you knew he could tell. "So soaked for me, hmm?" He whispered in your kiss, planting more kisses onto it. "Mhm." You giggled, your breath shuttered as he pressed down onto your nub. "I wanna fuck you so hard right now." He growled.

You two literally fucked last night, he is such a teenage boy. "Did you not get it out of your system last night?" "Oh I did, but you build it back up so easily." Chris chuckled. He began to slowly rub your clit through your panties. His fingers are magical. "Oh." You seethed. Your head tossed back as he caressed your clit quickly. "Feels good?" "Yeah..." You whimpered. It was hard to keep your eyes off of his hand. It was fascinating-how he would please you.

"You gonna cum for me baby?" That condescending tone he gets when he knows he is ruining you. "Shut up." You huffed out, earning a snicker out of him. "You know I'm just messing with you."

Chris rubbed it even faster. Your legs were shaking already. Your clit felt like it was going to explode. That inevitable firey feeling in your stomach was evident, it was burning-a burning passion for Chris. The breakfast in bed, the dishes being done and his loveyness? Yeah. It was no surprise he was also going to wind up fucking you.

A few more caresses-and it was your undoing. You loudly moaned, your legs shaking and your back arching automatically. Chris hummed, kissing the back of your head a couple times as you came just by him stroking you. "That's my girl." He commended you, enjoying how fast you finished for him.

Suddenly, you squealed as he bent you over the kitchen counter. You've never fucked in a kitchen before, this is new. "What're you doing?" You questioned him. The sound of his fly being pulled down was heard. "Fucking you, what does it look like?" Chris chuckled, bringing his hand to your ass and squeezing it. You giggled and simply rested your head against the cold, polished counter.

You bit your lip seductively. It's so early in the morning, how could he possibly be in the mood already? You aren't complaining though. You could feel him pulling your panties down your legs til he left them at your ankles-a hard slap then came to your ass. You could hear him pulling his sweatpants down as well, he was wasting absolutely no time. "I'll be gentle, at least at first." Chris teased. You giggled. He knows how to make you laugh.

Chris's hand went to your ass, gripping onto it for support. Chris has a love for your ass, he's always been more of a butt guy. "Mmm." You heard him moan out from behind you. You knew he wasn't going to waste any more time-foreplay was non-existent.

You could hear his hand pumping his cock. He gets turned on so easily. You remember the time you simply walked out in a messy ponytail and a pajama set and not even a minute later, he was deep inside of you. You two fucked very early on into your relationship-its not surprise it happens so often in your relationship.

"You sure I can?" "Yes baby." You chuckled, spread your legs slightly more, wanting him inside of you already. You could hear him whisper something beneath his breath. It sounded like he said "Fuck." But it was hard to tell. Chris is absolutely enthralled by you. He's obsessed with you, just as you are with him. You felt his tip tease your entrance-instantly arousing you furthermore. "Oh." You winced. You were fighting the urge to push yourself into him.

With his hand on your ass, the other around his dick, you moaned softly as he entered you. Your body accepted him with grace. The way you wrapped around him directly after said so much. You were made for him-that is how you feel at least. "My God," Chris hummed, both hands squeezing your rear. "You're so damn tight." Those words are like music to your ears. You didn't really know how to respond. Dirty talk has never necessarily been your forte. "You feel good." You whispered whilst nestling your head against your arms.

Feeling him felt like heaven. He's not too long nor too big, he's just right. You've missed this-despite it only being a literal day since you two made love.

Chris began to pull out of you. He was slow with it. He dragged it out so long. "Chris." You whined. Feeling every single inch slip out of you was tortuous. You just wanted him to rail you-hard. All you got in response was a snicker. He's such a prick sometimes. A sexy one though.

Once his tip was practically out of you, he slammed back into you. Your entire body was shoved into the counter, causing you to wince. Both of his hands held onto your waist firmly. Each thrust was exuberant. You loved how he used you. His pleasure meant everything to you. You can't get enough of the idea of him being fulfilled. He deserves it. His hands caressed your midriff with each movement.

All you could do was relax and let him use your pretty little pussy as he pleases.

Your head was resting against your cold arms-the counter being even cooler. Each time he pounded into you, your hood thrusted against the counter. While it wasn't the most pleasant feeling, the feeling of him being buried inside of you countered it out. He's so good at this. He's always been practically a God at fucking you. He makes you cum way to easily.

"Baby." You moaned, your eyes closing and mouth becoming permanently agape. You felt a wack come to your ass as his speed increased, along with the power of his movements. He is already leaking inside of you. You could feel his member twitching, just begging for that lovely release. Making love like this, oh it'll never get old. "Just keep taking it, princess." He muttered. His fingers were slowly yet surely making their way up your back, trailing ever so slowly.

"I can't..." He stammered. "I cannot get over how good you feel, God, you're soaked." He huffed out. You began to push yourself against him, therefore he wouldn't be the only one working. You heard him grunt & moan. It felt good to know you could please him just as he does with you.

For a moment, you could tell he quit his movements. Now, it was all you. You pushed your ass up against his man hood, moving and twisting in all sorts of ways, just attempting to bring him closer to his peak. You wanted to make him feel all sorts of ways. "You are so sexy." You heard him mumble. His deep, scratchy voice has always been so attractive. "Say more." You moaned. You wish you could be staring at him in this very moment. You wanted to see his face as you made him moan & grunt and overall made him feel perfect.

"I love you."

"I needed this."

"You're so pretty, baby."

Gosh.

Everything he said just made you feel euphoric.

As you felt his hand nuzzle itself into your hair, you whimpered. With a tug and a thrust, he was suddenly fucking you like literally never before. He was holding your hair tightly. Your head being forced backwards, all you could do was let it happen. It felt so good. He was moving so fast now, so hard too. "Good girl." Chris whispered. You could tell just admiring you. Taking the sight of you in. You were his drink and he was dehydrated. He needed this just as much as you did.

You could feel how deep he was inside of you.

Each pump, you felt like he was bruising your insides. His girth brushed against your clenched walls. The movements brought you closer and closer with stroke. You needed to release. It was becoming way too much.

"I'm gonna cum." You panted out. You could feel it-your orgasm stirring up inside of you. "Cum for me baby." Chris grunted. His free hand came down and squeezed your ass before smacking it-that was what finished you off.

Arching your back even more than before, you whimpered quietly as you came all around it. Your fluids coated the entire base of his dick. "Fuck." Chris chuckled, caressing your rear. "Such a dirty girl." The way he spoke, so intense & sexy. "I'm gonna cum too." Chris moaned.

He let go of your hair, allowing you some freedom. You held yourself up now, both arms resting on the counter to uplift you. His head went to the crook of your neck. You could feel his breath on your throat-it was hot and he was close. "Gonna cum so deep inside of you." "Oh." You moaned, tossing your head back slightly, feeling him plunge into you at a non-human rate.

He did not lie.

Shortly after, you felt his semen shoot inside of you. Right as he came, he simply stilled inside of you. It felt so interactive, so pleasurable. "Mmm, dear Lord." He snickered. He kissed your neck a few times, breathing in your intoxicating, feminine scent. "That feel good?" "So good." You giggled.

Chris pulled out of you and immediately grasped you, holding you up. It's like he knew. Your legs were weak & wobbly. You felt like a balloon. "I gotcha sweetheart." He laughed, kissing you gently. The kiss was so sweet. He takes care of you, even after such rough and intimate moments. "We should shower." "Good thinking." Chris whispered.

Your boyfriend picked you up into his arms and off you two were to the restroom.

Hopefully while he's at work, he won't be able to get his mind off of you and it'll be just like this when he arrives home...

[chao-thicc-hcs]

you should do “sex with them” blue lock character. your the best 🫶

As much as I love blue lock, I will NOT age up minor characters for the sake of sexual headcanons, so I will only go for those who are canonly 18 or above for such stuff. If you want 18- characters included, it has to be only fluff or neutral, no sexual themes. Thus...

───────────────────────────────────────────➛

Sex with them. (Blue Lock edition)

character(s): itoshi sae, ryusei shidou, shoei barou, oliver aiku, tabito karasu

genre(s): smut

warnings: shidou is a tad bit nasty, otherwise it is sex so expect everyhing.

reader is afab!

ALL CHARACTERS ARE 18+. MINORS DNI

a/n: tabito is my least favorite, so apologies for him being short and somehow rushed.

───────────────────────────────────────────➛

───────────────────────────────────────────➛

Sae fucks you like no other. He will make you cum every single time when you have sex, and always smirks when your legs tremble from his fingers, and will always stick his cock inside of you right when you reach your climax and thrust abruptly, making the experience way more ecstatic. Takes your panties with his teeth, always. Dirty talk is mandatory from his side, and he will call you his little "slut" and "plaything" with a mixture of degradation and praise in his tone, while gently caressing your face. He is not vocal most of the time, but you can tell he's enjoying it, because he bites his lower lip, closes his eyes shut and furrows his brows. If Sae ever makes a noise, it is going to be a breathy "hah~" or "mmh~". A little bit before his own climax, bites you and muffles his moans, his teeth digging deep. His pace is very slow initially, but then he abruptly accelerates, occasionally doing one very harsh thrust. His favourite position would be prone bone, because it is canon he likes butts and he enjoys the view of your ass jiggling. Loves, LOVES you in thongs, and takes pictures of your booty in them.

ミ⚝

Shidou is a monster (what a shock). He loves you giving him head beforehand, pushes your head so you lose your breath and become all red from the lack of oxygen. Loves seeing you in pain (but will be gentle if you ask him to) and chokes you, gags you, pulls your hair, and always smacks your ass, even when you're supposed to be quiet. He wants you to scream in pleasure, moans are never enough for him. His cock is big and it barely fits, but it fills you up so good you crave him more after one round. His mouth fills with saliva when he sees you wearing garters and will rip them apart with his hands, holding the fabric in his mouth while pounding inside you. Sex is never gentle with him, and has quite a big collection of ropes, chains, leather ties and shit, and will always tie you up. He's broken his bed with you before, and won't hesitate to do it again. Also, the thrill of being caught excites him, so expect frequent risky public sex with him. Man is a freak and enjoys period sex too, something about the bloody mess both will make riles him up, and he's willing to fuck you every day of your period. Deffo fucks you at least thrice before a game, because you're his lucky charm. Doesn't have favorite position, he loves all of them.

ミ⚝

Barou always makes sure the atmosphere is top-notch - lights up scented candles, the sheets are fresh out the washing machine, and he's showered at least twice beforehand. Gives amazing head, his tongue swirls on your pussy and loves sucking on your clit and squeezing your thighs, making remarks on how good you taste. Very tough on the field but once you touch him in private he will melt into your hands and let you dominate him for a short while, until he randomly decides to take the lead, but he never lays a hand on you, not even reassuring him will make him slap your ass or sth else, only squeezing. Surprisingly vocal - grunting, moaning, panting in your ear. Loves being praised by you, and your words really rile him up, and he is willing to increase his pace to the point where he becomes numb to the exhaustion. Man has stamina and goes for more than three rounds. His favorite would be shower/bath tub sex. He loves seeing the water fall down your back, or hearing the splashing of the bath tub water when he fucks you. He worships your body, so he opts for any position where he can caress/massage it, especially your sides. He doesn't like admitting it, but if you wear any sort of crop top with fitted pants, you're capable of making him horny on the spot.

ミ⚝

Oliver always makes sure the foreplay is long and sensual, so he can get you overstimulated from just his touch then finish you off with his cock. He'd start caressing your tits, licking your nipples while his fingers work wonders inside your pussy. He makes you cum at least 5-6 times during sex, and he wants you loud. Gives you compliments the entire time, specifically how tight and warm your pussy is. He goes deep, and always hits the opening of your cervix with force, making you wince in both slight pain and pleasure. Vocal - moans, pants, whimpers, whatever. Likes to play some music in the background, and has led lights that he always has on the color red. Loves the stand & carry position - the way your body shakes and trembles while his hands are placed on your lower back makes him go feral. If you ever prepare to go out and put on a fancy attire, he'd always fuck you in it. A fan of quickies, so there will always be one in the locker right before a game. Loves to smear your make up and leave huge hickeys on your entire body, especially chest, and doesn't let you cover them, he takes pride in what's his. Likes to make you lay on your stomach on his lap and spank your ass. Deffo has a pic or two of his cock placed on your cheek or tongue.

ミ⚝

Tabito loves orgasm control. Would order you to scream right before you cum and then he will cease your orgasm, smirking and chuckling at your exasperated pants and huffs. His hands are always either grabbing your tits or hips. Uses toys on a daily basis, especially when he feels like he wants to observe you touching yourself and try to use the toys yourself. Mutual masturbation is also of his taste - he'd kiss you and start plastering pecks and bites on your neck, stroking his cock and then gesturing you to touch yourself, too. Both of you cumming together warms his soul and makes the moment between you unforgettable. Always cums on your tits, always. Likes to see you wear cat ears and a black set of lingerie, and if you have stockings or fishnets - huge huge bonus and he'd go on for longer, just so he could completely tear your stockings/fishnets apart. Cums fairly quickly, so he is slower and only accelerates if he's close or on round 2+. Lets you play with him and use toys on him, too.

───────────────────────────────────────────➛

reblogs are deeply, deeply appreciated and i read every single one of your tags.©

[fumifooms]

You're always so on point with your posts. On that note, it made me realize that; Considering the themes of desires in DunMeshi. It's also to say that what you think you want isn't what you actually want.

Like, Marcille thinks she wants the handsome prince from the novels she reads... But what she actually wants is someone maybe more like her father who she admired so much. Kind, virtuous, caring to a fault, a family man. Things she later finds in Chilchuck.

Because as traumatizing as it was to see her mother's spiral after her father's death; Her memories of her father itself are some of the most important to her. And it fits with her pursuit to increase her loved ones' lives, because she does want what her mother and father had.

Sipping. I do go over ‘what you think you want vs what you actually want + what you need’ in my (upcoming) Marcille & Chil arc analysis ;) It’s a part of Dunmeshi that I really like and is super fascinating, I’d honestly like to make an analysis-post on the topic: all the different threads and characters in canon that reflect that, desires vs wants and themes of idealization in Dunmeshi, but it’s one of those things that’s just so huge to make. See this is the freaking problem with doing Dunmeshi meta you start talking about the themes or a narrative and everything is so interwoven you get distracted with tangents BUT IT’S ALL COMPELLING AND RELEVANT

I know that’s something laimar does a lot too, the dad thing, with Marcille in a post-canon comic knitting beside him paralleling her parents and whatnot. I don’t know if I fully agree on the angle but there’s definitely stuff to dig at there…

Like I know that I’d like to analyze Marcille’s succubus more, it comes up in my analysis draft but it’s not the point I’m trying to make there so I focus on other stuff but… I always saw the focus of Marcille’s succubus as that she sought out an emotional connection most of all, it’s romantic and courtly in nature but more importantly there’s personality and behavior there and it’s a character she already loves and knows deeply from having read the series, so it’s not like Chil where it’s just a pretty face whose identity doesn’t matter. A friend of mine though, @room-surprise, goes with the angle that it shows she isn’t ready for a relationship and that the appeal is very self-centered, and I def think compelling points are made…

Point I was trying to make, the succubus is definitely at the crux of figuring what it is Marcille wants and craves in someone I’d say, where she’s emotionally at wether consciously or subconsciously, or how she sees herself being involved in romance at least… It’s true Marcille is enthusiastic about romance, but always someone else’s, never hers, and she seems unwilling to examine her own relationships with people. She oversteps boundaries either obliviously or carelessly and doesn’t like change…

And then there’s how complex people’s relationship to fiction can be on top of that and graaaaah

Edit in bc I forgot I wanted to mention this like an idiot: OH and I do think the Daltian Clan serves a role in the general tapestry of Dunmeshi as well, sometimes in in depth ways that Room-Surprise will tackle in their research paper way better than me I’m sure. My understanding of the importance of general Hagreus in a more general narrative sense is that he reinforces the theme of idealization/fantasy vs reality that’s super present through the manga. Beyond just Marcille’s arc and his importance to her he’s designed uncannily close to Mithrun, it parallels real elves and their very flawed military system and the broken people it cultivates vs the romanticized elves put on an aesthetic pedestral in novels, especially considering it’s "general" Hareus

To give some previews of the analysis wip: Thus the succubus targets Marcille’s wish for a perfect knight who could cherish her forevermore, someone safe and known and fantastical, just hers in a way, free to see and construct however she wants because he’s a character to interpret Dungeon Meshi is in part about resisting desires, the irrational cravings, mostly through the character of the demon. I mentioned needs earlier, and to ideals vs wants we also add vs needs, both emotional and physical. And needs alongside wants are what Dungeon Meshi wishes to promote for a healthier person. Dungeon Meshi illustrates very well with the dungeon lords that you can be a slave to your desires. Dunmeshi prones the important of balance for both a healthy body and a healthy mind, and the arc of optimism vs pessimism with Marcille & Chilchuck is one such case <3

Ouuuugh how flawed relationships with flawed people can still be made into somehing good and healthy that make the world brighter…

We’ve gone far from the topic of how her family shaped what she seeks in relationships haha, I think you put it well already though I don’t have much to add on that front Edit in 2: SIKE! I’ll add that there’s an interesting thread in the manga of Marcille maturing and becoming more like her mother, which would be interesting and fun to pair with the fatherhood of Chil. Because Marcille is sometimes a mother figure as well: she’s the mom friend. I go over it here, and since when I made that post I’ve seen more interesting analysis on the topic too, like noticing she hides behind her mother’s portrait in the nightmare chapter, perhaps the inspiration behind her more mature reserved academic persona she sometimes has. Her parents are def important to her so it’s interesting to see how all the dynamics and her own psychology fit into that….

But yeah I think what she (thinks she) wants out of romance has a lot of layers, both conscious and subconscious… I haven’t gone into the bigger picture of how fiction affects her relationships here but it’s the central topic of my Marcille & Chil arc analysis so. She idealizes the trope of the prince charming and finds it attractive but is that what she would actually latch onto… Is it fully superficial, is it more about herself than it is about her potential partner... Is it mainly because she wants to get validation, from being special that she typically gets from high academic performance… We do see she can be rather insecure and worried about others’ perspective of her, that they think she’s not useful or capable enough, especially in the mandrake chapter… Unconditional love perhaps

What is your emotional landscape Marcille. How emotionally intelligent are you. I don’t think she knows what she wants romantically. I think she has a job so she don’t really care about that rn I’m just not sure if we can figure out what she ~actually~ wants on her behalf that might be too many levels of interpretation but idk idk, thinking on it still

[thefandomenchantress]

A Very Long Morgie Analysis

Warning: As the title says, this is a very, very long post. You should fear that keep reading button. /j

So I watched Descendants 4 with pretty low expectations a week or so ago, since I heard a lot of people criticizing the film. I’d watched the first three Descendants and thought they were a very fun kind of over the top, and figured that this one would be similarly kinda cheesy but hopefully in a charming way.

The first time I watched the film, I liked it. While I thought the beginning of the movie’s plot dragged slightly only for a far too hasty conclusion, I figured that with a supposed part 2 coming, things could possibly wrap up nicely in the future. That was my mindset throughout almost the entire film…Until suddenly Morgie got a scene.

This is a post mainly for people who’ve seen the film, but just in case I’ll explain the scene. Morgie, son of Morgana, is assigned as look-out during the villain heist. He then makes an amusing comment about what the signal should be if he sees Merlin, and no one answers him. We leave his character for a bit before coming back when Merlin returns to his office, about to catch the villains. Morgie does his signal as planned, and when Merlin looks at him, he hides behind a branch as though that’s going to do literally anything to hide him.

By the end of his little dose of screen time, I was quite amused and wondered how I hadn’t really noticed him earlier in the film, since his character archetype seemed right up my alley. After a day or two, my curiosity peaked and I decided to watch the movie again, but this time pay lots of attention to him whenever he was in a scene. I both wanted to appreciate his character more as well as reevaluate the movie after my first viewing, wanting to decide if it really was ‘bad’ like people said it was (spoiler alert: I had fun watching it the second time as well, while it is flawed it’s a fun movie and I like it and I will die on this hill—).

On my second watch, I realized that Morgie is surprisingly pretty well-characterized for a character that doesn’t have too many speaking lines. And I really wanted to hyper-analyze his character and all that, so now I’m making a very long post about it. I really just need to ramble for a bit because for some reason I have become deeply fixated on this character and NEED to blurt out all my thoughts.

So without further ado, how about we watch this movie for a third time and point out every single little thing about Morgie and appreciate it? Let's go!

(There's also my theory about how the new and old timelines work below all the movie analysis, in case anyone just wants to see that).

YAY HE SAID HIS FIRST LINE WOOOO!!! After a whole 48 minutes, the best character has finally entered the movie /j.

Now on to actual thoughts and stuff. Morgie's first ever words in this film are, "Son of morgana", which, from an out-of-universe perspective, can be easily explained by the movie needing us to know who he is, since he's one of the two completely unheard-of characters in the villain gang.

But Uliana, notably, only has her relation to Ursula mentioned after her verse. So the "son of morgana" line didn't have to be the first thing to ever be said by him, but it is.

That could just be because it flows best from a music standpoint, but in-universe, I think it could possibly represent how Morgie got into the villain gang in the first place.

You see, while I was trying to dig up all the Morgie information available before I made this post, I found these blurbs:

(From an official Descendents book, 98% sure it's called "Descendants: The World Of Auradon: Royals And Villains").

Notably, Morgie's entry says he isn't the most well-liked in the group. But in that case...How is he still in the group??? The villain gang don't exactly seem like the types to keep someone around just to be nice. So here's what I think the reason is.

Uliana wants to be the most feared person at the school. She wants to surpass even her sister when it comes to being mean and scary. And that means that her gang has to be mean and scary. And when she hears that the literal son of Morgana--Morgana, in this universe, seems to be a very powerful sorceress who almost took over the world--is attending her school, she knows that having him on her side will definitely give her more of a powerful, evil image. Afterall, if the son of one of the most powerful villains was willing to follow her, people would think that she must be very mean and scary.

Of course, she needs people to know that Morgie is the son of Morgana, so I wouldn't be surprised if she asked him to mention it the first chance he got, and he listened to her.

This was all a very long way of saying that Morgie says this line first possibly because Uliana told him to, since having evil, scary people on her side makes her look better. And it's also interesting that the first words he ever speaks are about his relation to someone else, not his own character, unlike all the others in his group.

But we're not done with this shot yet! I also want to add that the Son of Morgana's name is Morgie, which means that Morgana has joined the long, long line of Descendents villains who basically just name their children after themselves, (probably because they view them as a sort of mini-me). I wouldn't be surprised if his name was actually Morgan, though, and Morgie's just a nickname.

Also, something I noticed is that, if you look at the book-pictures above again, Morgie's paragraph is in past tense, while Morgana's is in present tense. Morgie's being in the past tense makes sense, since we know that in the future, the villain gang in Rise of Red no longer exists, all of them being their own solo acts. But Morgana's paragraph being in present tense means that she is still alive, powerful, and presumably still wants to take over the world. So I guess that means she's technically a candidate for antagonist in the next movie. But I'll get back to speculation about that sort of thing later.

Now we can finally talk about the next moment, haha.

(Morgie is the one singing the line here)

The first time I watched this I didn't catch that he called Uliana hot but--Yeah, he did. Which means that he either thinks she's so hot he must declare it to random strangers, or Uliana specifically asked him to say that she's hot. Either way it's kind of hilarious.

I am genuinely unsure as to whether they are trying to get us to ship Morgie and Uliana because:

-On one hand, we've got Morgie not being well-liked, and him "desperately wanting Uliana to like and respect him". Which seems to imply that, at least to some extent, she does not like or respect him, or at least not as much as Morgie wants her to.

-But on the other hand, we've got Morgie calling her hot, staring at her longingly, and Uliana calling him 'honey' later in the movie. Disney what do you want from us--

Personally, after reading that Morgana is cruel person who doesn't care about innocent people and who's first priority is world domination, I guessed that Morgie probably didn't have the most loving upbringing. It could've possibly been something like Red's, where his mother could be 'kind', but only if he did what she said and helped her take over the world and all that. In this scenario, Morgie tries his best to follow her lead, but most of the time still doesn't do well enough to satisfy her and fails to get much validation or love from her. When he goes off to school, he tries to get validation and love and respect and all that from Uliana instead.

But that interpretation sort of implies he sees her as a stand-in mother figure, which makes me think that no, them being a couple doesn't feel quite right.

But it's not like that interpretation is canon or anything, it's just something I came up with. So it can't prove that he has no romantic interest in Uliana and that's why he's so desperate to please her. But I did want to share my thoughts on that matter, so here you go. :)

Aside from Morgie getting hit by Uliana's tentacle and falling over being really funny, there is something else interesting that this moment made me notice.

I read somewhere that a character being lower in frame than another, or lower from a high angle in general, can symbolize them being less powerful. And I noticed that there are a few scenes where Morgie does crouch or appear at a lower angle than the other villain gang members, which reinforces the idea that he isn't the most powerful/well-liked member and is at the bottom of the totem pole in the group.

I don't know if I'm reading into that too much, and I don't know a lot about film-making techniques so maybe that's not completely accurate, but I thought that was interesting.

There's nothing too important about this one, I just think that all the villains frowning or glaring while Morgie goes :D is really funny. He looks so head-empty in this moment.

Morgie uses 80's slang confirmed!!

Also, Uliana lets Morgie call her Uli. Considering the fact that Uliana says her full name (Uliana) is what will strike fear into people's hearts, her letting Morgie use a semi-cute nickname is fun. It proves they're at least a little close, since she didn't sock him in the face for calling her that, especially in public. She cares a lot about her image, so her not minding definitely seems to imply she cares for him at least a little bit.

I don't have much to say about this one, I just think it's amusing.

Though the fact that so much of Morgie's dialogue can go unheard/unnoticed without captions on or on a first viewing is interesting. I couldn't actually hear the 'wicked' line, I'm just trusting the captions. And both this line and the last he says while not on-screen, which seems to put the other's reactions in more of a spotlight than what he's saying.

I suppose this is part of the reason I found Morgie harder to notice and keep track of when I wasn't putting my undivided attention on him. Throughout a good chunk of the movie, he's treated as nothing more than Uliana's lackey. Him not having too much to do besides follow her is true to his character, though. His entire role is all based around doing anything to gain her affection. He cares about her more than anything, and sometimes that leads to him not being a character of his own. Which is pretty cool, if done purposefully.

Hm, I've noticed that Morgie's main ship in this fandom seems to be Hook and him, and is this one moment the reason for that? I've heard people say they have chemistry on-screen, but after watching the movie a few times, they only have a few close moments from what I can see. This and introducing Uliana are probably where their friendship is most prominent. Hook and Morgie definitely seem the most dedicated to Uliana, so they are similar in that regard. And the ship is cool, don't get me wrong. I suppose I just wonder if there's some sort of logic behind it, or if it was more of a "ah yes two conventionally attractive men it's shipping time" situation, haha.

This is an interesting frame, because Uliana is suffering as she's turned into a...uh...flamingo-squid-human hybrid? And you'd think that Morgie, since he cares so much about her, would be the most distressed. Instead, in this moment he seems to be smiling (not sure if you can tell as much in this screenshot, though). This could mean a few things:

As stated in the Descendents book, Morgie is rather dense and still hasn't realized that Uliana isn't fooling around anymore and is in genuine distress.

He is happy Uliana is in distress because that means he gets to help her, and she will feel grateful for that and like him more in result.

As shown later in the movie, he likes animals enough to even learn how to mimic the sounds they make, so he's just happy that two of his favorite things are being combined, haha.

Some sort of theory about him secretly not being super loyal to her, though there's not much of a case you could make for that other than this moment in particular, as far as I'm aware.

I'm not sure which one I believe, though I think I'm probably leaning towards the first one, even though possibility 2 would be quite interesting. After all, he looks very visibly worried when she falls into the fountain later, so him just not realizing at first probably lines up the most.

Not too much to say about these two moments, besides the fact that they once again showcase how desperate Morgie is to please Uliana. First by him being the first person to try to help her (but he fails and falls over, which he seems to do a lot). And second by him being the first to sprint out of the courtyard after her. Though it seems Hook caught up and got him to stay with the others to cut off Bridget and Ella at the other side, since we don't see him running behind Uliana anymore in the next shot, and then we see him standing beside Hades after we move to the fountain scene, implying he went the way Hades did instead.

(Side note, I think that Morgie's the one who shouts 'Uli!' but the captions just say student so maybe not, I can't tell).

Okay, so, the captions claim that Hook says this line, but not only can we see that Hook has his mouth shut as he pushes branches out of the way, not speaking, the voice also sounds way more like Morgie to me. Originally, I was going to use the nickname Uli as evidence that it was Morgie, but then I remembered Hook also calls her Uli earlier in the movie. So I guess I can't prove anything, but I'm 99% sure this was a mistake on the caption-er people's part.

To get on with the actual scene, Morgie compliments Uliana in an attempt to comfort and please her, though it doesn't seem to work like he'd hoped it would. Other than the last scene of the movie, this is probably the only scene that remotely shows that maybe she doesn't like him as much as some of the others, like the book claims. But more on that later.

I had a hard time getting a good frame of it, but I wanted to point out that Morgie kinda froggy-hops on the first two stones in this scene, before jumping across them normally. Whether he stopped because he realized the others weren't doing it or because he simply remembered that he is Not A Frog, I found it to be a fun detail and wanted to point it out.

Pfft, he's so eager to participate, his worryingly excited vocal delivery never gets old to me here. You could also argue that this is another lower-in-the-frame moment, since he sort of crouches and then rises up here.

It's noteworthy that Morgie is the only one of Uliana's gang to not come up with his own idea for a way to get revenge on Bridget. Which at first glance seems like a strange choice, since all the members getting individual lines is a chance to characterize each one a little bit more. And that's especially valuable with a character like Morgie, since most kids probably don't know a lot about Arthurian legend and therefore Morgana. And Morgie's not even actually her, he's her son. Meaning in his limited screentime, they really need to put the effort in to make his general personality clear.

But the fact that Morgie just copies someone else's answer does characterize him. Like I said earlier, at least to me, Morgie seems a lot more eager to participate in the conversation than to come up with ways to punish Bridget for what she totally definitely did. In fact, he begins to climb on top of the rock-thingy to jump off it and excitedly repeat Hades' idea before Hades even has a chance to finish his thought (he's still on "we could"), meaning Morgie was probably going to excitedly parrot whatever Hades said no matter what it was (or maybe that just happened because the actor didn't have enough time to climb up, jump, and say the line if he waited until Hades finished speaking but shhhhhh).

This would imply that Morgie doesn't really care as much about evilly getting revenge and whatnot as much as he cares about getting to be included in the conversation and following what the others are doing. This may be getting into more headcanon-y territory, but Morgie seems to crave the love and companionship of his friends, and I think this scene sort of demonstrates his want to do what they deem as good and acceptable and what will make them happy rather than come up with anything on his own.

I suppose that's one thing that makes his character morally grey to some extent. Sure, he doesn't seem to take as much direct joy/satisfaction in torturing Bridget, but he still cares far more about his friends' approval than her well-being. As long as his friends are happy and want to keep him around, Bridget and anyone else's happiness doesn't matter.

I have no idea why they put in a random shot of Morgie jumping in the middle of the song, but it's really amusing to me so I'm happy they did. I just needed to mention this really quick, I find the hard cut to Morgie dramatically jumping off something way too humorous not to.

Off-topic, but since it's sort of implied Morgie likes animals at the end of the movie, I like to think he feeds this guy sometimes, and when asked why he'll say sadly, "No one comes here besides us anymore, so he hasn't been able to eat any innocent people in a long time :(" like it's this terrible, tragic backstory. Idk I just think it'd be funny. Anyway, back to your regularly scheduled programming.

Ah yes, the scene I keep mentioning. The one that made me go, "woah, he's funny and has a discernable personality :0". The one where he asks what the signal should be and all that.

This scene finally shows us what the Descendents book from earlier kept claiming, that he wasn't the most well-liked among their evil clique. When Morgie talks, Uliana rolls her eyes in exasperation and walks off, not answering his questions. And the others follow suit, ignoring him.

For most of the film, Morgie seems to be on even ground with the other members, and at first, I thought maybe that wasn't on purpose and they just wanted to shove this in at the end, like how most of the ending was rushed. But now I'm thinking that maybe the reason Morgie isn't as well-liked is being shown throughout the scene, revealing why it's only more obvious now.

You see, Morgie's easily excitable personality fits in when Uliana and the gang are all just messing around, like how they were laughing and making jokes at someone else's expense earlier in the movie. Morgie just has to cackle evilly behind Uliana and be supportive. But when they try to do more 'serious' evil things, like this heist, his attitude doesn't translate quite as well.

Uliana wants to be taken seriously as the threat, and I assume the other villain gang members do as well. They want to be evil and scary and tough and all that. But Morgie doesn't really have a more serious, threatening mode. Well, he does, like when he's trying to be threatening during his introduction. But when there's no bystanders to impress, only his friends, the real Morgie isn't the serious type. He's still energetic and excitable, even in situations such as these. And the others find this a bit grating, since they want to be real villains. They don't want all of this to be childish or a game, they want to be taken seriously as villains. They want to be real villains. And Morgie's demeanor isn't as cut out for that sort of environment. Or at least his natural demeanor isn't, and he has trouble reading when they want him to be more serious.

Side-note: I swear I love every line this character delivers, something about the way he talks makes my ears happy. So I just wanted to point that out really quick.

"Ah yes, this extremely small branch will guarantee that no one will see me! >:D" I find this very funny. I want to say this isn't very smart of him, but I mean it works and Merlin doesn't see him so you can't argue with results--

Anyways, Morgie impersonates a few animals and hides behind a small tree branch. I thought about screenshotting all the animal noises but they're pretty straight-forward and for this you just need to acknowledge that they happened, so I didn't.

Morgie is the son of Morgana, and presumably has the capacity to be an extremely powerful magic-user like her. Which means there are a lot of cool magic things he could be doing. So I think the fact that we are directly shown that shape-shifting and mimicry are the skills he focuses his energy on the most, is important. Well, I suppose it's possible he isn't using magic to mimic the animals, but I've always assumed he is. And even if he isn't, the fact that even in scenes where he's completely alone he's still mimicking something else is rather telling.

...

...Oh, wow, we finished analyzing the actual movie! Yay! Time for one last thing, then!

Apparently, there was a deleted after-credits scene where Morgie finds the sorcerer's book. Unfortunately, I couldn't locate the original post, which supposedly came from Morgie's actor. It's not that I doubt it's real, I don't know how someone could fake this photo, but I would've liked to see it and know what he said about it.

(Warning, a lot of this gets even less objective than it already was, and most of it is just me theorizing with varying degrees of evidence to back my statements).

So what implications does this photo have? Well, it confirms my suspicions that Morgie being forced to stay behind wasn't for nothing and was setting up something else. I heard there was a lot of cut content in Rise of Red, and the fact they thought the 'Morgie barks like a dog scene' was important enough to keep over other things seemed telling.

If there was a scene dedicated to him finding the book, then him finding it must somehow be important. But in that case, I'm guessing we'd have to assume that Morgie can open the book. After all, if he can't open it, what's the point of him finding it? And it sort of ruins the original timeline, too.

If Morgie can't open the book, then that means all of the villain gang couldn't open it. And in that case, how would they prank Bridgette in the original timeline? They couldn't, because none of them would be able to read the recipe and give the cupcake to Bridgette.

However, if Morgie can open the book, then things make more sense. I wasn't sure if I was going to share my whole theory here, but so far I haven't seen anyone have the exact same idea as me (though I haven't read every Morgie post out there, so it's possible), so why not share it?

What if the thing that changes the timeline isn't that the villains were able to get the book without getting caught by Merlin, it's that the villain gang knew Morgie could open the book?

Let me explain.

Let's start with the fact that I don't think we often acknowledge, at least in my experience, how random of a choice putting Morgie in this movie was. They could've chosen any classic Disney villain to be in this movie, yet they chose Morgana. A character who has never even shown up in any Disney project, besides a live-action film and Sofia the First. They could've chosen to round out the pirate trio from the second movie and added in Gaston, or chosen one of the core four's parents from the first movie, or picked literally any famous character from any Disney movie ever. And yet, they decided to go with not just Morgana, but the son of Morgana.

And personally, I think that if Morgie really was just a throwaway character, they probably wouldn't have gone through the effort of making a whole new character instead of just choosing an already established one, like with Hook, Maleficent, and Hades. There has to be a reason they did this, right? Anything Morgie did in this movie could've been accomplished by anyone, since his only large contribution to the plot was being a look-out and failing.

And there are two things I realized. One, that being the child of a villain basically gives you automatic redemption arc privileges in this franchise. The core four, the pirate trio, and Red in this movie are all proven to be good deep down in the end, and we're supposed to see them as heroes. And for some reason, they decided their new character couldn't just be Morgana, it had to be the son of Morgana.

My guess is that they want to be able to push the "Oh their parents taught them that being evil is right but deep down they're a good person" angle they did in all the other movies with the Descendents. Especially since it would parallel Red, who's basically the main character of these movies, even if Chloe is at a close second.

The second thing I noticed is that even if you read just the first paragraph of Morgana Le Fay's Wikipedia page, it says that a significant aspect of her character is her unpredictability when it comes to being good or evil. She has the potential for both, and since they seem to have decided to just make Morgana evil in this universe, I'm guessing that trait is being handed down to Morgie.

They needed a morally ambiguous villain who could open the book in order for the timeline to work properly, and choosing a villain we know is 'evil' thanks to their movie, wouldn't allow that. So obscure villain's son it is.

Alright, so if we assume my logic makes sense and isn't just incoherent rambling, Morgie can open the book. How does this tie into the way Chloe and red changed the timeline? Here's what I've come up with:

In the new timeline, Red and Chloe steal the book for the villains and the villains take it, opening it in front of them just to brag and getting frozen. Red and Chloe take the book and, assuming that Uliana and her friends can't go to the dance, leave the book behind off-screen. In the deleted scene I think they left it...Is that their room? I genuinely can't tell, but Morgie finds it. Possibly via following them after seeing them leave the building, since we know that the trip from Red's room to Merlin's office is in direct eyeline of the tree.

But even though Morgie found the book, the prank isn't enacted in this timeline. If Morgie can open the book, why is that? After all, he could just do the prank for Uliana, right? Well, here's what i think happened:

Uliana and the gang don't know that the book is enchanted so that non-good people are unable to open it. That's why they try to open it without a second thought. Which means there are two possibilities going forward:

Morgie did indeed follow Red and Chloe back to their room so he could get the book back for Uliana, and overheard their conversation about how the book proves Red is a good person and won't turn out like her Mom, etcetera. When he finds it, he's aware of what could happen when he opens it, unlike his friends.

Morgie doesn't know about the enchantment on the book when he finds it, because he didn't follow them or couldn't hear them through the door or something else.

Both options, for my theory, garner the same outcome, it's just that things take slightly longer to happen.

If we go with the second option, Morgie is unaware that opening the book with no side effects means anything and after he opens it, he decides to show Uliana and the others the book whenever Merlin gets the spell off of them and all that. But when they do meet up, Morgie asks how they got caught before he shows them anything. And Uliana's answer would be something along the lines of, "That stupid book was enchanted and froze us in place! Only some goody-two-shoes could open it without that happening" (she would know because she heard Chloe's explanation of the spell when her and Red were talking). And Morgie takes a moment to process that...Uh oh, wait, that didn't happen to him. Why didn't that happen to him? Cue Morgie having an identity crisis as he realizes that the book doesn't seem to think he's a bad person, even though that's what he's supposed to be. He's the son of Morgana. He's part of a group that knows their actions are bad and they don't care. His entire motivations are around getting his mother, Uliana, and whoever else to give him validation for being good at being a villain.

But according to this book, he's not one.

Morgie tries to play it off and decides not to show them the book. Uliana and the gang are all about being evil, and they are all he has. What if this was the last straw and they kicked him out of the group because they think he's not evil enough? He'd have no one left.

He's decided that he can't tell them about the book, but what if they figure out that he has it? As long as he has the book, it's a liability. So, he does the only thing he can think of.

Burn it to a crisp.

And with the book destroyed, the prank can't happen. The recipe that can turn Bridget into a monster is no more.

If we went back to those first two options and say Morgie knew about the spell when he opened the book, then everything is the same except the book gets destroyed sooner, the night Morgie's friends are still frozen and won't be able to catch him actively sabotaging their revenge plans.

So that's the new red-and-Chloe timeline. What about the old timeline? Well, in that timeline, let's say Uliana doesn't feel the need to show off and open the book in front of Red and Chloe, so they escape Merlin's office unharmed. That means they get to meet up with Morgie, and whenever they open it, they're around to see that oh, Morgie isn't frozen, that's weird.

And they can't know for sure why, since they don't know what the enchantment is or what its qualifications are, but they do know that Morgie can read the recipe and do the revenge plan, so Morgie is able to read the instructions and they're able to prank Bridgette.

And ta-da! That's how the timeline got changed! At least in my mind, there are probably tons of other possibilities, but this is the one that made the most sense in my head.

And with that, the post is finally finished! I'd love to hear anyone's thoughts or ideas on this! Despite this being an analysis, a lot of it is dictated, at least slightly, by my own opinions. Morgie is the centerpiece of the timeline changes for a reason, haha. With such a large fanbase compared to some other pieces of media I like, I'd love to hear what the masses have come up with and like or disagree about in this post.

Thank you so much for reading if you've made it this far! I can only imagine that if you have read all this, you're some sort of Descendents or Morgie super-fan, and for that you have my respect.