#but they're the important two imo

[scenegraph]

aaaaa im happy with the emotion on all of theeeeeese!  chapter is Poasted Here

bonus: punk humansona doodle.  he is their grumpy counterculture uncle

[welcometogrouchland]

I miss them so bad (Dick and Damian)

[keeps-ache]

pals and other things :D

[thatsitso]

Yes I finally watched Trigun

[phantastragoria]

do you have a favourite portrayal of a character in the gotg game!! who is it and why <3

Oh I think they're all great honestly!!! Part of why I love the game so much is that genuinely, the whole team + supporting characters are written with such obvious love of the source material and equal attention between them all. When I see comments of people saying who their favorite character was from the game and the answer always being different from each person I'm like!! That's how it SHOULD be!!! They're the Guardians of the Galaxy (plural) the focus shouldn't all fall on a singular character like most other GotG media usually ends up as 😭

The two (sorry I can't pick just one) whom I think benefit the most from the game though are Drax and Gamora because they're almost always sidelined both in-and-out of universe by most of the various writers (especially as of late) and in turn the viewers/readers. I've been told plenty of times that they're the most boring members of the "main" team, BUT IT DOESN'T HAVE TO BE THAT WAY! The amount of love the game versions get (by the few who've played it at least) proves that 🥺

I've never really liked 616 Drax shifting to being a complete clown during the 90s and such (and even less so when the MCU followed along 💀) So I appreciate the game taking a bit of his seriousness from the DnA run and just making him struggle with nuance and context clues in a less exaggerated way (autistic Drax I still believe in u) and I feel the focus put on him and how losing his original family + the aftermath deeply affected him hits pretty hard here because it's treated very seriously and shown in depth, especially with how his family (wife) gets actual focus. I cannot tell you anything about Yvette in comparison to Hovat, who actually seemed to have had a personality lol (AND she was on their village's council like omg imagine having more to you than just being The Housewife) Though I will say I flip and flop on my thoughts about Heather being disconnected from Drax's life in this universe... The TLDR is that I think his arc here specifically works stronger when he has to come to terms with losing his entire family and accepting the life he currently has with the Guardians. BUT!!! I very much appreciate that Heather is still confirmed to exist within this universe, even if that means her dad issues would have to be dealt with in a different context if we ever get to see her.

Also? Shoutout to the writers actually bringing up the intense paranoia that always kneecapped 616 Drax but having that be a turning point in his backstory here, with that conversation he has with Peter where he talks about how he was becoming so paranoid of everyone being a chitauri/Thanos conspirator to the point of literally turning into an obsessed maniac like Thanos, and realizing that he desperately needed to turn his life around, it's so ough.

Out of the already many great conversations throughout the game, I think the ones with him are the most poignant. My favorite scene in the whole game is Drax and Pete's little moment on Knowhere... makes me go wahhh

(l also love that out of everyone on the team, it's his headspace that we quite literally get to go into. You KNOW that if this was any other media it'd be going into Rocket or Groot's head and likely treated as a joke.)

And oh my god, Gamora...

I find it so extremely refreshing that her role in the plot doesn't revolve purely around the men in her life, and instead, it's nearly exclusively her connection with other women. Or in the most direct obstacle she has to deal with, being how she starts projecting to the millionth degree on Nikki's situation for reminding her of what happened to her and Nebula. I find that infinitely more fascinating as a reading of her character rather than just dating drama or her arc getting completely overtaken by a man's instead.

And especially in her friendship with Mantis, who, despite having all these futures she's constantly seeing and having to navigate, still makes time to do her best to help her 🥺 From saving her life and being the one who put her on the path to healing on Lamentis, to getting her to join the Guardians and still checking in on her when she's able 😭 Friendship between women can be so powerful... u love to see it (🏳️‍🌈)

I also find it nice that there's this emphasis on her recovering mentally, and the comparison between Thanos essentially teaching her to just Deal with the shit in her life through very simplistic meditation versus the priests of Pama actually teaching her something to help soothe the mind :^( and that she still has moments of relapsing essentially. I find that to be a realistic take on recovery because that's just part of the journey since healing is not linear... and I think it's very sweet that she finds comfort in collecting something ---girly--- like dolls. Love to see a person reclaim a part of their childhood that they weren't allowed to experience. And how she's allowed to make BAD JOKES?? Imagine a woman being written to have multiple dimensions, crazy and absolutely unthinkable, I know.

There's this extremely specific theme in relation to Gamora across media that's been rattling around in my brain since first playing the game. When near the end during the revisit to Knowhere, she's about to completely lose it when Peter tries talking -for- her on what she's so upset about before immediately shooting him down, and she explains what happened between her and Nebula and she starts crying. It really struck me right then that she's never given a moment to cry elsewhere (or in the 616's case, the quite literal inability to.) aside from her shedding a Single Manly Tear (Original Sin) or a single moment out of legit fear (MCU 💀) because she's a hashtag Strong Independant Woman who can't be vulnerable etc etc. But for her to cry in front of the people she's come to care about, It gives her a moment of true vulnerability that I don't think she's allowed ever in most other media.

That and all of the above hits hard and is what makes me genuinely believe that the writers cared about her in the narrative and tried to do right by her when every other bit of media really hasn't nor cared to the majority of the time since the 90s :'^/ Brings a tear to my eye that she's allowed to just... exist in the narrative on her own merits and not on what she can provide to someone else's story.

[sysig]

I'm awfully curious as to what kinda work goes into creating a pantheon. Idk like where are your gods from and why are they gods and what makes them gods? I keep thinking about making one but it gets so complicated so fast

Not to "It depends" but lol - my method of making the AGE gods is by no means One Size Fits All! I mean heck, there are lowercase gods and one Uppercase God, and that's just in the Prime Material Plane lol. The complexities are what makes it fun in my mind :D

As just a brief overview, the way the AGE gods function is kinda like elements: Y (the "One True" but really just the First God) coming into existence brought "elements" (angels) into being, and then by dying created an "explosion"/power vacuum that sucked a handful of angels into new super-beings that the sentient races adopted as the new gods. And that's just how they came to be, not counting things like how worship works, or how over the course of the campaign they were meant to be picked off one by one, throwing off the balance of divine nature!

I think a lot of it comes down to what you want to use your pantheon for - mine was a ticking clock for the PCs to save the Prime Material Plane from imploding, and all the development came from that impetus - they were designed to die from the very start, and only then did I start developing how they came to be and what they represent :) What do you want your god(s) to do? Why? Hopefully they'll start taking shape from there

[earlysunshines]

we'll be alright, please try again

kim minji x fem!reader ; angst, fluff

synopsis: you and minji break it off, both emotionally and physically, each pushing the other away. but the universe has other plans, bringing you two back to square one as if you were always meant to find your way back to one another.

warnings: sixth member!reader ; arguing ; pining ; reader is canadian for the plot but it's not even that important it's just for a silly tims joke and smth more ; ugh they're so in love get away ; angsty but super fluffy + heavy pining ; a lot in one ; iffy pacing imo ; have fun with this one i rly liked writing this ; wtv else i didnt mention

a/n: guys PLEAAASSSE don’t be scared of the hook and angst tag PLSGIYS i swear it’s sweet… i swear. i was smiling throughout don’t be scared… it’s not THAT bad ANYWAYS i want timmy's so bad rn... un cafe infuse froid a la vanille si vous PLAAAIIT someone send me timbits asap

“i think we should break up.”

minji’s head snaps toward you, eyes wide, an exasperated “what?” escaping her lips.

confusion flashes across her face, and for good reason. everything has been good between you two, really good—no fighting, no tension, just the usual hustle of practice and training. you’ve both always found a way to make it work, to balance everything. so why now? why are you saying this?

you can’t bring yourself to meet her gaze, your eyes focused on some spot on the floor instead, teeth worrying your bottom lip.

“we’re both training so hard,” you murmur, your voice barely above a whisper. “i think we should focus on that for now.”

“but… everything is fine,” she says, a pleading note in her voice. “i don’t get it…”

truth is, you don’t want this—not at all. the idea of breaking up with her makes your chest tighten painfully. but things have gotten tougher lately, the rules stricter, your company’s expectations weighing heavily on you. being with minji would only make things harder down the line, for her and for you. you’d never want to hold her back—not her, not the person you love more than anything.

“i think it’s best for us,” you repeat, though your voice lacks conviction.

minji’s brows knit together, her eyes searching your face. “why do you get to decide this?” she argues, her voice rising slightly. “let’s just… talk it out. we can work through this, can’t we? we always work it out.”

you’ve only been together a few months, but they’ve been some of the best months of your life—of her life too, you know that. both of you are still figuring things out, still finding yourselves in the midst of all this chaos. hell, neither of you are legal adults yet, both being sixteen and clueless. but it’s minji who made you realize you’d never feel this way for anyone else, certainly not a man. she was the first girl who gave you butterflies just by smiling at you, the first whose hand you held with a racing heart, the first whose cheek you kissed, feeling your face flush with warmth.

and there’s that one memory, a core memory that replays in your mind like a favorite song—you can still feel her hands gently holding your face, the way her eyes sparkled with something pure, something deep, right before she leaned in and kissed you. your first kiss, your first everything. she’s your first love, and the thought of letting that go feels like tearing out a piece of yourself. 

tearing yourself away from her would be better for her anyway, that’s what your company insisted anyway.

“please,” minji whispers, and there’s a crack in her voice that breaks you all over again. “don’t do this.”

you swallow hard, your resolve wavering. your chest feels heavy, like you’re carrying a weight you can’t bear. but you press your lips together, fighting the urge to reach out and pull her into your arms, where she belongs.

“it’s… it’s better this way,” you say, even as everything inside you screams the opposite.

minji shakes her head slowly, a tear slipping down her cheek. “it’s not,” she insists, voice breaking. “it’s not better… not for me.”

and you know, deep down, it’s not better for you either.

“minji,” you begin, voice faltering. 

“don’t minji me,” she snaps, eyes fierce and determined. “we’re not breaking up.”

“we have to, don’t you get it?” your voice breaks, tears welling up as you stand in front of the entrance to her dorm, the one she always complained about, the one you’ve come to know so well. “how will we ever debut if we have these worries and burdens in the back of our minds?”

minji pauses, her features softening, but her gaze remains fixed on you. “you think i’m a burden?”

“n-no! no, minji, no.” you shake your head quickly, regretting your words the second they leave your mouth. “it’s not like that… my company’s been on my back, pushing me harder, and they might move me to another one. god, i feel like a pawn in chess or something. look, it’s just… it’s best we focus on our own paths right now.”

minji’s eyes search yours, hurt etched across her face. “we’ve always made time for each other before. what’s different this time? y/n, i love you.”

“we’re sixteen, minji,” you say, your voice barely above a whisper. “we’re young and… and stupid, and nothing in the future is promised.”

“well, i want you in mine. i would do anything to make sure you’re there in mine, anything.” she insists, her voice trembling, “even if you debut and i don’t, or the other way around—i want you there. i want you there always.” she steps closer, her hands coming up to rest on your shoulders, her touch warm and steady, even as your own resolve begins to crumble. 

her words make your neck tense, your lip quiver. you feel the tears spill over, hot against your skin. minji moves one hand to your cheek, her thumb brushing away the tears, her gaze softening as she whispers, “i love you. i love you when i’m exhausted from practice, i love you when i’m stressed over exams, i love you when we only have a few minutes together… i love you every moment of every day. i can’t… i can’t let you go.”

you shake your head, your breath coming out in short, uneven gasps as you pull away from her touch. minji’s brows knit together, her eyes filled with concern as she watches you crumble, sees you bury your face in your hands. you take a shaky breath, wiping your tears away with the back of your hand.

“i’m sorry, minji,” you choke out, your voice heavy with emotion. “i love you, but we can’t… we can’t do this. i don’t want to talk about it anymore. you don’t need me in your life. i—” your breath hitches, your heart clenching painfully in your chest. you wonder if it’s worth it, if sacrificing what you have with her is really the way to achieve your dreams. “i don’t need you in mine right now,” you finish, your voice cracking, every word cutting through you. “we should focus on our own things.”

minji stares at you, her eyes searching yours, her heart breaking, the words slowly sinking in. a tear slips down her cheek, and she doesn’t bother to wipe it away.

you take a step back, your vision blurred with tears. “i’m sorry, minji… i’m doing this for us—for you.”

you turn away, your chest tight, and as you walk away, the sound of minji’s quiet sobs echoes in your ears, each one tearing at your heart a little more. but you don’t look back. you can’t. not now, not when every step away from her feels like losing a part of yourself.

—

it’s been a year. one long, agonizing year since you last spoke to minji. a year spent fighting the urge to look through the hidden folder on your phone filled with photos of the two of you, each image a reminder of what you lost. you’ve stopped crying every night—first every week, then every month. but the guilt, the sorrow of losing her, the love of your life, still clings to you like a shadow.

you’ve thrown yourself into training, harder than ever. it stopped being about debuting a long time ago; now it’s just a distraction, a way to drown out the ache that never seems to fade. but was it worth it, listening to the company, if the will to keep going feels like it’s slipping through your fingers?

then, one day, they pull you aside. your company tells you you’re being relocated, moved to another company that’s shown interest in you, in your potential. they say you might debut sooner. it sounds like everything you should want, so you agree, packing your bags and letting them shuttle you off to the new dorms, even if a part of you feels numb, disconnected.

when you arrive at the new building, something about it feels familiar. the hallway, the scent in the air, the way the light filters through the windows—it all makes your heart thud in your chest, unease curling in your stomach. memories you tried so hard to bury start to bubble up.

you shake your head, trying to clear your thoughts, and push open the door to your new room. it’s… not much. the walls look a little worn, there’s a fine layer of dust on the shelves, and it’s small—cramped, really. not surprising. you’re still a trainee, after all. you didn’t expect luxury.

inside, two girls turn to look at you, surprised by your sudden entrance. one is shorter, with wavy hair and a bright, warm smile, the other taller and younger-looking, with a curious expression. you manage a small, polite smile in return. 

“hi, they sent me to source–”

“you must be y/n?” the girl with wavy hair interrupts, tilting her head slightly, studying you with interest as you shut the door behind you. “i’m danielle, nice to meet you.” her voice is friendly, her eyes sparkling with curiosity.

“hi, nice to meet you too.” you reply, noticing the slight arch of her brows. your korean is decent, but the accent still lingers, evident enough to catch attention. 

“i’m hyein,” the younger girl chimes in, a grin spreading across her face. “are you from here?”

“n-no, i’m not,” you stammer, a little caught off guard. “you could tell from my accent, huh? i’m still working on my korean. i’m fluent in english though.”

hyein glances at danielle, then back to you. she points at danielle and adds, “danielle speaks english too.”

“you do?” you ask, turning to danielle. she nods.

“yeah,” danielle says, switching to english with an easy smile. “it’s nice to have another english speaker around. two of the other trainees speak it pretty well too.” her accent is thick, australian, and it’s like a tiny piece of familiarity amidst all the change.

a small relief floods through you, just enough to calm the nerves that have been knotting your stomach all day. “oh, that’s… that’s good to know,” you say, a faint smile tugging at your lips.

“yeah,” danielle agrees, and for the first time since you arrived, you feel like maybe, just maybe, this new start won’t be as hard as you thought.

they both help you settle in, and soon you find yourself sharing a bed with hyein. it’s cramped, barely enough space for two, but it’s better than nothing. you’re grateful for their kindness. both of them seem so genuinely sweet, and you quickly learn that danielle is only a year younger than you, while hyein is much younger. she’s practically a child, literally a child, you feel a protective instinct kick in immediately. there’s a sincerity in her wide-eyed curiosity, an innocence that makes you want to look out for her, to make sure nothing ever limits her spirit.

danielle, on the other hand, is a ball of sunshine—radiating warmth and energy that makes the room feel brighter. she’s constantly smiling, her laughter infectious, and even though there’s a hint of tiredness in the way she moves, a slight slump to her shoulders, she’s still so full of life. she talks a lot, her voice light and cheerful as she shoots question after question while getting to know you. it’s hard not to be eased by her easygoing charm. 

as the night wears on, they do their best to lift your spirits, sensing the nerves that still linger just beneath the surface. danielle makes a few silly jokes that make you smile despite yourself, and hyein tries to comfort you with small gestures—a reassuring pat on the arm, a soft-spoken “it’s okay, you’ll get used to it. they must’ve relocated you for a reason!” they can tell you’ve been thrown into this new situation without much warning, and they’re doing their best to make you feel welcome. 

you feel a strange mixture of fear and hope—this whole thing is still so new, so uncertain. it’s unsettling to be here, to have been displaced so suddenly, but at least your new roommates are wonderful. they’re different from the people at your old company, where the atmosphere had been tense, filled with a kind of hostility that always made you feel on edge. here, there’s warmth, a sense of camaraderie you haven’t felt in a long time.

you wonder if this company will be any different. you hope it doesn’t end up ripping you apart like the last one, but for now, you find comfort in the gentle smiles and kind words of danielle and hyein. they make this unfamiliar place feel a little less lonely, a little less scary, and for tonight, that’s enough.

—

danielle shakes you and hyein awake at the crack of dawn, urging you both to get ready for training. it’s a normal routine for them, but for you, it’s the start of something new. you rush through your morning routine—skincare, a light layer of makeup, and clothes you hope are suitable for dancing. you quickly follow the two out, trailing behind as they lead you down a path toward another building, one that you assume is where all the training happens.

inside, they guide you through the hallways until you reach a room. danielle opens the door, and you’re greeted by an empty dance studio. hyein lights up at the sight, a wide grin spreading across her face. “we have some time to warm up before the other three get here,” she says, already jogging inside.

danielle steps in next, and you follow, trying to push down the nerves fluttering in your stomach. you all sit on the floor, stretching your legs, trying to loosen up and prepare for what you know will be hours of hard work. you focus on improving your flexibility, feeling the slight burn in your muscles as you push yourself further. ten minutes pass, and just as you start to feel a little more at ease, there’s a knock at the door.

the three of you turn your heads in unison, watching as the door creaks open and a girl shuffles in, rubbing her eyes like she just woke up. behind her, two more girls enter—the first is a shorter girl who yawns deeply with each step she takes, but the second girl… your heart stops dead in your chest.

kim minji.

kim fucking minji.

she catches your gaze, and both of you freeze. time seems to halt, your eyes locking onto each other in shock. minji looks just as stunned as you feel, her expression mirroring the disbelief you know is written all over your face. you can’t breathe, can’t think—your mind is spinning, and your heart feels like it’s dropped to your stomach.

before you can fully process what’s happening, a voice from the other side of the room snaps you back to reality. “you’re the new girl? nice to meet you! i’m hanni,” the shorter girl says, approaching with a friendly smile.

you force yourself to tear your eyes away from minji, swallowing hard before managing a polite smile in return. “nice to meet you, i’m y/n.”

minji, on the other hand, feels like she’s caught in a dream—or maybe a nightmare. you’re standing right there, in front of her, looking just as beautiful as you did the last time she saw you, minus the tears streaming down your face. she thought she had done pretty well moving on, pushing you aside so far in her mind so that she only thinks of you when she’s not bombarded with coursework or training—so rarely. she can’t move, can’t speak, not until danielle calls her over, breaking her from her trance. she takes a shaky breath and forces herself to join the group, her mind still reeling.

the room feels charged with tension, both of you stealing glances when you think the other isn’t looking, neither daring to say a word. it’s a strange, painful coincidence, running into each other like this. it’s almost as if cupid is playing a cruel joke, aiming to tear your heart to pieces rather than make it flutter.

and the worst part is, you just have to push on with practice like there’s no history between you two. like you don���t have memories stored up in your mind of her laugh, the way her hand fit in yours, or the way she looked at you like you were the only person in the world. both of you are still so young, but you know better than to let your feelings get in the way—not when debuting is on the line.

you take a deep breath, trying to steady your nerves as you introduce yourself to everyone again, making sure to keep your eyes anywhere but on minji. your voice is calm, your smile practiced, and you do your best to pretend that she isn’t standing just a few feet away, close enough for you to hear her breath hitch, close enough that you can almost feel the weight of her stare. 

the room is filled with conversation as the girls introduce themselves back, one by one. you nod, exchange pleasantries, but every word feels heavy, like you’re walking on a tightrope above a pit of old memories and unspoken feelings. you focus on the faces in front of you, the ones you haven’t seen before, trying to absorb their names and voices — hanni, haerin, danielle, hyein, and… — anything to distract from the familiar face you know too well.

then, practice begins, and you force yourself to concentrate on learning the choreography, to commit every move to memory. the beats of the music fill the room, and you step in time, trying to mirror danielle and hanni’s movements. you stretch your arms, pivot your feet, focus on your control, and move across the floor, pretending that your ex-love-of-your-life isn’t right there, just a few steps away. 

you try not to notice minji’s presence, the way her hair falls across her face when she turns, or the way she bites her lip when she’s trying to focus. you do everything you can to ignore the quickening of your heart whenever you hear her voice, sharp and clear, giving feedback to the others. you push down the memories that threaten to surface, the images of stolen kisses and whispered secrets, forcing yourself to focus on the rhythm, the steps, and the music.

but it’s hard to pretend when every glance feels loaded, every second that passes feels like an eternity. you know you’re here for a reason, to work hard, to debut, to make something of yourself, and you can’t let old feelings get in the way of that—not now, not ever. still, as you dance, you feel a pang of something deep in your chest, a longing that no amount of practice can seem to shake. not this time.

—

another year goes by, a year of slowly building bonds with the other girls and learning how to navigate around minji’s presence. the two of you have grown, mature enough to look each other in the eye, exchange a few words when necessary, but never more than that. neither of you dare to willingly interact beyond what's required.

an unspoken agreement hangs between you both: act alright in front of the others, get along enough to avoid raising questions, and move on. it’s all you can do. three hundred and sixty-five days pass, and in that time, you begin to notice more about minji, the side of her that never wavered, the side that’s still so caring towards everyone around her. 

you see her helping hanni with her korean, keeping hyein motivated with endless praises, complimenting danielle on her improvements, and reassuring haerin when worries weigh on her. minji’s always been the caring type, that never changed. neither did her pretty, gummy smile, her soft eyes, the way her eyebrows furrow in concentration—everything about her that once made your heart skip a beat still lingers, still draws your attention.

it stings, realizing your feelings haven’t faded. they’re still there, buried beneath the surface, and you know they’ll remain, how could they not? it’s kim minji you’re dealing with. if you debut together, those feelings will continue to simmer, but you push them down, suppress them, because you’re the one who created the distance between you two. the tension is your fault, and you have to deal with your mistakes.

minji tries not to break, not when she sees you laughing and being carefree with the others, yet stiff and distant around her. she knows she should be angry, and she is, but not enough to hate you. you’re both just young, chasing your dreams, and if that means leaving her behind, minji will accept it. as long as you’re happy, she can let go, because no matter what, she’ll always care about you, always love you in her own quiet way.

her feelings haven’t faded either, and sometimes it shows—when you’re with the others, bringing laughter and light into the room, she remembers the way you once brought that same warmth into her life. but staying stuck in the past won’t help her, and minji knows that. she allows herself a few glances, lets her gaze linger on you when she thinks no one’s looking, before pulling herself back to reality.

there’s always that unspoken tension in the air, the weight of words never said, the feelings both of you try so hard to bury. but somehow, you manage to keep going. you get by, coexisting in the same space, neither of you willing to confront the past, but not quite able to forget it either.

—

two days until debut, and the excitement is electric.

all six of you are buzzing, nerves mixed with joy. after years of grinding, sleepless nights, and moments where the dream seemed too far, you're almost there—right on the cusp of what you've always wanted. the final practice for "attention" wraps up, and you gather in a circle, sharing words of encouragement. the rehearsal went better than any of you could have hoped for, and the anticipation of seeing the music video reactions and stepping on stage for the first time is almost too much to handle.

the energy in the room shifts once practice is over, everyone easing into a more relaxed state. danielle is sprawled out on the floor, leaning against hanni, who's leaning on hyein. haerin sits by the mirror, legs crossed, lost in her thoughts. minji, meanwhile, stands near the mirror on the other side of the room, hands on her hips, staring at her reflection. you're in the center of the room, watching her without even realizing it, your eyes tracing the curve of her back before you finally gather the nerve to approach her.

you tap her shoulder twice, and she turns around, surprise flickering across her face. "y/n?" she says softly.

"hey..." you respond, suddenly shy, your eyes flickering from her chin to her collarbone, avoiding direct eye contact. "can we talk?"

minji hesitates, glancing around the room before nodding. "alright."

you lead her out of the practice room, both of you offering quick excuses as you slip away. the walk down the hallway is quiet, the silence heavy between you. minji waits for you to say something, but you can't seem to find the words until you reach a small window in front of a couch and potted plant. the light streaming in casts a soft glow over the space, and you take a deep breath.

“we’re debuting soon,” you say, the words awkward as they leave your mouth.

“yeah,” she breathes, her gaze following yours out the window.

“it’s been my— our dream for so long,” you continue, voice quiet. “i know things have been... rough between us. and that’s on me. i wanted to apologize.”

you take a deep breath, forcing yourself to meet her eyes, even if just for a moment. “from here on out, i want to mend things between us.”

minji’s eyes widen, and you can see the surprise written all over her face. you can tell she’s about to say something, but you press on before she can interrupt.

“i’m not asking for us to go back to how things were, i know that’s wrong of me to ask, considering i… yeah.” you clarify, gulping and trying to supress a faint blush. “but i want us to be members, to get along. eventually, maybe even friends again. i just want to fix things—at least a little. i know our past was complicated, but if we’re going to debut together, i want there to be less tension. more of... a broken bridge than no bridge at all, you know?”

your words hang in the air, and minji is silent for a few moments, processing. she looks at you with an expression you can’t quite place, and for a moment, you wonder if you’ve said too much. then she speaks, her voice quiet, almost fragile.

“okay,” she says, the word barely escaping her throat. “i want that too.”

relief washes over you, and you let out a breath you didn’t realize you were holding. a small smile tugs at your lips. “i’m glad. i hope we can talk more, catch up... maybe do something normal again.”

“something normal,” minji echoes, a hint of uncertainty in her voice, but she smiles. it’s a soft, genuine smile, one that makes your heart clench a little.

the two of you stand there, the silence between you now comfortable, not heavy like before. for the first time in what feels like forever, you’re seeing her—really seeing her. minji’s changed. she’s more mature, more thoughtful in her actions, her words. there’s a quiet authority about her now, especially as the eldest. the others look up to her, and honestly, so do you. hell, you’ve always looked up to her. she’s become even more beautiful, the soft evening light highlighting her features, giving her this glow that makes it hard to look at her for too long without feeling something stir inside you.

minji, on the other hand, is taking you in as well, a quiet smile on her lips as she does. there’s something almost poetic about this moment—you two, standing here together, about to debut in the same group. just years ago you two had met by the river, built a friendship and more, then less. regardless of what would have happened to the two of you, you’d end up together again.

to think that there was a whole time where you were both in different buildings, different spaces, hoping the other would make it. now, you’re side by side, part of the same dream, somehow together again. both of you made it.

—

after your first debut stage, adrenaline courses through your veins as the six of you rush backstage, breathless and buzzing. the girls are squealing, jumping around, and you can’t help but grin at them. then, your eyes meet minji’s across the room. her smile is genuine, proud, and it softens something inside you. you mirror her expression, holding her gaze longer than you should, until danielle tackles you with a hug so tight you feel like your ribs might cave in.

“that was amazing!” danielle beams, pulling back just enough to see your face, her eyes sparkling. “i can’t believe we just did that.”

“i know, right?” you respond in english, your body finally beginning to relax. “i’m so... overwhelmed, but in the best way.”

“so many people were cheering for you.” danielle pokes your cheek playfully, a mischievous smirk tugging at her lips. “bet it was that wink you pulled off during your ending fairy.”

your face flushes instantly, and you push her away with a groan. “stop! i was nervous! i didn’t know what else to do…”

danielle’s laughter is contagious, and soon hanni joins in, her eyes twinkling with amusement. “smooth wink, miss l/n,” she teases. “you might end up with a lot of fangirls, more than guys i bet.”

you whine, trying to push them both away, before finding refuge by haerin, who’s spaced out in her own world. she blinks at you, a bit startled as you point over to danielle, hanni, and now hyein, who’s joined in, the trio replaying your ending fairy. they giggle like kids, mocking the way you winked and bit the inside of your lip. haerin just sighs in understanding, standing beside you like a silent bodyguard.

minji watches the whole scene unfold from a distance, a small smile tugging at her lips. there’s a warmth in her chest, seeing everyone so carefree and happy after all the hard work. she’s beyond glad that you all made it, that the dream finally came true.

(even if you’re not hers anymore, you’re happy, and that’s more than enough for her. minji is grateful just to know that.)

–

the next month flies by in a blur. your ep is out, there’s promotions, interviews, a few meetings, and just so much. despite the whirlwind, every feeling from every moment sticks with you, vivid and sharp.

each track from your ep gains massive popularity, spreading across the globe with people praising the group left and right. your debut isn’t just a debut—it’s the debut of the year, and suddenly, everyone’s talking about you. you’ve become the new “it” group, with people especially stunned by hyein’s talent at such a young age. the attention is surreal, but what shocks you the most is the way people are talking about you. everywhere you look, there are comments about your visuals, your voice, and the shy praise makes your cheeks burn.

(of course, hanni and danielle never miss the chance to tease you about your ending fairies blowing up online. each one garners thousands of views, and despite the attention, you cringe at every single one.)

but while you’re in the spotlight, so is minji. social media can’t get enough of her, with countless posts gushing over her visuals. people are stunned by how effortlessly beautiful she is, how her voice carries a certain warmth and depth. all the things you’ve always admired about her are now being praised by the world. her popularity is skyrocketing, and it’s no surprise to you. minji has always been stunning, both inside and out, and now everyone else is finally seeing what you’ve known all along.

it’s bittersweet; all the gushing over minji had been your little thing before you messed it all up.

—

minji sits with the rest of the girls in the dorm complex, a new one near hybe. it’s nicer, not as cramped as the old place, and even though she still shares a bed with haerin, she loves it. 

(it’s a queen sized bed instead of a full size, she’s not complaining at all.)

she’s grateful for everything, especially the upgrade from where they used to live. they’re all gathered for dinner, a celebratory meal after their debut, but as the minutes tick by, minji notices something off: you’re not there.

the rest of the girls don’t seem fazed, but minji is. she’s the oldest, the most observant, and it feels strange that a whole member is missing. she waits a few more minutes, but you still haven’t shown up.

“have any of you seen y/n?” minji asks, her voice calm but curious. “i don’t want us to eat without her. we’re a team—it doesn’t feel right.”

hanni tilts her head, looking a bit confused. “she didn’t tell you?”

“tell me what?” minji’s brows furrow slightly.

haerin chimes in. “she went out.”

“what?” minji stands up from the table, the unease settling in her stomach. 

“i told her to stay,” haerin continues, “but she kept saying ‘it’s okay’ and that she’d be back in an hour or something. she seemed pretty eager to get out.”

danielle shrugs, adding casually, “yeah, she told all of us. she didn’t mention it to you?”

minji shakes her head, feeling a small twist in her chest. “no, she didn’t.” the thought of you being out alone, especially during a meal this important, doesn’t sit right with her. you’d left your wallet in haerin’s bag—minji remembers seeing it out of the corner of her eye, a little gray wallet you always carried. she hadn’t thought much of it, assuming you’d all eat together like usual.

“she said she’s not hungry,” hyein chimes in. “she said she snacked too much earlier. don’t worry, she’ll be back.”

minji hesitates, still standing while the others pick up their bowls and begin eating. she knows you too well—you’re the type to lie if it meant sparing someone from worrying about you. and if you were really hungry but said otherwise, it just made her feel worse.

she sits back down but can’t shake the unease gnawing at her. she’s never eaten this fast before, practically gulping down the side dishes and wrapping lettuce around the grilled meat without much thought. she finishes her meal quickly, but it feels empty, and the food doesn’t settle well in her stomach.

after a few bites, she stands again, slipping on a light sweater. “i don’t want y/n to miss out on this food. it’s really good,” she says, her voice light, but her eyes are serious. “i’m going to go look for her, i’ll be back soon.”

before anyone can respond, she’s out the door. she walks quickly, her steps filled with purpose. she knows where you’ll be, and it’s not long before she’s headed to the place she’s almost certain you’ve gone to.

it’s a five-minute walk to the nearest bus stop, a three-minute wait, and a ten-minute bus ride to the area she’s thinking of. the city blurs by as she stares out the window, her thoughts racing. another few minutes pass as she speedwalks from the bus stop, her legs carrying her to the familiar bench by the river, the one with the view of the bridge that glows softly in the evening light.

she remembers the first time she met you here, how you both talked for hours, the breeze gently blowing through the trees. it’s quiet now, the water rippling softly under the dimming sky, and there you are, sitting alone on the bench, looking out at the water.

(“hi, is anyone sitting here?” minji asks, her voice lighter than it is now. 

she’s fifteen, fresh from a rare break in her training. she holds a small bag of honey chips in one hand and convenience store gimbap in the other—nowhere near as good as her mom’s, but enough to fill her up. her usual bench is taken, though, and she spots you sitting there. no big deal, she thinks, she’ll just sit on the other side.

you glance up, still chewing, and your eyes widen at the sight of her. “o-oh, no! here, sitting, um, no one. you can—uh—” you fumble for the words, trying to string them together. “alone, i am. with me, no one.”

minji smiles at you, easily picking up on your accent, the way you stumble through the grammar. a foreigner, she thinks. she gives you a thumbs up and takes a seat next to you, setting her bag of chips between the two of you.

you blink at her, caught off guard by how effortlessly she seems to glow. before you can say anything, she catches you staring, and offers you a chip. “want one?” she asks, holding the bag out.

“it’s okay, food, i have.” you respond, shaking your head, but she giggles softly.

“i have food,” minji gently corrects you, repeating the sentence with a small smile.

you mumble an embarrassed, “oh,” before adding shyly, “yeah, i have food.”

“your korean is really good,” minji compliments you, her tone warm. “it’s just your grammar and formality. but it’s not a big deal if we’re the same age. how old are you?”

you pause, taking a second to process her words, then respond, “fifteen. i’m fifteen.”

minji’s face lights up, her eyes crinkling with her bright smile, and you find yourself mirroring her expression. “me too!”

“really?” you say in english, then quickly switch back, clearing your throat. “really?”

minji nods, understanding your little slip, and switches to english herself. “you speak english?”

your eyes widen slightly in relief. “you speak english too?”

“i learned some here in korea,” she explains, her voice soothing and calm. “i also studied in canada for a while.”

“no way! i’m from canada.” 

“really?” minji’s eyes sparkle with interest.

“yeah,” you grin, glancing out at the bridge in front of you, the soft glow of the evening lights reflecting off the water. “i’d kill for some timbits right now… i wish korea had them.”

“i get that, they were my favorites when i studied there. cheap and good.” minji chuckles softly before asking, “why are you in korea? are you studying abroad?”

your smile falters for a second, and you hesitate before answering. “well, i want to be an idol. it’s… kind of stupid. i came here alone after making it through the audition and getting scouted, but i barely know the language. i just really want to be an idol—it’s my dream.”

“it’s not stupid at all.” minji leans in a little closer, her eyes locking on yours, the sincerity in her gaze catching you off guard. “i want to be one too. i’m a trainee.”

“really?” your surprise is evident in your voice. “that makes two of us.”

“i guess it does,” minji agrees, holding the bag of chips out to you again. “i’m minji, kim minji.”

“that’s a nice name,” you say, accepting the chip this time, plopping it into your mouth. “i’m y/n, l/n y/n.”

minji grins, her eyes soft as she says, “even nicer name.” the compliment catches you off guard, and you can’t help but giggle at her words.)

you notice someone sit down next to you, catching minji’s presence in your peripheral. her voice, now deeper and more grounded than that first time you met her, cuts through the silence.

“i hope this seat isn’t taken.”

your muscles relax as you scoot over to make room for her. “it’s not.” you keep your eyes on her as she settles in beside you, looking out at the familiar view. the glasses perched on her nose somehow make her even more striking, drawing out the natural allure she’s always had. you can’t help but let your gaze linger on her profile, tracing the soft lines of her face. 

before you lose yourself entirely, she breaks the silence. “you weren’t at dinner.”

“i wasn’t hungry.” you lie easily, turning back to the bridge.

minji gives you a side glance, clearly unconvinced. “right.”

“i just needed some space.” the truth slips out this time, your voice quieter. you can feel her gaze shift, now fixed on you. “how did you know i’d be here?” you ask, still staring ahead, avoiding her eyes.

“some things don’t change, y/n.” she says simply, leaning back into the bench. “i had a hunch.”

you stay quiet, the wind brushing past you both. the bench holds too much history for either of you to ignore. the same spot, years later.

(“you’re here again.” it had only been a week since your first meeting. minji had found you on the bench at nine at night, munching on fruit snacks. “thinking of timbits?”

you laughed, patting the seat next to you. “maybe.”

minji smiled as she sat down, and you handed her a piece of dried fruit without a second thought. “was it a coincidence that we ran into each other again?” she asked, sounding curious.

“maybe i’m just lucky,” you said playfully, “lucky to have run into you again.”

“lucky to run into me?” she raised an eyebrow.

“you’re the only person i can talk to like this,” you admitted. “i was hoping i’d see you again, kim minji.”

“i was kind of hoping the same, l/n y/n.”

“is that so?” you grinned, scooting closer. 

“maybe.”

the two of you spent the next hour talking, shoulders nearly touching, laughter filling the space between you. the fruit snacks were long gone, but you stayed, sharing stories about trainee life and the little struggles of the week. it felt easy, natural, like you’d known each other for years.

when your phone buzzed with a notification, your face fell, and minji’s mirrored yours.

“you have to go?” her voice held a tinge of disappointment.

“yeah,” you sighed, “but let’s meet again, okay? can i get your kakao?”

“of course!” minji had jumped at the chance, quickly giving you her contact. “can we meet again next week? i’m happy i’ve made a friend like you.”

“me too,” you had said softly, “you’re like a savior. my korean is so bad…”

“i’ll help you with that,” she’d laughed, “but our time is limited.”

you hugged her then, surprising her with the closeness. she caught the faint scent of lavender on you and hesitated for only a moment before hugging you back tightly. you mumbled a quiet “thanks,” your lips brushing against her hair near her ear, making her shiver slightly.

“for what?” she had asked, her voice barely above a whisper.

“doesn’t matter.”)

you feel minji looking at you now, and in the corner of your eye, you see her scoot a little closer, her shoulder brushing against yours. it’s subtle, but the warmth from years ago flickers to life again in your chest.

“your korean is really good now,” she says after a pause, her voice soft. “especially since the first time we met.”

“i’d hope so, after three years.” you smile to yourself, trying to lighten the moment.

minji doesn’t laugh, though. instead, she turns to face you, her expression unreadable. “i was worried, you know?” she says quietly. “why did you tell everyone but me that you were leaving?”

you turn to meet her gaze, lips parting as you exhale softly. her eyes are as warm and familiar as ever. “i knew you’d make me go back inside.”

“i wouldn’t.”

“yes, you would.”

“i’d just go outside with you, y/n.”

her words settle between you, and you feel the weight of them in your chest. she’s always been too kind, too caring, even more now than when you first met. she’s still minji, but somehow better, different in ways that make you feel like you’re stuck in place, the same selfish version of yourself.

“oh.”

there’s no warning when your eyes start to sting, a subtle burn building until you feel the tears pooling. you turn away quickly, hoping to hide it before it gets worse.

“do you hate me?” your voice comes out barely above a whisper, but shaky enough to betray you. “i wouldn’t blame you.”

minji’s brows furrow. “do i what?”

“hate me.” 

she pauses, studying you closely. her eyes trace the way your hands fidget restlessly in your lap—something she’s seen you do countless times before. you’ve always done it when you were anxious, whether it was before a monthly evaluation, or when you had something on your mind that you wouldn’t share with her. she notices how your teeth press into your lower lip, your foot bouncing slightly, a nervous habit she’s memorized over the years.

“y/n,” she says softly, scooting even closer until her side presses into yours. her arm wraps around your shoulders, gently pulling you into her. she holds you like she always has, her thumb brushing lightly over your arm in slow, comforting strokes. “i could never hate you.”

“i dumped you without a word,” you mutter bitterly, the words heavy on your tongue. “and then i got moved to your company, and you had to act like you were fine with me being there.”

minji stays quiet, letting you continue.

“you don’t have to pretend. i know i made it hard for you.”

“i’m not pretending,” she says, turning to look at you again. “you debuted, y/n, and that’s all i ever wanted for you. it’s your dream. you gave up so much to make it happen.” her voice softens even more, her gaze steady on you. “all i have is admiration for you. even if we’re… not together anymore, all i’ve ever wanted was for you to be happy.”

her words only make the tears spill faster, flowing freely down your cheeks as you tremble beside her. the warmth of her touch is familiar, and it brings back memories of when you were sixteen, when she’d comfort you in moments just like this, when everything felt overwhelming.

“minji, i’m sorry,” you manage to choke out, your voice cracking with the weight of it all.

“it’s okay,” she whispers, her hand still rubbing soothing circles into your shoulder.

you hate how vulnerable you feel, especially in front of her. you’ve held it together for so long, keeping your emotions locked down since the breakup, since the whirlwind of your debut. but now, sitting here next to her, it feels impossible to keep pretending. the tears keep coming, and you sniffle quietly, wiping at your cheeks with the back of your hand.

even though her arm is still around you, and part of you craves that comfort, you can’t help but feel like you don’t deserve it. the guilt presses down on you, and you gently take her hand, holding it for a brief moment to savor the warmth before carefully removing her arm from around your shoulders. you don’t meet her gaze as you do it, but minji seems to understand, not saying a word.

“you haven’t eaten yet, have you?” she asks after a beat, her voice still soft but with a hint of concern.

“i’m not that hungry,” you reply, forcing yourself to focus on anything but the heaviness in your chest.

“not even for gummy snacks?” she teases, tilting her head slightly as she watches you.

her playful tone pulls a small smile from your lips. “maybe for those…”

—

the next few months go quite normally, though it took you a bit to fully open up to minji.

you're timid and reserved, but there’s a new warmth in the way you interact with minji. the tension that kept you two apart starts to fade during the activities that come with your debut. livestreams, music video shoots, and photoshoots become regular parts of your routine, each one pulling you and minji closer.

during livestreams, you and minji share laughter, trading playful jabs as you engage with the fans. the cameras capture genuine smiles that hint at the friendship creeping up to the surface. music video filming offers another chance for you two to joke around, using humor to ease the nerves that come with performing in front of the crew. 

you find comfort in those moments, the way your shoulders brush together as you wait. a cozy blanket drapes over the two of you, forcing you into close proximity. in those quiet moments, laughter spills from your lips, light and infectious, often unnoticed by the cameras. the bond between you deepens as you exchange jokes, the sound of your shared amusement weaving a thread of connection that feels both familiar and new.

photoshoots also lead to accidental closeness. whether it’s posing back-to-back or sharing a prop—or something much more heart-racing like minji putting her arm around you or your head ending up on her shoulder—you two frequently end up right next to each other, considering the fact that you two are the oldest of the bunch, and a popular duo. the laughter comes easily, her smile draws you in without fail, and soon you’re both cracking a bunch more jokes to distract from the awkwardness of the camera lenses. there was a stiffness in the curtain that separated you both, and as soon as it begins to fall the lingering chemistry starts to peek through again.

as time passes, the bond you share with minji deepens as well as with the other members. the lingering feelings you both carry remain tucked away, hidden in the trenches of your hearts and overshadowed by the growing friendship. you find some type of comfort in this new ‘normal.’ to be completely true to yourself, you’re just grateful for the connection that remind you both of the comfort you once shared. 

(for the most part, it stings sometimes, mostly late at night.)

dinner and practice felt natural again too, as easy as brushing your teeth or opening the blinds in the morning. being around minji no longer held that awkward tension; instead, it was a comfort, familiar and warm. the only thing that lingered was your admiration for her, something small that colored your interactions. 

(there were more nights that stung.)

at practice you’d see her greeting everyone with your favorite smile of hers, eyes crinkly and gums showing. she’d smile at you sweetly, maybe even sweeter than how she smiles at the others (but you could be delusional) then head on over to one corner to stretch. 

even the others would notice this, catching you while you’re stretching, hand on one foot reaching for it as you stare at minji through the mirror.

minji is sweaty, lifting her shirt a bit to wipe remnants of the rigorous choreo and giving you a peek of her abdomen. when she brings her shirt back down, your eyes go back to her face. she’s stunning, even after all that exercise and tiring movement. her hair sticks to her a bit, and she just looks so—

hanni pushes you over subtly, making you fall over and let out a weird noise that only she catches. you give her a glare and get up.

“you’re so annoying.”

“someone’s daydreaming a lot these days.” hanni’s right, you’ve been doing that far too often.

“just got a lot on my mind.”

“you’re always staring at minji.” hanni snickers, looking over at the oldest member. “bunnies have even caught you in the youtube videos.”

“they have?”

hanni laughs, helping you up on your feet. “people are calling you guys ‘parentz’ online.”

“w-what?”

“it’s kind of cute,” she grins, “it’s actually hilarious. dani and i were laughing at some clips last night.”

you scoff in response, nudging her with your shoulder and snickering after. minji catches the interaction from afar, eyes narrowing just barely when hanni pushes you again with a little more force, and eyes narrowing just a bit more when you push her back again and laugh.

—

minji hasn’t felt like herself lately, it’s been more than a week. there’s something about you that keeps her attention, especially now that you look stunning for the comeback. in the photoshoots and music video recordings for “super shy” and “new jeans,” you radiated beauty, and minji often tried to look away, but your adorable hairstyle was impossible to resist. she found herself playing with your hair whenever hyein, danielle, or haerin joined in, but only when they distracted you. she wouldn’t dare being the first to do so.

as you began shooting for the full album—not even music video shooting or for the photobooks, just in the booth recording the actual songs—minji was pulled in like sand drawn back into the ocean. she caught sight of you just before her turn to record, attempting to sneak up and surprise you, but you surprised her instead. walking out of the studio, you wore no makeup, your hair was clipped up messily, and a snug t-shirt and sweatpants hugged your form perfectly. 

(her eyes stayed on the curve of your torso for a little longer than she’d like to admit.)

minji froze for a moment, taking in how unraveled you looked; she was mesmerized.

“i didn’t think you’d be here early,” you said, your smile breaking her trance. 

minji felt her stomach twist.

“wanted to surprise you,” she replied, earning a bigger smile in return. “you sound good.” she added, biting back the urge to tell you how good you looked.

“did i? ugh, i don’t know; i think i can do better. i’ll work on adjustments tomorrow.” you sighed, a familiar hint of perfectionism creeping into your voice. minji had always found it strange how you saw flaws in everything you did, despite your talents. you’ve always been like that even when you were fifteen, sixteen, and during the time you two were trainees together. “i bet you’ll do lovely, though.” you add, shaking the topic of you off.

“you think too highly of me,” minji chuckled, shaking her head. “my range is kind of iffy.”

“your voice suits anything, minji. i like how deep it is. it’s nice to the ears, really soothing.” you shrugged, glancing at the cap she wore—a dark gray with pink lettering. a small smirk tugged at your lips, almost imperceptible, but minji noticed. you pinched the brim, lifting it slightly to reveal more of her face before turning it backward and letting it sit like that on her head, a few strands of hair poking out from under to cover her eyes.

“is this new?” you ask, your surprise evident. you move the hair away from her eyes and minji swears she feels her legs wobble.

“um,” minji stammered, caught off guard and blushing slightly. “yeah.”

“it’s cute,” you mumble softly. “fits you well. i’ll see you later? what do you want for dinner? i’m cooking for us tonight.”

“uh, i, um. anything the members want—ask hyein.”

“okay.” you smiled again, walking past her but pausing to give her shoulder a gentle pat. 

minji felt a rush of warmth from the brief contact, and as she stepped into the recording booth, she struggled to shake off the memory of your interaction. her mind lingered on your words and the way you looked at her, causing her to falter. the producer raised an eyebrow at her distraction, but once she shook it off, she found her rhythm, pouring her heart into the song.

—

if seeing you just after recording made her lose her balance, then just seeing you in every concept for the new album had completely swept her off her feet. 

for “cool with you,” the stylists had dressed the members similarly, all with flowy white outfits. however, each members look was different. everyone looked amazing, but the stylist seemed to pay a lot of attention to you—at least in minji’s eyes— because they did you great.

your makeup wasn’t all that strong, just simple eyeshadow, light blush, and faint lip product. still, you looked ethereal. it seemed like you had jumped out of a fairytale movie, even the cameras for the “behind-the-scenes” recording had caught her staring.

minji laughs awkwardly after catching the camera in her peripheral, smiling to hide how flustered she is.

“y/n looks very pretty, doesn’t she?” minji says, “everyone does. i think the concept suits everyone well.”

the camera is still on her, she starts talking about how she feels about the shoot and the album. then minji feels someone creep up from behind, putting both hands on her shoulders and making her jump up. she turns her head slightly to meet some of your features, your gaze on the camera in front of you gives minji a good look at the side of your face.

“hi everyone!” you wave to the camera, then turn to your left, meeting minji. “hi minji.” you say softly, almost adoringly—minji might be a little insane for thinking there’s even a hint of adoration in your tone.

“hi y/n.” 

“i like how they styled you,” you admit, “doesn’t she look wonderful?” you run your fingers through the hair falling down her shoulders. “your hair is so soft… ah, i love the accessories in your hair.”

minji tries her best to keep her cool, especially with the camera focused on both of you. you’re reaching out, playing with her clothes or gently tugging on strands of her hair. your fingers trace the edges of her accessories, and then, almost absentmindedly, you start to toy with her hands, admiring her nails like they’re the most fascinating thing in the world and boasting about it to your fans. at one point, your gaze locks with hers, and minji feels herself freeze for a second. your eyes are intense, filled with a warmth she can’t quite describe, something familiar and it makes her heart race. embarrassed, she laughs it off, looking away as though your compliments are nothing.

minji tries to return the favor, hoping to give you even a fraction of the feeling you’ve stirred in her. her knuckles brush lightly against your jaw, sending a soft tingle up your spine as she points out your earrings to the camera. her touch is brief, but intimate enough to make you hold your breath. then, without warning, you feel her fingers gently poking into your scalp, carefully lifting a section of your hair to admire its style. you don’t expect the sudden closeness, and your lips part slightly as heat rises to your cheeks. 

she catches the change in your expression and feels a little proud, her own heart fluttering at the sight of your blush.

“i was just telling ‘bunnies’ about your look for today. i think it’s really beautiful.”

“do you?”

“mhm,” she nods, “i bet you’ll look wonderful during the choreography too. i’m excited to see the monitoring.”

“haha,” you chuckle awkwardly, “thanks.”

the staff stops recording and shoots a thumbs up to you two, which lifts a weight of your shoulders.

you two don’t share a word for a moment. you can’t really look at her for some reason, and neither can she, but thankfully hyein joins in and starts admiring the both of you.

—

day two of shooting is simply hours of posing for the photobooth. you’re set up for group shots, then some solos.

as you’re doing your solo’s, danielle pops up from behind the camera and starts throwing compliments at you. 

“pretty girl~” she teases, “ooh la la~”

your stone-faced expression is replaced with amusement after the shoot ends. you let out the laughs you’ve been holding, getting up to teasingly hold onto danielle and then push her back. 

“you’re so annoying,” you joke, walking away from her. “you’re so lucky i was close to finishing the shoot, i wouldn’t have been able to go on after.”

“sorry y/n-ie.” she apologizes, “i couldn’t help it.”

you roll your eyes, catching the camera that’s recording the interaction and giving it a dumbfounded look. you pout playfully before danielle jumps to your side and smiles as she hangs onto your arm, both of you giggling like idiots.

minji, who’s watching from afar, accidentally frowns. hanni notices this, considering minji is supposed to be taking a picture of her so she can update on ‘phoning.’

“what’s with the sad face?”

“what?” minji focuses on hanni again instead of the scene going on behind the younger member, readjusting her hand. “it’s just my resting face.”

“you’re not even taking the pictures properly.”

“i– i was thinking of something.” minji shrugs, “look here, let me snap a picture.”

but hanni doesn’t look back at the camera, instead turning around to catch you and danielle giggling about something. then she looks back at minji, who’s also looking in the same direction again, frown present.

“did something happen with either of them?”

“no, it’s nothing.” minji sighs, “you turned your head while i was taking the picture, let’s redo–”

“you weren’t paying attention when you took it.”

“hanni–”

“what’s going on?” hanni asks, brows creasing slightly. “is it y/n?”

“it’s nothing.” minji says firmly, putting the phone down now and giving up. “i think i’m going to go use the restroom.”

“nuh uh, no you’re not.” hanni grabs her wrist, squaring up with minji. “c’mon, what’s up?”

minji pauses, words failing her as she tries to piece together how to explain what’s been gnawing at her for weeks. how does she tell hanni that she’s jealous, jealous of the easy way you and danielle flirt without thinking twice about it? how does she admit that you’ve never really left her mind, that she still wakes up some days with her heart aching for you, despite all her efforts to push the feelings down? minji wonders how she could possibly confess that she hasn’t fallen out of love with you—not even close. in fact, she’s only fallen deeper, drawn to this new version of you that she wasn’t around to witness grow.

it hurts, more than she lets on, that she’s missed out on so much of your life. the pain of being cut off so suddenly still lingers, but at the same time, she’s proud of the sacrifices you made to debut. and it stings even more that you debuted alongside her, the constant proximity stirring up emotions she thought she had buried. she’s spent so many nights alone, thinking about you, about the two of you, wondering what went wrong and what could have been different. 

hanni watches her, waiting for an answer, and minji shrugs, trying to mask the storm of emotions with something easier to swallow.  

“i just feel like y/n and i have this… rift, i guess. as friends, i mean.”

“i don’t see anything wrong between you two,” hanni replies, clearly unconvinced.

“i don’t know… she’s just so relaxed with everyone else, like with danielle. they act like they’ve known each other forever, but with me, it’s different. it feels like something’s changed.”

“are you jealous?”

“no! no,” minji says quickly, shaking her head, though her voice betrays a hint of uncertainty. “it’s not that. i just don’t want anything rocky between us. everything’s fine with the others, but with her… it’s complicated.”

hanni gives her a knowing look. “if it helps, i think she looks up to you a lot. you’re both the oldest, and i feel like there’s a different kind of pressure on you two. maybe she’s just intimidated by how amazing you are. she talks about you all the time when we hang out, and i’ve seen her look at you from across the room more than once. i think you two need to talk or something.”

“she looks at me?”

hanni rolls her eyes. “is that seriously the only thing you took from that? you’re impossible.”

minji blushes, a quiet laugh escaping her, but hanni’s words stick with her. “no, but seriously,” hanni continues, “we’ve had some deep talks, a lot actually. she’s mentioned being scared that she’s not as good as you. she thinks you’re way out of her league, like you set this standard that’s hard to meet.”

minji’s quiet, the weight of hanni’s words sinking in. she glances over and catches your eye from across the room, both of you pausing for a split second before you smile. it’s a small, soft smile, the kind that leaves minji’s heart racing. she quickly looks away, flustered.

“i guess i’ll talk to her,” minji says, her voice softer now.

“you should. i mean, i’m not her, but that’s just my two cents—or won or whatever. you get what i mean.”

minji bites the inside of her lip, nodding slightly as she mulls over the thought of actually talking to you. it’s long overdue. too many things were left unsaid when you ended things, even the apology you gave her before debut didn’t cover it all. but the idea of confronting it all, of putting herself in that vulnerable position again, is terrifying.

maybe after the shoots, after the performances, after the album drops, she tells herself. more time to stall, more time to watch you from a distance, more time to get lost in her own confusion. 

—

promotions aren’t done yet, but you’re close. you’ve just gotten back to korea after performing at lollapalooza, a memory that’ll surely be engraved in your mind.

as fun as it was, you’re exhausted, exhausted from everything and how often you were being put near minji. 

as soon as you get back to the dorms, exhaustion pulls you straight to your bed. you barely make it onto the mattress before you collapse, landing flat on your back. your eyes are heavy from the long day of shooting for the ‘newjeans’ youtube channel, and within seconds, you drift off into sleep, your body giving in completely.

but when you wake up, you’re not in your bed anymore.

the air feels different, the scenery unfamiliar yet somehow recognizable. you blink, disoriented, as you take in the street around you. it feels like a memory—one deeply embedded in your mind. you look down and see your pinky linked with someone else’s, the warmth of their hand anchoring you. confused, you follow the connection, eyes tracing up their arm to their face. at first, the features are blurry, making you squint. and then it hits you, as clear as day.

it’s minji, but not the minji you know now. it’s sixteen-year-old minji.

your heart stutters in your chest. she looks exactly as she did back then, her bright smile lighting up her face. her eyes are wide and full of life, just like you remember from the night market where everything between you had changed. the place where you’d confessed to each other, turning a casual hangout into an unplanned first date.

“what’s wrong? you look a little pale,” minji says, tilting her head in concern, but there’s a playful lilt to her voice.

“minji?” you manage to say, your voice wavering. “what’s going on? you—this—”

“y/n, why are you acting weird?” she laughs softly, her hand sliding into yours, fingers intertwining easily. her thumb brushes lightly against your skin, a touch so familiar it makes your heart ache. “did you skip a meal again? i told you to eat before we came out here.”

her words are like a time capsule, pulling you back to when she’d always remind you to eat. even when she was drowning in her own trainee schedule, she’d send texts making sure you were taking care of yourself. back then, you were just friends. or maybe more, even if you didn’t want to admit it.

“i—i have to go,” you stammer, your chest tightening as panic floods your system.

“again?” her smile fades into a frown, brows knitting in confusion as you pull your hand away from hers. “you’re leaving again? without explaining?”

“what?” your voice cracks.

“you’re always leaving me,” she says, her tone dropping. “are you ever going to stop?”

“minji,” you whisper, shutting your eyes against the guilt that washes over you. the regret is palpable, twisting in your stomach. “i didn’t want to, but i had to.”

when you open your eyes again, you’re somewhere else. the market is gone, and you’re left disoriented once more, thrown into another unfamiliar scene.

you’re on a couch now, rubbing your eyes as you sit up. the air smells sweet, like pancakes. your favorite—sundays at home, topped with fresh maple syrup. the scent guides you into the kitchen, where a girl is standing at the stove, her back turned to you. long, dark hair, pajama pants, a loose t-shirt.

she turns, and your heart nearly stops again. it’s minji.

but this time, she’s not sixteen. she’s the age she should be. the present minji. your minji.

“you alright, love?” she asks, concern in her voice as she turns the stove down and sets the spatula aside. she walks over, fingers gently fixing your messy bedhead. “bad nap?”

her touch is soft, her presence warm. she cups your cheek with one hand, her thumb brushing against your skin. “you looked a little shaken up.”

“i’m… no, i’m okay,” you lie, leaning into her touch for just a second. your eyes drift past her, trying to ground yourself. “are you making pancakes?”

“yeah,” she says shyly, her lips curling into a soft smile. “you mentioned missing home, so i thought i’d surprise you.” she presses a light kiss to the tip of your nose. “there’s a batch ready for you.”

“thank you,” you murmur, the words barely leaving your lips as a lump forms in your throat.

“anything for you, baby.” she takes your hand, leading you toward the stove where a plate sits—two pancakes perfectly stacked with raspberries and syrup. it’s thoughtful. so minji. 

you love this, you love her. you never stopped loving her, you couldn’t ever do that. but instead of feeling warmth, you feel a pit growing in your stomach. something’s not right.

“this isn’t right,” you say, voice trembling as you put the plate down.

minji blinks, tilting her head in confusion. “what’s wrong? is it the pancakes?”

“not the pancakes,” you say, stepping back, your hands shaking. “this. none of this.”

she moves closer, concern deepening in her eyes, but you instinctively back away.

“y/n, what are you talking about?”

“this isn’t real,” you choke out, your voice breaking. “i don’t deserve this. minji, i broke up with you. this never happened.”

a tear slides down your cheek, your lip quivering uncontrollably as the weight of your words sinks in. “i’m sorry, minji. i’m so, so sorry. i keep doing this to you. i’m so sorry… i love you so much.”

minji’s expression mirrors the heartbreak from that day—the day you stood at her door, delivering the news that shattered everything between you. the pain you inflicted on her then, it’s all here now, reflected in her eyes.

before she can say anything, you turn, running toward the door, heart pounding in your chest.

…

you shoot up in bed, gasping for air. it takes a few moments before you realize where you are. blinking rapidly, you rub your eyes, trying to ground yourself in reality. you grab your phone, checking the notifications—something from your mom, and a random emoji from haerin in the group chat.

this is real. you're awake. it was just a dream.

it's one in the morning, and you're sitting on the edge of your bed, face buried in your hands. your eyes are shut tightly, trying to suppress the emotions that are threatening to surface. after a deep breath, you force yourself to stand, legs feeling unsteady but somehow keeping your balance. you make your way to the bathroom, turning on the light, squinting as the brightness stings your eyes. you splash cold water onto your face, hoping to snap yourself out of the lingering shock. you stare into the mirror and the reflection looking back is someone you barely recognize—someone you can’t stand. your breath shakes, your brows furrow, and you hastily wipe the water from your face before switching off the light and heading toward the living room.

you stop in the kitchen first. grabbing a glass from the cabinet, your fingers hesitate when you realize it's the one minji gifted you for your first birthday together in the group. the memory flashes in your mind—you remember the shock on your face being caught on live stream, eyes wide when she handed you a clear glass with your favorite cartoon character on it. you can almost hear the laughter from that moment, but now it just feels heavy in your hands. 

you fill the glass with water and take a sip, catching your distorted reflection in the stainless steel of the fridge. your hair’s a mess, faint lines under your eyes telling you that sleep hasn’t been kind. you lean your forehead against the cool surface of the fridge, closing your eyes and sighing deeply as exhaustion sets in even deeper.

"are you okay?" a voice comes from behind, making you jump and spill a bit of water onto the floor.

it’s minji—of course it’s minji.

"woah, hey, let me help you clean that—" she steps forward, concerned.

"i’m fine," you lie, shaking your head, waving her away as you kneel down to clean the small spill. "it’s just a few drops, don’t worry." you place the glass on the counter and grab the nearest paper towel, crouching down to wipe the floor quickly, feeling her eyes on you the entire time.

minji watches you closely, her expression soft yet concerned, taking in your restless, frantic movements.

"are you sure you’re alright?" she asks again, voice low, gentle.

"yeah," you breathe out quietly, still not meeting her gaze.

"why are you up this late?" she presses, stepping a little closer, her presence warm but heavy with concern.

you straighten up, tossing the paper towel in the trash. "i just had a… a strange dream."

"nightmare?" she asks softly, tilting her head.

"something like that." you try to brush it off, but you’re too tired to put much effort into sounding convincing. minji watches as you trudge over to the couch, your body language saying more than your words. you sit heavily, sipping your water before setting the glass down on the coffee table. leaning back against the cushions, you close your eyes, trying to sink into the silence, but it doesn’t bring comfort.

minji follows, sitting a few feet away, watching you, clearly wanting to understand. she can tell something’s off. "y/n," she says softly, her voice coaxing your eyes open, "is everything okay?"

you don’t respond right away, instead turning your head slightly to look at her. there’s something vulnerable in your eyes, a longing, a quiet ache. but you sigh, closing your eyes again, trying to swallow it all down.

"i’m sorry," you whisper after a beat.

"for what?" minji asks gently, scooting closer to you, her hand hovering over yours as if she’s not sure whether to reach for you or not.

"everything," you mutter, voice thick with regret. "minji, i’m sorry for everything."

she shifts even closer now, her hand softly covering yours, her thumb brushing lightly against your skin. "is this about…" she trails off, already knowing what you’re referring to.

"yeah," you say quietly, eyes still closed, voice tight. "i’m sorry. i’m so sorry." your voice breaks, and you finally open your eyes, but you can’t look at her. "you didn’t deserve what i did. i’m sorry i debuted with you, i’m sorry for all of it. god, minji, i’m so sorry."

"y/n," she breathes out softly, her hand gripping yours a little tighter now. "we were young. we didn’t know—"

"i didn’t want to break up with you," you blurt out, cutting her off. "my company… they saw my lockscreen. i’m so stupid. they made me break your heart." the words spill out, your voice raw and trembling. "you were never a burden. i never stopped loving you. seeing you now, after all this time, you’ve grown into this incredible person, and i… i can’t stop loving you. it’s killing me. i don’t deserve to love you after what i did. i tried to push it down, but i can’t. i hate myself for it." your breath catches in your throat, tears welling up as you force yourself to keep talking. "you’re so perfect. you’re everything i could never be."

"y/n, stop," minji pleads, her voice thick with emotion, but you pull your hand away, retreating from her touch.

"no, you don’t get it," you say, shaking your head. "you’re perfect, minji. i’m being compared to you every day, and i’m nothing like you. you’re the role model, you’re everything the group needs. and i’m just… i’m an asshole. i tried so hard to keep things casual, to pretend i was fine, but i’m not. i’m not fine. i’m still so in love with you that it hurts." you pause, voice faltering, barely holding it together. "i’m sorry. i’m so, so sorry."

minji’s eyes fill with tears as she listens, her heart clearly breaking for you, for everything you’ve carried alone. she tries to pull you in again, to comfort you, but you push her away one last time, unable to accept the closeness.

and she doesn’t push further. she just watches, her heart breaking alongside yours.

a tear slips from her eyes, she’s looking at your trembling body and unstoppable flow of tears. minji shakes her head, opting for holding your hands instead, her fingers brushing against your knuckles.

“y/n, do you remember what i told you before?”

“what?”

“y/n i hated you for a good amount of time. but time made me realize that we were both just trying to reach our dreams, and if that meant you sacrificing us, then… i support you. i did support you. that never stopped me from loving you either.”

you stay silent and look at her through tear lined eyes.

“i tried to push down a lot, and it hurts to see that you’re hurting from doing the same thing as me. as your member, as your friend, and… as someone who loves you beyond measure: i don’t want you to hurt anymore. it’s okay, y/n, it’s okay.”

you let her pull you in this time, her tears stain your hair and her arms wrap around you so warmly that all you can do is succumb to the tenderness. you sob into her shoulder, muttering at least three more “i’m sorry’s” into her.

“y/n, what i said before still goes. ‘i love you. i love you when i’m exhausted from practice, i love you when i’m stressed over exams, i love you when we only have a few minutes together… i love you every moment of every day.’ i never stopped loving you ever.” 

the memory echoes in your head, replaying the two times minji said it—both sincere, both heart-wrenching. you feel a little less terrible when her hands begin rubbing your back in slow, soothing circles. you can hear the slight crack in her voice, the way she tries to stay strong for you because that’s who she is—someone who always holds it together for everyone else. 

(“are you okay?” you’d asked her once, catching that brief shift in her expression, the kind she tried to hide. 

you took a better look at her that day, noticing the dark circles under her eyes, the slight lag in her movements, like she was carrying something heavy. it took her a few seconds to force a smile, nodding as if everything was fine.

“yeah, sorry,” she said casually, quickly turning her attention back to her food. “just thinking.”

“minji,” you said her name softly, reaching out to place your hand over hers. she looked up at you, a little surprised, her cheeks flushing slightly. “tell me what’s going on.”

“it’s fine, i—” she started, but you cut her off with a raised brow, your expression making her shrink a little under your gaze. the warm glow of the restaurant’s evening lights illuminated her features, the soft orange hue catching the tiredness in her eyes. she pursed her lips, letting out a small sigh before admitting, “everything’s been really difficult lately. i’m losing energy. i feel like i’m not doing well. it’s just… i wish you could be there with me more. thinking about you is what gets me through practice. knowing i’ll see you, even just once or twice a week, pushes me to keep going.”

you didn’t say anything at first, just pushed your bowl of noodles across the table towards her before standing up and sitting beside her instead of across. she looked at you, confused, but you reached for her hand again, holding it in both of yours as you gazed at her with all the love and understanding you felt.

“you’re always doing great, minji. no one’s doing it like you,” you said, voice soft but certain.

“really?” her voice was small, like she wasn’t sure if she should believe you.

“of course,” you reassured her, leaning in to press a gentle kiss to the side of her head before pulling back. “i’ve been feeling the same way. just the thought of you keeps me going. let’s be each other’s push, okay?”

minji’s face softened, her lips curving into a small smile. she nodded before leaning in and pressing a tender kiss to your lips.

“okay,” she whispered.) 

as you sit here now, her hands still rubbing comforting circles on your back, the memory feels bittersweet. she’s always been there for you, even when you couldn’t be there for her.

minji holds you close, her arms tight around you like she’s afraid you’ll slip away if she lets go. you bury your face deeper into the crook of her neck, your own arms wrapped around her, clinging like she’s your anchor.

“you’ve always been my push,” minji says softly, her voice barely above a whisper. “that’s never changed.”

she pulls back gently, lifting your head and brushing away the strands of hair that have stuck to your tear-streaked face. her own eyes are glassy, but she smiles through the tears, looking at you in a way that makes her feel exposed, vulnerable—like she’s seeing you for the first time all over again.

“can we try again?” you ask, voice trembling with hope and hesitation.

she blinks, heart racing. the weight of your question settles in the air, heavy and fragile. 

“of course,” she whispers, her voice cracking. “that’s all i’ve wanted.”

time seems to freeze, the air still around you as your eyes lock. it feels like you’re both sixteen again, standing in that alleyway after a long night at the street market, except this time it’s different. now you’re on the couch, in the dorm you both share because you made it—you both made it. you two achieved your dreams. but there’s always been something missing: each other.

minji cups your cheek, just like she did back then, but her touch is softer now, more tender, more vulnerable. her thumb strokes your skin as she leans in slowly, her eyes fluttering shut before her lips meet yours. it’s gentle, delicate, like she’s afraid you’ll crumble under the weight of her affection. your hand instinctively moves to rest atop hers, feeling the warmth of her knuckles against your cold skin. the kiss is soft, laced with the remnants of tears, but somehow it tastes sweet. everything you’ve been holding onto—all the fear, all the doubt—seems to melt away in that moment.

you pull back first, though only just. your lips hover near hers, close enough to feel her breath.

“i love you, minji,” you say, voice low but firm. “i’m never going to make you doubt that again.”

her eyes soften, and she brings her hand to the nape of your neck, pulling you in again. “i love you too, y/n,” she whispers, before pressing her lips to yours once more, this time with a little more certainty, a little more sweetness. like you’ve both finally found what you’ve been missing.

—

hyein stumbles into the living room, rubbing her eyes, not fully awake yet. she groans, dragging her feet toward the kitchen, but stops mid-step when she spots two familiar heads peeking out from the couch. her sleepy eyes narrow as she tries to make sense of what she’s seeing. the sight takes a moment to register, and when it finally does, a sleepy smile creeps onto her face.

you and minji are tangled together on the couch in what looks like an awkward but oddly comfortable position. your head is resting on her shoulder, one arm lazily draped over her, your hand clasped loosely with hers. minji’s other arm is wrapped around you protectively, her head tilted at an angle that looks uncomfortable, but somehow it balances out with the way yours is twisted. the corner of the couch has you two nestled in tight, looking cozy in your pajamas, mouths parted slightly, both of your eyes a little puffy from sleep—a little too puffy to be from sleep. hyein stares, completely baffled at how you both ended up like this.

haerin is the next to wake up, and she spots hyein standing by the couch, phone in hand, snapping a picture. haerin yawns as she saunters over, her head tilting like a curious cat when she catches sight of you two. her brows furrow, and before she can even ask, your head slips, falling from minji’s shoulder and landing in her lap. your torso twists in an awkward, almost painful-looking angle, but minji instinctively shifts, scooting over to make room and pulling you closer, making sure you’re both comfortable without even waking up.

"what’s with them?" haerin asks, her voice low and groggy, her eyes narrowing at her oldest members.

"dunno," hyein shrugs, amused. "i’ve never seen them this close."

"me neither."

before they can figure out what’s going on, hanni and danielle stroll in, spotting the younger girls gathered by the couch. curiosity piqued, they walk over to see what’s going on, and as soon as they do, their eyes widen in surprise. a grin spreads across hanni’s face, and she wastes no time whipping out her phone to capture the moment. she quickly airdrops the photo to danielle, who giggles as she looks down at her phone, eyes twinkling with mischief.

"what’s up with the parents?" hanni teases, barely able to hold back a laugh.

"parents?" haerin repeats, raising an eyebrow.

"just look at them."

you and minji remain tangled together, still sound asleep despite the odd position, yet somehow, you both look peaceful, like it’s the most natural thing in the world. your head rests in minji’s lap now, her hand still protectively holding yours, the two of you fitting together as if you’ve always been like this.

hyein and haerin exchange glances, amused but confused, while hanni and danielle quietly snicker like children who’ve stumbled onto something they weren’t supposed to see.

—

the next few weeks with promotions still going on postpones the time you get to explain everything to your members. but eventually you and minji sit down with them in the living room, going over the whole timeline of events and earning a variety of reactions.

your members gather around, all seated in the living room, eyes trained on you and minji. there’s a tense sort of anticipation in the air, the kind that comes with heavy conversations. you and minji exchange a glance before diving into the timeline of everything— how it started, how it fell apart, and now, how you’ve found your way back to each other. each word feels like you’re lifting a piece of the weight that’s been suffocating you both for so long.

the reactions from your members are immediate. there are lots of “ohhhh”s and “ahhhhs” as they start piecing things together, understanding slowly dawning on their faces. you see nods of realization, and even though some of the details are painful, they listen intently, faces softened with sympathy. they admit they’d sensed something was off but had never wanted to pry, giving you both the space they thought you needed. now, knowing the full story, their expressions shift to one of collective empathy, eyes filled with a kind of pity and concern.

you and minji sit close, your hands intertwined, a subtle reassurance to each other that it’s okay to finally share this. as you speak, minji’s thumb rubs gentle circles against your skin, grounding you when the memories become too much. the frowns deepen as you recount the harder parts—the breakup, the misunderstandings, and the silent pain you both carried alone. but there’s also relief. it’s evident in the way your members nod along, like everything makes sense now. they’ve always had your backs, and now it feels like they’re rooting for you even harder.

"we never wanted to push," hanni finally says, her voice soft, almost apologetic. "we figured you two just needed time."

danielle nods along, her eyes a little glossy, while haerin sits quietly, processing it all. hyein, surprisingly, offers a small smile, "i’m glad you guys worked it out."

you and minji exchange another look, this time a lighter one. something close to peace settles over you both, like a burden’s been lifted now that the truth is out there. it feels good to be understood, to no longer have to hide the past or the pain from the people closest to you.

this isn’t like before—and that’s a good thing. there’s no going back to what was, because now you’re both different, stronger, and this version of “normal” is something you’d choose over and over again. you’ll grow alongside minji, hand in hand, side by side, and she’ll be growing with you too.

you wouldn’t trade anything in the world for this.

—-

"you called?"

“texted, but close enough,” you respond with a smirk. minji rolls her eyes playfully before plopping onto your bed, looking at you curiously. 

“did you need something?” she asks, her voice soft but carrying a hint of amusement.

“i just remembered something,” you say, moving toward the bed. “i wanted to show you it—give it to you before your shoot. you said you had to leave in twenty, right? well, i found this while i was organizing things."

“what is it?” she asks, her curiosity piqued. her eyes follow your movements as you crouch down, pulling a slightly worn shoe box from under the bed.

you smile as you open the lid, revealing a collection of small mementos—photos, letters, and trinkets that instantly stir up memories for both of you. minji leans closer, her eyes widening slightly when she recognizes some of the items.

“i never threw anything out,” you explain, voice tinged with a hint of nostalgia. “i couldn’t. i remember you gave me two copies of this because you couldn’t keep one at your place while we were both trainees. i’ve always kept it… never really looked at it after everything, though… after i…”

your voice trails off, the weight of that unfinished sentence hanging in the air. minji, understanding without needing an explanation, moves from the bed and sits beside you on the floor. her shoulder presses against yours, a silent comfort.

you reach into the box, pulling out a photo strip. it’s from one of your dates, back when things were simpler, when everything felt new. you flip it over, revealing four small photos in sequence. the first has your cheeks pressed together, wide smiles on both your faces. in the second, you’re both forming a heart with your hands. the third shows minji kissing your cheek, and the last one has you kissing hers. your smile deepens as you hand it to her.

minji stares at the strip, her fingers lightly tracing the edges of the photos. her expression softens, caught between disbelief and tenderness. you two were so young back then, but the love captured in the pictures is unmistakable—just like the love that still exists between you now. she glances at you, her gaze full of warmth.

“now you can keep it,” you say, voice gentle, “without worrying about anyone taking it from you.”

“y/n…” minji whispers, her voice so quiet, so filled with awe. she hugs you tightly, and before you know it, she's covering your face with kisses, one after the other, until finally, she presses her lips to yours in a long, tender kiss that feels like everything you've been holding back for so long.

“i seriously love you so much,” she breathes out when she pulls away, her forehead resting against yours.

“i love you more,” you reply, grinning.

“more than timbits?” she teases, raising a brow.

you giggle, poking her cheek. “don’t get ahead of yourself now.”

[crimeronan]

i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!

(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)

listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.

but the things discussed in the post Can and Should improve your execution!

you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it

BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.

so i have outlined some basic important concepts about polyamory.

MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun

future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.

i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)

sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.

here we go:

compersion!

compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.

compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.

by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.

i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.

it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.

(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)

if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.

metamours!

a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.

the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.

there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.

the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."

(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)

of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)

open versus closed polyamorous relationships!

i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown

google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).

this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.

an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.

some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!

with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.

i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.

feelings for multiple people!

i was gonna tack this on to the previous section but decided it warranted its own lil bit.

a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.

this is perfectly fine!

the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.

for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"

some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!

some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)

or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)

i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.

like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?

that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it

alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?

it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.

i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad

first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:

how does each pair act when alone?

how do they act differently alone compared to when they're with their third partner?

are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?

if so, what are they?

are there any boundaries or hard limits within this dyad that aren't shared with the third partner?

if so, what are they?

partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?

(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)

what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?

what problem do These Two Specifically need to solve in the story before their relationship will work?

how is that problem DIFFERENT from the problems being solved within the other two dyads?

doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.

those questions should be enough to get you started, i hope

then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?

but the main goal is to figure out how to Differentiate each relationship!

a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.

(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")

AND FINALLY.

if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)

you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.

polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.

seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.

in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.

[dumb-butch-syndrome]

thanks for the thoughtful reply!

I'm not a professional artist so idk if I have enough skin in this game to give a properly considered answer (and I don't really want to speak for those who do), but to my understanding, calling generative AI plagiaristic comes from that place of them being by design incapable of providing attribution, regardless of how strongly their outputs are influenced by a specific artist. A human artist will typically know when it's appropriate to credit another artist with style / substance / etc. inspiration for one of their pieces and can provide attribution when appropriate. Generative AI has no way of knowing how heavily a specific artist's work has influenced its outputs because of the way a trained model works, so can't give attribution even if it's relevant or necessary.

When I added those tags, OP hadn't added the follow-ups that they were talking about copyright law, and I was looking at plagiarism from an academic standpoint rather than a legal one. In that framing I do still think plagiarism is a decent term for what these models do with their input data, if only because we don't currently have a more accurate word for the specific kind of large-scale impersonal unattributed use of other people's work that generative AI relies on. I don't know enough about copyright law (especially US copyright law, which I assume is what OP is talking about) to really have an opinion on that aspect.

The definition of "plagiarism" and "copying" being changed from "copying verbatim someone else's work" to "creating an entirely new never-seen-before piece of work with input from a tool that may have at one point read metadata about someone else's work" is such insane obvious batshit overreach, but people are repeating it as if it's a given just because it gives them a reason to hate the fucking machines.

So done with this conversation. After a year of trying to explain this stuff to people nicely I am just completely done with it.

[telanadasvhenan]

thinking more about the psychological aspect of solavellan, and before I start, I'd like to stress that this is NOT CRITICAL of it, I actually think it's what makes part of the dynamic interesting. My word isn't the be all and end all, however, this is just my musings on the topic :] Also, REALLY long post! so, more under the read more lol

From Lavellan's point of view, I would personally struggle to see her trusting another lover or close one again for a long time, if ever again. I don't really think people ever talk about the real impact of the things she goes through, or what solas put her through, and the hurt as a result of it. The relationship is never defined between the two of them, it's always spoken about in vague undetermined words from their companions and poetic elvish between the two of them. Are they lovers? companions? partners? it's really up to the player. Leliana says that "you were close", Sera says Lavellan is "in it." Vhenan means home, heart, it's not a word said lightly imo and he tells you he loves her by their second kiss. It's never an official thing, so how secure can Lavellan truly feel?

This could go both ways when it comes to the break up. Crestwood, as a scene, is so interesting to me because the first portion seems like a man brought to his knees by weakness for the woman he loves. The two of them never cease to touch, fingers entwined, shoulders brushing, skin to skin. It's so reminiscent of how Lavellan matches his Hallelujah cadence. They're two parts of a song singing together. It's a gorgeous scene and it's understandable how so many are angry at how it ends because the whiplash between how it starts and what it leaves you with is severe. Imagine this from lavellan's shoes.

You're desperately in love with someone at odds with your people, who is wonderful and enticing and smart. Loving solas feels like loving the whole world, like being free and connected with the stars. But you don't know what this is. And, if you thought you did, how far can you presume? Is Lavellan always on edge, scared to love him deeper and richer than he loves her? or is she in a false sense of security, assuming his affection is forever hers. So when he not only breaks away your faith and trust in your history, plus potentially the vallaslin, she is clearly deeply upset. This isn't a minor fact that simply can be swept aside. The vallaslin is important. And Solas, even with the best intentions, has hurt her. He knows it and there's a reason why he apologises (bc he wimped out on the real truth). How much more does he know about her people that he has refused to tell her or kept from her by omission? Can you imagine the embarrassment, the utter humiliation of that secret? how many memories of them together where she replays his distaste for her people in her mind, knowing that he has access to knowledge that could change her perception of her past? Its ALOT. and thats even before the breakup.

Solas is not kind about the break up. It's rushed (impulsive to me) and doesn't do their connection justice. His composure cracks in places and it's very unlike him. It absolutely blindsides the player, so imagine being in Lavellan's place, AFTER THE VALLASLIN? personally, I wouldn't have been able to function. I half suspect that a sad, calm Lavellan is also in shock or disassociation. Because how else do you cope? The lack of communication between them alone is enough to raise my eyebrows. He promises answers. He confides that she saw through his mask and doesn't tell her what was real, and what was fake. He has given her a kernel truth whilst keeping her in the dark. Everything he told her could be a false, imaginary polite mask or it could be the truth. Where does it end? Where does he begin? Where does she stand?

I don't know if everyone has experienced what it's like to be ghosted or for a friend to simply disappear one day, but it changes you. I say this as someone who has both been avoidant as well as anxious, but you never recover. Someone disappearing like that makes you doubt any reassurance that people won't just evaporate from your life. So when Solas just disappears, the game's single conversation with Leliana feels a little lacking to me. I understand that they can't really dedicate a lot to it, I get that, so I'd like to fill it in. At first, it's search parties. Solas wouldn't just leave her like that. He promised her answers. He started another mural just before they left for corypheus. He didn't intend to just leave, surely.

Days, weeks and months pass. The question is worse than the truth. Is he dead? Did he use them? Was he being truthful when he spoke to her in those ruins, or another polite mask he could hide behind? Is it better if he's dead or better than he didn't deem her worthy enough to even say goodbye? We, as the players, obviously know this isn't true, but she doesn't know that. Does your lavellan assume the worst and be overcome with grief that her one love, her heart, her home, was nothing more than a lie of omission? or is there anger there at his betrayal of her trust once more? I seriously doubt it was easy to forget or dismiss. That kind of disappearance ruins your trust with people. Something. Anything would have been enough.

Again, this is all my opinion on how these emotions would play out and DEFINITELY NOT canon nor do they have to be! But I seriously struggle to see how Lavellan could even come to heal from these wounds within even a two year time skip. By the time of trespasser, almost everyone has left her side. She's almost entirely alone again, save Cullen and Josie (and leliana if she's not divine). And thats okay: they all have rich lives to return to. But that must just reaffirm to her that no one will stay. She is alone. How does she trust again?

And then there is Fen'harel. Lavellan's reaction to fen'harel has always lacked the fear I kind of hoped would be there? I mean this isn't just a minor deity, this IS THE antagonist of her entire faith. I'm assuming that she's lost hope in the gods, even though it's confirmed to her that they're real, but that message has been a part of her since childhood. So learning that he is the dreadwolf, again not from him, but from the fragments of his past must cut her deeply.

Her love was never who he said he was, she knows this, but who is the real man? She's never known him in a context where he can truly show her. Her love is fragmented between each identity he holds. Her trust that he is who he said he is fragments with it. The knowledge that not only has he been watching the inquisition, her, for years without a single hint that he lives or is okay must destroy her. Could you imagine how insignificant you must feel to him? And he essentially affirms to her that yes, in the greater scheme of things, his love and hers are inconsequential. They cannot matter to him because he cannot strive from his path. His indulgence was a mistake. And it's undeniably cruel. I love solas and I cannot argue that he was kind to Lavellan because he wasn't. To me, there is no way to see his actions as kind. Understandable, absolutely and definitely without malicious intent.

Lavellan learns that he loved her just as deeply, if not more. He loved her with all his heart and it did not matter. She changed him and it has only brought him more pain. He loves her too much to even allow her near him, to even give himself that weakness. They are apart from each other in an endless distance, only the two of them in the world. No one else.

Obviously, each Lavellan is different, and I've made a lot of assumptions, but I think it's worth considering. How do you love someone again after all of that? How much can you rebuild your faith after what you have learnt. Lavellan has loved a "god" (I know he's not a god, but for all intents and purposes, he has the power of a god and wears an evanuris crown.) and in turn, a god has loved her. And he left her with one last embrace that will leave its mark on her forever, then he leaves once more. Lavellan is alone.

Each love after is met with suspicion, distrust and comparison. Lavellan is entirely changed. How many pieces of her can be taken away until she is no longer herself? Each person wears a new mask she cannot determine. Where do they begin? Where can she find herself?

How lonely it must be to love someone like Solas and be at the other side of an endless distance.

[wizardnuke]

look me in the eyeballs. astrid and caleb (imo wulf is a slightly different story but that's another post) are textually, canonically narrative foils. i think a better, less literary term-y way to put it is that they're variations on the same person. like. canonically. astrid is caleb if he didn't fail the training. caleb is astrid if she got out. they're like if you took one person and laid out two seperate options on how they would react to a major life-changing incident (hmm. i wonder what that might be in this context). astrid. caleb. they look at each other and see themselves. caleb is alright with this. astrid was holding on for her life for a little bit, trying not to lose her shit, because. he is who she would be if she was free and she figures that out during c2 yknow. caleb always knew that he was almost astrid so he just had to. like. look at this woman he loves dearly and fucking. wretchedly. and cope with the fact that 1. he loves her 2. she's awful 3. she could be so much better than she is 4. she's too far gone for that. but he's been coping for a long time, and she's not unreachable she's just. she's never gonna be him. meanwhile she has to grapple with the fact that she will never be as free as him- i don't know if she really wants to be, but he's proof that her life didn't need to go the way that it did and that's brutal. anyway. they're the same guy. it is so so important to consider that in relation to the dynamic they have going on. is this mic on

[seraphdesire]

Regarding Donna Beneviento and her characterisation in the fandom, I think it's important to note that she really isn't the shy awkward adorable blushing mess that everyone depicts her as being.

This got long but I did a mildly extensive read on her character under the break! :)

Here are the notes I took a screencap of, written by Mother Miranda, which talks about the suitability of Donna being a vessel for Eva:

There's the evidence you need that she is severely mentally ill, so babying her just feels... wrong anyway, all things considered.

Note - "and has divided her Cadou among her dolls in order to control them from a distance." While I'm on my 3rd replay of re8 I still don't fully get how the Cadou works, but what I think is essentially happening is Donna is literally splitting off parts of herself and putting them in her dolls.

The main one being Angie, of course.

I always used to consider Angie a separate character entirely but she's linked deeply to Donna on a very personal level. Considering what she's like and what all the other dolls are like - loud, funny, sarcastic, rude, etc - and how Donna is literally the one directly controlling Angie (that's the only way she moves lol, because Donna is carrying her places. Which is also why, when you kill Angie, the illusion melts away to reveal that you've actually killed Donna), I think it's safe to say that's what her actual personality is like.

Also, her only spoken line of dialogue? Please listen to it. For those who are hard of hearing, like me, she says: "don't leave... I can't let you."

Bearing in mind the way she speaks? Her tone? She sounds confident imo. Determined. And perhaps even a little angry at Ethan for thinking he can escape her.

Just a last addition as well, can I say that her abilities as one of the Four Lourds is genuinely evil? Everyone else has physical intimidation - Alcina has her height and her claws and mutation, Heisenberg has his ability to control magnetic fields and metal, and Moreau can mutate into that huge fish-with-legs thing that vomits something akin to acid? Oh yeah and he can swallow you whole too.

Donna, on the other hand, doesn't have physical intimidation like that. She only has the threat of psychological damage (which makes sense considering she's severely mentally unwell). When Ethan goes through her gardens and has to solve the puzzles in the house, she makes him hallucinate about his wife whom he thinks is dead, and about his baby who is somewhere in this unknown country with a bunch of mutants who only have bad intentions.

It's even worse in the Shadows of Rose DLC imo. As Rose, Donna makes her hallucinate the bullies from back home, being called a freak and a weirdo, made to relive the worst moments of her life. And the puzzles too? Hell. Having to actually recreate the scenes of her bullying with wooden fucking dolls. I remember feeling really sorry for Rose while playing through that part.

And yet Donna is still "the uwu baby" because what? I don't know. People love to declaw female villains just because they're attractive (looking at Lady Dimitrescu here). They love to reduce the characters down to their looks and not consider their actual lore or background or the role they play in the franchise (looking at Leon especially...)

Which, ya know, of course people are allowed their headcanons for characters and Donna doesn't get enough screentime to really have her personality even thought of, let alone to be made canon. But I think it's fair to say that Angie and Donna are basically one and the same because they're literally the same Cadou.

This is a quick reminder that you are, of course, allowed to disagree with me. Everyone has their own opinions and that's fine. If you would like to politely debate about this in my comments or in my DMs, or even in my asks, then you're more than welcome to! Please remember debating and arguing are two different things though.

If it really irks you that bad then please scroll, it's not hard. If you don't want to do that then feel free to block me - the button is free of charge after all and should be used more to cultivate your feed to your liking.

[xo-edwinspaynes]

My Case for Why Only Romantic Payneland Would Feel Truly Satisfying

Last night, I made a poll about whether people would be satisfied with QPR Payneland. I was curious where we stood on this as a fandom, and it's cool that it's about 50/50 between "either would be okay" and "I want them romantic."

Preface: I'm a monogamous biromantic asexual. If you were wondering. I have been in both a queerplatonic relationship (where I had a one-sided romantic crush on my QPP) and a few romantic relationships with both men and women.

Preface II: This post is not at all intended to be judgmental of any type of relationship. Poly people are awesome; aro/ace people in QPRs rock. This is specifically examining what is right for Charles and Edwin.

Preface III: I think that Edwin and Charles have definitely been in an unlabeled QPR since the beginning. They don't have the word for it, but it definitely is a QPR. They aren't romantically involved, but they make major decisions surrounding the other one and feel like they would wither up and die if they had to live in separate places.

This was great up until now, I think. A QPR is very valuable, very special, and very beautiful. It's meaningful and has served them wonderfully up until this point.

But it isn't sustainable for these specific characters.

The Need for Exclusivity in Both a QPR and a Romantic Relationship

I think that with no other external factors impacting my media needs, I would be okay with an exclusive QPR Payneland.

@tumblerislovetumblerislife astutely said:

I do not think that there is any world where they're suited for polyamory - this is honestly my biggest nope-out of fics and I deeply, deeply hate it for them.

This is because:

They already feel like a Pair Set to me that cannot be separated or infringed on by anyone else, and

In the end, it would never be fair to a romantic (or other platonic) partner because they would unplug anyone else's life support to charge the other's phone. No one else would ever be the priority over the other, and if they did, that would be OOC.

Even if they decided to date someone else now in the short-term, like Crystal or the Cat King, it's necessarily temporary. It's to Figure Things Out. There is an expiration date. And whether that's due to a romantic or a platonic bond between Edwin and Charles, their bond being stronger than any other is the reason for that expiration date.

So polyamory feels extremely disingenuous to their characters to me and is imo extremely OOC.

Authenticity to the Story

Edwin is currently, in the explicit canon, essentially Charles's QPP who has a one-sided crush on him. That is the explicit canon. It's not a fun place to be, no matter how much your QPP loves you - I have Been There.

Edwin is not unhappy or dissatisfied with the current situation, and he knows Charles loves him. But it still is kind of a sucky place to sit.

Luckily, the love does not actually feel one-sided! Charles reads as a character that has always been romantically in love with Edwin, probably long before Edwin fell romantically in love with Charles, but he neither has the self-awareness nor the words to describe it.

Charles touching his heart at the end of episode 8 makes it clear that he is beginning to have his Big Epiphany. I wish the show wasn't canceled because, uh, I want it.

This obvious two-sided romantic love makes a future QPR feel inauthentic to me. I think both characters would feel like it was the wrong shape for the relationship after they both had their epiphanies.

Other Media Considerations

I understand that a lot of people, it's important to have an explicitly-labeled QPR in a show. I do not disagree with this! I think we need WAY more QPRs in media that are explicitly labeled as such and treated as valid. I just don't think that it's right for Charles and Edwin.

I've explained why this is true from a character perspective; but let me also talk about how relationships like theirs are treated.

I'm personally sick of the "bond-beyond-bonds relationship that remains purely platonic." We saw it with Destiel onscreen because of the rancid queerbaiting in Supernatural; we saw it in Johnlock as a direct result of similar, albeit less magnified, queerbaiting.

This is, to me, the exact type of relationship that a QPR between Edwin and Charles would be.

It would be different. I know this. There is no world where DBDA is queerbaiting us; we have a gay MC and tons of queer side characters.

But to me, platonic Payneland being endgame would still feel like a betrayal because that endgame would feel like something adjacent to the endings of other shows that have queerbaited in the past. I feel like a huge appeal of DBDA is that it's beginning to right those wrongs and heal those wounds, and I firmly believe that's one intention of the show. It would feel unkind to the bulk of viewers for them not to end up together.

I think that the show ultimately was going to make them romantic endgame. It just didn't have the time to before getting the axe, which SUCKS.

So yeah. These are my personal thoughts. I hope I've articulated some of the things that a lot of you think.

[reachartwork]

the process

a lot of people like to ask me about my process and how ai can be "creative" because they're under the impression that it's just kind of a big slot machine. you pull a lever and art uncontrollably comes out. well, let me show you my process

this is going to be a long thread tagged with #long post, blacklist that if you want to skip it.

so how it starts like most art is that i have an idea. in this case, earlier i made a post about witch-knights "surfing" on swords, so i'm going to try and make that - a witch-knight flying through the air atop one of her swords.

it starts with this picture.

i think this picture is dogshit so i discard basically all of it to try and find something closer to my original intent. there's a couple of uninteresting regenerations so it's clear i have to go back to the drawing board and teach the machine what it is i'm trying to do

let's start with a witch-knight on a broom. it's definitely not great but it gives us a better pose that i can work with.

i start by erasing the broom and replacing it with a skateboard - the machine understands skating better for what i need it to do.

there's a ton of small, subtle errors in this image and it overall looks like dogshit but the most important part right now is blocking and the overall pose structure - i need her "surfing" a large, lengthwise object, in the sky. i start by erasing pieces of the skateboard

now we have a sword, which is good. but the sword itself looks... bad. i'll spare you the abortive attempts at selective regeneration of the sword and just show you what happened when i rolled it back a couple of times from this pose and let it regen entirely.

again, tons of small little shitty errors, but this is something i can work with. i do another regen for a less shitty sword. her boob armor gets replaced with, like, generic scale mail.

this image has a great sword and decent pose but like... everything else is kind of futzy and i dont like it. instead of trying to pick and choose i just throw it back into the oven for a second. much better! but now she's going to cut herself on the sword, oh no!

again, i'll save you the agonizing thirty minutes of trying to get it to understand where the foot should go. unlike before i didn't really have a choice except to muscle through. there! now she's surfing safely :)

so it's done, right? well, i mean, i could post this. and it would probably do okay. but *i'm* not satisfied with it. there's stiffness. dozens of minor errors. the eyes look weird when you zoom in. let's start by fixing her hat, and then maybe her hands?

but she's missing fingers on her left hand so let's go ahead and fix that too. and i don't really like the tip of her sword and the ocean looks really flat and boring. so, VERY CAREFULLY, i have to etch out the parts of the sword and her body i have to keep, and also write an entirely new prompt to tell it "i want an ocean w/ rolling waves please :)"

this is better but not great. i try again - serendipitously, it makes this really cool variant with a shadow over the water, but i know working with that will take more wrangling so i'm considering it an evolutionary dead end and discarding it for now.

i proceed to spend 30 minutes trying to make the ocean look better but it's really not working imo. i'm gonna go back to the shadow version and see how that works

i'll spare you the other 8 minutes - i'm satisfied with the following picture. the sword isn't *perfectly* straight, her eyes aren't perfectly textured, the scale mail is... weird, in texture, but anything else would be greasing the wheel and i think beyond the machine's ability to do fine detail.

i've also attached the starting picture for comparison - it has better, "higher quality" clouds and ocean but i personally cared more about the pose and the sword surfing - the background is mostly tangential. could i get back ocean and clouds of that quality with another two hours of painstakingly cutting and re-generating bits of the background without destroying any of my existing work on the pose? probably. but i don't want to.

total time spent on this piece from start to finish was one hour and twenty one minutes. and now you know!

[anoant-haikyuu-dump]

The hyperfixation demons are screeching at me to write a comprehensive list of all the reasons I like Fukutora, so today I present to you "Ant ignores their responsibilites and spends several paragraphs explaining why Fukutora is peak despite them having roughly 10 seconds of shared screen time"

1. Contrasting Personalities In general their personalities fit together really well— Fukunaga barely speaks while Tora exclusively shouts at max volume and can't stfu to save his life, Tora's overly-intense and takes everything way too seriously while Fukunaga's cracking jokes in the middle of important games, they're even literal opposites on the court as the two wing spikers. Their differences compliment each other perfectly and because of that I think they'd grow a lot being together, Fukunaga would learn to open up and Tora would mellow out. Another good contrast is how Tora's all about looking cool and standing out while Fukunaga tends to blend into the background, which leads into my next point...

2. MY ROMAN EMPIRE (aka chapter 309) I know it's only two pages out of a 33 chapter match but i dont care, this scene makes me feral. I read the manga after watching Dumpster Battle, so imagine my suprise when my two favorite losers had a moment THAT GOT CUT FROM THE FUCJIGN MOVIE (I'm still salty, it should've been a full season).

Anyways these pages rooted their way into my brain because they show that even though Fukunaga goes unnoticed by most people (both in-universe and by readers) Tora realizes how great he is, and not only respects his play style but views him as a rival on the same level as himself. One thing I appreciate about Tora is that despite him being the stereotypical "strong manly athlete" type he doesn't think his methods are the best or only way of doing things; Fukunaga scoring points without "big fanfare" is just as cool as the shit he and Tanaka pull off. The phrasing "that I hafta surpass" could even imply that Tora sees Fukunaga as more than an equal, as someone who's ahead of him since he doesn't need to be flashy or loud to do amazing stuff.

Look at his smile on page two, bro's just excited to have someone who motivates him to keep pushing himself. And as we've learned from Kagehina: what's gayer than a rivalry?? All in all I think it's sweet that Tora notcies his efforts and admires him when few others do. Side Note, I've seen a translation of these that call them "Nekoma's Wings" and I think that's a sick nickname.

3. Bi Tora and Internalized Homophobia I love a good internalized homophobia arc, and characters like Tora that center so much around girls and manliness are some of the most fun to explore them with imo. You could say he's one of the least likely characters in hq to be queer since he's THE woman-lover next to Tanaka and Noya (and Yachi) but that's what makes it interesting—his gay awakening would hit like a tsunami and send him into life-ruining bi panic for months, especially since he's already such a mess when it comes to romance. He gives me the vibes of someone who has no problem with other people being gay but struggles when it comes to himself since it clashes with his conception of what it means to "be a man" or whatever. My point is he'd have the most intense no homo phase to grace this earth and I think that's both super funny and compelling for his character.

Also as a bi person myself it's kind of frustrating how bisexuality is treated online sometimes. It's annoying when a person's queerness is negated the moment they show attraction for the opposite gender, so headcanoning a character like Tora as a bi while still being openly into women makes me happy.

4. The Stage Play They're so silly in the stageplay. Why is he dragging him around by the feet? Why are they screaming at Kenma? Why is he constantly bopping him on the head in the background? WHY IS HE SERVING FACE IN THE PROMO PICTURES? So silly.

(Ignore how blurry these are lol) 5. Ant's Little Sister Bias This is a me thing, I like ships where one party has an annoying little sister who bothers them, sue me. Its cute. Akane and Fukunaga could have the most adorable friendship if you believe.

6. They Match Each Others Energy My first post about them was me rambling about this so just read that, TDLR they're both energetic menaces who match each other's freak.

7. Kenma's Forced Third-Wheel Purgatory Putting Kenma in a situation where Kuroo's graduated and his closest remaining friends are dating and constantly forcing him to third-wheel is just about the evilest thing you could do to the guy. He may be one of my favorites but this is well-deserved punishment for his crimes.

8. Baffled x Baffling Another ship dynamic I like a lot is when one person is unabashedly weird and the other thinks they're a total freak... but likes them anyways. They don't know why they like them. They can't explain it to anyone. Whenever the person does more weird shit they're like "why tf do I like you." But even so they're whipped as hell. Anyways Tora barely understands a single thing Fukunaga does and I think that makes for a funny crush to have.

9. Fukunaga's "Current Concern" Don't have much to add here, it's just proof to me that they hang out idc. Like why are you concerned about what he wants?? Kinda gay dude. Big fan of Fukunaga whispering to him and Tora answering at full volume so other people hear a one-sided conversation.

10. These Fics Before I knew this ship was even a thing I stumbled on these fics while browsing the Fukunaga tag, that's what got the gears turning:

• My favorite one, third-year shenanigans • Peak, need to be signed in tho • College AU • This one is mostly gen Fukunaga but the few moments they have are perfect (also really fun Nekoma interactions overall)

11. Other Miscellaneous Thoughts • Both of them being public figures/lowkey famous in timeskip is cute, like imagine them being each others' biggest fan before they make it big.

• Chef x guy who eats a lot is peak fiction. In this case they both eat a lot. Their grocery bill is a horror story.

• I know it's because characters are usually grouped by year and Kenma ditches them to sit with Kuroo but they're always together in the stands, pretty gay if you ask me

• I hc Fukunaga as genderfluid so Tora still gets his chance to be a wife guy. Him and Tanaka ranting to each other while Kiyoko and Fukunaga drink tea in peaceful silence.

• I think Fukunaga's the type to enjoy people watching and Tora's always doing something dumb. Observing him like a little bug under a microscope

• They're both so silly looking, cartoony ahh designs. I just think they'd make a funny couple visually, they're so square and stick to me if that makes any sense lmaoo

If you got through this whole post you're a real one, thanks for reading to my brain dump. I think about them every day and need more people to understand the vision

[shmreduplication]

decided to make a separate post rather than make a v long tangent on this post (which is good and you should read it, tldr is an AI model was supposed to identify wolves vs dogs but every picture of a wolf was in a snowy landscape so the AI's logic was snow=>that animal is a wolf not a dog)

I feel I'm saying this constantly that the phrase "garbage in, garbage out" needs to become MUCH more common because imo it needs to be used in literally every conversation about AI

here's the wikipedia article about it, note that even CHARLES BABBAGE (v important guy in computer history, if you know Alan Turing's name because of computer history then you should learn Charles Babbage's name next) was aware of the phenomena. I think it's interesting that the history of the phrase is from computer history because it's really more of a statistics problem than a computer problem. AI is a statistics+computer problem so I guess it doesn't really matter

anyway the point is if you have bad data then you can only produce bad data analysis. Garbage [data] in, garbage [data analysis and decision-making that's based on it] out. Pictures of wolves in snow in, snow used as the determining factor between wolves and dogs out. Pictures of sheep in fields in, every field labeled as having sheep out. Pictures of pornography in, flagging desert and sandy landscapes as porn out. Racist policing in, racist policing out.

people who make AI models that pull indiscriminately from the entire internet think they're avoiding GIGO because surely the internet has the entirety of human knowledge contained in it? Obviously not, for two reasons: 1. human knowledge contains the information that wolves exist regardless of proximity to snow but that fact is so obvious and benign that it is possible it was never interesting enough for anyone to put onto the internet before this very post, and 2. it only takes one snowless picture of a wolf on the internet to fulfill the idear of "all human knowledge is on the internet" and those (apparently v few) pictures can be completely overwhelmed by the (apparently abundant) pictures of wolves in snow to the point that an AI trained from the internet will still prioritize snow in determining if a picture has a wolf or dog. This is a lot of words to say that the internet is garbage so anything trained from it will only produce garbage

anyway uh. those articles are from 2018 and 2020 so extremely outdated as far as tech news goes so thanks OP for letting me know that this specific kind of landscape-determines-animal kind of AI silliness is still happening because the sheep-fields thing is one of my favorite tech stories and i've told a lot of people about it

oh wait one more thing: Psychology has a related concept, WEIRD Bias, which is about how the majority of psych research is done on people who are Western, Educated, Industrialized, Rich, and Democratic so we can't assume conclusions made from that research is applicable to people who fall outside of that acronym. Not exactly a GIGO situation because the conclusions can still be accurate but it definitely still becomes "garbage out" if the diversity of the sample population is not considered and the conclusions are applied universally