#but they're also. not about the kids. the kids are background and important but not the focus

[strawberriesinmoominvalley]

maybe i need to write a landoscar kid fic at this rate

[perpetuallyfive]

I thought fully catching up to One Piece would make me feel a little less obsessed, but it's somehow made it worse. I know I'm over a quarter of a century late, but oh man do I have it bad now.

Why does a part of me want to start a reread?

[paragonrobits]

some important calvin and hobbes facts in case you haven't read the original comic strip in a long time or only absorbed stuff on it from memes and out of context bits on here:

Calvin's last name has never been given, and neither has any of his parent's names. This was actually why his uncle Max only showed up for a brief storyline; the creator of the comic, Bill Watterson, ultimately felt that while it was fine to have him as someone for his parents to talk to, it felt far too awkward to never have Max refer to them by name and he never made a return appearance.

The general tone of the comic is fairly light-hearted, with a big emphasis on goofy slapstick comedy contrasted by clever wordplay and often surprising adult-centered jokes that'll hit you like a slap. A big part of the comedy is, as Watterson put it (paraphrased) "It's really funny to me when people express deeply stupid ideas with really fancy terminology." One notable example you might have seen is that one bit where Calvin asks his mom for money to buy a Satan-worshiping rock album and his mom replies that there's nothing genuine about them and they're just putting on the attitude for shock value, and comisserates with Calvin as he deplores that mainstream nihilism can't be trusted. He concludes that childhood is disillusioning.

There is a LOT of criticism of the extreme materialism and selfish mentality of the late 80s, when the comic was initially written. This may go a long way to explain how its aged so well; much of what it criticizes resonates well with people today.

Bill Watterson views comic strips a legitimate form of artwork, and repeatedly fought to have more space to draw more beautiful and artistic backgrounds, which was a very hard fight and unpopular even with other comic strip artists. He eventually did win some compromises and a lot of Calvin And Hobbes' artwork shows it, with the use of space to indicate time as well as a sharp contrast between the often plain environments of mundane life contrasted by the wildly beautiful imagery of Calvin's imagination (which often sports realistic depictions in an art shift of sorts).

Hobbes is explicitly not an imaginary friend, by word of Watterson himself. We don't know WHAT he is exactly, and Hobbes is apparently unaware of the strange nature of his reality; people look at him and only see an ordinary stuffed tiger plushie, but he has a tangible effect on the world that would be physically impossible for Calvin to do on his own. He's apparently been around for a while, and was apparently around when Calvin was a young baby.

On that note; Hobbes has implicitly killed (notably treated as both a gag and also with the vibe of 'he's a tiger, duh') and while he doesn't do it again on-screen, he doesn't have any moral issues about it. Calvin claims that he's never had trouble bringing Hobbes to school because the last time he did, Hobbes killed and ate a bully named Tommy Chestnut and simply comments that it was gross and he needed a bath. Calvin's tried to repeat this again, but Hobbes was grossed out at the thought having to eat a kid raw and not being allowed to use an oven first, or complaining that children are too fattening.

Hobbes became gradually less human-like in body language and more like an actual cat in both body language and behavior; this was due to Watterson drawing more inspiration from his cat, who also inspired a lot of Hobbes' running gags, such as pouncing on Calvin when he got home. Several years into the syndication of the strip, Watterson's cat passed away, and he did a tribute to her with a comic strip of the two of them agreeing to try to dream together so they can keep playing when they have to sleep; Watterson's commentary (if I recall right), remarks on his cat: "We can see each other again in dreams."

[dailymanners]

I feel as though in the past few years it's becoming more common for me to be interrupted while I'm speaking, and I can't help but wonder if more people are losing a sense of conversational rhythm due to communicating more and more digitally and less and less in person.

When you communicate digitally you don't have to worry about finding the natural rhythm of the conversation, you're not taking away someone else's ability to finish their thought or make their point if you send a message to them while they're still typing. I'm not here to scare monger about the kids and their phones, but it's important that you don't let your skill of finding a conversational rhythm, if you have that skill, atrophy, lest you speak over someone and take away their ability to complete their thought and make their point.

But I also realize that it's really important to specify what I mean by interrupting someone.

When someone says that interrupting is really normal and not considered rude in their community or culture, what they're actually talking about is what's known in linguistics as "cooperative overlap", that or simultaneous talking. Here's an example of cooperative overlap and/or simultaneous talking that you might see in a culture where this is normal and acceptable:

Person A: So guess where I went today? I went to the -

Person B: Oh let me take a wild guess! You went to the shoe store again didn't you?

Person A: That's right, and I got a -

Person C: Oh come on, don't tell you got another pair!

Person A: You know it baby!

Now let's compare that to a different style of interruption, what I like to call "steamrolling"

Person A: So guess where I went today? I went to the -

Person B: UGH did you guys catch the game last night?

Person C: Yeah the refs sucked!

Now, what differences can you see between the first example, aka "cooperative overlapping" vs the second "steamrolling" example?

For one, in the first example Person A is still allowed to make their point, tell their story, and finish their thought. They're not being silenced or completely derailed, and most importantly their conversation partners still seem interested and engaged in what they have to say. In the second example, Person A is being completely derailed and stripped of their chance to finish their thought and make their point, which is unfair to Person A, which is what makes "steamrolling" disrespectful even in many cultures and communities where "cooperative overlapping" would be acceptable.

Now, conversational overlap isn't for everyone, and that's okay, but it makes it awkward and tricky when someone from a community or culture that uses conversational overlap talks to someone who is from a culture that doesn't. For example:

Person A: So the other day I went to -

Person B: Oh my god did you go to that one store?

Person A: Um, no, I went to the movies, and I saw -

Person B: OH did you see that new creepy movie about the aliens?

Person A: No, can I please just finish my story?

Person B: Oh, uh, sorry

Neither person will probably feel great after this conversation. And I'm not here to condemn either conversational styles. I understand why some people see cooperative overlap as a more engaging and exciting conversational style, but I also understand why some people find it frustrating. My mother's family has a cultural background big on conversational overlap, but my father's side of the family ehhh not so much, so I personally grew up seeing these two conversational styles clash a lot.

If you're person A in the above conversation who doesn't like conversational overlap, that's totally fine, I'm personally not a big fan of it either only because I have a terrible memory, so when someone disrupts my flow I usually end up completely forgetting what I want to say. Just try to recognize the difference between cooperative overlap vs steamrolling. If someone is just trying to cooperatively overlap with you, patiently and politely tell them something along the lines of "sorry I have a terrible memory so if I don't finish I'll forget what I'm trying to say". But it's generally a good idea to be more patient and understanding with conversational overlap than steamrolling.

If you're someone who cooperatively overlaps and you encounter someone who isn't a fan of it, try not to take it personally, maybe like me they have a horrible memory and will forget what they're trying to say if they get side tracked.

But what I meant earlier about conversational rhythm is that too often a lot of interrupting comes from not realizing the other person wasn't finished speaking.

For example, personal A wants to say "so the other day I went hiking, and I saw a fox" some people might not recognize when person A is actually finished speaking, typically they assume as soon as they've heard a complete clause that means the thought is finished, so the conversation goes like

Person A: So the other day I went hiking -

Person B: OH I went hiking a few weeks ago with my girlfriend but it was so slippery out!

Person C: Oh how is your girlfriend doing by the way?

Person B: She's doing great! How's your partner doing?

Do you see how this style of interruption, unlike cooperative overlap, also derails Person A and deprives Person A of a chance to finish what they want to say? It's not quite steamrolling, and often just comes from a lack of rhythm or understanding. As a general rule, if you want to avoid interrupting someone, pause for a few seconds after you think they're finished in case they aren't actually finished. This way you avoid accidentally depriving someone of the chance to finish what they want to say and completing their thought.

We should never be too eager to assume someone has finished making their point because you never know what someone might actually be trying to say, and if you cut someone off before they make their point you can miss important context. For example:

Person A: I don't think I see stray cats here -

Person B: AHA BULL FUCKING SHIT! I totally saw a stray cat the other day!

Person A: I was going to say as much as in other places if you had let me finish?

Or:

Person A: I hate when it's hot out. When I was a kid it was usually around 25 or 30 degrees Celsius in the summers -

Person B: OH come one don't be such a wimpy little baby! 25-30 degrees isn't even that warm! I've totally seen WAY hotter summers than that!

Person A: Uh, that's what I was going to say if you'd let me finish, the summers were pretty mild when I was a kid, but they're a lot hotter now . .

Do you see how in both conversations Person B was too eager to assume Person A had finished making their point and ended up missing important context? If person B had only paused and waited for Person A to finish making their point, they wouldn't have ended up making an ass of themselves to put it frankly. This style of interruption can make you come across as eager to dominate and "one up" other people, which frankly a lot of people find obnoxious and exhausting. This is different than cooperative overlapping because it comes from a place of wanting to correct or one-up your conversation partner, rather than play and/or build into what they're saying, which is why I'd argue it's closer to steamrolling.

Good conversational rhythm ideally means everyone is allowed to finish their thought and make their point, whether or not that includes overlapping or even simultaneous talking. If you're not sure someone has finished their thought, pause a few seconds to make sure they've had the chance to complete their thought, less you miss important context. OR, if you do interject, it should be about building/playing into what they're saying rather than derailing/steamrolling them.

What's important to keep in mind is that it's often a matter of power and respect when someone is or isn't allowed to finish their thought and make their point. If someone is unable to finish their thought or make their point before getting steamrolled, they're going to feel like their input to the conversation isn't valued or important, and that's never a good feeling.

[ohcorny]

i reread all of chobits recently as insp for my next TT book and every time i think about some aspect of it all i want to do is rip it open and tear it apart and go "why?". it brings up so many concepts and scenarios within the premise of "what if computers looked like pretty girls" but it doesn't want to commit to saying anything about it or take its own world seriously.

i have a lot to say about chobits. arguably i have more to say about chobits than even chobits wants to say about chobits.

chobits is about sex except it isn't about sex at all. chi's power switch is in her vagina. we're shown images of chi doing sexy things, she gets tricked into doing a strip tease, and two separate men try to finger her and she does her Do Not Touch Me There magic powers thing, and we eventually learn every time she resets from the power button, her memories are erased, so you can't have sex with her without deleting her.

but we never unpack why her reset button is in her vagina, or why it's so important that nobody can ever touch her, or why people's personal computers were built with vaginas in the first place (we never have it confirmed that all persocoms have them, but that two separate men try to touch her there imply it's expected). why do the personal computers shaped like women have vaginas if not to fuck them. as a product, it is expected that you will fuck them*.

*i assume, because the comic never says so!

the man who invented persocoms is the same person who built chi and her sister, and he built them to be daughters for his wife. he put the reset button in chi's vagina. we never find out why. we never get a HINT of why. he built the chobits so they could feel and fall in love, but also built them so they could never fuck. you can extrapolate a reason why a man might build his daughter-androids that way, but the series itself never touches it, and never makes any sort of point about it. it's just presented as an immutable fact that chi can't fuck without it deleting her, as if it was born of happenstance and not a person's choice.

what does that actually say about anything? what is it trying to say about sex? is it about the commodification of female bodies, how once they're used up sexually they're worthless? that if you can't love somebody without fucking them, what good is your love? that love without sex is okay (but also a huge burden and sacrifice a man must accept for the sake of someone else's happiness?)

what does it want to say! chobits is about sex, but it doesn't want to commit to any specific message about sex.

and that's just ONE issue i have with it. there are so many things chobits wants to be about but won't say anything about. it wants to be about the persocoms replacing human connections, we constantly get told 'gee people hang out with persocoms a lot', chitose publishes a whole inexplicable book series about people preferring persocomes to humans. it's to the degree that a prominent character's husband gets So wrapped up in (presumably) fucking his android that he locks his actual wife out of the house, having just straight up forgotten she exists. we don't have anything to say about it though. she falls in love with a new man. the people who hang out with their persocoms too much are all background characters in crowds. we never look at how the rise in persocoms has affected society as a whole.

it wants to be about grief, in the story about the man who marries a persocom and has to watch her slowly degrade until she can't remember him anymore, or the kid whose older sister died and he tried to replace her with a persocom who he dresses up/treats as a maid and lives alone with despite being omega orphaned and 11 years old. but then it's fine. the man who married a persocom gets in a relationship with a high school girl 20 years younger than him (CLAMP!). it's fine! the boy who tried to replace his older sister just accepts that the persocom replacement won't replace her. still treats/dresses her up like a maid and lives alone. is she his legal guardian. i don't know. don't worry about it.

and it wants to be about women, because everything about the story is about women, all the persocoms are women, all the tragedies are wrapped up in the death of a woman, or a woman's heartbreak, or a woman's feelings. but it has fucking nothing to say about women beside look how pretty they are. my boobs are E cup, sempai :) teehee

it makes me insane.

friend @amphiaria put it best as "Unfortunately the story is uninterested in itself" and i can never forgive it for being so aesthetically good, giving us the best design for an android (the ear things are Perfect) and then being So Fucking Bad.

in conclusion:

[phoenixyfriend]

Okay so we have like. An unusually high ratio of royalty/nobility among the Jedi. Dooku, Quinlan, Oppo, you can sort of count Adi or Xanatos or Bruck, etc. Lots of Jedi 'just happen' to come from royal, noble, or incredibly wealthy/powerful families.

So from this I want to posit four things:

If a royal family has a Force-Sensitive child, and hasn't had one in generations, they may think that sending that child to the Jedi would be a little like sending a child to join the Catholic Church in the middle ages: you get to influence the political choices of the highest religious power in Europe the Galactic Republic Government. (That said, Dooku was sent to the Jedi because his parents didn't want him and ||left him to die of exposure, basically, so that if the Jedi arrived too late they'd be picking up a baby corpse|| because they were so disdainful of Force-Sensitive individuals, and Quinlan wasn't sent to the Jedi so much as he escaped to them.)

They are all incredibly wrong about this, and royals raised as Jedi generally do not give any more of a shit about their home planets than any other planet. They care, of course, but they are not attached, because they are Jedi. Xanatos was an exception (afaik his dad sent him to the Jedi because he wanted to do the Catholic thing? and then Xanatos lost his mind). (Don't correct me on this, it's not really important if it was actually intended or not.)

This is achieved by way of Jedi from royal backgrounds having a mandatory high-level political class on how to handle royal court politics and general intrigue. It's not exclusive to the royal kids, but it is a prerequisite for them. They usually end up doing their home planets as case studies for capstone projects, in part because

Sometimes the planets try to call their errant royals back. It might be because the planet is struggling and genuinely running out of heirs/needs a change in leadership (Serreno) and it might be because it was the plan all along, but on the off chance that the Jedi decides they HAVE to leave the Order and take up a throne to keep an entire planet from kind of imploding on itself... that royal Jedi has to be ready to play the game. OR if they don't actually think they're REALLY needed there, they have to be trained on how to go, and be polite/avoid getting trapped/play the game until they can get the hell out of there, while also installing that cousin that nobody thought was strong enough but DOES understand how to run the treasury as the new king.

I'm just imagining this like. Very specific set of classes that are open to any Jedi that's taken the necessary prereqs, but is mandatory for people like Quinlan and Dooku and Oppo.

This was inspired by a post of mine that's getting circulated regarding QuinObi stuff and my thoughts about how Quinlan might have needed preventative training in case of political upheavals trying to pull him back to his home planet. I want to mess with the Politics Classes that Quinlan is taking because he has to and Obi-Wan is taking because Qui-Gon said he should.

Qui-Gon: You should take this class because I'm training you up as a negotiator and diplomat, and you will need it to interact with people when brokering trade deals or peace treaties. Tholme: You are taking this class because your aunt is insane and you have to be ready in case she tries to pull you back into the bullshit.

And as @firebirdeternal offered:

Quinlan: God this is the worst. So boring. At least Obi-Wan is stuck here too. Obi-wan: This is fascinating wow, I can't believe I almost didn't get to attend, Quinlan is so lucky he's automatically in these classes.

[aliceramblez]

Dating The BroZone Brothers 🎤🎶

Tags: Gender-neutral reader, Fluff, Some Angst (mostly for Branch lol), Also Broppy isn't canon here, obviously. But I love them dearly so don't come at me!

Follow me @taruchinator for more structured content and/or feel free to leave a request here in asks. Enjoy!

John Dory

We all know this man is a bit self-centered, and that doesn't stop at your relationship.

He'll find any opportunity to show off for you— anything from singing, to dancing, to just his ‘incredible leadership skills that make him the perfect boyfriend!’

He also definitely introduced himself as a member of the old boy band BroZone, which you may or may not have heard of, which may or may not have left him flabbergasted.

Despite all his faults though, John Dory will do his best to be a good partner for you. It's what you deserve, after all!

Keeping you safe from wild creatures, making sure you're always happy because he loves your smile, and also being the overprotective boyfriend who'll square off against anyone who even dares to make you uncomfortable even if they're 10x his size.

Small detail, but he also loves the fact that Rhonda took a liking to you instantly.

“She knows how to pick the good ones,” he'd say with a wink.

Talks about his brothers CONSTANTLY, but always in a way that makes it seem like he doesn't care and that it's their fault the band broke up in the first place. He obviously really cares about them, though.

Some nights, he'll reflect and regret all the stuff he said and did to them, and wishes he could go back and make it right. You reassure him through most of it, trying to convince him that he was young and just didn't know any better.

He stares at you in awe and disbelief because how could ANYONE think that what he did was justifiable? Abandoning his younger siblings all because of his stupid ego and personal insecurities.

“I really don't deserve you...”

Give him some time he's just emotionally constipated.

Also you BET he's gonna show you off to his brothers once they're reunited, so just let him. He just wants the most important people in his life to meet.

You can also expect them to try and embarrass John Dory with stories from their childhood, so be ready to have a good laugh as your boyfriend plots for murder in the background.

Spruce/Bruce

Probably the one who's best equipped to be in a relationship out of everyone in the group.

He is a family man, after all.

Speaking of which, if you think him settling down in the movie and having kids of his own was cute, it really is! But that just indicates that he has a way with children.

If you have a child or younger sibling, expect them to get dotted and taken care of to DEATH by this man.

He may not have been the sensitive one of the group, but was definitely the most reliable of the eldest, so he's got experience handling little trouble makers that come his way.

He still opens a cantina in Vacay Island, which is where you two met for the first time, and so you help run it occasionally whenever you have the chance. And even though you don't go there 24/7, all the regulars just think that you're the co-owner since you're dating Bruce.

You're the one who finds out that he's actually ‘Spruce’, the member of old boy band BroZone. You just happened to stumble upon an old record he kept in his room, and after confronting him about it, he reluctantly confirms your suspicions.

It was hard to recognize him since he was much older now and his body had definitely... grown over the years.

Bruce doesn't like preaching about those days, since he's quite embarrassed of the ‘immature ladies man’ he used to be back then.

But he won't deprive you of them either, since he'll happily share any stories on his misadventures with his brothers, funny backstage incidents, etc.

He misses them dearly and wishes they're all doing okay.

Two words: Hopeless. Romantic.

He's ‘The Heart Throb’ for a reason.

Roses, chocolates, dances— he can do it all!

Bruce will always make time in his busy schedule to spend time with you, taking you on dates to your favorite spots around the island, getting you meaningful gifts, and just overall expressing his love for you in any way he can.

He loves singing to you because it always serenades you and it puts a smile on his face.

People always joke that he's going to propose to you out of the blue one of these days, which always leaves him a flustered mess, but he never denies either.

“What can I say? I might be waiting for the perfect opportunity...”

Clay

Poor baby doesn't know what he's doing but he's trying, okay?

The two of you meet in the abandoned Bergen Golf Course, where you and Viva welcome him with open arms, and everything pretty much plays as in the movie, except that he really likes spending time with you and ONLY you, which he doesn't quite understand?

You're the one to ask him out cause otherwise you'd be playing this back and forth forever. He says yes.

He's never had a partner before, so he's justifiably worried that he'll mess up in some way, or that you'll end up finding him too boring after a while.

This becomes much more apparent after a particular bad night, in which after mumbling incoherently because of a nightmare, you find out that he has brothers and used to be in a boy band.

He doesn't open up about it at first, so you give him some space and reassure him that you'll be there when he needs you. Just give him some time and he'll tell you eventually.

He talks about how he could never be himself, since he was always expected to be ‘The Fun One’, and now he's basically tried to become the complete opposite in hopes of gaining some control over his life.

But he also worries that others will think he's too dull, and that he just isn't interesting enough to be around. Especially you.

You immediately take his face in your hands and look him in the eyes.

“I fell in love with Clay. Not ‘The Fun Troll from BroZone’ Clay. Also, you're fun in your own way!”

He basically falls for you all over again after hearing this.

After that, he becomes slightly less uptight and allows himself to enjoy the little things. You sometimes actually catch him dancing when he thinks no one's looking and you find it's the most adorable thing in the world, even after he realizes he's not alone and wants the earth to swallow him whole.

“Don't mind me, I'mma just crawl in a hole for a while...”

“No, no- Babe, it was amazing! I loved it! Pleaseeee show me more!”

Overall, he's a pretty good boyfriend all things considered.

He's incredibly overprotective of you, and will always give you advice and tools he thinks will be helpful if you're thinking of venturing outside of the Golf Course.

He asks Viva for dating advice CONSTANTLY and she DOES NOT let him live it down. Of course she has good ideas, though.

He'll pretty much do anything for you, even if it means going out of his comfort zone.

Floyd

Another great candidate for being in a good relationship.

Need I explain myself with this man?

His entire personality revolves around being caring and understanding, so he's definitely always on the lookout for anything that makes you sad or uncomfortable and will fix it ASAP.

Floyd is the kind of person who will ask for consent with pretty much anything you do— from holding your hand, to kissing you, to giving you a hug; he will ALWAYS make sure that you're okay with it even if you've given him the green light in the past.

He's not huge on PDA due to his somewhat shy nature, but if you are, he'll try his best to keep up with you.

This doesn't mean he dislikes physical affection, in fact it's his love language. He'll go out of his way to try and sneak in as many hugs as possible throughout the day and maybe a kiss or two if you'll allow it, which of course you do.

You also try your best to get involved in his own interests, because that's only fair after everything he does for you.

It isn't until one day that he sings for you that you compliment him and he nonchalantly comments that he used to be in a band when he was a teenager.

Cue the reveal of him having four brothers and you begging him to tell you all about them.

Which he does, but you can't help but notice the melancholic expression on his face, so you immediately stop him and apologize for being pushy on the matter and that he doesn't have to share anything he doesn't want to talk about.

He only looks at you with a small smile and shakes his head.

“No, I'm glad you asked. I haven't talked about them in years, so I like remembering the good times, even if they're in the past now.”

So he'll go on and on about them, one by one, and go into excruciating detail about what kind of person they are and what he loves about them. He's especially fond of his little brother Branch, based on everything he tells you.

When he gets kidnapped by Velvet and Veneer, you immediately go to Branch for help.

Once you're reunited, you two basically run to each other and hug with tears streaming down your eyes.

“Did they hurt you?!”

“No, I'm okay! Did they hurt you?!”

“Who cares?”

“I do!”

Floyd is then incredibly happy to introduce you to his brothers, who begin to affectionately tease him about getting himself a partner and you happily step in to protect him from any unwanted bullying.

You also tell him that you like the new hairdo, which only causes him to giggle and kiss your forehead affectionately.

Honestly you guys probably have the healthiest relationship out of the whole group.

Branch

I was really debating whether to include him or not since there's many Branch Reader Inserts out there, but I don't wanna leave my baby out so here we are!

You have a classic childhood friends to lovers situation with him, since you've known him ever since he was a member of BroZone, only being about a year older than him.

You'd help him practice for his concerts and would always give him pep talks whenever he felt worried that he'd ruin the show.

You're basically his number one fan— never missing a concert even if it meant dragging your parents with you so they'd let you get in.

The moment the group disbands and Branch is left all alone, you're there for him and wait alongside him for his brothers to return, reassuring him that ‘siblings would never break a promise’.

Cue his whole childhood trauma and him losing his colors, but it's only because of you that he doesn't completely isolate himself from society. He still builds his bunker though, since he's pretty much scarred for life thanks to the Bergens.

Just like with Clay, you're the one who takes initiative and asks him out, and he's just left gaping like a fish because why would you want someone like HIM?

After reuniting with John Dory, he's also dotting you about how big you've gotten and treats you like a baby, which actually irks Branch much more than it does to him.

He makes sure to remind his brothers that you both are grown adults, thank you very much.

Once the band gets back together, you kinda become a manager of some kind and help them in organizing their performances. Branch is eternally grateful and thanks you for staying by his side all these years.

[yumeka-sxf]

I'm finally home from my vacation and able to discuss the latest SxF chapter...all I can say is, I have a lot to say! I'll start with funny stuff first before I move on to analyzing...

Anya was especially hilarious in this chapter - where do I even start with her gremlin-ness? 😂 First off, there's her calling the butlers "henchlings' henchlings" (in the Japanese version, I believe she's using some mispronunciation of 弟子, which means "follower")

Then she calls out Twilight for being, well, Twilight, even giving his behavior its own acronym 🤣

She feels bad for George because his family isn't important enough for Twilight's aforementioned Twilighting 😅

And this doozy of a nickname for Bill!

In the Japanese version, she calls him something like "old man bully who hits people with balls" 😆

But joking aside, we get these profound words from Jeeves that seem to resonate with Twilight.

His words remind Twilight of the hypocrisy of his position: on the one hand, he agrees with Jeeves and wants the children to be able to grow up as they wish, without being burdened by the expectations of their parents. But that's exactly what he's been corralling Anya towards this whole time...doing whatever's best for Operation Strix, regardless of what may be best for her.

This scene reminded me of his musings when they first took Bond to the dog park; another case where he's aware that the morals he believes in are the opposite of his actions and yet...he continues with the mission.

I also think it's great that the other parents thank Anya for her bravery during the bus hijacking. Even if their kids don't act grateful, the parents should be on their behalf. Perhaps seeing this praise for Anya right before his eyes is what made Twilight feel even more guilt upon hearing Jeeves' words - he's seeing more and more what an exceptional girl she is despite not having the perfect traits for his mission, and yet he's still manipulating her (not realizing she's aware of the mission and wants to help).

But on that note, it's nice to see that George's dad and Becky's mom somewhat agree with Jeeves. As of now, I'd say out of all the Eden kids we've gotten to know, George and Becky seem to have the most decent families. I especially like how Becky's dad is adorably doting, to the point where he gets crushed when Becky asks Yor for help instead of him 😅 Also Martha having to reel him in, lol.

But despite being an overbearing dad, at least he isn't quick to jump on Loid supposedly "seducing" Becky 😂 He seems to not take it seriously, which is good since Becky is the one making the moves with her silly little girl crush.

Also Emile thinking Yor is pretty~ I'm surprised he had something nice to say about anyone connected to Anya, lol. I really want a chapter where Yor takes all the Eden kids on a playdate and they start thinking she's awesome like Becky does, even Damian.

Speaking of Yor, just when I thought she would be demoted to "background character" for whatever arc is coming, the last few panels give the impression that she'll have her next moment in the spotlight soon! Is she just destined to always catch Melinda when she falls? 😅

Not only are we getting more Yor/Melinda interactions next time, but also (hopefully) more of Anya reading Melinda's mind. I know there's theories floating around of how Donovan may be able to read minds and is possibly the one behind the experiments done on Anya, and that Melinda may have some psychic abilities too. Also some relation to that Arnold Crowley character introduced several chapters ago. I'm not good at theorizing, so I'll leave it to fans who are better with that kind of stuff 😅 But I think they're all good theories and I'm keeping my fingers crossed we'll get more insight into Desmond secrets very soon!

...but unfortunately the next new chapter won't be until November 25th, so we'll have to be satisfied with theories for now!

[ramblingthoughtsofayoungadult]

Bad PR-Jordan Li Fic

A/N: I saw someone post about needing a fic about Jordan being in a relationship where they're "unmarketable" and haven't been able to get the idea out of my head since. This is written with a black reader in mind. I also have a sequel in mind if anyone wants it.

Word Count: 3739

Warnings: Some sensuality and swearing.

I don't claim to own any characters or property from Gen V or The Boys. All credit to the original gif creators.

  Silence was something that I always thought I longed for. Every day for the past twenty years, there was noise, whether it was someone (usually multiple) talking, music blasting, cars going by, or screaming. By now, I thought I would have learned how to tune it out and focus on what was most important: save the little kids from a burning school, study as hard as I could to get into GOD U, and manipulate social media algorithms so much it would make tech experts’ heads spin.

   But, I hadn’t. Then, I thought I got used to the noise, the demands to take pictures with total strangers, the background noise of a song I was doing a TikTok challenge to, Liza, my Vought-assigned PR rep, and my parents insisting on what I should wear, and the constant buzzing in the back of my head that my ability caused. However, as I laid on Jordan’s bed, listening to them ramble about Brink, I didn’t mind the noise so much.

  “I mean, he’s kind of a mad genius but for good,” Jordan stated. Then, they turned to me with a sheepish smile on their face. “Sorry, I’m boring you, aren’t I?”

  I shook my head. “No, no, it’s alright. Brink’s brilliant and it’s amazing that you’re his mentee.” I pushed myself up onto my elbows. “Besides, you’re pretty cute when you’re excited.”

  Jordan rolled their eyes and slowly made their way towards me, stopping right at the foot of their bed. “Only when I’m excited?”

  “Shut up, you know you always look good,” I teased.

   They playfully flipped their hair and batted their eyes. “Well, we can’t all have a glam squad on call so I appreciate it.”

   I scoffed, rose to my knees, and playfully pushed their shoulder only for them to switch to their masculine form and grab my hand. “That’s not fair and I didn’t even ask for them, my parents and Liza insisted on it when I got in.”

   Jordan nodded but I could tell they weren’t listening since their eyes were on my lips. “I don’t feel like talking anymore.”

   Something about their deeper masculine voice sent tingles down my spine and made my stomach feel fuzzy. Then again, they easily caused the same effect in both forms. My breath caught in my throat as soon as our lips touched, and I could feel my heart rate pick up. I tried to relax in their gentle but firm grip as I wrapped my hands around their neck, but it was easier said than done.

   Suddenly, my back was against their bed and the kissing got more fervent. Jordan slipped their tongue down my throat and trailed one of their hands down my leg. I shivered as they pulled my leg up around their hip and pressed further into me.

   “I should’ve known this is what you meant when you said you wanted to hang out,” I breathed after pulling away for a second.

   “I had good intentions but you kept screwing me with your eyes,” Jordan huffed back.

   “No, I---” Jordan cut me off, switching to their feminine form and kissing my jaw, working their way down my neck. “Not…fair.”

   One of their hands slowly started trailing up under my (their) sweatshirt and I tried to stifle my giggles at the soft touch. After a couple of seconds, I couldn’t help but start giggling and covered my face when Jordan paused their actions and looked up at me.

   “Still ticklish?” Jordan teased.

   “Shut up, it’s your fault since they're your hands,” I groaned through another laugh.

   Jordan smirked at me and ran their hands down my waist, gently tapping my sides, causing more laughter on my end. I tried to reach for their hands to stop them but they were too good at dodging me. At some point during my laughter, my phone started ringing.

    “Ignore it,” Jordan whined as they pressed their head against my stomach, their big brown eyes somehow looking bigger and browner than usual.

   “I can’t,” I whined back as I pulled away from them and grabbed my phone from my desk. “It’s Liza, I have to answer.”

    Jordan rolled their eyes. “That bitch has the worst timing.”

   “She might not be able to help it.” I quickly answered the phone. “Hey, Liza.”

   “Y/N, I’m on campus and we need to talk ASAP. Meet me outside the Crimefighting building in five,” Liza rattled off.

   “Oh, sure, what’s it about?” I asked.

   “I’ll tell you when I see you.”

   She clicked off and I turned to Jordan, who was much less than pleased.

  “Let me guess, you have to go,” they said.

   “I’m sorry, it sounded important,” I said as I started grabbing my stuff from around their room. “I’ll try to make it quick.”

   “No, don’t worry about it.” They pushed themselves off the bed and stood in front of me, gently grabbing my hands in theirs. “It’s your career and I’m proud of you. I knew what I was getting into when the Cyclone became my girlfriend.”

    I wrinkled my nose. “Ugh, don’t say it like that. But I appreciate you and I will show you as much later.” I quickly kissed them and grabbed my shoes. Just as I was about to leave, I paused at something in their closet. “Is that my jacket?”

   Jordan shook their head. “I don’t know what you’re talking about.”

   I snatched the item from the closet and held it out. “Jordan, you’re going to try to convince me that you’re into vintage Yves Saint Laurent?”

       “Your taste rubbed off on me,” they said with a shrug.

       “I’m flattered.” I put it back in their closet.  

        “By the way, do you know where my black hoodie went?”

       “See you later!”

        About four and a half minutes later, I was sitting at an outdoor table with Liza and my parents. Despite the summer heat, Liza was wearing a navy skirt suit, and her graying black hair was tied into a severe bun on the top of her head. She was typing on two different phones and her laptop simultaneously, deep blue eyes never staying on anything too long. My mom, who sat on my right, smiled kindly.

        “So, Y/N, how does it feel to be a junior?” she asked.

        “Great, Mom. I thought I told you and Dad that you didn’t have to hover this much since I am a junior now,” I said, glancing at my dad who was on my other side.

        “We’re not hovering, it’s been two days since we dropped you off,” Dad insisted. “Besides, this is about business.”

          “Wha---”

           “Oh my gosh, is that Y/N Y/L/N?” Someone squealed behind me.

          “Show time,” I sighed.

          The “someone” was actually two someones, a pair of what looked like freshmen. One was a tall, pretty brunette in a white graphic tee and matching mini skirt and the other was an equally pretty, slightly shorter brunette wearing jean shorts and Vans. The taller one held her V-Phone with a death grip.

           “Can we take a picture with you?” The taller one asked.

           “Of course.” I stood from my seat and made my way over to them.

           “I can take it.” But before my mom could stand, Liza shot up from her seat, grabbed the phone, and ushered us closer together.

           “Okay, Y/N in the middle, Tall Girl on the left, Short One on the right,” Liza instructed, eyes never looking up from the camera.

          “It’s Ashley,” the short one said.

          “Smile!”

          I did as I was told and the girls were walking away before I could even say an obligatory, “No problem.”

            Both my parents smiled as I sat back down.

            “It’s great to see that you’re still popular after all this time,” Dad said, his eyes hidden behind his tinted sunglasses.

             “As she should be. Y/N has thirty million followers across all her social media and she does amazing in the Midwest and the South, both tough demographics for young black women,” Liza stated.

            “Thanks, Liza,” I said, mindlessly playing with the ends of my butterfly locs. “So, you mentioned you were coming but left out my parents.”

            At this, Liza finally paused from typing and looked up at me. She slowly set her elbows on the table and rested her chin on top of her pale hands. My head involuntarily started shaking from side to side and Liza lifted one of her hands.

            “Let me speak first, Y/N, and then we can argue about it,” Liza stated.

            “The last time you said that, I ended up almost getting mauled by a dog during an animal shelter livestream,” I hissed.

             “Well, the dog had a serious history of trauma,” Liza insisted.

             “You didn’t inform me of that before insisting I cuddle with it for the camera!”

              “It was a learning lesson: you are fantastic under pressure.”

               I huffed and folded my arms over my chest. “So, what is this about?”

              Liza assumed her previous “Serious business” pose. “Like I was saying, you’re doing fantastic numbers. That last TikTok you and Cate did hit a hundred million views in less than twenty-four hours.”

            “The ‘Rover’ challenge wasn’t that hard,” I commented.

             “That’s amazing!” Mom practically cheered.

             “That’s my girl,” Dad said, wrapping his arm around my shoulders.

              I smiled despite the strong sense that a “but” was coming.

             “However,” Liza continued.

              Uh oh.

             “My job is to do everything in my power to make sure everyone associates Y/N Y/L/N and Cyclone with beauty, intelligence, grace, taste, and power. So, we are a little concerned about Jordan.”

              Immediately, my shoulders tensed and I gritted my teeth. “Who exactly is ‘we’?” I glanced at my parents.

                Mom’s eyes widened and I had no idea what Dad was doing.

                “No, of course not, Sweetie, we love Jordan. They have been a fantastic influence on you,” Mom insisted.

               I could feel my face warm up about what had transpired with Jordan a few minutes ago. I doubt that would fall under “good influence”, or any time we went out with the others. 

               “And they give you a run for your money when it comes to combat. You need someone challenging like them. Plus, that Luke boy isn’t bad either,” Dad added.

               As their words sunk in, I had a strange feeling that my parents were there to lessen a Vought-sized blow. My suspicions were confirmed when Liza’s lips pressed more firmly together and she was glancing at one of her phones.

               “Are you reading a script right now?” I seethed.

               Liza’s head shot up and she shook her head. “No, no, Y/N, not at all. Just some notes.” She quickly regrouped. “I understand that you’re happy and you’re probably having some fantastic sex right now----”

               “Liza!” I interrupted, praying that the ground would open and swallow me whole.

               Suddenly, Dad’s arm was back at his side, and Mom was suddenly very captivated by a pair of seniors skateboarding past.

               “But the facts are that a bi-gender Asian supe is not marketable in the Deep South or the Midwest,” Liza said. “I am not shaming Jordan for who they are but, my job is to sustain your relatable-but-unattainable brand and not let anything get in the way of it.”

              “You’re saying my partner is a threat to my career?” I asked, my voice much hollower than I intended.

               “Potentially. Now, I have come up with a very good alternative.” Liza turned her laptop so it was facing my parents and me. On it was a picture of Andre and some clips of us on social media. “Andre Anderson tested very well. Our focus group members responded positively to the black power couple aesthetic.”

             “We’ve met him before, he’s nice,” Mom offered.

              “He’s cool and I’ve met his dad and I could see us all getting along,” Dad mentioned.

               My head was swirling with so many thoughts that I was convinced I was either going to be overwhelmed by them or find one that was coherent enough to state. My mouth settled on, “It’s the twenty-first century and you’re all telling me I have to break up with my partner because of demographics? Jordan’s an amazing supe and they’re so smart, it’s scary. They can do---will do so much good and the only thing you care about is optics?”

               Mom gently touched my arm. “Y/N, please, calm down.”

When I glanced around, I noticed that several Vought-A-Burger wrappers, a couple of cigarettes, and a few panicked squirrels and rabbits were swirling around the table. Quickly, I released the small animals and put the trash in the nearby receptacle.

              “Sorry about that,” I muttered, eyeing Liza.

               “I understand that you have strong feelings for Jordan but, think about it. With the right moves, you could be living in The Tower with the legends of your generation. Sure, you’re number three at GOD U right now, but this status can easily go away. You’ve worked your entire life to be the hero that little black girls everywhere look up to. Don’t take Cyclone away from them before she even starts,” Liza warned.

               I desperately wanted to say something snarky, but my mind was blank. The only thing I could sense was my throat tightening up and my eyes beginning to well. I brushed a loc out of my face to play it off and tried to gain my thoughts.

              “How much time do I have before I make a decision?” I asked.

              “Twenty-four hours. I’ll be looking out for your call, text, email, or video call,” Liza stated as she started to pack her things.

                My parents stood and Mom gave me one of her warm hugs and Dad pulled me to his side.

              “It will be okay, Y/N,” he whispered.

               I swallowed the giant lump in my throat to thank him and then insisted on walking them back to their car.

              A few hours later, Elle Woods was sobbing in the fanciest restaurant in California while I carefully placed my baking pan in the oven. As much as I wanted to sob, I had no time for tears, I had to think. The thinking led me to have so many circular thoughts that my head spun and I resorted to baking and watching my favorite movie.

              If Elle could solve a murder case and exonerate her client as a first-year law student, I should be able to figure out this PR mess. On the one hand, I was happier with Jordan than I’ve ever been with anyone. On the other hand, my dreams and my family’s position were hanging by a thread.

            Maybe it was better that I channeled my energy into baking cupcakes.

            I exhaled a small gust of wind to clear the bowls and utensils from the counter and place them in the dishwasher. Then, I focused on pushing multiple gusts of wind from my hands to clean the counters and wash the dishes. By the time I was done, I was exhausted and flopped on my couch to mindlessly watch the movie.

            Unfortunately, the bright and colorful backdrop of Elle’s LSAT studying montage did nothing to take my mind off my dilemma. All I could think about was Jordan’s face when I told them. Breaking up with them would be like shooting a puppy’s mom in front of the puppy and making it watch it bleed out.

               How would I tell them anyway? Hey, babe, I’m sorry I had to run out on us almost hooking up to meet with Liza and my parents. Funny story, they want me to break up with you so that I have a shot at a career and date Andre instead. See you for that morning lecture?

             Knock! Knock! Knock!

            The sound jolted me from my thoughts, and I pushed myself off the couch to answer it. “Rufus, if you try to get me into your room again, I swear to----” I cut myself off at the sight of Jordan, in their feminine form, staring back at me.

            They wore a navy sweatshirt and black sweatpants. Also, their cheeks were more flushed than usual and they smelled like their sandalwood body wash, meaning they had probably stopped by the gym recently.

             “Is Rufus bothering you again? I’ll go murder him right now,” Jordan said.

              I quickly grabbed their wrist. “No, I appreciate the thought but I’m fine, besides, I can take care of myself.”

             “I know but I can’t help but worry.”

              A strange warm, tingling sensation ran its way from the center of my chest throughout the rest of my body. I was sure that if someone listened closely enough, they would hear me buzzing.

             I stepped aside to let Jordan in and leaned against the door to close it. “So, what brings you by?”

            They wandered over to my couch, sat down, and grabbed my phone off the coffee table. “Because you haven’t been answering my texts or calls.”

             “Crap, I am so sorry, Jordan, I’ve just had a lot on my mind.”

             Jordan glanced around my dorm. “I can see that.” They sniffed the air. “Legally Blonde and you’re baking, what happened at the meeting?” 

            Of course, Jordan would cut straight to the point. Usually, this kind of banter was pleasant but my stomach was in knots as Liza’s words and my parents’ expressions replayed in my mind.

           “What? I can’t bake and watch a comfort movie after a last-minute PR meeting?” I asked rhetorically, crossing the room to my desk to start organizing my textbooks.

           “Don’t try to deflect, Y/N. Tell me what happened.” Their voice was gentle but firm and I knew that they were not going to let me out of this conversation.

           So, I set Brink’s latest book down and sat across from Jordan on my tangerine accent chair. I prayed that I would find the right words to say before blurting them out. As soon as I made eye contact with them, my chest tightened.

          “Well, Liza surprised me by having my parents join us,” I started.

           Jordan raised their eyebrows. “Shit, this is serious.”

           “Uh-huh. Liza said that my numbers are doing great and I’m on track for a promising career.”

           “And?”

           I gulped. “And…she’s concerned that my personal choices might get in the way of that.”

          Jordan frowned. “Personal choices? Every college kid known to man has done illicit substances and drank alcohol underage. You’ve never been caught doing any of that anyway.”

        “You’re right but she wasn’t talking about partying; she was talking about us.”

         As soon as the bomb rolled off my tongue, I saw its impact on Jordan, from the flashing expressions of confusion and anger to the clenching of their fists. I just wanted to make it stop.

        “What?”

         As I rambled Liza’s reasoning, I could sense the hurt and animosity flowing from Jordan. Once I finished, the timer for the cupcakes went off and I jumped up to grab them. I could have cried at the momentary escape as I set them on the counter to cool.

        “She weaponized your desire to be a positive role model for other girls who look like you to screw you over,” Jordan said slowly.

           I wiped my hands on my sweatpants. “Liza’s doing her job, babe, and she’s looking at all angles, including how it could impact my goals.” I returned to my seat and folded my hands in my lap.

          “Her job is to make you choose between your relationship and your career?” Jordan asked. “That’s bullshit, this whole thing is.”

           “I know, Jordan, trust me, I know, I almost started a small tornado when she said it.”

            Jordan eyed me closely for a second. “What else did she say?”

           “What?”

           “I can tell you’re holding back, Y/N. Whatever else you have to say, it can’t be any worse.”

           They might have just jinxed that.

           “Liza thinks that Andre would be a better fit for me because a bunch of people like the idea of a black power couple.”

           Jordan had two angry responses: the first was they would attempt to tear down anything and everything around them unless consoled. The second was they would become unresponsive and deal with all their rage internally. That night, I got the second one. Their eyes were hollow and the color drained from their face. My eyes welled up as I hoped for them to start screaming, swearing, or something, but nothing happened.

         “But I don’t want to do it, Jordan, I think it’s so stupid.” I knelt in front of them, grabbed my phone from their hands, and set it aside to hold them. “My parents don’t even really agree with Liza because they know you and they think you’re awesome.”

        “What do you think?” they muttered.

        “Like I said, I think it’s stupid. We can figure something else out. Liza can spin us as the ultimate diverse power couple, huh?” I did my best to smile as widely as I could. “Come on, let’s forget about this. I made white velvet cupcakes with cream cheese filling. You can be my first taste tester once they cool.”

         Things would work out, they had to. We would figure something out and survive our junior year at GOD U with little to no incidents. Suddenly, Jordan’s hands slipped from my grasp and they shifted to their masculine form.

         “What if it doesn’t work out?” Jordan whispered.

          “What do you mean?” I replied.

         “I mean, you don’t necessarily have to be a supe but, I know that you’re scared for your parents. Your success has helped them a lot and it could destroy them if your reputation takes a hit,” they said. “And I’ve seen how little black girls light up when they see you now and how passionate you are about helping them and, I know that you’re just getting started and I don’t want to be in the way.”          “Jordan…”

         “I don’t want to hold you back anymore, Y/N,” they muttered.

         Their words sunk deep into my core like a boulder and took all my words with it. I wanted to tell them that they could never hold me back and that they made me a better super, a better person. But all I could do was watch as they stood and walked out of my dorm, taking our one and a half year relationship with them.

[systemadministratorclu]

Y'all, I just HAD to share this, because holy shit.

A little background first:

I run the drive-thru cash register window at a fast food joint. One of the shittiest jobs there is because some of the rudest/stupidest people on the planet come through the drive-thru, and one must have near superhuman patience to deal with it. That said, there are customers who come regularly and are not hard to deal with at all. And then there are some-very few and far between-that restore your faith in humanity a little every time they come.

This is about one such customer.

This guy comes every day at about the same time with his grandson (6 years old when this started, recently turned 7) and gets the exact same thing every time. To the point where now either I see their car or I hear the guy say his name (whichever happens first) and I'm already ringing them up. Because of this, the kid now thinks I have weirdly specific psychic powers, and has said he prefers coming to the place when I'm there. He's also decided I'm the best employee this place has. The granddad talks to me like I'm a human, they're always smiling and happy to see me (which means a lot in this line of work, let me tell you) and even on my shittiest days, they've managed to make me smile. I genuinely look forward to seeing these people every day.

Recently, grandson was hella excited to tell me he had a birthday coming up. Reminded me every day "my birthday's coming!" as most 6yo kids do.

Maybe I was feeling a little holiday spirit or something, but one day after work, I went to the Dollar Tree near the restaurant. I picked out a kid's birthday card and a Christmas card. I wrote a message in the Christmas one about what I just explained above, thanking them for bringing some joy to my days, because y'know what? People need to hear that shit. Especially in today's world. And I wanted them to know how much this meant to me. I wrote a little joke in the birthday card about not forgetting the day. Then I looked in my wallet, saw I had a $10 and a $1, and stuck the $10 in the birthday card. Addressed the birthday card to the kid and the Christmas one to kid and grandpa. I give the cards to them on their normal drive-thru visit. They are of course surprised (kid starts yelling "thank you" even though he hasn't gotten to open it yet) but thankful. Then the line moves on.

Fast forward to today.

I see the car come in but I don't start ringing the order up, because it's WAY early for them. I give my usual greeting, then I hear a woman's voice, so I think it's someone in the same kind of car. But when she asks "is this Hal?" I then realize it's the kid's mother, whom he has told all about me and who has come through with him before.

I say yes, and she tells me she's not here to order anything, just to see me, since kid and granddad are sick. I tell her to come on to the window, she does, and hands me a card and a nicely wrapped gift. I asked her to tell them hi for me, she said she would and then the line moved.

I got off on lunch break and opened card and gift.

I was not prepared. At all.

This is the gift...

...the card (no writing on the front).....

.....and the typed note inside the card that actually brought tears to my eyes.

......I'm still not over this. I will be thinking about how this went on for OVER HALF A FUCKING YEAR and I had no idea.

This is the kind of stuff that makes this shitty job worth it. People like this....We need more of in this world. I'm going to hold onto that note so when I feel like shit or I don't matter, I can look at it and know there's a kid out there who I am so important to that he got his dad to write a whole-ass letter, to some random stranger he only knows through his son, inviting me to their fucking house. I'm tearing up again as I write this, just thinking about it.

If that doesn't say "you matter", idk what does.

(And yes, I will go at some point, because how can I not? I'm not gonna dash this kid's hopes and make myself look like an enormous asshole. This is the RL version of being handed a toy phone and told it's ringing)

[howtofightwrite]

Was reading through your torture tag and noticed a lot of stuff that was being said seemed to contradict things that were said on the scripttorture blog... do you have any suggestions on how to clear things up? Im not sure which things to trust

And you're asking us, because they've posted once in the last two years?

I'll admit, I have a fairly low opinion of them, and that's not directly their fault. For years, one of their fans, would regularly send some pretty incendiary asks our way. In fact, some of the less hostile ones were answered, and may be the posts you were looking at. Understandably, the ones simply accusing us of being torture apologists, demanding we redirect all our asks to their blog, or insisted that we should sit down and shut up, did not make the cut. With that in mind, please understand, I'm not going to go digging through their blog to refresh my memory, so some of this might be slightly skewed by the aforementioned deranged fan.

Look for the blog that does not constantly contradict or misrepresent their authoritative sources. Which is to say, if you actually pay attention to Shane O'Mara's work, it's basically what we've been saying all along.

If you're unfamiliar, O'Mara is a Neurologist who was (last I time I checked) working at Trinity College Dublin. He published a, frankly fascinating piece, called, Why Torture Doesn't Work, in which, he set about trying to answer why torture is an ineffective tool for intelligence gathering. O'Mara also had the misfortune of being the only expert who said anything close to the perspective Scripttorture wanted on torture.

An open secret about torture is that it is completely worthless for getting accurate information. This has been widely understood for centuries, if not millennia. O'Mara's question was, “why?”

It turns out, that the neurochemical trauma associated with torture, seriously interferes with your ability to accurately access information. For example: If you're being tortured, you can't tell your torturer where you planted the ticking bomb, because your brain literally can't access those memories.

Torture is evil. Yeah. No shit.

And, this is where ScriptTorture stops. “Torture is bad,” and Jack Bauer is an incredibly unrealistic fantasy, end of story.

Except, this is not the end of this.

Now, generally speaking, I don't blame anyone who wants to get off the ride here. Torture is an unpleasant subject, and wanting to stop at, “oh, it's evil,” is entirely reasonable... unless you want to write on the subject, or if you do political analysis and need to understand why people break out the torture implements.

More than that, this is where my academic background in political science actually comes into play. I'm not saying this as an Eagle Scout who had a couple overly enthusiastic hand to hand instructors when I was a kid. This is (part of) what I studied in college, and I have kept an eye on it since then.

If torture didn't work, you wouldn't see state-sponsored torture pop up repeatedly throughout history. It would not be one of the favorite tools of dictators and despots. However, because it does, and it is, simply saying, “it doesn't work,” isn't instructive or meaningful because it's clearly untrue. Someone is finding value in this, so it becomes important to understand what they are doing, and why they are doing it.

When you torture someone, the information they provide is basically madlibs of whatever leaked through their brain. They want the pain and stress to stop, and they'll say anything they can to make that happen. That often takes the form of what they think their torturer wants to hear. O'Mara's research does explain why they don't simply cough up the truth.

So, why do it?

Torture is a very labor intensive process. You (as an individual) can't, realistically, torture multiple victims at a time, and it is a very drawn out process. Some elements can be automated, your torturer doesn't need to be present at every moment, but they're going to spend hours, if not days, working on one victim. Worse, this is actually a technical profession. It's not like you can just pull in anyone off the street and get the results you want. (Though, technically, this doesn't seem to be as true, however, amateurs do have a shocking capacity to screw up torture. So, the point remains valid.)

The value of torture has almost nothing to do with the victim. It's about the message it sends to everyone else.

Torture is about mass coercion of the population. When you are the state (meaning, the government), and you torture someone, you are telling your citizens that you are willing to do the same to them, if they oppose you.

State-sponsored torture is specifically a tool to suppress political engagement. It is, quite literally, state-sponsored, domestic terrorism.

This even holds true in cases where the state employs torture to extract confessions from criminal suspects. The message sent into the general population is that dissent of any kind will not be tolerated, and that the state has the willingness and power to turn these tools on you if you draw their ire.

I get that this is outside of ScriptTorture's area of expertise, and in fairness, I probably would not have studied this with any intensity, if I hadn't taken multiple classes on revolutionary theory.

Torture from private organizations (which is to say, organized crime, and religious institutions, though cults and some other groups might fit this description as well), follows roughly similar patterns. These tend to do the same things, discouraging dissent, and establishing the organization as having power over the population (or community.) (The technical term would be to “establish capacity.” Which is to say, the organization's capacity to enforce its will. The same term applies to states, though in those cases, the state's capacity is often overestimated by its population. It's only when it starts to falter, for example through military defeats or serious civil unrest, that they really need the capacity boosting part of this equation.)

Zealotry or stupidity can create situations where you have a torturer (or, more likely, someone in a position of power ordering the torture) who believes that it is effectively compelling the truth from the victim. This (or amateurs) can easily lead into a distinct problem, which is that all of this has diminishing returns. Torture one person, and you send a loud, clear message. Torture ten, and all you've added to it is that you're willing to keep going. However, as you start stacking up the victims, you do start sending a new message to your enemies, that being, you're going to get to them sooner or later so it's in their best interest to respond now, mobilize and retaliate proactively, before you get to them. This means that a state which leans heavily on torture can easily instigate the civil unrest that exposes their limited capacity leading to a political death spiral. Alternately, if the state does have the capacity to put down the resulting unrest, it further reinforces their position (which does happen with depressing frequency in the real world.)

You're also going to create new enemies in the friends, family, and loved ones, of the people you tortured. This means that any organization that relies on extensive use of torture will, eventually, start tying a noose around its own neck. (Granted, there are a lot of social dynamics that I'm skimming over here, so it's not exactly as simple as “if the state tortures lots of people, it will result in increasing unrest.”)

If you want a partial citation for the above, you can (ironically) find it in a podcast interview with Shane O'Mara, when he explained why torture has been employed repeatedly through history. (Specifically I think it was episode 15 of Your Welcome, by Michael Malice. Though, I'm not 100% sure off hand.) Though that doesn't cover some of the more in depth elements I just discussed. Some of this is coming from a textbook on revolutionary theory I can't locate (it disappeared in a move a few years back.) Though that was more interested in the general structure of a state destabilizing into internecine conflict. Ironically, my preferred citation on torture, Fear up Harsh by Tony Lagouranis is mostly uninformative in this case, because his experiences were on the ground, rather than from a structural understanding of what his job was really doing. However, he does illustrate my comment about amateurs making even more of a mess, both through personal experiences with a few, and also through the eventual trajectory of the invasion and occupation of Iraq.

But of course, torture is evil... again, no shit. Was that really a question? And, I'm apparently a torture apologist for having a structural understanding of why evil people do evil things. Cool. Evil people don't do evil things because they're evil, they do them because they gain some tangible benefit from those acts, and they do not care about the consequences to anyone else. If you ask someone, “why do people do this?” and their answer is, “it's simple; they're evil,” that person is lying. They may be lying to themselves, but they are lying to you.

Why do people use torture? It's a lot more complicated, and unpleasant, than you'd expect at a simple overview.

-Starke

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[cheekinpermission]

I wanna talk about the scene in the museum with Azul...

(SPOILERS FOR BOOK 3 AHEAD. ALSO LOTS OF RAMBLING! :D)

During Ch. 38 of Book 3, Azul and Yuu have a short conversation post-overblot in the underwater museum place. I always felt that this bit of dialogue was weirdly charged? The whole scene felt very intimate to me (and the soft music in the background doesn't help lmao), but I never knew WHY since nothing said was inherently romantic.

So, I went back and re-read through every post-overblot and realized that Azul is the only who who has a one-on-one conversation with Yuu after their overblot??

It's rare enough to have one-on-one conversations between Yuu and another character, but then Azul goes a step further. He's the only one to open up to Yuu about his problems:

Some of the other overblot boys talk about their problems, but not to Yuu specifically. It's more of a declaration than confiding in someone, you know? (E.g. Riddle talking about how he prefers milk tea even though the rules stipulate lemon tea)

We, the players, are shown flashbacks of the overblot boys to explain how they reached this point but I can't recall if Yuu is privy to this information as well. (It's theoretically possible since Yuu already has visions / dreams of the Great Seven, but no one ever mentions it so who knows. I'm personally on the side of Yuu NOT knowing because it feels a bit invasive that they'd have this knowledge of people who weren't ready to share it.)

Regardless of whether Yuu can or cannot see those flashbacks, Azul is the only one to willingly talk about his motivations to Yuu. For Azul, this is especially important as he's so protective of his image as a clever and upstanding housewarden, and yet here he openly admits to Yuu that he was a bit of a loser as a kid (his words not mine!).

I guess you could argue that he felt there was no reason to hide it anymore since Yuu already saw him as a chubby octopus baby, but he didn't have to talk about it at all if he didn't want to. But he did. On his own. With no prompting. (Really, though. Yuu can either say they want to make sure he puts the photo back or that they're worried about him, and either way he drops his lore on them lol) And then Yuu tries to help him feel better??

To my knowledge, Yuu doesn't do this with any of the other overblot boys, either. I could have missed it during my research, but if they did it wasn't nearly to the same extent as with Azul.

I still don't know why Azul felt like opening up to Yuu. He didn't have to, but maybe he wanted to? Maybe he wanted to try his hand at being genuine for once and felt Yuu was the least intimidating person to do it with (the magicless human that they are). Who knows? I wish there were more scenes like this. It makes Yuu feel more included in the story. I also think it shows a lot of growth on Azul's end to open up about his problems to Yuu of his own volition.

I'm not sure what I wanted to say with this post, only that I wanted to get my thoughts out there about this scene because it always stood out to me. I felt there was always an undercurrent of something and I think it's because this was the only post-overblot private conversation we got with Yuu and an overblot boy, plus the added encouragement from Yuu at the end.

I'm curious to know if anyone felt the same way about this scene or if I'm just imagining things. I'm also interested in hearing any theories why Azul suddenly felt the urge to open up to Yuu, if you've got them!

Thanks for enduring my rambling!

Bonus!

Azul's so funny for trying to play it off all cool like he isn't doing flips and princess twirls in his head rn. Yuu laid it on THICK. We all know he's freaking out internally.

[zorilleerrant]

things I think are responsible for the reading comprehension crisis, rather than the things people always talk about:

people get so worried that kids will hate reading that they profusely compliment any analysis young kids make, even when it's blatantly wrong, like A Modest Proposal levels of wrong. which means later when someone argues they refuse to listen because they think they're perfect at analyzing books

teachers are so overworked and undersupplied (and often assholes) that they demand only a specific version of analysis that they agree with and if anyone has any competing arguments they get their grades docked. possibly due to above

because of the literacy crisis, people keep putting huge, daunting classics in front of kids instead of fun books. this leads kids to believe that books can't be fun. or that books can only be fun if you pretend they have nothing to say

knowing that encouraging reluctant readers in reading literally anything improves literacy, people start encouraging all readers the same way. this leads to kids believing they're super smart and special readers who read way above grade level when they're actually falling seriously behind

the attitude of 'everyone has something worthwhile to say' means that people work really hard to compliment students who say things that are pointless or even fundamentally wrong. while withholding praise from students who make creative contributions in case it seems 'unfair'

that weird thing where kids now believe that everyone has to agree on everything or they're experiencing violence

increased push for diverse perspectives in fiction simultaneous with a push against describing the backgrounds or social situations of various authors (or historical figures in general) means there's less context and more confusion

it seems like people have stopped explaining that you can enjoy something artistically while disagreeing with its message or values? I blame advertisers for this one because it's the thing that lets kids not fall for commercials

too much emphasis on how 'everyone is smart' instead of placing less social import on intelligence. leads to ideas like 'no one can be more talented at anything than anyone else, they only practiced more' which makes more perceptive kids dumb down their analysis so no one thinks they're being stuck up. it also makes people believe no two books could be saying different things

the strong push against TV, movies, video games, etc. being considered art means people no longer bother to analyze them artistically. so they don't exercise the same skills they'd need for reading while doing other things

and the related push that reading is always a 'brainy' activity and all books are 'equally smart', meaning that even books that don't say much must secretly be incredibly complex and have deep, well-researched messages. which leads to people inventing things that aren't there. and since they have nothing to practice on, also no learning how to pick up on things that are there

the idea that there's some inherent divide between 'mindless' activities and 'intellectual' activities, and that it's a trait of the activities themselves, not how people engage with them. so people are under the impression they don't have to try to do anything in particular. it'll just happen

the creepy thing where people universalize history and think everything has always been the same as it is now, only worse (or better, depending) and related misunderstandings

whatever has happened to fact-checking

novels genuinely are worse quality now because there's less money in it and therefore way more constraints on who writes and what they write and how it gets popularized

[lowkeyrobin]

OMG I've had this idea for a while but fuckshit x shy turned confident reader where they're in the same class but fuckshit doesn't really notices reader until reader starts dressing for themself and does things they want to do instead of letting people walk all over them and fuckshit starts developing a crush and starts seeing reader everywhere !!! Thank you love you robinnnn <33

-♠️

STOP I LOVE THIS WTF ♣️ dw I saw the other thing ik its u bae ; love you too freakazoid ; thanks for requesting pookieeee hope u enjoy

FUCKSHIT ; confidence

summary ; fuckshit develops a crush on the new you

warnings ; language, censored racial slur, weed

disclaimers ; fuckshits real name is gonna be olan (like the actor himself) as much as I don't like it that much it's the best bet + I don't wanna make up some random name for him 😭🙏 it's just bc ain't no teacher is gonna call him fuckshit and stuff ; also I do censor the n word one bc I'm not black, two it's how ray and fuckshit talk, it's not overused or anything, I'm just not trying to whitewash their speech and mannerisms and them reclaiming that word is kinda important for them because they're black skaters in the 90s so 🙏

word count ; 1k

masterlist

You used to cover yourself up a lot, even during summer. Sweaters and long sweatpants and jeans paired with hightop Converse were your usual outfits, even in the blazing LA heat.

You skated here and there, not at any parks or popular spots, just around. You shared a class with Olan, or Fuckshit as he likes to be called, at school. You had 12th period history with him, where he sat next to you.

You were very shy and reserved, you never talked to anyone unless spoken to and spent your time in the back of the class just getting through your work. Every so often, Fuckshit would try to talk to you to little or no avail. He never really noticed you much in the hallway or any other class either, so he didn't have any other way to talk to or see you through the day.

He didn't know much about you, which is why he also didn't know much about how you'd let people walk over, use, and bully you. He'd defended you in class once, but that was the extent of it. He wasn't a bully whatsoever, a fuckboy, yeah, but he wouldn't make fun of you for some dumb reason like the way you dress or the way you bite your nails.

But, now, he couldn't help but stare at you.

He could finally see your gorgeous eyes again, your smile proving that you were much happier this way. You seemed so excited and confident. He even noticed you in the hallway talking to someone with a smile on your face.

He had to say something.

"Oh, shit, like your shirt. Gravediggaz is fire." He smiles.

You return said smile. "Oh, thanks! You listen?"

"Hell yeah, n****"

He sees the kids who usually made fun of you snicker and whisper a few feet away, but pays them no mind. You follow his gaze and get a quick look before rolling your eyes and turning back to him.

"Fucking annoying" You say, placing a finger gun to your temple. "You skate, right?"

"Yeah, why? You trynna hang?"

"Maybe" You chuckle and shrug, "Going to the courthouse, just wanna show off some tricks at that party. Wanna come with me? You'd make it way less embarrassing"

"Yeah, of course" He grins, "Mind if I bring my boys along?"

"Oh, please. The more the merrier" You nod, "I'll be under the left tree at six, yeah?"

"Yeah"

Safe to say he couldn't wait to talk to you later considering he wouldn't shut the fuck up about it. Ray had been making fun of him all afternoon while Fourthgrade filmed it all, Ruben's laughter prominent in the background.

He was basically bouncing off the walls as the minutes ticked away, time coming closer and closer as to when he'd see you again.

"Put your dick away"

"Shut the fuck up! I'm just excited"

"Yeah, excited alright"

"I swear to God-"

He basically sprinted out the door when it hit 5:50, leaving the others in the dirt as he skated down the sidewalk as fast as humanly possible.

He saw you waving for him as he entered, and he quickly walked towards you with a smile and a blunt in his hand.

"Hey" He smiles, offering you said blunt.

You take it and blow a puff out of it, "Hey, glad you made it. Where's your friends?"

He looks over to the side, waving to a group of boys who were clearly trying to look for him. The three nod and talk toward you two, talking about something you couldn't hear.

You wave to them as they approach and sit with you, joining the conversation about everything skate and music related. As the sun sets, the area illuminated by white and colorful neon lights, you get up onto the building, top of the stairs, to show off some tricks. You see Fuckshit and his friends watching you, along with many other strangers who were watching other skaters show their shit off.

You grind down the metal railing and hop off with a kickflip. You glance over at the curly haired blonde, who's shouting some inaudible compliments. You see his one friend, tall and blonde, filming with a Camcorder. You didn't mind, you thought it was pretty sick.

The youngest out of them, maybe fourteen or so, hands a blunt to the dark-skinned boy with the locs, both of their eyes on you, like they're scanning your high-school coolness level or something.

"Ayeee, that was sick as fuck!"

"Olan, is there something you need to share with the class?"

Fuckshit's eyes slightly widen as he slowly looks up at the teacher who'd caught you two whispering in the back of class.

"Nah, I'm good"

The teacher turns back to the board as you two quietly smile and snicker.

He can't help but get lost in your happiness, feeling comfort in your sneaky smile. He can't help but adore everything about you, from your humor to your skating, your music interests, it was like you were made for him.

The bell rings, nearly popping your eardrums once more as it dismisses you for the day. You walk side by side through the halls, taking the longest way through the school to go toward the front doors to leave.

"I just don't understand being a poser like that, it ain't getting you any pussy" He laughs, agreeing with your long tangent about how being new at skating didn't mean you were a poser, and that being a poser is lame. "Like what you doing when someone asks if you can do a trick or show them? You just paid for a deck to look cool?"

"Exactly! They act like we can't tell who's a poser and who's not!"

You reach the entrance, having to go your separate ways home.

"See you tomorrow, dude" You smile with a light chuckle, waving him a little goodbye as you step on your board to skate away.

"See ya! I'll bring those cookies tomorrow too!" He smiles and waves back at you.

Ray and Fourthgrade approach, confused and amused looks on their faces.

"Cookies? When did you become a baker, n***?" Ray asks.

"Shut the fuck up, I owe them"

"For what?" He asks again as the trio walk down the sidewalk, straying away from the street til they got off school property.

"Inviting us to that thing on Friday, and homework answers"

"Ugh, here he goes again"

[deadkraker]

ok had a reblog that awoke the cTommy demons in me so let me just rant for a second about my very specific flavour of cTommy I've made up ok? ok.

you know how like there's stories of kids surviving in the woods by themselves and living among animals? well my ctom is that but with a twist basically.

he spent about his all his early childhood (1 to a 8 year old) in the woods, alone, and like, he was living his best life honestly, I think that he'd sometimes spy on some village kids on the edges of the village but otherwise he was totally content to just frolic in the woods and eat bugs n shit.

but then cwil found him and was like 'oh no whats this child doing running around covered in mud living in a forest' and just kinda picked him by his scruff and carried him home, not really understanding that the kid he just picked up might not be a human child that needed that sort of assistance, all children bite right? like it's totally normal for them to claw at the walls of the home, begging to be released back to the wild for the first week they're inside a home? yeah. and the shiny eyes and claws are just quirks he's sure. this child is perfectly normal and meant to live among humans.

after a while tommy kinda warmed up to wil even when he didn't really understand why he had to do a lot of things, why on earth were shoes necessary anyways? the shirts and trousers he got, they were soft and made him warm in chilly night but god, shoes were his worst enemy. and wil would also develop a fondness for him, and after that they kinda began traveling together.

wil mostly saw tommy's habits as just little odd quirks, and unless it intervened with thing he deemed important he let the boy be.

but then the wars happened and wil became very strict on how tommy should act, how he made the state look bad by climbing trees and walking around barefoot getting his uniform all dirty and untidy, and tommy you have to wear the tie, don't you care what they will think of us if my right hand man won't even dress properly?

and despite all the efforts he made to understand why the things that his brother- no, his general said were important and should matter, the uniforms made his skin itch and the long depatings and peace negotiations made him miss the vague memories of the days where all he had to be was himself in the forest. at least he had tubbo, he'd never leave him.

woops, wil dies, other shit happens, tubbo becomes the president and then exiles him, leaving him, cdream's abuse makes him both regress and progress with his masking, he's never been so much of a starved animal and a obedient follower as he was now, a wild thing kicked and tortured until any form of affection got his complete trust. only for it to be blown up like everything else.

he escapes, finds a safe place, get betrayed, flees again, holes up away from everyone else, because apparently this people thing that everyone seemed to be so in on just wasn't his thing.

some people offer to try and help him, and he accepts. once again.

they say he needs closure, which sure, he'll get closure, dream's in prison now right? it'll be safe right?

one cracked skull and revival and he's proven wrong.

but is it just me or is he kinda..odd now? a boy that once couldn't stand still to save his life, now just watched in the background, with those creepy dead eyes that were nowadays covered by those bangs of his. he seemed more like a ghost than ghostbur ever was.

he just wanders around in the woods, and the claws that had been clipped short by wil now were untrimmed, I swear I saw him hunt a bunny and kill it with his hands alone one time!

he doesn't really talk to people like he used to, mostly he sticks to chatting with tubbo and cranboo, cphil's tried to talk to him, tried to apologize for how things turned out..but he doesn't really get anything back from tommy. he seems more busy with collecting bugs and skinning small rodents for their skulls to try and unpack years worth of complicated feelings towards everyone in his life, maybe things would've been better if he'd stayed in that forest of his, at least he sometimes wishes so.

[sexycraisinthanos]

Actually I’m gonna talk about this, controversy aside, Hazbin Hotel is so fucking lackluster. From character design, as I've previously mentioned, to animation

Vivziepop had years to work on these character designs and this is the best she could do on a LARGER animation budget?

I’d hardly even call them redesigns since you couldn’t even tell they’re different than when they first debuted (save for Vaggie)

And the actual animation just looks so stiff and like it’s a fan made thing

Versus the pilot from FOUR YEARS AGO

The reasoning for the “simpler” designs is to make them easier to animate but they aren’t that complex of designs and I’m no animator I’ll admit so maybe it makes it easier for musical numbers, but part of the appeal of the pilot was the hand-drawn loose style

Plus, any interesting design choices that were there were taken away in the Amazon show

Not to mention that almost every character is supposed to be based off an animal and you can't fucking tell what animal they're supposed to be unless you fucking google it

THIS is supposed to be a spider. If I didn't know who he was, i wouldn't even know that. Maybe it's not a universal opinion, but I feel like if your character is supposed to be based off of something, it should be a little more obvious than four arms and dots under his eyes which are actually another set of eyes.

He's a gay man, who's also a sex worker/porn star, which can be told by his outfit, but none of his outfit looks good together. You've got two sets of gloves, knee high boots, a mini skirt, and a blazer with a bowtie AND a choker.

It is a perfect outfit to tell you everything you need to know about him because it's a fucking mess. It looks like when your kid dresses up in your fancy clothes to take pictures in but nothing goes together because the kid is 5 and doesn't understand that just because you like the clothes doesn't mean they go together.

This is apparently a deer, though I've heard he's based off a w*ndigo so he wouldn't be deer-based, WHICH IS STILL BAD BTW HE'S GOT SO MANY RACIST PARTS OF HIS CHARACTER ELEMENTS BUT I'M NOT EDUCATED ENOUGH IN THOSE ASPECTS TO TALK ABOUT IT

And the outfit is just...bad. Aside from the tiny antlers that can barely be seen behind the hair, there's nothing cohesive about it. There's his coat that doesn't match the era he's from, the bob cut, the microphone which doesn't look like a microphone, the neckline that makes no sense, the random stripes on his shirt that you can't really tell what they're supposed to be (suspenders and a tie? a print on the shirt?), the actual tee shirt he appears to be wearing underneath his coat, the gloves, and again the FUCKING BOWTIE WHY DO EVERY ONE OF HER MALE CHARACTERS HAVE BOWTIES IS SHE ALLERGIC TO NECKLINES?

Not to mention the colors of the show and the characters. Vivziepop is under the impression that since they're all in Hell, they need to have a color scheme. Or at least the more important characters do. And what color scheme is that? Red and black.

But you know what else has red and black?

EVERY

SINGLE

BACKGROUND

IN THE SHOW

And he just blends in with the background. Which is not something you want a character to do if they're one of the more important characters in your show.